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#Charlie Bingley
thoumpingground · 8 months
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So I've been pondering on how the Darcy-Bingley friendship came to be for a while, and like most people, I imagine that it was Bingley driven. I have now decided that when Bingley met Darcy - haughty, moody, catty man - he either unconsciously or explicitly reminded him of Caroline. "I must befriend him, he feels like home".
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theladyigraine · 2 years
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Fire Island (2022) dir. Andrew Ahn
I just need you to know, how fucking incredible I think that you are. You are the most interesting man I have ever met. And the funniest. And you're beautiful. And I really, really like you.
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icemavsupremacy · 1 year
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So is anyone gonna write an IceMav Pride and Prejudice (2005) retelling with Ice as Mr. Darcy and Mav as Elizabeth or am I gonna have to do it myself?
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hillnerd-art · 9 months
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Charles Bingley for the sketch requests maybe? (Bingey has been a fav character of mine for so long, for how often is a (rich and handsome) male character's biggest flaw being too modest, and backing off once told that their crush is not into them? (tbh though, how was he to know that Darcy had plans of matchmaking him and Georgiana? Like, he had no reason to suspect Darcy had any ulterior motive when he mentioned his opinion on Jane's feelings)
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I love him so much. He's just such an absolute sweetheart. So this is my modern AU version of him- a gearhead, with a touch of himbo energy- and Jane is head over heals for him EVERNTUALLY I will create this comic, I hope :P
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cherryblossomshadow · 2 years
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Genuinely just loved his faces here. The puppy!Bingley vibes are on point
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katnissgirlsmakedo · 1 year
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i love how most of the characters have different names completely divorced from pride and prejudice but then bingley and darcy are literally charlie and will. like yeah man they sure are!
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p1325 · 2 years
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#fanvidfeed  #viddingisart #fireisland #howiecharlie #pridemonth #sometimes #gay #lesbian #pop #music #2020 #2022
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 Song: Sometimes 
Artist: Britney Spears
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itsdeanwinchester · 2 years
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Charlie's awestruck gaze toward Howie during karaoke 🥺🥺🥺
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ok not to beat a hornet’s nest with a baseball bat but i keep seeing people on here who say they want to see an icemav pride & prejudice au but they’re always saying ice would be elizabeth and mav would be mr darcy and i just… don’t get that at all. narratively and thematically it makes no sense to me.
first of all, ice is the one who’s coming from a place of privilege in the movie. he went to the academy, he’s the top dog at top gun, he’s a genuinely good guy but mav thinks he’s a dickhead for, well, being a dickhead. second of all, he’s the one who keeps trying to help mav in his own backwards way, not unlike darcy trying to flirt with elizabeth, who sees each of his attempts to woo her as him instigating an argument. thirdly, he tries to help mav in his time of crisis after goose dies, similar to the scene where elizabeth finds out that wickham absconded with lydia.
on mav’s side, he shares elizabeth’s prejudice against rich, snobby men, but instead his prejudice is directed at ice and naval academy-bred pilots in general. he’s also an outsider amongst the other naval pilots because he never attended the academy and because of his father’s reputation, which matches elizabeth’s lower social status and her ostracization by the bingley sisters. i can’t really say how the wickham plotline would factor into the narrative because there is no such character in top gun, but maverick has been shown to be easily taken in by a pretty face (see charlie).
lastly, the way both characters’ opinions of each other change by the end of the movie are a perfect thematic match. ice has decided that while mav is still dangerous, he now sees this as mav’s strength instead of a fatal flaw. meanwhile mav has come to the conclusion that ice is not the asshole he thought he was, and that he can trust ice to have his back in the air from now on. similarly, darcy was able to rise above his previous reservations about marrying elizabeth due to recognizing that his estimation of her was in fact incorrect and that he needed to reevaluate his beliefs, while elizabeth came to realize that darcy was a better man than she had thought.
is there anything that i missed? i promise this was by no means a callout post, i’d love to hear what other people’s thoughts are because i’ve seen the opposite take in several posts but i simply can’t see it myself. if anyone wants to weigh in with their perspective please do!
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kajaono · 2 years
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How Fire Island proved Persuasion 2022 wrong
When Persuasion 2022 was released on Netflix there were a lot of statements from people involved in the production (Ron Bass and CC) saying that they love Austen but that they think her characters are outdated and not relatable to a modern audience anymore. That they need an update.
This already shows a big misunderstanding of the characters imo. The reason why Austen books are still so popular today is due to the fact that her characters are timeless. We all know a Mrs. Bennet, a Mary Musgrove, a Mary Crawford, a Mr. Collins... Austen was a sharp observer of the people around her. The setting might be outdated but not the characters. And the writers of Fire Island understood that
Fire Island literally starts with the main character saying that Austen is the queen, but that not every man might look for a woman to marry. This shows a deep respect for Austen and her work, but also points out that we need to diversify Austen stories. And that those two things can co-exists
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The writers of Persuasion made such an effort promoting how diverse their story is and how modern, while it was still: white, straight and set in a regency era. Yeah there were people of color and i think Ben Bailey Smith did an amazing job, but that - imo as white person - where just people of color put into white narrative. Without addressing any issues black people had to face during that time. I am not saying Persuasion should have been about black trauma. But ignoring it completely was an odd choice.
Conrad Ricamora said something about that topic as well (when addressing the position of gay asian in our society today and especially in todays LGBTQ community):
“We need movies that focus on our trauma. Then, we need movies show us going to the grocery store, show us hanging out with friends, going to the beach, going on vacation. It’s not just about our minority identity,” says the star.
“We can’t just completely gloss over and say, ‘Oh everything is completely fine and the world’s great.’ So, we need those movies. But we also need to have fun too. I feel like Fire Island does a great job of showing us having fun. 
And Persuasion did say: “Oh, everything is completely fine.” and that was a huge mistake imo
Updating the setting vs Updating the characters
One reason why Fire Island is so beautiful is because they completly stayed true to the book characters. They changed the setting, the changed sexuality and ethnic but the characters are still 1:1 the original Austen characters.
We have Will (Fitzwilliam) having an emotional breakdown when he is forced to socialize by Charles Bingley:
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Charlie (Charles) being still the softest, cutest, dumbest character in the whole story, laughing his ass off when he sees Darcy struggle but trying to be polite about it
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Noah (Elizabeth) is the most judgy bitch who ever walked the planet but on the other hand he is the one who keeps the family together and takes care of everyone. And always challenges Darcy
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And I mean, this is the whole Bennet family. Don’t dare to tell me you cannot spot Kitty and Lydia right away. You can see Mary in the back btw, with the hat.
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Instead, Persuasion gave us lines and moments like those:
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You wouldn’t know this is supposed to be Anne.
Appropriate language
While watching Fire Island I always found the language appropriate to the place the story was taking place in. And it also suited the characters. I really had the feeling a queer asian man in his 30s wrote the script reflecting on his experience of...well... being a gay asian man in his 30s. Everyone spoke and behaved appropriate. While still staying true to the book characters. Instead, Persuasion was written by Ron Bass, a 80 years old man who gave us lines like: 
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Which gave of these vibes:
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Voice overs
I know voice overs are always a complicated thing to do. Good Omens tried to solve it by making God the narrator. Persuasion 2007 had Anne writing her dairy with subtle 4th wall breaking... which worked okay-ish. Fire Island chose an approach I really liked (which was also used in Vampire Academy 2014). We hear the characters inner thoughts WHEN necessary (!), which are SOMETIMES (mostly at the beginning and at the end) directed at the viewer directly. But the golden rule still stands: “Don’t tell, show!”. And Fire Island understood that very well. Nevertheless, there are some inner thoughts that need to be spoken. Especially for comedy reasons. And it is also a blast for book fans because this is what we thought the whole time reading the book.
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It just fits Elizabeth perfectly! This is a 100% Lizzie.
In contrast we get that from Persuasion:
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Like, if I am not able to see that you are two are past lovers by the way you behaving around each other, you are doing something terrible wrong. I don’t need you to turn around to me and point at Wentworth: “We are exes btw!”. Anne 2007 crying her eyes out only when we, the viewers, where around made much more sense. 2007!Anne also shared secrets just with us, but meaningful secrets. You know what I saw when she cried her eyes out and then shortly looked at us? A woman, nearly shattered to pieces, silently screaming for help.
When 2022 Anne cried while reading the letter to us is saw nothing because I cringed so hard I had to look away a drama queen. It didn’t had any meaning or impact
Sex jokes: body positive
I always thought I am not a fan of sex jokes, but while watching Fire Island I noticed my problem are actually not sex jokes but most of them being incredible toxic. The sex jokes in Fire Island were so amazing body positive. I just wanted to point that out. Next point!
The letter!
Both Persuasion and Fire Island have meaningful letter. Darcy writes Lizzie a letter, explaining his behavior and apologizing. Wentworth writes Anne a letter to confess his love.
Translating a letter to modern times where men and women can talk with each other freely without any boundaries and where phones are everywhere is really complicated but Joel Kim Booster created the perfect set up. By breaking Noahs phone and letting Will and Noah having a huge fight. So, it is really convincing why Will writes the letter. And the scene is so beautiful:
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And the letter Wentworth sends Anne is equally important, maybe even more important. But even though Persuasion 2022 is still set in regency times and actually has the perfect set up for a letter, it still completely misses the mark. Why? Two reasons. 1) Anne and Wentworth are talking with each other the whole time. So there is actually no need for a letter:
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2) Instead of quietly reading the letter and having a beautiful soft voice over (Persuasion 2007, Persuasion 1995, Pride and Prejudice 2005 etc.) we get Anne turning around to us and reading the letter to US. A letter meant only for HER and she turns around to us and cries her out to us. Ugh, it was so cringe.
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Both Fire Island and Persuasion 2022 changed the letter, but why did it work for Fire Island and not for Persuasion? Because there was never a need for Persuasion 2022 to update the letter. None. Only of them thinking every love letter needs an explicit “I love you” so the viewer understands what the scene is about. Also, the Fire Island letter missed the mark here and there. Darcy could have told something along the lines: Dex hurt my brother deeply” but anyway. It worked nevertheless.
The captions
The captions are definitely not perfect in Fire Island:
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but definitely a 100% times better what Persuasion gave us:
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I mean look what effort Emma 2020 put into the title cards. Its not that hard:
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Updates
I love Austen but I also think her stories need updates to suit the world were are living in today. As i already pointed out: The personality of the characters do NOT need updates.
I loved that Fire Island had Elizabeth (Noah) stand up for Lydia. Instead in the original PP story everyone drops Lydia like a hot potato and her family only saves her for their own sake. I know, why... it was regency era, but that wouldn’t work anymore if you set the story in a modern setting like Fire Island did.
Also, Noah was clearly ashamed of Lydia and Kitty from time to time but never rejected them as a family member. I also loved that in contrast to the original PP novel Jane (Howie) has a fight with Noah (Lizzie) telling him his place and telling him to stop try to change him.
I also would have loved to see changes like that in the Persuasion adaptation. Talking about the fact that the sailors were not heroes but serving a really expanding colonialist system. It also needed Gay characters and more female friendships. Because every Persuasion adaptation we got so far mostly ignored Mrs. smith and her friendship with Anne. And also the friendships between Harville and Wentworth is mostly only there for one or two scenes. Persuasion 2007 already dug deeper into it. But there is more to explore.
Instead, they changed the character of Anne and gave her a strong friendship with Louisa and Henrietta. I love these two but that was such an odd choice but, in the end, they only see Anne as a nice aunt who comes around from time to time. The point is that Anne has no real friends in this place. She finds friends in new places. And don’t get me started on all the other “updates” that made Persuasion 2022 into a completely different story.
I was not able anymore to tell who was supposed to be who and what was gonna happen next. And that’s the beauty of Fire Island.
Updating dating:
One major problem when translating Austen novels in modern times is the dating. Today you just do not marry a person right away just because you fall in love with them. So it was good that Fire Island gave Darcy and Elizabeth scenes where they were alone and scenes where they needed to work together (confronting Wickham) and where we saw them being casual around each other, having fun and flirting. But they waited with that until after the letter so it would make sense.
I think Persuasion wanted to take a similar approach when they wrote this line:
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They didn’t want the have the main leads being quiet around eachother for two hours straight and then suddenly: “Btw, love you, wanna marry me?” But that’s the point. They fall in love BEFORE the movie starts (in the past, 8 years ago), they talked a lot with each other 8 years ago, all of that has already happened.  Making a good Persuasion adaptation means the viewer notices how both of them are grieving those happy times, wishing they could go back to the happy times but being also not able to talk to each other based on the circumstances. But still, always colliding into ecah other and being forced to work and talk with each other.
When you make a Persuasion adaptation set in modern times, it could also work with them not talking to each other. Silent pining of people who are in love with each other for 8 years. Because Persuasion is not about “falling in love”, this already happened. It is about finding a way back to each other and opening your hearts again, A story about forgiveness and this doesn’t always need to be screamed from the rooftops but can also happened quiet, really private.
Mistakes:
I also need to point some mistakes for Fire Island, I guess. Charlies reason to return to his ex was really staged. Darcy sadly lacked real character growth. It would have been more convincing if he also would have hated the whole Bennet family because he a) thought that the Bennet family is a bad influence on Charlie and b) that Howie feelings were not as deep as Charlies and that Howie wanted Charlie because of his money.
TL:DR: Fire Island showed how to do a modern Austen adaptation and that Austen is still worth being adapted today in many diverse ways. Persuasion completly failed because they only wanted to be edgy and ripped the heart out of the story and the characters
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FLASH FICTION FRIDAY (MASTERPOST)
How exciting! I did every Friday for all of 2023!
@flashfictionfridayofficial
WEEK 1 -- Set The Stage (Will Byers/Mike Wheeler, Stranger Things (TV 2016), T-rating, 504 words)
There's only a couple more hours until opening night starts. And everything's ruined.
WEEK 2 -- Birth Of A Star (Sansa Stark/Ygritte, Game of Thrones & ASOIAF, G-rating, 365 words)
Ygritte longs to steal a maiden’s kiss.
WEEK 3 -- Fine By Me (Raul Cocolotl & Kat Elliot, Wendell & Wild (2022), No Rating, 417 words)
Raúl hears a terrified scream in Sister Helley's classroom and comes running.
WEEK 4 -- Pure Imagination (Artemis Crock/Dick Grayson/Wally West, Young Justice (Cartoon), T-rating, 459 words)
It's good to have their boyfriend-not-boyfriend finally home.
WEEK 5 -- Where Secrets Lie // First Light (Charlie Bradbury/Gilda, Supernatural (TV 2005), T-rating, 600 words)
Charlie abandons what remains of a normal life in search of the one she loves—a good fairy.
WEEK 6 -- Who Are You // Eclipse (Korra/Asami Sato, Avatar: Legend of Korra, M-rating, 700 words)
Asami loses Korra inside the Fog of Souls. She must get her back.
WEEK 7 -- Trapped In The Dark // Earthshine (Kim Possible/Shego, Kim Possible (Cartoon), T-rating, 700 words)
"Come on out, Kimmy… let's finish this."
WEEK 8 -- You're Not Alone // Nuclear Cluster (Faith Lehane/Buffy Summers, Buffy the Vampire Slayer (TV), E-rating, 1000 words)
Faith accidentally gets sent to another version of Sunnydale. A really messed up Sunnydale.
WEEK 9 -- Sea & Sun (Valerie Frizzle & Ms. Frizzle's Class, Dorothy Ann & Wanda & Arnold & Ralphie & Carlos & Keesha & Tim, Magic School Bus, G-rating, 765 words)
It's a never a normal field trip with Ms. Frizzle. This time, and to everyone's excitement, they head to the beach!
WEEK 10 -- Celestial Bodies (Baelfire | Neal Cassidy/Captain Hook | Killian Jones, Once Upon a Time, No Rating, 603 words)
In their final moments, Neal decides to reconcile with an old friend.
WEEK 11 -- Tree Of Life (Eris | Discordia/Bia, Eris | Discordia/Hesperides, Ancient Greek Religion & Lore, M-rating, 300 words)
Eris steals a golden apple, intending to disrupt one of the weddings happening on Olympus. Someone disrupts her.
WEEK 12 -- Filled With Clarity (Derek/Odette, Swan Princess (1994), G-rating, 564 words)
While they're still young, Derek realizes Odette is not what she seems.
WEEK 13 -- Deep End (Damian Wayne & Colin Wilkes, Damian Wayne/Colin Wilkes, Batman Comics, T-rating, 256 words)
As much as Colin would like to think this was forever, he wasn’t dumb—Robin wouldn’t need him eventually.
WEEK 14 -- Cold Object  (Diedrich/Vincent Phantomhive, Kuroshitsuji | Black Butler, M-rating, 1123 words)
"Mine at last. Just like I have always wanted."
WEEK 15 -- -Against The Flow (Matsuoka Gou/Mikoshiba Isuzu, Free!, G-rating, 324 words)
Muscles. Men. Meetings with the Iwatobi Swim Club. That's all Gou is supposed to care about.
WEEK 16 -- An Eternal Summer (Jane Bennet/Charles Bingley, Pride and Prejudice (2005), No Rating, 448 words)
Mr Bingley refuses to leave Jane's side long while she's ill.
WEEK 17 -- What Comes Next (Kaneda Shoutarou/Shima Tetsuo, Akira (Anime & Manga), M-rating, 793 words)
When their enemies get the jump on them, It's his turn to save Kaneda.
WEEK 18 -- Didn't Mean It (Hiccup Horrendous Haddock III & Toothless, How to Train Your Dragon (Movies), T-rating, 423 words)
Hiccup doesn't want Toothless to think Hiccup is mad at him. Even if the workshop nearly got set on fire.
WEEK 19 -- How Far We've Come (Søstre | Sisters/Prinsesse | Princess/Prins | Prince, Den lille Havfrue | The Little Mermaid - Hans Christian Andersen, E-rating, 576 words)
Because of the prince and his princess, her sister no longer lives. This cannot be.
WEEK 20 -- Comedian's Night (Dick Grayson | Robin/Red X, Teen Titans Animated Series, T-rating, 987 words)
Robin investigates trouble in Jump City's local performing arts center and gets the unlikeliest backup.
WEEK 21 -- The Devil You Forgot (Coraline Jones/Wybie Lovat, Coraline (2009), No Rating, 1489 words)
Eleven years later, Wybie and Coraline return to the Pink Palace Apartments, unlocking their memories.
WEEK 22 -- Yes, Sir!! (Starlight & Sweetheart & Melody & Bright Eyes & Patch & Clover & Bon Bon, My Little Pony Generation 1.5: Tales (Cartoon 1992), G-rating, 339 words)
Sweetheart never learned to roller skate. The other ponies teach her and encourage Sweetheart to overcome her fear.
WEEK 23 -- All The King's Horses And All The King's Men (Ygraine de Bois/Nimueh, BBC Merlin, M-rating, 472 words)
On the eve of King Uther's long-awaited marriage ceremony, Nimueh convinces her lover to flee.
WEEK 24 -- Where The Flowers Grow (Higa Hiromi | Shadow/Oka Shokichi, SK8 the Infinity (Anime), T-rating, 566 words)
In the middle of his break, Hiromi gets an unexpected visit from Manager Oka.
WEEK 25 -- Sink Or Swim (OceanGate Titan Submersible, RMS Titanic, Logitech F710 Wireless Gamepad, Mysterious Banging Noises Coming at 30 Minute Intervals, Angry Spirits of the Working Class Poor on the RMS Titanic, Yacht-Destroying Orcas, Ever Given Container Ship, Titanic 1997's Director James Cameron's Evil Twin, Metal-Eating Bacteria in the Atlantic Ocean, US Coast Guard, OceanGate - Fandom, No Rating, 589 words)
Alright… who did it? Who went ahead and broke it?"
WEEK 26 -- Can We Kiss? (Daisy Duck/Minnie Mouse, Mickey Mouse and Friends, G-rating, 241 words)
For 'What Makes You Happy! Day… Minnie would like to ask Daisy something.
WEEK 27 -- Reporting The Scoop (Kururugi Suzaku/Lelouch Lamperouge | Lelouch vi Britannia, Kururugi Suzaku & Lelouch Lamperouge | Lelouch vi Britannia, Code Geass, T-rating, 1631 words)
Lelouch exposes Suzaku's bullies to the entirety of Ashford Academy without Suzaku's knowledge. It doesn't go over well.
WEEK 28 -- On The Edge (Julie Grigio/R, Warm Bodies (2013), No Rating, 493 words)
While bleeding out, Julie asks R to do something unthinkable for R. But he will. For her.
WEEK 29 -- The Sand Ocean (Kiba/Tsuma/Cheza, Wolf's Rain (Anime), M-rating, 999 words)
After a narrow escape, Kiba lets his pack rest before their journey begins again.
WEEK 30 -- An Old Friend (Margot Robbie's Barbie/J. Robert Oppenheimer, Barbie (2023) & Oppenheimer (2023) Crossover, T-rating, 1037 words)
Oppenheimer remembers Toni's little doll when she was fifteen. But never how remarkable it was.
WEEK 31 -- Gotta Go Fast (Daria Morgendorffer, Jane Lane, Jodie Landon, Michael "Mack" Mackenzie & Brittany Taylor, Kevin Thompson, Angela L, Daria (Cartoon), No Rating, 390 words)
The reception hall for Lawndale High's senior prom has a 24 hour go-kart track across the street. Pandemonium starts.
WEEK 32 -- Ten Years Later (Rafe McCawley/Danny Walker, Pearl Harbor (2001), M-rating, 1544 words)
In the middle of the night, Danny comes to Rafe. Once when they're kids and once before Rafe leaves for England.
WEEK 33 -- Broken Mirror (Princess Bubblegum/Marceline, Adventure Time, G-rating, 458 words)
Marceline accidentally knocks over Bonnibel's newest invention while cooking spaghetti.
WEEK 34 -- Mall At Night (Gregory & Wirt, Over the Garden Wall (Cartoon & Comics), No Rating, 1104 words)
Wirt and Greg end up accidentally locked inside after closing hours.
WEEK 35 -- Found Family (Ellie & Joel, The Last of Us (TV & Video Game), T-rating, 774 words)
"I can't believe you're in prison."
WEEK 36 -- Portal Fiction (Non-magical Fionna-world Marshall Lee/Gary Prince, Adventure Time: Fionna and Cake, (Cartoon 2023), E-rating, 1297 words)
Fionna goes missing. Marshall Lee and Gary finally meet and theorize about where she's gone… while in bed.
WEEK 37 -- How Do You Use 'It'? (Cornelius/Thumbelina, Thumbelina (1994), G-rating, 579 words)
During a journey in the nightfall, Cornelius encourages Thumbelina to inquire about their world and ride his pet bumblebee.
WEEK 38 -- Under The Night Sky (Chris Washington, Rod Williams, Get Out (2017), No Rating, 355 words)
"What the hell did I tell you, man?"
WEEK 39 -- Blood Is Thicker Than Water (D. J. Tanner & Stephanie Tanner, D. J. Tanner & Michelle Tanner, Kimmy Gibbler & D. J. Tanner, Full House (US TV), M-rating, 1151 words)
Stephanie ends up in the car accident with Gia when D. J. doesn't stop her from leaving. Nobody survives.
WEEK 40 -- Spine In A Twist (Cassia/Milo/Atticus, Pompeii (2014), No Rating, 944 words)
As everything ends, Milo finds comfort in the two living souls he belongs to.
WEEK 41 -- An Empty Grave (Geralt z Rivii | Geralt of Rivia/Jaskier | Dandelion, The Witcher (TV), T-rating, 1016 words)
Geralt barely survives against Vilgefortz. Jaskier looks after his recovery in Brokilon, washing Geralt's wounds and despairing.
WEEK 42 -- By Candlelight (Jet Black & Ed & Ein & Spike Spiegel & Faye Valentine, Ed & Ein, Cowboy Bebop (Anime), No Rating, 1136 words)
A group of lousy ship-jackers end up on the Bebop. They're screwed.
WEEK 43 -- Torn Veil (Will Graham/Hannibal Lecter, Hannibal (TV), E-rating, 1074 words)
"Chasing shadows in the middle of the night, Will?"
WEEK 44 -- I Can't Tell (Dimitri/Anya | Anastasia Romanov, Anastasia (1997), G-rating, 821 words)
Anya slips on an icy patch of road on their way to Paris and hits her head. The dreams afterward feel familiar.
WEEK 45 -- By Any Other Name (Lottie Turner/Etheldreda Bloodworth, Harry Potter: Magic Awakened (Video Game), T-rating, 200 words)
A rose is a rose, and Etheldreda feels something blossoming once again in her heart… if she had as such.
WEEK 46 -- Sand Of Time (Obi-Wan Kenobi & Leia Organa & Luke Skywalker, Leia Organa & Luke Skywalker, Star Wars: Obi-Wan Kenobi (TV), No Rating, 814 words)
Out of the middle of the Jutland Wastes, on Tatooine, Leia and Luke happen to meet.
WEEK 47 -- A Form Of Distraction (Peeta Mellark/Finnick Odair, The Hunger Games, M-rating, 1640 words)
With tensions rising, Finnick decides to get Peeta alone for a little bit.
WEEK 48 -- Nebulous Roads (Alphonse Elric & Edward Elric, Edward Elric & Alfons Heiderich, Fullmetal Alchemist (2003), T-rating, 630 words)
Edward nearly runs over the man who holds a resemblance to his younger brother. Meanwhile, Alphonse wakes up.
WEEK 49 -- Fool Me Once (Asha/Star, Disney's Wish (2023), G-rating, 300 words)
Asha discovers the little star from the heavens she wished on… is actually a boy.
WEEK 50 -- A Promise To Break (Hakoda/Zuko, Avatar: the Last Airbender, E-rating, 1622 words)
Hakoda expects a diplomatic visit from the Firelord may mend some broken ties between their nations. Perhaps foolishly so.
WEEK 51 -- Among Any Option (Madeline Usher/Verna, The Fall of the House of Usher (TV 2023), T-rating, 100 words)
"What do you think, Madeline? Hmm? A kiss or a kill?"
WEEK 52 -- Imperfect Sign (Felix Catton/Oliver Quick, Saltburn (2023), M-rating, 587 words)
Instead of leaving when he poisons Felix, Oliver stays.
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jewishraypalmer · 2 years
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Cannot emphasize enough how much I love Fire Island as the supreme Pride and Prejudice adaptation. I already talked about Conrad but also that actor who plays Charlie is just EXUDING happy puppy Bingley energy I mean Joel Kim Booster really gets it thank GOD
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hillnerd-art · 2 years
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Charlie Bing-Lee, Jane Benítez and Lydia Benítez
Having to make my final decision on whether to cut Kitty and/OR Mary or not. :P
let me know your thoughts
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Current Submissions
Submissions remain open until ~10pm pst tomorrow (March 3rd); submit through this form or the ask box
Those who have secured spots on the bracket (3 or more submissions);
Elizabeth Bennett & Fitzwilliam Darcy from Pride and Prejudice by Jane Austen
Enjolras & Grantaire from Le Misérables by Victor Hugo
Victor Frankenstein & Henry Clerval from Frankenstein by Mary Shelly
Faustus & Mephistopheles from Dr Faustus by Christopher Marlowe
Ishmael & Queequeg from Moby-Dick by Herman Melville
Mina & Johnathan Harker from Dracula by Bram Stoker
Henry Jekyll & Gabriel Utterson from The Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson
Other possible contenders (under read more);
Offred & Moria from The Handmaid's Tale by Margaret Atwood
Celie & Shug from The Color Purple by Alice Walker
Lestat & Marius from The Vampire Chronicles by Anne Rice
Gimli & Legolas from Lord of the Rings by JRR Tolkien
Samwise Gamgee & Frodo Baggins from Lord of the Rings by JRR Tolkien
Gandalf & Hobbits from the works of Tolkien
Romeo & Juliet from Romeo and Juliet by William Shakespeare
Clarissa Dalloway & Sally Seton from Mrs Dalloway by Virginia Woolf
Anne Elliot & Frederick Wentworth from Persuasion by Jane Austen
Emma Woodhouse & George Knightley from Emma by Jane Austen
Maurice & Alec from Maurice by EM Forster
Margaret & Thornton from North and South by Elizabeth Gaskell
Holden Caufield & Stradletter from The Catcher in the Rye by JD Salinger
Charlie & Patrick from The Perks of Being a Wallflower by Stephen Chbosky
Gene Forrester & Finny from A Separate Peace by John Knowles
Tom Sawyer & Huckleberry Finn from the works of Mark Twain
John Yossarian & the Chaplain from Catch-22 by Joseph Heller
Jane Eyre & Helen Burns from Jane Eyre by Charlotte Brontë
Lionel Verney & Adrian Windsor from The Last Man by Mary Shelly
Eugenie Danglars & Louise d'Armilly from The Count of Monte Cristo by Alexandre Dumas
Dante & Virgil from The Divine Comedy by Dante Alighieri
Hamlet & Horatio from Hamlet by William Shakespeare
Lizzie Hexam & Eugene Wrayburn from Our Mutual Friend by Charles Dickens
Phileas Fogg & Passepartout from Around the World in 80 Days by Jules Verne
Huckleberry Finn & Jim from the works of Mark Twain
Sherlock Holmes & John Watson from Sherlock Holmes by Sir Arthur Conan Doyle
Lord & Lady Macbeth from Macbeth by William Shakespeare
Beatrice & Benedick from Much Ado About Nothing by William Shakespeare
Gilgamesh & Enkidu from The Epic of Gilgamesh
Heathcliff & Catherine Earnshaw from Wuthering Heights by Emily Brontë
Mr. Collins & Elizabeth Bennett from Pride and Prejudice by Jane Austen
Victor Frankenstein & Adam ('the creation') from Frankenstein by Mary Shelly
Dorian Gray & Lord Henry from The Picture of Dorian Gray by Oscar Wilde
Rodion Raskolnikov & Mitya Razumikhin from Crime and Punishment by Fyodor Dostoyevsky
Rosencrantz & Guildenstern from Hamlet by William Shakespeare
First Mate Starbuck & Captain Ahab from Moby-Dick by Herman Melville
Charles Bingley & Fitzwilliam Darcy from Pride and Prejudice by Jane Austen
Jane Eyre & Mr. Rochester from Jane Eyre by Emily Brontë
Jean Valjean & Inspector Javert from Le Misérables by Victor Hugo
Victor Frankenstein & Robert Walton from Frankenstein by Mary Shelly
Mary Catherine Blackwood & Constance Blackwood from We Have Always Lived in the Castle by Shirley Jackson
Benvolio & Mercutio from Romeo and Juliet by William Shakespeare
Achilles & Patroclus from The Illiad
Ajax & Ajax from The Illiad
Jack & Ralph from The Lord of the Flies by William Golding
Telemachus & Theoclymenus from The Odyssey
Jo & Laurie from Little Women by Louisa May Alcott
Elinor Dashwood & Edward Farrars from Sense and Sensibility by Jane Austen
Charles Bingley & Jane Bennett from Pride and Prejudice by Jane Austen
Jo, Amy, Meg, & Beth from Little Women by Louisa May Alcott
Jack Seward & Abraham van Helsing from Dracula by Bram Stoker
Henry Jekyll & Edward Hyde from The Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson
Ned Land & Conseil from 20,000 Leagues Under the Sea by Jules Verne
Earl of Montararat & Earl Tolloler from Iolanthe
Fogg, Passepartout, & Aouda from Around the World in Days by Jules Verne
Guy Montag & Professor Faber from Fahrenheit 451 by Ray Bradbury
Nick Carraway & Jay Gatsby from The Great Gatsby by F. Scott Fitzgerald
Napoleon & Squealer from Animal Farm by George Orwell
Antonio & Sebastian from Twelfth Night by William Shakespeare
Antonio & Sebastian from The Tempest by William Shakespeare
29 notes · View notes
arvonoon · 8 months
Text
I like you, have this unorganised list of character names I’ve accumulated
Moxxi
Crash
Warden
Fawn
Samuel
Mack
Lacey
Georgia
Clarissa
Fredrick
Bonnie
Chime
Florence
Gregory
Kyler
Quincy
Paula
Emmet
Jack
Larry
Victor
Liam
Henry
Kich
Tambre
Eurypterid
Blithe
Jubilant/Jubilee
Barchan
Argent
Billow
Zephyr
Axel
Lyle
Leif
Ace
Grey
Alizarin
Arylide
Bleu
Sienna
Umber
Carmine
Carnelian
Celeste
Celadon
Cordovan
Crimson
Fuchsia
Cairo
Otto
Briggs
Colby
Rocco
Rory
Brielle
Emery
Oaklee
Vienna
Frankie
Aubriella
Clementine
Charli
Piper
Saffron
Cleo
Luz
Clover
Delphinium
Dogwood
Filbert
Hollyhock
Hyacinth
Magnolia
Mimosas
Mugwort
Mallow
Nosegay
Orchid
Cattleya
Osmunda
Ophir
Phlox
Rhododendron
Wisteria
Zinnia
Agate
Malachite
Topaz
Onyx
January
April
May
June
August
Jasper
Rosaline
Tourmaline
Lotte
Camibeth
Lillian
Parsley
Belliana
Moonbow
Bush
Zippy
Wyrd
Amaranth
Amberjack
Oribi
Joyce
Wilby
Leto
Jett
Dahlia
Harriet
Hilda
Loretta
Maude
Molly
Phoebe
Rook
Mallard
Auk
Kagu
Cashew
Yale
Yara
Sunny
Yvonne
Yoland
Yonder
Zora
Zaire
Zuri
Nifty
Breezy
Finicky
Gaud
Ampersand
Yogh
Wynn
Ethel
Hoosier
Jamie
Kaira
Fox
Hale
Orla
Rielle
Raine
Sabrina
Indigo
Axton
North
Augury
Alchemy
Sanguine
Florid
Chroma
Saffron
Ochre
Sepia
Tawny
Henna
Ecru
Lichen
Plumose
Beryl
Fir
Conifer
Creek
Rivulet
Bourn
Rill
Spate
Monsoon
Sleet
Sirocco
Graupel
Morass
Jovian
Presley
Clint
Helge
Reggie
Rosine
Cyrus
Bowie
Atlas
Phoebe
Hannah
Aster
Sirius
Leo
Jupiter
Neptune
Kara
Prima
Freyr
Freyja
Vili
Ymir
Ananke
Erebus
Gaea/Gaia
Theia
Arete
Bia
Corus
Zelos
Angelos
Charon
Hecate
Arke
Addax
Alk
Hemlock
Belladonna
Agave
Chervil
Laurelf
Verbena
Gazania
Amaranth
Holly
Snapdragon
Alyssum
Dicentra
Clarkia
Clematis
Bob
Rome
Chester
Arien
Granger
Yarrow
Eranthus
Aconite
Snowgum
Josephine
Aria
Adele
Agatha
Juno
Livvy
Marissa
Nerida
Noelle
Pandora
Simone
Wren
Verity
Georgina
Roxanne
Camille
Addison
Vince
Kei
Erin
Drew
Dakota
Morgan
Marley
Kingsley
Salem
Parker
Darrian
Vireo
Ocelot
Maxton
Raleigh
Zyrille
Pangea
Narah
Enzo
Aubade
Aureate
Kalon
Paralian
Serein
Mycelium
Reishi
Agarikon
Godfrey
Hughes
Rolfe
Keld
Howe
Mell
Liard
Lockram
Nacre
Nim
Nisus
Nivial
Nyala
Ingle
Inkhorn
Iridal
Iroko
Ixora
Rach
Rorulent
Russet
Genevieve
Urushiol
Cullet
Herman
Regent
Towser
Joyce
Gail
Dale
Goldie
Mildred
Irene
Leroy
Marian
Alvin
Milton
Leona
Roland
Leslie
Loretta
Hattie
Lottie
Vivian
Vera
Vance
Sloane
Elkhorn
Caligo
Achlys
Cecilia
Mila
Rufus
Cassia
Marius
Canigula
Lutrine
Astaroth
Arcturus
Cygnus
Cetus
Baxter
Correa
Marianna
Daphne
Ciar
Myra
Reuben
Rhoda
Manuel
Lori
Beverly
Colby
Elias
Brody
Colton
Mulberry
Myrrh
Myrtle
Holm
Valonia
Aleppo
Corsican
Leuke
Rhodon
Karya
Datura
Petra
Enoch
Ada
Adelaide
Edith
Argent
Iain
Maskrey
Alston
Bingley
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dragonmuse · 2 years
Note
I love Izzy's goatee but I'm kinda wondering what reactions would be if he had to shave it in the main Leda timeline (to be undercover or something like that). Would he just be very matter of fact about it or would looking more like his brother and father stress him out? What would Lucius think?
(*rubs hands together*) 
The man in the mirror looks haggard. The light is unflattering, hotel fluorescent. There are wrinkles gathered at the edges of his mouth that the goatee had hidden and they gave him a weary look, he thought. Hangdog a little around the eyes. HIs hair hung loose around his face, the grey somehow more obvious without the beard. 
He also looked like someone Izzy remembered. A kid with more anger than sense, who always been ready to fight. Who had tried desperately to grow what he’d just casually removed. 
“Boss?” Jim knocked. “Ready?” 
“Yeah, let’s do the damn thing.” 
He came out of the bathroom and Jim gave him a once over, a frown on their lips. 
“Well. No on will recognize you,” was their only word on it. 
Read was in her best ‘notice me not’ gear,  but even under the brim of her cap, he could see her surprise. She didn’t offer an opinion either. Both of them were a fucking blessing sometimes.  
They just went and got the job done. Down low at a club, following one of Izzy’s old contacts until they finally isolated him. Izzy hung back, let Read and Jim do the questioning and then relayed it all the to the client. 
It was a clean job. They went home the next day. Izzy already had stubble. He’d never had trouble growing facial hair once he hit is early twenties. The goatee had arrived after Eddy had given up on them. Who was he shaving for after that? Might as well let it grow in, look older which came with the benefits. He hadn’t seen himself without it in more than two decades. 
He couldn’t do much about it. Just wait the few weeks it would take to grow back in, then trim accordingly. 
But there was Lucius to contend with first. 
Or, should’ve been first. Read was a traitor and sent a long a candid to Charlie apparently. 
Charlie: you look like the guy in a romance movie who hits on the main character unsuccessfully and gets shunned. Real Mr. Collins vibe. 
Izzy: at least mine will grow back. How are your ten chin hairs doing, Bingley?
Charlie: one less thing to shave off. You think I’m a Bingley? I would say more a Wickham., I told you reading  Death Comes to Pemberly would come in handy some day. 
Izzy: fuck off  
Charlie: Only because Felix just got here. See you next week! Borrow the Menace’s mustache so I don't get scarred for life. Think of my delicate psyche. 
So that was awful.  
Lucius turned up because it’s Tuesday night and Izzy didn’t actually try to hide from him though he briefly considered it. 
“Heya, goblin,” Lucius bent down to take his shoes off. “How was the job?” 
“It went. How was the weekend?” 
“Quiet. Got slammed with commission, you know how it is around holidays-” Lucius stopped dead. Stared. “Goblin.” 
“I know, I know, it’ll grow back,” Izzy groaned, “It’s temporary. I just had-” 
And then he’s not talking because Lucius was kissing him. He held his face in his hands and then pulled back to stare at him, thumbs rubbing over his cheek bones. 
“Hello there,” Lucius purred. 
“Hi,” Izzy said blankly. 
“I always like your jawline, but the chin!” Lucius said delightedly. “Your upper lip! Very sensual.” 
“I hate it,” Izzy told him. 
“Then you do you, but uh....how about making with the stubble burn while I still have the chance?” 
Izzy did grow the goatee back. But he trimmed it a little more closely after that.
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