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frattystuff · 5 months

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#frat #frat boys #alphas #studs #muscle #arms #yeezy

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wolfsetfree-if · 2 months

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I actually love that you mentioned that abandoning a pack member is looked down upon.

Are there like degrees to it? Like is abandoning an alpha wolf as bad as a gamma one? Or is like abandoning an omega like the worst thing a pack could do?

Each one has a different layer to it.

Omegas: they are so vulnerable without a pack that abandoning them is one of the most horrifying thing a pack of werewolf could do. It is almost taboo. If another pack found out about it, they would shun that pack, maybe rip it apart.

Deltas: can survive a bit alone and are resilient, but since their instincts are so strongly connected to the care of a pack, being packless makes them incredibly disoriented. Their instincts go crazy, to the point where they neglect themselves so much they will slowly waste away.

Gammas: Gammas are the type of werewolf that can survive the most alone, but even then it's a miserable existence. Because they have no pack ground that is a safe place to let go of their constant hypervigilance, they end up overwhelmed, exhausted and incredibly skittish. (Gamma MC has a very hard time feeling safe again)

Betas: it is very cruel to abandon Betas, because it means they are unwanted, and this is the worst heartbreak a Beta could experience. In fact, Betas die very quickly if left by a pack, because their strong sensitivity and emotional attunement to the pack gets severed and betrayed too deeply for them to survive in most cases.

Alpha: stray alphas are very rare, but very heartbreaking. If an Alpha itself is abandoned, it means they are rejected completely by the pack. And that makes Alphas go crazy. The lack of other werewolves drives Alphas insane. Stray Alphas are often hyperaggressive, and so lonely it hurts.

#ask #alphas #betas #gammas #omegas #deltas

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pack-the-pack · 8 months

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✦MISCECANIS PRIDE FLAG✦

So I may or may not have spent a lot of time making this flag (No I could not figure out how to not make it blurry on tumblr, thanks tumblr). It's a pride flag for all those of us who identify with the omegaverse lifestyle, or in a deeper more intimate level. Ever since I came up with the term in 2020 I kind of wanted to make a flag for it, and now we finally have one! I'm so excited!!!

✦The meaning of the colours and shapes✦

✦Teal: Symbolizes Legacy. The Legacy we received as a community over the years, as well as the legacy we leave as a community for future generations who may find comfort and/or solace in omegaverse and with the miscecanis life-style. ✦Turquoise: Symbolizes Fluidity. Not only of the concept of Omegaverse itself, in its ever changing nature, but also of the miscecanis community and its individuals. ✦ White: Symbolizes Freedom. The freedom many of us feel when we identify as Miscecanis. Freedom that may relief grief, feelings of inadequacy and dysphoria. Freedom to be who we truly are and how we truly feel. ✦ Yellow: Symbolizes Pride and Self-Love. In identifying as a miscecanis we love ourselves more than we hate those who hate and ridicule us every day. In identifying as Miscecanis we love ourselves for who we are inspite of negative perceptions. ✦ Gold: Symbolizes Community. The community we built for ourselves, of mutual support, love and acceptance. ✦ Purple: Symbolizes Unity. Unity of all the aspects above as well as unity of spirit with our fellow Miscecanis people. ✦ The Moon: Neither Waxing nor Waning, the Crescent moon faced down is both. Symbolizing Rebirth and Introspection of the Self at the same time. ✦ The Four Pointed Star: The Star represents the three classic dynamics (Alpha, Beta and Omega) + Tertiary Dynamics. The smaller spikes in between each arm of the star represent the in-betweens of the dynamics that also exist in our community. Yes you can use this flag for yourself! You can also take inspiration from it and make other flags that relate to misce varieties (misceanimalis, miscefelis, miscelupus, etc.). ENJOY MY LOVELIES!!!! (If you'd like a non-fuzzy and blurry shitty tumblr rez version of the picture just let me know. You can DM me).

#miscecanis #omegaverse #alpha/beta/omega #A/B/O #alpha beta omega #Alpha beta omega dynamics #alpha/beta/omega dynamics #omega males #omegas #omega females #betas #male betas #male alphas #female alphas #female betas #alphas #miscecanis pride flag

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makeboysintomen · 4 months

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Comparing muscles

#Shirtless #studs #alphas #bros

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omegaverse-anthropologist · 4 days

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alphas being tender with their new pups. alphas scenting their newborn pups face-to face, nose to nose, chuffing softly. alphas enamored with their new little one. alphas’ scents going soft and warm and bright when their pup is nearby. alphas who live for their families, who love their friends and other people of course, but who feel no greater joy than when they’re cleaning their little one’s face after a meal or curled up with their mate. alphas at home surrounded by love and safety and feeling the joy and relief of being able to give of themselves to lift their loved ones up.

#i’m very emotional ok i am tearing up while making my breakfast #thinking abt alpha making breakfast for their pup and feeling a rightness in their bones because this is what they always wanted #omegaverse #alpha beta omega #omegaverse alpha #omegaverse headcanons #a/b/o dynamics #omegaverse dynamics #omegaverse headcanon #alphas

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soaps-mohawk · 2 months

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Cherry Red, Crimson Blood Lore Posts Masterlist

Here is a semi-organized list of lore and world building posts for my Cherry Red, Crimson Blood series to clear things up, add detail, answer any questions, etc.

You can search #crcb lore on my blog if you'd like to just scroll through all of these for funsies.

Lore Masterlist Part 2 Other Fun Ideas Masterlist CRCB Barracks Sims Build Screenshots Fic Masterlist

FAQ

When are new chapters posted? How long is the story going to be? What pairings are in this fic? How old is everyone Who all is in the story? Are there deltas or gammas in the fic? What is the "42" reference in Chapter 3? Will there be pregnancy in the fic?

General Omegaverse Questions

Werewolves vs omegaverse How I pick characters' statuses Female Alpha/Male Omega pairings

Heats

What is a heat and how do they work? What happens when the guys are deployed? Is Price the only one that can help with reader's heats? Can betas help with heats? Heat Sickness Can omegas get heat sickness more than once? How alphas act during heats Are heats different with purebred alphas and omegas? Do omegas go into heat when they're pregnant?

Kneeling

How does kneeling work? Do betas kneel? Where do they kneel? Positioning during kneeling Could kneeling happen while giving head? The kneeling incident at the institute

Scenting

How do scents work? How does scenting work? Johnny passed out during scenting

Presentation

What is the presentation process like? Genetics behind presentation How statuses know who's who

Institutes

What do average alphas and betas know about institutes What was the institute like? Omega relationships in the institute How do omegas get sent to institutes Were domestic tasks taught at institutes?

Bonding and Claiming

What is bonding? Is a claiming bite permanent? How many alphas can an omega be claimed by?

Relationships

Omega and alpha relationships Classism and relationships Can alpha/alpha pairings work?

Omegas

Distressing What happens when the omega takes over? Hunting Omega rights Could omegas have side hustles? Could reader mark the others? Can betas and omegas have pups? Can only omegas get pregnant? Scruffing

Alphas

Do alphas rut on their own? Alpha urges What makes purebred alphas different Do alphas mark each other?

Betas

Do betas nest? Beta possessiveness Beta aggression Purebred betas Do betas feel left out emotionally?

Packs

Can packs split? Soulmates Fraternizing Can Jealousy Happen in Packs? Accidental Pregnancies What kind of housing do large packs live in?

Other Characters

Laswell Other characters and their statuses Dr. Keller's brother

Other Questions

Why did Laswell choose the reader?

#crcb #masterlist #lore #world building #alphas #betas #omegas #omegaverse #crcb lore

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writergeekrhw · 1 year

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HOW TO KILL A CHARACTER

(A Writing Spew)

I'm trying to archive some of my old Twitter writing spews on Tumblr. You know, because of things. So here's a rather big one. HOW TO KILL A CHARACTER.

/BeginSpew

Okay, you’re a writer. You’ve got a mess of characters. You want to move your audience. So, it’s time to take out the old writer’s ax and chop chop chop! But how do you do it with maximum impact without your audience turning against you forever?

Pull up a chair and Uncle Robert will explain it to you!

(Warning, there may be spoilers ahead for stuff that if you haven't seen it by now it's your own damn fault.)

Luckily, there are a lot of reliable tricks to kill that character. Any of them can work for both #TVWriting and #Novels. Some of them can backfire. Here are some proven approaches…

Death #1: The Intro Death!

Want to set the stakes for your world? Introduce a character or characters and fool the audience into thinking they will be a big part of the story. Then… CHOP! OMG THEY’RE DEAD! SHIT JUST GOT REAL! AKA the Hello-Die.

The Hello-Die pretty much always works because the audience hasn’t had time to really get invested, but they’re invested enough to feel the sudden shock.

Examples: Psycho. Buffy (S1E1). GOT Teaser. #DS9 pilot. Hill Street Blues (averted).

The Hello-Die is often used by shows to shake up your expectations in what has usually been a fairly safe genre. And yes, I did this in #Andromeda. You think this is a nice safe Fantasy/SpaceOpera/CopShow/FamilyDrama? NOPE! Hello-Die! Watch out for exploding Helmsbugs.

Death #2: The Mentor Death

Your character learns cool stuff from the smart old person. Then the smart old person dies! OMG! “But I had so much more to learn!” “True, but don’t you see? This was the real lesson.” AKA The Obi-wan.

The Mentor Death is pretty safe too. We all know the old people we learn from are going to kick it soon, right? But that’s okay, because WE GOT THIS! Circle of Life, ya’ll!

Examples: Star Wars. Star Wars again. Star Wars that other time too. Harry Potter.

Death #3: The Hero’s First Kill.

Your hero lives in a violent world, but they’re a good person. They don’t want to be a killer. Alas, the world needs them to kill. And you want to portray how that impacts your hero. And so that minor villain must die!

The HFK can be tricky. For best results, the victim should need killin’. Because you want the audience to still like your hero. Plus it’s your hero’s first kill, so you need to overcome their reluctance. Or maybe it’s an accident? (OR IS IT?)

Either way, now your hero is transformed and all it took was offing a minor character. WARNING: Often involves hero puke!

An excellent example of the HFK is the Stable Boy in GoT. Arya asked him to let her go. He wouldn’t. She insisted. He said the Queen would pay her handsomely for her. She lashes out with Needle and… OOOPS! Or was it an oops? Well now he’s dead & Arya’s on her way.

Death #4: The Villain’s First Kill

The opposite of the HFK. The villain is bad, but he hasn’t killed… yet. Then he takes his first victim (usually someone either plucky or gross) and he just can’t help himself! Afterward, unlike the hero, the villain feels good.

He’s got a taste for this now. It’s going to happen again. Cue dramatic (or ironic) music!

The VFK can also sometimes be the Intro Death. Maybe it’s not the villain’s 1st kill, but it’s the first we see. Either way, the VFK is relatively safe, though there's a risk that if the victim is too likable, the audience won’t just hate the villain, they’ll hate the author.

Which is why the VFK is often someone gross or “disposable” or even theoretically somewhat deserving. In American Psycho, the first kill is a homeless man, the second is a Wall Street asshole.

Another VFK example: In the Bone Collector, the first death is a man no one cares about, and he dies off-screen, but the next is a plucky woman who dies horribly onscreen. The story eases you into it.

Still, the VFK is fairly safe. It needs to be just bad enough to shock, but no so awful that you completely lose the audience. You can get awful later once you've built up good will.

Now come some of the tougher deaths to pull off, starting with...

Death #5: The Season One/Book One Death

An important character dies relatively early in your tale. This is usually done because you want to drive home the stakes even more. Also the death launches/twists the story. AKA The Boromir AKA The Ned AKA The Sean Bean.

The Sean Bean is tricky because you’ve spent a fair amount of time getting the audience invested. You may have even tricked them into thinking the Sean Bean is a major hero. The more invested they are in TSB, the higher the risk you might lose your audience.

To minimize audience hate, make sure they understand it’s kind of Sean Bean’s fault. Or a noble sacrifice. Or if the character is minor enough (Hi Tasha Yar) it's a way to show the random awfulness of the universe. The important part is your real heroes will learn from this.

There will be crying and anger and thirst for revenge (or Data will struggle to understand death and we’ll all love him for it.)

The Purpose of the Ceremony - YouTube

Now part of why the Sean Bean works is its earliness. The later in a story a character is killed, the more their death needs to have meaning. You can kill Tasha randomly in Season One but you would never do that in Season Six.

In Season Six, if a regular dies, it better not be random or the audience will feel angry and… Oh. Yeah. Her. I wasn’t on staff then. IT’S NOT MY FAULT!

Anyway, the later you get, the more meaning a death needs to have, ideally.

Now we’re getting into the Big Earned Deaths. So let’s talk about them.

Death #6: The Big Bad Death

This is pretty easy, honestly. The easiest. The audience has been waiting for this bastard to die for years! They will cheer. Even if you’ve run this asshole through the Face/Heel Revolving Door a few times (Hi Gul Dukat), by now, they’re past redemption.

The Big Bad needs killing. KILLING THEM IS KINDA THE POINT. Go for it. Make it as horrific and painful as you’d like. Make them fall a LOOOOOOONG way before they hit something. Make them bounce a bit. The audience will love you for it.

Death #7: The Sacrificial Hero Death

Solid option. You might want to foreshadow the heck out of this. Maybe even near-death your hero a few times. But still, the audience usually gets this one. After all, messiahs die. It is known.

There will be tears, but we all know sometimes the only way to save the world is to die. If the good done by the hero’s death outweighs the sadness the audience feels, this can even be uplifting. Bittersweet chocolate is the best, right?

The SHD is a perfect way to kill a beloved character late in a novel or show. They died for our sins! If not for them, we’d be toast. Very satisfying when done correctly. I mean, there are entire religions based on this. Do it right and it packs an immortal punch.

Death #8: The Shakespearean Tragedy

Your hero isn’t really a hero. They might’ve started that way and/or had good intentions, but they’ve slippery-sloped themselves into full blown villainy… and they know it.

They’ve had their moment of tragic awareness. They realize theirs is a tale told by an idiot. Time to go out in the blaze of glory/late heel-face-turn sacrifice/by their own hand. My kingdom for a horse! Lay on Macduff! Good night sweet prince!

The classic ST is incredibly satisfying for the audience. They’ve enjoyed watching a good person descend into villainy, living vicariously through his/her badassery. They felt bad when the badassery turned to madness. SO MUCH METH!

Now the villain realizes how wrong it all was, and how flawed they are, they deliver a final moral lesson, then CHOP! And... cue Baby Blue, maybe some passing prince gives speech... then... curtain.

Death #9: The Final Wrong

Remember how bad that bad guy is? Gee, when’s the last time they were really, really bad? Time for them to shockingly kill a beloved character right before the final confrontation with the hero! I know you traveled a long way to help, but die Scatman Crothers!

Now there’s no going back. Now the villain can’t be redeemed. They must die. Cue the final chapter/episode/season/third act.

This one is risky as hell and maybe don't kill one of your few/only female POC protagonists this way but hey, you be you.

Death #10: The Sidekick Sacrifice.

Your hero can’t just win clean, right? That’s boring. There has to be a cost. And sometimes that cost is Robin’s life. Often this is a minor heroic sacrifice in its own right, but by someone other than the hero.

The sidekick takes the bullet, goes into the warp core, etc. Can be combined with the Final Wrong. Either way, "I have been... and always shall be... your friend." Cue tears.

Death #11: The War is Hell

A variation on the Sidekick Sacrifice. Beloved character dies randomly in a final great battle because War is Hell.

Sometimes the WiH is just A Bad Break. The bullet came from nowhere. WTF?!? Sometimes this happens in the Fog of War. No one saw it. The hero finds the body afterwards and feels the cost of victory. It’s high, man. So very high.

And yes, I used this one in #TheGoblinCrown. War is Hell even in YA fantasy novels.

Death #13: I Couldn’t Save Her

The riskiest variation on the late character death. The kid your hero has been protecting all along dies. The hero tries to save her/him but fails. Generally, only done in the Darkest Timelines. Or at the start of Alien 3. Fuck Alien 3.

The ICSH tells your audience this is not a hero’s story. This is a brutal examination of the inherent unfairness of life. Surprise!

WORDS OF CAUTION!

WARNING: Beloved Characrer Deaths often do not go over well. Use with caution.

The Final Wrong, the Sidekick Sacrifice, the War is Hell, and the I Couldn’t Save Her/Him are all somewhat risky. Sometimes you kill the very character that the audience most cares about. You know, like Glen. Or Lexa. OMG Lexa!? You can lose big chunks of your audience this way.

Still all four can be effective ways of turning on the feels late in a story. If you use them, make sure they either feel super well-earned or that they fit your theme so well that the audience will accept it.

But be careful. The biggest danger here is when the audience doesn’t realize you’re going to go this bleak and then you do and they feel betrayed. Can be a deal-breaker.

The more innocent the victim, the more horribly they die, and the more pointless the death, the bigger the risk you run of turning off your audience completely. And if it's an underrepresented character that a percentage of your audience deeply identifies with? Oh boy. Run.

Death #14: The Glorious Last Stand

This character was a prick all along, really. No one liked them. But when the chips were down, when our backs were against the wall, the they pulled the pin in their grenade and blew up a crapton of Aliens. Hurray!

The GLS can be supercool. The GLSer wasn’t the hero or the villain. Somewhere in the middle really. But we admire the way they went out. Their death redeemed them. If done right, audience will cheer for their bravery, finally loving them just as they die.

Death #15: The Everybody Dies

Rare. Tricky. Deeply powerful when done right. The time for characters like these is done. Their world is over. Their final great sacrifice, or noble last stand, or tragic Bolivian gunfight was inevitable. But oh how brightly they burned in the end.

Look at how badass they were. Look how bravely they faced death. And remember what it meant! Perhaps we would not be alive today if not for their transformative deaths. We will never forget them. Also their death may spur us all on to victory/change/redemption.

Or maybe the Western is just over. We're gonna miss you, Butch and Sundance! Cue montage!

Death #16 (but not really): Apotheosis

Your character dies technically, but really they become one with the Prophets, God of Light, Force. AKA The Sisko. You can only really pull this off in genre or stuff that pretends not to be genre but really is. Modern variation: Uploaded into the A.I.

Apotheosis can work extremely well if done right. Star Wars does it a lot and it works pretty much every time. You get the OOMF of killing a major character, but you reassure the audience that "They will always be with us."

If handled poorly, it can feel like a huge cheat, but when done well, can be a very satisfying way to kill off your awesome main character at the end of a long series without totally pissing off your audience. Like I said... The Sisko.

FINAL WORDS!

There are lots more ways to kill characters, of course. Including the bad ways to kill.

The It Was Supposed to be a Cliffhanger &Then We Got Cancelled and Now They’re All Dead I Guess.

The That Actor Was a Prick So We Offed His Character and Didn’t Care How We Did It.

The Oh, I Realized I Didn’t Need That Character So Gave Them a Perfunctory Death.

But I think I’ve covered the major and better ways to handle offing a character.

So yeah. Sometimes characters need killing. Just remember, you need to make their deaths satisfying in terms of plot, character, and/or theme or you risk losing your audience.

There are no small deaths. Every character is some off-screen mother’s child. Make it count. Make it matter. Make it worth the pages/screen time.

But think about your favorite movies/books/tv show. I bet they all had memorable deaths. I bet you cried. ADMIT IT, YOU CRIED! Look, I cried when Mike died in The Moon is a Harsh Mistress. I CRY EVERY TIME I READ IT.

(Mike = War is Hell/Sidekick Sacrifice/Fog of War)

Character Death is one of the most powerful tools in a writer's arsenal. Like all powerful tools, it should be used sparingly, thoughtfully, and for maximum impact. Give them the deaths they deserve!

And with that, I officially pronounce this spew dead. But don't feel bad. This spew will always be with us.

/endspew.

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theshadowrealmitself · 9 months

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Not to be that person, but why do people keep comparing pon farr to omega heats when it cannot be more obvious that if anything they’d be alpha ruts?

Like there’s not even nesting involved, motherfuckers are like “yeah right here on the boiling sand is perfectly fine” self respecting omegas would never

#I feel like people who make those jokes don’t actually know omegaverse well enough to know that alphas have their own mating thing #they only know ‘omega heats’ and run with it #omegaverse #Star Trek #sorry everyone #Vulcans #alphas #omegas #omega heats #alpha ruts #pon farr #sorry to inform all of you about this but all of your Vulcans are alphas #every single one of them

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wolfsetfree-if · 7 months

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Hi! Sorry if it was asked before, but could you please explain how werewolf hierarchy works? I think that I kind if understand that alphas are on the very top like chieftains of a tribe, what about the rest? Who is next? What is delta? Is omega the lowest ranking member? And what do packmates do according to their ranks? Especially deltas. Finally, ate there any other designation except for alpha, beta, delta and omega? And what do they represent?

Sorry for bombarding you with questions, I just got very curious about the werewolf lore, especially yours because each author writes werewolves differently.

Hello, dear anon! I loved receiving this many lore questions <3 let's start from the beginning

Your comparison to a tribe is completely on point because packs were born in ancient times as sort of tribes and they have kept some of the structures and rituals to this day. There isn't a proper hierarchy, though. Just, everyone has its place and specific role.

There is only a sort of line of command when hunts are concerned, with alphas at the top and omegas being the ones to either stay home or act more according to their instincts (usually, alphas don't order omegas around. They just allow them to do their thing and most importantly alphas protect the vulnerable members of their pack). So this means that there isn't a lower ranking member per se.

In the pack, there are in total five designations: alphas, betas, gammas, deltas, omegas. (There may be more werewolf designations, but I will explain them if they are relevant to the plot)

Alphas are the ones who ultimately make the decisions in the pack. Not because they are dominant, but because they are the first to put themselves in line to protect the pack, or to bear the blunt of any decision that might go badly. Alphas are built to be resistant and deadly. Also to feel incredibly protective and territorial of their pack.

Betas follow alphas in hunts, and generally they are built for teamwork - in contrast with other roles who work better alone. Betas are intelligent and sensitive to the mood of the pack, they are quick to react and follow directions. They, too are quite protective, but not as territorial as alphas.

Gammas are the ones who guard the territory. Or scout the land. They are incredibly silent, and the fastest type of were (if you don't count omegas when they are feral). They generally work well with betas, and are in tune with other werewolves, responding to directions as the others decide. They can, though, disobey and fight if they don't feel like their orders are fair.

Deltas are the hard working wolves of the pack. Physically built for resistance and stamina, they aren't fast or agile. Instead, deltas usually help gammas guard the pack territory and rarely leave it (Indigo and Raine, the two deltas, weren't with Bela at the djinn lair). They experience strong urges to provide for the pack, and to protect it (they can be even quite possessive of the pack).

Omegas are, at the same time, the strongest designation and the most vulnerable. Strong because they are built to kill anyone that might threaten the pups/injured pack members - including strong supernaturals or even other werewolves. Vulnerable because omegas have a docile nature and can be exploited by supernaturals who are aware of this. Omegas are rarely aggressive, but they can go feral if their pack is gravely threatened.

In a way, omegas are kept in high regard by the pack. They are looked after and respected (in good packs) for their role.

#ask #pack roles #alphas #betas #gammas #deltas #omegas

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pack-the-pack · 3 months

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how does a female Alpha present?

In my verse it's known a Female Alpha is an Alpha from birth, mostly due to anatomical reasons. Unlike males.

So although they "present" the same way a male would. By having a rut + other symptomatical ailments. Unlike male, it is not a surprise. They grow up knowing it's coming.

Actually it would be interesting to explore how this would affect societal norms and hierarchy. Very interesting. Very interesting indeed.

#omegaverse #alpha beta omega #a/b/o #alpha/beta/omega #alpha/beta/omega dynamics #alpha/beta/omega verse #a/b/o verse #pack-the-pack answers #a/b/o au #a/b/o dynamics #alpha females #female alphas #Alphas

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makeboysintomen · 5 months

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