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#I want their confidence
doccywhomst · 4 months
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glitchdollmemoria · 7 months
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actually. that post about how its important to have weird kinky queer friends. i think the same is true of really every type of ostracized person but in particular i wanna point it out wrt mentally ill people.
if you watch a movie villainizing DID or schizophrenia or something, and you think, "hey, this seems sort of like its based on what my friend has and theyre just a chill person, why are they making my friends condition seem threatening?" thats good.
if you see someone use narcissist as a synonym for abuser and you think, "what, no, im friends with someone who has NPD and i know theyre a kind person, this isnt true at all," thats good.
if you hear politicians try to frame addicts as violent criminals who should be locked up and you think "no, my buddy sam is just sick, their withdrawals are really painful and they dont have a good support system, they shouldnt be locked up for that," thats good.
being able to counter ableist rhetoric with "i know from experience thats not how these people are" is a good thing. like yeah obviously dont make friends with mentally ill people just for brownie points but also try to make the conscious effort to be open to friendship with people who have stigmatized mental health issues. and maybe even more importantly, be someone who makes it clear to others that youre safe to be open about these things with, because chances are youre ALREADY friends with mentally ill people even if you dont realize it, because a lot of us with more demonized conditions try to hide those conditions out of fear, and it helps a lot to know our friends are allies - and then we might feel safe discussing our experiences, IF we want to, and in turn that can help you better understand the realities and diversities of our situations and be less susceptible to ableist rhetoric.
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not "i ship these characters" or "i want them to bond platonically" but a secret 3rd thing (I want them to be forced to interact by the Narrative bc they would HATE that)
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phantomrose96 · 9 months
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The realest part of the Barbie Movie was when Barbie was like "okay but what if this hurts his feelings? what if this makes him sad? :(" after Ken stole her house, stole her car, and stole her agency, because as a woman you still have to second guess everything you do on the assessment of whether it might hurt a man's feelings.
And then that apprehension was proven right one million times over by the entire Conservative Internet Manosphere pissing and shitting and screaming themselves hoarse over Barbie daring to hurt a man's feelings.
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secretmellowblog · 1 year
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My husband is a man who collects things he can use. A pistol, a pocket-watch, a woman's love, a wife....
I'm obsessed with That Scene(tm) between Katya and Andrei in the California Director's Cut Rerelease of Goncharov, so I did a lighting study inspired by the film's Art Deco Posters! Little details like Katya never referring to her husband by his first name really add to Andrey and Katya's tense dynamic, which is one of the most underrated parts of the movie imo.
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apollo’s confidence in court: oh my god i’m the worst lawyer ever my client is going to go to JAIL because i can’t even do my JOB
apollo’s confidence outside of court: i’m the only smart one here, i’m the most normal guy in the world and NO ONE is doing it like i am, investigations are EASY, klavier gavin wants me carnally
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pppondi · 2 months
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They're trying.
BONUS
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tubbytarchia · 4 months
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so ranchers huh
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glassphinix · 11 months
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dont ask how or why snapchat would exist in hyrule
bonus:
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milkywayes · 6 months
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the galaxy has a firewall happy N7 day!
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ursiday · 4 months
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Elsa my beautiful princess with a disorder
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mienar · 6 days
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the wandering painter, part one
instagram | shop | commission info
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striving-artist · 9 months
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Tumblr skews young, so let me just share this.
The worst thing you can do in a job is not be bad at something. It's to say you are great at something while being bad at something. If you need to improve and you're upfront that you're not the best, people will probably help or teach or explain. They will sympathize when you get put on a task you're not qualified for.
If you claim to be awesome at something when you demonstrably suck at it, all of that good will and sympathy is gone and it will not come back.
Confident is good. Stand up for yourself, know your skills.
But the other side of this is to Know your Faults.
This message brought to you by the 23yo who bragged about how he was great at X and had the best program for it, and I spent the weekend doing his job for him because he is so so bad at it, and only about 5% of what he did is salvageable.
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sabertoothwalrus · 3 months
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so I’ve been gaining a lot of insight into the animation industry recently, especially in regards to pitching & the creation of new shows. There’s a few ways to go about it.
First, there’s pitching to a studio. When you pitch, it has to be SHORT and CONCISE. You may write a lovingly detailed pitch bible that perfectly breaks down episodes and characterizations, and it might barely even get read. First impressions, first impressions, first impressions!
Most peoples’ first projects don’t get picked up. I’ve heard a few stories from directors that said they tried pitching a story they’d had for years, which got rejected, to then spend a week or even several hours in their car coming up with a new idea, only for that to get greenlit.
But that’s not the end of it. Just because a show gets greenlit, doesn’t mean it will ever get finished. There’s lots of things that can happen. Sometimes, unexpected major world events (like… a global pandemic) can cause projects to get chopped. Sometimes, a CEO change or studio merge means a single person can decide a project “no longer fits with the company’s brand.” Sometimes, the one producer that was rooting for your project gets laid off, and no one else cares enough, so it gets shelved. Sometimes, a streaming service decides to create an animation department, and then they decide they don’t want it anymore. Sometimes, the studio will be simultaneously be developing another project that was too similar to yours and they just didn’t think to tell you until they decide yours is the one with less potential.
On top of that, almost everyone in the industry is saying that “studios just don’t pick up original content anymore.” Studios want something they can franchise, something that will bring in money. New content is risky. Established fanbases are safer.
However! Studios can still be a very good thing. They can be unionized. They can provide better benefits and resources. They can have connections and infrastructure and a larger volume of workers. At a studio, you can divide the labor and produce more in less time. Longer episodes, longer seasons, more consistency in quality.
But this comes with all of the disadvantages of having more in the kitchen.
The alternative is indie animation.
With indie animation, you have total freedom. Full artistic control. It doesn’t even matter if your idea sucks ass, because there’s no one to tell you you can’t make it. You could make it anyway, and you can make it whatever you wanted.
The thing is, making animation is hard. In my production class last semester, the average maximum animation one person could make in that timeframe was 30-60 seconds, and that’s not even counting background design, sound design, or cleanup/color. To make a 5 minute animated short, you should probably have at least 5 people.
And it is CRUCIAL you have a production manager. Ideally someone who’s not already doing art for the project. Most projects without a production manager will fall apart pretty quickly. Once the adrenaline and impulse-fueled motivation wears off, you need someone to hold you accountable and enforce deadlines and proper time management.
Speaking of time, that’s also hard to get. The more people you have, the more likely schedules won’t line up. Most people will have school, or other jobs.
And it costs MONEY!!!!!! You either have everyone work for free and volunteer their time & energy, or you establish a business as a proper indie studio, with people who may or may not have experience on how to handle paying someone else’s salary. And the money has to come from somewhere, so you have to rely on crowdfunding like patreon or kickstarter. (This, by the way, is why I could never fault an indie animation for releasing merch with their pilot.)
And like, maybe you wanna do a series, and all your friends agree to volunteer their labor and time to make the first episode, but it was unanimously not sustainable. Deciding not to produce a second episode until you can raise enough money is not being suddenly greedy, it’s attempting to compensate people rather than expecting them to be continuously taken advantage of.
You have to consider your output as well. There are some outliers like Worthikids, who afaik does all his animation himself, and afaik can work on it full-time thanks to his patreon subscribers. And he still has only produced a total of 30 minutes of animation (for Big Top Burger specifically) in the past 4 years. This is an IMPRESSIVE feat and this is with using a lot of 3D as part of his pipeline!!
Indie animation also has the complication of being more accessible for fandoms. When you’re posting your Official Canon Content on youtube, it doesn’t look a lot different than the fandom-created video essay in the sidebar next to it. What’s canon vs what’s fanon becomes less distinguishable. The boundaries are blurrier. When the creator is just some guy you follow on twitter, it’s easier to prod them for info regarding ships and theories and word-of-god confirmation. They don’t have a PR team or entire international tv networks to appeal to. And this is when creators get frustrated that their fans snowball and turn their creation into something they don’t recognize (and no longer enjoy) anymore.
So it’s tricky.
Thankfully, the threshold to learn animation is fairly low nowadays!! There are TONS of resources online to learn it on your own without forking over a couple hundred thousand to a private art college. There are conventions and discord servers and events where you can network, if you know where to look.
I know it can seem discouraging in the face of capitalism, but I think that’s all the more reason why it’s so important to BE DETERMINED about animation!! We’re already starting to see the beginning of an indie animation boom, and I think it’s a testament to humanity’s desire to tell stories and create art. Even if there’s no financial gain, we do whatever it takes to tell our stories anyway.
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p4nishers · 10 months
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i think it's time i admit i have the biggest fatest crush on 1941 crowley. like dude.
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intotheelliwoods · 2 months
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Happy to have 2 Arms Left in the comp another year! While this isnt Sprouts first rodeo, its Poptarts first! Everyone give him a welcome :)
@tmntaucompetition
Bonus, featuring Poptarts bestie, because no one can convince me otherwise that Poptart will get overwhelmed with the amount of people- @dianagj-art
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