i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.
He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.
And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.
And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.
Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.
Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."
There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.
It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.
Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.
At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.
"Do you like to do anything?"
Nothing. Just silence.
Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.
Danny says nothing the entire time, and is again the first to leave.
Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.
And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.
He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.
Danny is dull-eyed and blank faced the entire time; he looks miserable.
So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.
"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"
"Don't."
He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.
Bruce tilts his head, practiced puppy-like. "Pardon?"
"Don't." Danny says, strongly. "Don't make any deals with Vlad."
It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"
The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."
Bruce stares at him, thoughtful, before looking away. "Alright. I won't."
And they fall back into silence.
Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."
He's scampered away before Bruce can question him further.
(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)
At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.
Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.
("Tucker told me once--")
("Tucker?")
("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")
(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)
(They are ecstatic to hear from him.)
It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."
The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."
The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.
When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.
Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.
"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."
When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.
Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.
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Thinking very hard about an AU idea of mine. Reluctant king Sabo AU!
In which Sabo isn’t saved by Dragon, but survives long enough to drift ashore and be saved by the doctors of Goa Kingdom, who do so only to ransom his medical bills from Sabo’s parents. Sabo’s parents take him back, thinking that his amnesia makes him a clean slate, but Sabo, young and stubborn and unsure of his entire identity, knows that everything is wrong and runs again, and again, and again.
Until at some point, he meets the Revolutionaries, and realizes that he can be useful to them, provide them information, make something good of an inescapable situation. From then on, he starts acting the noble that he was born as, in order to be a more useful informant to the Revolutionaries, until sunk cost fallacy hits and he believes that being a noble is the only way that he can be useful to the Revolutionaries. So at that point, why not take it all the way?
At 17, Sabo becomes one of Princess Sarie’s suitors, and at 17, he has doubts about using the princess for his own goals. Sarie is a romantic, and she wants a dramatic fairy tale of a romance, and she was already charmed, but the moment Sabo opens up to her about not wanting to use her to get to the throne, having lofty ambitions of helping the people (just not the people she thinks he’s talking about), Sabo becomes the one she simply must marry, because surely if she tries hard enough, she can make him love her back.
Soon after, the king and his son die. Sarie’s father and brother die. And while Sabo conveniently ascends to the throne, he also swiftly implicates his father, Outlook, in the assassination of all heirs to the throne, resulting in Outlook’s arrest and subsequent execution. And thus, at 18, Sabo becomes king, and begins to gradually institute great changes to Goa Kingdom.
Design-wise, Sabo wears an eyepatch because his damaged eye is considered a grotesque sight by nobles’ standards. Under the eyepatch, he wears heavy makeup to hide the burn scar. These are both at the behest of his birth parents, who spin a story about Sabo having been born half blind to hide the fact that Sabo had been shot by a Celestial Dragon and save face. To those who have seen his scar, they fabricate a second secret story that he was unfortunately kidnapped as a child. Sabo never does find out, until he regains his memories, where the burn scar is actually from.
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figured i'd share my WIP - yknow how I keep talking about "finding the limit of how many PJO ocs one person can have" and coming up with names/divine ancestors/etc? haha. yeah. behold my romans.
This is my project to create & make references for every Roman in the legion, including filling in blanks in the cohorts. For askblog purposes, because I like consistency. And I think it's fun and makes it more interesting. Yes there is a CHB counterpart to this that is done.
I still need to make more refs - all of the labeled chars here are canon. The rest I made up. This is 5th cohort (purposefully smaller than the other cohorts) through half of 3rd (both are about 30 each since the max per cohort is 40). I also have some misc romans not included here and still need to make references for the rest of the legion & messengers/healers which I have decided is a separate category.
These all will eventually be going on my wiki for my askblog, including the other cohorts once I finish those. Yes you may ask about any of these chars, they do all have names/divine ancestors/lore/etc. I'm having fun I promise.
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What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.
so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.
Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:
She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent
Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married
She was a cheerful person who rarely showed extreme emotion and took things as they came
She always cooked a huge meal for Marcille on her birthdays
She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home
Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)
She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words
the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.
She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)
Things that are explicitly shown but mostly through visual cues
She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)
She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).
She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)
She was as excited for Marcille's milestones as Donato was.
She didn't tell Marcille much about elven food
(there are a couple things that this panel in particular implies:
She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it
seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)
slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)
(local elf tastes Italian food once and never goes back))
However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.
Subsequent conclusions about her personality:
Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).
Slightly more conjectural theories on her personality:
Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.
Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?
Now taping all the evidence together and toeing the line between analysis and fanfiction:
It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:
Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.
We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.
It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.
It kind of recontextualizes her cheerfulness to me.
"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).
And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?
Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?
I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:
copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.
It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.
But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.
What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."
Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.
All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)
There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.
but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.
(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)
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I would kill for figurines or keychains of the tinies . Especially tiny Chuuya
would there be like, actual interest for stuff like that? It's not something I've ever done myself (though I know people who have) and that would be a lot of stuff to research, that's a lot of time and effort, so first of all I need to know if there would be actual interest
Would you buy bsd merch I designed? (stuff like a sticker sheet or a small acrylic charm)
Answer truthfully please think of my time and sanity!! I appreciate you no matter your answer and I'm still gonna be here anyway. I just need to know if this is worth putting in the effort looking into
Also feel free to say your opinions, concerns or alternative ideas in replies/reblogs/asks I'm actually asking for this
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the post grad why did i get an art degree what am i even doing what do i want in life where am i going crisis has finally hit i want to. lie down in the dirt. or something
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just an fyi, and it feels like it needs to be said here: your blog is your own space and you should be able to say whatever the fuck you want. if you’re sad? vent. get sad. maybe put it under a cut, definitely tag it, but get sad. if you feel like you need someone to talk to? drop a freaking message about how you’re feeling like you could use a buddy, or anything randomly engaging. if you’re having a hard time, you should feel safe and okay to talk about it in your own space. we’re writers and we’re people and while there’s a lot to be said for how engagement outside of oneself is necessary in rp (and really really needs to improve), i think there’s a lot that must be said about people reaching out to others. it’s become so solitary here — the whole ‘reblog from source’ thing when it comes to shit like about and musings is absurd. the whole refusing to like things is ridiculous. yes, curate your space, that’s important, but curating your space into a studio apartment only you live in doesn’t make this a community anymore, it makes it a studio apartment you live in.
just be yourself here. do whatever you want. but i’m always saying: remember you’re not alone, and don’t let yourself feel that way.
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Today i am in a wee bit of pain. If i watched skizzs 3l pov today and made weird bad takes about him on tumblr dot com would yall forgive me
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Hello, I hope you're doing better.
I just wanted to tell you that since I read the latest chapter of Who Holds The Devil you have revived in me some ideas and scenarios I had in mind about the show.
Like what if everything worked out for Yohan's plans after episode 12 (when Gaon left Yohan and Elijah) without K or Soohyun dying? What would happen then?
Yohan will definitely leave after some point to Switzerland with Elijah because he already planned it for her treatment, even if he is not a criminal in Korea or presumed dead. But how long will it take him to leave?
And what will Gaon do? Will he start dating Soohyun or keep whatever they have between them as it is? If he dates her, will they work out or realise they were better together as friends and family but nothing more? ( I personally believe that when they start dating at the beginning, everything will seem perfect. But as time goes on, they will realise that it won't work out between them as they took a very long time to get to this point, and that it was too late.)
Will Gaon stay in contact with Elijah? (Maybe.) Or Yohan? ( I doubt it.)
Will Gaon miss them? Will he ever realise that Yohan loved him or that he had some kind of feelings for Yohan?
Basically, what would've happened if all the baggage from the last episodes never occurred. After the rejection on Gaon's part in episode 12, I believe Yohan will want to stay away from Gaon but I could be wrong.
The latest chapter reminded me of all these ideas and questions I had, but now we have a lot more baggage and issues to work through which makes me even more excited to explore what will happen next.
I trust your storytelling abilities as they have not once failed me for all this time I was following this fic.
Take care of your self, and when you feel better come back with a new amazing chapter as always.
I'm doing better, thank you 💜
Wow. Yeah, that's a lot of thoughts! And very interesting ones! And I think some of it depends on exactly how Yo Han decides to finish his plans. Like, killing people on national television would still make him a criminal, so I'm guessing that's not what he does? But he still gets his revenge somehow?
But yeah, he'd definitely still go to Switzerland since that has clearly been a part of his plan for years. And I think he'd actually go as soon as possible. Maybe he'd give Elijah time to say goodbye to Ga On, but that depends on what terms he and Ga On are, I'd say. If we assume that none of the baggage happened (including Soo Hyun dying, Ga On attempting to murder Yo Han, etc.) I think that Yo Han would keep his distance from Ga On, yes. Out of sheer pride and self-preservation, if nothing else. And Ga On has Soo Hyun so he wouldn't seek Yo Han out, since he knows that Soo Hyun doesn't like Yo Han and he wouldn't want to upset her.
So, sadly enough, I think Yo Han and Ga On would drift apart. Maybe they'd still cooperate somehow to take down the baddies, but, as horrible as it may sound, Soo Hyun's death actually brought them closer together. Even Ga On trying to kill Yo Han did in some ways since, from that point on, they're forever tied together what with Yo Han carrying the scar Ga On gave him. And without that? With Soo Hyun there to plead with Ga On not to do something dangerous? Ga On wouldn't chase after Yo Han. And Yo Han wouldn't chase after Ga On since he's already been rejected and is too prideful.
So I think that Yo Han would leave for Switzerland with Elijah and Ga On would stay in touch with her, yes, but not Yo Han. Maybe he'd try a couple of times, but Yo Han wouldn't respond. And, eventually, Ga On will stop trying because who is Yo Han to him anyway? Just his weird boss who he lived with for a while — and kind of wanted to take care of because he seemed so lonely — who was also a terrible influence on him. So, clearly, it might be for the better that they don't talk anymore.
(You keep telling yourself that, Ga On)
As for Ga On and Soo Hyun, I think they would start dating, yes, and I think they'd be pretty happy there at the beginning. If in a pretty boring and uneventful way. Like, there's not really much passion between them, is there? But they'd be content. It'd be safe and sweet.
I'm not sure if they'd notice that there's something wrong, though. I think that both of them have been waiting for this for so long that they'd be determined to make it work, even if that means ignoring the warning signs. I honestly think they'd both pretend everything was fine long after the point where it's not. And that both of them would silence the niggling doubts by saying that this is just how all relationships are — there will be dips. Nothing is perfect all the time. And it's not like they're arguing or anything.
It's just a little dull, that's all.
In short, I think they'd be stuck. Not in a way that makes them genuinely unhappy, but they certainly wouldn't be honest with themselves or each other, either. Which isn't the worst way to live, but it's also not the best one.
And I think that Ga On would miss Elijah and Yo Han, yes, though he wouldn't be honest about why he does. He'd just say it's because he cares about them and it's sad that he can't talk to them as often — or at all, in Yo Han's case. And, in a similar vein, I don't think Ga On would try to explore his feelings for Yo Han, or Yo Han's feelings for him. Because Ga On would be able to tell that danger lies in that direction and he'd rather remain in denial.
But he would think about Yo Han a lot. And probably do a doubletake every time they mention Yo Han or show his picture in the media. And he'd ask Elijah about how Yo Han is doing. He'd find himself cooking Yo Han's favourite food, even if he's not there to eat it. He'd miss the house. He'd miss the quiet nights reading.
He'd still wear the watch.
And all that longing would only make Ga On double down and be even more determined to make things work with Soo Hyun. Because the alternative is just too scary. He doesn't want there to be another explanation as to why he misses Yo Han. He wants his safe and happy life with Soo Hyun.
Everything else is shoved aside, pushed down, and ignored.
And, eventually, I think Soo Hyun would notice that something is wrong. But she doesn't know what and, even if she kind of hates herself for it, she's too afraid of the answer to ask. Because she doesn't want to lose Ga On and, deep down, she can tell that he is slipping away from her, slowly but surely. Just from the fact that his smiles are a little too hollow sometimes, and he's often staring off into space, lost in thought. So she tries her best to help him, as always, but, for some reason, it doesn't seem to work as well as it usually would.
But of course it'd eventually come crumbling down. And — since I'm a dramatic bitch — I suggest it'll do so when Yo Han and Elijah eventually drop by for a visit (mostly Elijah's doing, of course, with Yo Han reluctantly agreeing). More specifically the moment when Ga On comes face to face with Yo Han again for the first time in months — maybe even a year? — and everything he's been trying to suppress rushes to the surface and hits him like a freight train.
Because he's been living comfortably with Soo Hyun, sure, and he loves her dearly, but there's not much of a spark. But the one he had with Yo Han? That's been just a softly glowing ember since they parted ways?
Turns out that seeing Yo Han again — and being faced with all that intensity and enticing hint of danger once more — is all it takes to ignite it again. To turn it into a wildfire.
All of a sudden, Ga On is reminded of what real attraction feels like.
And the fact that it's not aimed at his girlfriend is definitely going to be a bit of a problem.
... aaaaaand maybe I should stop now. Because I'm not sure if you actually wanted me to answer what I think x'D
Anyway! Yes, very interesting things to ponder! And I think there are several ways to go, depending on what angle one wants to take and what happened during those last episodes. Like, if Yo Han and Ga On reconciled after their breakup, I think some parts would obviously play out differently. But, if they didn't? I'd go with something like what I said above.
But, again, that depends entirely on what you want to accomplish. Trust me when I say that there are always ways to tweak what happens to your liking but still make it feel in character and realistic. I'm somewhat of an expert on that, I've been told xD
Thank you so much for sharing, anyway! It was a very fun thought experiment! And I do hope to be able to get back to writing sometime soon. I'm actually feeling better than I have in a long time, but I think I'm going to make a separate post about that. We'll see.
I hope you have a great day! Take care 💜
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i think that while micro labels can seem useful and affirming ultimately they're isolating and kind of an obstacle to your understanding of self. that's because you can never find a word specific enough. there will never be a label or two labels or even ten, twenty of them to perfectly capture and describe all of your thoughts, feelings, experiences, preferences, needs, interests, identities, etc. because you learn more and more about yourself every day and then you change and your wants and needs change with you. having to hop between labels, fearing that you don't 'fit' into a label anymore (both in your own and others eyes), worrying how soon your current label will wear out, questioning if you'll ever fully fit a single one. all that causes a lot of uncertainty and anxiety which could be avoided by just picking a more general thing and molding it according to what it means to YOU. because words will always mean different things to different people, you will never be understood immediately and maybe never completely by anyone but yourself and that's fine
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wondering why old ladies aren’t smiling at me around town as much this morning then remember im wearing hoops and a puffer jacket and generally look like a bitchy year 9 girl who’s about to punch someone
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also for folks who ask if I could try medical tourism instead: Technically I Could, Yes... that’s on the list of possibilities. only problem: adding even MORE steps to the process of getting my surgery kind of makes me want to cry.
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I'll never be able to take the theory that Vincent is Sephiroth's real father seriously cuz I cannot stress enough how important I think it is to the plot that Vincent wanted to fuck Lucrecia and did not get to.
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i really need to finish this one day
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Thinking abt ice king sm rn
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Dick or no dick confirmation Pickles was always going to be trans to me anyways; if he's swingin' somethin that's phallo babes, if he's not then his t-dick fat. What's not to get.
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