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#well if this isn't the truth
lucabyte · 5 days
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i feel like people are sleeping on the occam's razor situation of how buckwild it is to outright accuse a guy of being a clone of your friend even if you DO have a lot of circumstantial evidence. there's other options is what im saying. they could just be like. a guy. that's a sensible deduction. you should explore that deduction. ignore my shirt that reads I <3 RED HERRINGS.
i still think odile has the correct theory on lock but she's smart enough to know it needs like... a real smoking gun to be able to bring it up without sounding insane.
anyway. (mirabelle voice) i know its rude to speculate but has anyone else noticed the grieving? they seem to be grieving. does anyone have any thoughts on the grieving? i have some thoughts on the grieving.
#[isabeau voice] am i insane or does sometimes loop talk like they might have killed their whole family. is that just me? just checking.#nille design highly inspired by @kiwibrain's since its the one that imprinted in my mind. liberties taken since i didnt look @ reference#anyway i have a lot more thoughts on this? i guess ill hide them in the tags...? scroll down i suppose.#isat#in stars and time#isat spoilers#in stars and time spoilers#isat act 6 spoilers#isat loop#isat siffrin#isat bonnie#isat nille#isat fanart#in stars and time fanart#doodlebyte#----------------------------------------------------------------------#anyway the extra thoughts. are literally just my general thoughts on postcanon. (and thus are the context for all of my postcanon doodles!)#which is i think nille joins the party before loop reappears for a start (either from a period of nonexistence or just wandering around)#and that like. i think the party should be able to integrate loop as a completely new person. because they are! the secrecy isn't great but#They and Siffrin shuffle into different ecological niches in the party (eg. i think sif is more squeamish after it all but loop isnt)#and while it's not *exactly* what Loop wanted they get that beggars can't be choosers. and its pretty good#(i am glossing over how i think loop's reappearence drags both them and siffrin into a massive behavioural backslide and is likely a bit#distressing to watch go down. cycle of argument -> lovebombing -> normalcy -> repeat. etc etc. but since they are no longer literally#stewing in the worst pressure cooker of all time they do resolve it via productive conversation on their own time. its fine)#the party well-meaningly tries to deduce things from loop's vagueries and are able to pin down the DEAD FAMILY vibe pretty quickly.#but eventually the question of their prior identity falls by the wayside because well! they're just their friend loop! (also change belief)#as for how The Truth Come Out... this is what i mean by The Isabeau Torment Nexus(tm). which is that i think... isiloop should almost occur#BEFORE isabeau knows who loop is. he's just genuinely charmed by them eventually and tries to close the open end of the polycule#which FREAKS LOOP THE FUCK OUT because thats just too genuinely sick and wrong. and obviously w emotions high its not a great confrontation#ANYWAY told u i had more thoughts. if i were normal itd be a text post but.
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ingravinoveritas · 1 month
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Michael on the Zoe Ball Show on March 1st: "And he looks good in a kilt as well, doesn't he?"
David on Comic Relief tonight:
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fictionadventurer · 5 months
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The Ballad of Songbirds and Snakes reviews I've seen fixate on the story's discussion of whether humans are inherently good or inherently evil as if one side or the other is the correct answer. Meanwhile the story itself is showing that individual choice in every action--choosing to act out of either love or self-interest--is what truly matters in shaping society. A free and stable society requires that people be taught to make selfless choices rather than act out of fear. Instead of oppressing people into fearful order, citizens need to have the freedom to choose the good, and be educated with the values that teach them what good is.
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hansama · 8 months
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I tried to sketch Papyrus in both my art style and @skull-otaku xD
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akechi-stole-my-heart · 2 months
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i maintain that the reason goro sucks at cooking is bc he absolutely cannot for the life of him experiment with it. he can follow instructions fine but if there's vague terms or if something says to eyeball it he's completely lost. that, and goro cannot stand having to do multiple things at once and will absolutely burn a building down because he wasn't keeping a close enough eye on the stove. this is what makes akira so good at cooking, on the other hand--he thrives at experimenting and taste testing and the chaos of the kitchen is something he lives for.
HOWEVER. goro is very good at following a step-by-step guide. he is extremely meticulous. he is capable of being precise with measurements. so once he's introduced to it, goro becomes an incredible baker. it even becomes therapeutic, a method of relaxing after a long day. akira hates baking for the same reasons goro loves it, but loves having yummy tasty treats, so baking becomes goro's forte.
unfortunately, being the friend who brings baked goods to every hangout means goro is not escaping the has-a-sweet-tooth allegations anytime soon.
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uncanny-tranny · 6 months
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The thing that gets me the most about intersexism is the fact that... it doesn't matter how many intersex people there are - no matter if they are as common as redheadheaded people or anybody else - when the intersexist sees human bodies and their states as a inherently a political battle, an agenda to be "won," the intersex body will always be an "anomaly," something crude and unnatural, regardless of how oxymoronic the "unnatural natural body" is.
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iraprince · 2 months
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Hiii, i love your stuff and kinda from a distance really look up at you for, in my perception, being able to express yourself without giving a fuck. Thats sick dude, Im so so afraid, of absolutely everything, its nice to think like i might grow into someone less apologetic of my existence. Nice to see people just being yknow
hey, thank you, this is really really nice. the secret that is probably not a secret is that i am also deeply afraid a lot of the time lmao -- but less than i used to be, and in ways that feel less stifling and self-suffocating, if that makes sense.
like, it used to be "i'm scared that if i express myself the way i want to, everyone will find me obnoxious, so let's just sand those edges down to be safe" -- now my fears are more like "now that i'm expressing myself in a way that feels natural and real, i'm afraid that it's all stupid/vapid/not worthwhile or meaningful" (<- specifically abt my art) or "i'm happy that i talk and act the way i want to now, but what if it makes me impossible to befriend," etc etc etc. which still feels bad and puts me in a funk a lot of the time but at least it's a fear that comes After/in reaction to doing stuff, rather than a fear that STOPS me from doing stuff, you know? like, it's evolved into a kind of fear that's less in my way.
anyway. i believe you'll experience something like this, because wanting to grow is the first step of growing. the fact that u hope or wish for something different means you're already on your way. to fewer fucks!! or at least distributing the fucks u give in a way that serves u better
#stuff like accepting that i'm reserved and i'm not very accessible via messages.#or that my online tone isn't very bubbly and it's weird and uncomfortable to force it.#i stop letting fears about that shape my behavior ('i'll look mean or snotty so let's force markers of Friendliness to avoid that!!') -#- and instead act the way i want to and then trade it in for new fears that come After the action.#also a good reminder to give urself is that if ur fear is abt how other ppl perceive u (as 90% of mine is personally)#u really... can't actually control that. and being very very anxious abt it all the time is usually ur brain throwing a tantrum abt not--#--having that control. bc it is understandably very scary that u don't have that control#as much as it sucks + is terrifying the truth is the only thing u can do is ask urself 'am i behaving in a way that i'm proud of'#'am i behaving in a way that's in alignment w my values + what i think is important'#bc if the answer to that is yes and somebody hates u or is deeply offended by ur existence anyway. well. literally not ur problem#but obv being at peace w that is way way easier said than done + requires tons of practice and will take. probably. years. which is fine#i am stuck with myself. i can either contort myself forever trying to be someone everyone will like and find totally nonthreatening and-#inoffensive and in the process exhaust myself totally and never feel safe or natural myself. OR#i can say okay. so i am a kind of prickly guy with stern and drab speech patterns and close to no social energy. and i think i can still be#-sexy and fun this way. and it is up to other ppl to figure out if they can agree w me on that#ANYWAY enough rambling for now. just another one of those things i think abt a lot so i have a lot of ready-made sentences abt it in mind
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vickyvicarious · 11 months
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seeing ppl go "lol jonathan why are you admitting you found them hot what will mina think of you when she reads it!!!" has me go "*shakes you* you are going against the thesis of the book!!!"
I know some of why is dependent on knowledge of future events, and so people new to Dracula Daily won't be aware of it. But to be honest, Jonathan admitting his attraction to the vampire ladies is so, so important to me. On several different character levels, even outside of the entire book proving over and over again that sharing knowledge is absolutely vital (and is also an expression of deep love/trust/support).
Let's just stick the quote in here for reference:
There was something about them that made me uneasy, some longing and at the same time some deadly fear. I felt in my heart a wicked, burning desire that they would kiss me with those red lips. It is not good to note this down, lest some day it should meet Mina's eyes and cause her pain; but it is the truth.
Firstly - he needs to keep an accurate record. This is his only place to speak freely, his only opportunity to be precise about what he is going through. It is vitally important for him to keep his sanity intact that he be clear and try to remain logical in this diary. We see him fact-checking again and again. We can extrapolate from other statements that he doesn't always mention everything he suspects unless he feels it relevant or possible to prove. For example, repeatedly noting Dracula himself doing things before ever getting around to voicing the theory that the Count has no servants (he collected evidence first, didn't speak his suspicions until they were proven). Or putting the crucifix above his bed and taking the opportunity to sleep elsewhere, thus pointing to feeling unsafe and possibly experiencing bad dreams in his own room (he mentioned what he does about it, but not the feeling on its own or whatever nightmares he may be having). Jonathan works very hard to keep his diary focused on a few things above all: what the Count/ladies are, what everyone does, what Jonathan observes or learns, his actionable plans. He of course expresses his fears and emotions at times in his diary, more than he can out loud, but never going all the way down the rabbithole of fear, hopelessness, etc. He tries to calm himself by sticking to facts (all the harder when something strange is happening), which is in itself a soothing process for him so that's helpful too. His goal is to make this diary useful to himself and to others, if he ever gets the chance to share it. There is a goal here.
And what that means, is that the things Jonathan writes in great detail are things that feel relevant to him. The entire encounter with the vampire ladies was extremely important. It revealed a ton of new information to him, as well as being a truly horrifying and traumatic thing to go through. Jonathan's feelings are as relevant as his observations/actions here, because both are directly affected by the presence of the vampire women. Jonathan can't move. He feels dreamy. He feels attracted to them. He cannot resist and in the moment a large part of him didn't even want to. These are all effects they are causing, at least to some extent. I know mileage can vary a lot on how much of Jonathan's attraction is just coming from him, but honestly, I can't agree with any version that doesn't have a natural attraction at the very least being exacerbated by supernatural vampire abilities somehow. If not caused or called forth by them in the first place. The way he narrates, with so much obvious fear and revulsion mixed in with the desire, makes that clear to me. He sounds like he doesn't fully understand his own feelings at the time, at least where they all came from or why they were so strong. It goes along with all the other symptoms he is experiencing, and the other abilities they demonstrate. And so, to keep his record accurate - it has to go in. He cannot leave it out. It might become very relevant later.
Secondly - Jonathan is honest with Mina, specifically. I love this about their relationship. I don't think it's so much 'I noticed they were attractive' that he fears might hurt her, because Mina isn't particularly shy herself about noticing both women and men as good-looking, and even admiring their looks while on a date with Jonathan (poor Pretty Girl in Piccadilly). He also called local women pretty in his first entry as well (though he did say "except when you got near them" so it felt a bit backhanded to me), so again it's not the noticing that's an issue either way. It's more that he felt actual desire to act on an attraction, or rather for them to act. This is unusual, this is a separate matter from noticing people are hot, this is something that comes much closer to cheating or at least wanting to, and he feels very guilty about it. There's no real sense that he is worried Mina will be angry at him, and there's no sense that he will ever outside of that one moment ever want to act on any attraction he feels for someone other than Mina (or someone Mina also approves of, varying depending on your polycula headcanons). I personally do kind of tend to view Jonathan as some form of demisexual so how much he even tends to feel attraction to other people is often a little wibbly to me, but that's kind of irrelevant for the point of this. We can also set aside the shared language of "kiss" between Jonathan and the vampire ladies, and how this may point to a desire to become available for being drunk from, rather than necessarily sexual desire specifically, even if that's the type of language used. With regards to Mina: he's not worried about being caught, because he is choosing not to hide. He feels bad talking about the attraction because it might hurt her feelings, but he'll admit to it regardless because it's more important to him to be honest with her. Jonathan hates hiding things from Mina. This actually becomes plot-relevant later on. Even when she herself expressly forbids him from telling her stuff, he feels anguished about it and is certain to ensure that records are kept which she can read later. He trusts her completely. Embarrassment, shame, bad behavior, or whatever else - he will still share that with her. The only times he doesn't confide in Mina are when he's trying to repress everything because he thinks he was crazy (and possibly may even have some PTSD-related memory loss as well), or when he and the other men are trying to make sure she isn't exposed to danger (which is wrong in several ways but this post isn't about that so I won't get into it), and of course when she tells him not to. Every single time he feels upset about it. So yeah, he's going to regret that she may feel hurt, but deliberately hiding things from her would be worse.
Thirdly - Jonathan admitting his attraction here is a huge comfort to Mina later on. I truly believe this. I've talked about it before actually, but let me try to rephrase a bit to keep it on the same post. By being open about his own attraction and experience with nearly being drunk from, he provides precedent for Mina's October 3rd trauma. It makes it easier (though obviously still not easy) for her to admit to the same kind of desire:
"I was bewildered, and, strangely enough, I did not want to hinder him. I suppose it is a part of the horrible curse that such is, when his touch is on his victim."
Mina never blamed Jonathan for expressing such thoughts. She wasn't concerned about the issue being another woman when she came to him in the hospital, and when she read his diary she never mentioned any hesitations or misgivings about this scene at all. But even if she had secretly felt upset before (I personally don't see her thinking that way at all, but for the sake of argument), I think that experiencing something similar would make her grateful for Jonathan's candor. In a moment when she's already feeling deeply unclean and complicit, Jonathan's earlier honesty here relieves her from a little bit of the guilt she is feeling. It lets her recognize her own lack of desire to stop Dracula as something he did to her, just like Jonathan experienced with the vampire ladies when he couldn't/didn't want to move away. It's possible even that Mina felt more explicit desire for Dracula's 'red lips to kiss her' but didn't feel comfortable saying quite that much - even if so, again Jonathan's account would be a comfort.
And having that account written down long ago means she has already internalized this. If Jonathan had kept it hidden only to try and ease her mind later, well... first off, Mina too might have kept her reaction hidden out of guilt. And even if she didn't or he told her then, a confession at that time wouldn't mean nearly as much or carry the same kind of weight, I don't think. It would feel like he's making excuses for her, like he didn't trust her enough to tell her earlier, just... bad stuff mixed in, which are all avoided by having Jonathan be truthful from the start.
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eerna · 2 months
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shoutout to Nicasia for being the only one who figured out Jude was the mastermind behind the coup. Orlagh, Madoc, and Balekin, the Big Brained Centuries Old Antagonists, as well as the rest of Elfhame, all convinced her she was wrong so she gave up on trying to prove it after a while but the way she made Jude sweat was soooo girlbosses supporting girlbosses
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poorlittleyaoyao · 1 year
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You're doomed--may you never fathom who you are!
Oedipus Tyrannus, lines 1167-1173 (tr. Robert Fagles)
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recitedemise · 11 hours
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Unhinged post in the middle of Thursday, but honestly, Gale would be such a good dom. Like, a soft dom. He's a switch, and I'm tired of pretending he wouldn't be the world's most mindblowing top. I am talking constantly checking on your needs, reading you carefully to respect your limits, is constantly always very aware of how you are faring. I am saying asking for consent and him checking in on you in a way so natural it flows with the sex. ('Tell me how that feels. Your words, love. Let me hear you.' / 'Your eagerness is tempting and know that no thought excites me more, but I'll consider it only when you're ready and not a moment sooner.' / etc.) Gale is a tender lover, a patient one that prioritizes his partner's pleasure AND comfort well over his own and will take every step he can to ensure he's absolutely ruining his absolute love in the most doting way possible.
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pocketramblr · 5 months
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5 headcanons for an AU where All might deflates in front of the crowd after defeating the sludge villain?
OOOOOOH now that's fun
1- it's quiet, for a moment, as everyone stares and tries to process what they just saw. Izuku, who saw the truth already, still is stunned for a second. And then he realizes everyone else sees too, and his feet move before he can think more about it.
2- Izuku needs everyone to stop looking at All Might as the crowd begins to murmur, shaking itself. Izuku knows that Kacchan is very good at being loud and the center of attention. So, 2+2=4, he gives Bakugou a little push into a hero and a civilian and let's that work out.
3- As the explosion begins, Izuku grabs All Might's hand and runs, down between two buildings that still smell like smoke and sewage. Mt Lady grows for crowd control, and sees where they go- but the look in their eyes makes her turn back to the crowd and block a few civilians from following. She pretends everything is normal, and she's an actress. If that really was All Might- and it had to be, she felt that power- he'll be grateful when she contacts his agency later to demand what happened. If it isn't, then she can point out that letting non-heroes follow a villainous impersonator of that power level would have been disastrous.
4- they go a few buildings further when All Might's feet drag and Izuku's burst of motion slows. He pants, and stops at the street. "Go one way, All Might, sir, I'll tell them you went the other way." He can still hear Kacchan shouting above the other voices, and Mt Lady arguing back, but they don't have a lot of time. "Yeah, no." Toshinori says, and drags Izuku instead into a store, heading for the clearance section and hats.
5- the good news is, most people had put their phones down at this point and weren't filming. The TV cameras had turned away to show the people cheering and the blond victim fine. The bad news is that some people still were filming, and the TV crew went back, catching sight of All Might's skinny back fleeing the scene as the crowd erupted. As Toshinori pays for a change of clothes for both him and Izuku, his phone starts to ring. He mutes it as they change and put on the hats. Izuku asks where they are running too, but Toshinori just goes two buildings down to a ramen shop and sits at a table. He points out that no is going to look for All Might at a restaurant a block from the crime scene, much less expect him to be casually eating there in an Endeavor hoodie and a ball cap. He thinks the bright orange FG jacket izuku is now wearing to hide his school uniform clashes horribly with the lilac beanie, but it works to make the few curls escaping to look less green. As they eat, Toshinori tells Izuku about OfA, and makes his offer. Izuku bursts into tears because he just ruined All Might's secret, revealed it to everyone, he doesn't deserve his quirk, and now that it's in the open All Might can pick someone else, the best choice. Toshinori disagrees, because all Izuku did was inspire him to save that other boy, which was more important. Izuku agrees to be his successor, numbers are exchanged, and after eating Toshinori walks him home just in case- but it seems Izuku wasn't identified, probably because Bakugou could only scream "Deku" when shoved, so Izuku gets a quiet night of pure stress to himself while Toshinori heads to ask Tsukauchi for a ride to Might Tower for a very loud and very long night of pure stress and demanding answers.
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liquidstar · 3 months
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Between commissions I finally managed to finish this OC set of parent characters! If the looks aren't enough to show you who their kid is, the background colors match them ^_^ but of course more details below!
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Name: Thuban
Name origin: The former pole star, before the north star (Polaris), it's name means "Large snake" and is referred to as the “Dragon's tail”
Pronouns: He/him
Age: N/A
Relation: Raised Polaris, though they're not related by blood and have a somewhat distant relationship, until he suddenly went MIA
Weapon: Spear (Same as Polaris's)
Ethos (Power): N/A
Flaw power is based on: N/A
Notes: Make no phallic jokes about the large snake thing and you'll be rewarded
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Name: Ananke
Name origin: A moon of Jupiter, named for the mythological spirit of necessity, inevitably, and compulsion
Pronouns: She/her
Age: -
Relation: Bella's mother, she raised her to be a warrior
Weapon: Bardiche
Ethos (Power): Indomination (The ability to freeze the movement of objects and people, and lock them in place)
Flaw power is based on: Her strict enforcement of obedience through authoritarianism, and a lack of concern for the wishes of others
Notes: She believes in tough love. It's better in the long run to give your kid strength rather than affection.
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Name: Rhea
Name origin: A moon of Saturn named after the Titan known as the mother of the gods
Pronouns: She/her
Age: 38
Relation: Saiph's mother, though she gave him up to the guild when he was very young
Weapon: None
Ethos (Power): None
Flaw power is based on: N/A
Notes: Was unable to take care of a baby at the time, and gave Saiph to the guild. She wishes she'd visited beyond that but it's probably too late now...
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Name: Arche
Name origin: One of Jupiter's moons, it's name comes from the muse of new beginnings and is associated with springtime
Pronouns: He/him
Age: 7
Relation: Saiph's half-brother. Neither currently knows the other exists
Weapon: None
Ethos (Power): None
Flaw power is based on: N/A
Notes: He's just a little guy. He likes flowers and playing with toys. He wants to be a cool hero like his dad
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Name: Poerava
Name origin: A star in Tucana, the Maori word for a black pearl of mystical beauty and perfection
Pronouns: She/her
Age: -
Relation: Al's mom. She mostly raised him on her own while her husband was with the knights.
Weapon: None
Ethos (Power): None
Flaw power is based on: N/A
Notes: Probably the best parent of the bunch if we're being real.
#Finn's ocs#Finn's art#oc references#i wrote the descs while w the kids so hopefully they make sense. my attention was split#but anyway here in the tags I'll talk about the designs in relation to their kids lol#polaris is emulating thuban moreso than anyone else. her color scheme and outfit motifs are the same as his- they ARE his#her original outfit is clothes she took and diy'd into her own so she could go off into the world and well presumably look for him at first#the truth is she always wanted to see the world that's why she loved maps. in a way this was an excuse. in another way she was just lonely#but doesn't understand loneliness. also the fact that she's not his daughter by blood is part of that#bc of her actual parents (not as relevant character-wise) she sees all relationships as temporary and she has issues connecting#ananke i wanted to mostly look intimidating in a way that Bella really isn't#Bella puts on skull hairties and fishnets and stuff but she's very much. a cute softie trying to look edgy. she has pink twintails#she's so different from her mom in pretty much every way but she still did have that ideal of strength drilled into her#still her take on it is softer. she's the team leader now but she's really pretty lenient aside from the important No Killing rule ofc#w Rhea and Arche i had a bit of a flower theme. pussywillow (lol) means motherhood and buttercups mean childishness#so. mother and child#but rhea is interesting bc she's raising a whole different kid now that she's in a different place in life#if you do the math she had Saiph young. and it was alright for a while until his dad (again not as important) died#so she didn't have support or money. but she had a connection to the guild because his dad's old sword teacher is a member (hmm)#but she was too scared/ashamed to visit. she just left him his dad's old knife because that's all she had (THE KNIFE IS IMPORTANT)#arche is her kid with her second husband and her new beginning. this will cause some inner problems for Saiph when he meets them...#Poerava was kinda designed to have rich lady vibes because remember Al's family is practically nobility#but more importantly she's designed to look like a mom. with the low ponytail and tired eyes#the black pearl of her namesake as the centerpiece of her outfit too#again she's got the healthiest relationship with her kid here by a longshot#but i mean don't worry Al still got the daddy issues so he's not getting away unscathed#I already drew Taurus with the zodiac knights though so i didn't feel the need to reintroduce him#anyway Mira really has 0 connection to any family at all she was found as an orphaned baby after a monster attack#obviously she had parents but beyond town of origin it's unknown who so she has no connections to any sort of past parental figure#the guild is her one and only family and that's how she wants it. she wants to be with them forever the past doesn't matter
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queenlucythevaliant · 6 months
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Usually, even a non-Christian knows something about the earth, the heavens, and the other elements of this world, about the motion and orbit of the stars and even their size and relative positions, about the predictable eclipses of the sun and moon, the cycles of the years and the seasons, about the kinds of animals, shrubs, stones, and so forth, and this knowledge he holds to as being certain from reason and experience. Now, it is a disgraceful and dangerous thing for an infidel to hear a Christian, presumably giving the meaning of Holy Scripture, talking non-sense on these topics; and we should take all means to prevent such an embarrassing situation, in which people show up vast ignorance in a Christian and laugh it to scorn. The shame is not so much that an ignorant individual is derided, but that people outside the household of the faith think our sacred writers held such opinions, and, to the great loss of those for whose salvation we toil, the writers of our Scripture are criticized and rejected as unlearned men. If they find a Christian mistaken in a field which they themselves know well and hear him maintaining his foolish opinions about our books, how are they going to believe those books in matters concerning the resurrection of the dead, the hope of eternal life, and the kingdom of heaven, when they think their pages are full of falsehoods on facts which they themselves have learnt from experience and the light of reason? Reckless and incompetent expounders of holy Scripture bring untold trouble and sorrow on their wiser brethren when they are caught in one of their mischievous false opinions and are taken to task by those who are not bound by the authority of our sacred books. For then, to defend their utterly foolish and obviously untrue statements, they will try to call upon Holy Scripture for proof and even recite from memory many passages which they think support their position, although "they understand neither what they say nor the things about which they make assertion."
St. Augustine, De Genesi ad Litteram, emphasis mine
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cyberverse--reblogger · 5 months
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Size chart for (some) Cyberverse characters!
(Note: The size and conversions into feet will be done below, typed out for convenience.)
So I was scrolling around on Seibertron's discussion threads about cyberverse (somebody was trying to bring some political figures in the conversation and I was so confused) to try and ignore my real-life responsibilities and I stumbled upon this post!
It's a (probably) official size chart for certain characters from cyberverse! I posted another version of the screenshot below. Also, here is the original video from where the size chart came from, and it is also in a playlist, including other videos about this cyberverse magazine.
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Note: I suggest you click on the picture or open it in a new tab, as tumblr murdered the quality pretty badly. I also suggest you all to watch the video, because my computer is kinda crappy, and idk if taking a screenshot murdered the quality.
HEIGHT AND CONVERSION INTO IMPERIAL SYSTEM:
This is by the order from left to right, top to bottom. Please note that this isn't exact, as I'm just trying my best with eyeballing the heights, and I'm using google conversion to change this in the imperial system, and I'm also rounding the numbers to only two decimal places. Also, the poses they're doing are really weird (seriously, what are you doing, Acid Storm?), but I'm assuming that wherever their heads end is how tall whoever put this chart together wanted them to be, and they didn't have access to any official art that had everyone standing straight.
By the way, please don't chew me a new butt if I'm off by around 0.10 meters or something. I'm trying my best here, and I don't really want to break out the rulers and grid and do math to find their exact height. I'm just doing this for fun :]
AUTOBOTS/TOP ROW: Bumblebee: 4.75 meters, equivalent to 15.58 feet. Optimus Prime: 5.75 meters, equivalent to 18.86 feet. Windblade: 4.75 meters, equivalent to 15.58 feet. Grimlock: 6 meters, equivalent to 19.69 feet (nice). Hot Rod: 5.25 meters, equivalent to 17.22 feet. Wheeljack: 5.50 meters, equivalent to 18.04 feet. Blurr: 5.50 meters, equivalent to 18.04 feet. Ratchet: 5.65 meters, equivalent to 18.54 feet.
DECEPTICONS/BOTTOM ROW: Megatron: 6.25 meters, equivalent to 20.50 feet. Starscream: 5.10 meters, equivalent to 16.73 feet. Shockwave: 5.75 meters, equivalent to 18.86 feet. Thundercracker: 4.65 meters, equivalent to 15.26 feet. Shadow Striker: 5.65 meters, equivalent to 18.54 feet. Acid Storm: 4.65 meters, equivalent to 15.26 feet. Soundwave: 5.65 meters, equivalent to 18.54 feet. Slipstream: 4.65 meters, equivalent to 15.26 feet.
Below the cut is some stuff that I found interesting, like the average of heights, orders from shortest to tallest, surprises I had, and other thoughts. Take a look!
AVERAGE HEIGHTS OF AUTOBOTS: 5.39 meters, equivalent to 17.69 feet (nice).
AVERAGE HEIGHTS OF DECEPTICONS: 5.29 meters, equivalent to 17.37 feet.
AVERAGE HEIGHTS OF BOTS WITH LAND-BASED ALT-MODES (there were 11 of them in total; 7 Autobots, 4 Decepticons): 5.61 meters, equivalent to 18.40 feet.
AVERAGE HEIGHTS OF BOTS WITH AERIAL-BASED ALT-MODES (there were 5 of them in total; 1 Autobot, 4 Decepticons): 4.76 meters, equivalent to 15.62 feet.
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Height re-order; Tallest to shortest, all bots: 1. Megatron (6.25 m // 20.50 ft) 2. Grimlock (6 m // 19.69 ft) 3. Optimus Prime and Shockwave (Both 5.75 m // 18.86 ft) 4. Ratchet, Shadow Striker, and Soundwave (All 5.65 m // 18.54 ft) 5. Blurr and Wheeljack (Both 5.50 m // 18.04 ft) 6. Hot Rod (5.25 m // 17.22 ft) 7. Starscream (5.10 m // 16.73 ft) 8. Bumblebee and Windblade (Both 4.75 m // 15.58 ft) 9. Acid Storm, Slipstream, and Thundercracker (All 4.65 m // 15.26 ft)
Height re-order; Tallest to shortest, Autobots only: 1. Grimlock (6 m // 19.69 ft) 2. Optimus Prime (5.75 m // 18.54 ft) 3. Ratchet (5.65 m // 18.54 ft) 4. Blurr and Wheeljack (Both 5.50 m // 18.04 ft) 5. Hot Rod (5.25 m // 17.22 ft) 6. Bumblebee and Windblade (Both 4.75 m // 15.58 ft)
Height re-order; Tallest to shortest, Decepticons only: 1. Megatron (6.25 m // 20.50 ft) 2. Shockwave (5.75 m // 18.86 ft) 3. Shadow Striker, and Soundwave (Both 5.65 m // 18.54 ft) 4. Starscream (5.10 m // 16.73 ft) 5. Acid Storm, Slipstream, and Thundercracker (All 4.65 m // 15.26 ft)
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This whole list was pretty interesting, although I do feel like the animators weren't all that faithful to this (heck, I don't think they had this, and were just told general guidelines to follow to make each character a certain height.) Also, I'd have thought the seekers (and Windblade) would have been taller than most of the other bots that have land-based alt-modes, like Bumblebee or Hot Rod. I guess not in this continuity.
Considering that the other bots that are the same height as Shadow Striker or taller are either SUVs, tanks, large trucks, dinosaurs, etc, while Shadow Striker is just a sports car is pretty interesting.
I also like to imagine that the only reason why Starscream is taller than the other seekers listed is because he made some sort of mod (maybe something that has to do to his rockets at his heel/foot?)
It's too bad that there doesn't seem to be anything with the rest of the s1 characters (Because I swear there were more Autobots first shown in background scenes during season one, but I could be wrong), and it really is too bad that we don't have anything for the season 2, 3, and the movie specials.
Still, I hope you all found this post as interesting as I did!
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krikeymate · 11 months
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In the “billy parents the girls” au, I wonder how Sam and Billy would react to Tara being attacked by ghostface? Like one overprotective and “slightly” unstable family member wasn’t enough.
Somebody knows.
That's his first thought. Maybe he should have known something would happen on the 20th anniversary. He never thought it would come back to him. After all, there was a 'Ghostface attack' just five years prior, and it was all about Sidney. Why wouldn't it continue to be all about Sidney? Billy's dead after all.
He should have moved out of Woodsboro. It's always been risky, staying. But this was his home, and by the time he'd given up entertaining the thought of revenge against Sidney, he'd put down roots. He'd thought about moving a few years ago, when the last attacks happened and the police started sniffing around for information, but the girls had friends here, and Sam's never quite treated him the same since she learnt the truth. She would never have agreed to leave.
So here he is, staring Deputy Judy Hicks right in the face, unrecognised. God these people must be stupid, to look him right in the eyes and still not see him. He manages to talk his way back into the house with a well-placed quip about the absence of their good Sheriff and a reminder that his 14-year-old daughter, her own son's friend, who was attacked, is going to need some comforts of home and her inhaler.
He pauses to take in the murder scene on the way. He memorises the pattern of blood soaked into the living room carpet, the outline of his little girl, the kitchen knife abandoned on the floor. His own knife. They used his own knife on his daughter. When he finds out who did this, he's going to make them pay.
He packs a bag, he packs Tara's essentials, a change of clothes for Sam and the teddy bear she denies sleeping with. He heads for his own room to get some things, and that's when he learns somebody really does know.
Because Billy is scrawled across his bedroom wall in red.
Red is all he sees.
#/mp#ask box#Billy Loomis#AU: the past in the present#the tags tag#I love making baby Tara be attacked. it's so tragic.#the urge to make Sidney Ghostface here is astronomical lmao#anyway what are the logistics of there being two Mr Carpenters in Woodsboro technically and both have been seen being a father to Sam? Idk.#Billy's like 'Christina had a type what can I say'. Her husband left because he discovered the truth and he got to step up.#God I have so many thoughts about where this could go now actually#Like say it WAS Sidney. Who couldn't take knowing Billy was out there still. After everything she just couldn't take it.#She was never going to kill the girl. She just wanted to injure her. Scare her. Get Billy's attention.#But the girl fought back with unexpected ferocity. Things got out of hand. Billy uncovers her in the end and finally gets his revenge.#Gale and Dewey are distraught. Gale investigates. She discovered the truth. Billy Loomis is alive. She reveals it to the world.#Billy finally gets arrested. Tara doesn't take the reveal well.#Sam is old enough to take custody of her sister. She does her best. It isn't good enough. They both spiral.#Just a few years later her sister gets attacked AGAIN. This time it's so much worse.#Her injuries are so much more severe and the perpetrators were people they loved. It wasn't even about Billy this time.#It was about some fucking movie.#Sam moves them to New York after that. But everyone knows who they are. The daughters of a serial killer. With a body count of their own.#There's just no escape.
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