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#Tom Cassell
cherrymarieee · 6 months
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grailknightmonty · 2 years
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Its been a while since I did some semi-realism so heres a little portrait/study of Tom since Ive been watching a lot of his vlogs lately :D 💙
reference images + bonus starborne version
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henrycavillcumdump · 27 days
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Tom Cassell AKA Syndicate
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witchlingcirce · 3 days
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MY SHADOWHUNTER FANCASTS / FACECLAIMS
AC = CASSANDRA JEAN
this really isn’t generalised to one series, just particularly face claims / fan casts I have for the characters !! This is just how I see them BTW. (Also, I made this because I was rlly bored- that’s why all the edited photos here look really bad HAHAAH)
JACE HERONDALE - Rudy Pankow
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SEBASTIAN MORGENSTERN - TOM GLYNN CAREY
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ISABELLE LIGHTWOOD - DEVA CASSEL
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JEM CARSTAIRS - WILL GAO
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JESSAMINE LOVELACE - HANNAH DODD
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I really wanna know what everyone else’s face claims / fancasts are ! So I can add them to my list.
Only on a little fun side note: this isn’t a fancast more like a hair cast (HAH that’s so stupid). But I really imagine Ty’S hair like this, and I hope they kind of stick to that during TWP.
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kiwibirdlafayette · 6 months
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I think Tom (and all his alts) strive for freedom…
OH ABSOLUTELY
I totally agree!! I think just like- the nature of Tom and his alts (who ofc meta wise were all written after him) is that they’re all dependent people of some kind, usually as the result of their circumstance of existence
Whether that be like in Tom's case because Dianite (or Mianite in Godswap, albiet different dynamic) is the one to grant him reanimated life, making him sort of indebted to him- or Cassell who isn't necessarily bound to his god moreso that he's bound to his creators (Flash and Ianite). Mot also sort of has that tether element to him because Dianite technically also saved his life from the creeper spore infection iirc but I think it makes the principle of freedom a little different to him esp. because it turned into like a business partners to unrequited crush to sorta lovers kinda thing depending on your post canon
All of this translates to me into their kind of devotion as champions, and again how that's like different from Ianitee flavored devotion (based on the guidance of Ianite and trusting in her judgement to lead them the right way so she can keep them safe), or Mianitee flavored devotion (Like knights to a king, similar to Ianitees follow orders for order, kind of follow his principles rather than specific instructions from him). Dianite being Dianite and the elements of chaos being how it is, Dianitee devotion is like being an extension of him, not via principles or guidance but by intent like being mercenaries in service of him while still being tethered in fear of punishment if its not done right. And maybe yknow they don't mind the implications that come with that title (Mot's case, for example) I think that's where that desire for freedom comes for- a want to have an existence that isn't tethered to their god
side note this could not apply as much to Dianite and Cass in Aitheaca because Dianite takes the Ianite role in terms of swapped god positions (and Cass runs off Dianite's guidance in the same way as Jordan would to Ianite) as Flash and Ianite are more similar to Tom and S1 Dia but bear with me xD
So kind of like extrapolating from that- their more specific desires for freedom are all sort of tied to Tom's need for spiritual freedom- I want to like refer to the whole thing of the Thauminomicon-y traits Marsh had mentioned before, and how Tom has 'fabrico', which stands for craft/repair. It connects in the sense of yeah he's a zombie he's stiched back together but. ok hear me out. Who would have stitched him back together? It was implied in an episode of Isles that c!Tom doesn't remember the Minecraft Project- (because they're memories he can't return to, just big empty void in his head), or when he was alive/ill from zombification, but he hadn't died yet. The person that arrives on Mianite with Tucker is that Tom, he is all that chaotic goofy Tom is, but at the same time he's partially someone else's creation, sewn together in intricate ways to be the bringer of chaos for the god he serves- but beyond that? His humanity. At his core, he's human, not someone who'll just take orders blindly and him striving for his freedom from that tether is refusing to deny the things that makes him alive. And I think the other alts like ya said follow suit, in Mot maintaining his humanity regardless of his ailment through choosing to care for Alyssa rather than being just a ruthless chaotic killing machine when Rux!Dia dies or in Aitheaca the way I want to write Cassell as someone who was born as a weapon for Ianite but loves collecting vintage human things and views his innermost self through music. The visual I kind of go to is the idea of Tom literally crafting and repairing the parts of himself that make him feel trapped by breaking them apart, burning it, adding new things when he takes the hands of friends and yeah!! And I think this sort of aspect could also tie into him becoming Mecha Dianite as well in finding freedom by choosing the person he is, and owning it
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letterboxd-loggd · 1 year
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Shadows (1958) John Cassavetes
May 11th 2023
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Mickey Rourke, Animal Factory dir. Steve Buscemi
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didanagy · 8 months
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CHILD 44 (2015)
dir. daniel espinosa
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olivierdemangeon · 2 years
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CHILD 44 (2015) ★★★★☆
CHILD 44 (2015) ★★★★☆
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View On WordPress
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traitorsinsalem · 2 years
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seventh rum is dropping so i guess how quick the records sell and songs stream online will attest to how effective bowes’ attempt at damage control was.
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lakecoded · 4 months
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my roommates are claiming that because i watched 3 movies in the living room that brad pitt stars in that he is my new tom cruise :((((( FIRST OF ALL he does not have the juice to be the new tom cruise. SECOND OF ALL. three movies is not that many if you look at how many movies i watch
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cherrymarieee · 10 months
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⊰Follow the Streamer Update discord if you want streamer updates 👇🏼⊱
〖Follow my CaptainSparklez discord if you want cap updates and just to hang out with friends you made over the years on Twitter 👇🏼〗
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cujus · 1 year
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2019: Мужчины могут свернуть и депрессия без лекарств
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Mary Poppins - Brisbane 2022 - QPAC
Hello Musical Theatre fans! 
So 07/12/22 clocked in as my third viewing of Mary Poppins, and unfortunately seeing shows more than once in the run has started to become a very expensive habit. Strangely though, all three reasons had a different purpose, which usually isn’t the case (and rather, I just go because I enjoyed it so much I wanted to see it again.)
The first was due to some complimentary seats; so why not? 
The second was the planned, intended viewing with the family.
And the third? Well. We found out one of our favourite ensemble members was playing Bert, so we booked some last minute tickets (literally 6 hours before the show started) and went! 
(And, as of Jan 2023, I ended up seeing it a FOURTH time, due to a lottery win. That adventure isn't included here but it didn't change much!)
The Story
Mary Poppins is an excellent show. I went and saw it when it came to Brisbane for the first time in 2012. I have to admit, I wasn’t as impressed back then and came away not really wanting to go this time, but through either age/maturity or just a different cast/different production, I left with a completely different review of it.
The story of Mary Poppins is the same as it always has been - two misunderstood children with parents who have no time for them, so they act out and escape from their boring, strict nannies. In an attempt to open their parents’ eyes, a mysterious, magical nanny comes down from the sky to teach everyone a lesson. A special mention to Bert, the guardian angel jack-of-all-trades that always appears when the kids need him most.
The musical adaptation takes a slightly different turn than the movie, I can only assume for staging and pacing purposes. There are several new songs, and some of the songs from the movie have been changed, and in my opinion, some of the character arcs are a little more blurry. In the movie, the children are quite soft and don’t require such a firm hand to guide them (despite their letter going on about their pranks). They immediately love Mary, and follow her every request. It’s only on Mary’s day off when they’re with their father do things turn upside down. In comparison, the musical children are petulant trouble makers with strong personalities, who are dubious about Mary Poppins even after her introduction (that whole, “we hope you’ll stay” in ‘Practically Perfect’ is definitely sarcastic). They’re still making trouble despite Mary's influence; causing a mess in the kitchen for poor Robertson Ay. It’s definitely better consistency for their characters, given how much the other nannies label them as terrors. Luckily, with strong children, the stage role of Mary is equally as strong and no-nonsense to match.
Jane and Michael get their own miniature character arcs, though I find Jane’s is a little harder to follow. Michael learns to not judge a book by its cover when he feeds the birds, but Jane doesn’t quite come around at the same time and is still afraid of the bird woman. She eventually gets a throwaway line at the end about learning to look beyond what’s at the end of her nose, but we never see it truly resolved, and they’re still fairly judgy about how dirty Bert is as a chimney sweep. 
George Banks is, of course, the man of the show with the most change, as intended by the original source material. We find that his lifestyle is deeply rooted in the trauma he faced as a young child - seeing his parents barely once a week and never being kissed goodnight, and forever being molded by brimstone and treacle (which after a quick google, I’m surprised George even made it to adulthood!) 
One thing I probably don’t agree with and would love to see a rewrite for is the character of Winifred Banks. In the movie she’s a strong-willed suffragette, fighting for women’s rights (but is unable to stand up to or for her husband at home). In the musical, she’s a former actress that left the stage to host dinner parties and luncheons for rich ‘friends’ she doesn’t really know, which is the reason why she can’t look after the children (and ‘all the best people have nannies’.) At the end of the musical, she decides that the acting life isn’t for her, and that she’d rather just concentrate on being a mother. 
Personally, I would love to see her in that suffragette role once more, and like Mr Banks, come to the conclusion that she needs to balance her lifestyle and the parenting with George. In the movie, watching her march and stand up for women, but be completely incapable of standing up to her husband was a fun juxtaposition (though in the movie, this was never resolved either.)
Upon first watching, I found at least one of the musical numbers was a little hard to piece together from a story perspective; specifically ‘Playing the Game.’ To be truthful, I’m still not sure how this song fits; Valentine is broken because the children are fighting over him, and after this (horrifically haunting) number about respecting your toys, Mary Poppins leaves because she can’t help children who won’t listen. While totally relatable and a generally good message, what does this have to do with anything that’s happened so far, and why does THIS particular issue prompt Mary Poppins to leave? The children seem to be following up to this point, and aren’t really resisting her lessons.  
Some minor gripes that definitely don’t detract, but just make me laugh; I’m not sure how okay I am with the ‘Spoonful of Sugar’ essentially being a drug that gets them all high enough to enjoy cleaning. The rest of the show tends to rely highly on metaphor but this one feels a bit off. 
Also, the reason for them being swept up the chimney sweep to meet Bert and the other sweeps will forever make me laugh with how random of an event it is, with no explanation or information about why it happens. 
I suppose, just like Mary, the show makes a habit of never explaining anything ;) 
Musical Numbers and Staging
Mary Poppins incorporates well loved songs from the movie with a host of great new songs that fit the pacing of the stage play. I always find myself with ‘Practically Perfect’ in my head as I leave the theatre (and for days afterwards).
Feed the Birds is always a standout in my mind; a hauntingly beautiful song on a dim stage, with beautiful harmonies from Mary and the bird woman. It never fails to give me goosebumps! 
The choreography is incredible, especially Supercalifragilisticexpialidocious - I always enjoy watching the cast rattle off letter after letter, and I’m pleased that we get to see it once more at the end. 
One part I always love to watch is how quickly the park changes during ‘Jolly Holiday’ - from quiet browns and greys and blacks to suddenly brilliant greens and reds and purples (Colours of my Life, anyone?) as the lights come up always has me staring in childlike wonder, marvelling at just how incredible the stage can be. It’s magic moments like those that really make me love the theatre. 
The costuming is brilliant, although if I have one criticism I would have loved to see Jane and Michael’s costumes start to brighten as the musical goes on. They wear greys and browns for the majority of the time (except in Jolly Holiday), but as they start to become happier, better adjusted children, it wouldn’t have hurt to see some of the colour leaching into their clothing as well. 
Leads
For the 2022 run of Mary Poppins, we had Stefanie Jones and Jack Chambers as our Mary and Bert. I saw them for two of the three shows I’ve seen, and their portrayal of these characters was amazing. Stephanie’s vocals and Jack’s charm really brought out the magic of these two characters, and their chemistry on stage was a delight to watch. I haven’t seen either of them in any other productions (I don’t think), so it was nice to see some new faces. 
I’ve also got to give a special mention to Genevieve Kingsford and Patrick Whitbread, the understudies we saw on the 07/12/22. Patrick Whitbread was the ensemble member we were there specifically to see, and while I’m completely biased, Patrick played an incredible Bert to Genevieve’s Mary. 
I always love getting to see multiple people in the same roles; they each bring something just a little different that usually offers unique perspectives. 
Patrick’s Bert is goofy. He’s a sweet, lovable dork who pulls faces while he dances, and his portrayal reminded me a lot more of the Dick Van Dyke version of Bert from the movie. Jack plays a much more suave Bert, which is no less endearing and exciting to watch. Genevieve’s Mary was softer than Stephanie’s prim and proper nanny, but that softness didn’t diminish the way she commanded the stage. 
Tom Wren was excellent all three nights - he has such a great smile and it’s such a standout when he goes from always frowning and scowling to these brilliant pearly grins. I absolutely loved Lucy Maunder’s performance; for the character she plays, she does it incredibly well and her vocals during “Being Mr Banks” are absolutely beautiful. 
The children are always fantastic; I got to see three (four!) different sets, and all of them were equally amazing. 
Ensemble
As per usual when I go to the theatre, I like to pay close attention to the ensemble, and see if I’ve seen any of them in any former productions. Some of them just end up sticking and I try to make sure I watch out for them during the shows. Due to the costuming and make-up usually covering faces and hair, I found it incredibly difficult to single them out as individuals on this show. 
There were only a couple of them this time; 
Hayden Baum, Ellie Nunan and Taylor Scanlan I’ve followed through numerous Cats productions. 
Andrew Broadbent - we saw him in Book of Mormon; I’ve been trying to chase him down at Stage Door to no avail; he’s far too sneaky. I enjoyed watching him as Von Hussler and the Policemen - it’s always just nice to see familiar faces. As of the fourth viewing, I managed to get to Andrew at Stage Door! He was the kindest, most polite person I've ever met and I LOVE him very much.
Thanks for reading!
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youremyheaven · 1 month
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The Astrology of Doppelgangers
I know the astrology behind the physiognomy of people is a very popular niche in astrology but its truly crazy how so many people who look eerily similar share the same nakshatras or planetary dominance.
Heath Ledger & Joseph Gordon Levitt
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Heath- Revati Sun & Rising
Joseph- Ashlesha Moon with Sun Conjunct Mercury (in Dhanishta)
Both men are very Mercurial looking
2. Sarah Snook & Cari Cakes
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Sarah- Anuradha Sun, Mars in 1h, Mercury in Vishaka in 2h, Moon conjunct Jupiter (in Revati), Mars in Swati in 1h, Saturn in Jyeshta atmakaraka
Cari- Anuradha Rising, Mars in 1h, Vishaka Moon, Mercury conjunct Mars in 1h (in Jyeshta) and Sun conjunct Rahu (in Purvashada), Mars in Jyeshta atmakaraka
3. Janhvi Kapoor & Laura Harrier
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Janhvi- Shravana Moon, Saturn & Ketu in UBP, Mercury conjunct Venus in Shatabhisha (Horse Yoni)
Laura- Mars conjunct Rahu in Shravana, UBP Sun, Ashwini Moon (Horse Yoni)
5. Francis Bean Cobain & Alexandra Daddario
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Alexandra- Venus in Jyeshta atmakaraka, Purvabhadrapada Sun
Frances- Revati Moon, Venus conjunct Jupiter (Jup in 1h)
They have a Mercury and Jupiter influenced appearance
7. Hozier & Chris Evans
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Hozier- Anuradha Moon, Sun in 1h, Shravana stellium
Chris- Anuradha Rising, Sun in 2h, Mars in Rohini in 2h
They have Saturn, Sun & Moon influence in their lewkzz
8. Tom Hardy & Logan Marshall Green
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Tom- Mars conjunct Jupiter in Ardra, Venus in Ashlesha
Logan- Swati Sun & Mercury, Shatabhisha Moon, Venus in Jyeshta
They have Rahu & Mercury influenced lewkzz
9. Fiona Apple & Ty Dolla Sign
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their birth times are unknown
Fiona- Sun atmakaraka, Mars conjunct Jupiter in Ardra, Ketu in Revati
Ty- Sun atmakaraka, Venus in Shatabhisha, Jupiter in Swati, Sun in Revati
Their eyes are soo Rahuvian, I wish I knew their rising signs :(
10. Solange & Orlando Jones
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Orlando- Sun conjunct Rahu (in Revati)
Solange- Ardra Sun
They have a Rahuvian appearance, wish I knew their birth time because I feel like they have other aspects in common
11. Boy George & Sam Smith
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Sam- Mula Moon (dog yoni), Venus atmakaraka (in Krittika)
George- Ardra Moon (dog yoni), Venus in 1h (in Bharani)
13. Myrna Loy & Deva Cassel
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Myrna- Purvaphalguni Moon conjunct Mercury, Ketu conjunct Asc in Shatabhisha
Deva- Purvaphalguni Sun, Magha Moon conjunct Mercury, Rahu in 2h
Claire had mentioned how Rahuvian women have serpentine features, I see that in both of their eye area and face shape, especially the pinched back nose, they also have Purvaphalguni in their big 3 (Rat yoni face shape) and Ketuvian influence as well
14. John Malkovich & Austin Butler
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Austin- Anuradha Moon, Mars in Purvaphalguni amatyakaraka, Jupiter in Ashlesha atmakaraka, Ketu in Punarvasu
John- Mercury conjunct Venus in Anuradha, Purvaphalguni Rising, Jyeshta Sun, Ketu in Punarvasu
In my post about the absorptive quality of Venus I had mentioned the two of them, Austin pretends to be Elvis irl (made worse by the fact that his atmakaraka is in a water sign) and John pretends to be European lol
Venusian men give me the creeps ngl, idk why Claire made them seem like the most ideal type of man ugh
15. Denise Richards and Doutzen Kroes
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Denise- Dhanishta Sun, Vishaka Moon, Krittika Rising
Doutzen- Venus & Mars in Purvabhadrapada, Saturn & Ketu in Vishaka, Uttarashada Sun conjunct Jupiter
They have Lion Yoni (Dhanishta & PBP), heavy Jupiter influence and Sun influence (Krittika & Uttarashada)
16. Leighton Meester & Minka Kelly
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Leighton- Mercury in Purvabhadrapada atmakaraka, Revati Moon amatyakaraka
Minka- Vishaka Moon amatyakaraka
Jupiter, Mercury & Moon seem to affect their appearance
17. Christopher Walken & Scarlett Johansson
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Christopher Walken- Revati Sun, Shravana Moon
Scarlett- Mars in Shravana 2h, Mercury in Jyeshta 1h (atmakaraka), Venus & Jupiter in Purvashada in 2h
I think their Monkey Yoni (Shravana + Purvashada) along with Mercury influence (Revati & Jyeshta) contributes to their facial similarity.
18. Dimple Kapadia & Sandra Bullock
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Dimple- Chitra Moon, Rohini Sun, Mercury in Krittika atmakaraka
Sandra-Dhanishta Moon, Venus & Mars in Mrigashira, Moon amatyakaraka and Jupiter in Krittika atmakaraka
They have Mars, Moon & Jupiter influence, Rohini & Mrigashira's Serpent Yoni can also be seen
19. Collin Ferrell & Emraan Hashmi
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Colin- Sun in Rohini, Purvabhadrapada Moon, Venus atmakaraka (in Punarvasu), Jupiter in Pushya (exalted) & Saturn in UBP (hella Saturn energy)
Emraan- Moon in Shravana, Purvabhadrapada Mars (amatyakaraka) & Ketu, Venus atmakaraka (in Dhanishta), Sun conjunct Mercury in UBP
They have Moon, Jupiter, Saturn & Venus influence, Dhanishta & Purvabhadrapada's Lion Yoni can also be seen in their appearance
20. Raveena Tandon & Twinkle Khanna
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Raveena- Chitra stellium (Mercury, Venus, Mars)
Twinkle-Dhanishta Moon
Mars dominant bombshells<3 fun fact Raveena used to date Akshay Kumar in the 90s and Twinkle is married to Akshay, I guess he has a type lol
21. Minhyuk & Soobin
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Minhyuk- Revati Moon, Venus in Jyeshta
Soobin- Jyeshta Sun
Two Mercurial kings <33
22. Priyanka Chopra & Eva Mendes
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Priyanka is Punarvasu Sun, Venus in Mrigashira, Mars & Jupiter in Chitra (heavy Mars energy)
Eva is Purvabhadrapada Sun, Mercury conjunct Jupiter (in Dhanishta), Saturn conjunct Ketu (in Mrigashira) (basically a lot of Mars influence)
They both have heavy Jupiter + Mars energy in their chart, both of these are masculine planets and if you watch their interviews you can see how tough or kinda fierce, zero bullshit they can be BUT all that said, Priyanka has Rohini Moon (exalted) and some Hasta placements as well, whereas Eva is a Pushya Moon, Moon influence makes you very Yin and Pushya is the most feminine nakshatra so while they have a strong, intimidating, "don't mess with me" attitude & influence going on, they're both also very feminine, very refined, very poised etc, I think its especially reflected in their street style as well.
23. NingNing & Jennie
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Their similarity is their facial shape and overall facial harmony
Ningning- exalted Jupiter (Jupiter exalts in Cancer), Mercury conjunct Mars (in Hasta), Chitra Sun (Tiger yoni)
Jennie- Vishaka Moon (Tiger yoni), Sun conjunct Mercury (in Uttarashada)
The tiger yoni resemblance + Jupiter inverted triangle face shape + Mercury influence giving delicate features is <33
24. Taeyeon & Karina
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Karina- Punarvasu Moon, Mercury & Venus in UBP, Mars conjunct Jupiter (in Bharani)
Taeyeon- Purvabhadrapada Sun, UBP Moon, Mars conjunct Jupiter (in Krittika)
They have Jupiter, Saturn & Mars influence in their appearance
Its interesting because Karina's conjunction (look out for conjunctions in your chart btw, they have a major influence on you) is in a Venusian nak which is yin whereas Taeyeon's in a Sun nak which is yang, I think this reflects in their appearance as well since they look similar but Taeyeon has a bolder vibe, along with a pronounced Yang appearance (Dramatic/Gamine in essence theory)
25. Hrithik Roshan & Bradley Cooper
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Hrithik- Purvashada Sun & Mercury, Pushya Moon, Anuradha Rising
Bradley- Purvashada Sun, Chitra Moon, Anuradha Rising
They have the same big 3 minus their Moon naks. Their appearance is affected by Venus & Saturn.
26. Disha Patani & Penelope Cruz
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Disha- Mrigashira Stellium (Sun, Venus & Ketu), Ashwini Mars, Jupiter in Magha, Rahu in Mula
Penelope- Mrigashira Saturn & Ketu, Ashwini Sun & Mercury
Disha & Penelope have a similar combination of nakshatras with a strong Mars + Ketu influence, Penelope has Ashwini (Ketu ruled) in her luminaries whereas Disha has a Ketu stellium in 3 different nakshatras (I don't count this as a stellium in the traditional sense but having that much Ketuvian energy in your chart is bound to have an effect on you)
27. Julia Michaels & Soha Ali Khan
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Soha- Swati Moon & Mars, Venus in Vishaka atmakaraka & Ketu in Purvabhadrapada
Julia Michaels- Swati stellium, Vishaka Sun & Moon
They have a Swati & Jupiter influenced appearance
28. Anushka Sharma & Julia Michaels
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Anushka- Swati Moon, Sun conjunct Jupiter (in Bharani)
Julia- Swati stellium (mercury, venus & jupiter), Sun & Moon in Vishaka
They have a Swati, Sun and Jupiter influence.
29. Ryan Gosling & Ranbir Kapoor
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Ryan- Purvashada Sun, Shravana Ketu, Venus & Saturn in Hasta
Ranbir-Shravana Moon, Purvashada Ketu, Sun & Mercury in Hasta
They have strong Moon influenced appearance along with Shravana & Purvashada's Monkey Yoni
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kiwibirdlafayette · 7 months
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along the line of musical themes, cassell and flash’s relationship in aitheaca is described really well by helium by glass animals and thats very much intentional
i just got. reminded of it again bc im listenin to the song. But yeah. Yeah
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