human.
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more backstory that i wrote up for patreon heh:
Simon and Tommy had a complicated relationship as brothers.
At a young age, Simon basically wrote himself off as a lost cause, and did the best he could to make sure at least Tommy had a chance to be a functioning human being. After all, Tommy was the gentler brother, the dreamer, the one who looked like their mother (who'd walked out on them years ago to escape their father). But Tommy got bitter, got sick of the one always being protected, being babied. He lost respect for Simon, for the way he wouldn't fight back, and in a twisted way, grew closer to his father as a way to learn how to be powerful, strong. It backfired, and Tommy got wrapped up in some bad business.
Simon's kid brother died while he was deployed. He got the news in the letter, and it broke him in a big way. In the story timeline, it was years and years ago but it still hurts like hell whenever Simon thinks about him.
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someone probably said this already but in spiderverse i think it's interesting how when pavitr was first introduced everyone thought something bad was gonna happen to him bc of how confident and optimistic he was. and then in the actual movie we see that something bad was supposed to happen to him (police chief dying!) but it doesn't! miles stops it! and miguel berates miles for this, says it's going to cause the universe to collapse or whatever.
there's this idea that tragedy is inherent to spidermans growth, and while it's true that some spiderpeople learn important lessons through loss, no one stops to ask, is it really necessary? yeah, maybe the chief was supposed to die. but why does spiderman have to be formed through tragedy? why do we (as heroes) have to let people die? pavitr didn't lose anyone, and he's still a good spiderman! maybe, if he doesn't suffer, he'll end up better off for it!
so while miguel is arguing for all this big picture stuff about saving the multiverse he's lost sight of what it really means to be a spiderman, he's not looking out for the real individual people. yeah it's just one person who would die, but that one person means something to someone. shrugging and saying "stuff just sucks sometimes, we can't do anything about it" is the opposite of what superheroes do. pretty obviously, miles arc is also a reflection of the struggles people face in real life, working within unequal systems, where it's easy to shrug and say "that's just the way it is" and not ask "but why does it need be this way? can't we do something about it?"
miguel is arguing that you can't have your cake and eat it too. presumably, miles and co. are going to find a way to get around that and change things for the better (and maybe that's why miles has that line about two cakes in the advisors office!)
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Don’t get me wrong, I love the sunshine/grumpy dichotomy of Wrightworth but Phoenix has shown on multiple occasions that most of the time he is ““The Straight Man””.
He’s a wet blanket and routinely gives snide comments on all the weirdos he has to hang out with in the investigation segments. The only time his silly weirdo side comes out is when he’s in court with Edgeworth and that’s because it’s a kangaroo court where he’s fighting for his life the whole time.
In Phoenix’s world Edgeworth is not only infinitely more competent than he is, he’s also the only other normal person. At least in the trilogy that is.The first time I played turnabout big-top I thought I missed a game, or a character interaction or someone else wrote the game because he was such… an asshole? To maya to everybody. He was so 100% no nonsense it freaked me out. But then it was revealed that Edgeworth “died” and that really struck a cord with me.Phoenix’s factory settings are all “Im a mature straight laced lawyer” until he’s around Edgeworth.
Whenever there’s a “sweaty Phoenix.png” in a case against someone else other than edgeworth,it’s because he’s incredulously tolerating the other person’s nonsense.Whereas whenever it’s with Edgeworth it’s given the connotation that he feels he’s less competent.Sort of in silent reverence that he thought that he could get one over Edgeworth.I really love this aspect of Phoenix and I feel it gives his character a ton of nuance besides just being sunshiny or just being prudish. I wish I were better at writing i would totally “wright” him more than with this aspect of his personality specifically.
Bonus points if you factor in that while he was with dahlia he was lovestuck and silly and how that means that this is not only consistent with the type of guy he is when he’s in a relationship but how that could mean he sees himself in edgeworth’s and that’s why he likes him.
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It actually feels very meaningful when Laudna tells Orym, "You wield a blade gifted by the Voice of the Tempest, why would want this wretched thing?" and Orym pauses for a long second before saying, "The blade's from my family, first."
Whether this was intentional or a slip of memory, Laudna does not know the origin of Orym's sword. She connected it to a gift from a powerful political figure, not from Orym's husband, who gave it to him and is the reason he still carries it as a poignant connection to a lost loved one and also a reminder of what the Vanguard has taken from him and countless others. Paired with her asking him, "Why do you care so much?" and Orym turning to the others to answer for him because he's made it very clear for a very long time why, exactly, he cares so much, it feels telling that Laudna is not actually considering and/or aware of the place he's coming from in this conversation.
She doesn't even know where Seedling came from.
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I've only recently started having my own thoughts about Emanator!Sampo and I think my favorite version of this is that he is technically an Emanator, it's just that he doesn't talk about it because Aha is a dick who only blesses people that don't want it and Sampo hates it here dkjxkdkdck
Aha blessed the Mourning Actors! A whole faction of people who have specifically made it their life's mission to resist Elation! THEY made a literal worm THEIR Emanator just to see if it would be accepted into the Genius Society! And when it wasn't, Aha just as easily killed it and tossed it aside! So I feel like there is a good possibility that Aha looked down at Sampo, this little oddball who doesn't seem to even like Epsilon or a lot of the Masked Fools and was like.
Hey.
You know what would be really really funny.
And I feel like being an Emanator wouldn't even be a plus for Sampo, because of how he operates. Sampo excels at blending in; he managed to smuggle himself onto a planet
that had been isolated for 700 years,
with only one (1) single city on it,
and going even further, he snuck himself into the Underground,
where the population is even more sparse,
and STILL. Not a single accusation of him being an alien! Not even after the Astral Express lands and proves that interstellar space travel is possible! Sampo is so thoroughly ingrained into Belobog that yeah, some people admit they don't know his origins, but none of it ever comes with the question of whether he actually is a Belobog native or not. Sampo knows exactly how to blend himself into his surroundings in the most subtle way possible. And being an Emanator, something far more powerful than any normal human or Pathstrider could ever hope to be, would only throw in a massive extra variable for him. Sampo would have to be so so careful to keep a lid on his Emanator traits, to keep up the appearance of being totally normal and average at all times. It doesn't help him at all.
And this part is pure indulgence, but I love taking Aha's closeness with mortals, and THEIR tendency to take human form, and twisting it into a case of THEM using Sampo as a vessel.
I want Aha to look at Sampo the same way all of us look at Sampo. A chew toy. A plaything. Something to shove through the meat grinder. Aha thinks Sampo is hilarious and a funny, silly little guy, and THEY want to put him in Situations just to see what he does. Sampo is not a fan.
This though, this is what makes Sampo so wildly entertaining as a vessel. Because Aha knows that Sampo does not want to be a vessel, does not even want to be an Emanator, and THEY find it SO much fun to watch the mental gymnastics he has to pull to convince himself he's ok with it, this is fine actually, because he's not exactly about to tell off a literal god. He doesn't feel like getting a smiting today, please and thank you.
Because squeezing yourself into a human vessel is so different than merely adopting a human disguise, there's already a human soul in there, it's kind of a tight fit. If Sampo doesn't make room, doesn't all but dissociate right out of his own body, it could cause. Consequences.
And so, Aha always gives a warning, just to watch him squirm.
It begins with the sound of bells.
Just little ones, at first. Small, clinking little sounds that could even be considered nice. Something almost gentle, like a wind chime in a pleasant breeze on a warm day. This is the signal for the countdown.
Sampo breathes in, breathes out. Makes himself as small as possible within his own body.
The bells rise and multiply, tinkling wind chimes give way to sleigh bells, to shopkeepers bells, the sound of something inevitable approaching, something entering.
Sampo breathes in, breathes out. Dilutes himself, weaker and weaker concentrations.
The bells rise and rise, multiply and multiply, celebration and tragedy resonating in the sound of church bells, ringing bright and loud, the sounds of weddings and funerals both the same.
Sampo breathes in, breathes out. Becomes like smoke, like vapor. Hollows himself out.
Empty, empty, empty until he echoes, like a bell, like something with the sole purpose of being shaken and rattled around, a thing to be struck, the sounds jarring and punched out and gasping and piercing the air, the lung, the eardrum.
Sampo breathes in.
Beaten he rings, bashed in he sings.
Aha breathes out.
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