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heichou-dancho · 1 month

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FFVII Rebirth thoughts (Spoilers for everything)

I reemerge having finished Rebirth after four weeks and 92 hours in-game playtime. That’s an incredibly short but also massive amount of playtime for me, Yakuza 0 took me a year with pauses. I’m still reeling after finishing chapter 13, and since all my FF buddies from the old days are long gone, I’ll just vent here. I enjoy reading the reactions and thoughts of other players, so maybe someone else does too?

This post is full of spoilers and Shinra fangirling, but it’s about the whole game:

Shinra:

First, somebody on the team that wrote material for the Turks and Rufus must be some Shinra fandom veteran grown up with 20 years of fanon. Just Elena as a whole, Rude getting her that ice cream, Rufus in the Gold Saucer harassing fighting Cloud for fun, Dark Star not only obeying Rufus but also Tseng. Rufus complaining that Tseng is being overprotective… (faints) So much crack and shippy moments, I was grinning like an idiot.

(Is crack fic even a thing anymore? It feels like they’ve gotten rarer)

I expected maybe three or four scenes with the Turks, maybe less for Rufus. AND THEN SQUARE SHOVED THEM IN WHEREVER THEY COULD WITHOUT DERAILING THE PLOT. Elena was given so much room to breathe. Same for Rufus. Those little moments with Darkstar. I’m over the moon.

Okay, Rufus, so your father got stabbed, and the first thing you did after that was recording some motion-capturing and dialogue for a Turk recruitment hologram-video-thingy in an abandoned facility? It makes zero sense, but it’s my favourite protorelic mission and I’ll happily add it to my headcanon as a sign that Rufus gave Tseng his okay to recruit more Turks.

(The real answer would probably be automatically generated AI shenanigans, but that’s not very exciting.)

Viceroy Saruf. Just … Rufus, you’re such a cheeky idiot and I love you. Is there any faction in this world you’re not manipulating from the background? I can’t shake the feeling that being the man in the shadows suits you more than actually openly running the company.

Tseng and Reeve were great, I would love more little moments like that, where the Shinra folks just interact outside of action scenes and dramatic moments. The talk Tseng had with Reno and Rufus in Remake after the Sector 7 collapse hit the same note for me. I want more Reeve in part 3.

The scene between Tseng and Aerith at the temple made my eyes misty, but I wish it had been longer. Tseng keeping it short and abruptly leaving to "make a report" was perfect, and I know Cloud being so cold and cutting Aerith off fits his behaviour, but something about the timing just felt off.

I was surprised that Heidegger would take a bullet for Rufus. For President Shinra, absolutely, but Rufus? Hmm… This makes great fanfic material. I’ve read a fanfic before that tried to reimagine the Shinra executives (even Palmer) as more realistic people, and I found it to be really interesting, but then I’m a weirdo with plot bunnies in my head that involve a younger President Shinra, his wife, Veld, Vincent and the older Shinra execs.

I’ve never been a fan of Hojo but his R re-imagining is one of the few that doesn’t work at all for me. OG Hojo was far more unsettling. R!Hojo is just your typical mad scientist, I just can’t care about him, which is a shame, because him taunting Aerith in Remake with how he dissected Ifalna hit me hard.

I still haven’t quite grasped why Rufus is so obsessed with the Promised Land. It probably all comes down to wanting to be more successful than his father, right? I’m probably forgetting or mixing up details from Remake, Rebirth or the OG here, but I assumed that Rufus would outright dismiss it as a fairy tale.

Apparently there is a Midgar DLC for Power Wash Simulator. Square Enix, where is Hitman: Tseng and a version of Yakuza where I can play the Turks dealing with dumb crap doing missions in Midgar? Give us Shinra fans something, I'm still waiting for the EC version of Before Crisis. And I don't even like gacha mobile games. >:(

General game thoughts:

The open world is fantastic, I want to live in Gongaga or Kalm. So pretty. People online seem to hate the Gongaga map, but the soundtrack and the jungle theme made it work for me. I found the gliding parts in Cosmo Canyon far harder to navigate.

Shinra Manor is terrible with Vincent being it’s only redeeming part. The actual mansion looked great (the portrait of President Shinra was a nice touch) but the upper levels being inaccessible and turning it into another lab dungeon was boring. Same for the box throwing mini-game.

Dio the archaeologist turned body-builder is great, but Shinra knowing about the keystone and just not bothering to use it when President Shinra was looking for the Promised Land is a weird plot hole. It would have been a lot easier than trying to convince Aerith to come to them. There were some other little details like that, that bothered me but it’s a blur now.

Remake Barett made me into a Barret fan, Rebirth Nanaki into a Nanaki fan. The writers are genius when it comes to rewriting these characters from the OG. I’m not really bothered Cid not being grumpy and swearing all the time. Him reminiscing about Ifalna was cute. Vincent using his old Turk skills (and having some lingering loyalty to the job?) was cool. Really looking forward to seeing how they’ll handle Lucrecia, the one character in FFVII I'm so conflicted about.

I’m still confused about Aerith’s death scene, especially the cuts where she’s lying in her own blood and then isn’t. I understand that she’s dead in her current reality, but is the scene without blood (and Aerith "waking up" in Cloud’s arms) Cloud’s hallucination or just a different reality? I’m also utterly confused by how many Aeriths we’re dealing with. The Aerith and Cloud we’re playing with and the sleeping Aerith (and Cloud) from the dimension where Zack lives are one and the same? It’s tying my brain into knots, and not in a good way. That’s why I usually can’t stand from stories involving elaborate time travel loops or parallel universes.

(Man, why doesn't Tumblr allow spaces between paragraphs? I hope your eyes aren't bleeding)

I first played the OG as a young teen. Cloud’s mind being fractured and hallucinating was a neat bit of storytelling back then that I hadn’t encountered in video games before. Twenty years later, I’ve dealt with loved ones who are ill but refuse help, and known plenty of people have some form of psychosis or schizophrenia. Whilst I would never seriously compare Cloud’s problems with rl mental illnesses, I found the scenes where he sees Sephiroth and no one else, or is completely out of it hard to stomach. Interacting with somebody who has hallucinations (even "harmless" ones) or paranoid thoughts is unsettling at best, nightmarish at worst. The group trying to passively bear it and keep things together rings very true (especially Tifa) but I’m surprised that even Barett or Yuffie aren’t trying to confront Cloud about his behaviour at least once.

(I tried to format in html, but it somehow looked worse. I'm old. This is how Vincent must feel like every day.)

Dyne, Myrna and Tseng talking to Aerith at the temple had me tearing up, and I lost it at Aerith’s "date" with Cloud in Ch. 14. Hoo boy, I know Aerith stalling off the inevitable just for a little time, was the game having a very direct conversation with the player about what’s going to come, death and how we deal with it. But to me personally, it was more about how one gets caught up in trauma and repeat it over and over in your head, mulling about the point of where things went wrong and what you could have done to prevent it. I know it doesn’t fit, but that’s what my weird brain made out of it. Also Dyne’s and Aerith’s (at the temple) speeches about how they deal (or didn’t) with grief and trauma rang absolutely true.

Damn you, silly anime action game, you really shouldn’t affect me this deeply, but then a lot of fiction hits me harder than it used to.

#rufus shinra #tseng #ff7 rebirth #ffvii rebirth #spoilers #ff7 rebirth spoilers #shinra #the turks

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cornus27florida · 5 months

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General Thoughts on Ship Wars (discord)

Before, I wanna to tell that : I am a very passionate shipper but I don't wish for any hurt to anyone especially to the ones that shipping characters that not my taste or my NOTP. I will simply avoiding those NOTP ships in any way of fanworks, because if I am stumbled upon those NOTP fanworks - I am afraid that I might unleash beast inside me that could hurt even by words - or for myself getting hurt to see character that I feel a nice, romantic couple to be with other character else. I've learned that fanworks world (fanfic: ff, ao3, etc)(fanart: twitter, devianart,etc)(shipping analysis: tumblr, reddit) should be a safe world for anyone to be happy - shipping characters of the series they'll like while letting others in part of the fandom to know the reasons to liking a ship. In short, I am respecting anyone to ships any characters to other BUT please don't push that ship especially by bashing other character by learning how the characters doing and how the relationships progress in the story.

Well, in the fanworks you could do anything you want like making character c looking bad especially highlighting the things they're did in certain aspect of the story, which to make character a and character b (or more if this a polyamory relationship) to be together. But honestly, could that cliché be avoided? For creative thinking that filled with honesty - kindness - and the forgiveness, so even the character c won't be together with either of character a or b - everyone involved are happy. Being happy doesn't always means for union of characters. being listened-understood-respected it's also part of happy spectrum too even if by making that happen means to letting go someone they love. That's not only limits to characters let go the one they'll love (because the love status is uncertain as it's platonically? becomes familiar love? etc) BUT also when the characters they're love are gone - be it for moving on to another part or phase of life, or for going to the afterlife. Because love could turns ugly like obsession if the 'letting go' part not been used healhtly. Cue to inserting this song: https://www.youtube.com/watch?v=9H1-33qQ554

So, people in discord said a really good paragraph exclaim :

It's (refers to the ship wars) definitely not limited to coai (conan/ai), it happened in almost every fandom. But I think it basically boil down to a perfect storm of popular characters with a semi-canon ship status. Shinran (shinichi/ran) fans doesn't need to argue their ship into canon bcs they're already canon. Slash pairing (e.g. kaito/shinichi, heiji/shinichi) also doesn't tend to argue their ship bcs they know it won't happen. Meanwhile coai is very much a possibility (even if it is one-sided) so the fans gets loud in their support in hopes that Gosho (or other party related like Mai kuraki the singer for most of Detective Conan songs) will change the status-quo if coai (a pairing that have lots of ship teases - or the characters are so interesting together with their personalization) becomes more "popular".

I hate it when readers try to force their ideas on the author/creator - let them do their ideas and experiment and see if it works or not (which should be on fanworks world). Although in Gosho's case, I don't think there is reason to fear that but many webtoon creators are young and new to this all and inexperienced so they may bow to the immense pressure of the fans. -> there's many examples in the webtoons already as many unsatisfied readers have the webtoon ending with the ship that 'majority' didn't want like My Deepest Secret, Nice To Meet You!, Edith et cetera

Those webtoons also the example of the ones that didn't have any author note episode at the ending, in fear possibly if explaining why the character a not means to be with c, or technically there's no pairing become canon

Gosho is experienced indeed, BUT in the manga world making - editor is holding the key as basically try to make popular series going as long as possible ~ and if doing so fuelling ship wars by adding teases scenes especially towards triangle love, so be it. It sucks for both the author and readers actually, but it happens anyway. For the creator or author to can't write what they're actually want. For the reader of the intended pairing shipper as they are seeing the characters they're ships getting 'flirty' with other character that likely their NOTP. Or for the reader of the unintended ship as they're been fed by false hopes that their ships are means to be 'as canon'. I am also talking about constant ship wars at Oshi no Ko with Kana vs Akane btw, I love Kana more so I am mad if she's getting mocked espc by the Akane/Aqua shipper - but I also know that Akane - Aqua relationship is special in their own way even thou not that healthly.

I stopped reading Marionetta because the ship war too (the Sahed fans attacked the Tonny fans really hard) -> this the result of ship wars, this make fans to decides to stop enjoying the series for entirety which is very sad.. It's technically not the author's fault but as the fandom becomes toxic. Of how toxic and poisonous a fandom could be it's another nother to talk about and I won't talk it here.

The (ship, be it intended as well unintended) teasings happen in a lot of things: media, series, books, manga…to fuel the readers to become interested longer (thought only for the ship). It is a common thing nowadays and I don't like it at all.

-> A good story should telling what their own story properly, and shippings should be the spices not the main ingredients. So, a story should be a story based not ships based.

I disliking the ship wars as the pain, hurt, tiringness which could resulting to the fandom become toxic in intense war as pointing out why 'their ship is superior, and other ship is doomed'. This totally unhealthly, both for other part of the fandom espc your NOTP shippers AND YOURSELF as being constantly on edge to proving your ship. Why not taking steps back, letting out a long breath - and enjoys the ship that you like without hurting others happily? You, as the reader (or if the medium of series isn't visual, then watcher or anything else), is always part of the fandom that making up popularity of a certain series. If you are gone as getting tired or getting swept up by the toxicity of ship wars, didn't it hurt to the creator of your favorite series - or your friends at the fandom that you used to be like before ~ as realizing too late that you're gone?

P.S if curious:

As a shipper on multifandom, here characters that I ship on different series - which are heterosexual pairings, and well personally no hate towards LGBTQ+ just if them making NOTP I am simply disliking and avoiding the following pairings. No amount of others' arguments telling me about 'reasons your ship sucks' will ever change my opinions regarding my OTP, and I hope it's understable without seen as too hard headed - I won't bashing any characters that become part of my NOTP. I always respect anyone opinion, but I also hope that respect is a dual-interaction too so it'll become "I respect you, and please respect me too".

OTP stands for 'one true pairing' while NOTP stands for 'not one true pairing' which usually if the character a and character b that making up a pair (or more if polyamory) is paired up with other character else. So I am only limiting a pairing on each work series, but doesn't mean I didn't have more characters that I like to ship. The list of my OTP are the following with consist on various media indeed :

Jodie Starling (Saintemillion) and Shuuichi Akai | Okiya Subaru [Detective Conan | Case Closed]

Princess Gwendolyn of the Pastel Kingdom, and Prince Frederick of the Plaid Kingdom [Cursed Princess Club - webtoon]

Kaneki Ken | Haise Sasaki and Touka Kirishima [Tokyo Ghoul]

Severus Snape and Lily nee Evans [Harry Potter series]

Jellal Fernandez | Siegrain Hart and Erza Scarlet [Fairy Tail]

Nagisa Shiota and Kayano Kaede [Assasination Classroom]

Gojo Wakana and Marin Kitagawa [My Dress Up Darling!!!]

Kana Arima and Aqua(marine) Hoshino [Oshi no Ko]

Remi and Blyke [UnOrdinary - webtoon]

Adashino Benio and Rokuro Enmadou [Twin Star Exorcist]

Kinomoto Sakura (or Princess Sakura) and Syaoran (Li) [Cardcaptor Sakura : Clear Card Arc + Tsubasa Reservoir Chronicle]

Suchan Jang and Huijin Park [Jungle Juice - Webtoon]

Chrome and Ruri [Dr. Stone]

Mai and Prince Zuko [Avatar the Last Airbender]

Sena Kobayakawa and Suzuna Taki [Eyeshield 21]

Naruto Uzumaki and Hinata Hyuuga [NARUTO]

Saguru Hakuba and Akako Koizumi [Magic Kaito]

#character analysis #dcmk #cpc #marionetta #animanga #webtoon #book #harry potter #other fandoms too #shipper life #ship wars #could be avoided NGL #with respect to each other

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tmntkiseki · 2 months

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TMNT Art Diary 2: The Importance of Art Goals and Focusing Your Attention

Happy March, everyone! How are we doing? It's been almost a month and a half since my last turtle art diary, so I figured it was about time to type up yet another set of ramblings talking about my experiences learning how to draw the 2003 TMNT.

Before we get started, I feel it's worth mentioning that the future of this blog is kinda up in the air at this point? From the beginning, I've been against AI generated images because of the ethics involved and like many in the Tumblr art community, recent going-ons with the site have me concerned for where things might be headed. I'm not planning to jump ship just yet, but there is a pretty good chance that I'll be posting less and less original drawings here and start utilizing my newly created Pillowfort instead, as the staff has taken a very firm anti-AI stance to the point of completely banning both AI generated images and writing on the site (the official Tumblr post regarding their decision). If you're a fellow artist, TMNT or otherwise, they might be worth checking out as a potential alternative to Tumblr.

With that out of the way, let's begin!

Okay, so let's talk about something that applies to most anything when you're learning how to do art; the importance of art goals and taking things one step at a time. Whether you're a beginner artist or someone who already has years of experience under your belt, it's important to not only have goals in mind of what you want to learn, but also to try and not do everything all at once. There is a lot that goes into successfully drawing the turtles; their anatomy, applying their less human features like their shells and three-fingered hands, their expressions, their colors, etc. HOWEVER, if you're trying to learn to draw too many aspects of their designs all at once, you are going to become overwhelmed very fast and you will not see improvement as quickly, which inevitably results in frustration and loss of motivation. Ergo, you need to take things bit by bit, breaking down the turtles designs into bite-sized pieces and focusing on specific areas that you are having trouble on.

For instance, early on, I realized pretty quickly that one of the areas I was struggling in was the turtles heads; I love their shape, but damn are they hard to draw. Subsequently, there was a point where I was largely drawing turtle heads and ONLY turtle heads so I could learn what shapes went into them, what they looked like from different angles, etc. Within even a few days, I already saw massive improvements just because I wasn't trying to draw EVERYTHING all at once; just one very specific aspect of their designs. Compare the very first Donny I drew on the 5th of January to a quick doodle of Mikey I did a couple of weeks later on the 25th and you can see how much I learned in such a short timespan.

Speaking of shapes, you wanna know the biggest hack I've discovered for learning how to draw the 2003 turtles? Studying the Fast Forward art style. Yeah, you heard me.

At first glance, this seems kind of stupid. I'm pretty sure most people aiming to draw fanart of the 2003 turtles are planning to draw them in a similar style to the first five seasons, so it makes more sense to study screencaps and model sheets from those seasons rather than FF. However, the reason why Fast Forward is so useful for TMNT 2003 fanartists is because, at its core, Fast Forward is 2003's art style simplified. Anyone who has ever taken a professional art class or looked up tutorials online knows that basic shapes are incredibly important when drawing, as they are the building blocks of literally whatever illustration you're trying to make. Now, I absolutely love how detailed the designs from the first five seasons are, but because they are so detailed, a lot of the basic shapes do get lost under everything as a result, which can make it hard to figure out what actually goes into the turtles designs at a fundamental level.

Because the designs in Fast Forward are less detailed compared to what was seen in the first five seasons, many of the basic shapes that go into the turtles designs are much easier to spot. If you've been following me long enough, you know that I was absolutely LIVID to discover that one of the things I genuinely don't like about the Fast Forward style--the pentagon shaped heads--makes drawing the 03 turtle heads so much easier. To explain it in detail; a pentagon basically maps out the five "points" of a turtle's head. What these points represent can change depending on the angle from which you're drawing your chosen turtle, but if you're doing a turtle head from a front/three quarter view, the five points denotes the top of the head, the cheeks, and the chin. It requires some practice to get right, but by building off this initial pentagon shape, you can easily draw a turtle head in the style of the first five seasons. A hexagon works just as well and is especially useful if you're going for a rounder/softer head shape.

Beyond that, I think making to deliberate choice to draw in the Fast Forward style rather than the OG style is helpful for other reasons. When a turtle's head is only a pentagon, you don't have to worry as much about details and can focus on other areas you might be neglecting, such as figuring out the positioning of the eyes/mask, or developing the way you draw the turtles' expressions. (Seriously, the white pupil-less eyes are cool, but they do make conveying emotions a hassle, especially when the turtles are lacking for proper eyebrows.)

It's been about two months since I drew my very first 2003 turtle and while I'm still very far off from where I want to be, I've already made some leaps and bounds in terms of overall progress. I do sometimes feel annoying yelling about my turtle art learnings and struggles (especially when I know there is stuff that potentially comes off as Captain Obvious territory to others) but I personally find it helpful to write down everything I've learned and experienced in case I forget something and need to look back on it. And hey, maybe someone will see these disjointed ramblings as helpful. You never know.

Anyway, here's a lil Donny doodle from today to finish this entry off. See ya later!

#teenage mutant ninja turtles #tmnt #tmnt 2003 #tmnt 2k3 #tmnt art diary

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kolbisneat · 1 year

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MONTHLY MEDIA: March 2023

It’s getting nicer out but I’m still spending plenty of time indoors watching and reading things, don’t you worry.

……….FILM……….

Spider-Man: Into the Spider-Verse (2018) It’s been years since I’ve gone back to this and it really is one of the best superhero movies ever made, right? I hope the next one succeeds and it leads to more animated features. It just...you can do so much more. Sure the live-action superhero movies have a lot of animation but they’re bound by our physics and the uncanny valley and it’s just not the same.

……….TELEVISION……….

Ted Lasso (Episode 3.01 to 3.03) Glad to be back. It’s been interesting seeing the online rise, then fall, then rise again of support for this show but honestly, who cares? Do you like watching it? Great. Do I like watching it? Absolutely. It’s a project that was planned from season 1 and it shows and I wish more media was approached in this way.

Spy x Family (Episode 1.08 to 1.25) Okay needed to shift my expectations with this one. I really thought we’d get more of Yor and her assassin life. She’s kinda just a background character to Loid and Anya and that feels like a missed opportunity.

The Great (Episode 2.09 to 2.10) Great cap to the season. Full arcs for characters, a satisfying resolution and yet still enough of a hook to get me excited for the third season. Just some gorgeous, funny, dramatic television. Big fan.

……….YOUTUBE……….

Why everything you buy is worse now and How America’s richest donate their money by Vox Okay the first one really helped explain why stuff seems to be lower quality and it’s not just “better back in my day” sorta stuff. It’s just chasing that elusive profit, you know? And seeing the stats on how the wealthy donate was eye-opening. Taxes seem good. VIDEO (Worse Now) VIDEO (Richest Donations)

AI and Image Generation (Everything is a Remix Part 4) by Kirby Ferguson I’ve always appreciated the Everything is a Remix series and this only reinforces that. A measured response to AI image generation and what that means, why it’s flawed, and what happens next. VIDEO THE FULL PROJECT

What Does Glass Onion Have to Do with US? by Vivian Strange Okay a lengthy one but worth it. A new perspective on Glass Onion, a refresher on why I really liked US, and a really great connection between the two. Also a really great breakdown of the murder mystery as a genre as well and why it’s having a resurgence. All around great stuff. VIDEO

……….READING……….

Arabian Nights (Companion Library Edition) (Page 124 of 244) Thrifted this and for some reason never knew it was a collection of short stories? Which seems obvious now. Anyway I’m sooooo slow at really short story collections but they’ve been interesting to read. Something about the translation feels like a slog to actually read but the stories included are a lot of fun.

Wonderland Revisited and the Games Alice Played There by Keith Sheppard (Complete) I’m super picky when it comes to adaptations of Carroll’s works. Many take Wonderland and make it dark, twisted, and mature (meh) but I find the more interesting take is one that continues with the same momentum. This one doesn’t quite work in capturing the spirit of the original books for me but there’s a lot of really great ideas in here.

Superman for all Seasons by Jeph Loeb & Tim Sale (Complete) Having loved their Batman books I picked this up and, being younger and dumber, didn’t like it at the time. Where was the action? Where were the villains? I was naive. Going back to this I really appreciate the study of Superman, the narrative through the supporting cast, and the struggles that can’t be resolved through punching. Man Loeb & Sale were a team.

Fantastic Four: Full Circle by Alex Ross (Complete) As an one-off story, this delivers everything I’d want out of an FF adventure: group banter, weird worlds, and lots of mumbo jumbo science. Plus I mean the artwork is truly humbling. I had to read it twice and I still only 80% understand it all but that’s not a complaint. Totally worth picking up if you have even a passing interest in the Fantastic Four.

Ultimate Spider-Man Volume 5 & 6 by by Brian Michael Bendis, Mark Bagley, and more (Complete) Decided to pick up with my reread of the Ultimate Spider-Man series again and woof I forgot how much I didn’t like volume 5. The first half is an Ultimates story that I STILL find too wordy, and the movie tie-in of the second half never quite clicked. I dunno maybe there are too many losses and not enough wins for Parker in this one? Volume 6, however, is great. It has one of the most frustrating deaths in the series but it really explores the aftermath and impact. And introducing Johnny Storm and using him as the reason Spider-Man gets back into the hero stuff is really great. Spider-Man doesn’t need to solve all problems with punches and this book gets that.

……….AUDIO……….

Wild Planet by The B-52s (1980) After listening to a greatest hits album on repeat as a kid, I’m going back to the early stuff. Can’t get Private Idaho out of my head.

FREE I.H.: This Is Not the One You've Been Waiting For by Illuminati Hotties (2020) They always pop up in lists when I search for “more stuff like Sleigh Bells” but it finally clicked for me after listening to content//bedtime. Love this album.

……….GAMING……….

Neverland: A Fantasy Role-Playing Setting (Andrews McMeel Publishing) Whoa okay so my weekly group just fled the land of the Fairies after some drama with the Queen of the realm (you can read about it here) and then my Mof1 game ALSO had some Fairy drama involving the Queen. Apparently she’s a dramatic lady.

And that’s it. See you in April!

#Monthly Media #Andrew Kolb #Kolbisneat

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suiana · 8 months

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im generally ok with the idea of ai chat bots or whatever....but why can't people be creative and make their own scenarios for them 😭

like its ok if its your own writing/ideas, but using someone else's creative work is so ugh..😕

RIGHT

at least give credit ffs

#suiana's sinners #😭😭

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thetearsofadove · 7 months

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I honestly love writing and writing for other people, but after doing it for years and seeing just how rude people can be is really making me reconsider releasing my writing for other people.

I love fanfiction. I've been writing it for almost 10 years. Started when I was 12, I'm 21 and turning 22 in February. I've blossomed. Fanfiction, both reading and writing it, has helped me grow as an author.

So obviously I'm going to want to share it with people. But...my god, it's become a horrible experience every time I've tried.

First, the entitlement that I see from readers. Sometimes, even from fellow writers. I don't know what's worse; when a reader is being an entitled douche, or a fellow writer.

Stop clogging my inbox with "UPDATE!! UPDATE!!" or things along the lines of begging me to update. I have a life. I have animals to tend to, I have money to make, I have mental health to keep in line. I'll update when I get to it. And if I don't? Apologies. But don't make it worse by making me panic.

I was nice enough to release free shit for you. Show me respect.

Also, stop telling authors what to write. Stop dictating what they should be writing. They don't have to write for a specific audience if they don't want to.

I wrote for DBD at one point and stopped because one asshole spammed me saying "write for Adam!! Horrible author, won't write for Adam".

I was going to in the future, I only started writing a few of the characters so I could work my way up. But I gave up.

Go find a writer that suits your tastes instead of insulting and demanding a random ass author to do it for you. Or, better yet? Do it yourself. We cannot read your mind, we have no idea what you want.

Wattpad is one of the worst sites for this. As a writer? Fuck Wattpad. Some of its users are so immature and entitled, it's insane.

I also cannot stand how people treat authors/writers like we're just these emotionless writing machines. I've specifically stated I am not taking requests right now, it's on my profile, so why are y'all sending me requests after I've stated they make me anxious and make me feel pressured? I left my ask box open for questions, that's it. I'm urged to now close it.

Authors/fanfiction writers are writing stuff for YOU for free. I am more than happy to write. I write for fandoms I'm not too involved in. I educate myself about said fandoms and characters in those fandoms so I can write them the best I can. I do it for YOU. Stop treating me like I'm not a human behind the screen with a life.

Also the lack of manners drives me fucking INSANE. Say please and thank you. Show some appreciation instead of "write this 4 me kthanx". It feels horrible, and like I said above, I am not some emotionless AI that writes for you. I have feelings. I spend an hour at the least out of my day writing for YOU when I could be writing for myself, drawing, watching my favourite TV shows...whatever.

Like...in general, be nice. Be kind. You wanna request? Add a please and thank you. Don't pressure authors. Also, don't make authors feel like they're responsible for your moods. I've been guilt tripped with "write this bc I feel sad and if you won't, I'll be more sad and it'll be your fault :((" and it makes me feel horrible.

I gave up writing for people in the past because I am let down every. single. time. It's 2023, fanfiction has existed for a VERY long time, the fact that being kind, patient and understanding isn't common knowledge is mind boggling.

Also? Get to know me a little bit, ffs. I have emotions. I have interests. Don't use me for just my work. It feels awful when I post something rambling about an interest or asking a QUESTION and I end up being ignored. It's fucking horrible.

#this is a vent but you can rb if you relate to this #writing #fanfiction #x reader #i get a lil heated in here i'm sorry lol #do not reblog or reply w/ arguments because idgaf and you will be blocked #let me vent. let a writer vent #vent #tw vent #vent post #i'm just fed up ykwim #speaking up for the fellow authors #cause after nearly a decade of poor treatment i am Tired with a capital T

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swanhookheart · 8 months

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Thoughts on AI writing, the WGA strike, and ways to help

This whole post is a hot mess, but I think it communicates the point I'm trying to make so I'm gonna hit "publish" and call it a day, peeps!

In the last four years, I have worked as a writing tutor, a teaching assistant for first-year composition, an embedded tutor for ESL writing workshops, a reading partner, editor-in-chief of my school's literary magazine, and as a freelance college essay coach. I'm also a novelist (unpublished but working on it), a poet, recipient of my community college's 2021 Outstanding English Student Award, a voracious reader, and in possession of a two-year degree in Creative Writing (four-year Berkeley literature degree coming in Spring). I guess you could say I like words.

I could go on for days about all the reasons I hate ChatGPT being used as a writing aid (especially by students—ffs, pls don't make me have to report y’all for academic dishonesty; it will be a shitty experience for both of us), but here’s one I really care about: vulnerability.

As it is, ChatGPT's ability to generate prose rivals my own at about age eight (that is, it looks like a thesaurus vomited all over the page and still struggles to spell the word "fluorescent" when prompted—fuck that word, to be fair). But let's envision a world two, maybe five, years down the road where AI is capable of generating a flawless sentence. It's well-structured, the grammar checks out, everything's spelled right, and the words the algorithm has chosen work to communicate its thoughts. Even then, AI wouldn't be able to replace or compete with even the most inexperienced writers among us. Why? Because, in my opinion at least, imperfections are what make art, art.

Any time I get the urge to overthink something I've created or edit it to the point of unrecognizability (which is often; I have OCD, fam!), I like to think of this sentence in Latin:

perfectus est.

To those who have not subjected themselves to completed 2 years of Latin, this might look like it'd translate to "it is perfect", but the actual, direct translation beside the adjective "perfectus, -a, -um" in all my textbooks and dictionaries has been, instead, "finished, completed". Proper classicists can feel free to correct me here, but the original Latin doesn't seem to carry with it quite the same connotations of quality or superiority that we have in the English word "perfect", and that's low-key fucking inspirational. I think about it like this: things can be "perfect" without being flawless. They only need to be done, and "done" leaves a lot more freedom for self-expression. If just being "done" makes something "perfect", then whatever peculiarities that piece possesses are also perfect. This makes total sense in my mind, but I feel like I'm on the verge of having a stroke trying to articulate it.

Art, for me, is never about the completed piece itself. It's the quirks, it's the process, it's the slight imperfections—like finding out 14 years after starting my fantasy series that the surname of one of my main characters is slang for "severe diarrhea" but being too committed to the name at this point to change it. It's the brushstroke in a painting that doesn't quite stay in the lines or the musician’s voice cracking as they sing through an especially personal set of lyrics. Some wise person once gave me a variation of this advice, and I’ve just kind of run with it ever since: the little details in our creations we convince ourselves are flaws are, more often than not, just spaces where our humanity is seeping through. They’re not bad. They’re just instances of us, as creators, making ourselves vulnerable in the name of our craft. Whether it's in a writing workshop, therapy, school, or anywhere else, I think we all feel a bit self-conscious or even uncomfortable any time we have to share pieces of ourselves with others. Baring our souls is scary. But I like to think humans are generally good at heart, and the kinds of things they typically have to say in response to these instances are designed to enhance the bits of humanity they find in our works, rather than erase or destroy them. So, making choices as artists that force us to feel vulnerable and get us out of our comfort zone because we think we’re “not doing it right” are not just welcome experiences to those intent on growing, but essential. And AI cannot do that. It can't feel, it can't think, and so these moments of vulnerability never occur. The opportunity to generate real, human connection has been lost.

The human brain is a remarkable thing. It’s "trained", as it were (in the same way ChatGPT is trained), to think the way it does not just because it's consumed a lot of other people's material, but because it's experienced a lot in its own right. We've all experienced love, we've mourned, we’ve endured trauma, we’ve laughed to the point of tears, we've left the fucking TV remote in the refrigerator again dammit, and all of these things affect how we relate to the world and to certain topics we may write about. We’re not even touching on how neurodivergence and other brain stuff can further change how we experience life; there’s even more variety to be found when factors like that are taken into account, but I'm not trying to write a dissertation here. As the products of all these influences, our brains make very intentional choices when we write (even when it feels like we're just slapping stuff on a page and hoping it sticks). The formal features of our prose are all going to be dependent on a combination of things we’ve done, felt, and read.

I mean, I guess some might want to use the Infinite Monkey Theorem (the idea that, if you leave infinite monkeys with infinite typewriters for an infinite amount of time, they will inevitably produce a finite number of texts, including the Complete Works of William Shakespeare, an infinite number of times) to argue that writing is actually more formulaic than artistic and so maybe utilizing these algorithms is totally fine. I guess the algorithm is being compared to infinite monkeys here. I don’t know. I’ve gotten hungry since sitting down to write this silly blog post and so I’m getting a little distracted. But humans aren’t alive an infinite amount of time, and the brevity of our existence necessitates a certain urgency in what and how we write—an urgency that leads us to conclude it’s better our work be flawed but out there than faultless but stuck inside our heads. So we write. We write good shit, we write bad shit, we buy a copy of Scrivener or MS Word, we join Tumblr dot com and publish all kinds of silly memes and dick jokes, and we get a world full of funky, crazy, chaotic art that reflects our funky, crazy, chaotic selves. Our humanity seeps out with every word we commit to paper, and we let it because it’s better to live in a world filled with jagged edges and mismatched hues than it is to live in one created by something that is literally fucking incapable of feeling.

You might think this is a great blog post. You might think it's garbage. You’re valid either way. But AI couldn't have written it. It’s full of tiny little pieces of me that just kinda slipped their way in as I was writing. It’s not super polished. It’s a bit all over the place because oh my god I’m craving a cookie but want to finish writing this before I leave my desk to go and get one. No matter what anyone’s thoughts are on my particular voice, though, I think we can all agree that it exists. It exists because I write often—daily, if I can—and because I feel, I think, I am. Those things come through, and they’re what make this a semi-coherent (I hope) blog post as opposed to a smattering of random words ChatGPT probably couldn’t define for you at gunpoint. Whatever you think about this post, AI couldn’t have written it and that’s the point.

This is just one of the reasons why I support the WGA strike and will continue to do so for as long as it takes the union to get the deal they deserve. I am not and will likely never be a member of this union, but the work they’re doing with this strike to push back against AI and its wildfire-like proliferation across creative industries is essential. Algorithms simply cannot do the work that humans do—not today, not ever. Not because they’re not advanced enough, but because vulnerability is what make art, art. Connecting with other human beings—which is all any of us ever really hope to do with our art anyway—requires that vulnerability.

I’m just some random dweeb on the internet, seeing marginalized workers struggle because a bunch of crappy billionaires don't want to come to the table and feeling like shouting some words into the void about it. Maybe nobody will see this post, and that’s okay. But maybe they will and I can do some good with it. I haven’t got a lot of money to help (I’m in my broke college student era). But donations to the Entertainment Community Fund are being accepted and these funds go back into the hands of union (WGA and SAG-AFTRA) members as hardship funds if they need financial help during the work stoppage—this is my understanding, at least; pls correct me if I’m wrong!

Link below:

If you can’t donate, please reblog. I know it would mean a lot to me if I were in their position.

#writers strike #WGA #support the wga #Chatgpt #artificial intelligence

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youxe18 · 1 year

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So... Why am I here?

DeviantArt is becoming yet another hostile platform for artists (even though it was supposed to welcome them) thanks to the new AI art generator DreamUp.

Such stuff happening is kind of why I’m kind of going on this “hellsite”. I don’t want my works to be shadowbanned (Thanks Elongated Muskrat for that shit, btw), neither used in AI art crap.

The other problem is that I have over 900 pictures on my DA account and I don’t want to lose everyting just because a bunch of dumbasses decided to screw things up even more. Right after the announcement of that generator, my brother instantly removed all of his drawings and closed down his account ffs. This is the kind of thing I want to avoid at all costs.

Not surprising I see familiar faces on Tumblr already.

#fuck deviantart

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weakforarwen · 2 years

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The Kindness of Strangers

This season is so depressing. I literally got butterflies in my stomach from nervousness. Each episode is like “Arthur’s gonna die, ArThUr’s gOnNa Die, ARTHUR’S GONNA DIE”. WE GET IT! Ffs, we get it.

Poor, clueless Arthur is gonna die, Mordred will kill him, Merlin will kill Morgana, Gwen will be a widow, and Merlin will have failed his destiny. Did I miss something? Oh wait, except.. We already knew Mordred would kill Arthur from way back in season 1; we knew Arthur would be his own bane and Gwen would rule over Camelot from Arthur’s Bane (when we were told, again, that Arthur would die and we saw for the first time Gwen acting as regent in Arthur’s absence); and we knew Merlin would be Morgana’s undoing from season 4, at least.

So, that begs the question: what did we learn from season 5 exactly that we didn’t already know? What is the point of this season at all? It’s so overwhelmingly dark for no reason. I can’t watch more than one episode at a time. I’m starting to miss evil Gwen since those episodes were pretty much filler. The non-filler episodes are emotionally draining. But are there truly any non-filler episodes? Wasn’t this episode a filler episode in its own way? We learnt nothing new. Mordred will turn on Arthur but we can’t understand why and the show doesn’t seem to be interested in letting us know. The battle of Camlann was the only new piece of information we learned this episode.

The entire season amounts to nothing, really. Character and relationship development are sacrificed for the sake of the plot, but there is no real plot to speak of. The characters are stagnant - or even regressing, their relationships are stagnant as well. It’s unsettling watch these once great, lively characters act like stand-ins in their own show. Every character apart from Merlin, including Arthur, feels like a puppet who doesn’t know they’re in a play. They’re doomed and they don’t know it. They’re powerless to this great destiny and everything they do is in vain. Their priorities are all wrong. The characters don’t feel like characters at all anymore. It’s like the real Camelot has been replaced with a cheap imitation, and the characters are two-dimensional AI generated estimates of the real deal. It’s so sad and unsettling.

Arthur is happy - Camelot is doing well, Gwen’s back, he’s happily married. He arranged a romantic picnic and breakfast in bed for her. Merlin said Arthur’s never been happier and Gwen agreed that he’d come a long way. We get it, you want us to be extra sad when he dies. Don’t worry, it’s working. But if Morgana is out there, what was Arthur’s plan? She declared war in this episode, but shouldn’t Arthur have done more to prevent it from happening? Did he think she’d just disappear?

A quick word about Arwen: Why? Why does Gwen not have any lines? Why is she practically ornamental? Arthur arranged a picnic and breakfast in bed, but we don’t actually see the picnic or them in bed together. Arthur did things for Gwen, and he was sweet to her, but there was no kiss or touch, no cute exchange between Gwen and Arthur - it was as if Gwen was still evil. Gwen and Arthur spoke more to Merlin than to each other. In fact, in both scenes, Arthur lowkey bullied Merlin the whole time while Gwen’s face expressed her exasperation and lowkey disapproval. Just let Gwen have her fucking moment. This is what I meant about the characters being like extras in a play. Arthur and Gwen are there because they must be - they set the stage for Merlin, make it look real. Their actions, thoughts, feelings, agency are entirely irrelevant however.

On to the rest of the episode, RIP Finna. I cried when she died. I really liked her, she was so sweet! Why must everyone die this season? I thought Merlin wouldn’t even get the chance to meet with her because of Gaius. WTF Gaius? You thought Merlin was in danger because Finna knew who he was? So many people do! And their job is usually to help Merlin! You really are an old fool.

Back to Mordred, why mustn’t Merlin trust Mordred? Is treating a young boy who just wants to help Merlin fulfill his destiny with such derision wise? Won’t it just make things worse? Keep your friends closer, and your enemies closer... and all that.

Why did Morgana take so long to declare war anyway? Why now? Why is she ready now? I can’t keep up with her schemes at all. They make no sense to me. Also, she really has a shitty throne in her dark dungeon? Get a grip, lady.

I feel so bad for Merlin. He’s never been more miserable even if Arthur’s never been happier. I love his character a lot right now though. He’s grown so wise and tough, yet still so kind. He’s the only thing that matters this season. Until The Disir, Arthur and Merlin were the main event, but now it’s just Merlin - somehow, that’s better, but also not.

#bbc merlin #bbc arwen #merlin #gwen pendragon #morgana #arthur pendragon #gaius #arwen #the kindness of strangers commentary #the kindness of strangers

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mdmaniruzzaman-review · 4 months

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