Tumgik
#which i would love as a character Thing if the narrative didn't just treat this as 'super metal' with absolutely no further examination
gloriousmonsters · 9 months
Text
read camp dama.scus. enjoyed some stuff, really wish i didn't have the experience so often reading a book that's Good and Progressive and about Queer Affirmation etc of feeling like i'm side-eying the author like 'and you know that delineating the people that oppose you as pure evil that therefore deserves torture or death or being eliminated from society entirely is bad, right? you know that, right??'
#it's kind of funny bc the main character is a jack chick tract atheist in a way bc#she rejects her religion (REALLY quickly and easily lol) and immediately starts... conceiving of HERSELF as a prophet/god#as in. starts making up 'bible' verses that are about Her and how awesome she is#and how she's going to bring down her enemies with the righteous flaming sword of vengeance and wrath and truth etc#which i would love as a character Thing if the narrative didn't just treat this as 'super metal' with absolutely no further examination#(seriously she casually drops that she's been making up bible-style verses abt herself and her ideas#in convo with her Token Good Christian friend. by CITING ONE OF THEM#LIKE IT'S A BIBLE VERSE. and then going 'o yeah i've been making those up'#and her friend's reaction is just 'haha that's sick' and moving on)#listen i'm all for god complexes and edgy bullshit but the presentation along w the general#descriptions of the Enemy as 'cartoonishly pure evil' and implicit 'haha nice!' around the idea of THEM getting tortured forever#just leaves me ://///#i might be oversensitive to this after stuff like Sorrowland and Pet but.... just. ech. i wish i didn't have to play the game of#'do you think torture is ok if it's someone you don't like?' and 'do you consider people who do bad things as human?' in the first place#also it was just a HUGELY underwritten book lol it'd make a decent movie but viewed as a book it gets funnier the longer i think about it#was marketed as conversion camp horror. 0 conversion camp content bc IT ALREADY HAPPENED#0 relationship development bc the two people the MC connects with she ALREADY HAD RELATIONSHIPS WITH. THAT SHE FORGOT#so you can 'i'm falling for x again' all you want dr tingle that's not what's happening the work is not there#also ofc the other two people are just. The Tech Guy and The Cool Hot Nice Love Interest (2 aesthetic traits no personality)#so yeah like. some very good horror moments/concepts! but some Problems. For Sure#vic talks#book talk
9 notes · View notes
oneeyedoctogod · 8 months
Text
Gods this fandom sometimes, I swear. I'm sorry I read two deeply bad takes back to back, and I have to rant. I'm sure others have said it better than I, but really. Come on. I actually have to wonder if people who talk about the extras actually read them because...
Wei Wuxian and Lan Wangji didn't leave the cultivation world in canon. They elope, and then they come back. The fact they're not involved in the bigger politics is... pretty much to be expected, but they very much do participate in the day to day lives of the Lan sect. They go where the chaos is to night hunt, they teach, Lan Wangji comforts his brother in his seclusion, and Wei Wuxian meets some new Lan disciples.
As for the cottage fantasy... Again, I honestly have to wonder if the people talking about it actually read the extra it's in? Because it's just that. A fantasy. A dream. It's basically a representation of Wei Wuxian's wants for a domestic life, something he definitely has now! He's always been characterised as someone who wants to help others and who loves cultivation. Why would you think the dream is to be taken literally?
And the idea that Wei Wuxian has 'several important relationships just floating there', that he's not dealing with... Where? Which ones? He teaches the juniors and grows closer to Jin Ling. He doesn't exactly interact with Lan Xichen, but he asks after him. He meets Mianmian again and wishes her well. He asks after Wen Ning after Lan Sizhui comes back then has some father-son bonding moments with him!
Nie Huaisang and Wei Wucian aren't close. They were friendly once, but they didn't ever meet after the lectures. I don't see how that qualifies as an "important" relationship, especially with Nie Huaisang never openly admitting to his part in Wei Wuxian's resurrection. But even then, Wei wuxian says he'll be keeping a close eye on him, so one can imagine they meet again at some point.
As for Jiang Cheng... what more do you want Wei Wuxian to do exactly? Even if you want a reconciliation, why can't Jiang Cjeng be he one to actually grow up and do the work for once? He's the one who never apologized. He's the one who is still openly hostile in the extras. If Wei Wuxian wants to move on and not interact with him, he's well within his right to do that, given how Jiang Cheng treated him. Hell, he's more generous than most since he encourages Jin Ling to talk to Jiang Cheng. If I'd been treated by someone like Jiang Cheng treated Wei Wuxian and saw him hit our nephew several times, I certainly wouldn't encourage them to meet. (But that's Wei Wuxian for you, the moral ideal and better than all of us.)
Anyway, I really don't understand why people insist on making Wangxian have a sadder ending than the one they actually did. It's a HEA for them, sorry guys. And yeah, maybe Wei wuxian has some trauma to work on... but the whole point of the character is that he doesn't let his trauma define him. That he wants to forgives, forgets and moves on.
(Also, just because he doesn't have a breakdown or the cultivation equivalent of therapy in the extra doesn't mean he's not working on them? He finally is at peace, with a solid support network. Maybe he does talk about his past hurts with Lan Wangji - Lan Wangji certai ly knows when to comfort him when he needs it. But the narrative point of the extras is to show they're moving on from the past! And you know what, sometimes the beat thing to do to heal is to do just that. They're living their best lives, deal with it.)
And finally... shit did you really read the whole book and come to the conclusion Wei Wuxian should have 'learned to accept help'? Who the fuck offered help? Who did he refuse?
(Don't say Lan Wangji. 1) I love him, but "Come back to Gusu" is very much not an obvious offer to help, and when Wei Wuxian understandably misunderstands him, he never manages to correct it.
And 2) once Wei Wuxian tells him explicitly he's not leaving the Wen remnants behind, Lan Wangji understands and backs off. He approves! I'm sure he'd do more if he could, but just like Jiang Yanli, he can't!)
Jiang Cheng literally said, 'No one will help you, no one is on your side' (and then made sure that was true by saying Wei Wuxian was the enemy of the cultivation world). Jin Zixuan chose to ask the one who was ambushed to disarm rather than the 300 cultivators attacking him and lunged at him when Wei Wuxian refused to comply (because he'd be killed if he did!!). How is that help?
Who else tried to help? Whose help did Wei Wuxian reject?
Wei Wuxian was presented with a series of bad choices and took the best he could, the ones aligned with his principles, accepting he'd have to face consequences at some point but also knowing it was still worth it. He's not the one who failed or made a fatal mistake or betrayed his word.
Rant over. Sorry about that.
391 notes · View notes
balanceoflightanddark · 4 months
Text
Acknowledgement of Pain
Tumblr media
I think one of the things that I feel Azula in the Spirit Temple gets right is acknowledging one of what I believe to be one of the pillars of her character.
That is, acknowledging what she went through, the pain she endured, was legitimate.
What do I mean by this? Remember that scene where Azula confesses that she feels like she's a monster at the fire pit during "The Beach"?
Tumblr media Tumblr media Tumblr media
The way she brushes off her concerns about what she's doing is wrong? She has problems admitting to what is eating at her and opening her up to others. This is reinforced since...well Zuko isn't exactly the most sympathetic to Azula and her relationship with Mai and Ty Lee is strained. So it's not like she can admit to them either. Growing up under Ozai's influence probably wouldn't help since having concerns or internal struggles would probably be seen as "weak" in his eyes.
And weakness...well we all saw what happened to Zuko.
Privately though, we see another side to her:
Azula: Don't pretend to act proud. I know what you really think of me. You think I'm a monster. ... Azula: Well what choice do I have? Fear is the only reliable way. Even you fear me.
Her strained relationship with Ursa and her belief that she's a monster does eat at her. It's not something she can just brush off so easily. Particularly when she doesn't have anybody to admit it to. Sure, she tries to make excuses like how fear is the only thing she knows how to get people to like her, but that's normal. Again, this is something that's instilled in her for years and it's not something she's good at handling by herself.
On some level, she DOES know she's hurting...but she can't admit it to herself since that would be a betrayal of everything Ozai built her up to be. And since Ozai was the only one who validated stuff like her talent with firebending and being more than just a troubled child, how could she tear that down without tearing herself down?
What I think Azula needs though...what she's craving...is for somebody to validate that yes, she was hurt. That her family and loved ones did hurt her. Yes, it might be misdirected since she lumps the Fire Warriors in there, but it's still valid since she probably wouldn't have a grasp on her feelings. I think what Azula wants is for her pain to be acknowledged and for somebody to say, "that's not right". In the environment she got, she never got the chance. And the spirit didn't help since it just labeled her a monster for rejecting its "redemption".
Hell, even her slaying of the Zuko image demanding she apologize to them doesn't acknowledge that she was hurt too and that neither party can entirely blame the other. It's all take and no give according to the spirit, which rightfully isn't treated as valid by Azula or the narrative. Otherwise, I think she would've faced more repercussions for defying it.
What Azula needs is for her pain to be acknowledged. Not brushed aside or downplayed. I mean to actually be acknowledged and treated with the amount of gravity it deserves.
289 notes · View notes
scintillyyy · 5 months
Note
I love your Stephanie Brown post. It verbalized this feeling I've had about her character for awhile but didn't quite know how to phrase.
Just wanted to thank you for that!
ah thank you <3
yea to me, the super frustrating thing is that dixon's sexism gives her flaws that i find super narratively compelling and interesting and 3-dimensional and overall strong in a way that other writers somewhat miss the mark for me (i actually have a lot of criticisms about bg2009 and how bqm wrote her--overall i find it a very surface level girl power story veneered over pretty standard 2009 era sexism wrt the dynamics between women that has not aged super well and doesn't do much for actually giving steph interesting depth as a character & i find it's weakened by the fact that it is a doylist apology for the absolutely horrific way editorial treated steph prior to her death (which. she does deserve an apology and to be treated better), but also by doing that it makes almost every other character such as babs seem unreasonable and bad for their very understandable watsonian response to being wary of steph for many valid reasons and also makes it hard to actually give steph any flaws that aren't just quirky or clumsy--she's not perfect because she's adorkable). dixon steph has so many problems, being written by dixon, but she's truly my favorite flavor of steph because despite how horrid dixon is, you can absolutely tell how much he truly cared about her as a character. like. i bet if you asked him, he would have nothing but positive things to say about her personality and other characteristics. in fact, i believe a lot of the letters to the editor that talked about her back in the early robin issues had a lot of super positive things to say about her! like he created her! she's his blorbo! he wants to put her through the struggles!
like so many of her struggles when he's writing her is so much due to his sexism (she's never quite as competent as tim, and shouldn't be because she's The Girlfriend--compare to characters like babs and dinah and helena that were women but also written as extremely competent and good at what they do) and also because he wanted to put her through the wars, give her adversity to overcome! like steph is treated horribly a lot. by everyone. but it's partially because he wants her to perservere through it because he likes her and wants her to succeed. like a couple of very common threads through dixon's storytelling for her are the following:
tim is condescending (because that's how boys and girls are. see also: every 90s tv show that had a beleaguered sensible man with a nagging, over the top, ridiculous woman who does silly things that the man Puts Up With) -> steph gets mad -> tim thinks to himself that he shouldn't be so hard on her and usually apologizes -> well, actually tim was probably right because steph did get into trouble but steph making constant mistakes isn't actually narratively seen as "hey, maybe she should stop if she's making mistakes" because dixon wants her to continue.
or
more experienced vigilante (male or female--tim gets a lot of flack, but honestly, almost every single vigilante in batbooks at the time seemed to think steph wasn't quite good enough--batman, dick had his reservations about her, barbara didn't really necessarily want to train her, *cass* straight up told her she shouldn't be doing this, dinah didn't want to be her mentor, etc) tells steph not to screw up -> steph screws up -> steph has to get bailed out by more experienced vigilante -> steph keeps trying despite this
like so many of her diary entries that steph writes involve some flavor of "i've been told not to do this, but i have to, it's something i need to do despite all the naysayers". and it's sexist! because chuck wouldn't necessarily write the 'screw up and overconfident which usually leads to needing to be bailed out but keeps trying anyways' kind of a narrative for a male lead character (male characters get the 'i'm super competent but insecure/humble about it and when i make mistakes i'm able to figure out how to fix them by myself' narrative). but at the same time, it's what he truly believed for her--that she deserved to keep going despite any naysayers. if he truly believed that steph shouldn't be a vigilante or thought poorly of her, she would have been written out and/or he would have written her as making a mistake so bad she wouldn't have continued her activities as spoiler and finally agreed with everyone that she's not cut out for this. but he didn't. dixon writes her as not as competent as her peers because he has a worldview where girls are lesser and not capable of being as good as the boys. but he writes her with dogged determination to keep trying despite this because dixon truly thinks she deserves to keep going despite any mistakes he writes her making and that her perseverance should be rewarded.
like consider the arc where steph finds out tim's identity. dixon makes steph seem unreasonable for daring to change her mind and realize that yea, she does want to know the boy under the mask she's dating after all (because dixon thinks that girls are fickle and change their minds and boys shouldn't have to put up with that kind of nonsense behavior, not because this is a super valid thing to want) -> he has her go beat up an innocent boy named tito and stalk him in the hospital (because dixon is a sexist who things girls are just like this) -> tim does rightfully get mad about this and leaves in a huff -> batman tells steph tim's identity and she gets what she wanted?? -> tim is mad at her and batman until JLL when this is all swept under the rug and they go back to happily dating again + at this point everyone is open to training her/finally giving her a chance (until murderer/fugitive when she gets locked out again--which also leads into the era where dixon is no longer writing her--and after this is when we really get a lot of the really iconic unfair treatment towards her because at this point didio wanted her gone). and it creates this absolute interesting dissonance where you can see the overt sexism in dixon's writing and it's infuriating. and at the same time dixon also rewards her for the sexist way he writes her and she does generally get what she wants because dixon wants to give her the reward for her perseverance.
hell, consider the pregnancy storyline which is beyond overtly sexist and conservative but is probably the part where steph is most treated the best/in the right. tim and her mom are shown as in the wrong compared to her "correct" decision to keep the baby and they have to come around to support her. not just that, but for her to be given a teen pregnancy storyline in the 90s and not be shown as a Bad Girl for getting pregnant as a teen? dixon hates women and yet to him steph is a good girl who makes a mistake (something something he'll judge others, but when it comes to his daughter that's a different case. exceptions apply.) and she gets an ultimately supportive good boy boyfriend who helps her go to birthing class despite the fact that i'm sure dixon looks down on unwed teen mothers a lot.
it's just. i want to study it under a microscope. there's so much to unpack there.
165 notes · View notes
Text
UNRELIABLE NARRATORS; SIDE B
Tumblr media Tumblr media
Hamlet Propaganda:
Have you seen the man. Is he clinically insane or just putting on an antic disposition. Is the ghost real
Kim Dokja Propaganda:
I haven't read orv but he's fucking gotta be from what I've osmosised
He tries to remove his emotions out of the narrative soooo much, literally the most repressed guy ever. Okay so for context orv is about how this guy, Kim Dokja, has been the only reader of an obscure post-apocalyptic webnovel for years and the novel suddenly becomes reality. And at first you'll probably get the weird impression that his behavior is pretty strange for, you know, a literal apocalypse happening in his world - like yes, he is concerned with survival but he doesn't seem all that scared and he kinda treats it like a video game where he has to grind to make himself stronger and he also treats his companions like a party in an rpg. Then there's also the way he approaches the protagonist of the webnovel, from the start he just kind of describes him as a ruthless psychopath and jerk that is unfortunately a pretty useful ally. And also there's the fact that he carefully omits any mention of his past and when somebody asks if he's worried about his family when the apocalypse starts he just kinda... brushes it off? Anyway so yeah, this bastard is definitely traumatized, although I don't know how much of spoiler territory that would be, considering the fact that literally when he first reveals his trauma he's also unreliable about it. And turns out he does indeed, care A LOT about this world and the people around him. Because well, he kinda didn't care to mention that this webnovel that has become reality was like... literally his whole world before it literally became his whole world. Like, it was the only thing keeping him going for 10+ years and the protagonist that he likes to call a stupid jerk was his comfort character who he pretended to be when he felt like he couldn't handle something in his life by being himself. The protagonist is also canonically the person he loves the most according to a prophecy and he literally can't fathom the thought of him dying, even the timeline versions of him that directly oppose him. And I haven't even mentioned the Fourth Wall yet but I feel like this propaganda is a little long already
misreading the intentions of his companion (yoo joonghyuk) so many time.
YOU DON'T UNDERSTANDDD DOKJA IS SUCH A UNRELIABLE NARRATORRRRRR GOD I COULD WRITE AN ESSAY BUT I KNOW YOU LOVE DOKJA TOO BUT OMG HE'S JUST SO AAAAAAAAAAAH
Rest of Propaganda under cut!
he is the worst like actually. he starts the story talking about how normal and average he is. he is not. he is constantly mischaracterizing his friends and he's so good at lying to the readers that you don't even realize it at first. almost every single time he cries we have to be told by other characters because he never says it himself. there is literally a scene where his narration says "i wasn't crying" and then the in-universe entity that narrates the actions of people (orv is really weird and meta) says that he was, in fact, crying. honestly genuinely anything he says about himself (or doesn't say) cannot be trusted. he is just so frustrating. he drives me mad. i love him dearly. but he drives me so mad.
Dictionary definition of unreliable narrator. Does not tell the reader anything and then things happen and he's like oh yeah btw there was also this and this earlier but i just didn't feel like mentioning it. There's even a thing called the "Fourth Wall" that is able to see through kdj's bs so occasionally you get gems like,
Kim Dokja: I didn't cry
The Fourth Wall: [Kim Dokja was crying]
Imagine being so unreliable as a narrator you need a more powerful narrator to call out the actual narrator.
^ same submission, just spacing it out
This goes into spoiler territory, but; Kim Dokja is in possession of a skill called the Fourth Wall, which on the surface seems like it appears because he read the book that reverse-isekai’d into his own. However, as the story goes on it becomes clear that it’s pretty much a souped up version of his pre-existing dissociation. You cannot trust him to be honest about his feelings, his past traumas or his feelings about his past traumas, not to mention his tendency to just outright omit information that only gets revealed later on either when it becomes relevant or when an outsider POV reveals what’s actually happening.
Exhibit A: he says (in 1st person POV) that he’s not crying. The Fourth Wall immediately contradicts this (as it is literally words of the novel) by saying (in 3rd person POV) ‘Kim Dokja was crying’.
Exhibit B: Fails to mention entire actions when it shows him emotionally honest even in the slightest; we had to read from another character entirely when Kim Dokja was being physically affectionate with his companion. It’s so bad that there’s this entire paragraph about Kim Dokja describing himself hiding his eyes in his hands in jerky, weirdly specific detail and just AVOIDING EVERY WORD THAT MIGHT SHOW HE’S CRYING. The brilliance of ORV is that when you re-read the entire thing you get hints that ‘yes, this WAS hinted at the entire time’ but you have to dig it out of Kim Dokja’s repressed, depressed self-hating internal dialogue with your own two hands.
^ same submission, spacing it out (i really should've done this earlier.)
i am a simple man (not a man). i see a tumblr text post with the words “unreliable narrator in it”. i read nothing else. i reblog & tag #kim dokja okay but in all seriousness i’m just going with the musty basic example: so there’s this moment where he sacrifices himself to save this guy. as he lays on the ground bleeding out, he says “hey, you don’t like me, right? you should kill me to get some money” the guy says “no kim dokja i cant do that (going through the five stages of grief except there’s only one and it’s anger)” the constellations (twitch viewers irl) are like omg he (the guy) doesn’t want to kill his companion (kim dokja) and shower him (the guy) with money kim dokja: oh, he’s not killing me for the money. smart!
as i quote a brilliant youtube video (all of omniscient reader’s viewpoint in 6 minutes) “yoo joonghyuk sees kim dokja as a c_____”
yoo joonghyuk: companion
kim dokja: cunt
^ same submission, once again. spacing it out.
Hides his true feelings, tells the readers what he thinks is convenient for the plot and that his own personal feelings don’t matter or are not so significant. Has unreliable thoughts abt his companion and is a liar. And is also an omniscient reader.
Kim Dokja always perceived his companions in this like nonchalant way like “oh yeah we get along but really we’re just fighting to survive (apocalypse setting) it doesn’t run that deep” when they all do genuinely care for him and he does in turn. He just, doesn’t think of it as an equal relationship? Dokja’ll sacrifice a lot for them but will get seriously flabbergasted if they do the same thing, so fricking problematic. Not to mention Yoo Joonghyuk, his “Life and Death Companion” (read: husband). Kim Dokja always seems to think that Joonghyuk has it out for him, which is kinda true, but he is literally blind to the fact that he’s attached to him. Like, it’s so obvious??? Also they have hella sexual tension but that’s another thing entirely
se get some many pov changes where kdj in his pov just assumed things based on what he knew the characters would do. however because of his interference the characters have changed and he wouldn’t know that if it hit him in the face
He's an unreliable narrator because he lies to himself and thus the audience. He literally rewrote his own childhood core memory. If someone says, "this guy is my friend!" He will go through so many hoola hoops in his mind just to rationalize it. Because he fundamentally believe that no one could love him and even if they did they couldn't know him and he's just gonna hurt them. He cries sometimes in canon but a lot of those times it's not even mentioned as crying he's that unreliable of a narrator. No joke, one time this guys he has a gay thing with called him his "companion" to someone who had just killed him (long story) and this bitch thought "oh wow he's doing it for the coins (another long story) he's so smart i wish I'd thought to that. He's terrible. He literally has an exchange with something called the Fourth Wall (an even longer story) where it said "you're crying" and he said "no I'm not" but he was crying. He makes me insane because the reader is supposed to project onto him. He made me see how much of an unreliable narrator I WAS. ORV is just like that tho.
329 notes · View notes
acourtofthought · 7 months
Text
Tumblr media
But what does that mean, exactly?
Tumblr media
The ribbon was a test to see if someone was ready for something.
Tumblr media
If you can complete the test, you're ready for more. No matter how quickly you accomplish it.
Tumblr media
Gwyn is completely focused on accomplishing the task.
Tumblr media
Gwyn not only achieves exactly what she set out to to do (going so far as to practice when everyone else is sleeping) but...
Tumblr media
She achieved with a warriors spirit and didn't treat it like it was just a game.
So then what does it mean when Nesta tells Az he's Gwyn's new ribbon?
Az and Cassian laid down a challenge for the Valkyries, then he and Cassian stood off to the side smiling when they knew it was going to be difficult for them to achieve. But it was only Az that Gwyn taunted in response.
Nesta didn't say the obstacle was the new ribbon, she said Az was which to me means that Gwyn will be approaching him with the same determination she did the ribbon.
First off, we're told that it doesn't matter how quickly something is achieved, when you're ready you're ready "even if they'd only been training for a little while". That's for all the Gwynriel haters who claim she couldn't be ready for a sexual relationship when it's time for her book because of how "kinky" Az is.
Second, Az is closed off, he really doesn't open up to anyone (even Cassian), he believes no one could accept his darkness. There's a line that says only Mor was able to get Az to say anything after badgering him. So Gwyn, with a single minded focus when it came to the ribbon, is not going to be put off by Azriel's challenging and quiet nature. Gwyn doesn't care how difficult something is, she's not deterred and she'll get him to open up one way or another.
Third, though she's competitive and enjoys taking on the challenge, she doesn't treat it lightly. She didn't cut the ribbon and break down into giggles as if it were all just a game. She was serious about having achieved what she set out to do and continued her pursuit of wanting to become a Valkyrie.
Lucien once said of Jesminda:
She had teased him, taunted him—seduced him so thoroughly that he hadn’t wanted anything but her.
I know people try to twist the Gwyn narrative, that her singing has lured and seduced the good guys but that is NOT how SJM writes the best friends of her main characters. It was clear from the start that Ianthe wasn't a true friend to Feyre. It was obvious Maeve wasn't likeable from her first moments on page.
Az chased Mor and he was the one to initiate the near kiss with Elain (I'm pretty sure she would have never taken control of the situation with him) but SJM likes the girl in charge for the first time. Feyre initiated her first kiss with Rhys. Nesta grabbed Cassian and pulled him to her. Rowan waited for Aelin to kiss him and we have the same with Quinlar. Lucien's POV clearly demonstrates he enjoyed Jesminda's pursuit of him.
"Seducing" a love interest isn't a bad thing in certain context, in ACOMAF, Feyre wonders why Rhys never seduced her with looks and smiles (and Rhys was a SA victim too). She wanted that from him. So Gwyn pursuing Az doesn't make her evil, it makes her 99% of every guy's dream, especially one who has never had a female chase after him.
Az might be Gwyns new ribbon, she might be the one to taunt and tease him and maybe she'll be the one to pursue him (especially when we know Az is aware of her history) but Gwyns character has shown that she's not flighty. She commits to something and once accomplished, she focuses on how to get better.
By the end of SF, she is still committed to becoming a Valkyrie as it's confirmed Az and Cassian compiled a list of things they did wrong in the Rite.
If Az is Gwyns new ribbon, there's little chance she's not going to succeed 🤷
Elain might have had a real crush on Az or maybe she was just trying to prove to herself she could feel something for someone other than her mate (It's doubtful she's not drawn to Lucien though I think she's trying to pretend she's not). But in the end, she easily walked away from whatever happened on Solstice and there was zero indication it was a struggle for her to do that (versus the very obvious tension filled reactions she and Lucien have toward one another).
It's not that Elain isn't capable of fighting for someone and she's definitely a worthy someone to be had but we're not going to see it until she's with the right person. And the author has already made it clear which of the two females is going to be all in with Az.
150 notes · View notes
theerurishipper · 9 months
Text
This is just an unstructured, incoherent vent post, but I've seen a few posts recently about how Adrien would definitely forgive Marinette for keeping secrets from him because he loves her, or that he would blame himself for not noticing what was going on and not her. And those aren't wrong, per se, but this is what I mean by the show taking away Adrien's agency. Ultimately his choices are allowed only as far as they do not inconvenience Marinette or anyone else the narrative cares about, like Felix or Nathalie. Which is why Adrien is not allowed to grow, he is not allowed to prioritize his own feelings and emotional needs. Any wrong done to him is resolved by him putting aside his own feelings to forgive the people who wronged him. And yes, he has been taught that his feelings don't matter by Gabriel and that he should bend over to the whims of everybody around him. And that kind of makes it worse, how the effect of Gabriel's abuse is used to convenience everyone around him. I think it's gross.
Just look at the Ladynoir conflict from Season 4. Adrien brings up his grievances with Ladybug's treatment of him a few times, but ultimately, he ends up putting it aside to focus on her emotional needs when she is at her lowest. Kuro Neko gave us the message that it wasn't that Ladybug was treating Chat Noir unfairly, but that Chat Noir should stop expecting to be treated with respect and should stop having emotional needs. And at the end of Strikeback, nothing is resolved, Ladybug hasn't apologized to him or resolved to do better by him, but he still shows up to her side to comfort her. No, she didn't apologize to him. She admitted her mistakes but did little to correct them even after the fact. That whole arc ended with Chat Noir being treated poorly over and over, and yet coming back to Ladybug's side because he's such a good partner and he loves her so much.
And Adrien, a character who has been forced his whole life to bend to the whims of others to please them at his expense is doing the same thing to Ladybug. Adrien exhibiting this behavior is 100% a trauma response. Ladybug is supposed to be his escape from his abusive homelife. And yet, the show writes him falling back into his trauma responses with her (Kuro Neko) and does jack shit to portray it as a bad thing. And the Season 4 finale is once again Adrien putting aside his feelings and showing up to support her. Adrien's emotions are not validated, they are tossed aside. Ladybug admitted her mistakes as she did several times through Season 4, but she still did little to correct them. That admission in Strikeback doesn't do much, because we never see her do anything to fix her mistakes after that. What happened was that Chat Noir saw her in distress and decided his feelings were unimportant because she needed support.
This is not healthy. Adrien should not be invalidating his own feelings so that he can offer comfort to others. He shouldn't forget and forgive so quickly without the other person doing anything to correct their behavior towards him. Once again, this is how Gabriel has taught him to behave, to stop "being so emotional" and to conform to his expectations. And Adrien continuously downplays his own issues for others' sake. And obviously, we would understand that he can heal from this, that he can learn to take care of his own emotional needs first.
And quite frankly, all the posts about how we shouldn't want Adrien and Marinette to break up, or how we shouldn't be so hard on Marinette, or that she is just a child in tough situation, or that she is doing it out of love and that Adrien would forgive her kinda make my point. Because let's be real. What Marinette did is a serious breach of trust. I do not understand how anyone could forgive something like that quickly. And I understand why she did it. I don't think she is a bad person or anything like that. But it's still an awful thing to do. And frankly, I don't see how Adrien could just... instantaneously forgive her without invalidating and downplaying his own pain and hurt. If he did, I would seriously question his self-worth. And while I don't think Adrien would never forgive Marinette or that he would stop loving her, frankly, I would like to see more acknowledgement of his feelings and his emotional needs both from the fandom and the show. I would like to see that his feelings matter, that he is allowed to be angry and that he is allowed to hold people accountable and call them out. I would like for him to not forgive some people. I would like for him to require distance and space from them. That would be development for Adrien, to let himself be emotional and not feel the need to put his own needs aside for others.
But for Adrien to prioritize himself, it would mean acknowledging the harmful things characters like Marinette have done to him. And that can't happen, because all the purpose Adrien serves is as a plot device to connect Marinette to Gabriel, and actually having her be held accountable by the narrative for her choices is a big no no. Growth for Adrien would mean that he lets himself be angry at Marinette for how she kept secrets from him, never apologized for it, and ultimately ended up keeping the greatest secret of all from him about his father and the fact that he is a Sentimonster. But as the writing to this point shows, Marinette isn't a safe space for him where he is allowed to be himself. She is someone who also elicits his trauma responses from him. He doesn't let himself be angry with her, he always puts himself last when it comes to her.
I am not saying Marinette is in any way comparable to Gabriel. She is nowhere as bad as him, she does not come close to that in any way. Marinette is a good person. But what she did in the finale, is explicitly something that Gabriel wanted her to do. Gabriel wanted to continue to dictate his son's emotions and perceptions, and Marinette helped him do it. That's not a healthy relationship. And looking at all the Marinette-Gabriel parallels in Season 5... it's not a good look at all. The show portrays Adrien as someone who has been denied autonomy his whole life, and as someone who is expected to cater to the desires of the people around him and be perfect for them while neglecting his emotional needs, and made his arc one of finding independence and his own identity and learning that his feelings and desires matter. But also, they only matter as far as they don't inconvenience Marinette. Adrien shouldn't downplay his feelings, but if doing so would help Marinette, then he should do it actually. And it's hard for me not to see it as Ladybug benefitting from his trauma from his abusive home. It sounds harsh, but that's how it feels.
And all the talk of how Adrien would never hate Marinette and that he would forgive her is... disappointing to me. Because I don't necessarily disagree, but it still is about prioritizing Marinette's feelings over Adrien's. What is focused on is not how Adrien might feel betrayed, but how Marinette might feel sad about Adrien feeling betrayed by her, and reinforces that Adrien is so good because he would not hold it against her. Even though he should, even though it means he would be downplaying his pain massively if he didn't blame her for that. If Adrien's character should develop, he should be allowed to realize that he has the right to get angry and that he doesn't have to downplay his emotions or feel like it's all his fault. He should be allowed to do that without people jumping to Marinette's defense and excusing her of blame.
Throughout the series, Adrien has been the person to help Ladybug through her problems, and the narrative has never allowed her to do the same for him. And I want to see focus on Adrien for a change. I want to see someone other than Plagg reassuring him and supporting him, especially his partner. I want to see the narrative be less about "oh, Adrien would never hold anything against Marinette because he loves her and would understand her always," and be more "actually Adrien is allowed to prioritize his feelings and want distance from Marinette after she betrayed him in such a personal way." That would be development. That would be reclaiming his agency. That would be free will and autonomy. I would like to see focus on this in the show and the fandom.
Adrien is not obligated to forgive Marinette. He is not obligated to understand her reasonings for why she did what she did. He is allowed to be angry at her and express his hurt because of her actions. Seasons 4 and 5 have regrettably established Marinette as someone else who denies Adrien's agency and around whom he reverts back to his fawning trauma response, and quite frankly the best thing for him to do would be to break up with her and go find himself on his own terms. I want his character to develop and grow, and unfortunately, Seasons 4 and 5 proved to me that it would not be possible as long as he is around Marinette, both from a character and narrative standpoint.
I just wish people would acknowledge and validate Adrien's perspective and feelings more. Even if it means calling out Marinette. Gabe is Adrien's abuser but he isn't the only one who has hurt Adrien in the story. Marinette is an incredible and amazing person but as far as we've reached in the show, she is hurting Adrien. And she has done many things across these two seasons that violate Adrien's trust. It's not even that this is a mistake she could learn from, but that she has done several such things over and over. From keeping secrets about the Miraculous holders' identities even though Hawkmoth himself knew, to Rena Furtive, to trying to trick him into an identity reveal in Ephemeral, and now keeping the fact that he is a Sentimonster and that Gabe is Monarch from him. It's gone from secret keeping to outright lying to him. It is not healthy. And it is a sign of stagnation and regression in Adrien's growth if he continues to keep forgiving her over and over again despite her never fixing her behavior.
If Adrien's arc is about finding autonomy, then he cannot be with someone who is complicit in denying him the ability to make his own choices. If Marinette was supposed to be the knight in shining armor, they shouldn't have given her the key to the tower and have her hide it away. If she was supposed to save him, they shouldn't have had her condemn him further. If Marinette was supposed to be the one who helped Adrien regain his self worth, the person whom he could trust and rely on the most, they shouldn't have made her side with Gabe, deny Adrien his agency, and violate his trust so many times.
It didn't have to be written this way, but these were the decisions made by the writers. They chose to portray Marinette like this for no discernable reason and refused to acknowledge it or deal with it meaningfully. Adrienette is so profoundly unhealthy now that if Adrien's character is to grow, the only way for him to do that is to break up with Marinette. But the show has also made it very clear that Adrien is only a plot device and a trophy for Marinette at the end. So I have no doubt that all will be forgiven in a matter of minutes, and the narrative will praise Adrien for being traumatized and denying his own emotional needs to comfort Marinette as she feels bad for hurting him. And it's sad, but I guess it is what it is.
375 notes · View notes
slumber--parties · 1 year
Text
The last episode and the way it put everything else in a new perspective still has me spiraling. I can see every single thing having 10 different meanings. So this is nothing definitive.
But I was reflecting on the fact that we know now that Louis is living in what is clearly Armand's apartment, what looks like a very constrained life.
And that just got me thinking about Claudia saying "his love is a small box he keeps you in", talking about Lestat. And we all made the visual connection to Louis and Lestat fitting in the same coffin and interpreted it as a metaphorical confirmation of Claudia's words. But Claudia didn't have the whole picture.
Thinking back on it, Lestat is certainly insanely possessive about Louis and - in that sense - will always limit his choices. But apart from that he never wanted for Louis to have a small life. He wanted to show him the world. He wanted him to escape the country that treated him so badly, the family that didn't understand him and live free of any worry. Of course he lacked a fundamental understanding about why Louis was never going to be able to do that and never put in the work to really get it. But the point is that Louis chooses to stay in New Orleans for his own reasons and to live the life he lives for his own reasons. It's more guilt than love that keeps him close to his human family after a while and the choice to continously strife against the racist American society is born out of his feelings of inadequacy and desire for recognition rather then an attempt at helping his people. We understand why he does it, but he is objectively destroying himself with his own hands. Being a vampire exacerbates some of this, but it was always there.
And at this point Lestat actually screams to him "this is not a life" because he at least recognizes what Louis is doing to himself. And yet he stays and he lives that life with him. Even when Louis is so depressed he is living like a shadow still Lestat stays. He may not act impeccably throughout but he does stay, despite this clearly not being the life he wanted.
And the point is that, while some of Lestat's behaviours ultimately worsen Louis's condition, the box in not their relationship per se imo. Or at least it's not the only box. It's at most a box within the box.
I think the box is more generally a representation of Louis's mind and the life Louis always ends up building for himself within the confines of his persisting depression.
And the show tells us that Lestat joins him in his box. It's always Lestat that goes to Louis's coffin and never the other way around. And it's always Louis that closes the locks. Even with the house they live in, it may technically be Lestat's, but I would argue it is ultimately Louis's. Lestat bought it for him and Louis keeps it in the divorce. And Lestat wants to leave New Orleans but they never do, until finally - when Antoinette offers - Lestat says that there's no place for him but New Orleans. And when Louis "kills" Lestat and they separate, sure Louis is "free". But Lestat also climbs out of a coffin.
I just think that AMC has done such a good job at recentering Louis in the narrative and not let him be overshadowed by other characters. It's true that "the box" is a really good metaphor for abusive relationships, but it's also a very good metaphor for depression and the fact that Louis continously creates boxes for himself out of any situation is also very interesting to me.
This also does not detract imo from all the ways in which Lestat actively contributes to making Louis life miserable. Before I get a bunch of hate, I am not saying Lestat is a saint and that Louis deserved what he got or anything like that.
I was just reflecting on the layers of the narrative themes and the way they are showing us why Louis and Lestat are so bound to each other. And I think it's interesting that, in their dynamic, while Lestat boxes Louis in with more overt control, you get the feeling that Lestat also feels boxed in by Louis simply because the hold his love for Louis has over him is such that he can't leave even when he is feeling trapped. And that Louis know this.
And while, again, Lestat has a lot to improve, don't you think it's refreshing that his role in the narrative is not to save Louis? That Louis is a character that has his own path outside of his relationships and this is his story. That the role of love is never to fix, but just to accompany. That sacrifices must be made for this. That in moments when it's unclear whether you will ever be able to climb out of your box, all you want is someone willing to stay there with you for a while. And that ultimately marriage is partly about giving up and preferring giving up infinite freedom by choosing to build your life around one person.
967 notes · View notes
yahoodarling · 3 months
Text
Ayato/Thoma x SelfAware Gn Reader part 1 6.5k words
General warnings (not all themes are present in this post): yandere themes, mentions of suicide(in theory and enacted) and major spoilers for Inazumas quest line including character stories. 
Author note here: I understand the narrative style of this fic is going to be a little bit different than usual. This fic highlights a lot of internal thoughts and justifications so the description of things isn't as ‘fluid’ as normal. I hope you enjoy it anyway.  I want to post this as a ‘teaser’ of sorts but mainly to see how it gets received. The next update would be the completed fic. I see it potentially reaching 17/20k words but if people don't like the style then i'll just have to see. 
It's disgusting. It is discomfort incarnate to have such foresight into the fate of the world and yet be bound to its own laws of destiny, especially when what you were sure was to take place is altered. You no longer have any ground of understanding except the uncanny feeling that things are not as they should be, to be so similar and yet be so changed. You knew things will end up alright, as long as you do not interfere then Inazumas political warfare will reach a peaceful end and it did. You watched, noted those ‘special’ to the world, those who have a story, a life, a reason and you took the responsibility of not getting involved and it worked. You became an npc, avoided any confrontation with those deemed ‘special’, avoided any influence in the ‘plot’, watched as a hero came, a nation saved and a people newly united. It worked. Your foresight was correct yet… things changed. With no base to rely on, how were you to know what the ‘future’ must be, how were you to know what to avoid, who to avoid and what minor choice may change a future?
The hero has left, gone to Sumeru you guess, no, you know, you know the hero leaves for a new nation but so has your foresight and with that comes the change.
The one day gathering supplies, one day speaking to a fellow npc to fill some sort of social need, one day being in the ‘dark’ and you've caused a spark.
“Oh Aoi, good morning to you!”
He didn't speak to you, it was directed to the npc shopkeep you were chatting with and yet it grabbed your attention. Thoma is ‘special’, Thoma is relevant and so he must be avoided and you failed. 
Thoma spoke of how lovely the nights have been, of the soft whistles of sea, even to npcs Thoma was a gentleman starting conversation. He then noted how ‘unique’ your eyes are, a depth to them hes never seen before. That comment frightened you, made you rush to leave, to stop the change. Quickly you felt a hand on your shoulder,
“Please excuse my rudeness but how about we have a stroll? I know its unfair of me to ask a stranger such a thing but… you remind me of a home away from home, if you would grant me such a pleasure that is.” he ended with a chuckle.
You have been so realistic up to this point, so good at avoiding ‘change’ but you have a heart and knew all too well that whatever feeling Thoma is experiencing is something important to him. You have a heart and so you accept.
A single light hearted stroll became a weekly meet at the shop front, ‘coincidentally’, which became a personal relationship which became a friend. It's alright though, Thomas is a social guy, he's close with many npcs who never impacted the ‘plot’, you can be one such npc, that's fine. Change is fine. 
It's not fine. Meeting with Thoma you eventually met with other ‘special’ individuals you knew by name before they even knew of your existence. It's a weird feeling to know a person before getting to meet them, all the private details, their worries, their joys and yet to remain oblivious.
“A formal greeting from the Kamisato Clan, I am glad to see Thoma has a new friend. Do treat him well, sadly I must make short of this meet.” and the man who is most likely the most influential to whatever ‘plot’ is to come of Inazuma greeted. Kamisato Ayato was amongst your top ‘DO NOT ENGAGE’ list other than the archon herself and yet somehow naive bliss and a VERY convincing plea(almost suspiciously good) from Thoma to have lunch by the beaches near the residence of the Kamisato Clan lead you right into his ‘life’.
You have no ‘life’, you are meant to have no ‘life’, no value or effect and yet by each interaction with those deemed ‘special’ by the world your plans crumble.
Ayato then promptly bowed and walked out the residents gate, a body guard joining him as he started his track along the path you had just taken towards the city.
“ah right, he has that meeting. A pity, if his schedule was more open id have asked for him to join us.” Thoma turned to you with a quick hesitant smile, “he's really not as imposing as you may think he is. ah well… maybe he still is but just in a different way then what the people expect. If you'd like, maybe I could let you know when my lord and I are doing something casual, if you would be comfortable with that of course.  I forget just how intimidating the idea of being casual with a clan lord can be to someone who doesn't know him as well as I do.”
“Thank you for the offer Thoma but i'd like it if we just kept it the two of us. You are right, the idea is a little frightening right now.” 
You knew what Thoma meant by all that, he means that Ayato is a genuine person underneath his political mask. Ayato is a brother, a friend and a man caring for those deemed under his protection and to those lucky enough to see under his mask they may be met with the unlucky fate of becoming a target to his mischievous nature. 
Still, the idea of getting involved with someone so influential is nauseating even if just for something ‘casual' as Thoma has in mind. In truth you shouldn't even be here, here near the Kamisato Clan, here near someone like Thoma, here in Teyvat in the first place. You shouldn't be here. 
“I see, that's expected haha.” Thoma smiled at you wildly, reaffirmed at the idea of something going on in his mind (if only knowing what said idea was was as easy as opening a character profile and reading a line directly out of his thoughts) “Well we are still here for a good time. Let me get that blanket and pillows for the beach quickly. You are going to love it!” Thoma quickly skipped into the yard of the clans walls while you waited outside and watched as the npcs you recognized pattered around the area. 
That one person at the commission board, you had forgotten his name by now after fulfilling Inazumas reputation months ago. There was the old lady sweeping in the yard, what did she comment on again? … … it never came to you, it was all forgetful anyway. 
A sudden feeling of envy hit you. They were forgetful, oh how lovely that would be to ease your nerves. To know that each day the sun rises you can follow your coded script without fear of altering the fate of the very universe by the time the sun goes down. Wow, you've messed up haha. 
Thoma returned quickly as promised, a blanket and two pillows clutched under one arm as a basket was held in another but probably most heavy of all was the giant smile on his face, wrinkling his cheeks with a sense of genuine happiness. No wonder you messed up, it would be impossible to say no to him. It's all his fault and yet you felt you could never put the blame on him. 
“Well, sorry to have starved you of your lunch for so long, we are nearly there and I can't wait to see your reaction.” Thoma then lead you through a short path of the surrounding forest and down towards the beach. 
Perhaps your recollection of the game isn't accurate, you could have sworn a group of enemies should be nearby the beach here but all along the coast line was just gentle laps of the waves apon white sand. Thoma layed out the blanket with little worries evident on his face, he placed both pillows down then removed his shoes, each unclad foot stepping on the blanket to avoid spreading sand all over it, you promptly did the same, sitting down and placing the basket you had down next to his. 
“This place is lovely at any time of the day but especially during sunset, I would have asked for you to join then but I feared it would make things inconvenient for you but still, spending the afternoon here is just lovely nonetheless.” he criss crossed his legs and then beamed at you.
“Come on then, don't keep me waiting, i'm dying to try out one of your baked goods.”
Right. One of the first things you did when you realized you were now living in the game was (panic, cry, internally scream in confusion as to how this has happened and if your world will keep on going and you aren't in it) actually to set up an identity for yourself. Running around and claiming to have come from another world and how you somehow know very personal details of select people and the future fate of the nation would lead to either your banishment or a future altered and possibly worse where peace was not founded, the resistance killed off and the entire plot of the ‘game’ thrown off. Not a good idea. Instead you tried to incorporate yourself into the ‘npc lifestyle’ as quickly as possible. You came up with a backstory that befit this world, you are a failed Sumeru scholar who has come to Inazuma to lead a new simple life outside of your failures. (In truth you stole inspiration for the backstory from some npc you think was on Sangonomiya Island.) It makes sense, people you tell won't  ask you more about your past details in fear of being insensitive and Sumeru scholars are sometimes brought to Inazuma. You explained your (fake) predicament to a shop vendor who referenced you to the local baker who took you on. Now you bake goods behind the walls, don't face any customers and have a very npc-like backstory and job. You set yourself up well which was helped by all the knowledge you have of this world. Too bad you messed up all that work and are sat in front of someone ‘special’. Maybe you can salvage the situation, maybe it's not as bad as you think it is, you only have ‘maybes’ which isn't helpful since you had a ‘definitely’ to rely on before Inazumas ‘quest’ was finished by the hero. 
You just smile at Thoma and reach your basket. “I made some simple bread rolls and brought some butter and jam but I also made some black sesame biscuits before leaving work. Thanks again for convincing my boss to let me off early today, things get busy there.”
“Not a problem, I don't often take days off either but I think I just needed a break today and imagined it would be a nice chance to get to know you more. How about you pass me one of your rolls in exchange for a serving of okonomiyaki? Sorry it's probably cold by now but should still be good.” He reached into his basket taking out some wooden containers as well as some cloths, likely for cleaning any spillages, and handed you one with you exchanging and giving him a roll and butter from your pack. 
You both nibbled at each other's creations, the bread rolls were still slightly warm on the inside since you had baked them before leaving, which Thoma commented on how lovely it is with the butter. The okonomiyaki you took pieces out of was cold but packed with various spices and toppings which really highlighted Thomas skills. 
“I just love that we can do this!” Thoma announced after his last bite. “I love getting to make and share things with friends, it's touching the combined effort put into it as well as the delicious outcome we get to enjoy. Haha, my lord and I do a similar thing but its outcome is not as enjoyable as warmed bread and butter, if anything it's concerning haha. Remember how earlier I said how he can be a little intimidating, our little cook outs are one such example. I really have to steel myself for those.” he chuckled and then leaned down on his elbows.
Once again, what he's trying to explain is something you already know of but need to act oblivious to. You have to convince yourself to be unaware and yet need to be aware enough to avoid ‘changing’ anything, this task has grown rather wearing but is essential to keep up your act. 
“Oh? How could cooking together turn out so threatening? You two are close though.”
He laughed
“It's because we are close that he feels he can torment me with his cooking. I swear, i'm surprised i haven't kneeled over and died yet. Worst part is he knows its tomenting, it's the best part to him! Agh- i've had so many of my own treats i've made be ruined by whatever his plan is. Haha, its amusing to look back on but just so daunting in the moment. When I said we could do something ‘casual’ with him I do not mean having one of these cook outs haha, I could never subject you to that.” 
The nature of the conversation stayed light hearted, you both exchanging from your baskets while sharing stories or light hearted moments, you had altered your side of things a little, you spoke truth of personal events but under the filter to fit with your backstory, that way lies couldn't catch up with you or forgetting lots of little made up details. The outing was rather pressuring in concept, so much could go wrong since you are involved, but in reality it was very nice. You had kept yourself back a lot when it comes to building relationships with the people around you in fear of your influence potentially changing something important but you are still human and still have social needs but even people like your boss, coworkers and the shop vendors you chat with in passing never fit what it meant to have a friend, to have someone to sit next to and simply have a good time with. 
Maybe you've been in this world for too long, you fear you may slip into making a ‘normal’ life here now that you've had a taste of what it means to ‘live’.
The sun started moving, waves became more rash upon the shore and the signs of the afternoon turning to evening became evident. You started packing up your basket and containers, lightly chatting on with Thoma about the seaside. To the side you heard footsteps and Thoma sat himself up straight to look at the oncomer. 
“Oh! Done with the meeting my lord?”
Your hand slipped in fright, the container lid clattering as you tried to put it with its matching box. Shit, why is he here? Shouldn't Ayato be too busy? Isn't that one of his whole character points? Not once was ‘strolls on the beach’ mentioned in any of his character lines. You looked up and smiled at him in greeting, your face tugged up tensely and trying very hard to look at ease. You decided it would be easier to let Thoma handle him and just got back to packing your things away. 
“Good evening to you too,” he chuckled softly and shifted his gloves, “the meet is done without any problems. When I got back home I wondered if you were still out here, seems I was right. I can now also fix a prominent mistake of mine.”
Even though you tried your hardest to avoid eye contact and look busy it's not like you had mountains to put away, you were left empty handed with a pair of well polished shoes in front of you, their sheen contrasted with the speaks of sand now defiling them. You took a breath in and looked up properly to meet his gaze. 
“I do apologize for being so rash earlier, I would have liked a proper introduction. As you can surmise i am Ayato, Thoma has mentioned of you before and I am glad to have the honor of meeting you in person.” he smiled in greeting, no doubt he would have offered a hand or a bow if you both were at the same height but for now a smile would do. 
“Right, it is truly an honour Lord Ayato. Thank you for extending your welcome to me.” you bowed slightly.
He laughed slightly, deeply amused. 
“Do just call me Ayato in private like this and last I recall, yes my property is in the area but that doesn't warrant me the entire beach side. In truth I have not welcomed you at all.” 
Thoma sighed slightly, “My lord please don't tease them so readily, I would like to eventually re invite them here but I can't do that if you've scared them away.”
“Of course, maybe then I can truly offer my welcome and they may join us to tea in the confines of the clan.”
Thoma sighed again at the slight continuation of Ayato's mischief. You took the opportunity of their exchange as an opening and stood up.
“Thank you for the food today Thoma and for bringing me to such a lovely place. I'll get going before it gets too late.”
“Oh, let me walk you back then.”
You shook your head in defiance, “No need, I know the way and it doesn't make sense for you to walk all the way just to have to return. Bringing me here was amazing in itself.”
You turned to Ayato and bowed again, less in respect and more so to keep away from eye contact. 
“Thank you again Lord Ayato. Stay well.” and quickly you make your way off the sands of the beach and towards the trek back home into the outer city. 
Thoma and Ayato stayed still, simply watching you go in silence until you were out of eyesight. It was Ayato that broke the silence.
“You are sure they do not carry any ill intent?” he said monotonously, still looking at the spot you disappeared to.
“I am sure. They are a decent person and I double checked, they don't have a past linked to any organization. Sure they are rather anxious, I see it often, a little skittish at times and slightly paranoid but it's not at the prospect of the clan. Haha, if you've taught me anything it's to be aware of people's intentions, if anything they are trying to run away rather than to get close. I can assure you, they don't have an agenda against the clan.”
Ayato breathed out, then turned himself to properly look at Thoma, his face relieved. “If that's your judgment it must be true then.”
An odd moment of silence spread between the two of them on the beach, both looking out as the sky took on warmer hues of yellow and orange clashing with its deeper blues. 
“You've been coming here a lot more recently and to have invited a friend here as well, has your mind been on your homeland?”
Thoma chuckled and leaned back out on the blanket, now dusted with sand and corners crinkled after the day's events, “I have. Thinking about the mountains of Mondstadt and all the memories just out there across the ocean. It's not in a sad sense, not at all, it's just that recently-,” he paused, looking away from the ocean and down to his lap, slightly gnawing on his lip in thought, “recently i've felt more… connected with myself. It's a nice feeling if not slightly concerning. I feel i'm getting to know myself better but it also just clearly shows how much i have yet to discover.” He sighed, closed his eyes and fully laid down on his back. 
Ayato looked down on his friend, doing as he does best and figuring out just what was going on in his mind, his feelings, the reasons for such feelings and the potential catalysts that brought them about. He kneeled down onto the blanket beside his friend, form straight from a lifetime of practice. 
“Does your new friend have anything to do with it?” he asks only to be met with silence, Ayato doesn't need an answer, he already knows it's true but just why that is so is still unknown.
“It isn't that you have fallen for them have you? I didn't think of you as one for love to occur after a reasonably short time.”
Thoma opened his eyes languidly and responded this time.
“I don't think it is love. Not yet but… i'd say i've definitely fallen for them haha, in whatever way that is i'm not sure but it feels… unbridled in nature.” he closed his eyes once more and shook his head at his own emotions. He tugged on a smile and relieved himself of his weighing thoughts, “So i'd appreciate it if you don't chase them away okay? I look forward to figuring out what's going on with both myself and with them.”
Ayato nodded wordlessly, not needing to disturb the quiet with a response.
“Ayato, did you notice the look in their eyes? It truly just- it just instantly made me feel like i was reliving my home town but also… not. It was familiar but also so foreign.”
“I hadn't gotten a good look at them in truth. They seemed rather determined in keeping their eyesight on anything but me.”
Thoma nodded in acknowledgement, “Makes sense. I do hope they warm up to the idea of the three of us doing something together eventually. Haha, once they've settled their nerves they are very comforting to talk with, I think you'd like them.”
Comfortable silence stretched along the two, the shades of yellow and orange in the sky deepening to reds and purples. 
In time Ayato stood up, no doubt with the intent of work to finish. He turned to leave before side glancing at Thoma. 
“The nobushi that often occupy these beaches, you've disposed of them correct?”
“Did it just this morning to make sure the beach was safe for today as well as to clear out the threat they bring.”
Ayato sighed in annoyance. 
“I still can't understand how those ruffians believe they outwit us, thinking being close to the clan means they may spot our vulnerabilities.” he shook his head slightly, like the ‘danger’ the oathless samurai possessed was nothing but a pesky fly. 
He then made his way back to the clan home leaving Thoma to steep in his own thoughts. 
It was after this interaction that you decided to cut things down. At first you imagined Thoma to be the safest ‘special’ person to come across, given how social he is and loved by many you could become a face in the crowd while also tending to your social needs and appeasing Thoma who, and you still wonder why, wanted to get closer to you. Following the path you've taken recently, of course you were wrong, infact Thoma should have been on that list of ‘DO NOT ENGAGE’ for the very reason you thought it was safe to, he's social. Very quickly you had realized in your time meeting with him that he would smile and wave to many walking by, one such instance was panic inducing when you noticed Yoimiya come over to greet him. Before she had fully skipped up to the both of you you had promptly dismissed yourself and ran back to the confines of your walls to avoid meeting someone so ‘special’. 
This was Thomas' problem, he is the network that is connected to so many ‘characters’ that by staying by his side means undoubtedly meeting with the others. Today's incident was clearly that, you met Ayato, you were right there at the clan bordering the line of stepping into the grounds of one of the most impactful places of Inazuma and it was Thoma that had convinced you to do so. You had been too lenient on your rules recently, too selfish. You don't follow these rules you've written up for yourself because you want to but because you know it's for the better of the future and altering such a future because you can't stay inline is selfish to every being in Teyvat that could possibly be influenced by your choices. 
To live means to influence your environment, to live means to leave an impression that proves your existence. You wish for nothing right now other than to ‘die’, be void of life and find comfort in that, to finally release the stress of what it means to have all this information of the world and not belong in it but you are still human, you have needs to fulfill and ‘dying’ is not one of them. 
It was time to cut Thoma off, it hurt because you knew it would hurt him but it would be better this way. That night you closed your eyes to rest, determined on your new path but gut wrenching in a myriad of emotions, fear, pressure, uncertainty, sadness. You haven't slept well ever since coming to this world and that night was no different. You fell asleep cursing the ground you walk on, cursing the details that swamped your mind, cursing your very existence and the trouble it causes to both this world and yourself. 
Seperating yourself from Thoma was simple, firstly you changed your shopping time, no longer ‘coincidentally’ meeting with him like you had these last few weeks. Secondly, you asked your boss for more work, that way you have an excuse. You aren't a ‘bad guy’ for just leaving Thoma, no its because work has been busy and you just don't have the time. This system worked, you hadn't stumbled on him while in the city and the few times he did come to your workplace you simply told him that you were busy and needed to get back to work. This system went on for weeks and was perfect for devoiding your existence of ‘live’, which yes was depressive, you could feel yourself go mad at the amount of work you put on yourself and lack of outlet, but it worked. The extra work did help with the issue of mora as well (the value of mora being confusing ingame where how a single egg was 400 mora and yet 1 mora is represented as a single coin but you realized quickly it was just the ingame market system) which lightened the financial strain a little. You worked from early mornings to late nights, arms dead by the end of the day. In truth you know it isn't a healthy cycle, often coming home and skipping meals just to bathe and sleep, but it was necessary. 
Inazumas rains soaked the land, luckily no thunder was present but the trek from the city to nearby village was still made difficult in the wet weather. Your eyes focusing and unfocusing, legs on autodrive walking you towards a particular customer of your workplace who the boss is very fond of. The old lady you were delivering to had been coming to the bakery for years but in her age can no longer make the walk to the city. Your boss found it mandatory to provide for such a loyal customer and so your weekly walk to deliver her breads was on the way. 
In the rain was silence, just the sound of your wet shoes on the mud and the rhythmic clank of the wooden box you carried and its latch. The world began to blur, shapes and colours combining as the rain obscure your vision and the melody of your steps, the rain's patter and the wooden latch soothed your mind. Peaceful, a sleepwalk yet not unconscious. 
Peace is never retained. 
“Look, a stray lamb. Ha! The rain brings fortune indeed.” a swallowed out voice but a few steps away from you got you out of your daze. A wandering samurai, perhaps 3 all together, walked from the side of the path towards you from the river. If this had been ingame the confrontation would be nothing more but an annoyance, 4 ‘characters’ to choose from to easily snuff them out or the option to just run away until they gave up chase. In reality this confrontation means little less than a deathly denouement. Heavily armed, well trained men with seemingly no morals and a thirst for sick entertainment against a human bering no vision, a basket of bread and a fatigued body leaves little wonder as to how this will end. Panic arose at the realization, the very human phenomenon of ‘fight or flight’ kicking in, and as a baby bird strives to the air you push off your feet, adrenaline quickly awakening your senses and urged your body to a change of direction and just as a fledgling's first flight you fall. Hard. Your mind may have awoken but your body had not caught the message, instead you lay your head in the dirt, all motive diminished, just your sad existence lay bare for a bunch of hostile mobs, stupid coding of copy paste enemies, to take your life. In all honesty this is perfect, you wish to retain as accurate to an npc life as possible? What better way than to die a meaningless death. That brought enough comfort to you to allow yourself to close your eyes (disregarding the other factors such as shock, exhaustion and most likely a concussion from the fall)
Perhaps a few of your questions will be answered now, if you die here will you reawaken into your own world? Will the months of lifetime in this fictitious game be nothing but a dream or will you truly die and merely sink into the mud as nothing more than a mistake upon this world? Neither as it seems the feeling of the rain pelting on your body ended, the sounds of swords being drawn and clashing washed away and your head, though still paining, layed on something far more welcoming than wet earth. 
“Are you regaining consciousness then?” you feel hands lean your body up, a hand moving you face side to side prompting your eyes to open. They are met with the analytically eyes of Ayato still looking over your features for whatever wear and tear you may have gathered. 
“To have fallen so gracefully in such a life threatening moment, truly your abilities are unmatched to any I have seen before. I am surprised you garner such mud and bruising, I had expected you to be dressed in only the most comfortable of clothing by the way you so effortlessly went to rest.” Oh for fucks sake-
You properly awaken, now relying on your own balance to stay sitting upright and Ayato moving his hands away only to have his eyes peering closer to you. You swipe at your face, lumps of mud clinging to your hand in turn. You heave a sigh just to gather yourself for a moment before speaking. 
“What happened? Why would you be here if it means I'm not dead? Ah- sorry,” you jumped into accusations before even giving thanks, not suspicious in the slightest, “my head is still sore. Sorry, I must thank you for rescuing me, I would be dead if not for you.” 
Ayato hummed and nodded his head. “To answer your question, I was on my way to the city before the rain started, not wanting to get wet I waited here under this shelter until I saw you stumble right into that group of noboshira and now we are sat here. As for your apology, it's accepted, you are welcome.” 
Why was he acting like this? Mischievous sure but with a slight hint of pride or cockiness in vulgar terms. Sure he's a noble but usually he adores the ‘polite lord’ act rather than ‘cocky aristocrat’. His attitude reminded you of how he interacts with those he deems ‘close’ rather than a stranger he's met only once. Yes you are close with Thoma which may influence how he sees you but surely not to the extent of you two being ‘close’ in turn. 
And still you must play the fool, be gracious and oblivious like you could never tell between his mask and his true face. 
“Thank you so much Lord Ayato, truly you've saved my life.” 
You stand to bow, to leave but he holds your wrist at the movement.
“Do not move so hastily now, the rain is still ongoing and I would not like to see a recurrence of you laying in the mud, no matter how amusing the first time may have been. Do sit back down.”
No denying that, no matter how much you wanted to make distance between the two of you, trying to run away would only cause more problems. You sit back down on the bench, a rickety structure just outside the village with hardly enough space for two. 
You look to the ground at your feet, watching as rain drops just a few inches away. Ayato sighs, made clear you have no intent of starting a conversation. Perhaps his political side kicks back in, going blunt and straight to the point. 
“You have been avoiding Thoma these last weeks, he's become distressed at the idea he's done something wrong.” you do not reply. 
“Is it because of my involvement? I understand you may be pressured by our difference in class but both Thoma and I have made it clear that should not be a problem when in private so why is it you fear me? I have seen those intimidated by my title but your anxiety runs deeper than that. I personally don't care as much but if it distracts your relation with Thoma then I suggest it should be dealt with.”
This questioning is unnerving, it is tearing right to the point where the only truth is to reveal the true origin of your situation. That cannot happen so you reply with what you usually do, not exactly a lie but a truth wrapped along with missing context. 
You fake a sigh, “My Lord I am… I am an introverted person by nature. When Thoma approached me I- I accepted his conversations not to be rude and i do genuinely enjoy being with him but i- he's a social person, I knew he was and it was uncomfortable for me to get involved but I tried it's just the moment I met with someone such as yourself, someone so… powerful I realized just how large his social circle is. I can't keep it up, being with him means being with others and I cant handle that.” it was the truth, yes you played it up a bit but hopefully it's an explanation Ayato would accept. 
“So you do not consider your friendship special enough to warrant such efforts?” 
“No!” you lift your head to him, for once properly looking at him, “It is, he is special, he is special beyond your understanding it's just that… I don't fit in, I don't belong by his side and meeting you and others just proves that.”
Ayato looked at you for a moment, seemingly lost in your words, perhaps not understanding the phrasing you used but he quickly morphed back into his usual laid back but self assured look.
“Was that your decision to make?” He let out a soft huff of air and looked forward to the oncoming rain. Why did he wish to avoid the rain? Given his character trailer where he casually accepts it, his skills being water based and summoning quite literal rain not to mention the casual manner his attacks have him kneeling right into it, how could he act so off put by walking along when the storm was hardly harsh, a summer spray in truth, you wouldn't have accepted going on this delivery if the weather was any worse.
“It's comforting. Something I can appreciate both from a distance and up close. Water has a tendency of being both stubborn and flexible, it moves as it wishes and chips away at that it deems in its way. When in motion it is hard to stop, when stagnate it proves hard to move.” 
Ayato turned back to you, eyes alight with something more than just his blue hues, they appeared with a sheen, not from the gloss of tears but of something you couldn't exactly tell what it embodied. Without a character profile to read it actually is very hard to tell what goes on in his mind. 
“Such waters remind me of you. So stubborn in some label you've put yourself under and yet so quick to wash away when it is threatened. You call such a label as being ‘introverted’ but I imagine it's something more isn't it? Perhaps it is insensitive of me to get into, from Thoma I hear you've had an unfortunate past in your time as a scholar and the depths of your reason may lay there but if you truly wish to integrate into a life in Inazuma then avoiding the people you come across, myself and especially Thoma, all under the pretext of being ‘introverted’, then you will find your burdens much heavier.”
In a very storylike fashion the rains seemed to ease, droplets turning to drizzle. Ayato stood up and readjusted his coat cuffs, “At the very least explain to Thoma your reasons, I did not exaggerate when I said he has become distraught.” 
You stood in turn, head buzzing but no longer in the previous pain. You nodded to Ayato, your anxieties haven't shown any actual proof and yet you hurt someone who has shown nothing but kindness and acceptance to you, it is wrong. 
“I will, you are right.”
Ayato offered his hand to you for a hand shake, both as an untold promise to explain yourself to Thoma and as a simple goodbye gesture, you shook it with a strong resolve. 
“I look forward to hearing more about you in the future. Do keep yourself well and avoid potential naps in the mud, it's not the most comfortable of places.” he smiled at you with a cheeky glint of amusement before turning his back and walking to the direction of the city. 
You sat back down on the bench, intent on waiting out the remaining drizzle, and leaned against its wooden pillars. It's all so conflicting, when you try to do right for this world you hurt and confuse those around you, if you try to appease the people around you you risk threatening their future. You bare a cursed mind of information, a cursed existence upon this plane, it isn't right to affect others by the curse you bare but it also isn't right to devoid someone so giving as Thoma.  You sit and contemplate until the drizzle gives way, your carry box placed by your feet filled with breads untouched by dirt and still awaiting their destination. 
Ayato strolls along the path to the city, it is not his usual reasoning for taking the trip but still a reason worth doing so. Along his path all threats had been eliminated, you should arrive just fine but it wasn't that which plagued his mind, rather it was a soft sense of amusement, a sense of glee that left him softly chuckling to himself. He adjusted the cuffs of his gloves, a sign to his Shuumatsuban in hiding that they are to leave him for a moment, once the soft shuffling of unseen ninja pass he turns is view to your direction, the distance hindering the sight, he needed a moment to himself, to gather all possible elements at play to give reason to his unspoken questions. 
“As expected, Thoma was right, they do hold some degree of depth.”.
74 notes · View notes
ravenwoodalum · 5 months
Text
on karamelle, why it sucks, and redeeming azteca's reputation.
I just got to Karamelle for the second time, and good lord. I hadn't forgotten how much I hated it, but it hit me like a wall of bricks. And I'm already preparing myself to marathon it and be fucking done questing here for at least a year.
I think it breaks down like this.
Baby's first workers rights movement/sugary-sweet surveillance state Listen. I know this is a game that doesn't allow for player characters to have much individual impact on the in-game narrative. I know we've had to do errands for cops. I know we work for a war criminal. I KNOW there are flaws in the system. But there's something about the way that Karamelle's set up that makes it all feel so. much. worse. And that's the fact that Karamelle has such a stellar reputation within the Spiral before this. The happiest place in the Spiral, the sweetest treats in the Spiral. Everyone seems to fucking love this place. Almost no one outside of those actually working there seem to understand how corrupt it is. And so the YW is talked down to at every turn, like this is their first exposure to a corrupt environment. And sure, maybe it is within, canon. YW gets isekai'd at a very young age and then made into a child soldier, maybe this is actually the first time in canon that they've been introduced to these concepts. But (and this may just be me) it feels really rude to the player -- who might actually have experience with these ideas -- to make them feel like a fucking idiot with the dialogue options. Karamelle's characters just feel rude.
Oh, so the Gobblers were a fatphobic, Roald Dahl type thing from the start. Cool cool cool. Any of you ever read Roald Dahl's book "The Twits"? It's a very unremarkable story all things considered, except for this bit.
Tumblr media
Aside from Roald Dahl's unavoidable history of antisemitism, does this remind you of anything? Honestly, this reminds me of the Gobbblers.
We first meet the Gobblers around level 10 in Wizard City -- creatures driven by consumption. And then we get to Empyrea and hear that the Alphoi -- skinny "civilized" creatures -- can become Gobblers if they eat too much or are unhealthy in their eating habits. Which makes one of our oldest running enemies a loop-around fatphobic thing, ESPECIALLY when we get to them in Karamelle, the home world of the Gobblers. Rosina, especially, just oozes fatphobia and diet culture. The literal vilification of being fat isn't even subtext, it's just text.
The Old One, The Cabal, and what to do when your escape from the world ends up shoving what you were escaping from right back in your face. When I was in sophomore year of college, fall of 2019, I had one of the worst mental health periods of my life. Antisemitism was fucking everywhere, I was always a moment away from a panic attack, and it felt like no one understood. While I'm lucky in the fact that I was able to get an official diagnosis for genetically inherited PTSD, alongside the reassurance that I wasn't fucking crazy, there was a period when I just needed to go home for a moment. So when I was going back to my dorm from the dining hall to make sure all my stuff was ready to go, I opened up tumblr and made a post on a long-gone RP sideblog I had for the Swedish Chef (y'know, from The Muppets? long story), and before I'd even gotten halfway across campus, I'd received threatening and violent messages from someone RPing as Borat, which only got worse when they realized they were talking to an actual Jewish person.
That escape from reality didn't even last five fucking minutes before the horrors I was trying to avoid found me.
Now, Wizard101 has always been a source of comfort for me. I made my account fourteen years ago, and I do not know what my life would look like if I hadn't done that. There are flaws with this game, yes, sure, but over the past five years (since I got a wiz compatible laptop) I've developed a bit of a reliance on it to get me through the horrors. No better form of escapism.
But no art form is free of the horrors.
And Wizard101 has the fucking Cabal and Old One.
The Cabal within the fiction of Wizard101 is a secret, nefarious organization pulling the strings on events across the Spiral, controlling history from the shadows. This term literally originates in antisemitic conspiracy theory, with the term 'cabal' originating from the term for Jewish mysticism, 'kabbalah'. And I promise you, you've heard plenty of applications of this conspiracy theory in real life too. It feeds into the idea that Jews (or 'global elite') control the government, the media, the banks.
And then, we get to the man in control of it all. The Old One. Whether or not this was intended, he's a walking, talking antisemitic caricature. The octopus as a symbol for the mythical Elders of Zion is a longstanding dogwhistle (see attached for a guide to this and many other visual dogwhistles). "Oh, he's based on H.P. Lovecraft-" So he's based on the works of a famous racist and antisemite, cool cool cool.
It's just exhausting, walking through a world that is so clearly modeled after Germany and other parts of eastern Europe, and finding antisemitism around every corner. And even more exhausting considering it's almost impossible to tell if they meant to do it. Antisemitism is so fucking ingrained in the world at this point that I don't actually know what they meant to do here, what they did maliciously or out of ignorance, or if any of it was put in with the purpose of turning it on its head. Over the past few years, it has become glaringly obvious that a lot of people don't realize when they're running across antisemitism, or even taking part in it. Including people I really thought would know better.
Side note. For those of you who know I see Dasein as Jewish, you may be wondering how I balance that out with the antisemitic nature of The Old One, since they share a physical form. I think of it like this. Dasein did not choose The Old One. He did not choose to resemble that, but he can attempt to reclaim it. Dasein's Judaism comes not from the resemblance he holds to the hatred that haunts us, but from the love that keeps us going. He questions authority and longstanding tradition, chooses to do what's right instead of what's expected, and is kind in the face of hatred. He literally makes himself, and a world, out of nothingness. Something out of Nothing. He's so Jewish you guys.
The Spiral's "Worst World Award" goes to... I know we all say "fuck Azteca" pretty often on this website, but I don't think it deserves to be deigned the worst world in Wiz. My main gripe with Azteca is how inaccessible it gets after Xibalba strikes -- the flashing lights aren't exactly photosensitive friendly. Which further lends frustration to my completionist nature, meaning I have to finish all quests, badges, and fishing before I finish the world (making it take forever to finish). Aside from that, there really isn't that much wrong with the world (and if you argue that it sucks because you can't save Azteca, I get it, but some tragedies are inescapable by their very nature). It's a problem of gameplay, versus a problem of plot in the case of Karamelle. And maybe its just because I'm a writer, but problems with plot feel much more egregious. I really do think Karamelle deserves more vitriol than it gets.
G-d, I can't wait to get to Lemuria.
98 notes · View notes
aipilosse · 9 months
Text
Why Pengolodh of all people is able to stoke such rage within me on his behalf is so bizarre. Like, he's a non-character, a name and some facts Tolkien came up with in his carousel of in-universe authors to keep the layers of narration he loved, but the way he is maligned in this fandom is tragic.
I've touched on before that treating the Silmarillion as if it were written and relayed by a single author is entirely incorrect so I won't go into that here, and honestly I'm sure I've said this all before BUT
The idea that Penny is for some reason *least* suited to write most of the events of the Silmarillion is PATENTLY ridiculous, and I would challenge anyone who says that to a duel, either intellectual or physical (even in my current weakened state... Tulkas is on my side I cannot fail). First of all, the one place where nobody else knows anything about what happened is GONDOLIN, so I think if anyone is going to be writing about most of the events of the Silm, they either need to be from Gondolin or need to live in Sirion with survivors.
OH WHAT'S THAT.... SIRION?!?
Yeah, Sirion! The place where not only are there survivors of Gondolin, but there are survivors of Doriath and Nargothrond AND any remnants of the Beorians, Hadorian, and Haladin. Like, I can think of no other place where the Mannish legends would be able to be recounted, and put on the same level, as the Elvish ones.
"But the Feanorians," you squall. "He's so *unfair* to them, and how could he know ANYTHING about them? That's why we know sooo little about the Feanorians and why they are soooo unjustly maligned."
Ok, first of all, ya basic. Second of all, HE HAS ACCESS TO FEANORIAN SOURCES TOO.
There is Celebrimbor, and all the other former followers of Curufin and Celegorm that could of course tell Penny what was up in Himlad and afterwards while he was in Gondolin. Also, there were probably Feanorians who lived after turning on Maedhros and Maglor during the sack of the Havens who could fill in what happened after The Luthien Incident. So, actually, Pengolodh had multiple sources to literally all of the essential events of the Silmarillion.
OH YEAH THE SACK OF THE HAVENS. Despite living through what is described as the worst atrocity of elf v elf, despite having people we KNOW were friends with him KILLED during that fight, despite having his home destroyed by fellow Noldor, he *really* gives Maglor and Maedhros every excuse. "they felt bad, they're so tired, love grew between them and their victims" etc etc. The Silm is sympathetic to the Feanorians and you can't convince me otherwise (you're not some crazy rebel because you like them!) (They are also Doomed by the narrative, but attributing that to an in-universe author requires getting into the territory of events that occurred not actually occurring and... what's the point if you're going to say that the things that the book is about didn't happen? why are you even here?)
I see people say that the bias is against the 3 Cs, Caranthir especially, which is an ABSURD statement to make in conjunction with the 'Pengolodh, sole conveyer of the Silm' theory. Like, Pengolodh most likely never met any of the 3 Cs or if he did he was very young -- why would he dislike them more than the brothers that massacred his friends? I think the theory here is that he's just such a huge Turgon fan and just absorbed Turgon's opinions on the 3 Cs, which is just conjecture on top of conjecture with no solid footing.
I think there is more credence to him being biased against Maeglin on account of the Fall of Gondolin. But, I ask you, is it really *bias* when the guy is partially responsible for the sack of the city you spent most of your life in and likely the deaths of most of your friends and relatives? And Maeglin too in the published Silm is not without his good qualities! If you hate someone, it can be very hard to admit they're handsome and smart, but Penny does not have that issue.
Anyway, justice for Pengolodh. You didn't write the whole thing, Penny, but what you did write was I'm sure fucking fantastic.
158 notes · View notes
sarucane · 5 months
Text
Why didn't Ed always protect Stede?
I'm a bit late to the party and only really got into OFMD with S2, so I've started watching S1 really thoroughly only recently. And I've noticed that there's this narrative in the fandom that Ed and Stede are super protective of each other, particularly Ed--but as I've gone through S1 (number redacted) times, it's been driving me nuts how much Ed doesn't protect Stede.
Sure, there's the meme we all love when Ed stands in front of the firing squad--but for most of the scene before that, he's been standing and watching Stede beg for his life. He's upset, but he doesn't intervene until it's nearly do late. And before that, Ed doesn't say or do a thing about Calico Jack treating Stede like shit--sure it's believable that he just doesn't notice the passive aggression, but not even catching the "Steve" thing? That's something that isn't even intervening, Jack could be making an honest mistake. But the thing no-protection moment that's really driven me nuts is this moment
Tumblr media Tumblr media Tumblr media
In the scene before this, Ed and Stede have just had an incredibly emotionally intimate conversation. Ed is clearly at least half in love with Stede at this point. This is a relationship that means something important to him, this is a person he cares for deeply. And…and Izzy almost murdered Stede in front of him, because of him, and he just looked away.
But at the same time, Ed does love Stede, he does intervene to protect him from the English--at great personal risk and cost. By the end of S2 Ed's much better about this kind of thing (though I'd argue he's never as super-protective as I've seen suggested).
So what was going on here? Ed's a total softie inside, especially with Stede, so why was he like this?
And I've got a theory! Here goes:
Mr. "greatest pirate who ever lived" is, in fact, an overachieving rule-follower (cough teacher's pet cough).
Ed doesn't intervene to help Stede because Ed conforms himself to the rules set by whoever has the strongest personality in a room, or whatever "code" is being pushed on him/is easiest to follow.
I think this is part of why Ed often struggles to identify what he wants, or hold onto a firm sense of his self-identity. And I think it's a lot of why he's so attracted to Stede, and why that relationship is so important to his development: Ed is much less likely to follow the rules when he's one-on-one with someone, and spending a lot of time alone with Stede gives him much more mental space to understand what he wants.
And just like Stede is most successful when he doesn't try to follow the traditional rules of pirating, Ed is most successful--in his relationship with Stede and outside it--when he doesn't obsess over bending to the rules, and instead picks and chooses which ones to follow and which ones to discard.
I have a partly-written super-long version of this where I go episode by episode looking at how the rules theme works with Ed's character mechanics, but I'm just going to focus on the topic question here (I might get around to posting the long version, but I also might be distracted by something shiny;) )
So let's start with The Art of Fuckery and the thing that was driving me crazy.
Tumblr media
Ed's core conflict in this episode was whether he'd going to send Stede to "doggy heaven." Why would he follow Stede to doggy heaven? Because according to Izzy, Stede is categorized as a pet, and Ed has "a policy regarding pets aboard your vessel." It's a rule. Ed has to follow it.
And Ed fully intends to follow it, right up until the kraken turns up and the rules go out the window. And then he's in a safe space with Stede, drowning in memory of the good rules he broke (don't kill people you love). But Stede rejects the idea that Ed breaking that rule makes him a bad person. He appeals, instead, to friendship. And offers his own rule: that they could pretend the murder thing never happened.
Tumblr media
Because that's the amazing thing about Stede: he lives at the intersection of aristocratic and pirate rules (which isn't supposed to exist, and which drew Ed to him), and he makes up his own rules.
When Ed's with Stede, he can follow different rules, unlike anything he'd imagined. Can even sometimes make up his own rules. Can actually pay attention to himself, think about what he wants, what he likes and fears.
But when Ed's in a crowd, or alone with someone trying to impose something on him, he conforms. So when Izzy invokes Pirate Rules and steamrolls Ed ("no you're not doing this,") Ed lets him.
It's a character flaw, and it's a serious one...but it's also one Ed works on when he stops complaining about the treasure hunt business. And when he and Stede discuss the idea of co-captains, and arrangement that would break the rule that "a ship has only one captain."
Tumblr media
Which Ed is able to do because he's in a safe space. Calico Jack disrupts that, and introduces a succession of games with clearly defined rules, which Ed follows one after another. And Ed has so little self-awareness, is so easily swamped by Jack's personality, that he doesn't notice how Jack's treating Stede, let alone defend him, and he bows to every hint of pressure.
And all that culminates in Ed having to make a decision: follow pirate rules, where everyone's just at "various stages of screwing each other over," or do what he wants. Go help his friend, the guy he loves.
Which just ends up with him being absorbed right back into the pirate system of rules. He tries to use this at first, faking a confession on the grounds that he's a "life is cheap sort of guy." But Izzy's outsmarted him, and Izzy invokes pirate rules again: that Ed told him the rule for a first mate was "above all loyalty to your captain."
Tumblr media Tumblr media
Ed doesn't call out for the Act of Grace until the last minute. He could have done it at the trial--he didn't. This is a hard thing for him to do, because he's surrounded by rule-following pressure, from Izzy and from Chauncy. The last time he was in a situation like this, Ed just looked away and let Stede die (he thought).
But the thing about Ed is that he's "half insane." For years, he used the combo of being considered "mad" and also having Izzy around to have his cake and eat it too with rules, to be the world's greatest pirate and also hang onto his own authentic self.
As a result, Ed got good at finding loopholes. Places where you can follow the rules and break them, at the same time. Getting run through, but in a place that missed "all the important bits." Being sentenced to death, but asking for an Act of Grace.
Tumblr media
It's a big deal when Ed steps in front of Stede like that. He's acting against pirate rules, risking being absorbed by the rules set by the English.
He does it for Stede--and that starts to set him free. After that, Ed's never just following the rules again. He actually can't, even when he tries: his going kraken at the end of S1 and start of S2 is doomed from the start and full of contradictions, starting with the fact that he's on Stede's ship, the ship with hidden passages where rule-breaking can be hidden until it's needed.
Ed struggles a lot to figure out which rules to follow ("I will abide by the guidelines"), which rules to set aside ("Can we take it slow?"), when to make up his own rules ("So we're innkeepers now."). And Stede helps him, telling him things like "This can be whatever we want it to be," and "you're not a dick, life's a dick."
I don't really have a clever conclusion to this particular meta. It's a messy thing, and individual figuring out how to their life does and does not intersect with society. This theme doesn't resolve neatly, it just stops at the end of the season, like the tension between Ed/kraken/Blackbeard.
But there's a lot of hope here, I think. When Ed acts to protect Stede, and to fight alongside him, he's not just being a protective partner. It's a learned action, the physical manifestation of a decision Ed's made about who he wants to be in the world. Rules be damned.
82 notes · View notes
bibibbon · 12 days
Text
Characters with wasted potential: kurooboro
It's our favourite intelligent nomu kurooboro that deserves so much more attention and a better arc then what he got.
Personally the narrative does seem to treat oboro and kurogiri as two different characters which I like but I wish we got more exploration on that.
Kurogiri
Kurogiri is shigarakis caretaker he is also AFOs servant. However, that's all we know.
1) I would have it that kurogiri used to be a loyal AFO servant. He became a servant/puppet due to him falling through the cracks of the system and trying to escape poverty in anyway he could. Overtime kurogiri got physically sick and his body started to fail yet he still worked for AFO accepting what he did. Afo recognises kurogiri as a valuable asset when his plan of capturing eraser and his quirk goes to mess and starts plotting with the doctor to help kurogiri get a new body which happens to be oboros.
The doctor manages to successfully do this transfer or so he thinks. The doctor is weird and creepy and yes he manages to do implant kurogiri's mind and quirk into a vestige but this comes with some drawbacks like oboro and kurogiri both sharing a mind and body or oboro physically and spiritually rejecting kurogiri making it so that his body is tearing him from the inside out in some way.
Kurogiri is tasked with the job of taking care of Shigaraki and at first he is quite indifferent to the child and doesn't care for him. However, as time goes on he does slowly warm up to shigaraki and care for him ( I love dad kurogiri too much for this). This puts kurogiri in a rough position, he cares for shigaraki but he also hears the plans that AFO and the doctor have in mind for him and he indirectly tries to slow them down or hinder them. All of this is little to no prevail, as much as kurogiri cares he isn't equipped or certified to take care of a traumatised child or to stop afo and the doctors plan.
2)Kurogiri makes a little plan. The plan is one where he gets a bar (AFO allows him) and he basically runs the bar. From the money he gains in the bar he spends some on shigaraki but also hides some of the income to at least assure his and shigarakis own survival. Sadly, the plan is found by AFO himself and the doctor does some "modifications" to kurogiri (practically torture) to keep kurogiri complacent and become the perfect puppet, to play his role. Kurogiri glad that AFO didn't take the bar away from him , but now takes like 50% of the income he earns spends the money on various things. He still has a plan but the initial plan for him to escape with shigaraki is looking slimmer and slimmer. He has a moment where he starts to desire freedom to escape and burn everything he has to the ground to fully forget about shigaraki, AFO, the doctor and all. Yet he stays and finds way to passively retaliate and rebell against both AFO and the doctor.
During this time he and oboro/ oboro's spirit and remains bond over their experiences. Considering that they both want freedom one way or another they work together to enhance their quirk.
Tumblr media Tumblr media Tumblr media
Oboro shirakumo
Oboro shirakumo is a former 17 year old hero student who is friends with midnight, present mic and Eraserhead. He was majorly injured during a work study that he did with his friends trying to help save some children.
1) Oboro doesn't actually die, he is just declared dead and taken away. Afo is pretty disappointed when the villain fail to kill/ bring to him Eraserhead and accidentally bring in a heavily injured oboro. The doctor takes oboro, thinking that his quirk has some potential and suggests the idea of making oboro and kurogiri a merger intelligent nomu. AFO agrees to this of course and oboro's body is basically healed/ fixed by the doctor to become a suitable vessel.
2) at this point oboro is in a coma. However, when the doctor tries to merge the two oboro does show signs of retaliation and rejecting kurogiri, yet kurogiri overpowers him. Oboro is scared and untrusting of anyone around him at the moment. Both he and kurogiri get into a lot of arguments over the body they share which proves for it to be difficult to live in the body.
3) due to their differences and background oboro and kurogiri do not get along at first. Oboro is still quite naive about the world but his counterpart kurogiri isn't . Due to their close forced proximity and the fact that both want the body they are in to function they try and cooperate. They get to know eachother and start to understand their respective sides. Kurogiri shares his story, how he had to live on the street and survived of barely anything, how he enjoyed being a bartender before his body started failing him and he had to quit and fully dedicate his life to being AFO's servant. That's when oboro shares his own experiences how he wanted to be a hero, own an agency with his friends and how he also wanted to help others. They continue to cooperate and both make the plan of saving up money and running away from AFO.
3) When that plan is found out and the doctor does his 'modification' oboro goes silent, taking the blunt force of it at the time. This happens for a long while and kurogiri feels alone, this is when he starts to think of just leaving and destroying everything. Oboro is silent, he is stuck in a limbo place. Kurogiri thinks he can see oboro's spirit when he is sleeping but that is neither here or there. However, when they meet Eraserhead in the USJ oboro makes a slow awakening. He physically makes kurogiri's body hesitate and that's what causes them to be stuck in Todorokis ice.
4) Kurogiri is shocked of course and after the battle both of them have a conversation. Oboro isn't aware of how it works and doesn't remember anything after the doctors modifications which is when Kurogiri fills him in about what happened. Both start to work harder than ever for a chance at escaping whether it be them escalating their passive rebellious behaviour to AFO or trying to guide shigaraki to a different path.
They try their best, they really do but looks helpless and their chance at freedom is long and far. That is when they choose to slowly collect information in journals and allow themselves to get captured some time after the overhaul arc revealing their identity.
All of oboro's friends (NOT JUST ERASERHEAD LIKE IN CANON) are conflicted, confused and upset. They comfort eachother and all come into different conclusions, scared but so hopeful for a restoration of normalcy in their lives. It is present mic and eraserhead that try to make the first move, trusting the information that kurogiri provides them and slowly help kurogiri. Present mic is the first to come around at first not believing that its oboro but wanting the information, wanting to know if there is a traitor. Secondly, it's eraserhead out of pure hope and denial, he knows it isn't logical but he misses oboro and hasn't moved on. He now needs to understand that oboro isn't oboro but he is much more complex and has went through things. Lastly, it's midnight with a combination of both factors and guilt. She tries to avoid kurogiri as she blames herself for what happend and also starts to rethink her actions as a hero.
Working with the heroes gets kurogiri out of prison and under UA's custody really but he still is quite ominous especially kurogiri who still wants to save/help shigaraki and ends up talking to izuku about it.
Tumblr media Tumblr media Tumblr media Tumblr media
I feel like there are way too many ways we can take kurogiri and oboro's characters in, all with different ways and endings but canon managed to do such a horrendous disservice to him so I hope I have given him some justice
53 notes · View notes
raisedbythetv89 · 6 days
Text
joss's sick obsession with not just causing pain and suffering - but punishment and humiliation to his "pretty popular girl" archetype characters aka Buffy and Cordelia and his favoritism of the most horrible mediocre white men aka riley, xander, and angel is never more apparent than in Into the Woods
The writers opted not for the FANTASTIC call back to season 1 with owen and Never Kill a Boy on the First Date when Buffy says "two days in my world and owen really would get himself killed…. or I'd get him killed… or someone else...."
which set them up perfectly for the road map of Buffy's attempt at a "normal" relationship that angel, her mother, and the scoobies keep trying to push her to have (when she's not normal herself so of course it's gonna be a disaster which is soooooo trying to force a queer person to be straight coded which is why spuffy is inherently queer on top of them both being canonically bisexual because Buffy embracing her love of Spike is embracing her inherent queerness)
But could you IMAGINE how amazing it would have been for season 1 to have foreshadowed riley being turned at the suck house (because literally all that evil in Sunnydale and NO ONE takes the opportunity to turn the slayer's boyfriend into the perfect secret weapon to take her and her whole family out??? PLEASE)
Then vamp riley almost killing Dawn and her mother (because Dawn would be the one tricked into inviting him in as a call back to Dawn accidentally inviting Harmony in and Buffy saying she's gonna get us all killed plus angel tricking his little sister into inviting him in once he was turned)
Buffy is forced to kill him after pleading with him to remember he loves her or any part of who he was (which would further show how exceptional Spike's ability to form a truce with Buffy, keep it, and fall in love with her all without a soul is)
Making riley her second (third if we count ford being left for dead and then having to dust him) turned evil boyfriend she's forced to kill.
Buffy would still be DEVASTATED and it's Buffy so she'd still punish and blame herself even though it'd be all riley's fault (demonstrating how this storyline would still cause immense pain for Buffy and be very high stakes drama for the plot but again joss elected for humiliation having Buffy literally chase after the man who was cheating on her with vampires while she was dealing with a sick mother and a hell god after her sister. Favoring a white man's character over the best plot line)
All while also further setting up her and Spike's relationship because of the "if that's what I wanted I'd be dating Spike" of it all which was her basically saying if I didn't want normal, Spike would be who I'd choose and now she's tried to be normal and he got killed, almost killed her family and then she had to kill him just like season 1 Buffy knew would happen when she broke things off with owen!!
AND the poetic irony of her trying to be “normal” and it ends with the exact same result?? The lesson being that rejecting who you are is not the answer and the only true answer is self acceptance because pain will happen no matter what so might as well love and embrace yourself ???
BUT NOOOOOOO the writers aka joss opted for riley's narrative to be that he's a hero and a good guy always, no matter what because joss has a big fat crush on marc and guys like him, angel and oz all get written off by treating women like shit without being villainized for it at all and then leaving. Getting to go on to live rich and fulfilling lives while Kendra, Tara, Cordy, and Anya are all violently killed off with barely any time spent grieving their deaths by more than one character..... (I haven't ever been able to finish ats so I don't know how much this applies to cordy's but my guess is the pattern didn't change much)
THEY EVEN LOOK THE SAME FOR CHRIST’S SAKE IT WRITES ITSELF
Tumblr media Tumblr media
44 notes · View notes
hyperactivewhore · 4 months
Note
I never thought about it before, but now that the idea is in front of me, I think Klena would have been absolutely WILD had it happened, and it would have made a lot sense for Klaus's character. He's been waiting for a thousand years to break this curse, and suddenly Elena comes, and easily gives him everything he's wanted, she doesn’t die like Tatia, she doesn’t run like Katherine, and she's also the key to making his hybrids. I also think Elena could have been a compelling character had the writers treated her as one. She is smart, she has daggersd two Originals after all, I think she could have empowered Klaus in ways that others maybe couldn't, because he can't kill her since he needs her, and while she's physically not strong, she can be pretty manipulative sometimes. It would have been INSANE if they had a thing, they would have been absolutely toxic but a great dynamic for a show like the vampire diaries.
I like toxic ships, I won't lie, but only if they're well executed, have a solid reason as to why the people dating even got interested in each other (this is why I like klaurora and enjoy the dynamic delena has, but don't like klaroline or bonkai) and I do feel Elena and Klaus would fall into this category. They had potential for a relationship, just not a healthy one.
Don't bring up that it would be ooc for Elena to fall in love with Klaus after he murdered Jenna: she's married to Damon, who raped her best friend and who literally killed her brother, so let's skip this unneeded discussion, because tvdu writers are always retconning their characters for ships/the narrative. I've talked and recommended her fanfic a thousand times, but Fairytale Ending by @livlepretre really, really touches what I think would be canon klena. They're toxic, screwed up and yet they love each other in their own fucked up way. It's so good written too, and it makes Klaus look even more fucked up than in canon which I just love.
Despite how tvd made her look, Elena is clever and resourceful and she also looks like Tatia, who was Klaus’s first heartbreak, and knowing how obsessive and screwed up he is with the women he loves romantically it's strange he didn't try to do anything physical or romantic with her. Just imagine Klaus and Elijah repeating history with Elena by falling in love with her, just because she shares the face of the two women they both wanted at one point. It would be so twisted yet such an interesting dynamic to watch, at least for me.
It obviously wouldn't be healthy, but it would be so ironic to have Klaus falling for the girl he's supposed to kill. If they had met in different circumstances, then maybe they wouldn't be as toxic, but I do get the appeal of klena and why people ship them.
And personally, ships where the other person stresses the fuck out of Klaus will always be my favorite.
47 notes · View notes
dangermousie · 5 months
Text
I am living for the gender reversal trope where she's the perfect killing machine who doesn't know normalcy or feeling and considers emotions a burned out nuisance and he's the functional one who actually values relationships. And the thing is she has decided he's breedable (sorry, will never be over that! :P) because he's competent and smart and good at killing but emotionally she is being drawn, without even realizing it, because he combines competency with still keeping a soul. If he was just a weak person she'd just assume he's incompetent or deluded. But he's clearly good at what he does and can kill quite competently and defeat his enemies quite competently. And yet - he treats his companions as friends and they do the same and she is fascinated by it the way an alien would. She knows she's lacking and she is trying to figure how to remedy, how to stop being a machine.
I mean, he tells his men they can laugh at him but to treat her with respect and something in her softens (especially since it's clear he didn't say it to impress her.) She has always been treated with disdain or fear and has always been an implement of seduction or murder. But he treats her as a person.
Tumblr media Tumblr media Tumblr media
It's like that conversation she has with the princess, where she says she and he are the same and both left any ability to feel behind and that if princess really disobeyed, he'd kill her, same as FL could. She ends that convo on this piece of advice:
Tumblr media Tumblr media
But the thing is, the narrative is clearly set up to show she's wrong. Not just in terms of ML - he may be ruthless and smart but he still hasn't lost his ability to feel, because his life has been so much more normal than hers, but also to allow her to trust others at some point. The English title, "A Journey to Love" really is apt for her, isn't it? It's her going from being a perfect instrument to being able to feel. This reminds me a little of Romance of Red Dust with Shu Qi and Wallace Huo. The latter is a lot darker and grittier and bloodier because it was made a long time ago before restrictions but the tale of a tired lady assassin who is drawn to something she can actually care for is similar.
I mean, look at this convo - she does not talk as a flesh and blood human who wants a baby to love or even desires ML - it's once again an alien trying to understand how humans interact and why.
Tumblr media Tumblr media
God, I love him. It's an odd thing to say about a character who calmly stabbed a man in the neck with a pin within ten minutes of us meeting him but he is so damn decent.
Tumblr media Tumblr media
This cracked me up - talk about gender reversals...
Tumblr media
But the thing that I really loved about this conversation is that he turned her down while letting her know he finds her desirable and giving her his true reasons as well - which is it's not safe for people with their personalities and jobs to be entangled. This was pretty amazing.
Tumblr media Tumblr media
I love that she genuinely asks him about how he's friends with the men under his command because she realizes her lack (she said empress called her a sword and she wants to change because she always feels a distance even with her, but she doesn't know how) and that she doesn't want to be distant from her own child. It's actually a huge thing that she realizes that there is something missing and she wants to remedy it. I don't think the woman at the opening of ep 1 would have thought so.
Tumblr media
(I am WILD for the gender reversal of him being the softer one to make the perfect murder machine understand and develop emotions!!!)
But this was my favorite part, because isn't this the crux - she should think for herself; does she even want children, does she even know why the empress wanted her to have one? If it's just another order she's carrying blindly what is the point?
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
It makes sense for a man with his line of work, but he actually thinks things through and I love it. There is that scene where he explains why he doesn't want to be with her and it's so logical - she's the perfect assassin but she has a bloody life and he just wants to retire so what future is there (any time a character talks about a last mission I freak out btw, but also it's telling he's thinking relationship when all she asked for is ONS. You developed feelings, spy boy!)
But also, there is this bit. Where he says he feels pity and it's very insightful but it reads much more as sympathy and understanding than pity.
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
I love that he knows her true self - assassin, sex spy etc and his main reaction "but she's never had free will, it must have been hell."
God, I love this drama!
60 notes · View notes