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#<.< >.> *post more ayda
corvidcleric · 1 year
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[I.D.: two colored sketch drawings of ayda aguefort. the first, a fullbody, shows her from the side looking at the viewer, wearing a white blouse, dark corset, and long skirt. her firey hair is styled as bangs and an up-do. the second is a portrait in profile, with her hair styled in braids with chunky beads on the ends in a ponytail. end I.D.]
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brittlebutch · 11 months
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honestly Adaine is so good at clarifying/directing Ayda socially that it begins to circle back to a dynamic of like, Ayda saying "i don't know or understand these rules" and Adaine responding "have no fear, I've been carefully studying and manually interfacing with these for years, I will explain:" in a way that to me is so autism4autism
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lizathatcher · 8 months
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being partially made of fire really works out when your girlfriend is immune to fire damage
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coweggomelet · 15 days
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the thing about brennan is that he keeps making autistic characters and i dunno if he's doing it on purpose or not but regardless i'm having such a great time and these autistic icons are so important to me
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starphobe · 22 days
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a couple weeks back i had a very funny thought that made no sense under further scrutiny and so i decided not to post it but i think i'll just put it here for the sake of saving it somewhere
brennan has already established that the lines between gods and other massively magical/influential beings (archfey, archdevils, big beasts, yadda yadda) are kind of blurred? like... creatures can shift between these states if they fulfill the conditions to do so
we know ayda went SUPER FAR back in time. we're talking "leaving fossils" and "creating secret orders of knights" amounts of far back. she didnt WANT to go there either, she's actually mad as hell (malding) at her dad for making her go
we also know aguefort can grow in size big time (see: him tossing the sun literally being shown in the opening) and since ayda's also a very accomplished wizard i wouldn't put learning how to do that past her
and what is ankarna a god of again? Giants. Fire. Rage. (Conviction. Justice. Conquest. i did not definitively know these two when i formulated my thoughts several episodes ago but. i mean...)
basically: briefly considered ankarna being the remnants of ayda that somehow got stuck in the past and grew resentful of her dad for fucking her over a billion times/the unfairness of her existence -> her status as a legendary beast (half phoenix) would probably allow her to transition into something godhood-esque as she gathers a following -> this would tie into fig creating a powerful agreement with an entity/deity for warlock or paladin purposes, she and ayda stabilizing each other -> immediately remembered that ankarna has a sister (ravina) so unless there was some roundabout "ayda went through a phoenix revival and was reborn/adopted into ravinas family as a new god bc she started being worshipped by giants" i think this (very short lived) theory is off the table
however. tracker did have a moment of. bringing winter to falinel -> strengthening faith in galakaia... i wonder if ayda might at some point have brought summer to the mountains of chaos if nothing else. i feel like brennan isnt going to be able to resist making Parallels and References. idk
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bloody-shadow666 · 29 days
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Nothing more devastating than finishing fantasy high sophomore year and finding out junior year is dropout exclusive.
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feeling very much like this rn
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yoursonlucifer · 2 years
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I think we should be talking more about how fia boginya is so autistic. like she's a lot like ayda and they're both my best friends so what more proof could you wantorneed
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thedragonagelesbian · 2 years
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finding out that immensely good, plot-relevant, and theme-ladened secondary characters were only supposed to show up ONCE is always a huge shock to my system and authorial sensibilities
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verosvault · 3 months
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🚨SPOILERS AHOY!🚨
Fantasy High Junior Year NPC Profiles! (Episode 4)
(2 of the pictures are together as a collage because I can't put more than 10 photos in a post 😭✋)
(I didn't add the NPC Profiles we've seen from episode 1-3. The only ones that won't be new-looking is Ragh's. This is the episode that we get the NPC card of just him by himself. As well as Ayda & Arthur Aguefort's NPC card where we get the NPC Card where they're both next to each other for the first time in this episode! 😁👍)
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sea-buns · 14 days
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hey to a gorgug liker what do you think about his nightmare section from sophomore year? cause I feel like the horror there is less “ah my grandparents were racist” and more “fuck am I being a stereotype? are the people who hate me right about me?” cause wrt to his having to modulate between barbarian and artificer in fhjy it’s like. idk
oh boy do I have thoughts
Tbh, I had zero recollection of the racism stuff until reading this. It was just SO MINOR. His trial in the forest felt really lackluster to me. I feel like everyone else's really dug into an issue at the core of their character and his felt more like "everyone is getting a trial, what do we do for gorgug?" And idk if that was just a bad delivery/call on Brennan's part or if it could have been helped by Zac engaging more in it but it just. Didn't feel like anything. It was a lot more about the dice than the horror of the claustrophobia and the bugs and you've never fit in anywhere you live to make yourself smaller wherever you go you're just the loser who hits hard. Like yeah I guess there was an overarching theme of Gorgug gaining confidence in himself but it was done very poorly imo.
And I think his trial in the forest was wrong for putting such an emphasis on his intelligence. I think that would have been much better suited in fy, back when he was still being heavily bullied, but beyond that it felt like a quick and easy thing for them to grab. Yes, he had insecurities about his intelligence with all the complications with Zelda. But, to me, the focus of fhsy was his HEART. It put a spotlight on how his social circle has grown, and his bully is his friend now, and he's not alone anymore. His interactions with Ayda, the friendship book, trying to help Fabian, I believe in you spring break, it's Gorgug keep going. I made a post earlier in the season (including a great addition by another user) that I think articulates that emphasis on his emotional intelligence very well.
Fhjy HOWEVER. I think it's doing everything that sy failed at. It's giving him space to have an inner conflict. It's addressing lots of little issues and conflicts he's had over the campaign and combining them into one coherent piece. Like, guy was in a relationship pretty much all of fy, and then dealt with the fallout in sy, but I don't think we've EVER seen as much quality relationship development with Gorgug as we have in jy. He and Fig spent an entire summer together trapped in a tour bus and no season has indicated that bond and friendship more than this one. He and Riz have found something to bond over, meanwhile in previous seasons there was pretty much zero one-on-one personal interaction between them. Fabian expressed sadness over Gorgug leaving the Owlbears, because it was the only thing they had that was just for them to hang out and be friends.
Just with that, we're already doing leagues more with Gorgug's character than we ever have. And I haven't even STARTED on his barbificier journey, oh dear god lmao.
Gonna preface this bit with a post I made before the season even started. It was about Zac's steady improvement in his performances with every PC, and how I was predicting that it was gonna culminate into a Gorgug that does him the justice he deserves. It was initially supposed to be a criticism, but I got a little lost in the sauce of loving my boy lol. Still very relevant to the topic of this ask!
God, where do I START?? Addressing his relationship with rage? I'll be honest, I didn't think that would ever be used as a character arc. And I'm not even sure why I've felt that way. I just didn't think... I didn't think about how he might've had a dislike for his own rage. Like, the WAY he rages isn't bad by any means, but I don't think it ever crossed my mind how actually harmful his lessons to sing to combat rage were. No, I did not like the way Porter went about teaching him (a bit too unsupportive of his capabilities and reminiscent of shitty teachers for my liking). But his point about EMBRACING anger; that rage is not bad and does not— should not— need to be stifled. THAAAAT. That opened up such an interesting dialogue for Gorgug.
I do appreciate the beginnings of Gorgug's interest in artificing in fhsy. I think the crumbs of it back then did a great job of leading into his larger commitment to multiclassing. And I think what he's been doing with it this season is exactly what was lacking in his section of the nightmare forest. His trial was a puzzle, based entirely on die rolls, where his solution after failing even when he's assisted by the enemy is to essentially give up. I understand that facing their fears was the whole point of the trials, but his section came off as incredibly anticlimactic and unfulfilling. Just the fact that it was a trial based on stat numbers more than the development of the character itself.
Where junior year succeeds in actually showcasing his intelligence and the evolution of the worth he holds in himself is with the hands-on approach it takes. Yes, the academic rolls are still dice and stats, but there's a physical manifestation that wasn't there before. Gorgug is smart when it comes to getting his hands dirty. It is in the practical applications of his skills that his brand of intelligence shines the most.
And while, once again, I did not LIKE Porter's heavy resistance to multiclassing....I have to admit that I don't think Gorgug would have had such a boost in confidence without that struggle. Even if my boy had trouble expressing it to Porter verbally, HE STOOD UP FOR HIMSELF. Instead of simply rolling over and agreeing that he wasn't built for a technical class and it was stupid to try– he was DEFIANT.
The kid who said "I'm a dumbass. Eat me you stupid bug." took on FOUR CLASSES. Three school years worth of artificer simultaneously. AND stayed with the Owlbears. AND went along on party missions to help Kristen's candidacy. AND was always on deck to help the party with the overarching plotline.
AND HE ACED IT!!! THE FIRST BARBIFICER THAT THE AGUEFORT ADVENTURING ACADEMY HAS EVER SEEN!!!!! He is paving the way for every unprecedented multiclass that follows.
Just in comparison to who he was in the previous season, the amount of drive and self-worth he's gained is astounding. In my eyes, it's done more than enough to makeup for the way his development fell flat in sophomore year.
i hope this fulfilled the ask in the way you were hoping! i told you i'd get carried away lmao. writing a bunch about any of zac's characters is always such a joy. gorgug had always been my favorite of the bad kids but i always found myself wishing he went deeper, y'know? and now it's real. my precious anxious boy has been handled so well. and watching zac's growth as a performer has been such a blast.
thanks for the ask! :D
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midnightfox450 · 3 months
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I think I'm finally ready to elaborate on my conclusions from my last post about Figayda & Fig's warlock power source.
I think it's pretty obvious that Fig's conversation with Ms. Sool in episode 4 is meant to remind us of Ayda and implicate her as a source of Fig's powers. The specific use of the word "paramour", the talk of contracts, the similarities to Figayda's last conversation in fhsy, etc. Plus I don't think they would modify one of Fig's warlock spells to be Ayda-themed just for flavor.
BUT!!! I don't think it's quite as simple as "Fig's patron is Ayda". Fig's relationship with Ayda could be a source of some of her powers, yes, but I don't think it is the only source, nor do I think Fig has fully deified Ayda herself (if that makes sense).
Ayda being Fig's "patron" would imply a power imbalance that seems a little intense for high school girlfriends and isn't what I think Brennan & Emily are going for. I think the bond between Fig and Ayda acts almost as a generator, creating magical energy that is mutually uplifting and beneficial to both.
The beauty of Figayda is that both girls have become more self-confident now, but not because they define their self-worth by their appeal to the other. They put in the work to be good people to each other, and in turn, realize that they are already good people just the way they are. Ayda "gets" as much out of their relationship as Fig does (whether that manifests mechanically as warlock magic on her end, we don't know).
And there's a lot of stuff around Fig's warlock magic that isn't Ayda-related at all. The bad luck & dairy stuff is clearly Gilear. The stomach stuff could be indigestion (Gilear) but could ALSO be insatiability (Gorthalax, the one source we already know she gets warlock powers from). And I'm betting (hoping) we see some possibly Sandra Lynn-related hints in the future. I also find it interesting that Brennan specifically mentions the fact that Fig, being an archdevil, could source some powers from herself.
I don't think Fig has "a warlock patron", in the sense that there is one deity she intentionally made a pact with. I think she derives her powers from the bonds she has with all of her loved ones. Fig likes to think of herself as a closed-off loner, but in reality, she loves other people so intensely. She also has a habit of adopting other people's traits (her disguises).
Like Ms. Sool said, relationships are a series of contracts, conscious or not. Fig has made many promises to Ayda, Gilear, Gorthalax, etc., and they have made many promises to her back. I think Fig shows her love and commitment to others by integrating them into herself and using that love as a source of her magic.
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heliza24 · 2 months
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Being a physically disabled Dimension 20 fan breaks my heart sometimes
I’ve been thinking about this since last Wednesday’s episode when we finally got a real scene with Lydia, one of the few physically disabled characters in the entire canon of the show. It was nice, but it was really just a lore dump. An excuse for exposition. A moment for Kristen to look good by expending sympathy/pity. (I’m a little frustrated about how that interaction went down. Extending the help action was nice but patronizingly touching the neck of a full-ass adult without consent was not. It was weird and not something she would have done to a nondisabled character).
I have watched almost all of D20 (still missing a couple of seasons) and as far as I know here’s where our list of canon physically disabled characters stand: Lydia Barkrock, Jan de la Vega (who feels pretty problematic to me, maybe more on that in a later post), one of the Dwarven statues in the temple in The Seven (who is not given the dignity of being brought to life like Asha), and Pete’s coworker in TUC2 who is in exactly one episode and is so unimportant I have forgotten his name. I guess you could make an argument that Gunny is disabled, but I don't feel that Lou or Brennan really talk about him or play him through that lens. So in terms of canon physically disabled PCs-- that leaves us with 0.
We do a bit better with neurodivergent characters and characters with mental health problems; Ayda (my beloved) is very well developed and Adaine is a PC. There have been some openly neurodivergent players, like Omar and Surena, whose characters also read ND to me. But that isn’t labeled or discussed in canon, so it's hard for me to know where to class that. I am going to focus the rest of this post on physical disabilities, since that is my area of lived experience. If another fan wants to write about their perspective of neurodivergence rep in the show, I would love to hear that, and will happily amplify.
There has never been a character with a sensory disability or a limb difference or a chronic illness (not a fantasy one, a real one) on Dimension 20. The only NPCs we have are nondescript, similar wheelchair users. And there has never been a physically disabled player at the table. On the flagship show of Dropout, a company founded on diversity and inclusion. It feels extremely pointed to me.
In fact as far as I can tell there has only been one (1) physically disabled performer on any of Dropout’s shows. (Shout out to Brett, you were great on Dirty Laundry.) Obviously I haven’t seen every episode of everything they have produced. If I have missed someone, please do let me know in the comments/reblogs. But it’s a problem. And Sam Reich even agreed with this criticism when I asked him directly about.
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I do really hope they’re working on it, as Sam says. But why has it taken so long?
Dimension 20 has had trans and nonbinary and queer players. It has had players of many different races. I’m not saying that the diversity here is perfect; there should always be more POC in the dome, more queer people. We should keep pushing for that. (And we should also push for performers at the intersections of these identities!) But we’ve seen the ways this diversity has expanded and improved the different seasons, because diverse players create sensitively drawn, diverse player characters. They add details to their PC’s experiences that make them feel rich and alive. I’m thinking about each of Ally’s PC’s incredible capital G gender and Aabria “all my characters (even the stoats) are Black” and how excellent they all are. D20 would not be the show it is without this input.
And yet. And yet.
There are 1,000 interesting and complicated themes to explore around disability. Dealing with access. Dealing with ableism. Dealing with compassion and community care. Dealing with none of it and just being a cool fantasy or sci fi character that happens to be disabled. We don’t get any of it.
I watch my favorite show and I see myself in the ace rep and the female characters. But I don’t see all of me. I see a silent but ever present message: you aren’t quite welcome here.
I have this fantasy that I play in my brain sometimes that someday I’ll get to talk to Brennan in person, like maybe if I buy a VIP ticket and risk Covid to go to a live show or we run into each other on the street or something. I am able to look him in the eye and articulate why he NEEDS to include a physically disabled player in an upcoming season. I reference the ways he’s talked about inclusion and writing diversely on Adventuring Party. Maybe I hand him a handwritten letter, or hell, a printout of this post. And because he really cares about diversity and his shows and his fans he would listen to me, and cast a physically disabled performer in the next season.
But I think that might be giving that nondisabled man (whose work I adore, who I respect so much) too much credit. Because he’s had Jennifer Kretchmer, a physically disabled actual play performer, on adventuring academy to talk about access in gaming. He’s hired disability consultants. He knows about physically disabled people, enough to give us shoutouts as inconsequential npcs. And he still hasn’t thought to include us at the table. In over 20 seasons. None of that other stuff matters if we aren't given a seat at the story telling table, and the agency to craft our own narratives equal to other participants in the game.
When Lydia was telling her story in the last episode, I kept wishing for a prequel, where she is more than a plot delivery device and a kind but unimportant parent. I want to know about her adventures with her adventuring party. I want to see a talented, wheelchair-using actor play out the scene when she decides to put the gem in her chest. I want to hear about what happened after. I want to know how she survived. I want it so badly it hurts.
I am in the process of trying to find new indie actual plays that feature more disabled talent. I am learning how to GM myself so I can tell these kinds of stories. But it’s not the same as being a fan of something. Sometimes I don’t want to have to make my own representation. Sometimes I just want to turn on my favorite tv show, the one that I have cosplayed from and written metas about and loved whole heartedly, and see myself included.
If you’re another disabled or neurodivergent fan I’d love to hear your thoughts on this. If you’re not, I’d love for you to reblog this. I would love for the absence of physical disability in this show to be a topic of fandom conversation, at the very least.
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brittlebutch · 7 months
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one thing i do love about Brennan's storytelling is how often he creates characters who carry Anger with them. like, it's not an anger that subsumes or permeates who they are, nor does it tend to Remain throughout the entirety of their arcs, but it's there, in Zelda, and Hob, and Evan, and Ayda, and Nikhil, and so on. Characters who snap and snarl and growl and shout, and - and this is Key - are never like, reprimanded, or corrected, or resented for it. i cannot express how much this means to me
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undeadswineart · 3 months
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Freshman Year VS Junior Year
(some headcanons/design thoughts under the cut)
Fig - started cutting her own hair once her horns came in, is a lot better now. started dying it the start of sophomore. lots of piercings. the tear in her ear is from the cuff she pulled out to give to Ayda. jacket pimped out. horns are growing and curving in a little.
Gorgug - stands a little more confidently, less hunched in on himself. hair grown out to a kind of a pseudo-mullet. more peach fuzz, bigger tusks. not shown is painted nails that are constantly chipped.
Fabian - from jock to theatre kid (but still kinda jock). grew his hair out and styled it into locs. honestly also paints his nails. looks more mature but still needs to be a kid.
Adaine - hair used to be kept straightened with magic, now she lets it be the frizzy/wavy texture it should be. little blue dip-dye. always collecting new pins and patches to add to her sick ass jacket. generally just allowing herself to experiment with being her own person.
Kristen - post-break up self-inflicted messy hair cut. got buff, still round features and chubby. another kid who was forced to have a specific look now experimenting with how she wants the world to perceive her. that helix piercing was definitely a DIY done by Tracker.
Riz - lil' peach fuzz 'tache that he's insanely proud of. grew a couple of inches - it's not that noticeable to most people, but it's why his ankles are so on show. adds a few badges to his waistcoat. frankly, can't do more than what canon art already did
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apollo-justice-irl · 3 months
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we should consider the bad kids end up growing apart after graduation without a breakup. it's not intentional, there isn't any hostility between them, they just ended up doing different things. they do their best to keep up with each other, but it eventually it stops being daily check ins. it becomes once a week, then once every other, then once a month, until eventually they find out what's going on through the occasional instagram post. they love each other, they support each other, they just don't talk like they used to.
fig splits her time between leviathan and solace, not caring about her band's popularity anymore, and just focuses on what makes her happy. sometimes she writes a song about ayda but mostly they just live in the moment together.
adaine is in fallinel trying to rebrand the elven oracle as being everyone's oracle. she reconnects with her roots, and meets the family she has in fallinel still. they also think her parents sucked, but theyre glad to meet adaine.
kristen spends time finding herself. she spreads the word of cassandra, having reconnected with her and working through their differences. cassandra becomes a goddess for people questioning their sexuality, gender, religion, anything. theres also a small group of rogues and PI's who started following cassandra for the mystery part of "goddess of mystery and doubt", and because gods reflect their worshippers cassandra becomes a cool rogue type.
fabian opens a dance studio. he uses his trust fund money to make it so his students don't actually have to pay, but if they feel inclined they can donate to help the school. he helps his students when he notices signs of neglect or abuse. he knows how much it sucks to be neglected. he goes to therapy and eventually stops getting into toxic relationships. he gets along with gilear.
gorgug becomes a mechanic. he has a lot of fun working on the hangvan and it's nice working with tools. he tinkers for fun and makes stuff to sell on whatever their version of etsy is. he visits his biological parents, and they start to feel like family, too. he stays in elmville but does eventually move into an apartment where he doesn't break his bed every morning. he still visits his parents all the time.
riz hones his skills with magic. he takes a level or two in bard, and eventually becomes a spy like his dad. his mom is so proud of him, and it's nice to feel connected to his dad. he still uses the tools and gadgets he got while at aguefort, but he has a lot more now. he reconnects with penny and they start trading tips/tricks/stories from their jobs. he comes out as aroace, and it's the most free he's felt in a long time. he can finally mean it when he says it's good pressure.
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eightopals · 4 months
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About Murderbot and Casting
This topic is heating up with the news of the planned Murderbot TV show.
I should know by now that 80% or more of fans don’t bother actually checking out anything authors say about the appearances of characters in written works. Instead, they just cast whatever actor they fancy at the moment, regardless of that actor’s looks. (It’s not just Murderbot. I’ve seen tons of bad fan casting for properties like the Lymond Chronicles as well.)
I’m talking about canon descriptions and clues to appearance, like specifically ethnic names.
Folks, it’s pretty plain that the majority of the Preservation Aux people are various shades of brown. There’s a great post here on tumblr that goes into the origins of their names:
I have an impression, though, that for a lot of people, these are just made-up science fiction names. They haven’t had the warm, fuzzy experience of recognizing a character’s name or other ethnic identifiers and thinking “she’s like me!”
Quite aside from Ratthi’s name, Wells said in her LiveJournal blog that “Ratthi is super hot. We're talking Sendhil Ramamurthy levels of hot.” OK, that’s not in the canon work. But she’s the author, dudes.
It’s bad enough that the series is proposing very northern European-looking Alexander Skarsgård as Murderbot itself. Watching folks try to whitewash the rest of the cast too is painful.
OK, rant over, back to the usual stuff.
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