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#I might write something for this
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Headcanon that Merlin keeps notebooks and writes down everything - everything - he wants to show and tell Arthur whenever he comes back
It starts off as a project. He writes down important moments, things he knows he will have to inform Arthur of if when he comes back, but one day, Gwen tells him a joke and he can’t help thinking it would have made Arthur laugh. It was a bittersweet realisation, so he wrote it down to share with Arthur whenever he saw him
Slowly, more jokes were added, and anecdotes, books he wanted to tell him about, plays and music he was sure Arthur would enjoy, and eventually films and shows
Sometimes, he writes when he particularly misses him
He keeps these notebooks on a large secondhand bookshelf, and tries to keep them in chronological order, although the earlier ones aren’t in the best condition after a thousand or so years, but he’s enchanted them to stay legible
It becomes a habit. He decides, subconsciously and superstitiously, that once he has filled the bookshelf, Arthur will return. Merlin does, and Arthur doesn’t. He buys a second bookshelf, and then a third
Finally, Arthur is back and Merlin excitedly showing him his collection and telling him there’s so much he has to share. Arthur is amazed, “you wrote all of this for me?”
Merlin realises suddenly how overwhelming it must seem. “It made it easier, not being able to share all these moments with you. It felt like I was sharing them with you in a way. It was like I was writing you a letter.” He shakes his head. “But you’re here now, it’s silly! You don’t have to read them at all. I can go over them and pick out the important parts, the things you’ll need to know and—”
Arthur stops him. They go through each book together. Merlin hadn’t realised how many good moments he had forgotten over time, and he gets to relive them with Arthur at his side, both chuckling along as Arthur asks questions, “you did what?”
They aren’t all nice stories. Merlin winces as they get to the wars. Arthur holds his hand as he recounts each loss of a friend, and Arthur hates to see Merlin grieve, but he’s glad that he made friends throughout his life because he couldn’t bear the thought of Merlin being entirely alone while he waited for him
But even if he wasn’t always alone, he was lonely. The notebooks proved as much, and sometimes Merlin still panicked if he woke up and Arthur wasn’t close. Eventually, Arthur slid into Merlin’s bed beside him, only to keep him calm. It was the best Merlin had slept since- well, he couldn’t remember
Sometimes one of them would wake up with nightmares of the wars and battles and deaths and wounds, and the other would hold them until they fell back to sleep. Merlin kissed Arthur’s forehead one night without meaning to and froze, but Arthur had only burrowed deeper and fallen asleep with a soft smile
“So that was the last book,” said Arthur as Merlin finished the final page
“Yes, I wrote that the night before you came back,” said Merlin
“I’m all caught up,” said Arthur. “There’s nothing more to say.”
“No, no more to say,” Merlin agreed absentmindedly
A silence fell over them. Who moved first, it was impossible to tell, as if they had both decided in the exact same moment that it had to be now, and they kissed, pulling each other close
“I love you,” said Merlin once they eventually parted
“I got that,” said Arthur, gesturing to the pile of notebooks surrounding them. “The longest love letter in history,” Merlin laughed before Arthur added, “I love you, too”
Edit to add: the last show Merlin wrote that they watched together was Heartstopper, thanks
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otaku553 · 2 months
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Thinking very hard about an AU idea of mine. Reluctant king Sabo AU!
In which Sabo isn’t saved by Dragon, but survives long enough to drift ashore and be saved by the doctors of Goa Kingdom, who do so only to ransom his medical bills from Sabo’s parents. Sabo’s parents take him back, thinking that his amnesia makes him a clean slate, but Sabo, young and stubborn and unsure of his entire identity, knows that everything is wrong and runs again, and again, and again.
Until at some point, he meets the Revolutionaries, and realizes that he can be useful to them, provide them information, make something good of an inescapable situation. From then on, he starts acting the noble that he was born as, in order to be a more useful informant to the Revolutionaries, until sunk cost fallacy hits and he believes that being a noble is the only way that he can be useful to the Revolutionaries. So at that point, why not take it all the way?
At 17, Sabo becomes one of Princess Sarie’s suitors, and at 17, he has doubts about using the princess for his own goals. Sarie is a romantic, and she wants a dramatic fairy tale of a romance, and she was already charmed, but the moment Sabo opens up to her about not wanting to use her to get to the throne, having lofty ambitions of helping the people (just not the people she thinks he’s talking about), Sabo becomes the one she simply must marry, because surely if she tries hard enough, she can make him love her back.
Soon after, the king and his son die. Sarie’s father and brother die. And while Sabo conveniently ascends to the throne, he also swiftly implicates his father, Outlook, in the assassination of all heirs to the throne, resulting in Outlook’s arrest and subsequent execution. And thus, at 18, Sabo becomes king, and begins to gradually institute great changes to Goa Kingdom.
Design-wise, Sabo wears an eyepatch because his damaged eye is considered a grotesque sight by nobles’ standards. Under the eyepatch, he wears heavy makeup to hide the burn scar. These are both at the behest of his birth parents, who spin a story about Sabo having been born half blind to hide the fact that Sabo had been shot by a Celestial Dragon and save face. To those who have seen his scar, they fabricate a second secret story that he was unfortunately kidnapped as a child. Sabo never does find out, until he regains his memories, where the burn scar is actually from.
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cupcakes-and-pain · 1 year
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Whumpee is terrified of everyone on the team except Caretaker. So when Caretaker has to leave for a few days, Whumpee begs to be able to come with them. Unfortunately, they are still too injured to do a high stakes mission, plus their intense anxiety makes them unreliable for most of the assignments.
Whumpee was freaking out. Without Caretaker there, there was no one to protect them from the rest of the team. If the team got upset with them, or just wanted to get their frustrations out, or maybe even blamed them for taking up so much of Caretaker’s time, they might hurt Whumpee. And Caretaker wouldn’t be there to protect them.
So now Caretaker worrying about how Whumpee is doing the entire time they are away, Whumpee is panicking over the idea of being so exposed and vulnerable, and the entire team is walking on eggshells to make sure their fragile friend is comfortable. Suffice to say, it was going to be a stressful few days for everyone.
It was fine for a little while, but then the last day before Caretaker came home, Teammate offhandedly makes a comment about how reclusive Whumpee was being while dropping off their morning meds. They didn’t mean to be mean, they weren’t thinking about what they were saying, but one look at Whumpee and they knew they messed up.
Then Teammate has to figure out how to calm Whumpee while Whumpee is scrambling to appease them and get out of a worse punishment without seeming disobedient or ungrateful.
Both are internally begging Caretaker to get home a day early.
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paddockbunny · 11 months
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blinkpen · 30 days
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what if i decided i'm straight up not posting any new art publicly until that family's GFM in my pinned is at least Halfway to its goal
(even half my followers donating 5 bucks each would do that btw)
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thedreadvampy · 1 year
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Losing my shit about this article in which a transphobic Tory was so busy panicking about existing in the vicinity of a Trans that she almost certainly misheard "jeans" as "penis" and decided that not only was this a problem with the other woman, but also that the world must be informed of this pressing danger.
"a trans woman! I had to stand directly behind her....I thought, 'this is going well', I'm handling The Situation fine'..."
translated: I saw a tall woman with broad shoulders. How would I get out of this alive? I thought. she has a PENIS. PENIS PENIS PENIS. through some force of PENIS I mean will I managed to PENIS behave normally towards her. My hands were PENIS PENIS PENIS shaking as I tried to dry them. summoning up all my PENIS courage I said 'dryer's crap innit'. she turned to me and said " yeah I'm just goiPENIS PENIS PENIS"
It's been a week and I'm still shaking. This proves trans women are the problem and I'm not weird. I'm fine. It's fine. If you think about it I'm the hero hePENIS!!!!!
very this
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#red said#it's just. I'm obsessed.#everyone on Twitter is saying 'never happened' and i think they're wrong#this absolutely did happen and she's been obsessing over how vindicated it made her feel enough to WRITE AN ARTICLE ABOUT IT#because she MISHEARD SOMEONE IN A CASUAL CONVERSATION#i lay out my reasoning thusly: if you were INVENTING a scary trans woman in bathroom story out of nothing. why would it be this?#why would you go with 'we had a banal conversation until she said a sentence that makes no sense and that no human has ever uttered#but which does coincidentally sounds almost exactly like a mishearing of a very NORMAL thing to say in the circumstances#then she left and nothing else occurred'#if you were going to INVENT a story you would probably make it MAKE SENSE or SOUND THREATENING#i truly believe this is a very authentically told account of what she thinks happened#because who would. by means other than mishearing. think 'I'm going to wipe my hands on my penis' makes any sense at all.#a) 'I'm going to dry my hands on my genitals' says the presumably fully clothed woman#b) who then proceeds to leave without doing anything threatening#c) WHO SAYS PENIS THREATENINGLY? sorry it's writing out 'penis' repeatedly that made this jump out to me but like. who says that?#you might hear someone talk casually about their dick or cock but i stg it's only doctors and TERFs who casually use the word penis much#it's so. clinically descriptive. it's a weird use of language. but it IS. something you could plausibly mishear from 'pants' or 'trousers'
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kamaluhkhan · 4 months
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anti-curse
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pairing: percy jackson x daughter of apollo!reader
summary: whether he knew it or not, percy jackson made the world a better, brighter place — and you intend to protect him, no matter what path the fates leads you down. fuck prophetic dreams. the future wasn't written in stone.
warnings/disclaimers: mentions of typical demigod things (battles, weapons, etc.); this is set during the heroes of olympus series so roughly follows that plot + features the seven demigods; mainly inspired by book!percy (dark hair, sea green eyes) bc that's the one i fell in love w growing up; characters are aged up from the book (reader + percy are meant to be 21-22 y/o) bc i imagine there was more time between prophecies/series....anyways, please enjoy <3
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when you first met percy jackson, he almost shot you through the chest with an arrow.
given that apollo is your godly parent, you often found yourself at the archery field, which happened to be one of the first stops on percy’s tour of camp half-blood. after that first mishap, your other half-siblings were, understandably, too scared to let percy try again — frankly chiron seemed a bit hesitant as well — and you could sense that percy felt disheartened. so, you flashed the boy a reassuring smile before giving him a few pointers and a second chance. when he smiled back at you, you felt a fluttering in your stomach that told you percy jackson would be more than a little important in your life.
archery still wasn't percy's strong suit, but your gut feeling turned out to be true. you and percy had dealt with a lot since then — a handful of quests, several prophecies, more than a few near-death experiences, a titan war, and, maybe worst of all, high school. you couldn't imagine getting through any of it without him by your side, and you knew the feeling was mutual.
so, you were entirely anticipating that percy would be hurt by your announcement during dinner. 
“no way that’s happening.” percy laughs, as if he can’t believe you’d suggest something as ridiculous as not having him accompany you on your quest. he remains unfazed, takes a sip of his electric blue coke before gesturing to the empty seat next to him. “come on, sunshine. have something to eat.”
the nickname sends your heart into a frenzy as you sit next to him. you and percy had never been anything other than friends, but sometimes....sometimes you look at his dangerous ocean eyes and wind-swept dark hair and it makes you blush. sometimes you consider the way his laughter fills you with warmth and his smile holds a thousand memories, the way he teases and winks at you and you decide that he makes your world so much brighter. sometimes you remember how sarcastic and thoughtful and loyal and reckless he is, his heart of gold and unpredictability of the sea. and you start to think that maybe possibly you'd fallen in love with your best friend.
that was not the issue at hand, though. you summon your favourite food and drink, but don't particularly feel like having either. percy returns to his conversation with hazel about how the two of you would drive up to montauk after you finally got your license, any time either of you needed to escape your reality, even just for a night. you'd sit on the beach, stargazing and roasting stale marshmallows and wishing to stay there forever. hazel seems to think that sounds like a nice escape, and percy promises that once the eight of you fulfill this prophecy, you'll all go to the beach house together, which makes hazel break out into a grin.
you can't help but smile at percy who loves his friends, who has loved you for so long. that feeling is quickly replaced by a pang in your chest that reminds you what's at stake. from the corner of your eye, you notice annabeth across from you, who looks at you like you’re a puzzle she can’t quite solve. you're trying to hide it, but if anyone can read you better than percy, it's annabeth. she knows something is weighing on your mind. you briefly lock eyes with jason, who you had gone to earlier for help, from the other side of the room, where he sits between piper and frank. 
if you weren’t so distracted, you would have been able to enjoy dinner. the eight of you — all demigods of the current great prophecy — hadn’t been all together in a while, and it was nice to share a meal aboard the argo ii despite the reality of why you’d all been traveling together. leo had equipped the ship with magic plates and cups, and with the lively jokes and stories filling the air, you could almost imagine it was an ordinary summer evening at camp. you could almost forget that tomorrow, you had to go on a quest to rescue apollo and artemis from python, a monster so powerful your father barely defeated him thousands of years ago. you could almost ignore the impending war with gaea and the giants, and the doomed fate of the world if you were to fail. the one thing you could no longer ignore, however, is the gut feeling you have about the fate of the boy sitting next to you if your quest is to unfold the way you had first planned it. 
you clear your throat, an attempt to interrupt the group's conversations. 
“i was serious earlier,” you declare. “you’re not coming with me, percy. jason is.”
the smile percy had on his face fades. his eyes are filled with concern and disbelief, as he glances at you. “i – i don’t understand.”
"percy,” jason jumps in carefully, aware that he’s treading through dangerous waters like you had warned him. “y/n and i were strategizing earlier and it seems to make the most sense, given our powers combined." 
percy shakes his head. “but — but you can’t just make last minute changes. we’ve already got everything set. right, valdez?”
leo shrugs, swallowing a mouthful of chicken before responding. “i don’t know, man. i’m no expert in quests, but it seems like i’m not the one who should be deciding this.” leo looks at you, and you nod gratefully.
you've been on edge since last night, and to calm your nerves you fiddle with the gold chain around your neck. it was a gift from your father: a necklace with a music note charm that can transform into an electric guitar or a bow and quiver. thankfully, you hadn't had to need both at the same time.
“it's up to me. and i want leo and jason to come with me.”
“then i’ll come too,” percy's voice remains calm, but insistant.
“isn’t there that thing about quests usually being done in threes?”
“that is true, piper,” percy agrees. he tilts his head towards you, like he's calling on you to remember. "exceptions have been made, though. like that one time with zoe." that had been years ago, when demigods from camp half-blood and hunters of artemis joined forces. five had been sent out on a quest, but only three came back. you shiver at the thought.
"or my quest through the labyrinth," annabeth recalls.
"but won't that also change our other plans, though?" hazel asks.
"not necessarily," you pipe in, your voice more assertive. "if jason and percy just switch. no harm done."
"we're not interchangeable," percy grumbles.
"hera sure seemed to think so!" leo searches the room for positive responses to his joke, but the most he gets is a half-hearted laugh from frank. "too soon?"
you take a deep breath. "it's not a big deal, really."
"it kind of is," percy counters. "you've never gone on a quest without me."
"you've gone on quests without me," you point out.
"that's...that's different."
"why? because i'm so weak that i need the son of the sea god to protect me at all times?"
you're giving percy the coldest stare you ever have. he hesitates to hold your gaze.
"you know that's not what i meant," he sighs.
"then what did you mean?"
percy looks at you, his eyes and tone softer. “look, sunshine, let's just stick with the plan, alright? we can just —”
“gods, you never listen, do you?" you finally snap. "you're not coming! i don’t want you there, percy!”
percy stares at you, stunned. you look around the table, and everyone looks back at you, wide-eyed. they weren’t used to this side of you, your sudden outburst not fitting in with your usually sunny disposition. 
“well, someone woke up on the wrong side of the bed,” leo jokes in an attempt to lighten the mood, with less than ideal results.
“you saw something in your dreams, didn’t you?” annabeth realizes. 
her conclusion makes you freeze.
demigod dreams are always significant, carrying vivid images of monsters, messages from friends or enemies. some children of apollo like you had visions of the future — pseudo prophecies that are supposedly set to unfold given the path you’re on. technically, you weren’t supposed to share your visions, something about messing with fate or destiny, but that didn’t mean you had to accept the way things were. 
what you saw in your dreams last night, what might happen to percy, made your blood run cold.
you would defy all the laws of the universe and divine rules if it meant you could protect him. so fuck the path the fates are attempting to lead you down, and fuck prophetic dreams. you refuse to let percy die. no matter how frustrated you’re acting towards him in this moment, you know he would still do the same for you.
you figure that the future isn't written in stone, right?
either way, you're willing to challenge destiny for percy jackson.
without answering annabeth, you get up from the table and take a deep breath, carefully avoiding percy’s gaze. 
“i go with leo and jason, or i go alone.” your voice is steady, fighting the heavy beating of your heart and tears caught in your throat. “either way, i leave in the morning.” you exit the mess hall before anyone — before percy — can protest.
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jongseongsnudes · 4 months
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in another universe with enhypen.
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2023 © jongseongsnudes on TUMBLR. PLEASE DO NOT COPY, TRANSLATE OR REPOST.  
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cashmoneyyysstuff · 5 months
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katsuki likes to bite you. it’s his weird way of showing you affection. whenever he feels like annoying you (because he can’t live for more than ten seconds if he’s not being a nuisance) but he also wants to you to know he cares, he’ll find whatever part of your skin is exposed and just—bite.
you don’t remember when he started doing it but you’ve never stopped him so he hasn’t stopped. he bites your exposed shoulder when hes walking by and your lounging in the living area of the dorms, he grabs your hand and bites at your fingers when you’re alone and he bites at your cheeks and nose when you get mad at him for ‘being mean’ and teasing you. to which he always replies with “you love it.”
“why do you do that ?” you asked randomly after he bit your cheek again while you were watching a movie in his room. he looks down at you and his brows furrow in confusion “ do what ?” he asks.
“ bite me,” you play with the ends of his hair a little, it’s been getting longer and he’ll complain about it soon(the only reason he hasn’t cut it yet is because you said it looked good on him) “ why do you that ?” he goes quiet for a moment, gauging to see if you were upset, was it suddenly bothering you ?
he frowns. lips already unconsciously forming into a pout when he speaks “ ya don’t like it when i do ?” he tries to sound self assured, but his question comes out whiny. you smile lightly at him, nosing at the underside of his jaw. “it’s not that, dummy. just wonder why you do it.”
his nose scrunches at the nickname but he pays it no further mind. he huffs out a little breath and looks away from you towards the tv screen, a pink tint grows on his cheeks. having to tell you why he does it suddenly makes him embarrassed.
“jus’ feel like it. f’ya don’t mind when i do it why’re you questioning me about it.” you feel his hand heat up from where he has it pressed against your stomach under your shirt, no doubt getting more and more embarrassed having to explain why he has this weird little habit.
you shrug, sighing and nuzzling into him a little more. you press a light peck to his neck and his hand heating up even more makes you smile “i don’t mind it, just never had anyone bite me before.”
“good” he huffs, suddenly pressing you closer to his side. a sudden rush of protectiveness washing over him “get used to it. m’the only one who’s gonna be doing that from now on, got that ?”
“alright” you giggle. you suddenly get an idea and you look up at him. “you wouldn’t mind it if i bit you, then ?” a teasing smirk appears on your face when he almost cracks his neck when looking down at you, wide eyed and cheeks absolutely set ablaze. he sputters and looks away, unable to keep eye contact as he looks to the screen again.
“knock yourself out.” he tries to sound indifferent but his voice cracks a little at the end of his sentence and he cranes his neck to the side a bit to give you more access. you don’t mention either. instead you lean closer to him and nip at his neck lightly. his hold on you tightens for a moment before loosening up slightly and he suddenly won’t look at you anymore. not even when you laugh and poke at his cheek, asking him what’s got him so red in the face. his eyebrows are furrowed and his eyes are so laser focused on the tv you fear he might burn a hole through it. he offers you nothing more than a harsh glare and a muttered out “shush.”
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duu-kiwi · 8 months
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I bet aziraphale wrote about the day the universe was made, about the angel whose voice recited the words that created the stars, about how bright they shone, and still shine, in those angel eyes✨🪐
Here you have some detailss and a cropped version with just!! them!!!
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edit: prints link !
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jelliessoap · 7 months
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Idea! he team found out about Price's husband on a tv game, which they were watching out of boredom. His last name on the jersey is [lastname]-price. They think its a coincidence. But when he makes a winning shot, and the camera pans to him, he dose this specific hat thing, like pinch and smuge the rim of his hat, like when you pinch salt. They realize, its what Price dose! Coincidence I think not!
OMG I LOVE THIS IDEA SM!!!! IM !!!!!!!
hehehe some hcs under the cut thank you anon!
no warnings i can think of, m!reader, reader is a pitcher in this!
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- john would have the game on at the base, ultimately forcing the rest of the task force to watch as well
- literally put the remote in his pocket so they couldn’t change it. they just assumed he really liked the sport for some reason and watched it as well.
- soap was and gaz ended up being the only ones truly paying attention, ghost would give the screen a glance every now and then, mostly just listening to the announcers voice as background noise.
- price only paid attention when you were on the field as per usual, sat next to gaz puffing away at his cigar, soap sat on the floor ( swears its more comfy ), with ghost at the opposite end of the couch
- it was bottom of the 9th and the opposing team’s bases were loaded, 3 balls 2 strikes and 2 outs. your team was up by two points but if they managed to hit a run or walk there was a good chance they could catch up. you needed to strike him out.
- price was stressed. his body tense as he leaned forward eyes fixed on the screen.
- gaz is looking at him like ‘???’ because price never mentioned being a baseball fan.
- it wasn’t that he kept you or your career a secret, it was well known he was married. he was just never questioned about it by the boys and the topic never got brought up
- he also figured it might be safer for both of you seeing you were such a public figure and he had plenty of threats with his job, it wasn’t exactly something he bragged about at work. should your identity fall into the wrong hands he wouldn’t be able to live with himself if something happened to you
- ghost ever the observer couldn’t help but notice the way price paid extra attention to the player with, [last name]-price on the back of their jersey. though he figured it was just coincidence
- soap was just excited to be watching a sport tbh, thought it was boring but started to understand as the game went on. now that things were tense he was at the edge of his seat.
- “c’mon luv…” price would mutter under his breath barely audible as you prepared for the pitch that could make or break the game
- you threw a strike with precision, striking their batter out and earning your team the win for the night
- you had your signal to price, it’d become a bit of a signature move for you. as your teammates joined you on the field, cheering and celebrating everyone pumped full of adrenaline you smiled brightly eyes searching for the camera
- as soon as you found it you pulled your signature move, pinching the bill of your baseball cap and smudging your fingers along it while shooting a small wink to the camera. every one of your movement a direct communication to price. that you’d played for him, you won for him, that you were still thinking of him
- gaz noticed your gesture and looked to price in slight confusion. he’s seen price make that exact gesture with his boonie hat more times than he could count.
- ghost noticed too, also taking note of the way price’s lips twitched upward when he watched you and your team celebrate on screen. he was already sure there was something deeper to price’s interest in the game
- soap of course was the first to open his mouth
- “s’like he’s yer soulmate er somethin, captain.”
- “he is.” price would state so seriously, not a hint of joking in his tone. only fondness, even a bit of pride, his eyes never leaving the screen clinging to every bit of you he could get while so far away
- gaz’s eyes would get all wide and he’d say something like “right way to go cap.” finds the fact that price would watch a whole baseball game just for you and your on screen silent communications really romantic ( hopeless romantic gaz truthers rise up! )
- ghost pats himself on the back mentally, muttering a “knew it.”
- then there’s soap who turns his head so fast he nearly gets whiplash, eyes wide and jaw dropped, “YER GAY??” which earns him a light nudge in the side from ghost’s boot and a chuckle from price
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crybaby-bkg · 3 months
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love it when men have a wife/daughter and refers to you guys as his girls ☹️☹️☹️☹️☹️
bakugou always says it whenever he’s using you as an excuse for something - gotta get home to my girls early tonight or gotta get my girls some dessert since I forgot last time or my girls said I can’t go out with you idiots tonight even though you guys are begging him to go out so you can have a girls night!!!
and kirishima!!!! he always carries pictures of you guys in his wallet, as a Polaroid tucked into his phone case, as his wallpaper on his phone, tucked behind glass on his desk. perks up anytime someone asks him about his family, has the biggest grin as he goes on and on about how beautiful his girls are, how his daughters are spitting images of you, how sweet you all are to him.
just my girls ☹️☹️☹️☹️
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pokimoko · 8 months
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haunting the narrative -> haunted by the narrative -> haunting the narrative -> haunted by
#adventure time#fionna and cake#simon petrikov#betty grof#petrigrof#fan art#fanart#art#digital art#my art#just a lil something something i did for fun#adventure time has always been the show that makes me want to draw (i have SO many AT drawings from 2015 it's ridiculous)#but now I'm coming back to that ye olde passion with new digital art skills and many more evil tragic thoughts (thank you fionna and cake🙏)#i couldn't get the thought about them haunting and be haunted by the narrative out of my head so I had to make some art for it#the caption for this was almost: so who wears the haunted by the narrative in the relationship?#they take turns of course because damn these guys really do be having that tragic romance huh. hot potato cursed existence#never quite on the same wavelength. always out of reach. their love the very thing that dooms them to be apart. a love defined by absences#like two ships in the night passing each other by. except they keep trying to seek the other out. and so end up going in circles#the tragic dance of madness and sadness. lead on and i shall follow. ....so anyway...these two amiright?#/might/ have to write something at some point...maybe...#because like... ghosts are my thing. and these two...well. even when they aren't haunting the narrative they are still ghosts#never let themselves live in the present and okay I'm going to stop now. enjoy the art byeeeee#...AND they'll never be at peace because they'll always be reaching for a version of each other that no longer exists and—#(i am dragged kicking and screaming from the room before i can devolve into a full blown meta)
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inkskinned · 1 year
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actually, i love you, so you cannot be ugly to me. sometimes i think i have no idea what you actually look like. i know we've been friends for like a while but if someone asked oh who's that i'd talk about how funny you are, how charming. about how i have watched you grow as a person, about how you often choose kindness where i would honestly choose a feral violence. i know you keep a tally of your mistakes and they run around your brain - but in mine? i think they never even make it past the front gate. when i think of you my heart swells up with all the weird shit we've done together and how you've talked me through heartbreak and how i've held your hair back and how we both are like, in therapy, and totally above gossiping, but also like, are going to spill the work tea.
i know! i know you feel ugly. i know you hate that you show symptoms, that you're not normal. you said once - i'm afraid to show others the real me. but i see the other things - about these little quirks that are so, so endearing to me. how you are gentle to strangers. how you stand by your friends. how comfortable you make everybody. how you say hey, did you get home safe? even when it's like 6 feet i'm walking.
i love you. yesterday you spent an hour liveblogging the episode of owl house that you're on and i was like - this person is so fucking amazing. last night you said sorry for infodumping. as if you have anything to apologize for. as if part of the reason we're friends is because i love it when you do this, i love listening. i love you, idiot. i love you so fucking much. i want to stick you in a cage so you stop getting random injuries. i want to throw you into a garbage disposal every time you send me that one specific meme. i love you, i love you, i love you. you mean absolutely everything to me.
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eyrieofsynapses · 4 months
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why Aurora's art is genius
It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.
And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.
I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.
SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???
All positive feedback btw! No downers here. <3
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I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!
Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.
Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.
THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)
Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:
Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:
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Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.
I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.
If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!
Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:
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Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.
A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):
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(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)
The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—
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—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.
(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)
Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!
One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!
And another thing re: rain, the use of it to establish perspective, particularly in panels like this—
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—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)
Additionally, the misting here:
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We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.
A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).
Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):
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First panel, listed in numbers because these build on each other:
The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.
The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.
The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.
A handful of miscellaneous notes on the second panel:
The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)
The flowing of fabric in the wind and associated variation in the lineart
The way Erin's tattoos interact with the fire he's pulling to his hand
The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)
I could go on. I won't because this is a lot of writing already.
Third panel gets paragraphs, not bullets:
Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.
Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)
And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.
Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.
Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):
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It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:
Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.
And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.
One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.
A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.
Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?
Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):
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The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:
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What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P
Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):
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They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.
Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.
And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3
...brownie points for getting all the way down here? Have a cookie.
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an-inspired-eternity · 11 months
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i need to share this bc it’s been rocking around my brain for like 2 days and they’re making me insane
also, and this is key
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they both fucking live like this
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