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Here are some (not very good) photos of me wearing it! I'll have to get some better ones at my parents house later, because there is absolutely no good space to take photos in my apartment.
I don't have any other 1830's things to go with it, and don't currently have plans to make any. I just wanted this dressing gown specifically.
Anyways! There are 6,957 triangles, all sewn together by machine, but most of the actual garment construction is by hand. The unevenness from all the patchwork seam allowances made it very fussy, and the tailoring took at least twice as long as it would have in a normal fabric. The velvet was also a challenge, being the soft drapey wobbly kind, but I managed.
I accidentally made my triangles a bit smaller than the ones on the original (C. 1835, Powerhouse Museum collection.) which means there are more triangles than there had to be, but that's ok. I really enjoyed doing the patchwork, it's the most wonderfully soothing brainless task ever and I will definitely make more patchwork things.
I'm very happy with how it turned out! It's comfortable and fits pretty well, and is warm but not excessively so.
I kept timesheets for everything, and I haven't added them up yet, but once I do I'll know exactly how long all of this took.
I also filmed it, but the youtube video won't be out for quite a while, because I still have to write and record some more stuff and then edit a very very very very large amount of clips.
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Met Costume Institute
Walking dress. British. ca. 1830
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Dress
c. 1830
Silk embroidered with silk and metallic thread
The John Bright Collection
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ab. 1830 Carriage dress (England)
silk (Gros de Naples), cotton (lace), metal (buckle, hooks and eyes)
(National Gallery of Victoria, Melbourne)
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Dress
c.1836
United Kingdom
The MET (Accession Number: 1971.47.3a–e)
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Men's double-breasted waistcoat, c. 1835-1845. Silk, lined in cotton, backed with silk twill, with detail of rose design:
The John Bright Collection notes that "The back is adjusted with a tape threaded through three pairs of metal eyelets on tabs. These metal eyelets, patented in the mid 1820s, were a great improvement on the stitched eyelets that preceded them, being able to take greater strain."
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Oh, saints. This dress combines so many things I love in one place!
First of all, we’re in the late 1830s (by my guess), a time of dress transition. You can see the influence of the Romantic with those sleeves, but the hint of later Victorian gowns in the bodice shaping. The particular bodice here is fan-pleated, which is pretty self-explanatory if you look at the way the fabric is both pleated and fanned out. I do adore the result.
But, ahem, that damask? That color? Purple, always. Of course. For a 200 year old dress, the hue is still so striking. It is not Perkins Purple, however, as it’s two decades too early for that.
The weave? I damn near fell out of my chair looking at it. It’s one of those cases where I wish there were even higher resolutions so I could zoom in and see the stitches. Alas, we are not yet there in terms of technology, so I will instead cope with this.
And then it gets better. Because that silk damask? It’s almost 100 years older than the dress itself. UGH I LOVE IT SO MUCH. Could it have been Spitalfields? Maybe! It’s hard to say because we don’t have the provenance.
From the Maryland Center for History and Culture.
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BEHOLD, THE BOY! He looks great in his 1830s look, I’m contemplating drawing Bowser with an outfit to match. Should it be a dress or a suit?
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La Mode, Pl. 360, 1 mars 1834, Paris. Robe de velours. Crevés et noeuds de satin. Agraffes de pierreries. Jupe de dessous en satin. Coiffure ornée de plumes et d'un de plumes et d'un Héron. Digital Collections of the Los Angeles Public Library
The woman on the left is wearing a short-sleeved, open red dress with a lace tippet and decorated with bows. She is wearing elbow-length, white gloves, a necklace, and earrings, and is holding a fan in her right hand. She is wearing a tiara and a bandeau in her hair, which is also decorated with feathers. The seated woman on the right is facing away from the viewer. She is wearing a teal dress of similar design. She is wearing a necklace, earrings, tiara, and her hair is decorated with feathers.
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1830s silk gown at the Museum of Vancouver last year
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1836
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Wedding Dress Wednesday 👰
This ca.1834 wedding dress from the V&A Collection has that quintessential 1830s silhouette. The shoulders are sloped, the skirt is voluminous and the sleeves are massive.
Description from the V&A website:
"Wedding dress consisting of a pelisse robe with large sleeves and bell shaped skirt. It is made of white muslin with self coloured cotton embroidery in a formal floral pattern. There is a bow of satin at ankle height, in the front of the skirt. The dress is lined with silk and fastens at the neck and waist with black metal hooks and eyes. There is an additional silk tying ribbon inside the waist."
https://collections.vam.ac.uk/item/O166833/wedding-dress-unknown/?carousel-image=2010EG1364
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