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#I am going absolutely insane actually
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it’s currently 2am and I’m trying to go to sleep but all I can remember is that jason todd stole the tires on the Batmobile in crime alley where Bruce’s parents died on the anniversary of their death and then proceeded to hit Bruce with his tire iron and called him a big boob while running away and Bruce laughed, jason made him laugh on the anniversary of his parents death. This is consuming my brain every minute of every day oh my fucking god.
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obsob · 1 year
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there he is......the man of the house
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fallenstarzz · 28 days
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Thinking many many thoughts about how Jean was Riko's partner for a YEAR and was still rooming with Goon #3. Because that was how unwilling Riko was to let go of Kevin. And how that implies that Jean was placed as his partner both because of the practicality of Kevin being gone AND as a punishment for letting him go in the first place. Being partners with Jean could actually slow Riko down depending on how often he's hurt (because I don't think Riko was all that exempt from the rules to the point where his partner's performance would completely not matter) and he was still placed there. Riko was just THAT angry at him over Kevin's escape. And all the while he was keeping Kevin's side of room like an altar, even back when he didn't even think Kevin could PLAY, because of an injury he caused.
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skitskatdacat63 · 5 months
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2023 Las Vegas Grand Prix - Fernando Alonso
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confused-beany · 10 months
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Halfway through watching Alchemy of Souls season 1 and HOW
Just how do these people look at Jang Uk+ Mu-deok and think, "ah yes a master-maid hierarchy nothing to see here" after a certain point? Like seriously, HOW??
This boy is absolutely insane about her. Asks for her before and after every freaking thing and is constantly going Notice Me Senpai if she even looks at someone else. And she is equally insane about him to a subdued degree cause she will say I am doing this for my own benefit and then absolutely fold the second he looks at her and opens his mouth.
Then Jang Uk wins The Most important battle of his life and now everyone wants him cause he's The Hot Girl. EXCEPT THIS GUY turns around to his 'MAID' with stars in his eyes and is like, "Decide my future for me because at this point being Gaj-something isn't even a concern for me I just want you safe and by my side." AND DID EVERYONE JUST GO BLIND AND DEAF AT THE SAME TIME??
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nintooner · 2 months
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POKÉMON Z???????
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productofaritual · 2 months
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Ik I'm kinda late to the party but that won't stop me from going insane over EPIC: The Musical
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lorillee · 10 months
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alright everybody. its finally time for my ace attorney investigations 2 retrospective/excuse to talk about the von karma-edgeworth family soap opera for a few thousand words. ive never been good at intro paragraphs so we're just gonna get right into it. this is gonna get long probably so be warned - i was originally going to put it under a cut but unfortunately doing that breaks the image format for some reason so uhhhh we're both just gonna have to live with it 😔 obviously this post is going to have major unmarked spoilers so if you havent played this game for some reason yet you should definitely get on that. anyways. without further ado:
investigations 2 is kind of ultimately about who edgeworth was and who edgeworth is and who edgeworth wants to be, explored via the lens of the nature of parent-child relationships and how parents' legacies impact the decisions their children make and the people they become.
at the end of aa1 (+rfta), edgeworth is confronted with the harsh reality that his mentor/adopted father & the man who taught him everything he knows about prosecuting is 1) a terrible person and 2) did actually have a habit of using forged evidence to keep his 40 year streak going. after being accused of corruption for having used fake evidence himself (unknowingly, but still), edgeworth goes on his whole journey of "what does being a prosecutor even mean, anyways" by means of worlds most melodramatic fake suicide. the answer he ends up arriving at is that defense lawyers and prosecutors, when they have relatively upstanding morals and are given the tools to actually do their jobs, serve as vehicles for the truth, and cannot reliably fulfill this duty without each other. however, the question has always kind of lingered - "well, what about being a defense attorney like gregory?"
phoenix routinely brings up the class trial as like the most formative memory of his own childhood - that experience is inherently tied to who phoenix is as a person - but that trial literally only exists because edgeworth was imitating his father in being a defense attorney. the main character of the main series' inspiration for becoming a defense attorney is intrinsically tied to "back when edgeworth was "good", before manfred "corrupted" him". its because edgeworth becomes a corrupt prosecutor that phoenix chases after him into law school - this apparent complete and entire betrayal of phoenix's whole understanding of him as a person.
so then, now that edgeworth is "good" again, why doesnt he quit the whole prosecutor thing and go back to his childhood dream of becoming like his father?
this question is kind of just left up in the air until investigations 2. with the prosecutor investigation committee being completely corrupted, they make it abundantly clear they dont appreciate edgeworth sticking out of line in an attempt to do his literal job, and try to control him by threatening to take away his badge. furthermore, shields, gregory's old companion, shows back up and works with edgeworth to find the the truth of a handful of incidents that would've otherwise been covered up by the p.i.c. - including gregory's last case, in which he proved that manfred, who prosecuted that same case, did indeed forge evidence.
after relinquishing his badge in a protest against what is clearly an injustice, manfred's old habits being dredged back up, and the extended hand of the man in charge of his father's old law firm, edgeworth is getting pulled in a number of different directions - will he capitulate, give up on prosecuting entirely, run away from his past, and become a defender of the people and an attorney like his father? or will he reject manfred's terrible methods while working to rectify his mentor/adopted father's wrongdoings, face his past head-on, and seek the truth as a prosecutor, regardless of his mentor's legacy and reputation?
both of the paths offered to edgeworth hinge on who he used to be - a boy who wanted nothing more than to be like his father, a phenomenal defense attorney who stood up for those who had nobody to stand up for them, and a young adult who saw the injustice in the world and wanted to punish it in the best way he could think of - becoming like his adopted father who never failed to put a (seemingly) guilty person behind bars.
investigations 2 gives us..... a whole slew of parent-child relationships. like what can only be described as truly an impressive amount: gregory & miles & manfred, master & katherine, sebastian & debeste, gustavia & simon, dover & knightley, blaise & sebastian, courtney & john, lang's dad & lang, and more tangentially manfred & franziska and byrne & kay. for our purposes, though, we're going to focus on the most immediately relevant ones to edgeworth's development specifically - sebastian & blaise and gustavia & simon.
for starters, i think it would probably be best to get the von karma-edgeworth family soap opera soapboxing out of the way.
edgeworth's arc in this game primarily revolves around what he wants to do with his life - he talks a whole lot about his "path", but doesnt really know what that means outside of seeking the truth at all costs. the people around him like to slot him into either "defense attorney" or "prosecutor" for a variety of reasons, but more often than not it ends up boiling down to his fathers in at least some capacity.
franziska is personally betrayed and frankly disgusted by edgeworth giving up his badge (which makes plenty of sense, particularly after their conversation at the end of aa2 and which i have talked about here), and a notable portion of that does have to do with her & manfred's relationship to edgeworth. manfred's influence was a huge factor in miles' decision to become a prosecutor, and they both know it. of course, the more pressing issue for her is the fact that miles is abandoning her again - but the point remains that had it not been for manfred, the likelihood of miles becoming a prosecutor would be, frankly, much lower.
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shields, on the other hand, spends a whole lot of the game projecting gregory onto miles. he wants edgeworth to follow in his fathers footsteps and play the role of the returning prodigal son, because he misses gregory and sees a lot of his influence and mannerisms in miles. actually, something i kind of found particularly interesting is that at one point, shields remarks that edgeworth's trademark glare was the same as that of gregory's. theres a whole lot of remarks made on that glare, actually, particularly in combination with edgeworths furrowed brow.
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but... shields himself is the one who says this
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about - would you guess it - a certain manfred von karma. its no secret that miles has picked up a whole number of manfred's mannerisms and attitudes, even as he's unlearning some of the more harmful ones, but what i found particularly fascinating is that shields saw something that miles picked up from manfred and saw gregory in it instead. while part of it certainly could be that miles did pick part of it up from gregory (which is something that has a basis in the sprites - something i may actually get into a little bit later), its also very possible that this is shields projecting what he wants to see onto miles as opposed to what's actually there. its even more interesting though, because when they first meet, shields actually mistakes edgeworth for manfred because of that glare
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shields is so caught up in wanting gregory back from the dead that he occasionally blinds himself from acknowledging that miles is an entirely different person.
and, of course, throughout both this game and the previous investigations game, there's more than a few moments in which edgeworth personally accused of using falsified evidence to convict people - specifically harkening back to our good friend manfred von karma, posterchild of world's most corrupt prosecutors and edgeworth's adopted father/mentor. shields even expresses immense distrust of miles at first simply on this fact, acknowledging that miles was indeed like a son to manfred (..... for whatever that's worth)
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actually. while we're here on this point i want to speak briefly about sprite similarities
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this game does a whole lot of calling attention to the influence manfred & gregory have had on miles - obviously theres the furrowed brow & piercing gaze and terrible people skills that miles got from manfred, but he also has gregory's affinity for tea and dorky camera face. the sprites also do a great job in visually establishing his inherited mannerisms though - while manfred's influence has done a lot, gregory's habits still peek through the cracks.
ive talked about this a little bit on another post, but i feel like it warrants repeating here anyways. the sprite animations in ace attorney are great for a lot of reasons, but one of the most interesting ones is how they're frequently used to imply connections between characters and the influence of certain relationships.
we know that miles definitely did not get his bowing from manfred, but with gregory's sprites in this game it becomes abundantly clear where they originated from (of course, with the over-the-top melodrama of the von karmas added on top). similarly with miles' hand bounding sprite, its a pointed finger (giving it an accusatory tint, definitely coming from manfred), while gregory's is an open hand (much more inviting), but the bounce nonetheless remains. the sprite similarities between miles & manfred are a bit more straightforward, but something i find tremendously interesting is how the mannerisms miles picked up from his father have the von karma influence absorbed into them - it really is a brilliant visual indicator of the impact both his fathers have had on his character.
i've talked about this general topic semi-extensively on this blog simply because i am truly a bit obsessed with the von karma-edgeworth family soap opera, but i feel like it warrants repeating here anyways since it comes up in this came so often. miles' relationship with gregory is... honestly not really explored terribly much? like shields will reference him a lot and both him and the game itself absolutely loves comparing the two, but as far as edgeworth's personal feelings on gregory go... we. honestly don't get much, either directly or indirectly. which makes sense, obviously - edgeworth was like 9 when he died - but its still interesting. we obviously know that gregory loved edgeworth a lot (see: him thinking about miles periodically throughout the investigation . which is. for the record. absolutely adorable)
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but miles doesn't get much of anything at all in terms of internal or external dialogue about gregory. his relationship with manfred, however, is... a lot more messy, but also explored a fair bit through implications.
mr von karma gets brought up a lot in both investigations 1 & 2, and miles' reaction is largely the same - he'll comment on objective facts (usually ones that were brought up in the first by the people around him) whether its manfred's skill in prosecuting or his tendency towards forgery, but blatantly refuses to ever give any sort of subjective opinion on him (franziska is, for the record, the exact same way). theyll dance around the topic, sure, but never genuinely engage with it - as much can be seen if you make edgeworth present his badge to amano in investigations 1.
while franziska's feelings on her father are a lot more obscured, miles' are a little more openly messy - after all, he still keeps his prosecutors badge in his pocket all these years after manfred told him prosecutors who wore their badges are tacky. he still wears the jabot, an integral and iconic bit of manfreds attire (and another thing that made shields briefly think he was manfred). he still has no problem connecting with and helping manfred's old friends (amano, for example). and, mostly damning of all, he still keeps his old prosecutors outfit - the outfit manfred gave him based off of his own suit - plastered to his office wall. its clear that he doesnt approve of manfred's methods of prosecution and recognizes that he was definitely corrupt, but even with all the murder and framing and so on and so forth... manfred was still his dad. even if its not logical for miles to still hold on to that filial love, you cant really argue your emotions into changing into something rational.
with the repeated importance being placed on the influence of gregory and manfred on miles' life, their relationship to him, and other people's expectations for miles based on their legacies established, i think we can probably try to get into sebastian now. gonna be copy-pasting most of my sebastian vs miles & franziska mini-essay here because i dont want to retype it.
sebastian is actually a kind of interesting foil for franziska and miles - its pretty clear that franziska didnt become a prosecutor specifically for manfreds approval (see: miles’ comment on her always having been a prosecutor) and likewise with edgeworth (see: his statement on his motivation for becoming a prosecutor having been to chase down criminals after what happened to gregory), but throughout the flashback case in investigations 1 it is so obvious that both of them desperately crave manfred’s approval even to the point of competing over it.
while this competition follows the usual format of franziska insisting on something and miles passively going along with it as opposed to actively engaging, he spends the entire case literally trying to be a mini-manfred (its very sad and also kind of cute), and its made pretty clear that at the very least he would not be the prosecutor he is without manfred’s influence. furthermore, at the end of aa2, franziska also comments on the pressures and expectations being placed on her by virtue of being manfred’s daughter - she felt that she was obligated to become a genius prosecutor simply because of her birth. while the wording indicated to me outside pressure rather than manfred specifically, the point remains that manfred, while not the sole driving reason, did have a significant impact on their career choice.
sebastian, however, specifically says he became a prosecutor for the purpose of getting his dad's approval. blaise routinely speaks ill of sebastian, calling him stupid and an idiot and embarrassing and so on and so forth, but its incredibly clear that sebastian is genuinely desperate for any sort of positive affirmation from his father. he unknowingly cheated his way through law school, graduating at the top of his class purely through blaise's connections, and is genuinely distraught when he finds out that everything he built his adult life on was a lie. the game spends a fair amount of time showing you how wildly terrible sebastian is at being a prosecutor, only to reveal that the reason he's like this is, like, 80% his dad's fault.
unlike sebastian, however, franziska and miles are both quite competent at their jobs and manfred, unlike blaise, actually has confidence in their ability to perform to his expectations (see: him bullying badd into letting them try to solve the case in the investigations 1 flashback case). sebastian & blaise are like a worse and caricatured version of the von karma family soap - basically, they're what would happen if miles & franziska 1) were absolutely dependent on manfreds approval and 2) weren't terribly good at prosecuting, and if manfred was 1) prone to coddling and 2) actively verbally abusive.
theres also the added parallel of “oops! my dad actually really sucks as a person” and the ensuing Complicated Feelings On Dad after this. franziska expresses an egregious amount of disdain for sebastian before we really get into the blaise debacle because she doesnt respect him as a person at all, but is honestly surprisingly sympathetic when it turns out his dad is a criminal. futhermore, she willingly relinquishes her place at the prosecutor's bench for him when its clear he's ready to stand up to blaise, even if hes crying and sobbing the whole way through. its this shared experience and his subsequent growing of a spine that earns her respect.
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edgeworth, for his part, also doesnt seem to respect sebastian much at all before the kidnapping incident. however, upon trying to prod him into telling what happened, edgeworth recognizes a part of his old self in sebastian, as well as sebastians willingness to grow up and move past his desperation for his father's approval.
more than just being a funhouse mirror version of the von karmas, blaise and sebastians relationship highlights the dangers of blindly chasing after your parents, critical thinking long forgotten, which has a twofold meaning in regards to miles. obviously, theres the pretty straightforward parallel to his blatant idolization of manfred as a young prosecutor - while the situation wasnt necessarily the same, it still possesses those echoes of a desperate need for acknowledgement/approval, to the point of following their fathers' examples even in the worst ways. @/pkducklett left some really great tags on one of my posts which hits the nail on the head:
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but it also begs the question: is blindly chasing after his childhood dream of being like gregory really what miles wants to do with his life? a point we'll loop back around to in a bit, but important to keep in mind for edgeworth's overall arc.
so onto simon & gustavia! simon's relationship with his murderous father gustavia also serves as a foil to miles and one of his dads like sebastian & blaise - however, instead of our notoriously trigger happy friend manfred von karma, it's actually.... gregory! which is, for the record, tremendously fun. simon & miles both became orphans at a young age - which is a notable part of the reason edgeworth agrees to take his case in the jail episode, even. the camaraderie between two people who have shared in the same traumatizing experience and so on and so forth - but instead of being taken from his son like gregory was, gustavia purposely abandons simon once he's deemed him worthless.
post-orphaning, both miles & sebastian are taken under the wing of men of questionable character - miles is adopted by manfred von karma, gregory's rival, murderer, and the anti-thesis of everything he stood for, and sebastian becomes the apprentice to dogen, a ruthless assassin. interestingly enough, though, this parallel diverges in the end - manfred throws miles under the bus and backs up over him like three separate times, metaphorically speaking, while dogen actively puts his life on the line to save sebastian.
miles & simon both experienced the injustice of the law system - miles in the absolute failure of the courts to find his father's true murderer, and simon in his personal experience in its utter corruption. their reactions to this injustice leads them both to commit further injustices - miles in uncritically adopting manfred's ideals and teachings, and in this process definitely sending innocent people to jail at some point or another, and simon in his attempt at semi-vigilante justice via manipulating all the people who ruined his life into either ending or ruining each others', regardless of anybody innocent who got caught in the crossfire.
of course, the narrative purpose of making simon a foil to miles is the final confrontation on three main points - 1) what does miles fight for? why is he a prosecutor? 2) how do you deal with the absolutely rotten law system in japanifornia? 3) are we simply doomed to become our parents, or can we become more than just their continued legacies? which naturally leads us to the final question posed in the thesis - the heart of the game - who does miles want to be?
shields spends a lot of time trying to convince miles to pick up gregory's mantle and join him back at the law offices, but the problem is that miles simply isn't the starry-eyed child who would do anything to be like his father anymore (growing up under the roof of one of the greatest prosecutors of one's time will do that to you). he's no longer the sebastian to blaise for either of his fathers - he cannot simply throw everything he's learned and experienced away in an attempt to imitate gregory, but also has soundly rejected many of manfred's most staunchly held ideals. while not all of them remain, a major part of the reasons he became a prosecutor still hold - even as he's abandoned his badge.
simon was what edgeworth could have become under slightly different circumstances, and he says as much himself. he recognizes that the law isn't perfect and more often than not is wildly abused by everybody in power to subject everybody else to their whims - and that, no matter how hard a defense attorney tries.... if the courts are inherently stacked against them, a corrupt prosecutor will inevitably win. at the end of aa2, edgeworth returns from his wildly melodramatic sabbatical with the answer that the prosecution and the defense need to work hand in hand to reveal the truth - which is, obviously, a correct statement - but there's more to it than that.
there's more than just the defendant at stake in trial - the protection of the victims (whether recognized as the victim by the law or not) are why the laws exist in the first place - this is the reason that edgeworth arrives at for his reason for being a prosecutor. its simon who reminds him of why he started down this path in the first place - the visceral pain edgeworth felt at his father's death and the desire for justice to be done for gregory and himself mirroring simon's feelings after being abandoned by his father and his flight after being the witness to a crime wildly corrupt people in power committed. to be what phoenix was for him in turnabout goodbyes - to be a beacon of hope and justice for the wronged - that is miles' duty.
edgeworth speaks a lot about following "his path" to truth, wherever that might lead, but at the beginning of the game doesnt seem to have a clear idea of what he actually wants to do. he stalls out on shields' many wink wink nudge nudge offers to join the defense attorney firm and be like his dad and continues acting like a prosecutor (indicting people, investigating, the likes) even while being stripped of his authority as one (by his own choice!).
ultimately it all boils back down to these three questions miles asks sebastian in the logic chess game post kidnapping - "what are you going to do now? will you walk the same path as your father? will you continue to be a prosecutor?"
much, much earlier in the game, shields says to edgeworth, "to fight crime as a prosecutor, or to save people as a defense attorney. i want you to think carefully about how you want to live your life from now on." - which, taken with the context of the game as an essay on parents and inheritance and manfred & gregory's influence on miles, is... pretty much the game in a nutshell, actually.
miles spends the entire time playing both defense attorney and prosecutor, indicting certain people and defending others throughout. this is arguably most notable in the flashback/flashforward case where all the members of the original is-7 investigation are there, except for manfred and gregory, who are both being stood in for by - would you guess it - our very own miles edgeworth. he is their legacy, their successor, and their inheritor. in the end, he takes the skills they taught him and the values they imbued him with and the lessons he learned from them to forge his own path - it really is just his final answer to shields' question in the finale of the game: "i want to save people as a prosecutor."
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irregularbillcipher · 10 months
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The best example of how Flatland is a piece of fiction where A Square, the author, literally does not know what the hell he's talking about half the time is all the stuff about the Universal Color Bill, because as it is presented the segment on the Color Bill is one of the most biased and propaganda filled things I've ever seen spouted from a narrator who claims he Knows What's Up with the world he lives in.
Like ooooh, gee, so the only reason the Universal Color Bill got so widespread was because a Mean Traitorous Circle with an Irregularity that he should have been killed for but wasn't due to Circumstances that nobody actually knows or remembers (but in A's opinion was definitely pity because we all know how CHARITABLE the Circles are) came up with it, and used his tricky cunning Irregularity mind powers to make the Bill so foolproof and amazing that if it had gone through it would have toppled all of society and allowed all the icky women and disableds and lower classes to have something close to equal rights.
(And it had to have been an Irregular Circle because yes the Irregular Circle is also icky and cunning but at least he's a Circle and any Isosceles would have simply been too brain dead to have come up with such an evil cunning Bill and THIS is why eugenics are good, so those mean old disabled people that we allow to live don't stab us in the back for our charity.)
And wow, you're really telling me that right when the more upper-class women of Flatland, those who care about their standing and who are most supportive of eugenics because of the privilege they're afforded by their marriages and lineages, started to agree that this society-destroying Color Bill was a good idea, (because it would actually give them a bit of respect, authority and safety if they were regarded as being as precious as their husbands,) the Circles just happened to hear about this poor orphaned daughter of a Polygon who was accosted by a very very real and scary and uncouth lower class Shape and tricked so thoroughly into believing he was a higher class Shape by employing the very evil colors that these poor Lines were starting to come around to?
(Not to mention that even in the story itself the Isosceles is framed as both a vile, duplicitous mastermind tricking a poor innocent upper-class girl into marrying him, but also an idiot who "accidentally" dabbled in paints from a Tradesman he'd definitely just robbed, and either painted himself or coincidentally "caused himself to be painted" with the exact same color pattern as a Dodecagon. Because for this story to work, he has to be an absolute monstrous brute, an Isosceles of the "low sort" with hardly any brains, while also being cunning, clever and cruel enough to pull off a marriage ruse and take advantage of a poor orphaned maiden. Stupid enough to be looked down upon but smart enough to come up with this plan like the perfect boogeyman.)
And man, it sure is unfortunate that this marriage, which A Square admits only happened because of a wild amount of near impossible accidents and an "almost inconceivable" lack of research on the part of the bride's remaining family, in a society where lineage is checked thoroughly before marriage, just happened to be consummated despite all the odds being stacked against it. Did he pretend to be a member of a high ranking family? Did he make up a name and family history? If nobody can decide if he even painted himself on purpose, I doubt him creating a whole persona convincing enough to fool the daughter of a Polygon and any family members would be part of the story... that would frame him as far too intelligent for an Isosceles with a brain of four degrees, and we can't have anyone thinking that sort is intelligent.
So then are we to believe that the daughter and her remaining family were stupid enough to just accept a supposed Dodecagon with no family ties or history? That seems unlikely. With no family history, his sides may not even matter-- maybe he has an Irregularity in his line. Maybe he was disowned for failing his Sight Recognition exam. No respectable girl in her right mind would marry a Dodecagon with no family history! And it's so, so convenient that this woman, who already knew this Isosceles, because he had already tried to court her in the past, never recognized him once throughout their new courtship, until the marriage was consummated.
And it's so convenient for the Circles that her reaction upon discovering what was very clearly a near astronomical feat of deception was to kill herself, in a society where we already know the Circles are really cool with killing its citizens if it helps to maintain the status quo. But there really isn't anything suspicious about that, of course, because the only way that a daughter of a Polygon would ever wed a lowly Isosceles is if she were tricked into it, even if the process of being tricked was so lengthy and complex that it would be near impossible for anyone to pull off without either the bride or the bride's family being in on the deception, and the only reaction any decent girl would have upon realizing she'd been tricked would be suicide.
And the fact that she was orphaned and this man apparently tried to court her in "former days." So how former? And who was the one rejecting the marriages? How did she feel about this attempted courtship in "former days?" As a daughter of a Polygon, she surely had no say in who she married, so her opinions on this man are completely up in the air, and the idea that she would at no point during this new proposal, recognize this man who had tried to seek her affections before is... implausible, I would say. What the Circles would want you to think, of course, is that the Isosceles tried again once she was orphaned because she was vulnerable then. That's possible, of course, but got necessarily the given that it would seem like.
But the idea that a Line and an Isosceles may have come up with a plot using color to be allowed to be married despite their class differences is Absurd, of course! They're too stupid for that! And that the Circles may have picked up on what had happened and taken the woman out of the picture and then twisted the story to suit their needs is preposterous, of course, just ignore how often they twist history and kill citizens to keep the status quo. The fact that this specific version of the story is the exact type of thing that would tug at the heartstrings of upper-class women who love eugenics and classism and their own nebulous purity more than they actually love themselves, enough to literally militarize a great number of the more reactionary ladies? A coincidence, I'm sure, but one that was oh so good for crushing the Color Bill and using those scared, privileged women to help murder Chromatistes and the rest of the rebels in a political set up.
... And of course, all those holes in the story, all that propaganda even assumes it was a real story to begin with. Because it very well may be completely fabricated.
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Before telling the story, A Square straight up admits that this is the perfect type of story for someone in power to make up to scare a portion of the populace, but he absolutely refuses to actually, legitimately entertain the prospect. Instead, he just barrels ahead and tells the story of the Evil, Cunning Irregular Circle, and the Poor Orphaned Polygonal Maiden and the Brutish, Tricky Isosceles and how that Completely True and Real Tragic occurrence definitely, positively happened, and also definitely happened exactly the way all the Circles said it did. The fact that this is all completely absurd and reads like literal propaganda and was literally used as propaganda to scare upper-class women into falling back in line does not matter to A, because this was the story he was told and he Understands The World He Lives In, and the Circles are always right except for the whole Third Dimension thing.
TL;DR: A Square is a stoodge who will fall for anything the Circles tell him, no matter how absurd, and every single thing he says that is not him literally laying out laws should be taken with ten bowls of salt, because he has no critical thinking skills.
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http-byler · 1 year
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“All’s fair,” Todd claims, boyishly charming when he smiles like this - blatant, unashamed, unveiled, and Neil wants to treasure it, mark it in oil paints and hang it up to dry, to admire. Even amidst the frigid ends of February winter, he feels alight with warmth, with that of spring, of sunshine. 
HAD to draw this part from where we lay our scene by @smoosnoom <3
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neverkayzat · 5 months
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I’m coping.
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p4nishers · 10 months
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"there is no OUR side, crowley" "i thought WE craved it for OURSELVES" aziraphale has really picked up the fucking pace huh
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sentient-forest · 1 year
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Every episode of Malevolent:
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happystarzarchive · 8 months
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I HAVE RISEN FROM MY TOMB anyways happy manwhore monday
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alt versions under cut
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skinnypaleangryperson · 3 months
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Wow, incredible. Back to back from night to morning I read the most unnecessarily rude, abrasive thoughts from a thread on Rick and Morty Reddit, and in the morning and even worse one from BoJack Horseman read (unsurprising, since they're always the worst). When it comes to these communities and the complete lack of "morality"when it comes to these parts of the modern world I'm starting to wonder if I'm in complete hell. When I rent about it on other platforms I'm much, much more deservingly abrasive about the way that these literal absolute abrasive terrible clones are constantly coming out with every day of their life like it's the same person with a different account in a slightly different body, but what's disturbing is that it actually is a different person every time despite the fact that they all have the same exact a morbidly terrible cheap awful malicious personality.
Of course it would be the two things that all of my passion projects, daydreams, and want for community have poured into for the past couple of years. It can't be a coincidence that the most morbidly unnecessarily rude, hypocritical, terrible and attempt at being "abrasive" people would be on these reddit communities. Obviously most of them are self-projecting or are being rude to complete strangers on TV show Reddit communities of all things, and the fact that they have even one minute in their life to do something so low and scummy the way that these people do just goes to show the kind of people that these people are in that they shouldn't be worth worrying about much less being affected by. They wish they had that kind of power.
Still-I've been inwardly 😬😬😬😬 for the past 24 hours. I don't even look at a single comment on these Reddit communities anymore because I know it's just full of either repetitive boring g***bage, or full of people that are so rude and terrible on top of that g****bage that you can't even believe that these people can even function. Every single day it's like they're trying to outdo themselves from how unnecessarily hypocritical, rude, and unnecessarily morbidly distasteful they are, and that's the generous Tumblr exquisite way of putting it, that they are with their excuses for what they call words.
It's amazing that no matter how much you tell these people that no one cares and to not bother their people with their low quality awful rude abrasive unjustified thoughts that nobody wants except for people as low as them, and no matter how many of these clones that I block they just keep coming out like little bugs battering at my face.
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varyathevillain · 5 months
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Sebastian Vael would've been such a better character for the Dragon Age fandom to enjoy if in act 3 instead of the shitty "here, have a Leliana cameo and another proof there's Blood Magic Everywhere in Kirkwall, go fetch!" quest, we had a different one.
Let's say... Hawke has an option of investigating a weird deal between a chantry sister and a Starkhaven diplomat, and during it you uncover that the chantry has been embezzling from Starkhaven's treasury, as well as putting "former chantry members" (read: malleable or outright Chantry puppets) in the ruling circle which is currently holding Starkhaven afloat in absence of Sebastian as their Prince.
If Sebastian is not in the party as you uncover this, you have an option to either tell him about it, or investigate the questline further. If he is, however, in the party as you find the first notice of something being wrong between Chantry and Starkhaven relations, Sebastian will exclaim that this is a mistake, someone posing outside (or within) a Chantry to implicate either Starkhaven royalty, or Grand Cleric Elthina, and reference Sister Petrice. The moment you involve him in the questline, however, he'll be locked in for the investigation missions, and start getting special points in the code, one for each encounter (including the very first one starting the questline), for the final confrontation of the questline. The same happens if you start involving Sebastian at any other point of the questline, but with less and less points available.
As you progress, there would be three more quests to go through, one of which even takes you to either the outskirts of Starkhaven, or to the busy streets of it, allowing 1) to show another city state of Free Marches, 2) where Sebastian comes from, 3) actually be worth your money for the DLC, if ideal DA2 still had him as a DLC companion. Which I still hate with burning passion a decision, same with Javik being DLC in ME3.
The questline has chantry sisters and nobles implicated, Flora Harriman reaching out to Hawke about weird decisions made in Starkhaven politics, resembling what her mother did, and at a second quest there's even a possibility of you uncovering a chantry brother in a contract with a Desire demon. It seems like it all leads up to corruption in the political sphere and stragglers in the Chantry circles, right?
Except. On the final quest. It is revealed that Elthina, in her own handwriting, no forgery as confirmed by any rogue in the party, has forced Grand Cleric of Starkhaven to resign, installed her own puppet (one of the chantry sisters you might see in Act 1) as a new Grand Cleric, all for a bid of "uniting the Free Marches under the Chantry banner". It also implies that Sister Petrice was telling the truth, and that Elthina was, in fact, more involved with the unrest against Qunari than one would believe in the base game (I believe she was involved, but it's not majorly pertaining to this post in particular). There's a letter that implies Lady Harimann was allowed to do what she did, because Elthina believed she'd be able to manipulate Sebastian in favour of the Chantry. It also unveils how many people of Starkhaven were hurt by this. Turns out, a lot.
Then, you can go about this questline ending several ways.
This is where the points counting in the background come into play.
If you did not bring Sebastian alongside you on any of the missions, or if there aren't enough points for you to sway him... Sebastian will claim the evidence as plot against his support of the Chantry and Elthina specifically, and burn the letters in particular, calling them a "bad replica of what sister Petrice tried to do". Elthina, on prodding, feigns innocence, or if you have not talked to Sebastian yet, calls him in to discuss "this silly accusation", which gives +15 rivalry if you're not in a locked relationship with him. He still burns the letters, and accuses you of believing the conspirators, or even being one of them. There are some undertones in Elthina's dialogue to imply she's ready to blackmail you back if you press the matter, and Hawke has no choice but to back off.
If you bring Sebastian along and your relationship with him at this point is so-so, neither a full friendship or a rivalry, you'd need at least 3 points with favourable dialogue, this makes Sebastian question the Chantry, even Elthina. You'd need all 4 points (bringing him from the get go in your party when they rock up to the start of the questline) without going further into discussion for him to buckle. With friendship, you'd need to bring him on at least 2 missions, or 3 with favourable dialogue. With rivalry, however, you need for him to be brought only on one mission with favourable dialogue, the final one, after which he'll even say that "You (Hawke) were right about me needing to step up and rule Starkhaven". On two missions if you want to bicker with him throughout the quests instead.
If you would manage to sway Sebastian by the end, you'd have one final choice: support him in standing up and demanding answers from Elthina, or asking him to forgive her involvement.
Supporting him on Friendship is the simplest, but supporting him on Rivalry ends up in Sebastian switching to Friendship, like with Merrill reversing her Friendship in Mirror Image if you don't give her the Arulin'Holm. This ends up in a calmly voiced, but very angry Sebastian Vael, pure venom in his words, listing how Elthina has abused his trust and his people by using faith in the Chantry, and manipulating a Prince of a sovereign nation for her own means. If you supported him on Rivalry, he'll have additional lines on how you've challenged him to see problems with Chantry and Templar order, as well as to come back to Starkhaven, and outright thank you right in front of Elthina, whose eyes will throw daggers in your direction. At the end of the speech, Sebastian will actually start removing pieces of his armour, them clattering to the floor at Elthina's feet, and walk out alongside you out of the Kirkwall chantry.
However, if you ask him to forgive Elthina, he'll have the biggest rivalry (+30) jump in the game if you aren't in a Friendship, and will briefly lash out at you, saying that complacency with his devotion to the Chantry is what got him and his people into this mess. On Rivalry, it's worse. Instead of a calm but angry and vicious reprimand of Elthina's actions, Sebastian will SCREAM at her, throw evidence in her face, and then scream at you on Rivalry for good measure, about how you can't simply forgive someone who would seek ruin his city, and is actively ruining Kirkwall. How he was blind to Elthina's actions, but sees now that blood magic isn't the rot at the city's heart that is dividing the Circle and Templar order, it's Chantry politicians like Elthina. And instead of armour pieces clattering to the ground, they're thrown at the feet of the Andraste statue, while Sebastian outright declares that if Elthina doesn't cease machinations in Starkhaven, he'll rage war against her, specifically, and everyone who would support her. Then, he storms out, alone.
You can insert either a "there's nothing to talk about" with Elthina afterwards in both endings of this form, or promises of Hawke "never holding a position in this city aside from carrying the Amell name".
After that, you can find Sebastian, clad in a new armour (simple, reminiscent of what Alistair wears in his introduction scene in DAO, only with the Starkhaven symbol emblazoned on an archer chest piece), with a box in his arms, on the steps out of Hightown into Lowtown. He jokes about how his whole life in Kirkwall can, at the same time, be put into a small box like this one, and be something world encompassing. After a dialogue, where he tells you he is going to live in a small hovel in Lowtown, since he doesn't want to even see the chantry building, or talk with nobles who'd gladly eat him and people of Starkhaven alive, until the moment Kirkwall unrest is over, since he wants stability for you and your city as well. Also, he'd rather spend money on his people and those in need, not himself.
If romanced, or with certain persuasion options, you can invite him to live with you. You can still try to invite him with a couple of options, but he'll deny them for various reasons. After that, he'd live near the market; or, if you managed to convince him, in Hawke's mansion.
If in a romance, there's a hot makeout scene in the library which fades to black implying a proper sex scene. If not, he'll have amusing additional scenes with other companions, especially other love interests, with a bit of hostility from Isabela and Anders, and a lot of genuine fun from Fenris and Merrill.
When you talk with him alone (at either Lowtown hovel or at home in the Library), Sebastian discusses, on Friendship, how he is still Andrastian, even if Chantry failed him and his, or on Rivalry how he feels that blind devotion blinded him to Chantry mistakes.
Banter between party members also changes, with one dialogue from Merrill implying that Sebastian is now helping refugees and the poor, Fenris talking about his efforts in making an organisation for former templars/chantry members expelled for one reason or another, Anders being surprised at a late night visit where Sebastian covered in blood (not his) brought him herbs and potion flasks as a peace offering, et cetera. There's still tension over Sebastian belief in the Chant and Andraste, but it's not anymore about him having to perform for the Chantry and his public image.
If you don't complete the quest with this ending, Sebastian Vael still demands Anders to be executed, or he'll wage war. But if you do... he confesses that Anders has asked him to warn as many people in Lowtown and Darktown not to come to the Hightown and chantry, but assumed this would be because of Meredith and Orsino outright fighting in front of Elthina, not this... murder.
He will, however, draw his bow and point an arrow at Anders, saying that this was not the answer to help his cause, and Anders needs to pay now. Hawke can allow him to do that, or step in.
In a so-so relationship, if you choose anything else but "I will execute him myself" or relent to Sebastian's demand and let him shoot Anders? Vael will spit at your feet and leave your party and the conflict, resulting in a very similar ending to his character as in the original DA2, just less anti-mage and pro-Chantry.
However, in a Friendship or Rivalry, it's very easy to convince him to still stay at your side and see it through. With his unknowing help, many innocents of Kirkwall were saved, and now he has to stick around to help as well, and to either see Anders pay for his crimes with work and healing, not redemption through martyr-like murder, or to understand that this, inadvertently, would be every city across Southern Thedas, including Starkhaven, if Chantry dogma supported by Templars will continue murder, physical and emotional, of mages. He'll have additional dialogue depending on whether you're a mage Hawke, or if Bethany died/is in Circle.
In Romance, Sebastian will lower his bow immediately as Hawke steps between. You'll have to mess up really badly in dialogue for him to storm out.
#Varya rambles#Dragon Age#DA2#Dragon Age 2#Sebastian Vael#Dragon Age II#text post#Varric's additional dialogue actually becomes more ANGRY with Sebastian if he's moved to Lowtown#and completely VICIOUS if Seb moves in with Hawke on friendship basis#he's like. THAT'S MY BESTIE/WORSTIE!! HISSSSS. he'll probably throw something alike to 'GET OUT OF MY TOWN' at Sebastian#who'll ABSOLUTELY consider that flirting. and on some level? he's so right#anyway. don't mind me. I'm going insane in the middle of DAI replay. it sucks SO BAD!! gimme Seb I actually love him#i also just think that Scottish-coded person in the party being a 'pro Chantry in the government' *stinks* of UK conservative politics#but as someone who's not one in any way shape or form i cannot personally judge how bad is it#...hey anyone up to writing this as a fic or like. outright throwing DA2 act 3 into garbage fire and remaking it with this as a questline?#this version of Sebastian in my brain that I cherish I am kissing on the tip of his nose#gd the Western Approach and just the sheer 'GAME SCENERY GO BIG' sucks so bad. I literally closed the game to write this post instead#long post#btw this way the funniest outcome of Inquisition (or something replacing that game) would be 'Starkhaven declares democracy'#'Varric who's about to be viscount of Kirkwall would you like to be friends and unite the Free Marches in democracy :)'#Varric. visibly seething he didn't realise this is the funniest way to NOT be viscount but also to still have a hand in handling Kirkwall:#'yeah fuck it Choir Boy let's do democratic union of Free Marches and put up a big middle finger to Orlais and others'
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