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#Bell's hells
undead-knick-knack · 2 days
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One last bitch comment for old times sake 😔💛
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annemarieyeretzian · 2 days
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I cordially invite everyone who bitched decided that fresh cut grass detonating wouldn’t have killed otohan to 𝒷𝒾𝓉𝑒 𝓂𝑒.
even setting aside matt confirming the fact that otohan only had about 40 hit points left (and that’s a pretty significant setting aside) what does it Matter. why do you care so much more about each and every hit point someone ‘should’ have than the overall story. if that moment felt robbed somehow because it didn’t ‘follow the rules’ or ‘wasn’t right’ – what does that even mean – why are you here. you have an extremely limited capacity for imagination and storytelling. if you need something to be Exactly Right before you can enjoy it. and this is coming from your local bitch with ocd.
if you still feel the need to complain that matt, a gm with years of experience running a complex game for seven of his closest friends who have all built complex characters with extensive backstories, occasionally forgets rules as written or decides to do something different than you think should be done, maybe remember *checks notes*: THIS IS NOT YOUR GAME. THIS IS THEIR GAME. AND YOU’RE CHOOSING TO WATCH IT. FOR FREE.
“not to be a rules lawyer, but–” you know exactly what you’re doing and I want you to shut the whole entire fuck up forever.
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sparring-spirals · 2 days
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I got to say I really liked the episode (despite only having watched exu calamity of the exu series) and I think maybe Matt needed a breather after so many fast paced, lore filled episodes.
however, I am kinda bummed that the fcg processing has been put on hold for (at least) two weeks now and that means that, despite them being great actors that truly merge with their characters at the table, their reactions will be much less raw and there’s a chance some of them will forget tidbits of information, emotions they felt when it happened because they (as role players) will have had time to process it out of the game and it might create a dissonance in the game. tbf I kind of felt the difference even between the end of ep 91 and the beginning of 92 but it made sense because technically they were still running and couldn’t afford to process. idk. I have hope that we’ll still see that raw emotion, but I fear it won’t be as impactful as it could’ve been, especially if they’ll have to put the “reporting for duty” hat on immediately when they get to the camp
I think being a little bummed about the sort of unexpected hiatus on the Bell's Hells/Post F.C.G processing is super understandable! As someone who also really did enjoy the Crownskeepers return (hello im still yelling about Opal internally), I'm kind of in the same camp of being kind of thrown/disappointed about not getting to really dig into/sit with the Bell's Hells post-F.C.G loss. Like, LOVED the Crownkeepers, fascinating second half, kind of meh on the specific timing.
I'm holding my reservations about whether they're going to have to keep running/moving once we return to their portion of the story, since hey, until it happens (or doesn't!), we don't know, so I don't feel like getting too in my head about it until then.
That said! I do think that in general the cast puts characterization and staying true to the emotions of the character/story as a very high priority within the campaign. I think you're right that it won't be the exact same as if they had done a big emotional blowup/goodbye/processing scene in the same ep where they lost F.C.G, or immediately after. I don't think that means it has to be less impactful, just that- yeah, they'll have had more time to actually think/process it.
But they're also all professional voice actors who have, IMO, thus far shown how much they think about the inner lives of their characters and enjoy really digging deep into the emotional/interpersonal aspects of roleplay.
My assumption (my hope?) is that with additional time to think about + process a devastating/deeply emotional loss for their character(s), they'd choose to lean into that more, and not less. It wont be the same as the immediate raw reactions, thats true! But i dont think that means it has to be less impactful, even if they (as people) have had more time to process, and will be choosing how their characters, fresh off the loss, react. I dont think thats a guarantee it will be less impactful/emotional (maybe the additional thinking would actually enhance the reactions being true/insightful to the characters vs gut reactions from cast), but it will be different.
But if the cast chooses to lean into the heartbreak/emotions, and the circumstances of the BH in the upcoming ep enable it, I'm sure they can still kick my ass (emotionally), timeskip or not.
In general, I'm cautiously optimistic about what could happen next! Even if I don't love the timing thus far. I think there's still plenty of ways for me to get what I'm hoping for wrt F.C.G/BH. :] There are plenty of ways for me to get let down too, probably, but until it happens, or doesn't, I'm opting to not get too doomery about it. We'll see.
I uh. Hope that helps? A bit? Being bummed about specific things you were hoping for being off the table is totally reasonable. just hoping to lend an alternate way of viewing it, if desired.
(i wrote the sentence: "don't be lamenting your chickens before they hatch" and then went "what the fuck" out loud. i spent 4 hours at work today just doing systems diagramming and my brain is fried. clearly. keeping this here for my own entertainment.)
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beauregardlionett · 5 months
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i've connected the two dots. i've put the pieces together.
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I'm alive because they made me alive.
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umoras · 6 months
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imodna in the new animated intro! 🖤💜
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ithinkthiswasabadidea · 9 months
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LETS GOOOOO
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drawsmaddy · 2 months
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[ID: A digital illustration of Laudna and Imogen Temult from Critical Role. They're both wearing modern clothing and standing at a pink vending machine with an ad for "Pretty's Soda" on the top of it. Laudna is wearing a black dress with a long, shredded skirt, a black corset, a black jacket, black platform boots, and a black coffin shaped bag with a transparent front and a red lining. Pâté is inside her bag. Imogen is wearing a white button up shirt with the top few buttons undone, a grey fringe jacket, denim shorts, yellow knee high boots with flowers embroidered on them, and a brown shoulder bag with a bisexual pride pin attached to it. Imogen is leaning against the vending machine and smiling at Laudna who has a hand on the vending machine and is smiling back at Imogen. End description.]
Local spooky girlfriends grabbing a soda
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elahogn · 9 months
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sleight of hand versus perception
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featherbow · 8 days
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teansouprmyjam · 3 months
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a sketch of 2 beloved silly guys,,,,,,
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undead-knick-knack · 2 days
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I thought Imogen's conversation with her mom sounded familiar 🤔
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me @ all of you fuckers (affectionate) (but barely) ruining the momentary relief I felt at ‘well, fresh cut grass is fucking dead, but I guess at least orym is out of his deal with nana morri, thank gods’:
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puwumats · 10 months
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critical role c3e64 || the last supper - leonardo da vinci
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sparring-spirals · 10 months
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i know its partly the nature of critical role as a whole changing for this third campaign, but its SO funny to me that "Dont Trust Anyone Not Even Yourself" Paranoid Chucklefucks The Mighty Nein were showered in kind and helpful guest PC's and ended up So Good at the Magic Of Friendship (threatening). While Bell's Hells of "time for therapy!!!!" "do you think they'll be our friend" "what the fuck is up with that game time!!" have wound up with a like. 40% hit rate for villains in their close friends. like this is a MASSIVE oversimplification and it makes sense but its mostly very funny to me. rip to early campaign m9 you would have loved all of your paranoid instincts constantly paying off in the worst way
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fwishbone · 5 months
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my c3 faves
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