i'll write a proper long post about this thats more detailed eventually, but another deliberate way hannibal manipulated will in s1 is by blurring the lines between their therapy sessions conversations about will's emotions and killers' emotions/motivations.
for example:
will is frantic and traumatized by his hallucination of killing the girl that georgia madchen killed in 1x10. hannibal responds to that, then relates will's experience to the killers experience. uses the word delusion as a bridge. this prompts will to dig further into the killer's head. while he's responding, will is closing his eyes and staring off into the distance, as if he is seeing what the killer is seeing. then, using the word lonely as a bridge, he brings the subject back to will.
hannibal does this constantly.
even in episode two, the second time they had ever been alone in hannibal's office together, hannibal does this.
will is frantic and traumatized from his hallucination of hobbs in the grave of one of the mushroom garden people. hannibal just barely talks him down from it, then instantly changes the subject to the killer. forcing will back into the killer's head. then changes the topic to will again. blurring the lines between them, again, and again, and again.
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Hey! I finished up another little resource I've been slowly putting together.
I've put together a turnaround reference of every character in the game, with every alternate appearance, both full bodies and profile views.
The full body views include a hatless young Graham for scale. There is a bit of an issue regarding characters with armor- I'm not very savvy with blender admittedly, and all of the metal comes out really dark. It isn't too bad, save for Manny, who doesn't even have his green feather. I'd like to fix those once I can. Also, capes are omitted. I think that only applies to Graham and Whisper though.
I'll be finishing up doing the same for the animals at some point, and I'm planning on making a few references for certain character's weapons, or other interesting items.
Also- along with the profile views, I included some of Graham's head at every angle by 10 degrees, from head on, lower, and upper angles. Thought it would be helpful to see how his hat works from any direction. The images are huge, here's a gif of them all together.
Hope these will come of use! I've been working on it for a while.
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What in your opinion are the best RC scenes.
DON'T LET GO HAS A THROUGH LINE LITERALLY A BACKBONE AND DRAMATICALLY DONE EACH TIME!
so yes the fall through the sky and the kiwi and the final hold
-the last time she thinks she can trust him she trust him with her life
-and then she asks for the trust back and omg its! hard! for gray! but he does it and she looks so...happy for that second before they fall, -and then he ASKS HER TO COME BACK IN THE QUIETESTSOFTEST VOICE FOR SUCH A VIOLENT SCENARIO I CRY.
like what the push and pull and together is how they can survive to the next step of their story
carmen admitting that the reason he tracked her down at all was because it was him and she wanted to see him. its such a show off way to do it [oh you think you can bait me PSYCH I'M 3 STEPS AHEAD] but the real emotion that she wanted to see him one last time literally !!!! shines thru still imo. and basically makes me go...omg you let him track you cause its him as the story keeps going
the way that the maybe date has matching faces frames of them looking at the other from across the street
i think that the fight at the jail scene is underrated angst because once again the framing is that gray is disappearing from her sight and SHE CAN'T STAND IT. THE FADE FROM THE CLEANERS! THE ROBOT GRABBED HIM AND TOOK HIM AWAY! HE SHOUTED HER NAME!
i honestly love how in opera actually that gray can't help slipping out that he doesn't have a good memory and she follows up on that and he answers sincerely, like their conversations have this earnest tinge to them even at their weirdest points. grays openess is met with her compassion and her sadness gives way to their light jokes and his reaching out
and carmen obviously doesn't like that he's forgotten his year with her
and then in kiwi where they flirt "you're late, fashionably i hope" and it leads into a sincere apology that she couldn't be there
him recognizing she needs help in kiwi and going for it
the forest scene where she decides the safest place to be if she's worried about his sticky fingered ways is with either hands next to his sides
every single time that carmen interrupts at the himalayas [kiwi memory/ the psychological test/the window breaking]
GRAY PUTTING DOWN THE CRACKLE ROD. [she's in ur head boy let the light win let-]
Gray explaining that he knows carmen is good and true and needs their help and no strings attached they can lock him up if needs be just. PLEASE.
SO BASICALLY
1] don't let go scenes never miss and not just because of the repetition [please come back is haunting me tho especially because gray went from separating her into a league of her own into someone who needs to BE BACK and he's gonna be the one to help do it .]
1.5 the hug is my header for a reason omg she looks so ! happy going to hold him.
2] carmen admitting gray on the train is there because she wants him there (and basically anytime its from carmens pov that yes gray actually does have enough real estate in her heart to deserve this) it has the added bonus of a gray so grumpy he "lost "
3] gray's himalaya episode chipping him down to his truest regret is so visually pleasing to me and the way it ends with the current carmen breaking the window...yes...
[tied with explaining to ACME why carmen deserves mercy and they can deny it to him if that helps]
4] the forest pic. you know.
5] gonna placeholder the opera convo in particular here but
the earnest streak that is in their conversations that happens all the time even when something is a bit off. even tense as enemies they talk about the past and have investment in it, the casual opera date set up is light but also sad at what was lost while hoping for new, the flirtation of kiwi has a real apology in there, carmens open worries are met with him fighting his prickly nature to be there on that mission, carmen answering his questions/concern as dark!carmen with smiles, like...they're always so fond of each other and it breaks thru all the time and creates a softness in the atmosphere because someone ...bends
6] the framing of the date spot and that it never gets dropped really. gray looks at her and she looks at him in the frames. looking forward to each other even when not directly at each other...nice
7] lol yeah i'm gonna add anytime player tries to go :/ but he - I KNOW PLAYER I WAS THERE
8] i just. needed to know she was alright.... i wanna cry.
angst edition
1] the petty spagetti nature of them throwing their codenames in each others faces omg
2]gray not letting carmen get away with rose colored vile endorsed dreams so she has to confront that...she just cares for an imperfect person. thats all. thats true. [and the way he does it is pretty blunt but ends with him offering her his own truth back i wanna-
2.5] and him denying again that he cares is the worst thing he could ever do so he puts the rod down [even if he's still not in a place to pick something else up and still needs more internal work]
3] carmen always getting the big oof and saying his name sosososo sadly [and he say carmen ? so :( is she safe?]
4] THE JAIL SCENE SHE WENT FOR HIM AND IT WAS SO RUDE D;;;;;;;;;;;;;;;;;;
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