#Michael Fletcher | Explore Tumblr Posts and Blogs

mediumgayitalian · 17 days

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part two

———

Getting outrun for seven miles by an eight year old is a uniquely humbling experience. Compactly humiliating, coincidentally, is being outrun by an eight year old while dragging along a bouquet large enough that it cannot be adequately contained with two hands and must therefore be carried between two people.

Lee is having something of an afternoon.

“It starts in seven minutes!” shouts Will, at least twelve solid yards ahead of them and running backwards. He does not appear even to be sweating. “Hurry!”

“Could not be hurrying more if I tried,” Lee wheezes.

(It’s not that Lee isn’t a good runner. He is. It’s that Will is freakishly fast, because he has dimples when he smiles and has endeared himself to the dryads, who have been teaching him how to sprint like the hopped up little Energizer Bunny he is. Michael has been calling him Soda Boy for ages, on account of how he so closely resembles a can of pop that has been vigorously shaken, which he hates. Remembering it brings Lee some peace.)

“Let’s go let’s go let’s go!”

Clamping his mouth shut in a desperate attempt to preserve energy, Lee surges forward. Michael matches him, having to run significantly faster to keep up with his long legs. Their panting forms a discordant melody of despair. Poetic.

When they stumble through the door, chests heaving, Lee considers collapsing to the ground and weeping for joy. He will never run again. If a monster chases him, he will simply fight or accept his fate. He has reached his quota.

But, for perhaps the first time in his life, there is no time for dramatics. The lobby is devoid of the massive crowds it held earlier, shadows eerie in their absence, and only the final tail end of a line shuffles through the stage doors.

Despite his internal vow, Lee sprints forward to catch up with them.

“Hold it,” says a man in a venue volunteer! vest, holding up a hand. He glances at them, resting his gaze on Will’s messy hair, Michael’s scuffed shoes, Lee’s wrinkled shirt, and pausing for quite a while on the giant bouquet. The narrowed eyes and thinned lips are familiar. Lee stiffens.

“Go on in,” the man says to the middle aged couple in front of them, who’s crease-free jackets read ‘Dance Mom’ and ‘Prop Team Dad’ respectively. He shoos them inside, complimenting the honest-to-Apollo corsage in the woman’s hand, chortling along to the man’s joke. The laughter drops from his face the second the couple is guided through the doors, and the man turns back to the three of them.

“The show,” he says, nose upturned, “has begun. I can’t let anyone else in lest they cause any…disturbances.”

“The show starts on three minutes and forty-seven seconds!” Will protests, sticking his watch in the man’s face. Completely oblivious to his murderous look, he continues, “Forty-six seconds! Forty-five! Time’s-a-tickin’, let us in!”

The man bares his teeth in a smile. “Regrettably, you are too late. You’ll have to wait for the intermission.”

Will blinks at him. He looks at Lee, at the doors, then back at the man.

“But…we’re on time. And if we come back later, we’ll miss my sister’s dance!”

The man shrugs. “This will be a valuable lesson, then.” He purses his lips, glancing again at the bouquet. “Perhaps be more prepared, next time.”

Will turns back to Lee and Michael, crestfallen. He swipes quickly under his eyes, squeezing his thumb into fists, but the tears well up anyway. “We’re going to miss it?”

Michael snarls. In one quick move he shoves the massive bouquet entirely into Lee’s arms, yanks Will by the shoulders to stand behind him, and gets right in the man’s face.

“You listen here, you slimy ratbag, you had no fuckin’ trouble letting those last scragglers in so you better clean up your act quick before I —”

A loud crashing noise makes them all jump, interrupting him. Nearly crushing the flowers, Lee whips towards the source of the sound. One of the competition banners has been yanked down, metal frame collapsing on the tile floor. Fastening screws rattle to a slow stop beside it.

“What the —”

Another banner crashes to the floor. This time, the little hands that tore it down are a touch too slow to dart away, a blonde head not quick enough to duck behind a corner.

“Hey!” the man shouts. Shoving Michael aside, and moving quicker than Lee can think to stop him, he sprints towards the corner Will disappeared behind. “Get back here! You can’t do that!”

Lee curses, trying to manoeuvre the flowers to see and run at the same time. Michael runs ahead of him, on the man’s heels, chanting shit shit shit shit under his breath. Lee’s brain takes the initiative to alternate, chanting fuck fuck fuck fuck fuck every time he takes a breath.

They’re going to get kicked out for sure. Diana is going to kill them and it’s going to be justified, because Lee is going to have to live with the noble look he knows Cass will have on when she realises they’re not there to watch. The shakey, practiced smile she’ll slap over the disappointment in her dark eyes.

Shit shit shit shit indeed.

“Lee! Michael! Over here!” whispers a voice. Lee whirls around to face it — boy does he ever feel like a puppet on a stick right now — and, for the second time in as many minutes, feels his head pound at the disorienting frenzy of emotions that bubble up when he sees his baby brother’s face. Will stands half inside a doorway Lee hadn’t noticed on the way in, tucked in the shadow of a corner.

He is fast, holy shit.

“What the hell are you doing,” hisses Michael.

“Getting us inside! Hurry up!”

Lee doesn’t need further prompting, clock ticking in his brain. Gods, how long do they have left? Thirty seconds? Less?

“Most big theatres have sideline entrances,” Will explains after Michael helps shove the giant bouquet through the tiny door. He guides them, upright to their hunching, down a tight corridor. “They’re for performers to pop up in the audience without being seen. Mama and I race each other to find ‘em when she did shows.”

Lee had forgotten, for a moment, how much of his life Will has spent in and out of theatres, bars, stages. Naomi Solace has been growing more and more famous since…half of his life, at least. Lee remembers hearing about her four years ago, when she’d done a smaller show in Queens. A friend of his had gone.

Michael reaches out and tugs the mostly-undone ponytail he’d wrestled Will’s hair into that morning. “Good job, kid.”

He grins over his shoulder. “Thanks.”

They stumble into the darkened audience in the nick of time. The second Lee steps out of the cramped little corridor, dragging the stupid flowers (he is, in fact, regretting his choices at this point in time; when he has a free moment he will add this to the list of reasons he will be kicking his past self’s ass if the Hephaestus cabin successfully recreates DeLorean time machine) along with him, the stage lights come on. An announcer’s voice calls out, “Entry 109, Competitive Open Solo: Cass Hasapi.”

“Fuck,” Michael mutters. A quaint family of four gasps. He sneers at them. “Fuck, you see Diana?”

“No, is she maybe —”

“I think that’s her hair —”

“That person is way too tall, what are you —”

“I swear to the gods, I am going to kill you both,” whispers a beautifully familiar voice, and then Lee is being dragged. “Sit the hell down and shut the hell up. Will, baby, c’mere.”

Will climbs happily over the two empty seats, settling onto Diana’s lap and curling under her chin. He sticks his tongue out when Lee and Michael follow in behind him, struggling with the bouquet, muttering about favouritism.

“I’ve literally known you for six times longer than you’ve known him,” Michael mutters, sticking his tongue out right back. A grandmother with a severe bob whirls back and hushes him.

“Yeah, I’ve had all that time to get tired of your bullshit. Shut up.”

Before Michael can retort — Lee is sure he has an eloquent and devastating response, Lee has been helping him practice — soft piano drifts out from the speakers. A light turns on, pointed at the stage.

All four of them snap their mouths shut.

In the centre of the stage, Cass stands, poised. Her back is turned to the audience, arms extended above her and tilted to the right, as if reaching for the setting sun. Her hair, braided loosely back, brushes the edge of her thickly draping purple costume. Her knees are bent and locked and one bare foot sticks out like she’s trying to balance herself, like she’s mid fall.

A gravelly, male voice sings lowly along to the piano. How do you know which time might be the last? She moves along the dip of his voice, dragging her limbs through the rigid air. What I would give just to see you again? She moves with a swooping twist of her heels, twisting at the waist. Under the heat of the stage lights, her face contorts, forehead deeply wrinkled, mouth parted, breathing quickly. I’d walk to the depths of a world down below and demand to get back what some circumstance stole. She holds herself with such tension that Lee finds his own shoulders hiking up to his ears. Her chest moves rapidly, hands shaking, knees buckling. His breath goes stale in his lungs.

When the chorus starts, hard and heavy and sudden, I turned back one last time just to prove you were there, Cass hits the floor. He gasps with the rest of the audience, clutching the plush armrest, but it’s intentional, part of the dance. ‘Cause the last ray of sun made Eurydice cold. Collapsed on the floor, limbs bent, dress askew, she crawls, begging, towards the audience. Did she know? Did she know? Did she know? Did she know?

Cass does not move gracefully. She moves like a beached, gasping siren dragging herself back to the depths, like someone climbing out of a pit. Every movement looks heavy and painful. She looks at the audience and Lee is surging forward before he can stop himself, breath hitching, brain screaming: help her! help her! help her!

If I knew how it’d feel back then, I wouldn’t take another step.

Her body twists again, hair escaping her loose braid and sticking to her neck, her forehead. She claws at her throat like she’s suffocating, eyes accusing everyone watching like they’re holding her under. Each movement of her arms swell and sway on the beat, bare feet slapping the ground with every hit of the kettle drum. If you can see me it’s all in your head, but it feels real to me now, it felt real to me then.

Everything ends.

The piano fades out, the drums hit their last beat. All that’s left is the wretched guitar, taught like strings snapping, taught like the tense pull of her suspended muscles.

But I opened the door and went down the stairs; I turned back one last time to prove you were there.

As the last word fades, she drops. Not slowly, not evenly, but like whatever was holding her up crumbled to dust. Like she was shot. Her purple dress pools out around her like dark Hyacinth. She lays completely, entirely still.

The lights cut. The air in the audience goes heavy.

They come back on and no one says a word. Lee realises, as it drips onto his hands, that he is crying. Diana is, too, tear tracks too fresh to dry on her face, and Will is leaned forward so far he sways precariously. Michael’s hands are pressed harshly to his eyes.

Trancelike, Lee stands. All eyes snap, abruptly, towards him, but he ignores them. He looks straight across the rows of chairs and locks eyes with his sister, upright now, heaving, standing hesitant. She looks at him, and then beside him at Michael, and then at Will in Diana’s lap. They scramble quickly up next to him, and without any of them saying anything, they begin to cheer.

Cass’s face lights up.

With permission, much of the audience claps. No one stands as they do and as they continue hooting and hollering the claps fade quickly, replaced with stares and murmurs, but Cass still stands there, beaming, looking away and looking back like she can’t believe they’re there. That someone is there, that someone watched her, her, from beginning to end. A hand tugs on his sleeve.

“Can I sonic?” Will asks, raising his voice to be heard.

“Level four,” Lee allows.

He needs no further permission, grinning. He lets out a piercing whistle that makes everyone around them shout in alarm and Lee’s ears ring. But Cass laughs, loud and bright, so it’s worth it, and when Will looks at him in question he nods. The second whistle is definitely beyond a level four, but Lee doesn’t care. Cass looks the happiest he’s seen in a long time.

———

None of them care too much about staying for the other performances. But Cass has two more dances with her studio classes, spread out as they are, so Lee remains doomed to two hours of an aching ass and performances that come nowhere near Cass’s masterpiece. Will seems intrigued, though, by some of the pieces, so he grits his teeth and bares it. Besides, the rolled eyes he shares with Diana and Michael every time someone does something exceedingly cliche or tries and fails at depth (someone, often, being one of Cass’s teammates, shocker) makes it somewhat worth it.

By the time the judges call the last entry, though, Lee is ready to book it out of there.

The lights come back on and pop music plays through the speakers as dancers, in track suits over their costumes, congregate on the stage. Lee stands and stretches, letting Will stand on his shoulders and jump off into Michael’s arms to get some of his energy out. (And, also, ‘cause tossing a small child between them is fun. Diana jogs into the aisle so they can throw farther, but they all decide against it when a security guard glances over.)

After what feels like eight million years, the judges finally lumber over to the stage. The building voices hush as they climb the steps, standing in front of the gathered studios with cabled mics and stacks of foreboding envelopes.

“Welcome, dancers and families,” starts one judge.

She blabs on for several minutes about what an honour it was to judge and how wonderful everyone was. Blah, blah, blah. Lee spaces out about the time Diana’s eyes glaze over, and he looks instead to the gathered stage, observing. There are five different studios that he can see, each with about forty to fifty dancers. Mostly young women. They sit tangled together, legs on legs, arms around shoulders, feet tucked under thighs. Cass, he notices, sits on her own, at the very back of the stage. She sits straight-backed and proud, though. Chin lifted, braid resting over her shoulder.

Impossible to miss.

Two of her group dances win Diamond (Diana explains to them that this is Very Good. She thinks). Most others do not get this honour. Lee notices especially the older couple to their left looking quite sour. The glee he feels is indescribable.

“The winner for our open solo, for all age groups, was actually unanimous. It’s been a while since that happened!”

A girl near the front of the stage, who Lee recognises as the one to make a cruel joke about Cass’ mother, preens. Her solo was boring as hell. He’s not sure what she’s so smug about.

“With a score of 97.6, congratulations to Entry 109, Cass Hasapi!”

The four of them scream like lunatics.

They don’t even wait for scattered applause. Each one of them clambers up on the pristine chairs, covering them with scuff marks, and yell at the top of their lungs, jumping and cheering like chimps in a cage. Cass goes red, but she can’t hide her smile as she stands and accepts her award, grinning over at them. Michael holds up his camera and snaps a photo of her, pink-cheeked and wild-haired, glowing.

———

“Cass!”

Will sees her before the rest of them, sprinting towards the changeroom doors at top speeds and leaping up into her arms. She catches him easily, spinning them both around, pressing a thousand kisses to his hair and face.

“Hello, my darling! Hello hello hello!” Every word is punctuations with a kiss, or rather a press of her wide smile to anywhere she can reach. In seconds his cheeks are stained with her lipstick. “Oh, it has been weeks, darling boy, I missed you!”

Will clings to her sweater, face buried in the crook of her neck. She holds him just as tightly.

(Will has seen Cass more than Lee, in the past few months. He knows she’s made a few sudden trips to camp. But he also knows that she was the first one to welcome him into camp, the day his mother dropped him off, and when he was claimed she was the first to bring him home. She loves to tote him around, too, to have him trail after her for cabin inspections, holding the clipboard, or paint his nails when she’s bored. He misses her something fierce in the winters. She holds on tightly when she comes back home.)

Squeezing him one last time, she turns to the rest of them. Despite her wide smile, her mascara runs.

“You came,” she says, voice wobbling.

Michael clears his throat. “No shit.”

His voice wobbles, too.

“Come here, you goober.”

He’s the next to cling to her, inserting himself under her arm. She presses a kiss to his temple and he pinches her ribs, complaining, getting louder when she digs a knuckle into his hair. Diana jogs up and separates them, as she always does, flicking Michael on the forehead and pressing a kiss to her sister’s cheek.

“I’m so proud of you,” she whispers, squeezing her hand.

Cass’s tears spill over again. “Thank you.”

Lee clears his throat. He feels, suddenly, like a doofus, holding a bouquet of flowers the size of him, but Cass looks at them and grins again, chuckling.

“You sell your kidney for that or what?”

Lee snorts. “No, we exchanged Will. This is a clone.”

“Did not!”

Lee blows a raspberry. “Did too. Clone.”

“I’m not a clone! I’m me!”

“Nuh-uh.”

“Ya-huh!”

“Alright,” Cass interrupts, rolling her eyes fondly. She kisses the tip of Will’s nose again and sets him down, turning towards Lee, hands outstretched dramatically. “Hand me my dues.”

Because she is, at the core of her, a true daughter of Apollo, even though the amount of poise and grace that bleeds from her at any given time contradicts almost directly with the guy who beams Pocketful of Sunshine directly into their brains at five in the morning every single day without fail, she kneels with a flourish. Because Lee is, at the core of him, also a child of Apollo, he goes unquestioningly along with the bit, pulling out one of the flowers to knight her before resting the entire bouquet in her arms. She has to hold it with both hands.

“You guys are ridiculous,” she says, grinning.

“They are ridiculous,” Diana stresses. “Dumbasses were damn near late getting this for you. They already had flowers, mind you. They’re just dumb.”

Will holds up his hand with his watch. “I kept us from being late!”

Diana squishes his cheek. “Thank you, sweetpea. You’re already smarter than your brothers combined.”

“Stick out your tongue again and I’ll grab it, you little snitch,” Lee warns.

Will, darting to hide behind Diana, does not heed his warning. Because he’s a little shit. bc

The walk out of the building in a gaggle of movement. As other dancers and their families walk by, glowering at Cass’ flowers and at Cass in general, Lee makes a point to catch their eyes. To smirk. To let them know, without saying a word — you were wrong. Of course you were wrong. Look at how she’s better than your bitter ass without even trying.

It warms him inside, truly.

“I’m thinking,” Diana says, walking back to the car, “that we stop at Dairy Queen on the way home. On Michael’s dollar. Will, look real excited so Michael can’t say no.”

“I am excited,” Will says, turning to face him, “so that’s real easy.”

Michael sighs. He taps his foot on the pavement, glaring. He sighs again. “You’re getting s plain cone and that’s that. You understand me?”

Will takes that as code for ‘begin negotiating’. Diana joins him, the two of them chasing Michael to the car, yelling about Blizzards and sundaes. Cass falls into step next to Lee, adjusting the flowers.

“So,” she says, shooting him a small smile.

“So,” he intones.

“Diana told me you snuck the boys out of camp.”

“…Yes.”

“Organised the whole trip, basically.”

“It wasn’t hard. I just told Michael to pack his shit and he listened, for once. So.”

“Lee.” She waits for him to open the trunk, letting him stuff the ridiculous flowers inside before facing him, grabbing his hands and squeezing. “Thank you.”

“I don’t —”

He swallows past the lump in his throat. How can he say it? How can he tell her about being fourteen and older than half the unclaimed kids in Hermes, still reeling over camp as a whole, and the fear that had dissipated from his chest when she stood in front of camp and said, firmly, he’s ours? About the hours she spent listening to him ramble about Pokémon, learning the game for him, mailing him cards she finds around? About the letters she sends him every week without fail, even though she’s swamped with her own shit, because she remembers the night he cried, months and years of being weird and lonely and unlike anyone else he knew? How can he explain the bubbling in his chest, the ache for her, because of her?

“Of course, Cass.”

She opens her arms and he falls into them, forehead on her shoulder, arms tight around her waist. She grips around his back, pressing a kiss to his hair. His throat is dry, choking back the thickness of his tears.

“I love you.”

“Love you too, Lee.”

#AND WERE DONE #AND ITS FIVE THIRTY IN THE MORNING FUCK #percy jackson and the olympians #pjo #hoo #heroes of olympus #lee fletcher #will solace #michael yew #diana mckinney #cass hasapi #cabin seven #my writing #fic #longpost #song is orpheus by vincent lima btw #pjo hoo toa

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thestarstoasun · 28 days

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Possibly a hot take, but I think the Tartarus trip actually helped Will a lot. Obviously I have my disappointments with the book, but we do not only see Nico healing from the copious amount of trauma Rick fit into him; we get to see Will come to terms with darker parts of himself.

It's canon/very heavily implied (I can't remember and don't feel like looking it up) he came to camp at a very young age, younger than campers that aren't deemed "powerful" or have a strong scent. Despite Will thinking he isn't strong, he is the best healer Camp Half Blood has seen in, what we can assume, at least a century. He's a year-rounder, so he hasn't experienced life on the outside in years. Hell, until Trials of Apollo, his godly parent hardly took notice of him.

His older brothers and other siblings were his biggest supporters and motivators. They looked out for him and took care of him in place of a parent, specifically the older kids (Lee and Michael.) And he lost them during the Dark Prophecy - less than 2 years apart from each other. He didn't even get to search for Michael because Percy took him for a joyride across Manhattan on a motorcycle to help Annabeth.

Even after all of that, its implied/seen that he's someone who is always looking on the bright side of things, never making anything about himself, always helping others, etc. He's a ray of sunshine in everyone's life, never allowing himself to show anyone that he's hurting or suffering because he feels like he just can't. After all, he's Will Solace. He is the head medic, the infirmary can't just stop running. He's the counselor for cabin, his siblings need him to be strong.

He represses his negative emotions, even admits to it in Trials of Apollo. I think he represses them to a point he can avoid/ignore them or pretend they aren't his. It's easier to be a ray of sunshine in people's lives if the negativity and darkness you feel are projected onto someone else.

These tendencies are also something that causes strain in Nico and Will's relationship, because Nico doesn't understand how Will can't see how hypocritical he is. When in reality, Will does know, but it's easier if he avoids it. Ignorance is bliss after all. This doesn't mean Will doesn't work on trying to let Nico in, because he does, sort of.

On bad days, the days when he wakes up and wants nothing more than to curl up in the arms of his older brothers, he would go to Nico's cabin. However, his only explanation would ever be, "im tired." It frustrated him just as much as it upset Nico. He wasn't even sure if his boyfriend could tell. (Nico could, but that didn't mean it hurt any less.)

In Persephone's garden, he was forced to face the fact that there is darkness/negativity/hurt inside of him. He can't deny it when it's right in front of him, so he finally has to stop repressing everything, stop running away, and face his pains.

#tbh i cant tell when this went from character study opinion to headcanons #i just start typing and words show up #im proud of this though #will solace #nico di angelo #solangelo #pjo #percy jackon and the olympians #the sun and the star #heroes of olympus #persephone #trials of apollo #michael yew #lee fletcher #apollo cabin #percy jackson #annabeth chase

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pain-is-too-tired · 24 days

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I'm thinking about the Apollo Cabin and crying again y'all fdhdg

Just thinking about Little Will struggling to find a talent that fits with his other siblings, watching them ace Archery and Music no problem, and feeling really self-conscious about it.

Lee making the decision to have him shadow Michael in the infirmary and Michael immediately being taking him under his wing.

First time Will's healing abilities show up Will's confused as to what had just happened but Michael is pumped. Lee practically could see him glowing when they meet back for dinner Michael's so proud.

Anytime anyone even tries to talk down to Will about his lack of Archery or Music expertise like his siblings Michael has to be held back from throwing hands. Especially cause he knows Will takes it to heart.

After BoM, Will's self confidence plummets due to losing his biggest support system and having to take care of so many lives on his own. It doesn't really start to build back up until Nico starts noticing and helps him through it.

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yourspeirs · 29 days

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#these two are the friendship i need #the big boi and the smol one #their relationship is amazing #band of brothers #bull randleman #john martin #band of brothers edit #bandofbrothers #dexter fletcher #michael cudlitz #denver randleman #denver bull randleman #easy company #hbo war

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freddie-77-ao3 · 1 month

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Lee: Will, you’re my favorite Will: Why? Kayla T-Posing over a hissing Michael because.... why not: Austin complaining about how his severe third degree burns from the lava wall means he can't post a youtube video this week: Lee: No reason

#pjo #pjo hoo toa #riordanverse #pjo series #pjo fandom #incorrect quotes #will solace #lee fletcher #michael yew #kayla knowles #austin lake #cabin 7 #cabin seven #apollo cabin

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meowneos · 2 months

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who else is thinking a lot of thoughts

#band of brothers #ross mccall #shane taylor #matthew settle #kirk acevedo #ron livingston #frank john hughes #rick gomez #eion bailey #michael cudlitz #dexter fletcher #photo credits to pinterest lol

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kitkats-and-kittens · 4 months

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Anyone ever think about Will Solace?

Anyone ever think about how he came to camp at 10 and was apparently a year rounder due to how dangerous the monsters where?

Anyone ever think about how at 12 he watched countless demigods along with his brother, die and wasn’t able to do anything about it?

Anyone ever think about how only a year later he went to war?

Anyone ever think about how he was a war medic at 13?

Anyone ever think about how he healed countless injuries but still couldn’t save everyone and had to watch almost all of his siblings die in the span of 3 days?

Anyone ever think about how he became head councillor at 13?

Anyone ever think about how only a year later he went through another war?

Anyone ever think about his feelings of inadequacy since he considers being a medic his only useful skill?

Anyone ever think about how he went to Tartarus at 16?

Anyone ever think about how he had to accept the bad parts and learn to love all aspects of himself?

Anyone ever think about how despite everything he went though at such a young age he continues to smile, to be optimistic and passionate about his boyfriend, his siblings, his dad?

Anyone ever think about Will Solace?

#percy jackson #gods #pjo #apollo #trials of apollo #will solace #the sun and the star #nico di angelo #battle of manhattan #michael yew #lee fletcher #I could write essays on this man #also confirming plague Will Solace in two lines and never bringing it up again was criminal Rick

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raphael-angele · 7 days

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Nico's Big Brothers

Nico: Conner, can you open this please. *gives him a can of peanut brittle*

Conner: Did Travis okay this?

Nico: Mhm.

Conner: You know you can't eat these kinds of things without drinking water directly after, right?

Nico: Yep.

Conner: Where's your water?

Nico: *points to glass on table*

Conner: Alright *opens can and spring snakes pop out*

Conner:

Nico: :)

Conner: Classic *impressed*

---

Nico: Travis!

Travis: What's up, kiddo?

Nico: Annabeth gave me homework. Can you please help me?

Travis: Yeah, sure. *pulls ups a chair and sits on whoopee cushion*

Travis:

Nico: :)

Travis: *pulls out whoopee cushion from underneath him* ...I'll teach you better pranks if you get an A in this.

---

Visiting an Aquarium:

Percy, carrying Nico: Nico, c'mon. Look at the pretty fish.

Nico, burying his head in Percy's shoulder: No! I don't like the ocean! The ocean is scary! It's gonna eat me!

Percy: *sigh* C'mon. Look, there's a turtle over there.

Nico: *looks hesitantly*

Percy: See? Over there. *points to turtle* Say, "Hi, Mr. Turtle*

Nico: *waves* Hi, Mr. Turtle.

Turtle: *waves back*

Nico: GAAASP HE WAVED BACK! PERCY, HE WAVED BACK!

---

Nico: GROVEEERRRR! *running*

Grover: Woah! Woah! Woah! Nico, calm down. What's wrong?

Nico: *opens his palm to show a baby bird with a broken wing*

Grover: Oooh.

Nico: I think she fell from her nest. B-but you can heal her right? Or Juniper can?

Grover: Nico, I'm sorry. Juniper or I don't have healing powers

Nico: B-but, we can't just leave Beanie alone! He's tiny and just a baby! He needs his family!

Grover: *sigh* I know. C'mon. We'll go to the Apollo cabin to see what they can do. Then we'll put him back in his tree.

Nico: I'll still get to see him, right?

Grover: Of course.

---

Jason giving Nico a tour of Camp: And that over there is the arena. It's where we train.

Reyna: Jason! Who's that?

Jason: Oh, Nico, this is Reyna. She's my best friend. Reyna, this is Nico. He's a visitor.

Reyna: We don't accept visitors

Jason: He's an exception. Diana asked us to-

Nico, playing with a dummy sword: Jason, I'm hungry.

Jason: Aww, okay. Let's get you some food.

Octavian: What are you two doing? And what is that? *points to Nico*

Reyna: Back off, Octavian.

Octavian: No. That thing needs to leave. This place is-

Nico: *throws his dummy sword at him*

Octavian: OW!

Jason: Nico!

Reyna:

Jason: Octavian, are you okay? Do you-

Nico: *throws stones, sticks, and whatever he can pick up from the ground at Octavian*

Jason: Nico, you can't-

Reyna: Wait, give him five more seconds to learn his lesson

---

Nico: *wakes up from his afternoon nap*

Alice: Oh, looks like someone's awake from his nap

Nico: Clovis...

Clovis: *picks him up* I'm here, kiddo. You need anything?

Nico: Hungy...

Clovis: Alright. Let's get you some food. Did you have a good nap?

Nico: Mhm. I had a good dream

Clovis: Aww, tell me all about it.

---

Nico: Charlie.

Charles: Yes, Nico? What is it?

Nico: Can you make something?

Charles: It's kind of what we do here. What do you need?

Nico: I made my sister mad.

Charles: What happened?

Nico: I almost broke her bow. So I want to make it up to her.

Charles: So you want me to make her a new bow?

Nico: Not exactly. *shows paper*

Charles and other Cabin 9 kids: *looks*

Charles: Oh, wow. That's...that's certainly something.

Nico: Can you make it?

Charles: Maybe like...2? 3 weeks?

Soon:

Bianca: Hey...Charles, right?

Charles: That's me. What can I help you with?

Bianca: Nico said that he had you make something for me?

Charles: Oh, so you're Nico's sister. Yeah, I have what he asked for. *hands over case*

Bianca: What is it?

Charles: *opens case* He felt bad about almost breaking your bow so he had me make you this. *shows violin*

Bianca: Oh, wow. That's...very generous of you. All of you.

Charles: That's not where it ends. *pushes a button at the top and the violin turns to a bow*

Bianca:

Charles: He had blueprints and everything.

Bianca: I'm going to say something I swore I'd never say. Oh my Gods.

Charles: *chuckles*

Bianca: How much does he owe you?

Charles: Ah, it's on the house. It looked really cool and all of us wanted to take a shot at it. It was fun enough for us to make it.

Violin

---

Nico: *crying cuz he fell fown and scraped his knee*

Lee: Nico, calm down.

Nico: It hurts!!

Lee: I know, kiddo. I know.

Nico: I want Bia!!

Lee: Michael already called for her. Just be a good boy and keep still, okay?

Nico: *nods*

Lee: Okay, there we go. *blows on his wound and applies betadine*

Nico: Can I get a lollipop later?

Lee: Well, if you're a good boy, I can give you one in your favorite flavor. *patches him up* And we're done. See? That wasn't so bad, right?

Bianca, coming in: Nico?

Lee: Over here. He's fine. He just scraped his knee. Nothing a little betadine can't fix.

Bianca: Oh, good. Thank you.

Lee: Yeah. And he was a very strong boy. *shows lollipop jar* Here you go, Nico.

Nico: Yay!

---

Michael: Good. Don't close your eye. It'll be harder if you do. Stand properly

Nico: *does as he's told*

Michael: And...release.

Nico: *shoots an arrow bullseye* I DID IT!!!

Michael: YEAAA! *picks up Nico* Aww, great job, little man.

Nico: DID YOU SEE IT? MICKEY, DID YOU SEE IT?!?!

Michael: I saw it. And it was perfect. C'mon, let's go tell Bianca.

#pjo #percy jackson and the olympians #percy jackson #nico di angelo #grover underwood #jason grace #travis stoll #conner stoll #charles beckendorf #michael yew #lee fletcher #bianca di angelo #reyna avila ramirez arellano #clovis #baby nico #percy jackson incorrect quotes #pjo incorrect quotes #incorrect percy jackson quotes #incorrect quotes

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jkschanel · 4 months

Text

apollo cabin family dynamics… save me apollo cabin family dynamics…

but seriously… the grief that comes with being a child of apollo… more siblings than you can count is all the more to lose, counsellors barely making it past 16-17

the inherent tragedy of being a cabin of healers and fighters and poets, never knowing if the next body you have to bandage will be your sibling… born to hold a pen, forced to carry a bow

a cabin as bright as the sun, smiling faces that give hope to wounded children soldiers, singing songs around a fire even when you don’t know if you’ll make it to tomorrow

seeing the numbers dwindle, what used to be a full house becoming half empty and then barely used

but at least you have each other… whoever survives

#pjo hoo toa #cabin seven #cabin 7 #apollo #children of apollo #will solace #lee fletcher #michael yew #kayla knowles #austin lake #gracie #jerry #yan

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phoenix--flying · 7 months

Text

I got bored and I have a fake tweet maker so have some pjo tweets ft a few of my ocs

I have so many of these

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mediumgayitalian · 20 days

Text

The slam of his car door is loud enough to make him jump, echoing across the dipping valleys and proud hills. He curses to himself, standing frozen, one, two, three, four, but no one comes running. A light dusting of snow falls in a perfect circle around an invisible border, and Lee shivers as he jogs over to it, worn sneakers squelching over the wet, half-thawed grass.

As soon as he steps onto the bottom of Half-Blood Hill, he feels the difference, the balmy breath of warm summer under the clear December sky. The power of Thalia’s tree sends its usual shiver down his back, and he touches it, briefly, as he speeds past, sending his usual prayer of thanks. He pauses at the crest of the hill, using the bright gibbous moon to survey the camp, marking his path.

“Two, four….twelve,” he mutters to himself, craning his neck to map every one of the patrol harpies. He crouches for a while, watching them, tracking their patrol: paired, hexagonal, staggered circuits around the cabins. Four minute window of opportunity.

He can do four minutes.

As the two harpies walking the Apollo-Artemis circuit begin to cross the common, Lee bolts. He keeps low and close to the shadows, sprinting fast and on the balls of his feet to stay quiet, and ducks behind whatever shadow is closest whenever something looks his way. By the time the harpies turn back towards Cabin Seven, he’s already on the rickety porch, tossing his backpack inside the window Michael left open for him and throwing himself in after it.

He lands palms-first, tucking into a roll to absorb the momentum. He freezes, panting, by the leg of what is usually Amir’s bed, straining to hear past the crickets and cicadas.

One, two, three, four.

Nothing.

He’s good.

“Took your damn sweet time, didn’t you.”

“Hello to you too,” Lee grumbles, pushing himself upright. From across the cabin, lounging on his bed like a goddamn French monarch, is his dick of a brother, grinning like the little shit he is. “Haven’t seen you in weeks, most people say hello, et cetera, et cetera.”

Michael shrugs. “You’re late. I watched you on the hill; you coulda made that run twenty minutes ago.”

“Nobody asked you.”

“I’m always asking me.”

“Get over her, boogerbrain.”

“Real mature,” Michael mocks, but ambles over anyway. He retches like a twelve year old when Lee hugs him, but twists his hands in the back of Lee’s shirt when he lets go too fast. Lee hides his smile in his over-gelled hair.

“You might miss me less if you actually write me letters, you know.”

“I didn’t miss you,” he responds automatically. “And I wouldn’t have to write you letters if you stayed home, already.”

Lee sighs. “…I have school, Michael.”

“Oh, yeah. I’m sure your dumbass bio teachers have loads to teach the guy who can do open heart surgery with his eyes closed.”

“Yeah, yeah. If anyone could do with a good, old-fashioned, public school humbling, it would be you, hothead. You ready to go?”

Michael pulls away with a roll of his eyes. “Only since yesterday. Been waiting for your sorry ass.”

“My sorry — your sorry ass doesn’t have a car!”

Michael snickers, jogging back to his bunk and grabbing the black duffel bag resting under it. Lee makes quick work of packing his own bag, stuffing in a couple squares of ambrosia and and giant roll of bandages, just in case, before creeping over to the only bed left with someone still in it.

“Hey, kiddo.” He folds over the sheet pulled all the way over messy blonde curls, immediately plaguing the cabin with loud snoring. He rests his palm over a sleep-creased cheek, mapping his thumb over the freckles dotting pudgy cheekbones, and brushes back the hair plastered to his baby brother’s forehead. “Will, sweetheart, get up.”

It takes him a couple minutes of gentle prodding — when Will is out he is out — to wake up, squinting blearily in the dim fairy lights strewn across his bunk. He blinks, one, two, three, four, then gasps.

“Lee!”

“Oof,” Lee grunts, shifting his weight as he is abruptly accosted with an armful of child. He smiles, curling around Will’s flailing, chattering form, tightening his hold on his waist and resting his forehead on his shoulder. “Hi, buddy.”

“—missed you so much! Is this why your letter was late? Are you staying? Is this why Diana left yesterday? Is she here now? Is Cass coming? Is everybody coming? Can I —”

“C’mon, Motormouth,” Michael interrupts, cuffing Will’s ear as he walks by. “Go get your sneakers on. We’re going for a drive.”

“‘Kay,” Will days happily, dashing off to find the light-up Star Wars shoes he refuses to throw out, even though there are literal holes in the soles.

“You got his bag?”

“Yep,” Michael affirms, holding up a straining backpack. “Toothbrush. Hairbrush that he won’t use. Three comic books. Change of clothes. And two more changes of clothes for when he inevitably destroys the first one,” he adds when Lee opens his mouth. He shoots him an exasperated look. “Me and Diana have been chasing after the little brat for four months, dude. I got him.”

“Alright, alright,” Lee grumbles. “Heaven forbid I double-check.” He turns over to the door, where Will is tying his shoelaces, tongue peeking out of his mouth. “You ready, Will?”

He tugs on the two loops. The entire knot unravels. Quick as a flash, he stuffs the laces inside his shoes, scrambling to his feet.

“Yes,” he lies. He scratches at his throat.

Lee and Michel sigh in unison.

Luckily, the reaction is hardly more than itchy eyes and a cough. Lee herds him towards the door, sliding the backpack over his shoulders and holding out his arm and —

“Hold on a sec.”

“Why?” Will whispers.

“Shh,” Lee says.

Window cracked open, Michael exhales. The release of his bow hardly makes more than a soft hiss.

The angle is odd, limited space as there is, but Michael never misses — the clunky arrow whistles through the open window, sailing past the sloped roofs of the west wing cabins, and thunks somewhere behind the first layer of trees in the forest. Immediately, it lets loose a burst of sound identical to a dropped bottle and a group of teenagers cursing. In seconds, the curfew harpies are screeching, descending upon the source of the noise with the fury of a thousand sun chariots.

“Go go go go go,” Michael orders, wrenching open the door.

Will, immediately, takes off, gleeful at the opportunity to run away with permission (usually, he’s running from one of them, screeching at him to get back here). (Or Chiron, although Chiron has a much easier time catching up, what with the six limbs and all). (…Is Chiron an insect? Technically?)

“How long do we have?” Lee whispers, once Michael has caught up.

He shrugs. “Seven minutes, give or take? More than enough time.”

Lee worries his bottom lip. “More than…” He glances at the forest. Vaguely, in the low firelight, he can see the odd wing, hear the odd screech. Nothing looks very close. He glances at the rapidly approaching Athena cabin, just a few yards out of their way. Hm.

“Detour!” he decides. “Will, c’mon!”

Ignoring Michael’s hissed complaints, he veers towards to neatly maintained cabin. He slips in the space between Cabins Six and Four, holding tight to Will’s hand. He counts the windows as he passes — one, two, three, four — and stumbles to a stop, crouching down in the dirt.

“Oh, are you — for the love of Zeus.”

Lee ignores his eye-rolling, scanning the ground for pebbles. He selects a handful of them, careful not to choose anything too big, and jogs a few steps back.

“What’re you doing?” Will asks, too loud, but at least he tries to whisper.

Instead of answering, Lee launches the first pebble at the window.

It pings off harmlessly.

Waiting a breath for the harpies to come running, he continues, firing off pebble after pebble with increasing strength. Finally, after pebble #7, a face appears behind the clear glass, bleary eyes widening when they take in the sight in front of them. Quickly, the latches are undone, and the window is yanked open.

“Lee?!”

Lee grins. “Hey, Carter.”

“What’re you — you’re — it’s December! What’s going —”

“I need a favour,” Lee whispers. “Can you — cover for us?”

For the first time, Carter looks away, brows raising as he notices Micheal, who taps his (watchless) wrist obnoxiously, and Will, who waves brightly. Carter waves back, small smile tugging at his lips.

“Cover for you?”

“Just, like, infirmary stuff. I don’t think anything will happen, and if it does we’re an IM away, but —”

“Lee,” Carter says exasperatedly, “cover you guys for what?”

“Oh.” Lee clears his throat. “I, um. I need to do something for my family.”

Smiling, Carter rests his elbows on the windowsill, chin in his hands. “Mysterious.”

“We’ll be back by tomorrow evening,” Lee assures.

“And then you’ll stay for a bit?”

Lee’s mouth goes dry. “You want me to stay?”

Carter ducks his head, fingers tracing a mindless path on the windowsill. “I wouldn’t mind seeing you for a while.”

A thousand gods of prophecy could not predict the sound that comes out of Lee’s throat.

Something between a whimper and an awkward laugh, his voice cracks four seperate times. Carter giggles. Lee prays, genuinely, that a crater opens up beneath him and drops him right at Lord Hades’ feet.

“Everything okay, Lee?”

“Peachy,” he croaks.

Carter giggles again. Lee flushes. Michael gags exaggeratedly behind him, pausing mid-heave to whisper something to Will, and then there’s a giggle, and then two people fake-retching. Carter peeks through his dark eyelashes, pleased expression softening his heart-shaped face, and Lee counts twelve of his own capillaries straight-up explode.

“Well,” he says, too loudly. “I’m — well.”

“I think you have harpies to run from,” Carter suggests gently.

“Indeed.” Lee clears his throat, nodding. “As you have so astutely observed, we do —”

Michael, recognising the strained tone to his voice, groans. “Fucksake, Lee —”

“— and so I bid you adieu —”

“Dude, oh my gods, snap out of it —”

Lee can’t. He barely has control over his own mouth.

“— and vow to see you again in the eve.”

Feeling his soul exit his body, settle in front of him, and then crumple up and die, Lee fucking bows. There is the very distinctive sound of a hand slapping over a mouth, muffling an eruption of giggles, and then the hand of mercy, also known as Michael Yew, clamping on the back of his lava-hot neck.

“Please excuse him,” he says grandly. “He was dropped on his head as a child. He’s normal, usually.”

“Except when you wear your glasses,” Will pipes up. Lee makes a mental note to find Clarisse’s spear and shove it through his own eye. “He gets real weird when you wear your glasses. Once he walked into a wall and broke his nose.”

“…Did he.”

“Yep. And last time he —”

“God, this hurts me to say,” whispers Michael, “but I have to put a stop to this conversation. We’re on a time limit. C’mon, Will. Bye, Carter. Sorry for — well, you know. Apollonian dramatics, not always easy to control.”

He turns, dragging Lee, still hunched over, out of the Cabin Six shadow.

Lee does not un-hunch until they are well over the crest of Half-Blood Hill, harpy screeches beginning to echo behind them.

“I have never been more embarrassed to be related to you in my life,” Michael informs him, the second he’s upright. “Like, genuinely, I’m considering disowning you. That was atrocious, Fletcher. You need to get ahold of yourself. Where is your game? Your dignity?”

“I think he lost it when he was born,” Will says thoughtfully. “Or maybe when Carter smiled at him the first time.”

“I hate both of you,” Lee croaks.

Neither of them seem too incredibly bothered, snickering to each other as they duck into the car.

Willing his flush to go down, Lee herds them into his car. He takes a moment in the cool air to chill the hell out, closing his eyes and breathing deeply, then slips behind the wheel. He checks that Will is belted in properly, slips the car into neutral, and coasts down the road, waiting until Thalia’s tree slips out of sight before turning it on and hitting the gas.

“Where’re we goin’?

“You,” Michael says, flipping down the vanity mirror to glare sternly at Will, “are going to dreamland. It’s three in the morning. Time for bratty children to sleep.”

“What? No! I’m not tired!”

“Fine, fine,” Lee says, exchanging a grin with Michael. “Stay awake, then. As long as you like.”

Will narrows his eyes. “Really?”

“Yep.”

“No trick?”

Lee crosses his fingers. “‘Course not.”

“Fine,” he relents. He settles into the booster seat Lee dragged out of the trunk for him (which he hates), arms crossed over his chest, and stares out the window.

Counting off on his fingers — one, two, three, four — Lee and Michael begin to hum.

At first, nothing happens. Will taps absentmindedly on his knees, humming along to the parts he knows, but soon his fingers slow. Lee and Michael keep it low and quiet, cycling through quiet folk songs Michael’s dad taught him, matching with the rumbling of the car, the slight breeze of Lee’s cracked open window. Michael kicks softly at the base of his seat, one, two, three, four; and matches the rhythm of the radio static, the click of the blinkers on every turn.

Will’s out in twenty minutes.

———

The drive is long.

Michael curls up sometime around four, fogging up the windows with every snore. Lee keeps the radio on a low hum, letting the background noise keep him focused as he navigates. The Atlantic Ocean is ink-black in the early morning, and the waves crash loud enough that he can hear them over the sounds of the engine, and for a while they’re still far enough from the city that the air smells fresh. Even when it starts to sour, and the noise gets a lot more urban, it’s early enough and he’s east enough that the traffic is minimal. Never non-existent — he actually cannot imagine what a traffic-less New York would look like; he doubts he’ll ever live to see it — but enough that he keeps at a steady 35.

The drive through Jersey is uneventful. Farmland and suburbs, nothing he hasn’t seen every day of his life, nothing he didn’t see the last time he made the drive. He entertains himself by counting every brown car he sees, randomly wagering the number by the time he gets there. He’s relieved when he finally crosses the memorial bridge, driving down the exit ramp and pulling into the first big parking lot he sees. Michael wakes up as he puts the car in gear, killing the engine.

“We here?” he asks, popping the joints along his spine.

Lee yawns. “Pretty much, yeah. Pulled off the highway.”

“‘Kay.” He glances in the backseat, where Will is starting to stir. “You nap. I’m gonna find a place for him to change and brush his teeth, maybe get breakfast for all of us.”

“Sounds good”

He crawls in the backseat as Michael guides Will out of it, accepting the blanket tossed his way. He slides his hoodie over his face, lies back, and conks out in minutes.

———

“Yo, Lee. Get up. I got food.”

“Timizzit?” he asks, shaking the grogginess from his limbs.

“Eleven. You slept for four hours. We gotta be at the theatre in an hour.”

“When’s she on?”

“Fuck if I know, man. Diana said noon, I’m gonna be there at noon. You wanna piss off Diana?”

“No.” He rubs the heel of his palm into his eyes, reaching blindly in the direction of Michael’s voice. “Food, please.”

A bag of grease is deposited into his waiting hand. He is pleased to find three cheeseburgers within it, and immediately tears into them with a fervour that can only be described as ‘ravenous’, or perhaps ‘revolting’. Esurient, perhaps, if one was feeling poetic.

Finally awake enough to function, Lee looks critically at the scene in front of him. Michael is dressed in the same button-up and slacks he wears to his dad’s performances, on the years he’s in the U.S., and Will is in jeans without grass stains, real shoes, hair mostly brushed. Michael has even managed to find a shirt that’s not half-unraveled from Will picking at the seams.

“Nice,” he says, nodding in approval.

Michael picks at his nails, visibly preening. “Oh, it was no big deal.”

“Yeah, yeah. Dweeb.”

He polishes off his last burger, then ducks inside the nearest store to find somewhere to get changed. Diana told them it didn’t matter, really, what they wore, but Lee knows better. He knows what this means for Cass, and while yeah, sure, it wouldn’t really matter if he showed up in sweatpants, he wants to show her that he put in the effort. That even if her mother couldn’t, or wouldn’t, they will. All of them. He wants her to see them and know that they did this for her. He wants her to see them and know that they tried, that they care.

Hair perfectly placed and clothes as unwrinkled as he can get them, he hurries back to the car. The theatre isn’t far, and they have a little under an hour, but he doesn’t want to push it. Finding parking will be hard enough.

“Are we on a quest?” Will asks, five minutes out on the road.

“Eight year olds don’t go on quests.”

“Diomedes was ten when he fought the Trojan war.”

“Are you Diomedes?”

“No.”

“Are you ten?”

“No.”

“Then no quests for you.”

“Aw.”

“Your quest can be being quiet for twenty minutes,” Michael grumbles, making a face when Will sticks his tongue out at him.

———

part two

#writint michael was SO FUN and also a bit of a challenge bc he is a bitch #god i love him #pjo #percy jackson and the olympians #hoo #heroes of olympus #pjo hoo toa #lee fletcher #michael yew #will solace #cabin seven #cabin seven kids #lee fletcher & will solace #michael yew & will solace #lee fletcher & michael yew #my writing #fic #longpost

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