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#what else have I written?
fatefulfaerie · 2 years
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Requests Open! Details Below
NINE
HUNDRED
LACKEYS
WHAT?!!!
That’s the population of an ENTIRE small town like wow. Let’s take over the world next week with our army (I just rewatched Loki my chaos is at peak).
I did some research, and it turns out the number 9 has an interesting significance in cultures and mythology. One of the things it symbolizes is wisdom and leadership, and since I don’t believe I’ve been the shining example of that through recent events and deleting my discord server, I am instead celebrating a different meaning of the number 9.
The number 9 also tends to represent the completion of one thing continuing into the beginning of another, and thus my requests will be a little different this time around. 
Through my asks, you can request a sequel to anything I’ve ever written. It will only be the length of a one-shot, but it can be an offshoot of any long or short works.
Requests will close on July 29th at 9:00 pm PT. Please do it through my asks!
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tomurakii · 5 months
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I like bloodweave. Okay. But I DON'T like the version of them in fanfic where Astarion is a dick and Gale is like. Whining and pleading for him to be emotionally vulnerable (or just. Nice to him) prior to the relationship being established. Because that is just not accurate. Gale needs the player to express interest in him during his weave-teaching scene before he even considers hitting on them properly. Gale is entirely resigned to his fate and needs someone else to pull him away from it. Gale only starts being sweet and romantic and devoted after you accept his love confession and give him hope for the future. Gale says fuck all and then slinks away to cry privately if you break up with him.
Like he isn't chasing after people lmao. He isn't dropping to his knees and crying about anything much less this dickhead he met a week ago. He is overwhelmingly passive about literally everything personal to him up to and including his own death (provided there are no casualties/there is a good reason) until after the player expresses that they care about him. Astarion is not doing that in any of these fics.
Like Gale is friendly and a dork and doesn't wanna get murdered but he fully has a suicide plan. He thought the artefacts would help him survive but he didn't believe he'd ever truly live again. If Gale confessed and Astarion said/did like one (1) mean thing afterward Gale's romance is closed off forever. He's wandering into the forest to cry. He's killing himself immediately. His fragile ego and self worth can't take it. You have to understand that when we joke about him being pathetic it's not bc he's like. Sopping wet and chasing people down and begging for a scrap of attention. It's because he craves affection but would literally rather die than ask or even hope for it until someone else forces that hope back into his serotonin-deficient tadpole brain.
#i feel like u can tell when a bloodweave fic is written by an astarion stan vs a gale stan lol#because the astarion stans are just using gale as a vessel for like. their sopping wet meow meow#who screams and cries until astarion becomes emotionally vulnerable with them#which gale would not do. realistic bloodweave is astarion tries to fuck him in act 1 and he refuses because of the orb#and then astarion is like “boo what the fuck. change of plans” and gale is like “okay” and they never speak of it again lol#anyway#please god the gale characterisation in this place. half of you make him the soppiest most pathetic loser and the other half make him evil#he's not ACTUALLY a loser. when i joke about it the reason its funny is because its not true#hes just a regular guy with depression lol. hes not out here debasing himself begging for some old twink to care abt him#bg3#gale dekarios#bloodweave#gale of waterdeep#does this make sense. i havent slept#i just mean that if you want gale to be sappy he needs to have like. prior assurance that his feelings are reciprocated#because if he doesnt have that and astarion is a dick to him he WILL just give up on the relationship#like hes not hunting people down after they deliberately upset him. i see so many fics where they create tension by lime#*like#having astarion openly fuck someone else after establishing a sort-of relationship with gale. for the drama#like hey. gale fully dumps you if you do that in game!! you have no way to convince him not to. he will dump astarion for that permanently
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oseike · 7 months
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"This person, who not so long ago searched for herbs with me so earnestly....
"It's too sudden. There's so much everyone wants to say, wants to hear.
"If only he could open his eyes one more time..."
If funerals are for the living, what of one's final moments? For whom do they exist? Is it okay to force wakefulness one more time, even if it should cause pain?
EDIT: @keidokusha has translated this to Vietnamese:
Many thanks to them!
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uncanny-tranny · 5 months
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The thing that gets me about history and humanity is that you never know what is immortalized, and the things that will be immortalized are things you would never think.
I saw a person sharing a new tattoo, and it was one of Onfim's drawings. A boy who lived so long ago he is barely a blip now, but his drawings meant so much to people that somebody is now permanently marked in their skin with one of those drawings. Do you ever look at the things you make and just sit there and wonder if this is the thing that future people look at? Do you ever look at your art, your writing, your schoolwork, or anything that is yours and just wonder who will find it, who will fall in love with a piece of your humanity and become overwhelmed with emotion over? It's not unlikely. It's not totally unlikely that somebody will find a piece of you in the distant future and devoid of any other context of who you were will still love you because you were here. You were here, and you are still here, even hundreds or thousands of years later. Treat yourself with the same love that so many have for dear Onfim.
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dollypopup · 1 month
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I think it's interesting to look at the 'Mr. Bridgerton' scene as a backdrop for the eventual mirror scene. Firstly, in the fact that I think we've kind of misinterpreted it.
So many people are of the mind that scene's purpose to 'drag' Colin, but really, that scene has 3 primary functions. The first is to inform Colin that Penelope is aware of what he said of her, thus opening the door to clearing the air between them and providing an avenue for which Colin can apologize. The second is to establish the ground that they are currently on: Penelope has given up on the dream of Colin Bridgerton, in particular the perfect prince that can do no wrong, and has made it clear to him. It also creates distance between them that they will bridge.
But the third, and to me the most wrapped up in the mirror and the inner workings of their relationship is that it reveals how Penelope feels about *herself*. It's not necessarily an echo of what the ton considers her as, after all, we have a lot of evidence indicating that, for all intents and purpose, people aren't *unkind* about her, but rather that they ignore her. Audience members recognize this as Penelope's own shyness being the cause, she is often sitting off on the sidelines or not really talking to much of anyone, in the books she's referred to as the 'one who doesn't speak', and her LW business takes her away from being a character in the action of the ton to a bystander, kind of a self-fulfilling prophecy of sorts that perpetuates itself. Pen felt unseen so she became LW to have some power, but then LW herself must remain unseen and Penelope continues to be by design of her own making.
No, I think what it really reveals is that Penelope has incredibly low personal self esteem. We as a fandom has lauded that scene as her dragging Colin, saying that he's cruel and calling him Mr. Bridgerton is absolutely meant to create distance between them, but I don't think she's dragging him.
Because the person she is *actually* dragging here. . .is herself. And it is a general theme in her life. In Whistledown. Aloud. Even with Marina, when she complimented her, she assumes that she's lying. When Edwina says she's wearing a pretty dress, Penelope puts herself down and doesn't believe her, even when the compliment is genuine. In truth, Portia is not seen as being particularly unkind to Penelope. At least, speaking as someone who's mum was *awful* about my size and weight and outfits, Portia is. . .overall rather mild. She's not KIND and loving, not by a long shot, but she's also not targeting Penelope only. She's plenty mean and critical to Prudence, too, even to the point where she foists her off to her own cousin as a pawn piece. Penelope has low self esteem because of a lot of reasons, she's bullied by Cressida (I think a lot of girls are, she was pretty mean even to Daphne in S1) and her family isn't very tender to her, and she's not being pursued at every turn, but part of it is also her own perpetuation.
Listen to what she says "Of course you would never court me" "I embarrass you" "I am the laughingstock of the the ton". She sees *herself* as an embarrassment. She puts *herself* down. Arguably, more so than the ton does. She's meaner to herself than anyone else is, aside from Cressida. And honestly? Looking at Colin's face there. . .he is HURT that she considers herself this way. That she's projecting that onto him. Yes, he's hurt that he hurt her, of course he is, he never wants to hurt her. And yes, he's ashamed that he said he wouldn't court her the way he did and that in doing so, he validated her fears that she is unloved and unwanted, but also because. . .she already feels that way about herself. She's felt that way for years. And it's painful to care about someone, to see them as wonderful, and realize. . .they don't feel the same about themselves at all. I don't think Colin is out here feeling so wounded over the fact that she called him cruel and won't refer to him by first name anymore, but that he's most hurt by what she says about herself.
Because he *doesn't* see her the way she accuses. She says she never expected him of all people to be so cruel, but he feels the same way. He never expected her to be so cruel to *herself*. He wants to go somewhere private, not because she is an embarrassment, but because he wants to have a private conversation with her. Maybe assure her. Maybe explain himself. Maybe hash it out. But god Luke Newton's acting. . .he is *aching* for her. And it feels like he's going to do those lessons not in atonement for what he said (thank god) but to genuinely help his friend who thinks badly of herself. To lift her up. It's not about him at all, not about earning forgiveness, but about elevating Penelope. And that's. . .fuck, I just find that's just so heart stoppingly beautiful.
You can see, in that scene, how much he cares about her. How deeply and genuinely he adores her as a person. And just how painful it is for him to know he has validated, whether on purpose or otherwise, how poorly she feels about herself. How low her self-confidence really is. She is giving him a glimpse into the cracks of her heart, and when he sees them, he wants to reach out with both hands and make it feel better. Make her feel better.
After she says 'even when I change my entire wardrobe', he looks so fucking crushed. So 'don't say that'. So 'you really believe that?'. So 'God, I hate that you think that way'.
Because regardless of it all, he does love her. It's not romantic yet. It's not sexual yet. But he genuinely, truly, from the bottom of his heart, thinks she's wonderful. That was evident even in the 'purpose' scene. Every time Penelope opens up and reveals a facet of herself, he likes it. He likes her barbs and her dreams, he likes talking to her. He likes her. And he feels awful that he hurt her. And he feels awful that she's hurting herself. He loves her. He wants her to love herself.
And that's where the mirror scene comes in. Because the mirror scene isn't about sex, not really. Not entirely, at least. The mirror scene is about *intimacy*. The mirror scene is about being seen. Not just her seeing him, or him seeing her, but for Penelope to see *herself*. In a way, through his eyes. Because hers are biased rather negatively toward herself, which is evidenced in the 'Goodnight Mr. Bridgerton' scene, and in so many little moments we've already gotten where she's literally looking down on herself, feeling down. She doesn't necessarily *like* what's in the mirror, but he does. Because he likes *her*. And he wants to show her that he does. Show her that he finds her beautiful and have her recognize that in herself.
The 'Goodnight Mr. Bridgerton' scene is about Penelope revealing how she sees herself. The mirror scene is about Colin showing her how *he* sees her. The Goodnight scene is about Penelope thinking she means nothing to him, that he thinks of her the way she thinks of herself, that this is how everyone thinks of her, and the mirror scene is a direct response to that: No, he doesn't. No, he doesn't think she's embarrassing. No, he doesn't think she's a laughingstock. No, he doesn't think she's unappealing. And he doesn't think she should, either.
And he's going to show her that. Not just tell her, but show her. The mirror scene is so often a focus on Penelope, so much of Polin is in Penelope's focus, but approaching it from Colin's perspective and his motivations is so fulfilling, too. It's a glimpse into them in conversation, and a demonstrate of how Colin loves her. How Colin loves in general, openly and earnestly and altruistically. How he encourages her to be braver and more confident in herself, bolstering her because he just likes her *that much*. How he finds the most fulfillment and satisfaction in caring aloud. The mirror scene is a demonstration of his heart in reflection.
When Luke Newton said the first word that came to mind with the word 'Mirror' was 'Exposed', he doesn't just mean physically. He means emotionally, too.
God this couple is so fucking good.
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rythyme · 6 months
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really not a fan of boston very explicitly saying "I want to be exclusive romantically but not sexually" only to be told "You're lying to yourself. I think you should be alone."
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pastafossa · 2 months
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Me: *digging around in docs folder* Me: One-shot to edit. Old one-shot to edit. Old one shot. Hey what's this one? 'Haunted'. That sounds angsty. Me: *clicks open*
“Did I… love him, Ciro?” “I believe that… you might have, yes. Him, and this city. That is why I encourage you to stay, for a time at least. See if the memories return to you. Even should you leave, it would be wise to know of the life you have led here.”
Me: holy shit
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sylvies-kablooie · 4 months
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as someone running a loki blog in the year 2024, finding old loki blogs is such a cultural shock. what do you mean i just found an account from a decade ago entirely devoted to manga drawings shipping loki with himself. they tried to cancel me on twitter for doing something mildly adjacent to this.
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yume-fanfare · 9 months
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good old-fashioned lover boy
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spocksgotemotions · 2 months
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Vulcans are like salmon
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fromtheseventhhell · 5 months
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I don't think anyone who believes Arya is focused on revenge has ever actually read her chapters, it's just been one long game of telephone where people repeat a take they heard so they can pretend they know what they're talking about
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camgoloud · 10 months
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i’m pretty sure this was done on the tlt subreddit once before but i haven’t seen it here and i’m curious to know tumblr’s opinions on the topic! personally i like the second two much more than the first—gtn didn’t really grab me that much and i wouldn’t have even called myself part of the fandom until i decided i might as well give htn a go and immediately got sucked in—but i’m guessing that most people’s experience is different, since the first book seems like the most popular based on the impressions i’ve gotten. also feel free to put in tags where you’d rank the short stories (as yet unsent and doctor sex) relative to the books! i would have stuck those in the poll too but there are. 120 different ways to order 5 unique objects
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thecrimsonjaguar · 7 months
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i think when it comes to the F+C finale it's important to see where the writers were coming from. And it's easy to do that, the lesson/moral they gave simon is fairly clear: Simon needs to appreciate his life because Betty sacrificed so much to get him here. alright, cool, that's good on paper.
I do Also think that the execution was poor.
up until this point, the crown has represented/could be viewed as many things. Alzheimer's, substance abuse, and anything else people have called it. In this series, a newer interpretation has arose: Suicide. And I'm certain the writers were aware of this. Depression and suicidal ideation are such strong themes in this series that they can't NOT be purposeful.
So their attempt at teaching Simon to appreciate Betty's sacrifice can ALSO be read as: Simon, the suicidal, on the verge of a relapse-man, gets put into a body of a child, (and that is very powerful imagery that does not help, actually) and is told nearly expressly that he fucked up in his relationship with the love of his life. He is told he should have sacrificed more for betty. And he says to himself: "Maybe i wouldn't have even found the crown". Basically it's simon pinning the blame on himself for his 1000 year curse on his mistakes with Betty. Which of course can be read as Simon's self loathing but the show does nothing to refute his statement, which i also have issue with. Simon putting on the crown was stated to be a Mistake. it was an accident. No matter what, the crown cursing him Was Not His Fault. Ever. It's not Betty's fault, it's not Simon's, it. was. a. Mistake.
regardless on if they should or should not have introduced these new flaws into simon's character, having simon learn his mistakes like This feels. icky. to me.
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dolokhoded · 11 months
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my one season 4 complaint is Where The Fuck Was Aneesa
#never have i ever#i really wish her and fabiola had stayed together them not working out didn't rlly serve any purpose to the plot for the new season#fabiola's new relationship was barely rlaborated upon. as expected.#and aneesa was basically written out she was barely even part of the group#plus that scene of them at the staircase talking about fab's robotics team. they still have so much chemistry and they were literally just#talking about robotics#i understand she's not a major character and she can't have a separate plotline to herself but she wasn't even involved in anyone else's#her and fabiola were cute together and she would've at least been part of the plot if they were still dating#allison was barely a character what was the point of writing some random new partner for fabiola when she already had a perfectly good#love interest#it just doesn't make sense to me. whi decided it would be a good idea for them to break up#was it just an opportunity to shove in a nonbinary character who had no personality and was just there as someone's s/o and call it#representation#cause there are Many better ways to have nonbinary rep than this#but ofc mindy kaling wouldn't give a shit about this.#n e ways for this support my nonbinary aneesa hc . it's real.#fabiola torres#aneesa qureshi#OR AT THE VERY LEAST SHE SHOULD'VE GOTTEN WITH PAXTON. SHE HAD THAT NICE HOT JOCK LINE AT THE END OF SEASON 3#im fabneesa 4 life but i would honestly be haply with her dating paxton. they're both cool and they'd be fun together. and she deserves a#nice hot jock boyfriend.
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sukugo · 11 days
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sukuna and gojo use binding vows for sex, taking things like orgasm denials or touch deprivation steps further, where the other is contractually bound to not be able to do certain things, like touch themselves or touch the other etc etc 
one such instance being a vow where gojo has a vibrator up his ass, but he can't touch himself or remove it, until sukuna specifically, pulls it out.  
he keeps the vibe in throughout the day, with sukuna controlling it remotely, even as they both go throughout their separate days.  
gojo goes to have his usual breakfast, and meets yuuji at the dining room, they greet and sit next to each other. yuuji is, as always, energetic and excited to see him 
they make conversation, until gojo gives a jolt and starts twitching and huffing. sukuna has turned the vibrator up all the way. yuuji worries and panics and asks him what's wrong. gojo gives a breathy laugh and reassures him. he motions low and tells yuuji about the vibrator inside him, through sudden jolts and soft whimpers.  
satoru complains about it, and yuuji advices to remove it or go and take care of himself.  
except gojo states that he can’t and yuuji puzzles.  
"it's... a pact—mmh!" 
"a pact???" yuuji's voice rises in volume, but he visibly calms, shoulders dropping into a fond sigh. "sensei, you really are..." that's all he can manage to say. reprimand is useless. gojo likes it, yuuji is well aware, he is enjoying every second of this, even as he complains.  
gojo gives a few odd jolts, undoubtedly an odd pattern of intensity from the vibe, yuuji can guess. sudden irregular ups and downs that are not taken well by the man.  
satoru clicks his tongue. "what is that guy doing?" he actually looks irritated for a moment—a look yuuji doesn’t get to see often—until it’s broken with a sigh and his pleased, calm demeanor returns, mimicking the soft waves of pleasure across his thighs. 
still, yuuji can see his hands crumpled at his sides, undoubtedly wishing to use them.  
that's when satoru perks flares up all of a sudden.  
"actually, yuuji,” he turns to look at him, grinning. “you can help me" he opens his legs and lifts the edges of his kimono, his dick peeking out the fabric. yuuji gulps at the sight. satoru motions to it, giving yuuji a wordless look. yuuji hesitates for a moment, but complies, taking his hand to the cock, and starts stroking. 
satoru crumbles under the touch, immediately breathing out his nose and muffling moans. he leans into yuuji, wrapping an arm around his shoulders, fingers clasped in yuuji's kimono, nuzzling into his hair and whining in his ear.  
satoru's sounds fluctuate in pitch and volume, making it known when his vibe's gotten stronger. yuuji keeps his pace and satoru spills in his hand. he twitches and sighs, soft breaths against yuuji's flushed ear. 
yuuji stares at the cum in his hand.  
"you can wipe it on me,” satoru tells him with a breath that's calmed much too fast. “my clothes are already soiled anyways". and yuuji feels bad for it, but he obeys nonetheless.  
satoru takes a hand to yuuji's chin and turns his face to him and gives him a kiss. short and sweet.  
"as a reward." he smiles at yuuji. the boy surprises but takes it happily, cheeks warm and eyes softened, albeit a bit timidly. a tinge of disappointment colors the edges of his face. 
"you want more?" satoru brings his face to yuuji's again. the vibrations have reached a slight plateau, so his voice is steadier.  
yuuji’s face widens a bit, but he nervously chuckles, pulling back from gojo's face. "no, it's alright," he lies. "i don't want sukuna to kill me" 
but satoru’s already pulling into him, breathing into his lips. "i won't let him <3"
"that's...actually reassuring......" yuuji’s eyes flutter shut as satoru's lips meet his again.  
and with that, they're kissing and slowly the vibrations and gojo’s twitching start again. satoru moves atop yuuji's lap to straddle him, and while they kiss, yuuji takes his hand between them and jerks him off again. satoru moans and gasps into his mouth, each jolt mirroring the pulses against his prostate.  
they separate for gojo to bury his face in yuuji's shoulders, arms hugging his neck. he humps into yuuji's hand until he comes against him again. 
he pants and huffs atop the boy, catching his breath. yuuji's gentle arms hold him, fingers rubbing slow circles at his back.  
satoru's breathing calms against yuuji’s neck. 
"yuuji, u're such a good boy."  
yuuji's heart and dick swell. 
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