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#a lot of this was inspired by reddit
losingitwasblue · 6 months
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creating my own eras tour set list, because I can.
let's get one thing straight: I love the eras tour. I haven't been in person, but I went to see the movie, and it was incredible (!!) BUT! I have too much time on my hands, so I thought it would be fun to create my own set list. this will be part one. part one will go in order of the set list, with some songs changed or cut. part two will be in the order of Tay Tay's discography, and I might do a part three, using songs that aren't on the setlist already, to make it a little more challenging. I will also link the Spotify playlists, if anyone is interested! With that being said, let's get into it!
Intro: Taylor Swift Megamix [specifically this one: https://www.youtube.com/watch?v=qiIRBUiN6Js]
Part One: Lover [keeping at six songs]
Cruel Summer
The Man
Me! [specifically to scream "Hey kids! (state/country/area) is fun!]
Lover
Death By A Thousand Cuts [kind of want it to be acoustic, just Taylor and her guitar.]
The Archer
Part Two: Fearless [sticking to three songs]
Fearless
Love Story/You Belong With Me [like the mashup at the reputation tour.]
White Horse [it's sweet, it's sad, and it's a perfect transition into a sadder era, specifically evermore.]
Part Three: Evermore [updating to six songs]
long story short
Marjorie [the sentimenal value keeps it on here]
gold rush
champagne problems
Dorothea [also on piano because it deserves it]
right where you left me [do I need to explain?]
Part Four: Reputation [reducing to three songs]
...Ready for It? [I love this song too much to cut it, but its my list so I make the rules]
I Did Something Bad [the performance on rep tour was just too good, and as much as I love Delicate, I fell like making this act all bad b energy is perfect]
Don't Blame Me/Look What You Made Me Do [this transition is iconic so I can't remove it]
Part Five: Speak Now [update to three songs]
Mine [iconic intro in my humble opinion, and it was a huge hit]
Enchanted
Long Live
Part Six: Red [reducing to three songs]
We Are Never Ever Getting Back Together
I Knew You Were Trouble
All Too Well [as much as I love All Too Well 10 Min. Version, I feel like it's unnesecary, so the orginal version it is]
Part Seven: Folklore [reduced to 6 songs]
cardigan
mirrorball
Betty
august/illicit affairs [I love the way she sings this, so it stays]
my tears ricochet
the Lakes [but the original version, as the big production works perfectly for the stadium]
Part Eight: 1989 [still 4 songs]
New Romantics
Blank Space
Shake it Off [was the hit, and it's too fun to cut]
Wildest Dreams/Out of the Woods [imagine the bridge transitioning into the opening sounds of OOTW(!!!)]
Part Nine: Surprise Songs [can be repeated as many times as possible]
A song from one of the older albums (specifically Debut)/a song from the vault. [Guitar]
A song from a newer album. [Piano]
Part Ten: Midnights [seven songs this time around]
Anti-Hero
2. Maroon [sexy, somber, one of her best songs, should've been on the set list in my humble opinion]
3. Midnight Rain
4. Vigilante Shit [the choreography is too good and sexy to be cut]
5. You're On Your Own Kid [performed on the piano]
6. Dear Reader [also performed on the piano]
7. Bejeweled [because she can still make the whole place shimmer]
And there we go! Debut is not on here, but it will be on part two! And here's the Spotify playlist!
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melit0n · 4 months
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EUCLID ANALYSIS.
Told you guys it was coming, didn't I? I apologise that this has taken a bit longer than expected, my mental health hit me like a bullet train, but I do hope it's sufficient.
Part one -> You're already here!
Part two -> Line by line analysis part 1
Part three -> Line by line analysis part 2
Part four -> Musical/intrumental notes
Part five -> The Night in Sleep Token
Part six -> Conclusion
Please note this is a general analysis. Although I do go into theories, both my own and others, this is just general thoughts. Also note when I speak of Vessel, I mean Vessel as a character, not the person, unless I specifically state so.
Tagline: @rilllvri @a-s-levynn @fivewholeminutes @euclidsvessel @tonguetyd @moonchild-in-blue @kkarmatic @branches-in-a-flood
+ Some people were worried about spam liking/reblogging the last time I did one of these big analysis posts, and I want to say please don't worry about that! I get happy when I see the same users pop up liking and reblogging my work, because it means you're interested in this enough to go through the whole thing. Feel completely free to add your own thoughts, correct any errors I've made etc. As per usual, my DMs are completely open to anybody wanting to discuss ST <3
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Let's start off with the basics. ‘Euclid’ is the anglicised version of the Greek name Eukleídes (Εὐκλείδης), mainly known via the ancient Greek mathematician Euclid of Alexandria, who is seen as the ‘father of geometry’, and most famous for his work on symmetry. Its general definition is something or someone who is renowned and or glorious (A) and the lesser known definition is something that is a copy of the same (B) (taken from Euclid’s ideas on symmetry), which we’ll come back to in a bit.
However, there is another Euclid in history that we’ll be referencing; Euclid of Megara. This Euclid, similar to our mathematician, was an ancient Greek Socratic (having been a pupil of Socrates) philosopher. I’ll be taking part of a text out of his Wikipedia article since his ideas have been explained thoroughly there.
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(we'll be coming back to him soon)
First off, this is an incredibly interesting choice of name for a song. Outside of someone's maths and philosophy class, this name doesn't exist to most, so the fact it's been chosen at all is intriguing.
Vessel has shown time and time again he enjoys sometimes elaborate references in his art, an example being chemistry and biology in TPWBYT (most notable would probably be ‘Telomeres’), so, I think it would be easy to say that, whether it be a reference to Euclid the Mathematician or Euclid the philosopher, that said reference is understood and intended by Vessel.
So, let's start with our mathematician, shall we?
What I find interesting about Euclid of Alexandria is that his life and existence outside of his work on geometry is almost completely unknown. There's almost nothing known of him, as a person, other than where he spent half of his career (Alexandria; Egypt, hence his title), where he may have studied (Platonic academy) and a general idea of when he lived (around 300BC). What is known about this insanely famous man who created the foundations of symmetry is incredibly barebones. People take Euclid at face value for his work, just like Vessel (both as an artist, and a character).
Further, we, as listeners, don't have much of an understanding of who Vessel is other than being a mouthpiece of a deity known as Sleep, someone once human now grasping at the threads of humanity and someone sharing some of his struggles in life (both with Sleep and unknown people). Like Euclid, he is barebones, we take him at face value; a vessel. He is both a mouthpiece for Sleep, a mouthpiece for his own emotions (obviously) and a mouthpiece for us. His experiences transcend being just his, due to his anonymity, therefore allowing us to connect and express our own experiences. It's music for the sake of music; expression.
Now, having talked through Euclid as a person, it's time to talk about Euclid and his symmetry. Symmetry in shapes is 'reflections, rotations, translations, and combinations of these basic operations. Under an isometric transformation, a geometric object is said to be symmetric if, after transformation, the object is indistinguishable from the object before the transformation- a copy of the same’. So, of course, this means shapes like squares, rectangles, parallelograms and circles. Circles are a representation of infinity, wholeness, unity and loops. What does Euclid do? Loop itself (starts and ends with B major, which also happens to be the same chord that TNDNBTG starts with), and loops the three albums together, musically and lyrically.
Now, onto Euclid of Megara.
Euclid was born in Megara, Athens and was a follower of Socrates (sneaking into Athens to hear him speak, and he was also present during his death). He is most known for his philosophy that good is the knowledge of simply being and that the opposite of good does not exist, aka evil. The Good is described to be a perfect, eternal, and changeless Form, existing outside space and time. A form of Heaven without a God.
This idea could be linked lore-wise with Sleep Token; Sleep could, in a way, be The Good literally. Bliss. Further, with the idea that there is no actual opposite of good, then how can anything be bad? How can Sleep, as a deity, have bad intentions if there is no actual evil?
So far, with these two notable figures in mind, we can perceive Euclid as one of two ways (and there are more ways to come). Euclid can be seen as quite literally being a form of symmetry; a parallel that Vessel lays his life on because it brings all of the produced albums, all of his stories, together. Or, we can think of Euclid as Vessel. This brings me to @euclidsvessel's post on their theory on Euclid; what if Euclid was Vessel’s name before he became a vessel?
The theory that Euclid could be Vessel’s old name is not only extremely insightful, but very plausible as well. They explained their points very well in their original post, and I don't want to repeat what they’ve already said, so I do implore you to go read that! It's not detrimental to needing to understand this post, but I highly recommend it. Despite this, I am here to both support their argument and bring my own comparison. Take a look at the cover art for Euclid:
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Let me repeat the lesser-known definition of Euclid; a copy of the same. A clone. A replacement. Held in the right hand is the decapitated head of Vessel's old (2nd gen.) mask. Specifically, the one that covers his mouth; the version that relinquishes the most amount of humanity. The album art is a representation of change portrayed in a symbolically gory way. Beheading, depending on the era you’re working from, symbolises both vengeance as well as a form of purification. By cutting off the head, you remove any ‘unholy’ thoughts. It's also among one of the most horrific and humiliating ways of killing someone (since it was typically done publicly, and sometimes the heads were placed on spikes of battlements as a warning).
Furthermore, there's a theory that's popped up a couple of times, lore-wise, that Vessel is not the first person to be turned into a vessel of Sleep, and he certainly won't be the last. So, considering the literal album art illustrates a replacement of Vessel, I’d say that theory is pretty much confirmed. In conclusion, the album art can either be interpreted as how Vessel will eventually be discarded and replaced by another vessel, or how Vessel himself will change, for better or for worse; clawing out of his own skin to become “someone new”.
So, to compare the idea of Euclid being Vessel’s old name, and to create the third perception of what or rather, who, Euclid is, what if Euclid will be the eventual replacement for Vessel?
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peapodsplace · 2 months
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Hey Baba, it seems like you've been seeing a lot of yucky stuff online right now. A lot of people who aren't remembering their manners and are forgetting that there's people behind a screen. I know you like your screen time but please remember that the world isn't all like that okay? Some people are different online and forget their values and let's remember that these days, algorithms perpously show you things that'll make you upset. Yes, yes it's not very fair, is it sweetheart. Please remember to take some breaks and that the world isn't really like that. It's so important to protect yourself. Yes, silly even if you think you don't deserve it; because you do.
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kithj · 6 months
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tired of the obsession with "ethical" vampires and also "good" vampires who don't eat.
i think there's a lot to be said about fatphobia and the glamorization of EDs in vampire media, particularly in more modern depictions... i don't want to place the blame solely on twilight because this was happening way before the 2000s but i do think that had a huge impact with meyer's weird obsession and unwillingness to depict the vampires as anything other than thin and pale (and her singular fat aka tall and curvy vampire is described as "intensely feminine" and we don't have time to unpack all of that in this post)
saying that vampire venom "melts the fat" off of people, or that the vampire venom turns a person into their "ideal self" - who is the one saying my ideal self would be skinny? why is that the ideal at all?
i also just find it soooo fucking boring to neuter your vampires in this way. the whole point is to explore these deep desires and impulses and especially in romance these power imbalances that come from human/vampire relationships. i find the "good" vampire to be such a cop out. why even make them a vampire. twc vampires are just glorified super soldiers that work for the government. twilight vampires are just a bunch of mormon models. there's no real substance to them. even if you wanted to make an argument about edward, it falls flat because stephanie meyer doesn't write him intentionally, she genuinely thinks this shit is romantic & isn't ever really interested in exploring their age gap or edward's hunger.
i think interview with the vampire (the show) approaches the "good" vampire in an interesting way with louis. the decision to make him a gay black man adds so much to his desire to be "good" (accepted) and there's more to it than just him not wanting to eat humans; he's worried about the way the world will perceive him. and he still has so much love for claudia despite how different they are and the things she's done (but ultimately he still chooses lestat over her!!!) and he tries to influence daniel's perception of her, too. i also like that they still actually show him eating, versus the cullens, who i don't ever recall being shown on screen (or in the book) eating anything.
when i write about the hunger in blood choke, i worried about how people would react to the hunting scenes in ch2. overall, way more positively than i expected. there's a lot more i want to expand on especially in the next chapter, and i worry about how it may look right now in the game's unfinished state. i don't want the hunger to be something bad, at least not at its core. everyone is hungry. everyone eats. and i wanted to make it so the vampires in my world could not just opt out of it. they can't eat animals, they can't sustain on blood alone, they have to eat.
when it comes to the mc, they struggle with the hunger, but it's more than that. like with louis, it's the combination of that visceral hunger but also being gay and gender nonconforming, someone who has always been an outcast in society struggling to find their way back in after having their memories and sense of self completely wiped clean. their hunger is a manifestation of this idea they have of their past self - the potential for them to become the next Standard - and their physical/sexual desire that they repressed for so long now untethered due to their lack of memories as well as waking up in a more accepting world.
i think this is a much more interesting way to approach the hunger as opposed to painting the actual act of eating as inherently evil. in twilight, all the good vampires don't eat, even when bella is a human she doesn't eat. in dracula, lucy is only ever good when she doesn't eat. and when she does eat, she becomes an evil, indulgent sexual demon that is a threat to all men and she has to be destroyed.
female vampires always get the worst of it; they are sexual deviants, they want to kill all men, they asked for it, they're disgusting and vile for desiring anything from food to sex to independence. this of course goes way back; again, look at lucy. even in more "progressive" vampire media like bit, the lesbian vampire is evil, hates all men, and is tricking and seducing her female companions into it.
it's interesting to see how far back these trends go. dracula and carmilla all the way up to the modern depictions today. the "good" vampire narrative almost never works; i think because the idea of what is "good" is always going to be influenced by the person creating it. edward is not a "good" vampire. he is a 108 year old man who preys on a teenage girl; this should have been far more important to his character than whether or not he, as a vampire, drinks human blood. but instead he's considered good because he only eats deer and he's skinny and white and looks like a model, and because stephanie meyer says he is.
i don't write all this to say that these topics can't be explored (twilight is terrible for many other reasons, and i think iwtv does do it well) but just to point out why, in my opinion, the "good" vampire is usually such a weak narrative. who decides what is good? and there are other ways to explore the themes of desire and humanity than just restricting their diet... just because your vampire doesn't eat humans does not make them automatically good. and to be frank no vampire will ever be ethical!!! that's the point!!!!
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draakart · 1 year
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thinking about him
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saessenach · 24 days
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are you ok with people posting your art on twitter if they link you? saw someone i follow post the george bertha art (@ mirixmoya) and i wanted to make sure you knew. if you did already just ignore this message!
Oh hi anon!! Thanks for letting me know ❤️ I hadn't known bc I'm not on twitter, but I asked a friend to look - as long as they left a link to my blog, I don't mind!
I'd like people to tell me if they do repost my stuff, but I'm just happy they gave credit 🙏
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silent-partner-412 · 7 months
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i feel like i’m engaging with fandom in a way i really never did when i was a teenager nowadays. i never talked about characters i love like i do now. like i never read a fanfiction till i was 19, and then i never read one again till i was 20. honestly, i never really made long posts about the specific shit i’m into the way i do now. honestly i think i would’ve probably found my current self a bit cringe (and that’s on toxic masculinity tbh) but i enjoy engaging with stories and games this way. it’s fun, cathartic, and honestly i need that shit now more than ever lmao.
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bachelorsees · 8 months
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can't really have the 'daniil is racist' conversation because people ignore any form of subtlety in favour of either 'daniil can never say anything racist throughout any game' or 'daniil would say the n word'
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ninadove · 1 year
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💙 Clemmy Week - Day 5 💛
Friends to Lovers/Enemies to Lovers
-> Enemies to Friends to Lovers
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“So I (29F) come back to London one day, and my friend/cousin/brother/former boss (43M) has taken in a terrorist (28M) and given him my job!!! And now that jerk has the audacity to say I am the one who needs to work on myself and take accountability for my past crimes??? Who the Hell does he think he is???
Anyways, we’re married now”
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poptartmochi · 1 year
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encountered a reddit post that talks about how lady is the main character of the story for 3... i'm rotating in my fucking MIND rn..
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dawndestroyer · 1 year
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the fact that I have seen so much analysis posts and art really digging into her psyche is so [chef's kiss]
I haven't quite identified what it is about her and her choices and her actions that make her stand out among a cast of characters where everyone has something wrong with them as its hard not to be blinded by my own biases. but there is a darkness about her
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istillseeeverything · 1 month
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those tguys who I'd as cis are trans and blah blah blah community but I find them annoying. Can I say that at least
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meejijis · 4 months
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Suddenly wanted to go look for my cringey comic I've made way back in 2010 when I was in my weeb phase so I went onto smackjeeves, hoping to find it, only to find out that apparently I'm a few years late learning that smackjeeves SHUT DOWN on December 2020........ That. Really sucks. A lot. What the fuck 😭😭😭
#txt#Luckily I managed to come across a reddit post that had an absolute mad man that preserved almost 80% of EVERYONE's comic onto#internet archive. I checked to see if my cringe comic made it and it did. IMFAOOO#I reread it and im fucking cackling. lord#Though aside from that Ive been reminiscing about the days when I used to use this website back when I was in like 3rd-5th grade.#I mostly read lots of shoujo mangas on there.#I remembered some of my absolute favorite comics being “123 step!” by AshlingDraws. There was also this comic that never got finished#but it had 9 year old me on a CHOKEHOLD. “And your name is...?” by haku10 / akumatenshi19. literally one of my favs aaaaaaaa#I also remembered when rosuuri (who also used to go by tsugumi09 / tsugumi09x) USED to made comics too. I still remembered she made 3 comic#One of them was titled acquaintance. I still remembered it being set in a highschool setting I believed. slice of life. there was bullying.#and romance. I think she finished it but it later deleted it. I also remembered another comic she made but i forgot the title but#it was about highschool students and angels I believe...(?) then there was her comic about Pinku and alice in wonderland. aaaaaaaa#Rosuuri ended up deleting all of her comics and left smackjeeves like somewhere in like 2016. Idk but she left somewhere during those years#then there was m syndrome written and drawn by nemurou. who also later sadly deactivated everywhere. literally one of my first favorite#artists and inspiration. Nemurou come backkkk. I miss her art a lot ;;;;;__;;#Those were mostly almost all of the comics I remembered from my smackjeeves days they ALL had me on a chokehold on 9-11 year old me#YOU HAVE TO IDEA#And if it werent for me being babysitted by my ex crush and his older sisters which the eldest one who used to draw anime and posted#onto her webcomic being titled love letter onto smackjeeves I would have never have this childhood experience. I prob wouldnt be where i am#with my art today either.#But yeah smackjeeves was a part of my childhood at some point. it truly is tragic theyre not here anymore. I am grateful to the person from#reddit that archived almost 80% of it though. But man. Truly an end of an era. Rip
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makebesnake · 11 months
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I feel like I've been seeing a lot more destiel memes, like there were lots of ways of sharing news around and this was one of them, but recently (poss because of the influx of reddit refugees) this is like one of the only ones I see, and it's become for less and less consequential bits of news.
And now staff have put out the badges, which feels very like a riff of the reddit badges/awards, in the same way that the double checkmarks were a riff of the twitter checkmarks
idk, I just feel like when the twitter refugees came it was a lot of us teaching them how to successfully integrate with the culture (and making fun of them), and then with the reddit refugees it feels like there's been a lot more merging of the cultures, but then that also ends up leaving stuff from both of them behind
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civildisorderstream · 8 months
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2023, The Year of Self-Sabotage
Has anyone noticed the trend businesses have been on in 2023? There's a LOT of self-sabotage going on in the business world. Throughout my life, and everyone else has their own observations too, once in a while you see a company make a boneheaded decision about their product or service. And once in a while you'll see a decision get made that is bad, but maybe it at least has some justification (even to an anti-capitalist goober like myself). But this year has been nonsensical moves of greed or product/service sabotage that make no sense for longevity or harm what's in the best interest of the consumer.
Activision-Blizzard: The Overwatch debacle, and Diablo Immortal's scummy practices.
Netflix: The account sharing debacle.
Twitter: Maximum divorced loser Elon Musk destroying its functionality and branding and we still call it Twitter.
Reddit: Inspired by Musk's stupidity, the API tools debacle. Shame on the Reddit communities for not knowing how to strike btw (you don't put a time limit on it).
Hollywood: Pulling shows and films from streaming services to declare them as failed products and somehow get a tax write-off for it.
Also Hollywood: Willing to take quarterly losses greater than the annual cost to meet the demands of two striking unions put together.
Unity: Announced in the past day that it will charge developers a fee for installations because greed.
Titan Submersible: "Safety is for losers" says billionaire who proceeds to use his shoddy tech to do a murder-suicide.
Starbucks: Breaking ALL of the labor laws to try and stop unionization. Admittedly a reach to be on this list but the situation (like all the others) is ongoing and can compound.
Embracer: A massive corporate company that bought a bunch of smaller companies. Thought a 2 billion dollar deal with the Saudi government was a sure thing, so they spent 2 billion dollars on stuff. Deal falls through, so they start closing companies they acquired.
That's just the ones I can remember off the top of my head. These aren't business decisions done for the sake of consumers. These are all decisions done to spite consumers or the workers who produce the products and services.
People try to remember years as being the "year of" something. And it's a thing I do too. For me, 2023 is the year of corporate self-sabotage.
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too-deviant · 2 months
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jackie and wilson.
previous | next series masterlist
summary: you haven’t been given a quest, but you have made it your personal mission to make luke castellan smile.
pairing: luke castellan x unclaimed!reader
word count: 4.1k
content: broody!luke, teenage dirtbag!luke but also not really, sprinkles of mean!luke, r is unbothered and does not gaf about his lil emo boy act, this is four thousand words of r being a pain in luke’s ass, probs will make a part 2 bc i love them your honour 
notes:  speaking my truth: i am a british gal. any banter in this about the new england states is entirely stuff i got from reddit so plz don’t scrutinise my american states knowledge
the layout of this fic is very much inspired by @murdrdocs if that wasn’t obvious but also icarus if u want me to change it i will jus say the word :00
PART I — she blows outta nowhere, roman candle of the wild 
All things considered, you took the news of your heritage pretty well. 
Sure, there was a lot of yelling — mostly through the wall after you locked yourself in your room and started packing a bag — but at least you didn’t sit on it in denial for several hours. 
Honestly, you should’ve seen it coming. 
The first time you realised you could see things nobody else could, you tried to admit yourself into a ward. Your mom went a little panicky, and she never did perform well under pressure, so she caved and said you were special. Too special for the other kids at your school, too special for anyone to know about it. 
After that, she got more tense. Eyes darting around whenever you guys went out in public, hand lingering for a second longer on your back before she sent you to school — as if she felt like she’d never see you again. She would stay up at night and read you old Greek tales before you went to sleep, and acted way too serious about it. More serious than when she would read you Dr Seuss. 
Honestly, it was a miracle you went unknowing for so long. Maybe you were insignificant, or maybe the Stymphalian Pigeon that tried to kill you after school was just slow — because you were seventeen when you got attacked by your first monster. 
You took it out pretty easily — and by that, I mean you outran it through the bustling streets of your hometown until it flew messily into a bus and you dodged your way to your apartment in a flurry. Your mom’s resolve cracked like a thin layer of ice and you were packed and ready to go to this camp she spoke of before the clock had hit four-thirty. 
Most of the yelling that you guys did was along the lines of — “I can’t believe you waited this long to tell me!” — and — “I didn’t want you to leave!” — “I get that, but seriously mom, I almost got eaten by a bird today. A little context going in would’ve been nice!”
You threw yourself into a taxi — much to the disdain of your mother, who insisted on at least getting you to the hill. You then reminded her that she would have to pay the fare all the way back to their apartment and it honestly wouldn’t be worth it and that you’d call her when you got the chance. She let you go with a huff, folding her arms across her chest and creasing the silky material of her pink blouse. 
The next hour was about as awkward as taxi rides go, even more so when you got out in the middle of nowhere. You weren’t even sure you were at the bottom of the right hill but sent the poor guy on his way anyway and prayed to whoever your divine parent was that you weren’t about to get gunned down by an angry farmer for mistaking his land for a summer camp. 
Thankfully, the empty fields shimmered into something worth travelling for when you took a tentative step across its threshold. The sun seemed to get brighter and the breeze became softer. It was nice from where you stood, and it probably would’ve gotten nicer the closer you got. 
Had you not tripped over a rock and tumbled down the hill ungracefully, landing in a heap at the bottom, a few feet away from a dirt path that split off in two directions. You sat up with a huff, blowing your hair out of your eyes and squinting at your surroundings now that they were much closer. You didn’t bother to heave yourself up, catching your breath and letting your gaze flitter over the scenery. 
It was cute. 
Then the distinct sound of horse hooves clipping against the ground evaded your ears, and you looked up to greet the centaur who now stood above you. You thanked the gods for your moms intricately detailed bedtime stories as you pulled yourself up onto your feet and allowed yourself to be introduced to Chiron and Mr. D, who then led you to the four story house that overlooked the valley. 
Your induction was swift and sweet — since you pretty much knew and had accepted everything already. There were a couple of glances and muttered comments about how you had gone so long without being targeted, but Chiron had said he wanted you to get the tour before dinner so you could settle straight to bed after the campfire, and caught some young kid by the t-shirt as he ran past, asking him politely if he could send Luke over. 
The awkward two minutes it took for your tour guide to reach you stretched on for a painful amount of time, but you would relive it a hundred times over if it meant you didn’t have to experience the agony you called your first meeting with Luke Castellan. 
He was tall, with a dark mop of curls that hung over his furrowed brows. His skin was tanned from all the time he spent in the sun, and his shoulders were broad enough to intimidate, but not broad enough that you were intimidated. He was your age, seemingly, and the cuffs of his green cargo pants brushed against his ankles only an inch higher than they would sit on an average person.
His most memorable feature, however, had to be the deep scar that stretched from the top of his left brow all the way to his cheekbone — it was jagged and sharp, cutting across his eye roughly, as if he had been clawed. He probably had. It was raised and shone pink under the sun, so you could tell it was fairly new, but it had healed over enough to indicate that Luke was probably tired of hearing people ask about it. So you didn’t. You barely gave it a glance before you raised your brows at him with a cheeky grin and gave him your name. 
He nodded minutely, one of the only movements he made after he’d parked himself in front of you other than the sliding of his eyes from one person to another as they spoke to him. After Chiron and Mr D had given him the rundown, he gave a slight nod of his head in one direction before walking away and expecting you to follow. 
You caught up to him, sidling up on his left with a huff and a smile, “I’m getting the feeling that you're sorta sick of this giving this tour all the time.” 
He didn’t respond. He just looked at you, and then stopped walking, watching as you froze two steps ahead of him before shuffling back to his side sheepishly. Then he lifted an unbothered hand to the right, “Those are the strawberry fields.” He then gestured ahead, “That’s the beach.” And then to the left, “Those are the training fields.”
Then he started walking again, and you hesitated for only a second before following, “Wow. Don’t give me too much information all at once.” 
Your sarcastic comment was ignored, and Luke nodded towards the bank of cabins you were nearing, “These are the cabins. Twelve. One for each Olympian. You’ll stay in the Hermes cabin until you’re claimed.”
“Right.” You nodded, “God of Travellers. Makes sense.” 
He let out a breath, not pausing in his stride as he passed through the curve of houses, not sparing a glance to any of them. You took notice of how the other kids looked at him in apprehension, with a hint of fear when he got too close. He cut down an alley between two cabins — one with a dangerous amount of barbed wire across the top and another that glowed gold under the sunlight — before the pair emerged through the trees at a pavilion. 
“This is where we eat.” He said. “Dinner is soon.” 
“Cool.” You nodded, “What are the options? Because if food here is lacking, then I will be packing.” 
You let out a useless chuckle at your own joke, but it landed flat. “Yeah, that wasn’t funny.” You muttered lowly. With a click of your tongue, you glanced over the horizon and pointed at something from afar. A tall structure that stuck out the tops of the trees, “What’s that?”
“The climbing wall.” Luke answered plainly. 
“And that?” 
“The Amphitheatre.”
You looked up at him, pulling a face he didn’t bother to glance at. Then you noticed a bunch of campers filing through the trees and into the pavilion the two of you stood at the edge of. They entered in groups and made their way to their designated tables, chattering and gossiping as they did. 
You looked at Luke, “Well, that was…great. Truly, a riveting experience. I will say, though — your delivery needs some work. The dark and gloomy act works most of the time, but not when you’re giving a guided tour.”
That got him to look at you, and you held back your triumphant smirk. He frowned, “What?”
You shrugged, “I’m just saying, nobody is going to listen to you talk about this place if you describe it like this.” You lowered your tone into a subpar impression of his voice, and you swore you saw his brows twitch. Clearing your throat, you waved a hand, “No need to worry about that now, though. Just point me in the direction of the Hermes table and I’ll be out of your strangely well-conditioned hair.”
Another eyebrow twitch. You were getting the hang of this. Maybe one day you could get him to move other parts of his face! 
You half expected the boy to ignore you and walk off — and he did. But it was in the direction of the Hermes table, so you counted it as him showing you the way. Most of the campers were seated by the time you’d arrived, and you were thus forced to sit yourself on the end of the bench, uncomfortably beside him. He was unbothered. 
During dinner you were swiftly introduced to some of your peers — Chris Rodriguez gave you a lopsided grin and informed you politely that you would need to sacrifice some of your food before you got stuck into it. Travis and Connor Stoll sidled up on either side of you as you grumbled at the hearth, and yapped your ear off about the fundamentals of camp. 
(So all the sneaky stuff Chiron doesn’t know about. Like how you can skip out on archery training if Lee is the one running it because he never has it in him to snitch. Or that the pegasi stables were the go-to hook up spot for summer campers, but the back of the Amphitheater was the go-to hook up spot for the year-rounders. When you asked what the difference was, they winked, and when you asked what happened if a year-rounder hooked up with a summer camper, they chuckled and walked off.)
Chiron gave you an introduction that made you feel like a new kid being asked to tell the class one fun fact about yourself, and around six kids at your table asked if it hurt when you fell down the hill. 
Overall, a good first night. As far as first nights at a summer camp for half-gods goes. By the time all the campers had gone back to their respective cabins, you were ready to turn in and clock out for the day. 
But you wanted to try one more time. Last attempt, and then you’d let it go. 
When Luke — who you had discovered earlier was the counsellor of the Hermes cabin, and apparently a role model for the kids — came over and silently handed you a folded orange shirt with a leather cord sitting on top of it, you smirked. 
“Hey, now we can match. How cute.” 
He blinked at you, “Everyone is wearing the same thing.”
“The same shirts, you mean.” You tilted your head, “But we’re both wearing green cargos. And white socks. White sneakers.” Your grin widened as you watched his eyes flit down your form, taking in the outfit you had on. You were right — the only difference between you two was the white tank top you had on, soon to be replaced by the shirt he had just handed to you. You thought for a moment that it would work, that he would make a face, or say more than two sentences to you in response. 
But he didn’t. He just huffed and walked away, and you watched with an appalled expression. You narrowed your eyes. 
Okay, so maybe you weren’t ready to let it go yet. 
The next morning, you were rudely awakened by a small child who was sprawled across your torso, having shifted from his own sleeping bag that was beside yours. He couldn’t have been any older than six, his orange camp shirt sitting like a dress on him, and if he wasn’t snoring into your chest, you would’ve thought he was adorable. 
But you really needed to pee. 
After you slowly but surely lifted him back onto his own pillow, you stood up with a stretch and stepped precariously over the other kids, balancing carefully on the tips of your toes so you didn’t step on any of them. The sun was barely rising, and you were the only one awake, so you held your breath and reached out for the handle of the bathroom door. 
“That’s not your bathroom.”
You flinched, losing your balance and toppling back. A hand between your shoulder blades prevented you from crushing any of the kids on the floor, and you steadied yourself before meeting the eyes of the person who spoke. 
Luke was staring intently at you, his eyes blinking hard as if he’d only just woken up. He was in nothing but a pair of blue sweat-shorts and you fought the urge to rake your eyes over his bare torso, watching as he lowered his hand back to his side, “That’s the counsellor's bathroom.”
“Right.” Came a low mutter, under your breath. Then louder, you asked, “Well, where is the campers bathroom?”
“Outside.” He answered, “Around the back of the cabins.”
“Out—“ You started, and then realised everyone else was asleep and swiftly lowered your volume, but kept your expression exaggerated. Wide eyes, furrowed brows. “Outside?”
“Yes.”
“But…it’s cold out there.”
“We have a controlled climate.” He said, folding his arms across his chest. His biceps tensed, “It’s never cold.”
You let out a sigh, throwing your thumb over your shoulder and pointing at the door, “Can’t I just use this one? You aren’t using it, and everyone else is asleep, they’d never know!” 
He stared at you blankly and stayed silent for a long time. You wouldn’t be surprised if he just never said anything until you walked away, which you were well prepared to do, letting out a deep breath and folding your own arms over to preserve heat as you clambered towards the front door, muttering complaints under your breath the whole time. You made it three feet (or two sleeping bags) away from him when he finally piped up. 
“Be quick.” 
Turning around, Luke was already making his way back to his own bed, and you ogled shamelessly at his back muscles as you shuffled to his bathroom and made your way inside. You did your business quickly as requested and washed your hands under the low pressure of the sink before cracking the door open once more. The cabin was the same, everyone else still sleeping calmly. Luke was standing by his bunk, now clad in black shorts and his camp shirt. He paid you no mind when you padded back to your sleeping bag, grabbing your bag and stifling through the clothes you had packed. 
You walked up to breakfast with the unclaimed girl you had met the previous night — Lana — and listened and she told you intently about the lore of Luke Castellan. 
“He never used to be the way he is. He was happier before, always grinning. More than ready to help anyone here. He was…well, everyone either wanted to be with him or be him.”
“And then what happened?”
“He went on a quest. It went wrong. He came back with that ugly scar and he hasn’t been the same since.”
You made a comment that the scar wasn’t ugly, and if you didn’t know any better, you’d add on that it made him look pretty hot. But you did know better, and you knew that Luke was three people ahead of you in the line and could probably hear what you were saying. So you kept that tidbit to yourself and ate your cereal in silence. 
When breakfast was over, you stood from the bench and turned, only to stop short when you realised Luke was standing behind you. Looking up at him, you raised a brow, “Yes?”
“I’m showing you around today.”
“You showed me around yesterday.”
His lips tightened, “We’re actually doing stuff today. Seeing what you’re good at.”
“Oh.” You ran your tongue over your teeth and nodded, “Well, where do we start?”
“Archery.” 
Turns out, you were pretty awful at archery. Even after you’d stopped firing arrows into the treeline, you still never hit the middle of the target. Lee had to correct your posture four times, and you broke six arrows. Eventually, you decided that Apollo was not your father, and shuffled over to where Luke stood beneath the shade of a tree — where he had been standing the whole hour. 
“Y’know, just because you’ve got this broody bad boy thing going on, doesn’t mean you have to linger in the shadows all the time.” You commented, picking at your fingernails and readjusting the long sleeve you wore under your camp shirt, “You just look weird.” 
Luke pointed at your cheekbone, “You’re bleeding.” 
You huffed, “I know.” You kept holding your bow too close to the side of your face and the feathers of the arrows kept scratching you whenever you let them fly. Lee mentioned how most people make that mistake the first time round, but you’d done it so much that he’d cut your lesson short and told you to get a bandaid from one of his siblings. You didn’t. 
He stared at your cut for a moment, like he was thinking hard about something. But he didn’t, and pushed himself off the tree he was leaning against and brushed past you, “Let’s go to the forges.”
You were better at blacksmithing than you were at archery, but the sword Charles Beckendorf was helping you weld still came out wonky and discoloured. He was a nice kid, funny, and your lowered spirits from your previous task had been quickly uplifted despite you not having much skill in his department. He let you keep the sword anyway, and you swung it jokingly at Luke as he led you to the Amphitheater. 
You made swooshing noises as you did so, chuckling when he didn’t so much as flinch, “Don’t act so tough, Castellan, I could take you out even with a dodgy sword.”
“You couldn’t.” He muttered, “I’m the best sword fighter here.”
You let out an over dramatic gasp, running ahead and swivelling around so you could meet his eyes, “Holy shit, was that…did you just…tell me something about yourself?” You grinned and his frown deepened, “Aw, Luke. We’re getting somewhere! This is amazing, I’m so proud. Soon enough we’ll be best frien — “
Before you could finish your incessant teasing, Luke grabbed your forearm and yanked you in front of him just as a kid on an out-of-control Pegasus toppled past you. You watched him disappear in mild shock, before looking back at the boy in front of you, “Hey, thanks. Almost got trampled. How embarrassing.”
He narrowed his gaze, “Do you not take anything seriously?”
You shrugged, “Not really. I’d ask you the same question, but…” You made a face. It was obvious that he was very serious, even if he never used to be. 
“Let’s go.” Was his boring response, moving swiftly past you and into the Amphitheatre so quickly you would’ve assumed he was trying to get away from you. (Which he definitely was).
You weren’t really all that bothered, not when you were having so much fun pissing him off. 
It took all of ten minutes for Luke to put your sword fighting lesson to an end. Not only had you insisted on fighting with the wonky sword rather than a working training one, you also kept pushing him with your hands whenever he got too close. 
“That’s not how you’re supposed to do it.”
“Hey, it’s working, isn’t it?” 
You were pretty shit at it anyway, so you didn’t fight him when he said you were cutting your lesson short. You simply tucked your weapon onto the sheath he’d handed you and followed him down the hill to the dining pavilion. 
“So, where are you from?”
He didn’t answer you for a couple of minutes, something you’d been well prepared for. But you couldn’t help but ask — he intrigued you. A little too much, maybe. 
You continued, “Because you seem like a Mass guy.”
Luke stopped in his tracks, turning to you, “Mass…achusetts?”
“Yeah.” You nodded, fighting off your amused smile when he pulled a face. Finally, an expression!
Truth was, Lana had told you he was from Connecticut. You just wanted to see how he’d react, if he would react at all — apparently he isn’t immune to everything. 
“I’m from CT.” He made it very clear, and you tried your hardest not to laugh. “Okay? I'm not some Boston Masshole, got it?”
You raised your hands in surrender, “Got it.” 
He stared at you for a second longer, as if to ensure you really did have it. Squinting at your amused smile before nodding and continuing his walk. You thought it would go back to silence, but apparently you’d lit a fuse. 
“I mean, what makes you think I'm from MA?” He asked, his tone of voice so appalled you’d think he’d been accused of some sort of crime. “Do I smell like shit?”
A chuckle, “What?”
But he just whirled on you once more, lifting his arm and gesturing to his pit, “Do I? Do I stink of shit?” 
You didn’t feel like sniffing him, so you just shook your head, still laughing, “No.” 
“Then what — ?” He stopped, narrowed his eyes, “Where are you from?”
You tried to hide your smile, but it was getting really difficult. The last two days he’d been nothing but broody and miserable, one word quips being his only form of communication other than dark frowns. But one mention of Mass and he’s suddenly down to chit chat? You couldn’t help but laugh — unfortunately, it only spurred him on. 
“You think this is funny?” He scoffed, nodding, “Yeah, bet you’re from Maine too.”
Your laughter continued, little giggles spilling out of you whenever you thought about the situation too hard. You shrugged, “I don’t think I wanna tell you after this.”
Luke nodded like he was expecting you to say that, “Something a Mainer would say, I’m sure.”
You grinned wide, very proud of yourself for getting a visceral reaction out of the boy — even if you had to piss him off to do it. Just as you went to reply with a witty comeback that would have him ranting and raving for the rest of the night, the dinner conch sounded, interrupting what you’re sure would’ve been a very entertaining conversation. 
You walked on past him, not stopping, but slowing down so you could cough into your fist, “Flatlander.”
You didn’t look back but you did hear him scoff in shock, and you were sure he stood there frozen for at least twenty seconds because he entered the pavilion way later than you did. He made a point to fix you with an annoyed stare as he sat down a few people away from you — and Chris raised a brow. 
“What’d you do to him?”
You shrugged, digging into your mashed potatoes before anyone could tell you to wait until you’d made your offering, “Told him he looked like a Bay Stater.”
He chuckled, wincing under his breath and shaking his head, “You’re evil. I like it.”
You smirked and said nothing — but whenever your eyes flickered over to Luke, his were just flickering away from you.
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