*Audible plop of me dropping this in front of you*
so uh, ya, idk what to think of it (by @Henneyyy on tic toc)
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Resurrection AU: Void
In this AU, Void has been reincarnated as a little white puffball. He has no memory of his life before he was sealed away by the Heroes of Yore.
His main goal is to figure out who he actually was in his previous life. Aiding in this effort is Magolor, who's agreed to help in exchange for some assistance with his theme park work. He happens to be working on an ancient history-themed area, and could use a hand in the research process.
Personality-wise, Void is driven and has a no-nonsense attitude. He's not super thrilled about all this silly wizard theme park nonsense, but will do what it takes to get what he wants. He has a tendency to overwork himself. He doesn't seem to have retained any powers from his time as Void Termina.
(AU explanation here!)
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I think what makes Our Flag Means Death so remarkable in terms of representation is not just the broadness of it, but the depth.
We have an indigenous lead character, but he's not only that. He's also queer. He's a romantic interest. He's middle-aged. His arc portrays surviving trauma and abuse. It also portrays mental illness. And it portrays breaking free from toxic masculinity. And it never tries to put him in a box when he explores his masculinity and femininity.
We have a non-binary character, played by a Puerto Rican NB actor, but their arc is not about their gender identity and their coming out is simply a case of "Just keep calling me Jim". They have a romantic/sexual relationship with a black character, and never is this relationship or either of their sexual orientations or Olu's sex appeal as a fat person or "who even is the man in this relationship hahaha" questioned. When they get into a poly relationship, it's just accepted, instead of questioned or even defined.
These are just a couple of examples. It's not that Our Flag Means Death is the only or the first show with queer/BIPOC/disabled representation, because it's not. What makes the show remarkable is the unique combination of queerness, ethnicity, age, disabilities, life experiences, etc. that each character carries within themselves, yet none of these characters exist solely to appear as representation of any minority on screen. Their identities are not glued onto them, they're ingrained, but in the end, they're just people. Just like in real life. Identities do not work as plot points. Being queer is not a plot point. Being non-binary is not a plot point. It's just a small part of the whole complex experience of life.
OFMD is a perfect example of telling a queer story that doesn't focus on telling a story directly about the queerness itself. Because we have stories about queerness already. We have so many of them that it just feels like tokenism at this point to see yet another story about coming out or forbidden love or anything like that, even if it's well made.
This show took me by surprise with every new way of representation it offered, because each time it did the total opposite of what I expected. It took all the tired tropes and said, "Yeah, see these? We're not gonna do any of that." It delivered something I never thought I'd see on screen.
It never explains the characters' identities to the audience. It simply shows them exactly the way they are and lets you decide whether you see yourself in them, and I think that also allows the audience to question their own identities, to explore gender and sexuality freely without immediately putting labels on things.
People who never thought they might be trans or non-binary or queer in any way discovered their identities through the show. People who struggle with mental illness or trauma saw someone like themselves portrayed with kindness and respect on screen and were finally able to extend the same kindness to themselves. People who are always left out of romantic stories because of their age or body shape or the color of their skin finally saw themselves portrayed as desirable and worthy of love and romance.
That is why so many of us feel that, in the words of Ruibo Qian: "OFMD woke me up."
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You smell of dead flowers / I smell of the sewer i rot in
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'I flirted with the idea that instead of being trans that I was just a cross-dresser (a quirk, I thought, that could be quietly folded into an otherwise average life) and that my dysphoria was sexual in nature, and sexual only. And if my feelings were only sexual, then, I wondered, perhaps I wasn’t actually trans.
I had read about a book called The Man Who Would Be Queen, by a Northwestern University professor who believed that transwomen who were attracted to women were really confused fetishists, they wanted to be women to satisfy an autogynephilia. And though I first read about this book in the context of its debunkment and disparagement, I thought about the electricity of slipping on those tights, zipping up those boots, and a stream of guilt followed. Maybe this professor was right, and maybe I was only a fetishist. Not trans, just a misguided boy.
About a year later, on the Internet, I come across a transwoman who added a unique message to the crowd refuting this professor. Oh, I wish I remember who this woman was, and I wish even more that I could do better than paraphrase her, but I remember her saying something like this: “Well, of course I feel sexy putting on women’s clothing and having a woman’s body. If you feel comfortable in your body for the first time, won’t that probably mean it’ll be the first time you feel comfortable, too, with delighting in your body as a sexual thing?”'
-Casey Plett, Consciousness
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WE’RE EXCITED TO ANNOUNCE...HE’S DEAD.
THE MURDER OF SONIC THE HEDGEHOG (2023) — developed by SEGA
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If it’s possible to ask for request, can you draw snare oh just awkwardly (shyly) looking at someone? (I see him as a laidback off and chill kind of guy, but is secretly shy when meeting someone new or looking at them.
And given how thep khufan’s body are very light, it will be impossible to know he is near you or behind you unless you see him.
Or basically ghostfreak being some sort of big brother figure to his anur system siblings
hope this was what u were lookin for !
here's the other one u requested :3
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her again
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On Constructive Criticism.
Hey friends. You ever want to leave a critique on a fic, and the author says they like constructive criticism/"concrit," but then you leave your critique and you try to make it complimentary but the author still seems less than thrilled with you? You may have missed the point of "constructive!" Don't feel bad, you aren't alone. Took me until I started writing and receiving feedback to really figure it out.
The key to remember is, "constructive" doesn't mean "nice." It doesn't mean phrasing gently, or doing a compliment sandwich (although those are fine things to do as well). "Constructive" feedback is feedback that would make the story as the author has already written it stronger.
"The execution of this character's decision to do XYZ felt a little bit out of nowhere, to me. Was that your intent? It didn't seem like it was meant to be a big twist, either. Maybe some extra foreshadowing would make it stronger, or some shock on the part of the other characters." THAT'S constructive criticism.
This is NOT constructive criticism: "This character doing XYZ thing really doesn't make for as strong a story as it could. I think he should have done NQD thing, instead. That would have been better."
The first example offers some ideas on how to help a character's decision land better when the reader couldn't tell what the author's intent was. It's possible the reader didn't like the decision and that's why they noticed - maybe some foreshadowing would have helped them accept it better, or some indication that it was meant to be shocking would have validated the reader's surprise & displeasure. But, crucially, the reader did not suggest anything that would require a massive rewrite. Some tweaking, sure, maybe the addition of a few paragraphs. But not a change to the character's decision as a whole, the way the second example suggested. The second example does describe something the reader thinks would make for a stronger story...but it is not something that would make THIS story stronger. It is describing a different story than the one the author has already written so far, so it's just plain ol' criticism. Constructive criticism makes the existing story stronger.
That's the difference. You aren't workshopping. You are commenting on something that is already being written, that is already planned to the point where someone is already posting it. There is a BIG DIFFERENCE between workshopping a story and simply giving concrit! Unless the author has specifically asked for workshop-style help, offering things to do differently from what was already written is worse than useless. Don't.
Rule of thumb: if what you're saying can be boiled down to "I think this cake would be better if it was pie," say something else. The cake is not pie. It's not GOING to be pie. I didn't ask what you think I should bake, I put cake on the table and asked what you thought of this cake. Tell me what would make THIS cake better. Not the pie you were thinking of, and not a different cake you might have liked better. THIS CAKE.
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A tale of daisies & larkspurs
For @sanusoweek || Day 2: Fairy Tale / WLW (pretend this was posted on time)
Relationship: Sanji/Usopp (F/F)
Rating: Mature
Warnings: Recommend reading on Ao3 but the main ones are: Transphobia, gender dysphoria, child/domestic abuse, and violence (I swear this is happy too don't get tricked by my angst)
Chapters: 14/14
Summary:
‘I love you’, her mother always says. ‘My precious daughter. My angel.’
But her father’s words are still louder.
“It is the only thing he will never be able to obtain.” He turns around to approach her numb body, as she uses her last efforts to hold on to Pedro’s armor. Judge doesn’t smile, but he has all the fun in the world when he frowns with disgust at his son. Son. “A true love kiss.”
—
Usopp smells like wild berries, daisies, and wood. Like ancient books, fire, and dirt. Like chemicals, poison, and deadly flowers. Like sunlight, wet grass, and thousands of thousands of songs Sanji hasn’t been able to hear. It is impossible to know what a song smells like, but she is quite sure they all have the scent of that music box Usopp made for her. She always brings gifts whenever she comes.
It makes the princess feel less trapped and more… It wouldn’t be more, since she isn’t even a bit free. But it makes her feel free.
Liberation, that’s what she smells like. Freedom.
Read on Ao3!!!
More of my works!
Check out @aimtodraw's fanart here!!! I loved it so so much and I had to hold myself back from screaming in the middle of work when I saw it--
Also @the-orion-inexpirience's art I asked them to draw quite obviously inspired by this fic!!!!!!! It inspired me so much to keep writing!!!
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that one scene where megamind gets worked up and roxanne is like "sorry, sorry. he's just not used to positive feedback."
i imagine that scene as raeda.
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i had to quickly sketch this out holy shit. listen to me
do you understand my vision ...
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people liking my comic about Maric makes me especially happy
you'll see more of this little guy soon!!
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people love to use ffxiii’s messy development as a reason to completely shit on the game but honestly the fact they managed to sneak in so many little details in the gameplay in a way that reflects the characters and story despite all the miscommunication between the dev sections is just impressive to me
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When H/awks gets a voice message from D/abi, he doesn't have a clue what he's getting into. (Strongly implied kink!Hawks)
First H/otwings wav~ (and content at all~). It's nothing super big, just a little idea I've had for a bit, and I had time to throw something together~ Mayyybe the fact (most of) it's a voice message can forgive the quality issues? <3
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