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#a change of heart
daily1975lyrics · 1 month
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❝and you were coming across as clever then you lit the wrong end of your cigarette❞
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hathousehappenings · 5 months
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57. Change of Heart
Another one that I have vague memories of watching back in the 90’s.
This episode has a little bit of everything, which is what I think makes it so great. Queenie gets to be a title bit of a pill and everyone else just has to deal with it. All the songs are great (I’ve even already drawn images for two of them) and so is all the choreography. This is one of those episodes that I would show to someone who isn’t as familiar with the show just so they can get a sense of it.
In the end I decided to draw Alice and Cat, since I already did a Queenie-centered image last week. Plus I wanted Cat to get a Valentine from Alice too. 😌
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crikey01 · 4 months
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a little 15x15cm oil painting from my favourite music video of A Change of Heart by The 1975
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instagram - crikey.art_
just a personal painting for fun which might interest a few people but will likely flop
added pink ink to the primer so was nice to play about with that + leave bits showing through. not sure how long it took but I wanted to challenge myself to do it in one sitting so maybe about 4/5 hours. I'm loving stepping away from commissions to do a little fun painting every now and then :D
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alderaanplacesss · 7 months
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“I think you always knew, deep down.” His lips were fire on Ethan’s ear.
“That I’m fucked up?” The shakiness in his own words surprised him.
“No,” Karl’s laugh against the nape of his neck was a shiver that went straight to his groin, “that you want more.”
A Change of Heart
(New chapter on AO3)
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glamemo · 3 months
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eat-men-like-air · 27 days
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WARNING- THIS IS VERY LONG AND ALL OVER THE PLACE PROCEED WITH CAUTION AND IM SORRY IF READING THIS GIVES YOU BRAIN DAMAGE, I WROTE IT WITH ANOTHER PERSON HENCE THE CONFLICTING OPINIONS
ok the reason ‘a change of heart’ stands out is because of the contrast (or call it conflict) between the instrumental and vocals. we need to realise how slow (and soft) matty’s voice is and how it is barely catching up to the beat yet meeting it perfectly. To me, there is no audible evidence of any musical instrument in their conventional tone (except drums but we’ll leave it for now). There is no saxophone. And the spaces in the bridge are filled with splashes that sound comical if nothing else. It’s almost as if this weren’t meant to be a song coming from a band but a soundtrack born out of choices.
I personally think that Matty's lyricism resembles stream of consciousness writing. It is a Narrative process that replicates a person’s direct thought process so the words are written almost as if there is no barrier or filter between the brain and lyrics. Matthew Healy is a mentality writer for he has a crazy sense of introspection and his writing is hugely interrogative and cerebral. Where songs like love me, ugh, the sound are revelling in pastel shades of pink and orange, acoh is a black and white tragicomedy questioning the genuineness and legitimacy of the relationship.
i feel that acoh doesn't "question the genuineness and legitimacy of a relationship". it's made to be a scream to your ex letting them know you're not scared to admit the song. As someone who has come out of a "relationship", somebody else is a phase of jealousy that hangs after things break apart. it's the memory of your ex with every song you hear. it's fear of losing the person to somebody else when you have no right left. It's frustrating because you have no control. acoh is letting go, and moving on. its recollecting facts for how they are. acoh is a retreat, both physical and emotional, from the place that now seems draining. it's leaving a part of yourself to that place. (morning, new person)...
Matty understands that love is patient, love is kind. It does not envy, nor does it boast on the internet. The partner pointing out the lacklustre things in the singer makes the listener understand that love does not dishonour others and is not self seeking and even when the relationship hits rock bottom, love always perseveres. The narrator has come to terms with the fact that love or a relationship is not a performance that should without fail have the significant other engaged, rather it's pouring out your heart and entrusting them with your own self.
The emotional and physical “retreat” presented in the song shows that it was all nice while it lasted and tells us how the toughest decisions can bring about the best outcomes. The narrator nurses the pains and scars of the relationship, penning down the now erased feelings, he is feeling everything so as to feel nothing.
The partner only "worries" about the narrator out of pity. The narrator doesn't grow these feelings from choice but necessity, for survival, to remain sane. A change of heart is not about love but a relationship that failed. It's not a song that wants to retrospect rather shame the person who left. You need to understand that nothing remains nice while it lasts and then doesn't. It rots while you're trapped, then pops like a bubble. The scars aren't "nursed" but replaced.
As the song reaches its close, it opposes the idea that vulnerability is synonymous with a complete loss of control, and is therefore incompatible with power as the singer finds himself capable of falling in love again.
The love feels like emotional exhaustion, it becomes a repeating seesaw game when the ups and downs aren't fun anymore. The singer realises that The parallel between them had never existed. So now instead of dragging on, the singer decides to get off. One can also interpret the seesaw metaphor for the way the narrator sees his partner in present and what he once saw her as.
"You're mad thinking you could ever save me" can be interpreted as a subconscious hit to the narrator's psyche. The song tells us that the narrator was a saviour (reference to the subtle art's saviour). What's different in their relationship is that the saviour gets off "the seesaw" first. He is tired of making things right and admits it to himself before the partner does it for him. The partner's comments are only fabrications and lies. Thus, they exist to not tell a story, but to make the narrator doubt the only actions he thinks he must do.
The narrator has this moment of epiphany when he finally realises that he doesn't need someone else to justify his own existence. The partner is more so obsessed with the idea of love rather than the person as she incessantly draws out the dignity from the narrator. She is using someone else in a parasitically symbiotic relationship for almost entirely social reasons. Using another person to fill the need for dramatic distractions that define individuality gives the narrator the perspective that everywhere you go (referring to the ‘city’) relationships are a script of narcissism and devotion for the sake of itself.
I think the only reason the relationship fails is because relationships are tough. Tough not only because of the emotional damage or jealousy they inflict but as in a difficult subject that needs to be learnt. A relationship is like two magnets that face north to north. It has friction, which is nothing but arguments that are tough and comments that are honest. But it is still getting closer when everything is at odds, when everything tries to pull you apart. It is being okay with the fact that your partner will get harder and harder to touch even with every inch you move towards them. It is being open to giving them the space and distance they need, never stepping in on their fields. Because love will then be a moment when you try to look away, finding yourself being pulled right in.
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eliteseven · 2 months
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Chapters: 1/2 Fandom: Baldur's Gate (Video Games) Rating: Mature Warnings: No Archive Warnings Apply Relationships: Shadowheart/Tav (Baldur's Gate), Shadowheart (Baldur's Gate)/Original Female Character(s) Characters: Shadowheart (Baldur's Gate), Tav (Baldur's Gate), Arnell Hallowleaf, Emmeline Hallowleaf Additional Tags: Fluff, Eventual Smut, Romance, Emotional Hurt/Comfort, Selunite Shadowheart (Baldur's Gate), Spoilers for Act 3 (Baldur's Gate 3), Act 3 (Baldur's Gate 3), Human Tav (Baldur's Gate), Noble Background Tav (Baldur's Gate), Established Relationship, Tav is an ex spoiled noble and Shart has met her match Summary:
"Shadowheart hears soft murmurings, and she pauses to take in the sight before her. There, by the campfire, is Shadowheart’s entire world."
Shadowheart watches Tav take care of her parents in camp and falls ever deeper in love with her for it.
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jessss-ica · 5 months
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“I never found love in the city, I just sat in self-pity and cried in the car” is one of the realist lyrics The 1975 ever wrote
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for-southendgirls · 2 years
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oh hi i’m losing my mind
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shebandobsessed · 1 month
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A Change of Heart // The 1975
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musicpolls · 10 days
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Tumblr rated 6.622/10.
youtube
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alderaanplacesss · 4 months
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I’ve been thinking about rekindling my Wintersberg fic.
Especially since most of the notes I get on here are related to that pairing in particular. (I wonder if the Astarion girlies found Karl yet?)
I started replaying Village on a whim, and I’m taking notes during it. There have been some useful details. The last time I updated was during my European Covid quarantine. Reading it back, I’m surprised it even makes sense. It was the smut chapter, though. I could write smut in my sleep if I was inspired enough.
Perhaps I continue. Perhaps, perhaps…
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shit1975 · 2 years
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lmmco · 1 month
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