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#RAMBLED ! hope this is an answer
hattiestgal · 5 months
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If you don't mind my asking, how do you go about drawing fat? :3
JUST THE EXCUSE I WAS LOOKING FOR
So, for me personally, a lot of the time when I draw fat characters, I'm not looking to specifically capture the specifics of fat as much as the feel of fat. Bulkier, rounder shapes in the right places that has a feeling of weight to em! A lot of that is intuition and simplification at this point, but it all works on the same frame as just any ol' person. Like take this-
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For example. This is the basis for any body shape, not just the more average one that it may imply. Sure- it can be that average body shape:
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But also a fat one too!
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And a big part of that is knowing where fat usually tends to bunch up on the body, so lets take a look piece by piece! (Please keep in mind this is very simplified, and not completely precise in some parts)
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THE FACE: Cheeks (in purple) and especially the chin (in light blue) are the places where a lot of the fat is gonna wanna gather and round out on your face! Additionally, theres a small pocket of fat beneath the cranium on the backside of your head. It's small, but it is there. I believe fat can build up elsewhere like the bridge of your nose and forehead, but generally speaking, you're gonna have a whole lot more buildup in other places first.
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THE TORSO: A lot of the fat built up on the torso is gonna be sent to your tummy. More cushioning for vital organs, mostly out of the way, it just makes sense. Additionally, the lower backs fat builds up and joins with a patch of fat on your sides that forms what is typically referred to as the love handles to make that double belly look. Along with this, the immediate next target for the torso is the breasts, followed by the upper back!
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THE ARMS: For this limb, a VERY notable amount of the fat present builds up on the tricep and bicep areas, lessening once you get towards the flexor and extensor areas. You can almost think of the arm as a sort of triangular shape, wide side starting from the shoulder and tapering towards the hand, which itself mostly builds up fat around the back of the hand and the fingers. The shoulders themselves don't build up too much fat unless you got a lot
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THE LEGS: And finally, you can think of the legs having pretty similar curves to what you're probably already used to thinking. The front of the thighs getting a big buildup, along with the back of the calves, the other parts being flatter in turn. As far as the feet go- similarly to the hands, the top of the feet, along with the heels get most of the buildup, as fat on your soles would impede mobility. The glute, hip and crotch area will also especially build up fat, lending to the same triangular shape that you can see in the arm!
A big thing to note with fat is that it tends to taper off towards joints. Your knees, elbows, shoulders, hips, and all the other places are gonna have significantly less fat so that you remain mobile and flexible, as that's important!
Now that we have an idea of where fat builds up on the body, you might have something that looks kinda like this
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Which yes, does demonstrate a solid understanding of the places fat builds up, lacks the weight you're probably trying to convey, which brings us to out next point! Fat is well... heavy! Gravity is what gives fat much of it's shape, especially as you tread towards larger and larger bodies.
This is demonstrated really well on the arms especially-
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Those big ol' bits of fat'll really start to sag when left hanging, and they will squish like hell if they run into something. I like to think of these bits of fat as big ol' ovals that squash and stretch depending on if there's an obstacle in their way or not
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These are the important shapes to remember when it comes to the weightiness of fat! If you take all of this into mind, you should be getting something a lot closer to that shape you've been after!
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Oh, and always remember that fat bodies come in all variety of shapes and sizes! Play around with a whole lot, and seek out all the resources you can! it'll really lend to your knowledge when it comes to this kinda stuff!
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And as I always recommend when it comes to learning art- look at what your favorite artists do with fat bodies. See what you really like about the fat bodies they draw and try to replicate it in your own work, I promise you it's one of the most helpful things ever.
This is like the most basic of basics when it comes to drawing fat bodies though. If there's any additional thing about fat bodies, or maybe you want clarification on something, don't be afraid to ask! If there's enough to cover, I'll make an addition to this post!
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roadkill-punk · 19 days
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It's kind of tragic, in a sense, that iterators were made with so much of their creators logic and desires and yet they were left with none of the resources to satisfy such things.
Do you think they crave touch? Family? Do you think they have to have any hope of connection stomped out of them lest they rebel against what they were made for?
Were they ever afraid to feel, or to be outside of what they were supposed to be? If they ever dared to desire, would they have to hide it?
Do you think they saw their creators sometimes as family, and did the abuse hurt just that much more because of it?
Were they like children, when they were born? Did they process the world through the lens of uncertainty and naivete and was that taken advantage of to mold them into the desired product?
Or were they conscious and self aware in full, was is overwhelming, being alive for the first time?
Or were did they process things entirely as machines, did they only learn to be people after seeing it happen around them, and then did they ever regret becoming more alive than they ever needed to be? That they ever became enough to feel hurt and to hurt others?
If they were just machines at birth, with only the capability of consciousness, were the desired traits injected into them with thoughts and ideas and interactions in their formative early years and was anything else just a byproduct of trying to build a person from scratch? Did their creators even want them to feel, to be conscious and alive, or was that just a necessity to create the desired machine?
Did they even care that their creations were alive?
Did any of them grieve, when they left the children of their labor behind? Were they grieved for in turn when they were gone? Do their echoes ever try to reach out, to let them know they aren't alone, to find comfort in connection that before was so condemned?
If they tried hard enough, could they reach?
Could they find each other?
Would it be comforting to iterators that the remnants of their creators could find them, or would it bring more feelings of rage, of sorrow, of painful memories and grief and hurt from the years they were used and the years more they were abandoned?
Did they ever truly mean anything to each other?
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egophiliac · 3 months
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thank you for blessing us with twst pokemon au i appreciate it greatly. if i may ask you a question
how does one read book 7 without selling their soul to the deep dark web. i've been wanting to read the other parts for a while but i can't find a place with all the chapters. i've seen translations on youtube but i don't think they have all of them?
(also why'd you government name mickey like that on your last post what did he do)
thank you! :D
I'm not really sure where to find up-to-date main story translations, so opening it up to the floor for other people to chime in! for reference, the latest release in JP was episode 7 chapter 6 on December 11th, which covered 7-88 through 7-100. fingers crossed for more in February...but that's where we're at right now!
(Michael knows what he did)
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buckets-of-dirt · 1 year
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(ID: A screenshot of tags that read "#Prev what are some alternatives to the word primitive that are less derogatory" /end ID.)
@panicdeleter I'm responding to your question on a new post so that the op of the original doesn't get this in their notes because answering in good faith is going to take a lot of explanation.
Short answer: there isn't one.
Long answer: as you say in your tags, "primitive" is a derogatory term with a very loaded meaning. Removing it from your vocabulary is less a matter of finding a more PC alternative, and more a matter of understanding why it's derogatory and changing your perception of what's being discussed. To do that, we're going to have to look at archaeological theory for a minute. Stick with me, I do have suggestions at the end.
Archaeological theory is a complicated subject and there's no way I'm going to try to summarize all of it in a Tumblr post since it's a topic arch programs devote at least a semester (if not longer) to. So we'll focus on the relevant bits.
Essentially, in the bad old days when archaeology was starting to become a discipline instead of a thing rich dudes did on the weekends, there was this idea that certain European societies were the peak of civilization and everywhere else was less evolved and therefore primitive. It was based on the misunderstanding of the theory of evolution that was common at the time. Like so:
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(ID: a diagram drawn in pen. It's titled "Ye Olde Arch/Anth Theory TM". The next line says "Primitive = simple, less evolved, bad". Below it there is a vertical arrow pointing down, with the words "one way line" next to it. Under the arrow there is a line of text reading "Advanced = complex, most evolved, good". /end ID.)
These early archaeologists believed that all of humanity lived on a hierarchy with the "advanced" societies they lived in (and their ancestors like Ancient Greece) at the top and all the "primitive" past and current societies (destined to either become like them or die out eventually) at the bottom.
It's been a long road for archaeological theory. The 20th century was fraught with theoretical movements and debates that sometimes literally devolved into fistfights. But eventually we all ended up more or less here:
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(ID: A hand drawn diagram in a similar format to the one above. It's titled "Arch Theory Today (Short Version). Below the title there is a single line of text centred around a horizontal line with arrows at both ends. The left side of the arrow reads "simple" while the right side reads "complex". The line itself is labeled "continuum or spectrum". /end ID.)
While you'll still find some archaeologists who disagree, the main consensus appears to at least be on the same page that instead of the old primitive vs advanced hierarchy, societies exist on a spectrum that ranges in complexity. In the most basic terms, because I'm glossing over A LOT of nuance here, hunter gatherer societies tend towards the simple end of the spectrum while big state societies are on the more complex end. This is not meant as a value judgement of these societies, but merely an attempt to classify them so other people have a frame of reference for what you're talking about. Even so, there's considerable debate about the language used for certain terms and societies, and I am not necessarily qualified to go into that in this post.
I say all that to help you understand why I can't give you a catch-all term to replace "primitive", because if one did exist it would be just as derogatory. In certain contexts there may be more appropriate words that you can use, such as simple (as in the case of the meme that inspired this post) or old. But a lot of the time an alternative just doesn't exist because we are not better or 'more evolved' than our ancestors any more than people living in big state societies are any better than people still living as hunter gatherers.
I know this has been a very long post, but I really am just scratching the surface here. For more information I suggest looking at podcasts like The Dirt or A Life In Ruins, youtube channels like The Welsh Viking or Archaeology Tube, or the blogs of any of my fellow dirt lovers here on Tumblr like @chaotic-archaeologist, @micewithknives, @art-thropologist, @archaeologistproblems, and @rhysintherain to name just a few. Archaeologists are generally a bunch of nerds who will take any opportunity they can to talk about the human past, and we rarely bite.
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canisalbus · 4 months
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I hope this isn’t unwelcome but here are a few of my personal Vascete modern AU headcanons:
As a child, Vasco was usually voted as a team captain when playing sports with other kids. Not necessarily because of his sporting ability, but rather because of his leadership qualities and general agreeableness and ease with others.
Machete always uses perfect grammar when he texts, but can take a while to respond. Vasco often responds instantly but with less attention to grammar. Machete texts in unbroken paragraphs (when he has a lot to say) but Vasco’s texts come through in small, sporadic flurries.
Machete is very familiar with hospitals, particularly so in his childhood due to his various medical issues. As a result he actually finds their cleanliness, and the politeness of the doctors, comforting. These experiences also made him more patient than he might otherwise have been.
Vasco donates blood and is on an organ donor registry.
Machete always carries hand sanitiser around and is constantly offering it to Vasco, who always carries hand cream around, and is constantly offering it to Machete.
Both are well-versed in music and have refined musical tastes.
Vasco hums wholeheartedly whilst doing the dishes - a chore Machete likes to avoid where possible. Vasco knows this, so he pretends he doesn’t mind doing them.
Machete often has a headache and Vasco’s usual first response to this is to ask Machete if he’s had enough water today. He’s often right.
Vasco scarcely thinks of the other paths his life could have taken. Though he knows pain, he feels very fortunate for all the good he’s been dealt in life, and attributes his good luck mostly to happy accidents. Machete on the other hand has unexpected moments of stark awareness of all the possible forks in his road. It’s a sudden deja vu that creeps up on him when he’s alone, almost as if he can remember all of his and Vasco’s past/ potential lives together. The feeling vanishes just as soon as it arrives.
Hot dang anon I LOVE these. Unwelcome UNWELCOME? You come to my house and present me with thoughtful interpretations of my characters, I feel nourished.
I can definitely see Vasco being a popular choice for a team captain. He's physically active but not ultra sporty, and even though he can get excited and carried away, he's never been that competitive (he's got that 'I just hope both teams have fun' sort of vibe that people tend to like).
The texting bit is terribly cute. Vasco rapid firing message after message vs Machete intermittently slapping half an essay in the chat.
Machete is hypochondriac and his threshold for seeking threatment is low, especially if he's experiencing anything he's not already familiar with. To my understanding Italy has a good quality universal public healthcare, but he typically chooses to go with private sector anyway and has been investing in pricey health insurance for years (probably way more extensive than what is necessary or reasonable).
I also thought of Vasco as a habitual blood donor. He wouldn't like it per se (medical surroundings unnerve him), but I think he might just get a kick out of being a good boy and potentially helping people. (I know gay, bi and msm men used to be banned from donating (or at least severely restricted) but it looks like many countries have revised their criteria significantly in recent years and there's a good chance he'd be eligible these days.)
The hand sanitizer/hand cream combo is so good. It made me chuckle. (Are you a hand sanitizer person or a hand cream person?)
Their respective tastes in music and cinema have more overlap than you might initially think, and they keep aligning closer and closer over time.
Machete wouldn't like doing dishes. Having to touch wet food (weird texture + unhygienic) is bad times all around. But he genuinely enjoys a little bit of vacuuming, dusting, laundry and general tidying and organizing. He doesn't leave that much for Vasco to do, just the occasional visibly messy jobs that squick him out more than he cares to admit.
That's very considerate of him. That's a very considerate thing to do to anyone in general. Dehydration and low blood sugar can really sour your mood and you wouldn't even notice they were the reason you're feeling so bad all of a sudden. (When I'm having a difficult day I try to remember to ask myself whether things are truly collapsing or am I potentially just a little too thirsty and hungry and unaware of it. Usually it's the latter).
Ah yes, Machete and the horrors. Vasco might be aware of the horrors as well, but perhaps he possesses the specific kind of galaxy brain that is near immune to this particular flavor of existential dread.
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the--firevenus · 2 years
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My friends and I....
Or an au where the other three dies except kenny
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erwinsvow · 26 days
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would rafe be toxic with shy!reader? like say she decided to get really dolled up from him and when he picks her up to go to a party or maybe on a date he’s like who are you getting dolled up for tf??? or is he not really like that with her or if he is toxic with shy!reader, would you share what kind of toxic he’d be?
this made me feel things.. first of all YES. he is toxic but a little different, i don't think a drabble would accurately describe this dynamic so im gonna talk about it instead im sorry !
i think he is toxic but it's more about protecting her, like not letting her go places alone because she's gonna let ppl walk over her. the toxic part is like kind of instilling it in her that she needs to be reliant on him for protection which she ofc eats up since thats her vibe imo
i do think he maybe doesn't realize the extent of her personality sometimes, to me she's not really a party girl but she makes an effort for him. the scenario you described is so real! she would get dolled up for him and he's thinking like she hates parties... who is she tryna impress.. but it all works out, shy reader doesnt have an argumentative bone in her body, shes an apologetic angel. she doesn't lie to rafe either so sometimes there is no reason to be toxic to her, she just listens to everything rafe says without much of a problem at all <3 this mind sound delulu (haters stay away) but i can understand from her pov it's nice to not have to worry and think about just trust in rafe <33 she likes it that way
i think she also teaches him to be more trusting and since she would never so much as look at another guy much less talk (unlike kook trio reader my beloved) he doesnt have much reason to be toxic either. i think theyre not healthy at all i mean its fucked in its own way, but they're beyond happy so <3
i will say shy reader is the one kelce & top and even ward is like rafe... you better not be mistreating her... srsly...
hes like shut up she calls me dad in and out of the bedroom and likes getting choked out and slapped around u don't know shit abt her
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luck-of-the-drawings · 2 months
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OH ARTHUR BENNETT.. such a gorgeous and intriguing character. terribly burdened by a GRUESOME set of crimes, his light suffocated by a HEAVY century of GUILT. so tragic, so dark and broody, and yet PAINFULLY awkward in any social setting ever
#jrwi fanart#cw blood#jrwi show#jrwi suckening#arthur bennett#OUHH THIS ONE WAS SITTING IN MY WIPS FOR SO LOOOONGwhen i took it out there was mould on it :sob:#BUT i think i was able to fix it up okay#i keep seeing SO MANY MISTAKES RRAAAHHH BUT YOU DONT SEE THEM RIGHT?? THATS ONLY ME. RIGHT?? EXACTLY.#THE KEY IS TO SAY. AND REPEAT AFTER ME. 'FUUUCK IT WE BALL#so anyway. arthur bennett huh? grizzly says that arthur is reaal fuckin difficult to play. and i SUPER get that. i mean LOOK AT HIM..#grizz often needs a minute to think abt what hes gonna say in a way that matches w that Stoic Personality. which is FAIR but also that#ends up making way for awkward confrontations like: the lady in the parky lot. he took too long to answer and scared her away.& I LOVE THAT#arthur is tragic and sad and cool and stoic but hes ALSO awkward and silly and kinda dumb and short sighted. HE HAS COMPLEXITIES#I LOVE WHEN TTRPG CHARACTERS HAVE A GOOD SET OF SHORTCOMINGS. ESPECIALLY WHEN U FIND THEM ONLY AS U PLAY THEM.#I COULd go on and on saying the same things w different words abt arthurs intriguing and entertaining character but i shall spare u. for no#ILL ALSO MENTION HOW MUCH I LOVE HIS FLAVOR THO.. I LOVE TALL HOT BOY WHOS ONE W THE DARKNESS.. I REMEMBER WHEN HE FIRST MENTIONED THE#BADLUCK. N I WAS LIKE OOOHH THATS WHY HIS DESIGN IS SO COOL N CHAOTIC N ASYMMETRICAL. HES UNLUCKY!!! i love love love his design so much...#GRaaauruguguraguhhghghgh what else what else is there for me to spew on abt...i think im reachin a limit here..OH MAGNUS. i hope that#we get to know more abt how magnus and arthur met.. like How they became besties... ouuhh... I ALSO WANNA KNOW MORE ABT MARY DAVIS. LIKEHOW#he also apparently spent alotta time in a zone dominated by edward twilight? all he remembers is constant partying? I WANNA KNOW MORE..#i think i got room 4 one more ramble SO. THE ART PIECE.as i said its gone a lil stale BUT. im still very proud o the bits where hes allScar#I WANNA SEE HIM GET SCARYMORE. I like the idea of shadows solidifying to make him strange and eerie.like TEETH n CLAWS n SPINES n YESS#also the SILVER EYES.no1 does silver eyes like the show Claymore. they make em look so striking and eerie...i also like to think that#human arthur had deep beautiful brown eyes.just in my beaitufl heart.i mean look at him..i wanna cook him n eat him.ANYWAY#i think thats all my ramblin for this piece. now i gotta go cancel a single day i had ata hotel bc my work schedule change last minute FUCK#feel free to ramble in my tags aswell tho i read all of them and i chew on thenm and i love them so sos os mcuh
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solargeist · 17 days
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I'm not sure if this has been asked, but what do the other hermits or members from empires think of grian being a watcher in your AU? i know martyn doesn't get on with him, but what are the others' view of it?
I don't know how every one would react, theres only a select few who know, but... !
Xisuma, because he was the first one to find Grian after he crashed into Hermitcraft. Xisuma already knows what Watchers are, so he took pity on Grian's reaction and took him in. He wasn't initially going to let him join HC since he was a stranger, (and a Watcher,) he was just going to help him back on his feet (wings?) and then send him on his way, but well things changed. Grian only told him whats relevant, so Xisuma doesn't know the whole story. Xisuma also comes from the End, he thinks the Watchers are inevitable and also none of his business as long as they don't mess with anything. Xisuma keeps tabs on Grian. Grian feels like he owes Xisuma the world.
Mumbo knows the full story, every little bit of it, Grian literally poured his soul out to him. Mumbo is the first friend he makes there, and Grian's still reeling from the whole experience so he built up a lot of trust in Mumbo and ends up spilling everything to him on a particularly bad day. Mumbo doesn't know what Watchers are, so he doesn't care that Grian was (is?) a Watcher, he just wants his friend safe, and doesn't think of him any differently. Mumbo sits right next to Grian with an arm over his shoulder, and fidgets with one of Grian's hands while he listens to him. Its sad at first, but towards the end of the rants Grian lightens up, a huge weight off his shoulders, and now they're both facing each other and gossiping abt their families. (Grian wins any family gossip bc his watcher aunt tried to throw him off a cliff)
Martyn and Jimmy, both were friends from Evo, and both feel betrayed by Grian leaving, and him being the direct reason their server is shut down. Martyn, while angry, and while he'd still fight him, he does want Grian out of there. Jimmy is more sad than angry, and tells himself he doesn't care, but he does, a lot. They both work with the Listeners, so Grian is a bit more villainized from their point of view.
Pearl also doesn't get the full story, she knows somewhat, and Grian has talked to her a bit about it, thats his sister ! But he can't tell her he left everyone on purpose, or how he was treated by Watchers, theres still a lot of guilt and shame. She doesn't force him to tell her everything, they're still siblings and repairing that relationship after being apart for so long.
Scar... Grian avoids Scar for awhile, after 3rd life he feels scared to face him in Hermitcraft. Though, to his shock, Scar can barely remember him, or the life games, its blurry, but theres a vague sense there, a memory or two, he recognizes Grian as much as you would a stranger you've seen twice in one week. Once they get closer though Grian tells him a bit, mostly abt the life game, and that his family runs it, but he didn't have anything to do with that. He also apologizes a lot. Scar just thinks Grian has a weird family, he doesn't know or understand what Watchers are, he mostly shrugs this off. Scar has a very "That was then, this is now" attitude, he wants to know This current Grian.
Thats everyone relevant that knows abt him, though I think there are a few Hermits that think theres Something up with Grian, but can't place it. Cleo, Etho, and Iskall, come to mind, theres something abt how Grian's eye catches the light...
(Theres also Taurtis.. The one that disappeared in Evo, one of the leading reasons Grian puts up with so much. I don't have much in writing abt Taurtis showing up again, but.. I do imagine his reaction to Grian would be very negative, maybe ? Angry and freaked out by him, I think Grian would collapse to his knees after seeing his reaction. BUT thats not really canon, thats just a thought I think is kinda fun.)
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thisonelikesaliens · 16 hours
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If you would, if you're willing... and of course, with my eternal gratitude either way...
Is there any additional nuance to what Yuan says after Qian catches his wrist? We got... sparse dialogue between their alley conversation in ep 10 and the love scene in 11, so I'm wondering if there's anything more to it than the subtitles gave us.
And thank you so much for all the work you've already done for this fandom! 💜
Are you referring to this line?
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The original is 這是你第一次主動抓住我
I'd actually translate that as "this is the first time you took the initiative to catch me"
主動 = proactive, taking initiative
seems like the subs emphasized "first time" instead of Qian actively making that choice
(also, 抓住 = catch, seize, hold on to. I hear that and I'm immediately thinking of 抓住幸福 aka holding onto happiness/whatever makes you happy, so I see this as Qian actively choosing his own happiness, but that's just me. And there's also a sense of urgency when you use 抓住, like if you don't act at this moment you'll miss out on something important)
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shyghosties · 1 year
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YOUR LITTLE GHOSTIE IS SO CUTE I JUST WANNA SQUISH ITS CHEEKS
Thank you so much!! They are very squishy!! :•)
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sapphicseasapphire · 2 months
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sooo Time is a God, like a literal God. How does that affect the timeline splits? And if Time knows the windfish, then does he know Oshus? Can he just see through time? (it'd make sense. it's in his name) -a very curious mutual who needs to know the extent of flying fish angst
Great question! As always, I rambled too long so look under the cut haha!
Time knows EVERYONE! He knows Oshus, he knows Zephos and Cyclos and the Wind Fish and literally every God! He knows spirits- he knows Ordona, Lanayru, Eldin, and Faron (Twilight Princess). Knows Levias, he knows Skyward Sword’s dragons. He knows Dinraal, Farosh, Naydra- and for a time, he even had a connection to the Light Dragon. Anything that is godly or intensely spiritual, he knows. Now, this “knowing” is more of a “sense.” He can feel their presence, he can speak to them. But he does not form relationships with the divine. They’re not friends. In fact, Time does his best NOT to be involved with them, presiding over his own dominion and keeping watch over the flow of time.
Time cannot merge timelines, but he can sure split them!! And travel between. Every action, even the smallest ones, creates alternate timelines. Twilight decided to keep his hair down today? Wild chose to make creamy meat soup for lunch instead of vegetable soup? Sky kept his feet firmly on the ground, deciding that the clouds were too dark to be safe flying? Literally every little thing creates alternate versions of each person- the Twilight that put his hair up, the Wild that made vegetable soup, the Sky who decided to risk it.
Time has the power to redo, but not the power to undo. He cannot erase those alternate versions of people. By merging timelines, he’d negate their existence. Time’s responsibility as a God is to manage all of these timelines- a mere servant of Nayru- and protect his people. He can’t snap his fingers and undo and action, but he can go back in time and nudge people onto a different path.
He can warn Twilight of a village up ahead that would be suspicious of his markings, encouraging to leave his hair down. He could tell Wild that his healing herbs should not be wasted in vegetable soup, suggesting an alternative. He can warn Sky of a wicked storm, begging him not to hurt himself. To the onlooker, this might just look like bare boned time travel: going to the past to change the future. But to Time, it’s less linear. He raises his ocarina to his lips and jumps between timelines, hoping that he can take his companions with him.
Now… that’s a whole other issue. Each time he hops between timelines, he is technically meeting DIFFERENT versions of his friends. This is not the Twilight he knows- he has his memories, his thoughts, he looks identical. He’s not exactly an imposter but he’s not the same. Twilight would not notice this change, but Time would. That kind of awareness weighs on a person. And, in Time’s early days as a God, he does not use this power often. It’s not to be taken lightly.
As far as being able to see through time, I’m going to give that a solid “kind of.” He cannot see the future. But. He can see the past. He can infinitely rewind and switch timelines for a more favorable outcome. Some might think that he’s all powerful- that he knows what actions to take to lead to a better future, but really it’s just trail and error. He never knows the outcomes of his actions, but he has to power to redo them a million times until it succeeds.
I hope this answered your question!
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2deadkat · 24 days
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i'd love to hear ur complaints abt modern geronimo! If u'd like to share that is
Thank you for asking anon, I’d love to share and you have inadvertently entered the dragon’s den/lh
But fr tho, it’s a lot. It’s mostly pertaining to the writing.
The reason why I hate modern Geronimo is in the biggest nutshell possible, they screwed up the original dynamic for the Stiltons, a majority of the books is just one big game of Geronimo torture porn between the other characters, and overall a lot of wasted potential for unique interactions between the wider cast and the rest of the Stiltons as its limited to just Geronimo himself. Hell a lot of the plots could have the input from the other Stiltons if they were brave enough. And there seems to be a new character every few books and there’s no rhyme or substance to it anymore. Since when did trap reproduce???
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And you’re telling me von Volt has another relative???? Yk at some point you just stop reading the books. Oh and do not get me started on the Thea problem…
Let me start with the Stiltons real quick, somehow they got worse by watering down their personalities to a bunch of cheap jokes.
What made the classic (or early) books work was that the whole point of Geronimo’s character is that yes he’s a wimp, but that’s because he’s a tired boss who gets dragged into his family’s shenanigans, and by extension his friends and allies around him. Everyone has some eccentric personality that shocks or baffle him in some way, and that’s where the comedy comes from. He’s able to stand on his own because of his duties and eagerness to stay in his comfort zone is where the meat of the interactions come from.
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His family especially Trap and Thea were meant to be respective foils to him. Trap consistently bullies him and Thea is meant to be the direct opposite of him, she’s the driving force in the group and has more pants to cover up what Gerry doesn’t have. She’s the one behind a lot of their adventures or scoops, hell she’s also the one who keeps finding them in the first place and drags her family and connections into them which makes sense because that’s her job and also where a lot of the plots start from. She fills out the spots that Gerry doesn’t have. Trap is just pure comic relief and is basically that outside force to the group. Hell the two even have a dynamic of their own where’d they just fight over the most trivial things and that makes us side with Geronimo more because of the ridiculousness of his family, that’s what made it click (to me). Highly recommend you read the early books, it shows the strongest character imo (#1-20).
Now Geronimo has all his autonomy stripped away and he’s been reduced to a nothing but a punching bag for everyone around him. I hope I’m not kidding here but try reading a classic book (let’s say #7 or #26) and compare it to the writing in a modern book (let’s say #46 or #74) it’s very jarring. They put more emphasis on different ways his day is ruined and give him no room to breathe or stand on his own. There’s just no charm to that anymore. There’s no fine line with his relationship with the other characters (Run for the Hills Geronimo is probably the worse one and represents everything I don’t like about the new dynamic)
Now over time that initial draw to action is also done by Trap, which I thought was cool because it still plays into the idea of Geronimo’s family dragging him into their shenanigans and the motives make sense to him specifically. It’s like he keeps getting calls from his relatives on schemes which is fun. But the more you keep reading the modern books the dynamic gets skewed over time and here’s the part I’ve been waiting for…Thea gets shelved completely. And now it’s somehow the GOD DAMN GINGER BROS SHOW?????
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Now I think about it, Trap used to be a lot more clever in the classic books as well, he’s essentially a bumbling fool who keeps falling into the wrong situations to make a quick buck which slowly backfires on him. If you know me that well you know I’d call him a less scummier Grunkle Stan. The fact that there’s no Thea to balance it out or at least ground the dynamic to some level feels really annoying now.
You don’t really see much of her anymore as she’s either smiling at the back or doesn’t say more than five lines anymore, which is baffling because she’s the one who can pick up the pace the most. I really wished they showed more of her involvement again…They’re a trio, not a duo…and the books are suspiciously phasing her out to make room for the ginger bros fail routine and it ultimately feels very empty…there’s not much acknowledgement or involvement from her really like they could say she’s busy at mouseford or something but nope! Shelved completely without an explanation or a missed opportunity for a tie-in mention.
So far the only redemption I see is the Mayan Mystery one and the Soccer one where she had a more integral role which are way more recent but it still bothers me that they just shelved her for a majority of the modern run.
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Listen if the modern books weren’t cowards she would SOLO all these people
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she’d probably have an interesting dynamic knowing that she gets along with everyone well and is technically an adventurer. It’d be such a good parallel to her brother to play off of.
hell it’s even worse in the comics. Like there’s legit no acknowledgment of her at all, when trap is absent that gets an explanation but she’s just suspiciously…gone and the only time she does have a major role is when she’s used as a fake mask for a psyche-out to the villains (I’m sorry but if the comics are gonna pull that shit then I’m baited to believe that Thea and (cat lady) would have a homerotic switcheroo fight akin to Ms.Bellum and Sedusa. SHES THE TOUGHEST AND SMARTEST RODENT, USE HER GODDAMIT)
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Idk man I tried reading some of the comics and it never worked out that much, again the dynamic feels suspiciously empty with zero acknowledgment. It’s not the Stiltons it’s just the fucking ginger bros for some reason. It doesn’t feel solid like it used to. I really can’t get into them which is a shame, and tbf why would I want to read a comic where Geronimo goes back in time and helps a colonist do his thing 💀
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I’d be very happy if someone here can give me one good reason to get into them somehow, I want to like modern Geronimo, please/s
Look if there’s one character I don’t mind them putting in complete absence it’s probably the unaccompanied minors/s…Or Petunia which makes much more sense since she’s a family friend!
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Look I actually like Ben and Bugsy as a duo, I think their whole concept is really wholesome, but the books don’t really push their parts that much, like there’s no meaningful interaction they have with the adults which is a lot of missed potential that or it’s just limited to Geronimo. Like listen I get that the whole point of the books was that it was from Geronimo’s perspective, but it’s not like everyone else was just “present”. They had more active roles and Gerry would just write all his observations down. You want a good example? The Mona Mousa Code.
Still…Benjamin had more charm and a bigger role in the classic books…that boy can hyper fixate and master niche skills in anything and was the emotional rock for Geronimo. But now he just goes along with his uncle being a punching bag routine :/ and I KNOW they could do a lot more for Bugsy here, especially since the paws are practically family friends.
—-
But you know…I’ll do give it credit here this era has one of my favorite art styles in the series and notably the one I grew up with the most (classic books illustrations still hold more charm imo) but the way action and expression is illustrated is just *chefs kiss* there’s a certain bounce to it that makes it so memorable.
And I’ll do admit all those geography facts (even if it’s just basic facts I mean it’s a kids book) and long detailed lists or charts about a characters detail is really cool and somehow makes it more immersive.
And it’s really nice to see the universe get expanded.
But overall, the writing is not the same anymore, the original dynamic is screwed up, and lots of missed opportunity to round up the cast together. It’s either empty or I’m just getting too old…Maybe I’m just nostalgia-biased in different areas who knows. But that’s pretty all my thoughts I can pull out.
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2aceofspades · 5 months
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I wasn't sure to make an ask or anything
Because like I'm super nervous to write to artists I really like and adore and appreciate their work
Take it as a complement ofc.
I was wondering... Do you think about Raph giving the rides on his arms for his brothers? Or even arm? Depends on who's riding on him?
I can't stop just thinking about how everyone would love to just sit on his arms, laying their arms and head on his head and just chilling while Raph is taking a break with one of them.
If somehow you'll see this I'll say it again I really like your work and the recent sticker mania was so wholesome if I wasn't too scared to write about stickers on turtles I would probably send something
But anyways take care of yourself! Remember to drink water and take a proper rest
I actually have a couple drawings of Raph and Leo doing something like this..
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Gah these are old hehe..
So, yes, I do think Raph would do that for his brothers. And I think they'd love it every time. I also see this general idea on tumblr, that the younger bros just climb onto Raph, which is very very sweet.
In my own au, Raph and Leo co-lead the start of the apocalypse, so they spend the most time with each other at first. I don't think Leo would just randomly climb onto Raph or even ask to do that very often, but he would probably seek some kind of unspoken comfort from him from time to time...I think they both would. I have a few sketches of that..
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I'm a fool for them ❤️💙 which is why I draw them interacting the most often..
How I draw them interacting is very much inspired by my older bro and me; the protective older sibling and the somewhat chaotic middle child. I'm not a touchy person though, but we hang out quite a lot and we're very close.
Also thank you so much!! Gah you're too sweet ohmigosh 🥹🥹 I really appreciate all the love 🤗✨!!
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jahiera · 10 months
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omg your tags on that last rb? i want to know your Exact thoughts on That dialogue in the scene right after astarion and tav get together because it is so interesting to me 👀
***WRITTEN DURING EA
Okay hi yes, I do indeed have some thoughts. Fair disclaimer that this is just my interpretation! I've only been playing the game for a few days technically, so this is all my first impulse in terms of characterization and influenced by my own path, so! Other interpretations will also be super interesting to read about. Also, obviously, we don't have the full cut, whatever comes out in 2 weeks will come out in 2 weeks. Anyways! Overanalyzing this little bastard's dialogue below.
Okay, this affectionate ribbing was referencing this dialogue here where you can comment on Astarion not being totally "present" post-party sex. Sorry this took me a second to respond to, I wanted to grab the screens for this:
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(screencaps of subtitles that read:
Astarion: That's what you want, isn't it? To lose yourself in me?
(new scene) Astarion: You sleep light. I thought you'd be exhausted after last night
Tav: Did you enjoy it? It felt like you weren't fully there.
Astarion: I was holding back a little, it's true. I didn't want to lose control.
To preface this, Astarion's arc is clearly dealing with the push/pull of power and control, one's personal agency (and how it can be taken away), and what happens when an individual reclaims power after for a very long time being without that power. He's endured god-knows-what for 200 years, giving glimpses of his former life, the torture under Cazador, the things he had to do for Cazador (which, included at least finding Cazador's meals through likely charm and seduction, without his own say in the matter.) Now he's out, he's free, he's experiencing the world for the first time basically (as he remarks on in ambient dialogue a lot: everything looks different. Click on a globe and he'll say something along the lines of having never seen the world, but there's time now.) Stating all of that is necessary to me because I think whatever's going on in his terrible brain is several factors all kind of thrown into one; some factors good, some bad, some neutral, some questionable; again, just my interpretation of him, but.
OKAY. Now that that's out of the way. The first interpretation of this scene (and the sex scene in general in its limited capacity: since we don't have eyes on the cinematic.) we can have is the obvious one: you two had a great night, Astarion is being upfront, he simply didn't want to lose control, nothing else here to look at. It's fantasy sex and it's simply good fun.
(The rest is under a cut. Sorry, this kind of turned into a meta Astarion and Sex and all of that? Anyways. CW for a bit of discussion about sexuality + trauma + implications of lack of consent.)
But Do I Believe It's That Simple? Not Really.
On one side, I do think Astarion is genuine in his pursuing of Tav, of sex, of good times and pleasure: he's been locked away for 200 years and now he's traipsing around in mud (a novelty), which might not be ideal, but he can still enjoy the thrill of that too, looks for what's in it for him, what feels good, etc. in all of the circumstances he finds himself in. There's a kind of subdued wonder from him about the world at large; remarks on craving the sun while you're in the Underdark, of experiencing the world, and I think he really is rushing around relishing the freedom as much as he can. And since of course he can reject you, he's not doing anything he doesn't want to do. In short: "simple pleasures," have eluded him under Cazador's thumb, and good sex with someone that you're into is likely just one more of those things he hasn't really gotten to do in ... [checks notes] 200 years.
But I don't think that's the only thing going on in this scene. The fact that the dialogue specifically notes a kind of distance from him feels relevant (since, if they wanted us to think it was all seamless good fun, they could've left it as is.) And the thing is, Astarion. is a big fucking liar.
When he wants to brush aside his dream to Tav, he'll simply say he had some naughty dream and brush it off--which we later find out was a lie ("that's what we call a lie, darling.") and his dreams have actually been about Cazador. Again, only relevant because the first thing Astarion reaches for when he wants to obfuscate the truth is lying through charm, or lying through witty barbs, and when pushed, turns into outright snappy aggression. Saying that the only thing on his mind was the hunger is an easy solution to reach for; maybe it's not even quite wrong, that likely was also an aspect of it! But.
His general .. quick sleazy flirting doesn't come out of nowhere. He uses it liberally, and with everyone, in his Evil Twink Fashion. Can flirt with half the camp at one point or another in environmental dialogue (specifically gets shut down by Shadowheart and Gale, humiliatingly.. the secondhand embarrassment there oh boy.) How much of that he learned while under Cazador's thumb, having to manipulate and charm for Cazador, sexualizing situations where he did not actually have full say and consent in the circumstances, is unknown to us, but can be inferred as not negligible. It's his default state. Charm and persuasion and trickery spell safety, as does disguising any kind of weakness. Disguising his weakness poorly, mind, because he obviously has several moments of raw vulnerability you can get even without his romance being initiated.
I think his current mental state here is a combination of that; of lying to disguise whatever raw state is beneath, unearthed by having simply... some good fun with someone, not out of servitude to Cazador, not to flirt or cajole to protect his own skin, but yet one more thing that's been denied to him (and, possibly, albeit we can only guess at this, not claiming it as canon, forced on him unwantedly) over the last 200 years. But he and Tav here aren't close, close yet, and when Tav tries to push (via talking about the scars on his back), Astarion clams up quite quickly, moving on from the discussion as soon as possible. So whatever is under the minor half-truth of "losing control," isn't open to us yet; we've really just met in the grand scheme of things.
We don't know yet what sex means to Astarion; he hasn't really elaborated beyond the obvious. But, I think, given his behavior, his casual flirtiness, his "You want to lose yourself in me," (another line I can squawk about endlessly in terms of character analysis), sexuality (actual sex or simply sexualization) can be as much a means of securing safety, control, coercion, power, and pinpointing weakness. It's also something he can clearly also desire wholeheartedly and with no ulterior motives involved; and I think this moment shows that, and he's grappling with it uncomfortably, what this means for him, one more thing that he can reclaim for himself. He craves something real, I think, and he's only just now beginning to form a real identity outside of what Cazador did to him, and how Cazador haunts him.
Pursuing something like this is one more step in that direction. Unlearning these gut impulses to lie and deceive and charm his way with Tav is probably what we're going toward, given his glimpse of a reaction to a hug. Whatever else Astarion has to work through in regards to intimacy is up in the air, but there's clearly a lot more going on beneath his fairly shallow veneer of charm and flirtatiousness.
(Which. Can we just have the option to hug him as a casual dialogue option? Please?)
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I just saw the excellent post about Chuuya's loyalty and 1) how he hasn't questioned his philosophy and 2) "In a world where a "path" typically involves challenging the characters' philosophies and forcing them to reevaluate, what the hell is going to have to happen to get Chuuya to do the same?" (quoting you)
Chuuya is always used by others. He's not the only BSD character whose been taken advantage of, but it does seem to be reoccurring with him? First by the government who intended to use him as a super weapon, then by the Sheep who used him for his ability, then by mafia/Mori (getting him to join in exchange for sparing the sheep, keeping his past from him and giving him incentive to become an executive and stay in the organization). He's constantly used for his power.
Please tell me if I'm misinterpreting what you all said, but it seems (to me) that Chuuya ignores the mafia's/Mori's manipulation because they have helped him and given him a home+family, so he's instead loyal to them.
Because even though Mori has not and is using him for his power, he still allows it/goes along with it because they've helped him in the past and earned his loyalty.
So Chuuya tolerates being used.
He's now being used again, obviously, in part, because of his power. We have Fyodor referring to him as just his ability and bragging about how he can "use" him better than Dazai ("doesn't that mean you're unfit to USE a gravity manipulator")
Do you think it's possible that just being vamped and used again will cause him to reflect on his mentality? He's once again being used (but be it in far more blatant way: literal mind control. Also reminds me of Verlaine+his creator). Reflecting on how he's been used in the past and no longer accepting being used by others anymore?
Or do you think it might have the opposite affect and push him deeper into the mafia somehow
Also it's interesting that Fyodor is using him but hasn't earned his loyalty (like the sheep+mafia) and how that'll affect Chuuya
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I'll get to the second ask in a bit but I'm combining these because they're related.
About the first ask: I mean, yeah, you're right about this. I don't know that I'd consider it so much "ignoring" though as "the benefits outweigh the costs so whatever", and I do want to state that I'm pretty sure Mori is genuinely at least a little fond of Chuuya (see: their conversation about leadership at the end of Fifteen), and his Mafia colleagues do respect him.
But yeah, you are absolutely right to say that there is a pattern of people who want Chuuya for his ability and his loyalty, and/or reduced him down to these traits. Playing hot potato with the escaped military lab experiment and the Mafia won (<-simplification for the funnies but still).
But here's the thing: if this was the end of it, we might expect to see some resentment mixed in there from Chuuya. He was blackmailed with the Sheep's lives. His past was intentionally locked away from him until he worked his way up to executive. That's... not great.
But instead we find pretty much only gratitude from him. Why?
Well, see, there's a reason I put the return of Chuuya's screwed up self-concept in the tags on that post, because it's kind of at the heart of his impressive loyalty. Chuuya believes that since he is the one with the strongest power, that makes him responsible for protecting everyone else, which means that he rationalizes any concern or protection directed at him as something "above and beyond", and worthy of recognition and repayment. Remember that he genuinely felt like just a vessel for power and nothing else for apparently quite a bit of his childhood, and the Sheep emphasizing that he owed them for taking him in probably did not help.
When it comes to having his back, the Mafia did this for him in a way no one else did. They protect their own, a value that aligns closely with Chuuya's own personal philosophy. The Mafia is also relatively safe from external threat, if we recall Dazai's pitch to Odasaku in Day I Picked Up Dazai - Odasaku is being targeted, but no one in their right mind would challenge the Mafia just to get to him. So, the Mafia has provided Chuuya with protection, comradery, and relative safety, which in my mind all condenses into a central need that takes precedence over everything else to him.
Chuuya's core need is actually stability.
And this makes quite a bit of sense. He started off as a kid with no memories and a whole lot of trauma he couldn't remember the roots of. One's past is a source of stability, but that had been taken from him. His position as leader of the Sheep was shaky. Even his identity as a human being was called into question. Chuuya as a kid and teen was largely untethered, separate from everyone else with no way to ground himself. Under those circumstances, something that originated as a chain could easily become a safety rope.
And once Chuuya found this stability, there was really no need for him to change anything. So he didn't. He settled into his new role and became really, really good at it, and didn't bother to re-evaluate beyond that. Why would he? That minimal core need has been met, despite the rocky beginning.
Which brings me to this second ask because it's actually incredibly relevant. Yes, Chuuya and Sigma are alike. You are not losing it anon.
Let's run a list, shall we? They both awoke with no memories and a missing history, and had their humanity called into question. They were used and blackmailed repeatedly, which they were, fortunately and unfortunately, consciously aware of. When they find something that matters to them, they become violently defensive of it. They both operate on principles of reciprocity and transaction because that is what they believe to be normal in relationships (Sigma's ability even is quite literally a transaction!). They both have pretty low standards for their assistance (Sigma hearing one (1) single person (Atsushi) be kind to him in what he thought were his last moments, Chuuya "You have helped Chuuya! Chuuya will now kill and die for you!" Nakahara).
Above all else, they are looking for stability. They are looking for a home.
As of yet, Sigma hasn't found a true home, but it seems we may be building up to him joining the ADA. The key part is Sigma's realization that the Agency doesn't rely solely on transaction. Dazai is not using the Agency, the Agency is not using Dazai. The Agency members are all helping each other. They care about each other.
Meanwhile, Chuuya has already found a place that provides his core need, but there's one caveat about the Mafia that should be clarified here - as Odasaku says in Dark Era, people within its ranks don't talk about personal matters and feelings with each other, and everyone instead keeps to themselves. If you don't talk about your issues or air them out, relations tend to stay personally shallow and dictated almost entirely by the demands and positions of the organization. This is not a conducive environment for reappraisal or self-exploration.
Unfortunately, this is ideal for Mr. Chuuya "I'll keep all my emotions right here and then one day I'll die" Nakahara.
Chuuya has found some measure of stability - solace in his own self-defined identity in spite of the initial ambiguity as to his humanity. "This is who I am", "Till those flames die down, I can't just do whatever I want", "I'm gonna do what I need to do", etc. But importantly, this identity is entangled in whichever group he happens to be a part of, which in this case is the Mafia. This kind of self-identity cannot exist without the structure of an organization. It relies on the reciprocity of a group.
Moreover, it relies on Chuuya showing very little vulnerability. Compartmentalize, and move on. He expects that of himself.
So, we've established that Chuuya has his core need for stability met by the Mafia - a relatively secure place that runs on transaction, which is familiar to him - yet it also doesn't push him out of his comfort zone with respect to emotional vulnerability and openness. What this means is that, in the Mafia, Chuuya is practically invincible, both physically (his ability, his martial arts prowess) and emotionally (personal life kept hidden and guarded as a Mafia expectation).
Unfortunately, this means Chuuya also remains stagnant as a character, which finally, finally brings me back to your original question anon.
No, I don't think the vampirism is enough to trigger change in Chuuya's character. Chuuya has some standards, and treating him like a tool (and Dazai's tool, no less) is going to seriously piss him off, but that's anger at Fyodor, and it doesn't impact his stability with the Mafia any which way. If Chuuya had've been forced to activate Corruption to escape the drowning then maybe he would've been angry with Dazai enough for something to shift (activation being his own choice is a huge theme with them), but since he didn't, I expect Chuuya will unfortunately just shrug it off and roll with it. Probably yell at him for a bit, but nothing that would have far-reaching consequences for his character unless there is something about his current situation we don't yet know.
I think for Chuuya to grow and change as a character, he needs something major to shift in his life - the threat has to come from within his place of security. He needs to be destabilized. Something needs to happen that specifically targets his tethers and his self-concept.
Personally, my money's on the destabilization of his bond with Mori, who he has the most respect for, because that might trigger development related to leadership and goals, but I guess we'll see. I think it'll probably be incredibly heart wrenching and hurt us all severely, whatever it is.
Huh. I wrote a lot. Congrats for making it to the end! I'm going to sleep now. :D
Edited by removing the entire middle section because it was absolute garbage and probably should’ve been its own post. I hope the rest of this holds up. That’s what I get for writing things at 2 in the morning I guess.
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