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#I just feel like there's a big vibe of ''we're fixing him!!! look we're fixing him! he's fixed'' that comes off really insincere
prowerprojects · 1 year
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Tails's arc in Frontiers... technically I agree with everything that's happening but some wording throws me off.
No one says "I'm wildly inconsistent". Him looking at the camera and saying "I've been written out of character for the last few games" would feel exactly the same.
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astaraels · 11 days
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so I know I'm in the no galladads side of the fandom but hear me out on this one—
so it's maybe five years after the end of the show, Ian and Mickey are still going with their security business, maybe they've even branched out and hired some extra help, making good money, swapped out the stolen ambulance for actual SUVs that Debbie has fixed up for them, and they've maybe even bought a house back on the South Side with a dog and a cat and they're close to all of Ian's siblings (Debbie and Carl and Liam all still live in the old Gallagher house, Lip and Tammi are a few blocks over)
and one day they're on a lunch break together, leaving some diner when some rando kid bumps into Ian, turns out it was a pickpocket, and Mickey takes off after the jerk who tried to steal from his husband (he may not be a South Side thug anymore but like hell is he gonna let that shit slide)
he knocks the pickpocket over and it's some kid, like thirteen or fourteen with bright pink streaks in her dark hair and fierce brown eyes, and Mickey is like wtf kid do you wanna die
and the kid is like oh fuck you, very much an angry kitten type because she's definitely a scrawny thing—by this time Ian's caught up to them and his bleeding heart is like look if you give me my wallet back I'll buy you lunch (Mickey complains that "we just ate, Gallagher" but Ian insists)
so they either go back to the diner or find some McDonald's and this kid practically inhales some burgers and fries, and both Mickey and Ian know the look of a kid on the streets, but she's giving off those vibes that say don't touch me don't talk to me don't fucking perceive me
but Ian probably sees something like Mickey, and Mandy, in this girl and we all know he wants to help people, so he asks her if she's okay or if she needs anything, and even though he can feel Mickey starting to grumble next to him Ian still offers her their couch to crash on after she mentions getting kicked out of a salvation army shelter because they found out she was trans
and after some very intense eye to eye communication between the husband Mickey's like okay yeah fine but if one thing is outta place in the house then we're gonna have words
and the girl—they find out her name is Starr, or something like that—is like wtf why are you people being nice (they understand the suspicion, obvs, they aren't stupid), and Ian's like uhhhh we're gay and we've gone through some shit of our own so maybe we just wanna help?? (although he does notice she relaxes a little bit when he tells her that they're gay)
so they drive back home and Starr is absolutely enamored by the gallapets (a beautiful fluffy black cat and a big pittie mix, both of these animals are Ian and Mickey's baby girls), while Ian fixes up the spare bedroom with fresh sheets—usually it's where Franny or Fred stay when they come for weekend visits
and at first Starr is like okay yeah I'll stay one night but then I gotta go, and somehow it ends up that one night turns into two, then Ian and Mickey come home one afternoon and the house looks amazing because Starr is like "yeah your place was a fucking mess so I figured I'd clean" because she's not a freeloader gdi
and before they know it she's been there for a few weeks and Ian's trying to help get her back in school, because one night they were sitting around and talking and she offhandedly said that she does kinda miss school but the last place she went they were assholes about her transition, and Mickey is like just do that homeschooling course thing that maybe Tammi talked about one of her bougie friends doing for their kids
and then it's been a month or two and they bring Starr to a Gallagher family get together—Debbie hosts the family at the house at least twice a month, but everyone's been super busy lately so it's been a while since the last family dinner—and Debs gives Starr a hug and is like "oh so you're the kid my brothers adopted" (she and Sandy worked things out btw and have been back together for a while now, they've even maybe talked about getting married)
and Starr is like oh no I'm just crashing for a bit but by this point Ian has already got her the homeschooling correspondence courses, and Mickey's taken her to find a doctor who can prescribe her HRT ("it was on our route anyway, fuck off, Gallagher") and their pets adore her—Ian jokes that their cat is the one who actually adopted Starr, they just went along with it
and basically I just love the idea of them taking care of a young queer girl, and being like the cool gay uncles, and yeah :')
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yuken-gf · 1 year
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spending a day with sword leaders ♡
amamiya kyōdai here
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cobra
are we even going to elaborate this, it's obvious
Harleys in Hawaii😮‍💨😮‍💨😮‍💨
YOU AND I RIDING HARLEYS IN HAWAII I'M ON THE BACK I'M HOLDING TIGHT WANT YOU TO TAKE ME FOR A RIDE
he would half-planned it
he knew the big picture of where he wants to go with you
but if you request any destination, that's okay too! he would be more than happy to grant your wish
meals at some local diner (because we love the vibe)
would be something that start with the beach and ended on the hills to see the sunset‼️
he always make sure you hug him tight while riding his motorbike
((shit bro i'm going to die))
loves it if you vlog about the whole day
fixes‼️your‼️hair‼️after‼️every‼️ride‼️
you wouldn't even ask it
always helps you put on your helmet
randomly stares at you while you're at the beach and/or hills
and when you asked him what's wrong
he just said "nothing"
of course you want revenge
you stare at him until he asked "what's wrong"
you answered with something like "just admiring my boyfriend"
watch him FLEW
he would be so flustered, you caught him off guard😝
when you parted ways because you need to go home
he would kiss your forehead
"see you tomorrow, my love"
he loves it when you say "text me when you arrived"
he feels loved
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rocky
this is so basic but
breakfast, lunch, dinner in 5 stars restaurant
shopping in between
he would be mad if you don't want to buy anything
"please spend my money or i will buy everything for you"
"no buts"
you buy little things that are pretty cheap
and he would be so done like
"fine, i'll choose for you"
walk out from every store with a big shopping bag
"rocky, it's enough"
he wouldn't listen because you didn't listen to him too
get that bag sis🤑🤑🤑🤑
"fine, ill pay you back later"
"go ahead and i'll spoil you more"
he would ask for your opinion when he wants to buy something for himself
"do you think this suits me?"
"which one do you like most for me?"
he knows that you always know the best
your small and shy thank you would make him sigh
"i'd give you the whole planet and it would be still not enough to appreciate your precious presence"
bye he has all 5 love languages
((remind me to make rocky fic))
the dinner would be extraordinary
3 course meal and in the vip seat
he would go for the best seat for city viewing sunset omsgsiahshsu ((blushing))
he holds your hand and thank you for the day and how he's so thankful that he has you by his side
he would also reminds you that he makes money FOR YOU
you would be "isn't that wife privilege"
"we're getting married anytime soon, what's your point"
goofy ahh argument about the money he spent on you again
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murayama
café and resto hunting
i assume you ran out of place to date like
murayama gets bored easily
so you have an idea
and he's excited!
you two would look like some food critics because you bring your notes
would be so funny when the café give you some bonuses because they thought you're a food critics😭😭😭😭😭
he's judgyyyy
murayama ramsay
"write down broken aircon babe"
"also the fries are bland as hell, add that to the list"
"the coffee is a joke. i'm way better"
so unserious
you go to the arcade to wait for the next meal time
killing time by competing with your boyfriend
he's pouty but proud at you whenever he loses
so freaking cute
he would consider to take food critics as a job seriously because he feels like he's doing good at it
LITERALLY THE MOST UNSERIOUS BUT SERIOUS AT THE SAME TIME
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smokey
all i can think about is dog/cat café date
((bury me in red casket plz))
he will melt when you play with the puppies
but he DIDN'T KNOW THAT YOU MELT TOO WHEN HE PLAYS WITH THE PUPPIES GAYT DAYUM
bro is smiley and cute
got you blushing over nothing😭😭😭
im not sorry, because me too😭😭😭😔
cute pics‼️
anti PDA does not exist for a day
he would be so touchy with you
reason: you're adorable and make him want to die so he feels like he need to be clingy
waiting for your snack and drink?
he grabs you by the waist and pull you to his chest so he can lean his head on your shoulders
you would be 😧🤨
"what's wrong, baby?"
he would just hums and snuggle into your neck
😧😧😧😧
shit bro im going to faint don't do that
enjoying the foods while watching puppies n kittens😻😻😻
he would feed you cause he can
so lovey dovey bye
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hyuga
listen
sleeping all day
and then a night ride with one of his vintage cars
you can choose your favorite color
both of you don't know where to go, but you just spend the night driving
just enjoying each other's company
some accidently deep talks along the way
late night meals at some random restaurant
y'all joking around so cute
he's in his smiley mood <3
stops somewhere to watch the stars😮‍💨‼️
but you know
watching the stars in your eyes make him feels something
like he would burn the world for you
drive back home at around 4a.m.
if you fell asleep when you arrived at home. he'll carry you to the bedroom😮‍💨😢
kiss your whole face before he joined you to sleep
"i love you"
if you're fake sleeping and said "i love you too"
he would be so flustered
"why are you tricking me?"
he's a big spoon
and he loves give your nape a kiss before he really dozes off
only you know this side of daruma ikka's leader
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quixoticall · 5 months
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This Could Get Ugly Track 3: The Upside Down Tour
Summary: It's 1983 and The Downsides need another lead singer and you just happen to need a band--it's a perfect match. The only issue? You have to pretend to be in a relationship with your bandmate, Steve Harrington, but you can't help but be drawn to the band's broody guitar player.
pairing: s.h. x fem!reader, e.m. x fem!reader, j.b. x n.w.,
warnings: ANGST, drinking, drug use, some minor panic attacks, mention of serious illness and subsequent treatment (poor ill Will)
A/N: Hello! I want to say thank you to all of you for the lovely feedback! I know it's been a minute, but I've been extra busy because I had family visiting for the holiday! But we're back to regularly scheduled programming!
wc: 7.8k
MASTERLIST🎸
PLAY PREVIOUS TRACK 🎹
***
ARGYLE: The first day of tour was always like the first day of school and summer camp and vacation all put together but that very first tour was all of that times a thousand.
They had these buses that had the name of the band on one side and our faces on the other, man, like huge Argyle and Eddie and Nancy and everyone else, it was crazy. Jonathan bought his camera and he took photos of all of us next to our giant selves as the crew was loading up. I sent mine to my mom.
It was all good vibes at the beginning, everyone was so excited. Hopper even brought his kid. We didn’t know Hopper had a kid before that. We didn’t know a lot about Hopper, actually. But it was nice to have the kid around, kept us all on our best behaviors, well during the day anyway. 
*** 
February 1984, On the Road: Upside Down Tour
“There’s no way my jaw is that crooked, Robin come look at the angle of Big Steve's jaw, will ya?”
“Shut up, Steve, Jonathan’s taking my picture with Big Robin, have someone else  measure the angle of your jaw!”
Steve turns imploringly to you and you can’t help but indulge him.  
“Your jaw looks fine, Steve, very symmetrical.”
“Eddie, man, if you stand right there, and kinda lean this way, it looks like you’re eating yourself!”
“Ah, that’s sick, Byers come here and take a picture of me eating myself when you’re done with Buckley!”
“Hey, no fair, we were next!”
“Worry about fixing your crooked jaw first, man.”
 “You said my jaw looked fine,” Steve turned towards you, accusingly.
“Hmmm, let me take a closer look,” you say, teasingly taking Steve’s face in your hands and making a big show of moving your gaze between the giant, two-dimensional Steve and the real Steve in front of you. You tilt his head one way, and then the next a few times over, pretending to be deep in thought.
“It looks fine,” you finally say, “no more crooked than the real thing.”
You punctuate your statement with a light tap on his cheek and he grins at you before coming to a realization.
“Are you saying my jaw is crooked?”
He chases you around the tour buses until you are both out of breath and then when Jonathan comes up to you, camera in hand, and the two of you pose stop to strike a pose that mirrors your giant selves, turned towards in each other, lips slightly pursed, as if preparing for a kiss. That kiss of course, never comes. 
Things have been like this between you and Steve since the press tour, warmer, affectionate even, but with the understanding that there was no deeper meaning behind the affection. You were simply doing your job. 
When Hopper is finally able to wrangle everyone onto their respective busses, you are already behind schedule. His threats don’t have their usual impact though, because even he’s been infected with the band’s giddiness at being on the road. 
You think you even see him smile when he introduces his daughter, a soft-spoken girl named Jane who immediately asks everyone to call her El and looks about 15.
Something about Hopper feeling comfortable enough to have his daughter join the tour made you feel like there was a huge responsibility on your shoulders to be a good role model—a feeling you’d never really had before.
There was a lot about being on tour that was strange and foreign in a way that was specific to you, like bunking with Nancy and Robin on the tour bus.
“It’ll be like a slumber party!” Robin exclaimed. You could see Nancy’s eyes go wide behind her at this, almost as if she’s questioning what she’s gotten herself into. 
“I’ve never been to a slumber party,” you tell them, unsure if your reaction should be more like Robin’s or Nancy’s.
“Well, we are honored to be your first,” Robin says as she bounces off her bunk to sit next to you, looping an arm through yours and leaning her head on your shoulder.
***
EDDIE: The first stop of the tour was San Francisco—we got there two days before the show and checked into a hotel that was  nice as fuck—well, compared to what I was used to, anyways— and they gave us all our own rooms down the hall from one another. I remember asking Wheeler if that was what college was like and she just laughed and said, “Kinda, but it smelled way worse.”
Everyone was so happy to be there, even me. It was a far cry from Corroded Coffin, sure. But at the end of the day, I was making music and even though I wasn’t really that close to the rest of the band, they were good people. Everyone respected each other and partied just the right amount. Wheeler did a good job of keeping us in line. Plus, we were still so wide-eyed and bushy-tailed, we hadn’t really fallen into our new old habits by then.
***
Once in the hotel, Hopper handed out room assignments and he even looking a bit apologetic when he lets you and Steve know that, at label’s request, you and Steve were assigned connecting rooms. 
You didn’t have it in you to let the fact that Starcourt was controlling where you slept get to you and instead decide to try an enjoy where you are. 
Nancy, who was as much of an older sister to the group as she was to her real family, had organized an evening of sightseeing for the band around the city during your first night there.
Walking through downtown, you had a hard time taking in the sites because you were too preoccupied watching Eddie. Eddie, who, from what little you knew of his past, never had the opportunity to travel, was like a child, taking in the sights, pointing to anything of interest, and excitedly exclaiming, “Can you believe that shit?” to anyone within earshot, including El and Hopper.
“You watch your mouth around my fucking kid, Munson,” Hopper had told him.
The entire drive to the Golden Gate Bridge he just kept saying “Holy shit, holy shit, holy shit,” like he could genuinely not contain his excitement.
It was oddly endearing.
***
EDDIE: I know you know how fucking awesome the GGB  is.
***
February 4th, 1984, San Francisco, CA. The Upside Down Tour
The same lighthearted energy carried over to the next day’s soundcheck and until a few hours before the show when a cloud of nervous energy seemed to descend all at once.
The entire time you were in hair and makeup all you could think about was all the different ways the show could go wrong. Were you prepared enough? What if the audience was a dud? Could you keep them entertained for two hours? Each question wound you tighter and tighter until you could not think straight and by the time you were set to go backstage you had half-convinced yourself to call it all off. But you immediately sobered at the sight of the madness that had overtaken your bandmates backstage: Robin was pacing from one corner to the next, wringing her hands and muttering to herself in a language you weren’t completely sure was English; Jonathan and Nancy sat huddled together on the floor while Nancy recited the setlist over and over again like a prayer; Argyle was sitting by himself in a corner, tapping his drumsticks erratically against his knees with one hand while trying to braid his hair with the other; Eddie stood utterly stock still hold his guitar in front of him in an outstretched hand, talking to it like they were having a conversation; and worst of all, Steve was nowhere to be found. You looked around for Hopper, but he was also missing, so you went to the next best thing.
“Nancy, babe, look at me,” you say, kneeling next to her on the ground.
Her eyes bounce up to yours and in them, panic.
“Nancy,” you repeat her name again in a way that you hope is calming, “I know that you’re nervous, but I need you right now. Look around at the mess that everyone’s in. I need you to help me talk them down. I need you to make them believe it’s going to be fine. I need you to believe it’s going to be fine, okay? Because it will be. And because I can’t find Steve.” You say the last part low, in a meek attempt to mask the panic that is seeping into your tone. 
Nancy, who, as you had predicted, flourished in a crisis, hardens her jaw and narrows her eyes in focus.
“I’ll start with Jonathan and you go to Eddie, maybe we can get them to help us look for Steve in the bathrooms.”
You nod eagerly before making your way over to Eddie, who is still mid-conversation with his guitar. You approach slowly, careful not to spook him. 
“Hey, hello, I don’t mean to interrupt, but are you doing okay, Eddie?”
Eddie’s eyes snap to you like it’s the first time he’s noticed you were there.
“Who? Us? Yup, totally fine, just having a bit of a pep talk,” he says between haggard breaths. Where the hell is Hopper?
“Hm, yeah, see, the words that you’re saying and the way that you’re saying them lead me to believe that maybe you’re not fine,” you try to sound as gentle as you can when you say this and try not to flinch as Eddie turns to face you, his whole face taunt with fear.
“Well, it’s not like I’m not a total fraud and loser who completely blew it with his last band and is only part of this band because he sold his soul to an evil corporation that told the rest of you you had to let him play with you, right? Because then I would have reason to be nervous. Oh, wait—"
“Eddie,” you interrupt, reaching up to grasp his face in your hands, bringing him down to your eye level, “you’re being too hard on yourself right now, okay? You have earned your spot here just as much as anyone else in the band. You’re a great guitarist, and a great songwriter—almost as good as me—“ he lets out a breathless laugh”— and you’re gonna go on that stage tonight and be your usual talented self and blow their minds because you’re Eddie Fucking Munson, got it?”
“Got it,” he whispers, eyes blown wide, and at that moment you realize that you’re so close now your nose almost brushes up against his.
“Good,” you say, pealing your hands away from his face to fall at your sides.
“Now, do you want to do some deep breaths or do you think you’re good to go on?”
“I think I’m good,” he croaks out, still a bit out of focus, but much more mellow.
“Great. Now, can you please help us look for Steve? We can’t find him.”
“Steve?” Eddie repeats, eyes narrowing in confusion.
“Yeah, we can’t find him anywhere and everyone’s freaking out and Hopper’s not here either so Nancy and I were hoping you could help us by checking the bathrooms.”
“Right, Harrington, your boyfriend. The bathrooms, I’ll go check.”
You watch as he turns away and heads in the direction of the bathroom and try not to think about the way his shoulders dropped, the tiniest amount as he did.
Then, you turn your attention to the still-pacing Robin. “Robin, honey, can you please look at me?”
***
EDDIE: It was 20 minutes until the doors opened and Harrington was nowhere to be found. Jonathan and I checked all the bathrooms in the building and nothing. Finally, I got the bright idea to go out to the smoking area, not sure why, but, to my surprise there he was. I’m not going to lie, he looked a total mess: pacing back and forth, running his hands through his hair, muttering to himself.
I asked him what the hell he was doing there. He asked if he could bum a cigarette. I said, “Didn’t know you smoked, Harrington.” 
And he responded, “I don’t but the smell reminds me of my mom.” 
That’s when I knew the situation was grim—if someone shares information like that about a parent, unprovoked, they’re probably losing it. It was also at that point that I knew I was totally out of my depth. I had half a mind to turn around and go grab one of the girls or Jonathan, but I didn’t want him to run off on me again.
INTERVIEWER: So, what did you do?
EDDIE: I stayed and let him bum a cigarette. We stood there for a minute, smoking. The guy was coughing up a storm but he kept going. Harrington was always like that—just kept going no matter what. Eventually I just straight up asked him if he was nervous.
He responded with, “Theoretically, I’m not nervous at all, but in a much more, like real sense, I am shitting it, man.”
To this day, I don’t think he knows what the word ‘theoretical’ means.
I asked him what he had to be nervous about, it was just a show, and he was half of the reason people were there to see us, plus he was too talented to bomb. 
And then he looked at me with his big Harrington eyes and said, “I’m not worried about bombing I’m worried about everything else. Like, what if we get up there and we realize that everything we’ve given up, everything we’ve had to go through was for something mediocre and ordinary?”
I told him that was a stupid question and asked him what if it was the opposite. What if it was everything he had wanted? I mean he was halfway there already, right? He had the girl, the sold-out tour, it was only a matter of time before he had everything else he could’ve dreamed of. 
I thought I was being comforting but that only made him freak out more because then he said, “The more you have, the more you can lose and I don’t think I could handle losing any of this.” 
It took me a minute to respond because, I mean, on one hand, it was hard to sympathize with the guy who had everything I wanted and then some. On the other hand, though, I had been there. 
So, I told him about Chrissy and rehab and Corroded Coffin and that whole shit show.  Like a testimonial: “Local Fuck Up, Loses everything and somehow still keeps going!”  I didn’t hold back either, I told him how much it sucked to fall so far on your own.  I also told him that unlike me, he would never have to worry about that because he actually did have people looking out for him. That whole band was like his team, they wouldn’t let him fall like that, at least, not alone. 
Something I said must’ve resonated because he snapped out of it after that. We finished our cigarettes and we went inside. Right on time too, because Hopper was about to send out a manhunt for him. 
***
There were 10 minutes until the doors opened and Steve was still missing, and now, Eddie was gone too. Your mind flits to the possibility that you’ll have to go one without both of your key guitarists  but even just the thought of that is too much to stomach.
Meanwhile, Hopper is back and yelling at everyone in the vicinity. 
Robin, who’s at your side as the entire scene unfold, pulls in closer to whisper in your ear, “what if they ran away together?”
And just as you were getting ready to turn and ask her exactly what had possessed her to ask such a thing the two missing members of your band burst through the door harried, out of breath, and smelling of smoke, to come face-to-face with their furious manager.
Hopper dismisses Eddie with a wave of his hand and then turns his ire towards Steve. 
“Thank you,” you whisper to Eddie as he makes his way to your side. You reach down and give his hand an appreciative squeeze for good measure.
“No problem,” he responds thickly, “couldn’t leave a queen without her king.” Something about his tone makes you wince.
After Steve had been properly chastised by Hopper, the stage manager calls for places and everyone begins to disperse.
You’re making your way towards the stage when Steve reaches out for your hand. “Hey, sorry about that,” he starts, “nerves got to me, I guess.”
“ You know you could’ve talked to us, right? We were all nervous, too. We could’ve been nervous together. We’re supposed to be a team, aren’t we?”
Steve looks more ashamed now than he did when Hopper was yelling at him. 
“You’re right,” he says, “I promise to do better. You’ve got me and I’ve got you.” 
You smile back. 
“I’ve got you and you’ve got me.” 
And suddenly, the curtain rises. 
***
ARGYLE: That night in San Fran we were a mess  but then, you get us all on stage and it’s like none of that ever mattered. We were freaking rock stars, dude, and we were good too and I’m not just saying that because it was us— I would’ve been a fan even if I wasn’t in the band.
EDDIE: Yeah, we were all good, but what really brought people through the door was our lead singers. Them bouncing around on stage together, dancing and making eyes at each other—the audience loved it. They both knew how to play up to a crowd too. She would dance and move around the stage like a total natural—hot but not too hot, ya know? And Harrington had his cool guy act down pat. They were in total sync. It was like they belonged together. 
***
Walking down the stage steps, your head was abuzz with the excitement and satisfaction.
The band had done a great job, even better than during rehearsal and the audience’s energy was addicting. 
This had been what you were looking for all along.
Backstage, you had made sure to give each one of them a hug, even Hopper— as a congratulation, as a thank you, as an expression of disbelief that you were finally here. They all understood and they all returned the sentiment. For the first time it felt that you were all on equal footing as members of the band. For the first time, it felt like you belonged and that was worth celebrating. 
Eddie’s the last one off stage, and for a moment you debate hugging him. You’re not too sure if he’d return the gesture, given your history. But to your surprise, his arms are already open and you fall into them. And then, he did something surprises you even further:  he pulled you close, picks you up, and spins you around in his arms. 
***
ARGYLE: I’m pretty sure he smelled her hair before putting her down. 
***
February  28th,  1984, New Orleans, LA.  The Upside Down Tour
A few weeks into the tour,  Hopper pulls you and Eddie one morning while the rest of the band is off exploring the French Quarter.
“Hopper, can you do us a favor and let us know how long this’ll take? We’re supposed to get beg-nets with the gang today.”
“It’s pronounced ben-yays, Eddie,” you correct automatically as the two of you are ushered into the hotel room that doubled as your manager’s temporary office.
“Whatever it’s called, it’s fried dough with sugar and I refuse to miss that.”
“Can you two just sit down?” Hopper says exasperatedly motioning you two towards a couple of chairs that crowded his small, makeshift desk before sitting down himself and reaching for the phone. 
“I got them both here, Murray,” Hopper says gruffly as the crackle of the speakers fills the room.
Before Murray can fully greet you on the other line, Eddie interrupts. 
“Are we in trouble?”
“No. Should you be, Munson?“ 
“Murray, can we hurry this along? I’m taking my kid on a ghost tour.”
“Fine, fine, listen, kids, I just heard from Brenner and the Big Wigs—the rest of the tour is completely sold out which means that they want to start recording about five weeks after you get back from touring. This means we need songs by then and since you two wrote the best song on the last album, you’ve been promoted (with no pay) to main songwriters. So your homework is to get us at least 20 passable songs by the first week of July.”
“But we get back from tour in mid-June, Murray, that’s a really short turnaround time, don’t you think?” Your eyes dart to the other two in the room, to gauge their reactions.
Hopper shrugs, “Sometimes that’s just the way it is, kid.”
“Which is exactly why you two should start writing now while you’re on the road, trust me,” Murray’s voice crackles over the line.
You look at Eddie, who cocks an eyebrow at you as if he’s letting you know that it’s your call.
 “Okay, we’ll start writing as soon as possible,” you speak out loud.
“That’s what I like to hear! We can check back in once you get to LA.”
The three of you say your goodbyes and Hopper dismisses you and Eddie to join the others.
As the two of you walk down the hall towards the elevators, your mind is already bubbling over with ideas. This was your first big shot to do exactly what you’ve always wanted to do. This was more than just writing a few songs, it was about creating an album, and an image of where the band was going. This was huge.
***
EDDIE: To be honest I never really thought about my writing process. I would just pull out a notebook and a pen and start writing when I had something I thought was good—little bits here and there. She took everything so seriously though. The entire elevator ride down, she was talking my ear off about concepts and inspiration and “sonic vision”. Eventually, I just had to say, “Listen, why don’t we meet up in your hotel room after the show tonight and talk about it then?”
***
The rest of the day, it was like only part of your mind was present. The rest was floating around, thinking about what you wanted to write.
Of course, you had plenty of things written, but you weren’t sure if any of that would work. The next album needed to meet the rising momentum of the band’s popularity: it needed to be current but also true to where you were as a band. You needed to say the right things—and most importantly, you needed to say them in the right way.
Before you knew it, you were back in the hotel after soundcheck, freshly showered, standing in the threshold that connected Steve’s room to yours.
“Are you sure that’s how it’s  pronounced?” Steve's voice echoed from his bathroom, where he was brushing his teeth.
“I swear to you that it’s not pronounced Ee-too-fee, Steve. Why do you think the waiter laughed when you ordered?”
You come up behind him in the mirror running a brush through your still-wet hair.
“Because I’m naturally endearing and everything I say is charming,” he responds, catching your eye in the mirror.
“Whatever you say, Harrington.”
Before he can retort, a knock thunders through your room into his.
“Oh, that must be Eddie,” you say, turning on your heel to cross the threshold into your room.
“Munson?” Steve asks, befuddled.
“Yeah, he’s coming over to start writing some stuff. Murray’s on our case, remember?”
“Right, I just didn’t think you’d start tonight.”
You just shrug before disappearing into your room, “The sooner we get started, the sooner we finish.”
You don’t hear his response because you’re already at your door, swinging it open to reveal Eddie Munson standing in the hotel hallway, guitar case in one hand and beat-up notebook in the other.
“The Eagles?” He asked, eyeing the logon on the oversized t-shirt you wore.
You bristle as your fingers brush against your shirt suddenly self-conscious of the length.
His gaze follows the movement of your hand and then settles right where the hem of your shirt grazes your thigh.
It takes you a moment to find your voice. “What can I say? I’m a woman of taste.” 
***
EDDIE: I became an Eagles fan after that night. 
***
You lead Eddie into your hotel room and gesture towards the small sofa in the corner for him to set his things down.
Before joining him, you peek into Steve’s room to see him fully peering through the door. “Night, Steve,” you say with a gentle wave as you move to close the door.
“Night,” he says back softly, his eyes bouncing from your face to the room behind you where Eddie was setting up his things.
“Night, Munson,” he says finally, voice a bit tighter. 
“Goodnight Sweet Prince,” Eddie waves theatrically as you close the door between the two rooms and walk over to sit by his side.
“You two always leave the door open?” he asks, fiddling with his guitar strings.
The question makes you feel defensive.
“Um, no, not always, we just, say goodnight, sometimes we will talk about the shows a bit before. bed.”
Eddie quips an eyebrow at this but says nothing.
 “Should we get started then?”
***
EDDIE: That was my first time writing with her. That was my first time writing with anyone else, honestly. She asked me a lot of questions: about what themes I wanted to include; what concepts I thought would fit; if I had seen any movies that I thought could be good inspiration. It felt like a job interview.
I could tell that she’d been thinking a lot about this, maybe too much, actually. So, I told her that maybe we just needed to slow down a little bit, talk about what we had first, and then go from there. She agreed, but she still seemed pretty wound up, so I suggested we bust open the mini bar and we drank for a bit. I think we were both a little nervous to share our songs. It’s something kinda personal, to share your art with someone, ya know? And it’s always worse when it’s someone you know in your regular life—it’s like someone slices you open and takes a walk around your brain but then you have to see them the next day at work or whatever and you have to pretend they haven’t just taken a tour of the best and worst parts of you. 
And it wasn’t like we were particularly close back then, so there was some extra nerves there. Hence, the liquid courage. 
***
You and Eddie are about two (maybe three?) shooters in by the time you decide to get properly started.
Eddie volunteers his work for the two of you to go through first and you’re secretly grateful as he hands you his beat-up spiral notebook and you splay it across your lap to read over what he has. Eddie leans in to read too, and in doing so, his leg is flush against yours. He’s so close that his hair brushes against your cheek when he moves and you can smell him—earthy like pine and a tiny bit like menthol cigarettes.
You realize you might be a bit tipsier than you had thought because it takes extra effort to focus on the words in front of you.
His first few songs are good, but they don't match the vibe of the band.
"Too metal,” you say to him, pointing out the songs you’re referencing.
“Yeah, that makes sense, those were meant to be for my old band,” he responds.
You know enough about Eddie’s professional past to know that he used to be in a metal band before joining The Downsides and that it ended poorly, but not much else.
You flip through a few more pages before a few lines of lyrics catch your eye:
Don’t remember who I was then
Can’t keep straight where I was when
What’s my name? Where have I been?
Where did I start? Where does it end?
You’re the one thing I hold dear
The only thing that’s crystal clear
I live and die if you’re near
And all the scars disappears.
“This is something,” you hold the page up to Eddie.
He reads over the lines and grimaces.
“I wrote that right after I got out of rehab a few years ago. It didn’t really go anywhere...as you can see.”
This realization is sobering to hear. Mostly because it enlightens you to how little you know about your bandmate.  You spend a moment trying to categorize everything you know about Eddie and you come up sparse. You weren’t even entirely sure you knew how old he was. 
He seems to take your silence as you process this as judgment because you feel him scoot away, his face and body angled away from you.
You reach out and lay a hand on his arm, and he freezes.
“Thank you for sharing that with me,” you say slowly, before picking up his notebook again, this time with a newfound care.
“This,” you tap the lyrics, “doesn’t need to go anywhere. It can just stay here or wherever you want it to.”
***
EDDIE: It wasn’t the reaction I expected from her, but it was really nice to hear. 
***
You and Eddie flip through the rest of your respective songs, not really finding anything that both of you can agree on. There are a few stray lines that jump out from both your books but beyond that, there was nothing the two of you could agree on. It was pretty clear that you were both writing songs for artists that you no longer were. 
Right around the third hour together, you both decide to call it a night, but only under the condition that the next time you meet, you’ll both have come with something brand new written.
“Hey, thanks for coming,” you say, voice hushed as you usher Eddie to the door, “and thanks for letting me read your work.”
He just smiles in response, wide and beautiful and rare. 
“Don’t worry, princess, we’ll get there. This was just a test run,” he reminds you. 
You watch him make his way down the hall    Until he disappears but not before throwing one last, rare, smile your way.  
Once Eddie is gone, you all but drag yourself to your bed, yearning for that special hotel-pillow softness when you hear another knock. This time, from the door connecting your room to Steve’s. 
“Steve,” you pull the door open, “why are you awake? It’s like 4 AM.”
 “Can’t sleep,” he mumbles. “Can I hang out with you for a bit?”
His eyes are barely open and his hair is disheveled beyond belief. He looks young standing there in his worn-out pajama pants.
“Fine,” you say as you turn back into your room, “but I’m getting into bed because I’m tired.”
He follows you into your room and shuts the door behind him. You make a beeline for your bed to slide under the covers and Steve, meanwhile moves towards the couch.
“Why can’t you sleep, Steve?” you ask, burrowing into your duvet, eyes already closed. 
“I dunno, can’t stop thinking.”
“Thinking? You don’t need to be doing that.”
By the time he responds, you’re already asleep.
When you wake up the next morning, Steve is still there, asleep strewn across the tiny couch, hair even wilder than the night before.
***
ARGYLE: Tour life was the best life. A new city every night, the music was good, the crowds were crazy and the drugs were plentiful. And the parties! My dude, the parties! After every show we’d end the night at some bar or club with the band, the crew and more groupies than a dude could ever want. 
***
March 6th, 1984, Atlanta, GA. The Upside Down Tour
“You know, it’s not what you think.” Nancy’s voice can barely be heard over the sound of the thumping music of the basement bar that you’re in. 
“What?” You ask the keyboardist. 
She gestures subtly with a nod towards the corner that had been occupying your attention. Robin and Steve were huddled together in deep conversation, both leaning against the bar. A few spots away, Eddie sat with a pretty girl with locs. Over the last few minutes, you had watched as his hand made its way slowly up her thigh with an almost morbid sense of curiosity. 
Your eyes turn back to Nancy, unsure as to why she would weigh in on the flirtation between Eddie and the groupie. 
“Steve and Robin,” she elaborates, “I’ve seen you staring and I know what it looks like, but it’s not what you think. They’re close but just friends.”  
Oh. Steve and Robin. Right. 
“It doesn’t matter what they are and what I think of it, Nancy, because it’s none of my business,” you respond. 
She turns to face you, clearly ready to argue something back but you cut her off. 
“Where’s Jonathan? I haven’t seen him all night.” 
A grimace flashes across her face for brief moment, nearly imperceptible, but you catch it. 
”He’s back at the hotel room,” she replies tersely,  “on the phone with his mom. Will had another surgery today.” 
You wince. It was no secret that Jonathan‘s younger brother had fallen ill again. You had seen less and less of the bassist as the tour had progressed. He’d been spending any time that he wasn’t on stage trying to get ahold of his mom back home to ask about the progress of the youngest Byers boy.
You smile at Nancy in a way that you hope is reassuring and say, “Weren’t his chances of recovery high after his surgery, though?” 
Nancy exhaled deeply, “If everything goes well, then yes, chances of recovery are high.” 
She looks like she wants to say something more but cuts herself short. Her eyes float past you, to the newly appeared figure to your right. Steve. 
He smiles in greeting, his arm falling to graze in between your shoulder blades. His pupils are blown wide— a dead give away that he had partaken in whatever substance Argyle had been touting earlier in the evening.
Even high, he seemed to pick up on the serious mood between the two of you  and asks if everything is alright. You smile softly and nod, arm snaking around his back lightly. 
Nancy sighs in response. “We were just talking about Jonathan, actually I think I’m going to go check on him. Have a good night, you two,” she says and she looks at you and Steve, her eyes catching on the points where your bodies touch. 
As she pushes herself forward, ready to move towards the exit, Steve calls out after her.
The two of them lock eyes and they seem to be holding yet another silent conversation. While you can not decipher their secret language of raised eyebrows and scrunched noses, you can that they’re arguing about something and by the way their eyes keep bouncing to you, you can’t help but wonder if it’s you they’re arguing about and what you could’ve possible done to warrant that. 
Whatever their argument is about, it doesn’t seem to come to a resolution based on the way Nancy scoffs at Steve and rolls her eyes before bidding her final goodbye. 
“What was that all about?” You ask, when she’s finally out of sight.
“Nothing,” Steve says tightly, “Nance is trying to convince me she’s right about something that I knowshe’s wrong about and she won’t let it go.” 
This catches your attention. 
“Oh, yeah? And what possible could Nancy Wheeler be wrong about, pray tell,” you plea conspiratorially, turning fully to face him and drawing closer.
This leaves Steve gasping for words in a way that makes you wonder if he’s higher than you originally thought.
Before you can ask him if he’s alright, he  freezes as he spots something over your shoulder a weird expression taking over his face. You turn, following his line of sight to Robin locked in a very intimate embrace with the female bartender that was serving her and Steve earlier in the evening. The bartender leans upward to catch Robin’s lips and you hear Steve hiss, “Damn it,” under his breath. 
Of course, this must have been the thing that Steve and Nancy were arguing about. Steve and Robin must be in a fight. 
You scan back through your recent memories of them wondering if perhaps there had been signs of a growing rift that you may have missed but as far as you’d noticed things were normal between the two of them.
“Oh, Steve, I’m so sorry,” you sooth, finally turning back to face him.
“Don’t be, it’s only $50,” he dismisses with a wave of his hand. He must really be higher than you thought.
“What?” 
“The bet was only 50 bucks,” he explains, way too calm for someone who just saw the girl he’s in love with kissing another girl in a crowded bar. 
“I’m not sure I’m following,” you say slowly, before the realization dawns, “wait, is this some where sex thing the two of you do? Listen, as much as I like you both as friends and appreciate that you trust me with the details of your romantic relationship, we’re still, like, coworkers and I don’t really think I should be hearing what the two of you get up to intimately—“ 
“Woah, woah, woah, romantic relationship? Me and Robin are not in a romantic relationship and we definitely are not intimate in any sense of the word, and the fact that you think that makes me want to barf, actually. Why would you think that?” He asks, a wildness coloring his tone. 
“Well, you’re always together and you’re so close, and you’ve always been so secretive, sneaking around together and stuff,” you struggle to answer under his confused gaze. 
“No, we’re friends, capital ‘P’ platonic,” he explains, “always have been, always will.” He can clearly tell you’re still confused because he then begins to explain further, “ The bartender, and her have been flirting all night, but Robin was too chickenshit to make a move so I bet her $50 that she couldn’t get her phone number by the end of the night but it seems like she got more than just her phone number. Which I guess is a good thing because maybe now she’ll stop moping about that girl back in LA but it sucks that I’m out $50.” 
“Wait, Robin dates girls?” 
Steve winces, as if the realization of what he’s told you has just now hit him. 
“Sorry, that was not my information to reveal. Please, don’t mention it. Please. It’s not that Robin doesn’t trust you or like you it’s just that she’s trying to be extra careful about it. She doesn’t want it to get, you know, out out. Especially with all the new press we’re getting.”  
You nod back in understanding, “don’t worry, I won’t say anything. To anyone. I promise. I would never put Robin in that spot.” 
Relief immediately runs through Steve’s features.
“Although, if she wants to keep things under wraps,” you begin, glancing back to where Robin is still kissing the bartender, “maybe she doesn’t want to be making out with women in public?” 
Steve nods rapidly in response, “Yup, good call, we should take her back to the hotel.”
Rob proves to be a stubborn drunk, and it takes you and Steve about 20 minutes to cajole her out of the bartenders arms and into the back of a cab. 
She spend the entire ride back to the hotel going on and on about ”star-crossed  love” and the “malignant force is keeping her from her beloved disguising themselves as friends”. In response you simply nod along and  your hand up and down her back in a way that you hope is soothing. 
“At least you two have each other,” she says softly, patting your cheek as the cab slows to a stop in front of your downtown hotel.
Then, as she steps out onto  the sidewalk, her stance wavers and she leans in, essentially pinning you to the side of the cab. 
You think she might try to kiss you too, but instead she whispers, “Please be careful with his heart. Steve’s softer than you think, you know.”
*** 
It’s a joint effort between you and Steve to put Robin to bed. 
Makeup is gently removed, hair is pulled up, and pajamas put on, and a slumbering Robin is safely tucked into bed with a receipt with the bartender’s number and $50 bill placed on her nightstand, ready to greet her in the morning. 
“She’s gonna be so hung over tomorrow,” Steve remarks as the two of you amble down the hallway to your own rooms. 
“Does she always get like that when she drinks?” You ask. 
“What do you mean?”
“I don’t know, all, Shakespearean and nonsensical? She was saying all sorts of weird things back there. I think she even thought we were together. Which is actually kinda funny considering early tonight I thought the two of you were together,” you chuckle at the irony. 
Steve, however, looks distraught at this observation. Suddenly, he stops in front of your rooms and turns to you. 
“Is that why you’ve been acting so distant with me, because you thought I was with Robin?” 
You blush. 
“Partially, sure,” you stutter, “it’s hard to pretend to date your bandmate when you think he’s in love with your other bandmate. But, I also think it’s good that we maintain a healthy distance.” 
“Why?” 
The severity in his voice when he asks that takes you by surprise. 
“Well, because it helps us remember that none of it’s really,” you admit, carefully. 
You struggle to meet Steve’s eyes when you say this because, while it’s a fact that your relationship is a farce, speaking that out loud feels particularly cruel. 
You catch the movement of his throat as he swallows thickly but you can’t brave a look at his face. 
When he finally speaks, his voice is unsteady, “If there was no Starcourt and no contract and you and I were just two normal people, would you want us to be real?” 
He sounds so scared you can’t help but reach out for him, trying to offer some comfort. He accepts your small hand in both of his, thumbs grazing the back of your hand with much more gentleness than you’ve ever been offered. Than you think you deserve. 
You can’t help but meet his gaze then, and the way he looks at you, vulnerable and hopeful is nearly too much to bear. 
“I don’t know,” you begin, tears building at your lash line, because you truly don’t.  
You think back, in earnest, to all you’ve come to learn about one another and how easy it is to be around him. You think about the way you find comfort in his touch and he in yours. And you think about the two of you performing and how every time you’re on stage with him, it feels like there’s no one else but you and Steve. 
The shrill ding of the elevator brings you crashing down to reality, to the dingy hotel hallway and the beautiful boy in front of you with the pleading eyes. 
Footsteps and giggles make echo down the hall, coming closer. Both you and Steve turn towards the noise, temporarily forgetting your very serious conversation. 
Suddenly, Eddie appears around the corner, the pretty girl from bar on his heels. 
He stops abruptly at the sight of you and Steve. You turn your face in the other direction, quickly. You don’t want him to see you in this state, teary and distressed, especially not while he’s with this beautiful stranger, so you hide yourself against Steve’s chest. 
There’s a terse quiet that follows while you’re sure Eddie assesses the situation. 
You can tell by the way Steve gently curls his arm around your shoulder that the two of them must be having some weird silent  standoff. 
“Wait,” you hear Eddie’s companion shrill, “are you Steve Harrington and—“
“Yes, that’s them, sweetheart, in the flesh,” Eddie cuts her off and you can hear them start moving down the hallway again, “How about we give the lovebirds their privacy and you and I pick up where we left off in the cab?” 
You listen to their footsteps growing fainter and fainter and when you’re sure it’s just you and Steve, you pull yourself out of his embrace, to face him once again.
“What I want doesn’t matter, Steve,” you admit, sadly, “not when everyone is depending on us fulfilling our contract.” 
He sighs, “I don’t understand why we can’t fulfill the contract while being together? Wouldn’t we be more believable if we didn’t have to pretend? If it was actually real?”
He didn’t get it. 
“Maybe, but what if things go badly? What if we’re happy for a little while but then we realize we can’t stand each other? Then what? We either break up the band or we are forced to keep pretending just like we are now but this time, we hate each other? ” 
You think of your parents and how they lived separate lives for as long as you could remember, speaking to each other only when absolutely necessary. You’re sure they didn’t intend to hate each other at first. 
“What if we find out we really like each other?” He argues back gently, “what if things work out great and we’re happy?” 
You wouldn’t know how to do that. No one ever taught you how to love without it hurting. 
“No,” you say, sadly shaking your head, “someone will just end up getting hurt.” 
Steve clutches your hand tighter, one final supplication. “If someone has to get hurt, I’ll make sure it’s me.” 
Full tears are streaming down your face now as you gently pull your hand out of Steve’s grasp. 
“That’s what I’m afraid of,” you tell him, turning away from him while you still can, leaving him standing alone in the hall. 
PLAY NEXT TRACK
Taglist:
@rexorangecouny , @persophonekarter @mystargirl-interlude @brinleighsstuff @thegaysaretired @nothing2-see
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Ok, if you don't want to engage in some (queer) tin foiling... scroll away.
So first off, I think this song rules. It was one of the few that I let just vibe instead of doing what my brain usually does, which is scrutinize lyrics/marvel over the layers of meaning. It feels like it has Kill Bill energy and that was good enough for me.
My Albatross variation of the TTPD vinyl showed up yesterday — TTPD is perhaps the best her team has done btw — and was pouring over the lyrics last night and paused on I Can Fix Him (No, Really I Can) in particular.
The last line has been one that most people have chuckled at. Like she spent a whole song building up this menacing conceit: "this boy is bad news, but he can't hold a candle to me — I'll handle him." Only to be like, lol jk at the end.
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But seeing that last line written out this way scratched at my brain... she really doesn't scream that line at all. Why is it in all caps? And while we're at it... I mean it's an accepted spelling, but technically the incorrect spelling of 'whoa.' It kind of felt, by putting it in caps, like she was calling attention to it. Was it an acronym? Not that I could tell.
But... just to double check... how had she spelled woah/whoa prior? The only song I could think of off the top of my head to check was Better Than Revenge. When reading her lyrics you really wont find 99% of the "whoas" in her discography written because they're more like instrumentals.
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And that right there is a "whoa." Of course my eyes twitched at the matching colors of the two vids, but I'll get to that. And then I was only able to find one more written "whoa."
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Ok, cool.
But back to Better Than Revenge... It struck me that something had been "fixed" about the song. The famous "she's better known for things that she's done on the mattress" line had been swapped out in the rerecording for "he was a moth to the flame she was holding the matches."
So I looked back at I Can Fix Him... could this be a joke/hint about "fixing" him. Like fixing the pronouns? "WOAH" is an intentional misspelling just by comparing it to her own body of work. But it would be rather clever if the "he" she's referring to (at least on this one layer of the song) was her use of that pronoun in her work. It would make the lines "I can fix him / No, really, I can / And only I can" make even more sense, imo. She's the author of this music and she's rerecording it/making it.
What's more is that the collaged flower in the lyric booklet and the aesthetic of the lyric video are giving me um... big Reputation vibes?
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Hey kids, spelling is FUN! Am I absolutely living in delulu thinking that Reputation could also be "fixed" re: pronouns? Oh, I don't doubt it. But I needed to get this out of my brain, out into the world, and let the chips fall as they may and always do.
And at least Taylor Nation is also in on the joke...
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buckets-and-trees · 10 months
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Exactly Like You
Not a fic, but an IMAGINE? It's borderline a fic.
Fandom: The 355-adjacent Characters/Pairings: Nick Fowler x female!Reader Word Count: 1k  Summary: This trip was for YOU.
Content Warnings: non-descriptive brief smut, stockholm syndrome
Additional Notes: This is what happened when I got carried away playing the Once Upon a Spooky Time sleepover game for the Bucks & Noble Book Club launch week... This is not my typical writing style, but this is actually how a lot of my plot notes go for when I do write fic. The game was to imagine yourself in a spooky film or tv show. Not edited. SCENE SETTING: Imagine this is a film. We're going to go single film, psychological thriller, director TBD, but let's make it an A24 flick. Michael Giacchino is scoring the soundtrack, because he's masterful creating exactly the vibes with the music to create the optimal viewing experience (from big to tiny background) AND shows up with clever track names.
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You are a very competent, normal, hard-working, single millennial female who has focused on building up a good career finally gets a nice career-worthy promotion. It's nothing crazy, but it's noteworthy. Now that you have worked a few months on the position, with a bit of that salary increase that came with it, you decide to and are encouraged/supported in taking a three-week vacation during the brief slow time for just a beat before the company's busy season starts to build up again. You always wanted to write, and so you’re going to a cabin in the forest - close enough to some civilization but far enough that she can be secluded and revel in being alone, about a 30-minute drive from a tiny town, any other cabins aren't close together, etc. It’s a few hours from where you live. Aside from liking the location and the look of the place when you were scoping it out online, the thing that sealed the deal on THIS cabin over the others you were looking at? This extended stay Airbnb is a listing that can be booked automatically and SELF-CHECK IN so you don’t have to awkwardly meet up with the host/owner at any point. You *can* be outgoing, you have good family and friends, but you also like your alone time, and so when you also tell everyone you’re going to go and disconnect from everyone and not to expect to hear from you, they don't bat an eyelash too much. It’s not your first solo trip, just the first extended one.
You show up, the area is gorgeous, and the cabin is not ostentatious by any means, but it's a little bit bigger and a little bit better than you were expecting, and it feels a little too perfect and you jokingly text some people back home that this place has settled it, you’re officially going to embrace the semi-hermit author life living in a cabin in the woods, and you’re never coming back ha ha wink wink.
First days are so nice. You do a bit of writing, surf a bit of internet, watch some movies and shows that have been on your list, do some reeding, really just unwind with no obligations for the first time in a long time. Internet goes out, you message the owner through the Airbnb app on your phone, and the owner says he's on a work trip, but will either try to get someone out to fix it or come by when he's back in town and fix it himself in a couple of days. He apologizes for it being an inconvenience, you reassure him it's fine because you wanted to be disconnected from normal life in general any way, no big deal for a couple days sans wifi.
No one from the company could get out to fix the wifi, so he shows up himself two days later. He's also shown up with some lunch as a peace offering - but no pressure, he'll just leave the food if she doesn't want to have lunch with him, and he'll definitely fix the internet first. He's far too attractive and very down to earth but just a little too charming, and you’re a bit disarmed and thinking this is way too romance-novel perfect, and that even having that thought is silly, but you’ve just been reveling in books/movies/tv/your own writing so you just tells your brain to calm down.  He goes about "fixing" things. Wifi's not working on your laptop still, so he asks to see it to "fix" it. You are checking and see it’s not working on your phone yet, either. He asks you to hand it over, and you do because he clearly seems to be competent and know how to fix the system. He says it might take another few minutes, but shoots you a smile and apologizes again for the troubles with the wifi. And his gaze on you is so nice but so intense, and you make an excuse to go unpack the lunch instead of hover/so you can get out of there and breate for a second.
When lunch is ready, so is he. Lunch is charming and normal, feels too nice. You clean up together, you thanks him for coming by to fix the wifi, he casually says he fixed it for him, but not you, and you’re like, “Wait what?” and he explains he’s not leaving, either. And neither are you. If he’s not actually Nick Fowler, he is Seb playing another Nick Fowler character – money, well connected, government background/worked with too many criminals and turning too many assets, and so he's set up this little “trap” waiting for exactly the right person, and it’s you.
Plenty people have come and gone, he’s been watching and waiting. This is it, though. He’s picked, he’s sure of it. He’s never giving the phone or the laptop back, but he’s sure you will love this, too. There’s a typewriter for you to write, and as he’s saying all of this, he’s been closing in closer and closer to you, and he’s been charming and intoxicating this entire time, but now that he’s turned on his hunter mode, you’re quickly falling under, and he presses you up against the counter, cutting off your feeble protests and questions and excuses with the feel of him pinning you with his hips and then kissing you. He fucks you on the counter, and it’s too much to process because this isn’t what you want – except that most of it would be if you’d been able to write it your way instead of being caught in his game – and oh what he’s doing to your body feels too good. And he moves things to the couch, then to the bedroom, and keeps you fucked out and worn out all day, and over the days and weeks gets you so insanely drowned in Stockholm syndrome and the sex…
And he’s soft, but also dark, demanding, doting, dangerous… he’s all of it. TBD if you survive. If you’re a good girl for him, there’s nothing to worry about.
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transingthoseformers · 6 months
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Continuity soup Gladiator AU
Miner to gladiators backstory but less bugnuts Megatron and which ever version of Optimus who was a dockworker that the Matrix fell on being forced to fight against each other as gladiators.
The two got captured because they were brawling buying time for their respective factions.
They're literally the only two cybertronians in the pits and they aren't alowed to kill each other in and out of the ring. They're a big money making draw. Damn inhibition chips. They're cooped up togeather and they're just floundering because they're only alowed to damage eachother in the ring duringbtheir fights. Sometimes they're sent out as a tag team.
Megatron grumpily teaching OP how to make a fight look good. Or how to fix a fight. Convincingly pretend an opponent has you on the ropes to give the audience their money's worth. Cause if his partner frags up he's in the same soup. And more importantly on the same quarter rations. You have plenty of other gladiators watching the lessons and practically taking notes. It's a gods damned master class.
OP's finding this helish and Megatron's finding this much less shitty that the Pits of Koan. Like a gladiatorial equivalent of a vacation if it wasn't for the forced proximity with Optimus.
Optimus finaly loses it at Megatron because how can he stand the inhibition chips. Megatron just matter-of-factly tells him compared to the slave coding he onlined with in the mines this is nothing. It's not in his processor. Just an inconvenient tazer. Optimus is so confused. This not the data he had on the Teleran. Finding out that the "drones" were 'Cons hacked to fight early in the war were actually sentients given antivirus to root out malicious code has OP in a tailspin. Megatron going from taunting and cynical to being generally shocked OP didn't actually know. Optimus is practically blue screened, while Megatron is laughing hystericaly that Optimus is a true believer in the "Freedom is the Right of All Sentient Beings," shtick. And Optimus dose have a patern that's been consistant since the begining: crackdown hard on corruption as soon as he realizes it's there. This is the point where Megatron decides to seduce Optimus to the Deceptacons and Optimus's "I Can Fix Him"-itis kicks in. It starts platonic but soon their fights have even more weird sexual tension. And philosophical debates instead of weird taunts.
The bookies are taking bets on whether or not cybertronians can bump uglies to make babies.
Meanwhile both factions are trying to get their leaders back. By the time they work out where they are they show up to discover OP and Megatron have secussfuly lead a slave revolt, escaped the planet and are co-captians of a ship full crewed by gladiators and their dependents.
Ooooo on the backstories and them being got because they were so focused on each other and ended up playing the distraction
EXACTLY WHAT I WAS THINKING, in this case they're worth too much to have one of them die during a fight or otherwise.
I've been thinking a lot about gladiators teaching each other how to rig some fights, owo yes???
Interesting dichotomy for Optimus and Megatron, Megs is not only used to this sort of rhythm but finds it easier than the first time, while Optimus feels like he's being pulled under the waves by it
The shock Optimus got is a-m-a-z-i-n-g, oh dude have you been living in blissful ignorance to the horrors of Cybertron
Because yeah
Optimus here is 100% here for freedom of all sentient beings, and this most certainly includes decepticons
SEDUCTION 100 AND OPTIMUS FALLING FOR IT HOOK LINE AND SINKER
See you get the vibe of this style of Megop!!!!
sdghjds oh the bets, hmmmm I wonder which way we're more inclined towards🤔
I feel like this was a situation where Prowl, Jazz, and Ultra Magnus were somewhat forced to work with Starscream, Soundwave, and Shockwave to track them down because yes please the respective high commands working together without their leaders
Of all the things that could've happened at least some mecha anticipated that those two would figure their way out of it
They just didn't anticipate the tagalongs
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blue-howlite · 1 year
Note
Do you have any hcs about Li Ling and his love language being physical touch with reader?
Oh my gods no I don't but I'll fix this immediately.
Li Ling x Reader, headcanons
Type: fluff. Pure fluff.
Warnings: Physical touch as a love language so I wouldn't recommend this to all the haphephobic fellas out there, aside from that nothing really. Maybe NSFW if you squint really hard and already have a 'horny disgrace' mindset.
Yn = Your name
First off, I think that physical touch would naturally be his primary love language. The second is quality time together.
But we're focusing on physical touch here.
As I said in a previous post, he has six arms and he'll always have at least one of them on you. Either walking hand in hand, or he has an arm around your shoulder, or even just your arms touching.
If he can't touch you because you're in a very formal setting, like a meeting or something, he'll poke you every time he has to get your attention or say something to you. He thinks he's very subtle, but he's not.
If either one of you has been away, maybe a mission or regular work if you're not an Esper, once you meet again the first thing he does is hugging you. Like bear hug. You're not getting away from him again any time soon.
I also said this in a previous post, but he like to just carry you around with his six arms, like a backpack. Literally, if you two have to go somewhere together, you're not walking. You're either in his arms or in his arms.
I feel like he's the type that expresses his love at all times. He doesn't have a "right time right place" policy. He loves you, so he'll show it to you.
Which I'll admit can be a bit overwhelming.
If you ever need a little break from his affections or some you time, he might not like it but he'll give you your space.
If you think he doesn't give the vibes of someone like that, remember that he was trained by Yun Chuan since a young age. The man that tried covering his eyes when a woman was in a night dress that was a bit revealing. Li Ling was definitely taught respect for personal boundaries, you can't tell me otherwise.
So yeah he might be a dork sometimes but he is ✨ respectful ✨ and he will respect you.
Back to the matter at hands, sleeping together. His hands won't leave your body.
No you horny disgraces, go back to horny jail, today isn't feeding day.
He is the big spoon and will fall asleep like that. If you want to try to be the big spoon, you'll have to deal with his extra arms so it's not super comfortable.
But that's not the only way you'll sleep together.
If you come back later than him you'll find him already in bed and he might look asleep... but the moment you get to the bed he's hugging you and mumbling "Good night". You're not getting away until he wakes up.
If he comes back later than you and you're already asleep, he'll lay close to you, rest his forehead against yours, and fall asleep like that. He doesn't want to wake you.
But.
If you fall asleep facing away from his side of the bed.
If you dare to.
He will sulk. Like you can't see him because you're asleep but I promise, the moment he sees he can't press his forehead against you, he's sulking. I know.
He'll move little by little, in order to not wake you up, until he's spooning you. And he will hold you tight. Not enough to hurt you or wake you up, but enough to stop you from getting away from him in the morning. And he won't let you go for a while even when he wakes up.
Because he like cuddles.
He really likes cuddles.
He'll agree to waking up early in the morning just to be able to cuddle with you more before work.
He won't have you sitting in his lap only because he's low-key hyperactive and never sits down.
But you can sit on his shoulders if you don't like to be carried like a bag by his extra arms.
No seriously I didn't mention this earlier but this man doesn't mind, whatever size you are it's fine, he doesn't have six arms for nothing.
If you're chubby or buff he'll use his extra arms and keep you by his side, if you're thin he'll lift you with only one arm and move you around just for giggles, if you're medium he'll carry you around koala style. Either way, he's having fun and making it enjoyable for both of you.
Again, all of this with your consent. He's ✨ respectful ✨.
But honestly just get used to his hands being constantly on you, he loves you and needs to express his love.
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ant1quarian · 10 days
Note
Hello
I have come from the darkness to ask you for your thoughts;
Errorink (Error x Ink)
Swapmare (Nightmare x Swap/Blue/Blueberry)
cream (Cross x Dream)
bloodycrops (Horror x Farm)
and
MurderSwap (Murder/Dust x Swap/Blue/Blueberry)
Thank you for your time!
OOOO!!
Errorink is a ship I could see working in some situations; providing they didn't have a deep close connection and it was more of a situationship. Most because Ink is incapable of feeling without his vials and I feel like it would really hurt Error to find out that Ink doesn't actually care about him- because he can't.
I feel like a lot of relationships with Ink are rather toxic- not because i don't like the silly guy (I genuinely do, he's such an interesting character)- but rather because Ink is simply just. . . incapable of feeling.
I can definitely see them having a rival-like friendship though.
Platonic Vibe
Swapmare is definitely an interesting concept! Depending on the situation, it's either fluff with a tad bit of toxicity, or full-blown toxic. Depends whether we're doing "Dadmare" or his canon self.
Assuming it's the Nightmare that actually cares, I feel like it'd be a relatively alright relationship. Definitely a lot of bumps in the road, though I like to think of Blue having a very strong belief but being generally morally ambiguous. There's definitely a big power difference at play, but I feel like Blue would have a reasonably good affect on Nightmare.
. . . Stretch would be absolutely pissed and so concerned though, so there's definitely that. I'm not about to say that Blue wouldn't leave Stretch behind (wouldn't fully, at least), but I do have a co-AU of Blue where he dusted everyone. So, uh, I can imagine Blue being fiercely protective of Nightmare, and if lines are crossed- dust is shed.
A Vibe, in the right circumstances.
Cream is... one I had to think for a while on. On one hand: Cute! Interesting! I can see it working! But on the other hand: No.
Again, everything is purely up to circumstance, but I do headcanon Dream to struggle with controlling his constantly positive aura. Dream might take up Cross as a "i can fix him" project, but Cross doesn't want to be fixed. He just wants freedom. Cross is very duty-bound, and Dream is often portrayed to be so optimistic it hurts sometimes- 'cause y'know, he has to be.
I feel like Dream's ceaseless positivity and general optimism would tire Cross out to the point where they just. . . stopped working as well anymore.
It would start out well I think, but I like to headcanon that Dream can't really look past the sin; similarly to how Classic can't look past the LV and EXP in most cases. Dream may be a positive influence and try to help everyone, but at the end of the day, I don't feel like he's that empathetic, and clearly needs to work through a lot of things before he can be healthy enough in a relationship for Cross and Dream to work together properly.
Less of a Vibe.
Bloodycrops is a ship I like. One that's actually quite healthy, though I can imagine a bit of struggle for Saejun to fully accept the things Horror has done (having not really gone through anything bad enough to understand why Horror did what he did). I feel like gradually they'd grow together, over a long period of time, and it'd be quite sweet.
Though, dealing with Horror's base instincts popping up and those he'd learned is going to be difficult. So is how long it's going to take for Saejun to fully realise just how many trauma triggers and trauma responses Horror has from what he's been through (Recovery is a very windy road with a lot of roundabouts).
As someone who plays as Horror in an SMP, I feel like whenever he feels as if he's getting dangerous or angry, he needs to leave that situation and be out in the wild for a while. This leads to Horror being gone for days- or weeks- at a time, out in the forest, away from everything as he gets a grip on himself again. But every time he comes home, it's always to a familiar grin and a cup of hot cocoa.
A Vibe
Murderswap is pretty interesting! If we're going off of my Headcanons for Blue, I think there would definitely be some struggles here and there. As sweet and awesome as Blue is, he's never gone through enough struggle to get why the others around him did what they did.
They'd have to learn to grow with each other over a long period of time, and Blue would have to get a lot less scolding and grumpy whenever Dust's areas are messy. Dust doesn't like being ordered to do things, which is why his Nightmare usually asks him to do things- or gives him an incentive to get it done. And he doesn't like being lectured, either, as it reminds him too much of his Papyrus and that can and will make his LV jump if Blue's not careful. Playful arguments and goofy grumbling is probably alright, though.
Stretch is definitely a roadblock. Not only would he absolutely detest Dust for having done what he's done, but he'd probably find some sort of way to attempt to get Blue to stop visiting Dust.
( Everything is down to circumstance, though. )
Pretty Much A Vibe!
You're welcome for my time lmao- and thank you for yours!
Wonderful ask. Much appreciated
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sinceyesterday · 12 days
Text
TTPD thoughts (spoilers!)
Fortnight (feat. Post Malone) - My New aesthetic??? - This is so depressing - I wanna kill her??? - I love you, it's ruining my life!!! - This song is absolutely STUNNING - Comment on my sweater??? - My husband is cheating??? - Love Post on the vocals - Move to Florida??? The Tortured Poets Department - Typewriter at my apartment - Omg... - I'm literally shaking - No-fucking-body??? - Golden retriever??? - Kill yourself??? - Nooooooo - The closest I've come.. - Who else decodes you??? My Boy Only Breaks His Favorite Toys - The beat omg - Plastic smile??? - This is exactly the vibe I wanted! - litany? (what does that mean?) - Once I fix me, he's gonna miss me? TAYLOR - Kens!!! - but I'm not... Down Bad - Fuck it if I can't have him - Naked and alone!!! - TAYLOR IT WOULD MAKE A DIFFERENCE!!! - Say that it's- - Fuck you if I can't have us??? - Lost my twin, oh Taylor... So Long, London - I'm gonna cry - Lana vibe - Oh, the tragedy - CPR??? - The altar??? (false god...) - But I'm not the one, aww But Daddy I Love Him - Kinda upbeat lol - Country vibes!!! - I'm having his baby??? - Bitching & moaning?? Huh? - Me & my wild boy, lover vibes! - Lovers... - But fuck 'em it's over??? Fresh Out The Slammer - LOVE this sound! - Imaginary rings??? - Not many thoughts, just stunned! Florida!!! (feat. Florence & The Machine) - Weed or little babies? - Florida!!! - Never heard Florence & The Machine but they/she eats! - Gives me no body , no crime vibes - Fuck me up, Florida??? - I actually LOVE this song! Guilty as Sin? - Automatically 10/10 - Am I allowed to cry!!! - lowercase inside a vault??? - Oh, so sensual!!! - False God pt.2!!! - So far, prob my fav! Who's Afraid Of Little Old Me? - You don't get ot tell me about "sad"!!! - REP VIBES - YOU SHOULD BE??? Girl I am - I am GAGGED - Obsessed!!! - The low beats? - Is she talking abt the cornilia street house? - Narcotics in your songs??? - Oh dang, she wrote this alone... I Can Fix Him (No Really I Can) - Not the jokes - The big booms are so cool! - Good boy??? - Whoa maybe I can't, lol loml - White Horse vibes - You took me to hell too?? - Wait, is this my fave? - Mr. Steal Your Girl? - I wish I could un-recall how we almost had it all! I Can Do It With A Broken Heart - I can handle with my shit - Lights, camera, bitch smile! - About the Eras Tour def - Not the depressing lyrics but happy beat lol, I love her - In stilettos for miles - As the crowd was chanting more! - Aww, I hope she doesn't think of us like this... - Cause I'm miserable and nobody even knows! - She said "try and come for my job" bitch!The Smallest Man Who Ever Lived - Who the fuck was that guy? - Now you know what it feels like - The breath... :((( - The yelling into the mic!!! - Were you a spy??? - Sexy??? - You crashed my party??? - ATE HIM UP QUEEN! The Alchemy - Was she actually in a hospital??? I'm scared - Hey you - LOVE this too!!! - Gonna rank this right after btw! Clara Bow - (I'm scared) - Rock vibes [in the beginning] - You look like Clara Bow in this light - Crowd goes wild goes wild at her fingertips, half moonshine full eclipse - Girlish glow? - You look like Taylor Swift in this light, we're loving it - This is so sad... [Will post thoughts once the vinyl and cd are received] The Manuscript The Bolter {I'll try to find videos on YouTube...} The Albatross The Black Dog
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taggedmemes · 4 months
Text
SENTENCE MEME THE WOMBATS / FIX YOURSELF, NOT THE WORLD
spare me the drone of your conversation.
spare me my lack of sophistication.
i don't wanna sit around and just get high.
i'm all dressed up.
you walk in the room and my tongue gets tied.
it's such a heavenly sight.
i just hope i don't ruin this.
i just hope i don't ruin this, getting too fucked up to remember this.
you flip me upside down.
you take me out of my head.
i'm kind of getting into it.
you pull me out of my lows.
let's see where this shit goes.
i can't recall all the things you said.
i'm feeling pretty good about the two of us.
i've got a couple secrets.
dwelling on the past just kills the vibe.
one last slide down the rabbit hole.
there's still no room in paradise.
the kids aren't wrong.
i'm looking for a spark in the heart.
you can drag the years behind you, or you can let them go.
i see a tunnel at the end of the light.
i'm always a mess come the end of the night.
i'm forever locking myself in the glass of your rearview.
if you ever leave, i'm coming with you.
you know i'll do whatever you want me to.
i'll get out of bed.
i'm your reluctant optimist.
i'm stuck to the gum that's stuck on your shoe.
am i losing you in the dark?
no more breaking stuff.
no more acting up.
you only ever catch me out.
if you ever leave me, i'm coming with you.
you can scream like a banshee and still nothing comes.
i am ready for the high.
nothing works worse than the weekend fix.
i'm ready for the high life.
a kiss without a fist fight.
a bang without the dynamite.
i always think in extremes.
i should be pulling you close to me.
maybe generation x are the chosen ones.
they've got everything they need beneath their aching thumbs.
underneath the low there's a lower part.
no hotel guaranteed.
a professional learns from all their rookie moves.
there must be some method to the madness.
just one more smile and then i'll go.
this could be a holiday or an intersection where two roads fuse.
stop. i don't need to know.
fuck my sadness.
fuck our options.
fuck the life plan.
no more worry, i've killed it with both hands.
just give me something to light the fuse.
she was dreaming of her big break.
she constructed the right attitude.
the universe has got plans.
competition can dry you up.
people don't change people, time does.
we're all trying to get better.
we've all had quite enough of this pleasant displeasure.
i'd love to help you out.
i'd love to get us off this swing, this roundabout.
today i had a big idea.
there's no room for mistakes out here.
everybody wants to be the man.
everything i love is going to die.
keep your big mouth shut.
stop wasting my time.
icarus was my best friend.
i'm going to make him proud in the end.
there's no experimenting here.
no threesomes like we talked about when we were blacking out.
what a crazy pranged out year.
we spent most of it kissing teeth.
the moment starts to pass.
i start reverting back.
sell my spine to save my neck.
i'm starting to forget.
howl into the void again.
why don't you chop my tongue out and put my insides inside a jar.
you shake me up, you shake me down.
work's easy, but life's getting hard.
you don't speak for me.
could use some peer pressure.
you're so well put together.
tell me, sugar.
is there something i need to know?
pull the trigger.
pull me back from the edge.
pull me out of my head.
she is wildfire.
i could live in here forever.
let's find a drug to fix me.
guess i'm always blinded by the emperor's new clothes.
there's always something lurking down the rabbit hole.
in the back of your mind there's a crosshair.
don't wanna cause any trouble.
don't wanna poke the bear in the zoo.
drama becomes elastic then snaps back into place.
i saw your temperament running out the gate.
don't wanna stand in your way.
i'm pretty much worried about everything.
i worry that i'm worrying so much.
i worry too much.
multiples of three keep me warm, keep me stable.
superstition's a wasp at your picnic.
i'll say it again but without feeling.
i'll get what i think if i keep on thinking.
it's not paranoia if it's really there.
i'm not sure how much milk is enough milk.
bang my head against a wall.
i let the smallest of things ruin my day.
i'm the voicemail that you coulda shoulda checked sooner.
i'm the only obstruction in the way.
i don't wanna lose myself in someone else's game.
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Text
Proof that Jin had developed feeling for yi ( in the movie part 2)
6. After Jin is taken by burnish and company we see how once again he wants to make sure himself yi and peng can get home safely and asks them if they can do that and reminder he doesn't really have to make sure yi is safe only really his cousin (at this point in the movie we can tell he actually likes Everest too like yi and peng but he gets swayed into seeing Everest as a monster lowkey because he kidnapped yi as I mentioned in part one) but then he finds out that the actual villan is planning on getting Everest but also hurt yi and peng if they really have to which leads to my next point.
7. Okay so here's were it honestly more about the character development of Jin but something about the montage were we see him give up his phone and allow himself to get dirty without complaining which up till this point in the movie he was more uptight and egotistical with only hints of his true nature of being really caring but why I'm bring this up is because to me(I think yi really made him realize why they should be helping Everest and he doesn't admit/hint at this till the most real proof in the movie along with the ending of the movie which I think is really Senifacant when I talk about the series and it's proof)
8. Finally the main four all are together again while escaping from "burnish and company" though nothing here is hard proof of Jin's possible feeling for yi (I think this is were I got some of the most married couple vibes or fling in the movie at least and honestly their so funny and cute like in these gifs because they would just finish each other's sentences Jin is doing so here but early on in the film yi finished Jin's in the blueberry scene I wanted to add more gifs but tumbler only allows 10 so I making sure that I can use them up properly)
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9. After they escape this is when yi violen is broken which means alot for her since her dad also played and he passed away so since Jin knows the situation the best and know her since childhood he goes to talk to her in which he apologizes for what the said during their fight which I mentioned in the first post and yi tries to apologize back but then Jin makes a joke about he is in fact the worst and she was right causing her to smile after all that he and yi head back to (were peng and Everest was and we see that Everest fixed her violen with the strings being his magic fur )overall I love this moment be we really get to see how much he cares for yi through him and not someone else and how this is such a big character moment for yi (even just based of his expressions and body language you'd be able to tell how much he cares about her TELL ME THAT LAST LOOK ISN'T ONE OF LOVE LIKE COME ON!!!!!)
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10. After this they continue on their adventure and then they figure out that with Everest fur as the strings of yi's violen are actually magic (ok but I loved the looks that Jin gave the whole time even before they started noticing the magic because its the type of looks I see/give when you'd have a crush on someone but idk I might be stretching on this one) anyways Jin afterwards goes up and gives her a flower and says : " we're so going to the Himalayas " which is contrasting what he would say at the being it the movie when he does this you can tell yi is confused by all the things that are going on but also and her greif is starting to heal that's why I think that momment lingers for a bit then moving on (also I have a whole thing about the flower he gave here because for one it actually probably relates to yi's greif but even Jin's possible feelings for yi which will be it's own post)
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After the last 10 points their isn't really much showing proof of Jin's feeling since that's the climax of the film and any tiny moment the movie gave us we already figured out in the first couple of points I made or can be adressed in a future post of mine (honestly the climax is when there's like a tiny bit of proof that yi could also have feelings but I see more signs from her in the series which I'll probably talk about after my flower post and more moments from the film that I didn't post but I thought are Senifacant or cute/credits and even official books + concept art ) but here's a cute moment I love them so much
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Part 1 :
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w3ath3r-0f-sw34t3rz · 11 days
Text
as many ttpd thoughts as i can coherently write down
first of all grateful for the folklore x midnights x 1989/rep sound we have going on here. i hate comparing artists but seriously the best way i can explain it is phoebe bridgers this album sounds like phoebe bridgers. not like it's a bad thing it's phoebe fucking bridgers!!!
i feel like it's so easy to call music "intimate," whether because of lyrics that feel personal or just a certain raw sound, or whatever else, but this album truly is the most intimate thing i think taylor's ever given us. i don't know what sets it apart, cuz at this point she's written plenty of deeply personal lyrics, but the way i best know how to describe it is that it truly feels like she trusts us.
anyway i'm willing to admit that this album isn't a spectacle or a revolution or game changer, and i know it won't satisfy everyone (ngl i'm scared to see what everyone else is saying bc they'll never understand Like I Do) but damn it sometimes that much is more than enough. without further adieu
fortnight a solid vibe. i'd literally love any song with the lyric "i love you it's ruining my life"
ttpd love that lucy and jack cameo that's about it. but really who else is gonna hold you
mbobhft AUGGGHHH THAT HOOK. you'd think you'd be able to tell which tracks are entirely self-written but you'd never guess some of the best tracks would you? jokes on me. love the metaphor (as i tend to do), big fan of infantilizing men (no like actually)
down bad this song was not clicking at first but it won me over with the alien abduction theme
so long london aw fuck yeah i knew i was right to claim this one. that hook is delectable. every verse is like a juicy kiss on the mouth i love this song yOU SWORE THAT YOU LOVED ME BUT WHERE WERE THE CLU
but daddy i love him this was the point where i thought to myself "wow this album is a lot more romantic than i would've thought" which, in hindsight, idk if that can be the consensus but still--this is such a feel good happy lovely time
fresh out the slammer evermore would love this one. yee haw
florida i mean there was really no way for this song to be bad and damn. twas not. this is a screamer fs. how on earth they managed to make a song about fucking florida feel like this mysterious shady world that we the people are not apart of is astounding to me
guilty as sin yas girl let your freak flag fly!!! successor to false god fr
who's afraid of little old me oh. o,h my god. taylor. taylor r u good honey. this song is fucking batshit wild oh my god YES GIRL TELL EM i will never be the same i could end the california drought with these tear ducks holy shit im gonna go set something on fire
i can fix him i love this bc this is literally my best friend and now they're gonna know how they look. that "woah maybe i can't" both absolutely slaps and is hilarious. also love how horny that bridge was yas girl let your freak flag fly!!
loml oh god. lmao my ass rlly thought this album wasn't gonna be too depressing. they had me in the first half ngl. i'm not crying you're crying nahhh we're both crying and you know it. the lyrics here really popped off, like more than the rest of the album and that's saying something. bonus i remember seeing someone theorize that it was actually gonna be "loss of my life" instead of love, and while i was listening i had that in the back of my mind, but then i was like "ok no it's actually love" but then THEY WERE RIGHT and i felt so accomplished for no good reason. so if ur that person who called it, good job brother
i can do it with a broken heart this one shocks me so good oml why is this making me wanna throw it back. with all do respect if you didn't want us to enjoy your suffering why did you make your suffering such a bop. /j that "i'm miserable and nobody knows!! :D" gives me chills but like in a good way. "try and come for my job" literally get it queen i love you
smallest man who ever lived it's quite funny to me that literally nobody was claiming this track and then it permanently altered my brain chemistry. back at it with the hooks damn. wow this one really. this one is really sticking with me guys
the alchemy yay the vibes are back!!!! sweet simple romance you gotta love it
clara bow you had me at that intro. shove that guitar down my throat if u will. this is the better version of the lucky one (im not sorry.) damn "you look like Taylor Swift in this light" gets me every time i'm sorry that will never not hit
the black dog OLD HABITS DIE SCREAAAAAMMMIIINNNNNGGGGGGGGGG GGGGGGGGGGGGGGGGGGGGGGG i did not expect to like this one as much as i do but i can't stop thinking about it
imgonnagetyouback i had really mixed feelings but i literally can't dislike this song it's straight up good (also this song is so gorgeous-coded its wild)
the albatross idk i just love this one it is so sweet to me. in the way molasses is sweet but still
chloe or sam or sophia or marcus this melody has wriggled its way into the few folds of my brain and i don't see it leaving soon. i love me some good whimsy. fr as i'm listening to it again rn i'm realizing how good this production is. anyways bi rights
how did it end? you know................... i was really trying to not tie her real life into any of these songs, since i really don't know that much lore + i'm not a big fan of obsessing over celebrities personal lives--relationships most of all (especially when it comes to taylor)--in general, but damn i immediately did just that with this song and.. wow. but aside from all of that oh my god welcome back to Songs On This Album That Absolutely Haunt Me
so high school this one's kinda crazy bc damn it's such a taylor swift song but the sound is so new to her and it kind of makes me cry. but anyhow "touch me while your bros play grand theft auto" is the funniest fucking line i have ever heard in my life
i hate it here oh wow hahhahahhahahahha taylor what the fuck :3 imagine relating to this song on an cosmic level lmfaooooo
thank you aimee removing from irl context, putting this song next to mean genuinely makes me want to cry. like the maturity and growth both happy and sad is so evident it's like watching my child graduate
i look in people's windows another stellar string hook thank you and goodbye. ok but fr the visual here is inherently funny
the prophecy claiming this one for the neurodivergents
cassandra yeah yeah drama i know but damnnnn greek mythology BANGER
peter *taking notes* never... trust.. a man.. named..... peter.........
the bolter she's a runner she's a track star (can you tell i've run out of things to say it's just a good fucking album)
robin ohohoho i am an absolute SLUT for a good ode to childhood
the manuscript now that's a story
and at last--my current rankings:
who's afraid of little old me?
so long, london
how did it end?
chloe or sam or sophia or marcus
the smallest man who ever lived
florida!!!
clara bow
the alchemy
loml
i can do it with a broken heart
the albatross
my boy only breaks his favorite toys
i look in people's windows
cassandra
fortnight
i hate it here
the black dog
but daddy i love him
thanK you aIMee
the bolter
guilty as sin?
robin
i can fix him (no really i can)
the prophecy
peter
the manuscript
so high school
fresh out the slammer
the tortured poets department
imgonnagetyouback
down bad
now i know being critical is not one of my specialties but seriously it's a solid album ok. midnights is literally my baby and it has a skip for me so
now naturally my enthusiasm for each song will potentially decrease and most certainly increase over time cuz that's how i process albums buttttttt yuh 👍
almost any other artist building an entire persona about being an emo poet would make me roll my eyes but damn it she's so right
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mlobsters · 6 months
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supernatural s11e2 form and void (w. andrew dabb)
lack of recap i'm perpetually confused. brain was too occupied trying to sort out gods and creation and timelines in this universe. sam infected with dark zombie juice and hasn't told dean, dean with pretty deputy and baby. roger
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project get dean a baby
and apparently adorable baby is supernatural in some variety, great. i know even less about amara than i thought
so sam's just gonna figure out a cure to the zombie juice? by sheer force of will? rolling my eyes.
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serious upgrade from s10 hair for our sam
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so now they're torturing rabid wet kitten cas. of course. over metatron? ok. not surprisingly, i can't remember where things were left with him
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what in the lighting. why is so much of this conversation happening like this
SAM What's your name? BILLIE Mm, you flirtin' with me, kid? ‘Cause, no offense, but you ain't my type. And I'm not looking to get friendly with the man who helped gut my boss. SAM I'm sorry about Death.
awkward.
BILLIE It's over. SAM What's over? BILLIE You and Dean, dying and coming back again and again. The old death thought it was funny. But now there's one hard, fast rule in this universe. What lives, dies. So the next time you or your brother bite it, well, you're not going to Heaven... or Hell. One of us -- and, Lord, I hope it's me -- we're gonna make a mistake and toss you out into the Empty. And nothing comes back from that. I know you're dying. I can feel it. You're unclean in the biblical sense. So I'll be seeing you again, Sam. Seeing you real soon. Name's Billie, by the way.
okay guys, how can we make a credible threat to sam and dean. oh oh, i got it!! you've heard about purgatory, but have you heard the good word about the Empty! super contrived. but ok.
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real shame they decided to keep her in shadow for most of that conversation, she's gorgeous. didn't feel like a choice for dramatic effect, just looked like they messed up the lighting (to me)
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hannah / the magicians s1e7 the mayakovsky circumstance - lee majdoub as the djinn
hey, new-hannah was (very briefly) in the magicians too
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trying to recall if i've ever seen physiotherapy instead of physical therapy in the US. i've had a lot of physical therapy over the years. i associate calling it physio with the uk (and presumably canada). important thoughts
SAM So, I know it's been a long time, but Dean and I, we've -- we've been through a lot of bad. But this is different. This is my fault, and I don't know how to fix it. And if I have to die, I've made my peace with that, but... please. Dean deserves better. Dean deserves a life.
HE DOES, DOESN'T HE.
oh no i did not sign up for sam torture flashbacks wtf, left field. that's not the sign we were looking for :S
well they played big tension dun dun DUN music for seeing crowley at the house with supernatural baby but i just giggled
they keep using that xfiles-sound again this episode! (clip of it in 10x12 v xf fight the future)
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somebody better feed that poor probably evil baby 🥺 i volunteer as tribute.
getting final destination vibes with grandma putting a kettle on. oh, well, just straight to stabbing. that works too
what is this music??? egads
oh. bye hannah. shame, i liked her current actor
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LOL now sam's using the Serious web search like cas did instead of the goofy one they normally use. course i can't find my post mentioning it because blog search is utterly busted way beyond what it normally is. SIGH.
anyway, handy that billie gave him the little clue to figure out how to cure his zombie juice disease. also snorting because they totally very pointedly showed them loading the unwieldy holy oil pot (jar? carafe? jug??) into the duffel in the prior episode. well now we know why!
also sam was just gonna let himself die without telling dean? not cool, bro
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✨the forbidden holy marshmallow✨
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ok if you don't look at the forbidden marshmallow, those are really pretty effects
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haha amara having a renesmee moment
DEAN Where are you going? CROWLEY To see the child that eats souls.
this whole buddy copping it up with crowley is cute and all, guess he's sorta reset to mostly evil but whatever's convenient for his ends is good too
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more nonsensical music choices when dean goes strutting off to find amara after skewering crowley's hand to the wall
so are sam and dean gonna tell each other their little secrets now? no? course not. dumb plot shit is one thing but that is the kind of that more easily tips me over into losing interest. my patience is so very thin, it's a trope i hate and they use it SO. MUCH.
this whole kid thing and the evil lady thing reminds me of the incredibly forgettable eve storyline with a dash of lilith in a kid's body. and a smidge of the leviathans, crowley trying to lure her in with treats. better received than the muffin basket for dick.
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saltymongoose · 2 years
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Hey Salty! I made a Birb AU for yer SAM:PN
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Basically, the Player who's also a bird handler for a wildlife sanctuary happened to get into a situation where the bois turned into Birbs for who knows how long.
They pretty much constantly wear their protective bird gear as to not get clawed in by the bois who constantly try to perch somewhere on Reader, with Hank as the biggest offender.
As for reasons the kind of birbs they are;
Hank's a Harpy Eagle cause of how they're really strong and big, being known as one of the strongest birds of prey on earth.
Sanford and 2BDamned are both owls bc of their canonically similar body builds.
Sanford being a Snowy Owl cause of how they square up and win against many different opponents. Snowy Owls can and will pretty much fight against animals bigger than them.
2BDamned being a Great Horned Owl being similar to Sanford. Stronk bois and their whole vibe of being intelligent and shit. It just fits him really.
Deimos as a Peregrine Falcon cause of him being a quick lil guy yet still dangerously good at his whole killing thing yanno?
Sorry if this doesn't make much sense lol. Not the best at describing things the way I wann'em too
(Harpy Eagles are so hard to draw. Also, sorry if Deimos is a lil too bright. I'll likely try to fix it later)
Omg! This is fantastic, I absolutely love it. <33333 You were spot on with your analysis of which bird they should be, with how Sanford and 2B would be owls because of their similar body builds while Dei is a peregrine falcon because of his speed. Hank being a Harpy Eagle is just such a good idea too, considering their size and how they excel at hunting.
This drawing is also really cute too, especially since you included their masks and other unique details. They're honestly just really adorable, even if their constant attempts to perch on you could get a little annoying. I can definitely tell why the Player had to use special protective gear since I don't think having four large birds of prey on you would be very light haha.
Speaking of the Player, while I'm not sure how the boys would end up as birds, it certainly wouldn't stop their attempts to "cuddle" with you. If anything, it just might make them do it more; it's not like Doc can do any work without hands, and the boys probably aren't effective at their missions like this (unless we're talking recon, cause who'd suspect a bird of spying on them). So now you have to deal with four huge birds attempting to take your attention, usually by perching on your arms and shoulders or barrelling into your lap so you can pet them. I can also see them attempting to impress you by flying and doing some tricks they figure out (mainly Deimos, but Hank definitely isn't opposed to doing the same).
(Although, they probably wouldn't have the best grasp of flying once they're first turned. Watching them crash goes from funny to horrifying real quickly once you realize just how brittle their now-hollow bones are. Luckily for you, they're quite sturdy, but it's not like they're unwilling to play up any injuries they might get just to feel you touching them and have you looking them over for longer.)
Also, I can see them just randomly attacking grunts if you have to go out (to get them food, no doubt) and someone is stupid enough to get in your way. Like imagine just being an agent and trying to capture this target the Auditor apparently needs back, only to be swarmed by four birds; having their talons claw into you as they peck at your visual cross and screech at you. And then having to explain to your supervisor why you're covered in so many bloody scratches and without the "Player."
You'd also probably have to explain to Jebus what happened because I think he'd probably be furious to find you without anybody for protection if he visits one day. He'd understand at the look of the odd birds who hang around you though, but you might have to stop Hank from trying to mess with him once he gets too close to your personal bubble. (And don't even get me started on Tricky; it's hard to kill him as a grunt, but Hank's not above trying even if he's not one anymore.)
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ed89 · 2 years
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putting on my big brain cap. if i forgor abt something i was saying just blame the weed my adhd gets worse and i just start talking abt something else on a tangent AHSDHASHD
so we have this from Will, [Will senses the change in vibe; although oblivious to the actual motive behind the change] and then "We're gonna make it, Mike. She's gonna be okay" right after it.
will was talking about going to vegas with el before this scene, meaning will immediately thought that was the motive behind the change in vibe: el. but according to the script, that wasn't the actual motive. also, will mentioning playing dnd and nintendo for the rest of their [will and mike's] lives is a direct callback to their s3 rain fight. and im making a guess thats what made mike react like that. anyway, will is oblivious to the motive behind the change in vibe, and what does will THINK the reason is? that mike is upset over not reaching el in time or thinks will is acting childish/making things awkward! but if thats not what mike IS worried about... then guess what that leaves us with LMAOO
i think mike was already in the van DWELLING on the issues he was having with el, and more importantly, with not loving el. he says his and el's fight was something they couldn't come back from. ummmm.... so its too hard for him to tell his gf he loves her. he thinks they cant go on because he cant say something that isn't that hard to say. he KNOWS the relationship cant work because he KNOWS he cant say "i love you". hes not in love with her
mikes reaction to will saying "We're gonna make it, Mike. She's gonna be okay" is him being nervous. it's in the script. would be mike be nervous? is he trying to confess something, like the fact hes not in love with el (and he thinks he likes will) and its been bothering him since the fight? hes been sitting and rotting in his own anxiety in the back of that van. "what if she doesn't need me anymore?" hes contemplating what to say. but also, what if hes lying? he could have made that lie on the spot. hes obviously nervous about telling will something, much like will lied because he was too nervous to admit HIS feelings too. they are both trying to confess and the other misunderstands what the other is trying to say. will thinks mike is still in love with el and just needs advice to fix their relationship. will doesn't know that mike can't say "i love you". it's not normal for a loving couple of years to be unable to say that since THEY'VE KNOWN EACH OTHER. can we acknowledge that. this isn't a regular thing. mike even regards the phrase 'i love you' as "That thing" while talking abt it to will. like wtf. anyway so will doesn't know mike cant say ily to el (since he regards it as 'that thing') so he thinks that he just needs help with apologising
after mike says the first two parts of his rant (the lie), will looks exasperated trying to help him out, and in the script it says We've been over this before. yes, they have been over this before, haven't they? will cant understand why mike still needs to talk about this
then he starts his rant. there was no "love at first sight" involved, yet he lies about that in his monologue later on. he refers to her as superman landing on his doorstep. oh so not superwoman or wonderwoman or you know... a female character, not superman. my god. this guy is a homosexual
will tries to get what mike is saying. he doesnt get what he's saying. he looks confused and hes looking away from mike
mike SEES his reaction and immediately says "sorry" (its in the script! he says sorry because of [will's look]). hes still nervous and hes trying to admit something that he obviously was so nervous about that he had to talk in CODE, therefore causing will to misunderstand what he was saying
anyway take from that as you will i wont do the rest im too high now and now i cant comprehend basic human words so damn
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