Soldier Poet King - One Piece ver.
There will come a captain
whose smile is bright and free
with a hat that's made of straw
and stretch as vast as seas
for fun and adventure
he'll do as he please
and if you want a savior
give him something to eat
There will come a swordsman
who wields not one but three
the first mate of our captain dear
and made of loyalty
senses sharp
and a goal to reach
from a fight he never runs
to win he is ready
There will come a burglar
as pretty as can be
with her maps all drawn by hand
she'll navigate the seas
her eyes on the clouds
and royalties
she'll command the ship they sail
and guide them to safety
There will come a liar
who's always quick to flee
a marksman whose eyes are clear
and hands that are steady
a sniper, a warrior
and fights bravely
listen to his tales so tall
he'll stand for his friends' dreams
There will come a chef with
a deep love for the sea
a dreamer and a fighter but
flirtatious he can be
has flaming kicks
and a love for ladies
and if your paths they ever cross
you'll never leave hungry
There will come a reindeer
who might look cowardly
a doctor who has a heart
bigger than his body
a child named a monster
and slightly naive
but if you look one final time
he's more human than he seems
There will come a scholar
a flower-like beauty
has a love for reading
and archeology
with limbs that blossom
unnerving is she
for her nation she'll explore
and answers she will seek
There will come a cyborg
a proud shipwright is he
a little shameless and he wears
his feelings on his sleeves
works filled with passion
and creativity
he will build a ship for us
to sail on every sea
There will come a skeleton
who's gifted tunefully
a lonely life he has led
existence a mystery
a promise to fulfill
and a lifetime of memories
the musician will play a song
and sing with joy and glee
There will come a helmsman
the first son of the seas
like a calm before the storm
he fights powerfully
he's gentle, he's righteous
and pushes equality
the fishman steers with a smile
and laughs wholeheartedly
There will come a pirate crew
'The Strawhats' namely
the world will hear their laughter
as they go on this journey
with hopes and dreams
and desires to achieve
come and join as they travel
the Merry and Sunny
With hopes and dreams
and desires to achieve
watch and read the story of
how they find the~
One Piece.
breaking out of my manga posting for the sake of this idea I had. The world needed to see this.
READ TAGS BELOW (only if you want to tho)
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Usopp briefly needing a high vantage point, so Sanji launches him into the air with "Armée de L'air: Darling Shoot!"
Usopp is not pleased with the name because it doesn't sound tough enough. (Also maybe this is something they've practiced a few times on the ship. It's uniquely suited to them because Usopp is long ranged and trusts Sanji to catch him after. Also, Sanji is very used to catching, launching, and kicking Usopp, so he knows what works and what doesn't)
(this doesn't work with the others consistently because either they don't want to/fighting style doesn't fit with it, they know Sanji won't bother catching them, and/or Sanji himself does not want to launch them if he doesn't absolutely have to [Zoro; he is fine with that])
(alternatively, this works just fine with the others, but Sanji wants it to be his and Usopp's 'thing' unless absolutely necessary)
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Luffy is like staring into the sun.
At least, that is what Zoro thinks the first time he sees him. But then, his first coherent thought had been it’s too bright upon their initial meeting, looking up from glowering down at the ground to raising his head and squinting at a too big, self-congratulatory smile and do you want to join my crew?
Then it had been simple enough to blame the harsh sunlight blinding him, framing Luffy’s profile and that bright grin, and he’d bitten back the hell I will one minute and had a sword and an oath clenched between his teeth in the next.
And so Zoro follows the sun.
He follows and his skin reddens and blisters and peels; it splits at the seams and bleeds as he burns, and still he follows. It aches and cracks, and still he reaches out, twining his fingers through promises and a loyalty that will not bend.
Luffy curls a hand around his jaw and it’s a different sort of burning, flaring up into his eyes and down to his very marrow. And Luffy asks, where will you go? Nowhere, Zoro says as the words gather in his throat, raw and parched, and he chokes on them, anywhere.
His touch is a balm as fingertips skitter across his skin, soothing and pressing and digging and prying, and Zoro thinks he would burn again and again, blinded by the sheer brilliance of it all.
And then it’s dark out on the open sea, some nights, and then others too many stars dot the horizon, gathering up above them like they’re spilling out of the slit open belly of a giant, and Luffy tilts his head, blistering heat where he rests against his shoulder and looks at Zoro and says, I think I know where, and would you come with me?
And Zoro is a drowning man with a lungful of sea water, salt gathering with blood at the corners of his mouth and asks, of course, and where?
Luffy smiles and it’s a gathering of starlight and the sun, and it makes Zoro want to shove his fist into his mouth and shatter every one of his teeth, and Luffy would just laugh and bite down on his wrist and lay claim to his pulse point, like he doesn’t already live inside its every thrum.
No telling, he says. Will you still come with me?
And Zoro burns and it rages in the pit of his belly right into the raw skin of each scar, into his fingertips as they dig into Luffy’s scalp. How dare he have to ask, grin with the knowledge that he already knows the answer, and Zoro turns to follow the sun and says, yes, says I wouldn’t be anywhere else.
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a rant
man y'all lead some real weird boring ivory tower lives with very little thought into your morality like very superficial morals really, i always knew the bl fandom was like that to more often than not the point of amorality with how easy they participate in certain dynamics supposedly in the name of fiction and romance, a conversation for another day like you ever think you could have more out of the text you're being given? cause man every damn time there's a bl with a dynamic of power that involves labor, consent is never part of the conversation, like is it even possible for palm to consent, is it even sth they can call part of the reality of the couple's love with how much the world is gonna try to tear palm and nuengdiao apart, like how does the commentary on labor escape the discussion of the messages of the series proper of what that means for two people to have to participate in said dynamics by force with one being less in the eyes of an empire than that of the king he protects... nor is it participant in the conversation what it means for a character to diminish themselves for the hierarchy of that empire which is maintained through the power money entails like ever, and being quite honest it's not isolated to bl using this kind of setting that this happens, years of romance exist before yaoi, where bl has its roots and which ofc simply borrows from straight romance things we still see in the feminization of one side of the couple but also a conversation for another day...
like, this all to say that i saw someone call nueng's mom a good mother in the tags man and i had a moment of why are stories never understood to be the sum of its parts rather than one isolated moment, and i really had to double check it was the actual never let me go tag because i don't think we're watching the same show people, i think you're showing how much you have sold yourselves to romanticizing capitalism and the hierarchies it creates to the extent you don't see or think about what it really means for palm to have to become subservient to someone else's literal life, to have to give up his life because another's is being held above his own, that palm knows that he will always be less than nueng whether nueng wants to accept the circumstances of their reality or not, and that nueng keeps wilfully ignoring it.
that this has been plotted by their parents together escapes you in its full magnitude like so much of what palm's dad does to palm flows from tanya, just because she's warm to nueng while she tells him that his life and worth are forever tied to an empire that has taken over the lands and livelihoods of thousands of people? it doesn't erase the weight of her entitlement, control, and thus her power, and that instead of creating trust in her own family, she decides to burn all bridges to isolate nuengdiao while also pronouncing the treatment of palm as a servant like i don't know where to fault the writers and where to fault the character because i believe a good dose of self awareness would serve either in trying to convince me and palm that his life is worth less than the money that is gonna be given to his father or to him before palm indeed has to die for nueng like if he turns i won't wonder why because idc there's no universe in which one life can be traded for some capitalist bitch's ambitions, this isn't even the mafia which entails cult like understanding as well of a rough world and trading one's life for some fucked up higher purpose, and like even there it's some sick shit to feed romance, like tbh the world has to justify it for me at least, but there the violence of what they have created justifies in some level laying one life for another person like the understanding of that higher purpose, but here for nueng and palm, here where money is so visible as the root of despair and separation.... palm doesn't get to have that fucking luxury, not in this story, he's falling for the charm of his charge, sadly, the romance is there for him baiting his very innocent understanding of life, how could it not bloom and be in him in such fucked up circumstances where nothing yields love for him, and yet, yet a part of him screams... servant... for he understands his degradation whether nueng sees it yet or not
SERVANT... one of the two in this sweet sweet sweet couple is dehumanizing himself in the performance of his labor AND the romance being joined together, his worth is tied to someone that sees him from the outside, but who chooses to obscure his eyes to who he really is, like again this is part of this supposed romance, palm's participating happily in his own dehumanization and somehow i'm meant to find the romance in how little control palm seems to have of his life and how much the creation of meaning is coming from nueng like it's insane how this commentary is there, the creation of a soulmate of a sick and twisted fairytale, and yet i do see some of you acting like the divine right of kings when it comes to nueng's position and his blindness towards that power, and just because tanya sells it with a warm smile and kind words doesn't make the destruction of land or the dehumanization of her workforce any less fucked up, tanya accepted her son, good for her, that should be the norm make no fucking mistake tho, but honestly let's go back to thinking into the fucking structure of the story, what choice does she has anyway i wonder???? when she has denied other families into her own, when she has denied her own family, so now even a tension now runs between chopper and nuengdiao over it, tanya is not a good mother, and honestly with the way the grayness of the show and jojo tichakorn's other works usually go....
i would just stop trying to categorize the characters as good or bad if you even believe there's such a way to see people in general, cause man live long enough to know you get the chances to be all, and like that's what gets me about fandom and stories like this, since for example where your eyes linger which clearly laid out freedom as the only means for this romance to work with a happy ending and not some romanticized worker abuse and people still preferred the power dynamic to thrive over getting to a moment in which both characters could consent freely in their meeting, and like i wish we actually got a better characterization for palm till this week when maggie stepped in finally to talk some sense into him because boy was he just reacting to everything only and he keeps falling for the beauty of his charge without caring for himself, like with all the messages of anti capitalism id expect a more critical view of the levels of the relationships and what their carefully crafted images present to us that's all like that's all im saying, my thoughts in the end but honestly i just don't believe tanya to be a good woman, she's just warm and kind in her life, but that hides how much she and her husband fucked up and are leaving an empire of shit to nuengdiao, i honestly hope he and palm get out, but most importantly i want nuengdiao to wake up to the fucked up amount of power he has, like for once i'd also like the writers to take this shit seriously if they're also gonna refer to real world politics...
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