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inkskinned · 2 months

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most writing advice is good as long as you know why it is good, at which point it is also bad. the hardest thing (and most precious thing) about being an artist is that you gotta learn how to take critique. i don't mean "just shut up and accept that people hate your work," i mean you need to learn what the critique is saying and then figure out if it actually helps.

i usually tell people reading my work: "i'm collecting data, so everything is useful." i ask them where they put the book down, even though it's too long for most people to read in 1 sitting. i ask them what they thought of certain characters. i let them tell me it was really good but i like it more when they look a little stunned and say i forgot i was reading your book, which means they forgot i exist, which is very good news.

sometimes people i didn't ask will read my work and tell me i don't like it. and that is okay, you don't have to like it. but i look at the thing that they don't like and try to figure out if i care. i don't like that you don't capitalize. this one is common, and i have already thought about it. i do not care, it's because of chronic pain and frankly i like the little shape of small letters. you use teeth and ribs in all your work. actually that is very true. i don't know what's up with that. next time i will work to figure out a different word, thank you. you're whiny, go outside. someone said that to me recently and it made me laugh. i am on the whine-about-it website as an internet poet. you are in my native habitat, watching me perform a natural enrichment behavior. but i like the dip of whiny, how the word itself does "whine" (up/down, the sound out your nose on the y), but i don't know if i want to feel whiny. maybe next time i will work on it being melancholy, like what you would call a male writer's poetry.

repeated "good" advice clangs in a bell and doesn't hold a real shape, dilutes in the water. like sometimes you will hear "don't use said." you turn that around in your head and it bounces off the edges of your brain like it is a dvd screensaver. it isn't bad advice, but it feels wrong somehow, like saying easy choices are illegal! sometimes i will only use "said." sometimes i will just kick dialogue tags out to the trash. sometimes i make little love poems where the fact that i do not say "said" is very bad, and makes you feel bad in your body, because someone didn't say something. i am a contrary little shitbird, i guess.

but it is also good advice, actually. it is trying to say that "said" sometimes is clutter. it makes new writers think about the very-small words and very-small choices, because actually your work matters and wordchoice matters. "i know," you said. "i know," you sighed. "i know." we both know but neither of us use a dialogue tag, because we are in a contemporary lit piece.

it is too-small to say don't use said. but it is a big command, so it gets your attention. what are you relying on? what easy choices do you make? when you edit, do you choose the same thing? can you make a different choice? sometimes we need the blankness of said, how it slides into the background. sometimes we don't.

i usually say best advice is to read, but i also mean read books you don't like, because that will make you angry enough to write your own book. i also mean read good books, which will break your heart and remind you that you are a very small person and your voice is a seashell. i also mean you need to eat books because reading a book is a writer's version of studying.

my creative writing teacher in the 7th grade had a big red list of no! words and on it was SUNSET. RAZORS. LOVE. GALAXY. DEATH. BLOOD. PAIN. I liked that razor and love were tucked next to each other like birds, and found it funny that he believed we were too young to know the weight of razor in the context of pain. i hated him and his Grateful Dead belt, where the colored teddy bears held up his appraisal of us. i hated his no list. it is very good/bad advice. i wasn't old enough yet to know that when you are writing about death you are also writing about sunsets and when you write about love you are tucking yourself into a napkin that never stops folding.

back then my poetry was all bloody, dripped with agony when you picked it up. i didn't know there is nothing beautiful about a razor, nothing exciting about pain. i just understood sharpness, which he took to mean i understood nothing. i wrote the razor down and it wasn't easy, but it was necessary. that's what i'm saying - sometimes it's good advice, because it's not always necessary. and sometimes it is very bad advice, because writing about it is lifesaving.

hang on my dog was just having a nightmare. i heard that it is a rule not to write about dogs - in my creative writing mfa, my teacher rolled her eyes and said everyone writes a dead dog. the literature streets are littered in canine bodies. i watched the rise and fall of his ribs (there is that word again) and had to reach out and stop the bad dream. when he woke up he didn't recognize me, and he was afraid.

it is good/bad advice to say that poems and writing have to mean something. it is bad/good advice to say they're big feelings in small packages. it is better advice to say that when my dog saw where he was, he relaxed immediately, rubbed his face against me. someone on instagram would make fun of that moment by writing their "internet poetry" as a sentence that tumbles across a white page: outside it is sunset and my dog is still in a gutter, bleeding a galaxy out of his left paw. or maybe it would be: i woke the dog up/the dog forgot i loved him/and i saw the shape of a senseless/and impossible pain.

the dog is alive in this one, and he is happy. when i tell you i love you, i know what i said. write what you need to write, be gentle to yourself about it. the advice is only as good as far as it helps. the rest is just fencing. take stock of the boundaries, and then break them. there's always somewhere else you could be growing.

i love you, keep going.

#warm up #writeblr

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stsgluver · 7 months

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𝐒𝐍𝐀𝐏𝐒𝐇𝐎𝐓 — gojo satoru

synopsis. the first years find old videos burned onto a dvd of you, satoru, shoko, and geto from 2005/6.

wc. 2.7k

tags. gojo x reader, you+shoko+gojo+geto being in the same year and besties, set in the present and past, fluff

next part / series masterlist

"is it recording?" asked one muffled but familiar voice. the screen was black, the camera covered by something or someone. the pitch was marginally higher than they were used to but yuji and nobara grinned at each other as they recognised the voice of their teacher.

"how can anyone see when you're holding it like that?" this one was more feminine and unfamiliar to the two - but not for megumi who smiled sadly at the laptop screen.

"give it to me idiots," this was another female voice. there was some more chattering in the background but the audio hadn’t been picked up over the rustling of the camera being passed around. then, for a moment, the screen goes completely white as it focused on the figure in front: shoko ieiri.

she turned the camera around so it was looking at her three peers all wearing the same sheepish grins. "you hadn't even taken off the lens cover."

“it was satoru’s fault,” the other female sorcerer accused the white haired boy next to her.

“no it wasn’t!” gojo whined, geto on the other side of him stifling a laugh at his childish mannerisms. he looked in disbelief that his best friend was not defending him, “why am i always the scapegoat?”

yuuji paused the video to point at the unknown girl, “who is that?”

megumi hesitated for a brief second before responding, “yn.”

“you knew her?” nobara raised a brow at her dark-haired friend. he was often stoic and kept to himself but they’d been together for several months now and even she could pick up on the uncomfortable change in his demeanour.

megumi hummed, avoiding eye contact as he stared at the paused screen, “mhm.” you looked happy in the clip, always amused when it came to winding up gojo. he’d seen it with his own two eyes.

“did she leave jujutsu?” yuuji pondered aloud.

“something like that,” he swallowed thickly.

nobara gave megumi’s hand a light squeeze, but didn’t say anything. megumi had initially been against the idea of looking through the dvd to see their teacher’s teenage years at jujutsu high - this explained why.

yuuji, on the other hand, was oblivious to the interaction, more eager to see a young gojo (and nanami too, he hoped). he reached across nobara to unpause the video without another question.

"can we just do what we actually came out here to do?” geto asked in an exasperated tone, but he was clearly smiling as he spun gojo around so the two could go back to back. “who's taller, me or satoru?" the two had been arguing over the fact all morning so it had been shoko to suggest recording it so that there was actual evidence that neither could deny.

before either could stand fully straight against one another, you interrupted with no hesitation, "suguru." gojo’s eyes widened and you couldn’t stop yourself from laughing at his expression.

"you didn't even look properly!" he threw his hands out dramatically and you shrugged, dismissing his distress.

"didn't need to," you waved a finger up and down, “shorty.”

there was a brief second of back and forth between you and gojo, no actual words being said until his pout lifted into a mischievous smile. that had you spinning on your heel in a futile attempt to try and escape him but it took only three of his strides till he’s got you in his hold, fingers tickling your sides.

“can we go ten minutes without you two flirting?” shoko complained over your laughs from behind the camera, panning over to geto who was shaking his head with a similar look that she undoubtedly wore too.

yuuji’s eyes were blown wide when he paused it again, looking at megumi in disbelief (even nobara had to sneak a glance for an explanation because she’d never seen their teacher so physically close to anyone like that). “sensei had a girlfriend?”

“sort of,” megumi shrugged.

“oh my-” yuuji begun to exclaim but megumi cut him off by placing a hand over his wide mouth.

“if you ask any more questions, i will turn it off.”

instantaneously, yuuji mimicked zipping his mouth, locking it and throwing the key away, settling back into his seat. the dark-haired teenager unpaused the video.

the clip comes back to life again, gojo with his arms wrapped around your centre as he ceases his tickling in full view. his sleeves are rolled up so it’s visible on camera where you had dug your nails into his skin trying to prise his hands from you (very unsuccessfully, might you add). “that was not flirting. this is flir- ow i just wanted a kiss.”

the camera dropped as shoko laughed and the video ended several seconds later, the screen swapped back to one full of files and thumbnails. there had to be well over a hundred videos, maybe more, all ranging from a few seconds to even an hour for some.

nobara scrolled down until she came across a clip with gojo as the thumbnail. this one, she decided.

the video buffered for a brief moment before beginning. this one was outside this time, somewhere on the grounds of the high school. gojo had forgone his uniform jacket once more and his glasses were perched on the edge of his nose as he slightly bent down to hear what was being said.

shoko was the one holding the camera again – as she often was – and the one asking questions, "what's your favourite thing about being a sorcerer?"

gojo pretended to deeply ponder the question, tapping his index finger against his chin thoughtfully. just as he went to answer the question, voices came from behind both of them: two other students began walking towards them from a path on the other side of the open field.

“is that yn and geto?” gojo asked to no one in particular. he held up a finger to shoko as his feet were naturally leading him in the direction of the two people he care for most, “one second.”

shoko panned back to herself, nose scrunched up and a cigarette between her lips. she looked like she was going to complain about gojo’s inability to stay focused on one task at a time when she too got distracted by her friends in the distance.

"someone's in love," she sung as she spun around, pointing at you and gojo and then her mouth as she pretended to gag. gojo had already presumably checked in on geto and now his whole focus was on making sure you’d come back from the mission in one piece. in the footage he pressed one long kiss to your forehead, hugging you closely to his body. “i need to smoke.”

yuuji was practically squirming in his seat, itching to say something. one sharp look from nobara, however, and he thinks better of it. the orange-haired sorcerer went back to her scrolling, finding a short fifteen second clip that lasted only twenty seconds.

initially, the screen was dark once more as it was being readjusted and then a young male, no older than sixteen came into view with a wide smile. “i’m going to be japan’s strongest sorcerer one day!”

“yu!” you appeared behind him, passing him a soft drink bottle, “of course you are! best the world has ever seen.”

“after me,” geto, who was sat next to haibara, joked as he looked at his junior with a fondness that you shared. there were some more voices and haibara glancing between talking sorcerers but nothing overtly interesting in the final few seconds.

“i have no idea who that was,” megumi admitted, and yuuji nodded nonchalantly like his silence wasn’t killing him. even the dark-haired sorcerer couldn’t stop himself from being somewhat amused by his peer.

megumi was the one to scroll down this time. he was more methodical than nobara had been and looked at several thumbnails before deciding finally on one of you and gojo. he recognised the date underneath as a date gojo had scribbled on the back of a photo that he kept in his wallet.

you were holding the camera this time, pointing it at gojo who was staring up at the clear night sky. it was well past curfew and you were both going to be in for it when yaga found you but the conflict to come could not be felt in the serenity of the fireflies’ buzzing.

“look at how beautiful the stars are,” you said aloud, though you’re entire focus was on your boyfriend in front of you. he turned to agree (and probably tell you some random fact that he knew about one particular constellation) only to catch your sly smile and your heart-eyed stare.

there was a split second as his eyes darted between yours and the camera that he almost appeared… nervous? bashful? but he quickly recovered with an eye roll, “you’re literally blessed to even be in my presence.”

you panned the camera around to yourself where you stared at gojo with a raised eyebrow. “if you can’t handle my rizz just say so.” gojo snorted and you could only keep up the facade for another second before you were giggling too.

he rolled closer to you so he could lay his head on your chest and you lifted the camera higher to make sure you both stayed within the frame.

“smile toru,” you poked his cheek lightly and pointed up. it was odd for his students to be watching this – to see their powerful sensei with his guard completely down, tired, and in love. gojo did as he was told, ocean blue eyes almost illuminating under the night’s shadow.

it was that moment that he had saved as a photo; gojo smiling up at the camera with his body covering yours whilst you look down with him with more love than he thought he could ever deserve.

“hey! i was watching that,” yuuji complained after megumi pressed escape, cutting the video short.

megumi sniffed lightly, but shrugged it off by giving yuuji a distraction, “you choose the next one.” this was sufficient enough to distract the minor disappointment and yuuji was quick to find one he liked.

“yn’s crying! i wonder what happened,” yuuji hurriedly clicked onto the video, invested in the life of a sorcerer he could never know.

“guess who broke up again,” shoko said in a sing-song tone as you glared at her. she was sat at her desk and you were on her bed, a mountain of used tissues behind you. your face was red and blotchy from tears and you clearly did not want to be recorded right then.

“it’s not funny,” you sniffled, “and it’s just a break.”

you mumbled the last part and shoko deadpanned to the camera, mockingly mouthing what you had just said. “still disrupting my beauty sleep by coming in my room and crying,” she turned in her chair towards you, “believe it or not i don’t just wake up looking this flawless.”

“ha ha,” you uttered sarcastically, “it’s not my fault i love him.”

“you’re seventeen,” shoko dragged out, “there’ll be other ones.”

you stopped your pity party for a brief second to look shoko dead in the eye, “have you seen his bank account? there will not be other ones.” you both broke out into laughter almost instantly, the healing sorcerer agreeing with your argument.

shoko pointed to the camera, “gojo satoru i hope you see this. your girl is a gold digger confirmed.”

the video then gets cut off once a pillow has been launched directly at shoko’s head.

“next one! next one! they have to get back together!” nobara insisted. megumi lets her play the next video, he didn’t tell her about what he knew — that he’d seen you and gojo in love and together well after the video. that you survived the tribulations that came with being a teenager and overcame more as sorcerers than the average couple should have to deal with.

“so it’s been…” shoko held up one finger, then two, then glanced to geto for help.

“three days and six hours,” he recounted, knowing exactly what she was referring to.

“three days and six hours since gojo and yn called it quits and now here they are, making out at an official jujutsu event very not subtly,” shoko informed the camera, swapping the view so that it was in fact exposing your escapades at the formal event. it was nothing overtly raunchy, just gojo pressing you to a wall as he kissed your lips. still, there’s a time and a place.

“are you seriously recording this?” geto asked.

shoko spun the camera to him, “you want the camera on you?”

geto winked, adjusting his tie and leaning back on the bench as he manspread. “i look good right?” shoko shook the camera to say ‘no’ and he shrugged, pulling out a lighter for the cigarette he held between his lips. he lit his and then offered it to shoko.

just as she grabbed the lighter, a loud crash came from the direction that the two of you had been. somehow in the thirty seconds that she had been focused on geto, you two had stopped your kissing session, zenin naoyo had showed up and gojo was throwing punches with the zenin.

geto dropped his cigarette as he quickly raced to help out his best friend. shoko too followed after, running with the camera facing the fight as she called out, “the girls are fighting!”

“i bet sensei won,” yuuji smugly said as the video ended.

nobara scoffed, taking back control of the laptop as she tried to find their next video, “obviously. he never loses – especially not to zenin naoya.” unable to make a decision with the hundreds to choose from, nobara closed her eyes, scrolled and clicked on a random video.

you and shoko were the two on screen, sat at a table seating on the train.

“shopping haul!” you held up the bags excitedly and shoko hushed you, pointing to the seats across from you and mouthing ‘they’re sleeping’. you whispered an ‘oops’ and briefly showed a young nanami and haibara resting his head on his shoulder.

quietly lifting up the three massive bags of shopping the two of you had between yourselves (a difficult task given the rustling of the paper), you began to lay out your items on the table. the both of you took it in turns, shoko showing off the new lighters and lipsticks she’d bought followed by you presenting several tops that you’d probably never get the chance to wear given the fact you were always in uniform.

“why are we stuck so far away when those two are just sleeping?” gojo rudely interrupted your little haul from where he and geto sat. shoko laughed, grabbing the camera to point at the two who were sat facing away two rows down. the train was pretty busy so they’d been lucky to grab the table. gojo and geto were left to fend for themselves.

gojo was peering down the isle, a pout on his lips whilst geto knelt on his chair and held his hands up pleadingly for… you two to kick your two sleeping juniors out of their peaceful seats so they can disturb your peace? there was no way that was happening.

“they’re not allowed on the adult table because they almost got us kicked out of the restaurant,” shoko explained with a tut and you oh-so-solemnly shook your head in disappointment.

the white haired sorcerer rested his head back against the chair, rubbing his brow in a frustrated manner, “the old lady started it.”

geto placed a hand on gojo’s shoulder, waving a middle finger to the camera with the other. “don’t waste your breath, satoru. they probably paid her to trip over your chair.”you and shoko glanced at each other with knowing grins before both of you started mimicking two people kissing with your hands, "mwah mwah mwah, and they're both boys."

a/n. will there be subsequent parts to this? yes most definitely. this is not proofread and very messy so if you made it the whole way ty and I hoped you enjoyed this <33333 this might be my most favourite thing to write so far

#snapshot !#satoru #gojo drabbles #gojo x reader #gojo satoru #gojo #gojou satoru x you #gojo fluff #gojou satoru #shoko ieiri #geto suguru #Nanami kento #Haibara yu #jjk #jujutsu kaisen

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star-mum · 1 year

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Why can’t all songs be Money Money by RBD ?

#it’s a fucking BONUS TRACK ???#also Christians voice in this is just 😩😩😩😩#Giovanni is my fucking favorite i love that he doesn’t have a set romantic interest !! KSKSKSKS #also im (gonna try) to get fucking RBD tickets and if I do (when I do lets be positive) and they pERFORM MONEY MONEY LIVE ????#i think I’ll die actually #please LET ME SPEAK THIS INTO EXISTENCE #I NEED THEM TO PERFORM THIS LIVE IN FRONT OF MY EYES PLEASE #My sister and I are actually gonna watch the Live in Hollywood show cause we own it on dvd #this weekend I hope #I love not being able to enjoy things casually : D #yes i started watching Rebelde this month ? wdym ‘why am i buying tickets to the show?’ IM ALLOWED #Im going with my sister (who’s actually old enough to have watched the show as a teen) and we’re dressing up as the characters obviously #im buying the whole outfit idc idc

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whydoweownthisdvd · 1 year

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Coming soon to the podcast!

#podcast #dvd collection #why do we own this dvd #labyrinth #david bowie #jennifer connelly #jim henson #puppetry #jareth #goblin king

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zee-rambles · 1 year

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Lets. D0. This.

(Please note: Post will be updated as I find more resources and think of more strategies)

(Please do not re-use gif without permission…unless it’s to save Rise…)

Mutant May

YOU can watch Season 1 and Season 2 of RISE right HERE!

So I’ve seen a a lot of people still wondering if Rise of the TMNT can be saved.

There’s is a lot of hope, especially with the boom of fans joining the fandom after the movie dropped last year, people making more art on tumblr, twitter, tik tok, and so on. But also a a lot of doubt, especially after JJ Conway’s post on twitter.

BUT…I still think there is a chance…a GOOD chance. WITH ORIGINAL CAST AND CREW! Why?

We live in the internet. Information is more then easy to get out now thanks to social media. There is all kinds of ways to get the word out to people. Let’s abuse it. 😎

Fans have brought back shows before.

We need a MAJOR push through social media, more fans, more art, it’s up to us…and I think we can do it!

Fans convinced Netflix to bring Sense8 back for a finale

Fans convinced fox to bring back “Futurama” after it was cancelled in 1999.

Hey Arnold got the jungle movie thirteen years after the show was cancelled

Animaniacs got a 3 season revival 22 years after it stopped airing.

Brooklyn 99 was cancelled in 2018, and the fans convinced NBC to pick up the series.

Arrested Development was canceled after 3 seasons, but AFTER it was cancelled, it grew an audience and they made it come back!

Fans saved the original Star Trek in the 60s with letters.

They did it. Why can’t we?

So what can we do?

Well…

1. PETITIONS TO SAVE RISE that we can all sign…

PETITION 1 (The strongest one, but the more petitions signed, the better!)

PETITION 2

PETITION 3

PETITION 4 (save the content that was cut/we missed)

PETITION 5! (Make an ROTTMNT season 3)

2. Pester Nickelodeon and Netflix on social media (THE BIG ONE Y’ALL, THIS IS THE MOST DIRECT AND IMPORTANT)

Be polite, be non-toxic (don’t be rude or mean, the boys would not want that, and the Nick/Netflix won’t listen), but be LOUD, PASSIONATE, AND ANNOYING! Ask for DVDs of the show/movie, and then BUY THOSE DVDs!

MAKE SURE TO ASK FOR THE FULL ORIGINAL CAST AND CREW TO COME BACK, INCLUDING ANDY SARIANO AND ANT WARD.

Sample DM/Letter (but try to come up with your own. Too many repeats and they will ignore it)

“Dear Nickelodeon/Netflix/Viacom, I can’t tell you how much Rise means to me, and I really love that you put the show on air. But it was not fair that the show was cancelled before it got the chance to reach the audience it deserved, only because of a few bad reviews and a lack of advertising. The show is great, there’s tons of fans, tons of art, and people, including me, want so much more! Please bring it back! We want the original crew to come, Flying Bark, for the show to get it’s full second season restored, and it’s five season run like it was originally intended. People hated the 2012 TMNT when it came out, but it got it’s chance and now there are people that love it. Why can’t Rise of the TMNT have the same? It’s clear that the creators love their work and there’s a growing fan base for it. Rise just came out at the wrong time, but it deserves it chance to shine.”

The more personal you made the letter, the more you say what Rise means to you, the better.

As for me? I’m sending them a picture of Pizza Pigeon with the #wewantmoreriseoftheTMNT and #saverottmnt

Request movies/seasons on Netflix.

Ask for Rise Season 2, another season, another movie. Just keep asking!

Nickelodeon’s facebook page (Look, I know that facebook is a relic at this point, but the more people go there and PESTER Nickelodeon, the better!)

Rise’s facebook page

Leave good reviews. Share. Leave TONS of comments

Nickelodeon’s instagram

Nickelodeon’s Twitter page (treat carefully, there be Musks out there…only use if you are over 18)

Nickelodeon’s TikTok

Niceklodeon’s letter inbox

Nickelodeon, 1515 Broadway, New York, NY 10036

Rugrats was brought back because fans bombarded Nickelodeon with letters saying they wanted it back. Might as well cover our bases. This one is a BIG DEAL!

Nickelodeon’s Corporate Number

1-212-846-2543 Call them! Annoy them! Ask how we can get their attention! Tell them why you love this show! Why it deserves to come back.

Contact Paramount

Paramounts Request form

Official Fan Page Rise’s Instagram

The more followers the better.

Netflix’s instagram

Netflix’s facebook

Netflix’s Twitter (Treat carefully. There be MUSKs out there…only use if you are over 18)

SPAM NICKELODEON’S EMAILS!

[email protected]

If anyone has any more, any deeper more direct points of contact, or more ideas, please share!

3. Leave good reviews for Rise anywhere and raise awareness everywhere you can!

One of the key reasons Rise did not do too well because it was unfairly review bombed before people could give it a chance…so get out there on tik tok, IMDB, Rotten Tomatoes, and ESPECIALLY youtube.

Make reviews! Analysis! JOKES! Support other content creators! When the Rise Reanimated video comes out, share it like no tomorrow!

No one paid attention when How to Train Your Dragon came out, but word of mouth and people saying it was good, made it the success it was. Let’s repeat history!

Anytime there is NEW RISE CONTENT on Nickelodeon’s YouTube channel, watch it, share, spread it.

Share this post on social media, across various sites, use the information here to spread awareness about how people can help and what they can do. Be relentless! (Like Leo in Lair Games)

Ask influencers to review, react, and give RISE a chance without placing judgement.

4. Make. ART!

Draw, Write, TWEET, Make MERCH, Sell MERCH, Make Tik Toks, Videos on YouTube, posts on instagram, discord, what pad, demanding more Rise, spreading the word, and just showing how much you love this show! Not only will it attract attention, but it’s also good for all of us. There will be more Rise content either way.

Make sure to @ nickelodeon on ALL of your art! SPAM THEM! ANNOY THEM! DROWN THEM IN LOVE FOR THIS SHOW! Demand DVD’s and Blue rays of the SHOW AND THE MOVIE! It’s not fair that we can’t have access to it!

PLAY THIS GAME!

If you see official Rise MERCH in the while, buy it if you can! Also support as many rise content creators as you can. If you can’t draw? Write! If you can’t create! Like! Share! Comment! Support each other!

Rise April ART Challenge

Keep in mind…there WILL be pushback.

Companies as big as Nickelodeon and Viacom care about their bottom line: $$$…money. BUT pushback, whether they are taking down your videos on Tik Tok, striking artists on twitter, mean that they’re taking NOTICE. So don’t. Give. UP!

One last thing to remember: DO NOT harass fans for enjoying other versions of TMNT

Even though Rise is the first and only TMNT I have ever loved, I don’t believe in shaming other fans for looking forward to, or enjoying other TMNT series. Gatekeeping like that was what stopped Rise from (heh) Rising as high as it should have. All Rise fans are welcome, and all TMNT fans are welcome. Rise deserves to reach more fans, it deserves another season, and it does not need to knock down other TMNT series to do it. Show them your love and your need for more Rise, without making other TMNT fans feel unwelcome.

Share, spread the word, give it your best shot! A village can move MOUNTAINS! SO let’s do it.

So that in the near future…we can MAKE THIS JOKE!

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mostlysignssomeportents · 7 months

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Apple fucked us on right to repair (again)

Today (September 22), I'm (virtually) presenting at the DIG Festival in Modena, Italy. Tonight, I'll be in person at LA's Book Soup for the launch of Justin C Key's "The World Wasn’t Ready for You." On September 27, I'll be at Chevalier's Books in Los Angeles with Brian Merchant for a joint launch for my new book The Internet Con and his new book, Blood in the Machine.

Right to repair has no cannier, more dedicated adversary than Apple, a company whose most innovative work is dreaming up new ways to sneakily sabotage electronics repair while claiming to be a caring environmental steward, a lie that covers up the mountains of e-waste that Apple dooms our descendants to wade through.

Why does Apple hate repair so much? It's not that they want to poison our water and bodies with microplastics; it's not that they want to hasten the day our coastal cities drown; it's not that they relish the human misery that accompanies every gram of conflict mineral. They aren't sadists. They're merely sociopathically greedy.

Tim Cook laid it out for his investors: when people can repair their devices, they don't buy new ones. When people don't buy new devices, Apple doesn't sell them new devices. It's that's simple:

https://www.inverse.com/article/52189-tim-cook-says-apple-faces-2-key-problems-in-surprising-shareholder-letter

So Apple does everything it can to monopolize repair. Not just because this lets the company gouge you on routine service, but because it lets them decide when your phone is beyond repair, so they can offer you a trade-in, ensuring both that you buy a new device and that the device you buy is another Apple.

There are so many tactics Apple gets to use to sabotage repair. For example, Apple engraves microscopic Apple logos on the subassemblies in its devices. This allows the company to enlist US Customs to seize and destroy refurbished parts that are harvested from dead phones by workers in the Pacific Rim:

https://repair.eu/news/apple-uses-trademark-law-to-strengthen-its-monopoly-on-repair/

Of course, the easiest way to prevent harvested components from entering the parts stream is to destroy as many old devices as possible. That's why Apple's so-called "recycling" program shreds any devices you turn over to them. When you trade in your old iPhone at an Apple Store, it is converted into immortal e-waste (no other major recycling program does this). The logic is straightforward: no parts, no repairs:

https://www.vice.com/en/article/yp73jw/apple-recycling-iphones-macbooks

Shredding parts and cooking up bogus trademark claims is just for starters, though. For Apple, the true anti-repair innovation comes from the most pernicious US tech law: Section 1201 of the Digital Millennium Copyright Act (DMCA).

DMCA 1201 is an "anti-circumvention" law. It bans the distribution of any tool that bypasses "an effective means of access control." That's all very abstract, but here's what it means: if a manufacturer sticks some Digital Rights Management (DRM) in its device, then anything you want to do that involves removing that DRM is now illegal – even if the thing itself is perfectly legal.

When Congress passed this stupid law in 1998, it had a very limited blast radius. Computers were still pretty expensive and DRM use was limited to a few narrow categories. In 1998, DMCA 1201 was mostly used to prevent you from de-regionalizing your DVD player to watch discs that had been released overseas but not in your own country.

But as we warned back then, computers were only going to get smaller and cheaper, and eventually, it would only cost manufacturers pennies to wrap their products – or even subassemblies in their products – in DRM. Congress was putting a gun on the mantelpiece in Act I, and it was bound to go off in Act III.

Welcome to Act III.

Today, it costs about a quarter to add a system-on-a-chip to even the tiniest parts. These SOCs can run DRM. Here's how that DRM works: when you put a new part in a device, the SOC and the device's main controller communicate with one another. They perform a cryptographic protocol: the part says, "Here's my serial number," and then the main controller prompts the user to enter a manufacturer-supplied secret code, and the master controller sends a signed version of this to the part, and the part and the system then recognize each other.

This process has many names, but because it was first used in the automotive sector, it's widely known as VIN-Locking (VIN stands for "vehicle identification number," the unique number given to every car by its manufacturer). VIN-locking is used by automakers to block independent mechanics from repairing your car; even if they use the manufacturer's own parts, the parts and the engine will refuse to work together until the manufacturer's rep keys in the unlock code:

https://pluralistic.net/2023/07/24/rent-to-pwn/#kitt-is-a-demon

VIN locking is everywhere. It's how John Deere stops farmers from fixing their own tractors – something farmers have done literally since tractors were invented:

https://pluralistic.net/2022/05/08/about-those-kill-switched-ukrainian-tractors/

It's in ventilators. Like mobile phones, ventilators are a grotesquely monopolized sector, controlled by a single company Medtronic, whose biggest claim to fame is effecting the world's largest tax inversion in order to manufacture the appearance that it is an Irish company and therefore largely untaxable. Medtronic used the resulting windfall to gobble up most of its competitors.

During lockdown, as hospitals scrambled to keep their desperately needed supply of ventilators running, Medtronic's VIN-locking became a lethal impediment. Med-techs who used donor parts from one ventilator to keep another running – say, transplanting a screen – couldn't get the device to recognize the part because all the world's civilian aircraft were grounded, meaning Medtronic's technicians couldn't swan into their hospitals to type in the unlock code and charge them hundreds of dollars.

The saving grace was an anonymous, former Medtronic repair tech, who built pirate boxes to generate unlock codes, using any housing they could lay hands on to use as a case: guitar pedals, clock radios, etc. This tech shipped these gadgets around the world, observing strict anonymity, because Article 6 of the EUCD also bans circumvention:

https://pluralistic.net/2020/07/10/flintstone-delano-roosevelt/#medtronic-again

Of course, Apple is a huge fan of VIN-locking. In phones, VIN-locking is usually called "serializing" or "parts-pairing," but it's the same thing: a tiny subassembly gets its own microcontroller whose sole purpose is to prevent independent repair technicians from fixing your gadget. Parts-pairing lets Apple block repairs even when the technician uses new, Apple parts – but it also lets Apple block refurb parts and third party parts.

For many years, Apple was the senior partner and leading voice in blocking state Right to Repair bills, which it killed by the dozen, leading a coalition of monopolists, from Wahl (who boobytrap their hair-clippers with springs that cause their heads irreversibly decompose if you try to sharpen them at home) to John Deere (who reinvented tenant farming by making farmers tenants of their tractors, rather than their land).

But Apple's opposition to repair eventually became a problem for the company. It's bad optics, and both Apple customers and Apple employees are volubly displeased with the company's ecocidal conduct. But of course, Apple's management and shareholders hate repair and want to block it as much as possible.

But Apple knows how to Think Differently. It came up with a way to eat its cake and have it, too. The company embarked on a program of visibly support right to repair, while working behind the scenes to sabotage it.

Last year, Apple announced a repair program. It was hilarious. If you wanted to swap your phone's battery, all you had to do was let Apple put a $1200 hold on your credit card, and then wait while the company shipped you 80 pounds' worth of specialized tools, packed in two special Pelican cases:

https://pluralistic.net/2022/05/22/apples-cement-overshoes/

Then, you swapped your battery, but you weren't done! After your battery was installed, you had to conference in an authorized Apple tech who would tell you what code to type into a laptop you tethered to the phone in order to pair it with your phone. Then all you had to do was lug those two 40-pound Pelican cases to a shipping depot and wait for Apple to take the hold off your card (less the $120 in parts and fees).

By contrast, independent repair outfits like iFixit will sell you all the tools you need to do your own battery swap – including the battery! for $32. The whole kit fits in a padded envelope:

https://www.ifixit.com/products/iphone-x-replacement-battery

But while Apple was able to make a showy announcement of its repair program and then hide the malicious compliance inside those giant Pelican cases, sabotaging right to repair legislation is a lot harder.

Not that they didn't try. When New York State passed the first general electronics right-to-repair bill in the country, someone convinced New York Governor Kathy Hochul to neuter it with last-minute modifications:

https://arstechnica.com/gadgets/2022/12/weakened-right-to-repair-bill-is-signed-into-law-by-new-yorks-governor/

But that kind of trick only works once. When California's right to repair bill was introduced, it was clear that it was gonna pass. Rather than get run over by that train, Apple got on board, supporting the legislation, which passed unanimously:

https://www.ifixit.com/News/79902/apples-u-turn-tech-giant-finally-backs-repair-in-california

But Apple got the last laugh. Because while California's bill contains many useful clauses for the independent repair shops that keep your gadgets out of a landfill, it's a state law, and DMCA 1201 is federal. A state law can't simply legalize the conduct federal law prohibits. California's right to repair bill is a banger, but it has a weak spot: parts-pairing, the scourge of repair techs:

https://www.ifixit.com/News/69320/how-parts-pairing-kills-independent-repair

Every generation of Apple devices does more parts-pairing than the previous one, and the current models are so infested with paired parts as to be effectively unrepairable, except by Apple. It's so bad that iFixit has dropped its repairability score for the iPhone 14 from a 7 ("recommend") to a 4 (do not recommend):

https://www.ifixit.com/News/82493/we-are-retroactively-dropping-the-iphones-repairability-score-en

Parts-pairing is bullshit, and Apple are scum for using it, but they're hardly unique. Parts-pairing is at the core of the fuckery of inkjet printer companies, who use it to fence out third-party ink, so they can charge $9,600/gallon for ink that pennies to make:

https://www.eff.org/deeplinks/2020/11/ink-stained-wretches-battle-soul-digital-freedom-taking-place-inside-your-printer

Parts-pairing is also rampant in powered wheelchairs, a heavily monopolized sector whose predatory conduct is jaw-droppingly depraved:

https://uspirgedfund.org/reports/usp/stranded

But if turning phones into e-waste to eke out another billion-dollar stock buyback is indefensible, stranding people with disabilities for months at a time while they await repairs is so obviously wicked that the conscience recoils. That's why it was so great when Colorado passed the nation's first wheelchair right to repair bill last year:

https://www.eff.org/deeplinks/2022/06/when-drm-comes-your-wheelchair

California actually just passed two right to repair bills; the other one was SB-271, which mirrors Colorado's HB22-1031:

https://leginfo.legislature.ca.gov/faces/billNavClient.xhtml?bill_id=202320240SB271

This is big! It's momentum! It's a start!

But it can't be the end. When Bill Clinton signed DMCA 1201 into law 25 years ago, he loaded a gun and put it on the nation's mantlepiece and now it's Act III and we're all getting sprayed with bullets. Everything from ovens to insulin pumps, thermostats to lightbulbs, has used DMCA 1201 to limit repair, modification and improvement.

Congress needs to rid us of this scourge, to let us bring back all the benefits of interoperability. I explain how this all came to be – and what we should do about it – in my new Verso Books title, The Internet Con: How to Seize the Means of Computation.

https://www.versobooks.com/products/3035-the-internet-con

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/09/22/vin-locking/#thought-differently

Image: Mitch Barrie (modified) https://commons.wikimedia.org/wiki/File:Daytona_Skeleton_AR-15_completed_rifle_%2817551907724%29.jpg

CC BY-SA 2.0 https://creativecommons.org/licenses/by-sa/2.0/deed.en

kambanji (modified) https://www.flickr.com/photos/kambanji/4135216486/

CC BY 2.0 https://creativecommons.org/licenses/by/2.0/

Rawpixel (modified) https://www.rawpixel.com/image/12438797/png-white-background

#pluralistic #vin locking #apple #right to repair #california #ifixit #iphones #sb244 #parts pairing #serialization #dmca 1201 #felony contempt of business model #ewaste #repairwashing #fuckery

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astercontrol · 2 months

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If KOSA passes

Or if any other form of censorship (there are many in the works!) ever succeeds at stepping in to impede our ability to communicate online:

We have to make plans.

Now, I dunno who'll even see this post. The few followers I have are TRON fans (who despite the fantasy we live in, tend to have realistically dismal views IRL about Disney and the various corporate uses of software).

And this fandom, on average, is pretty tech-savvy. It's where I've encountered the most people under 20 years old who actually know how to use a desktop or laptop computer.

So, if there's any hope for what I'm thinking about, this is prolly a good place to start with it.

(As with all my posts, I encourage reblogging and containment-breaching.)

(Gifs are clips from TRON 1982, mainly the "deleted love scene," from the DVD extras.)

Anyway.

Current society has moved online communication much too far onto major social media sites for my comfort. Whoever you communicate with over the internet, chances are you do it through a service owned by a big company: Tumblr, Twitter, Discord, Telegram, Facebook, whatever. Even TikTok (shudder).

These sites, despite their many flaws, can provide experiences that are valuable and hard to get otherwise. And once all your friends are on one site, you can't just leave and stay in touch with them all, not unless they all go the same place. It's easy to see why it's hard to abandon any social media platform.

But a backup plan is important. Because, as we've seen over and over, social media sites can't be relied on. They change their policies suddenly, without good reason-- and are inconsistent, even discriminatory, about enforcing those policies.

If they're funded by ads, the advertisers are their main customers, and your posts are the product. Their goal is that the posts most valuable to the advertisers get seen by people the advertisers consider desirable customers.

Helping you communicate-- making your posts get seen by the people you want to communicate with-- is optional to them.

Not to mention that the whole business model of an ad-funded website is generally unsustainable. Many of these sites are operating at a loss, relying on shareholders in a fragile bubble, doomed to fail soon just from lack of real profit.

And the more restrictions --like KOSA-- that the law puts on freedom of online speech, the likelier they are to go down or just become unusable. Every rule a site is required to follow is another strain on its resources, and most of them are already failing badly at even enforcing their own self-imposed rules.

If we want any control over our continued ability to stay in touch with our online friends-- we need to have a backup plan. Maybe it'll be simple at first, a bare-bones system we cobble together-- but it's gotta be something that will work. For a while at least.

There are lots of really good posts about ways to build your own website, using a service like Neocities. I VERY MUCH recommend learning this skill-- learning to make websites of the very simplest, most stable, glitch-resistant type, made of html pages-- which you can upload to a host while you store backups on your home computer. If you value the writing and art that you put online, this is probably the safest you can keep it.

But that's for making your own creative work public.

As for communicating with others-- for example, receiving and answering other people's comments on your work-- that gets more complex. I personally haven't found it worthwhile to troubleshoot the problems that come with having a system that allows visitors to comment publicly on my website.

But what we do still have-- and likely will for a long time-- is email.

Those of us who came of age before social media's current hold... well, we might take this for granted. Email was the first form of online contact we ever encountered… and thus it can seem to us like the most ordinary, the most boring.

But in the current world, it is a rare and precious thing to find a method of communicating that doesn't require everyone in the chat to be signed on with the same corporation.

Email is, as of now, still perfectly legal-- as much as social media companies have been trying to herd the populace away from it. I'm sure there are other ways to share thoughts online that are not bound by laws. But I am not going to go into that here.

Email service is provided by law-abiding companies, which will comply with subpoenas if law enforcement thinks you are emailing about doing illegal things. So, email is not a surefire way to be safe, if laws become dystopian enough to threaten your freedom to talk about your own life and identity.

But it's safer than posting on a public social media page.

For now.

Email is beautifully decentralized. You can get an email address many different ways-- some reliant on a company like Gmail, others hosted on your own domain. And different people, with all different types of email addresses, hosted in all different ways-- can all communicate together by the same method.

Of course any of these people, individually, can lose their email address for some reason or other, and have to get a new one. But as long as they still know the email addresses of their contacts, they can reconnect and recover from that loss. The structure of a group linked by email is reliant not on a single company-- but on the group itself, the friends you can actually count on.

This is why I am trying to promote the idea of forming email lists, as a backup plan to give people a way to stay in touch as mainstream social media sites prove to be unsustainable.

I'm envisioning a simple system of sending emails to several addresses at once, and making each reply visible to everyone in the chat by using "reply all" (or, if desired, editing the To field to reply to only some).

If enough people get used to using email in this way, it could fill most of the needs met by any other group chat or forum …without depending on a centralized social media company that's taking dystopian measures to try and make the business profitable.

So here are some thoughts about how I personally imagine it could work.

(Feel free to comment and bring up any thoughts I haven't addressed, or suggestions to customize how specific groups could set it up. This is meant as more of a starting point for brainstorming than a catch-all solution.)

As I see it, here are the basics of what you and your friends would each need to start out:

An email address. Any kind, hosted anywhere. You should use a dedicated email account just for this group, one that you do NOT use for other communication. Being in this group will result in things you don't want happening to your main email address-- like getting a TON of email, one for every post and reply. Or someone could get your email address that you really don't want any contact with. Use a burner email account (one that you can easily replace) and change it if needed.

The knowledge of how to "REPLY ALL" in your email. This will be necessary in order to add a comment that everyone in the group can see.

The knowledge of how to EDIT THE "TO" FIELD in your email, and remove addresses from the list of all recipients. This will be necessary if you want to CHANGE WHICH PEOPLE in the group can see your comment.

The knowledge of how to FILTER WORDS in your email. This will be necessary if a topic comes up that you don't want to see any mentions of.

The knowledge of how to BLOCK PEOPLE in your email. This will be very important. If someone joins this email group who you do not want to interact with, it will be up to you to BLOCK them so that you do NOT see their messages. (If they are bad enough to evade the block with multiple burner accounts, that's what you have a burner account for. Change it, and share the new one only with those you trust not to give it to them.)

Every person in the group will be effectively a "moderator" of the group, able to remove people from it by cutting their email addresses out of the "To" field. Members will all have equal "moderator" privileges, each able to tailor the group to their own needs.

This means the group may naturally split, over time, into other groups, each one removing some people and adding others. Some will overlap, some won't. This is good! This is, in my opinion, what online interaction SHOULD be like! There should be MANY groups like this!

In this way, we can keep online discussion alive, no matter WHAT happens to any of the social media websites.

If the dystopia got bad enough to shut down email, we could even continue with postal mail and photocopies, like they did in the days of print-zine fanfiction.

If it looks like the dystopia is gonna come for postal mail too, we'll use the connection we have to preserve whatever contacts we can with people who live near us.

Not saying it's GONNA get that bad. But these steps of preparation are good no matter exactly what kind of bad stuff happens.

As long as some organized form of communication still exists, we'll have a place where it's at least a little safer to be your true self…

to plan events and meetups…

and maybe even activities a little too risque to make the final cut of a 1982 Disney movie.

They're trying to censor us. We want a Free System. So we're gonna fight back.

For the Users. Not the corporations.

Peace out, programs. <3

#tron #tronblr #tron 1982 #userworldproblems #diy punk #censorship #kosa #internet literacy #email #solutions

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double--blind · 6 months

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(SPOILERS) Ashley, self-esteem, and starvation

So, I adore Ashley. She's this intensely toxic, vicious, cruel, manipulative girl, and her psychology gives me hella brainworms. Andrew's not the only one whose head I wanna crack open and root around lol. She's thrown away the world just to keep her brother by her side, and she'll continue to do worse and worse for the same reason. She's pretty awful! I've been thinking about why, though. How did things get so bad? How did her soul get so dark?

We don't know everything (I'm waiting for those new eps patiently aND CLAWING AT THE WALLS AND FROTHING AT THE MOUTH but whatevs y'know whatevs I'm normal. I'm fine), yet what information we have been given is bumping around my brain like a DVD screensaver on hyperdrive

It's clear from the start that the roots of Ashley's issues lie in her horrible, neglectful upbringing, but it's hinted that even those outside of her family felt the same abt her. I'm lowkey even betting we'll learn later on that she was ostracized by her peers somehow. However, what's most disconcerting, I believe, is how little she was when the results of this alienation are first made apparent to us (bc kids aren't dumb; they notice this stuff oftentimes instinctively, impossibly young, before they even know what it means to be hated), and how devastating the consequences were.

(There's something decidedly childish abt her dream sequence in the "questionable" route—filled with crayon scribbles and rabbit plushies, the metaphors simplistic yet profound—which really hammers in how these sentiments are things that have made a home in her since childhood. Formative subconscious truths.)

Growing up unloved and noticeably unwanted by virtually everyone around her likely left her with a gaping hole in her heart that she'd spend the rest of her life trying to fill. She'd make friends, but she'd always worry that they'd leave her, that they'd betray her, nothing tangible or weighted enough in their connection to trust in its persistence. Why should she expect otherwise? Not even being bound by familial ties ensures affection if her parents are any indication.

Every lesson she'd ever learned had always taught her this: you are easy to abandon. You cannot love and be loved by virtue of your own worth.

You have to rip their affection from their clenched hands if you want it so bad.

This understanding carries with it an undercurrent of degradation, instilling within Ashley a constant, biting inferiority complex which will never fail to be a source of insecurity. She will always be put last. She was difficult to raise, so her parents gave up on raising her. She was difficult to get along with, so her friends gave up on getting along with her.

It's an odd cycle. She's difficult bc she needs to be to get attention, but bc she's difficult, she can't keep it. Not without having whatever fondness she's managed to cultivate within someone fray at the seams, volatile and prone to collapse, bleeding toxicity.

Hence, her relationship w/Andrew.

By being the only reliable constant in her life, caring for her and keeping her company, Andrew essentially became her only source of happiness, and she's since learned not to bother with anyone else. Still, it's dangerous to keep all your eggs in one basket; since he is all she has, she must protect her place in his life with even greater ferocity, which becomes a torturous ordeal when coupled with her damaged self-esteem.

It's apparent in her quarrels with Andrew that she needs constant reassurance that she is wanted in some capacity or perceived in some positive light (getting pouty when Andrew says he's "stuck with her", needing to hear that she's pretty, needing him to "choose her", wanting him to say he loves her back, etc. etc.), yet her insecurity remains, bc unlike her, he's got options. She doesn't think he needs her like she needs him. He's got a gf, their parents love him, her friends love him. Why would he settle for her? What if someone better comes along? Someone she can't scare away?

Wouldn't he just leave her like everyone else?

Even before getting locked in the coffin of their apartment, starvation's been a constant theme in Ashley's life. She's constantly aching for love, and Andrew's the only one who can feed her. When you're forced to fight for a bite to eat or suffer every moment you hunger, you become ravenous—covetous—when faced with food; you don't want the hunger to return, so you lock down the source of your sustenance, wary of its retreat. Ashley's in a permanent state of intense insecurity, always anxious that the love that gives her life will leave her.

Andrew knows Ashley better than anyone else in the world, and it's obvs to everyone and him how desperate Ashley is for him, but I don’t think Andrew has truly, consciously processed the depth of that desperation. It's there buried in his head somewhere no doubt, but rn, he doesn't operate w/the direct awareness that he is everything. He is brother, mother, friend, and soulmate. He is life and love, air and water, everything that is good in the world—everything that there is to justify existence.

It's heartbreaking, in a way, that it's so difficult for Andrew to convince her of his loyalty. This goes further than his tendency to hide his true feelings, bc when push comes to shove, he's at her beck and call. Objectively, he's hers. She doesn't see that bc all she sees is all the ways she can lose him.

So, she gets bratty. She gets pushy, possessive, territorial. Manipulative. Gets under his skin, guilts him to exhaustion, bc she can't see him staying any other way, bc he doesn't get it, bc it works. He bends to her will, for her sake. For now. It's always "for now", bc he'll start slipping away again, and then it'll get worse. She does worse.

Becomes worse.

#honestly??? it's bc he's everything to her that the decay ending where she shoots him is so messed up #so much sadder #I've got something abt that in my drafts somewhere #it might not see the light of day so I'll just say:#imo she isn't shooting Andy‚ she's shooting Andrew #bc if he's so far gone he'd kill her #then her beloved is already dead #the coffin of andy and leyley #tcoaal #ashley graves #coffincest #character analysis #txt post #this is all my interpretation btw hope no one presumes I'm pushing these analyses as fact #to the ppl who read these ty.... you have my heart...... 🫶

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wingzie · 1 month

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Jikook and the Importance of Photos

Photographs are special. They map out our lives through precious memories. They leave a footprint in time that can forever be part of our history. These glimpses of our past, make us who we are and show what or who is important to us. They are full of so much love and emotions, even more so when they are shared with those most trusted to us. This goes for every photo shared by the members.

I personally think it’s amazing that we can tell when a photo of Jimin is taken by Jungkook, there’s a certain style to it and it comes across even at a glance. One of my favourite photos of Jimin by Jungkook is this one:

This photo was taken from the behinds of Life Goes On. Each MV was beautifully directed by Jungkook, and it’s hard to miss the references made from within their old dorm. I know Jungkook isn’t keen on photos but, just like during GCFT, Jimin is looking at Jungkook and not the camera here with that smile. With that one look, that we are so familiar with, we can trace every single moment within their history which has that same shining expression. It tells a story over time, but also that one photo itself is so telling in the way that it was captured. One of my favourite photos of Jungkook by Jimin is this one:

There’s something raw and delicate in this photo.You can see it in Jungkook’s eyes. Each item in the photo tells its own little story, from the Birthday cake to the polaroid photos on the table that we never saw. This photo is all we saw from the night of Jungkook’s Birthday in 2019 and sometimes I am reminded that with these glimpses into their lives, there are still so many moments of theirs that we are unaware of. For example, Jungkook had a hickey on his neck during MOTS:Online and none of us had any idea until the DVD Behinds came out.

For every selca or video that Jikook has shared with us, it shows a part of them that we are so lucky to witness. To be able to watch their growth over the years is magical and something I will always cherish. Why am I going on about photos and memories though? Because they give so much of themselves to us and I will never take it for granted, nor expect them to give more to us than they want to. Some of their memories are for them only, but we can still hold dear what we know already…

Some of you know this already, but I have been caring for my Mother lately. Over the last few months, her memory has worsened. In an attempt to help, we play memory games and repeat simple tasks together. However, her memory is something that cannot be simply fixed with such methods. I had the idea to get out family photos, until I realised that we had stopped taking them when my parents divorced. It’s made me more proactive in archiving things that I do each day. Every little thing I see or hear, I note it down or save the song. In a way, it’s also how I associate with BTS or Jikook. When the BTS World soundtrack came out, I was having a really bad day and it gave me a lot of comfort. I smile whenever I hear Pied Piper because it’s one of my friends favourite songs. Any time I hear “Jungkookie” or “Jimin-ssi”, a barrage of memories come to the front of my mind and I grasp onto all of them whilst I still can.

I'm sure it's not just me who does this either, Jimin and Jungkook probably do this themselves. You could see that when Jungkook was watching Jimin’s compilation with us. He was recollecting the same memories as us, but he also has access to an entirely different set of memories that we don’t know of. We also saw that with the way Jimin and Jungkook both explained the Rainy Day Fight. During the Festa video, Jungkook mentioned “rainy day” and expected Jimin to understand what he meant. Later on, Jimin and Jungkook gave their own versions of what happened in their separate lives. They both more or less experienced the same thing, but blamed themselves for their actions and not the other.

They love adding to their own collections of memories. Every single time that Jimin watched Jungkook rehearse and the other way around, enough so that they could probably be a backup dancer. All the clips they have but haven’t shared. The moments we don’t find out until later, the inside jokes they have without context. We don’t understand, but that doesn’t matter. Only they have to and we just watch and smile. Their memories are a huge part of them, it’s what makes their bond so special.

#jikook #wingzie #jikookmemories #jikookphotos

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