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#also also this will probably be the last episode I watch until the season ends because they're all (currently) happy and on level-ish groun
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Thanks to constant recomendations from my discord friends and the fact it’s on Netflix so I can do the dishes while watching, I finally watched Wakfu and gotta say I was really impressed with the season 1 villain: Nox.
My friends used him to hype up the series and, gotta say, it does deliver. I have never seen a villain that combined themes of “choice” and “destiny” so well as in Nox. When he’s introduced in episode 1, he’s basically sparring with Groug…Grougalora…Gurren Lagann? But you can see how jovial he sounds – he really doesn’t seem to be in a hurry and it’s obvious Groug is strong and he leaves him alone.
Then, the series continues. He appears in the first three episodes, curses Alibert, and then disappears for, like, 11 episodes. We see him as a ruthless person, sending his minions to gather wakfu from all available sources. It’s kinda funny how he left the Oak alone and then returned the moment he needed more wakfu, it was like as if he was saying “Oh, wait, I remembered I could just its wakfu instead”.
The battle against Groug also shows that, in spite of his possession of the eliacube, he still has to rely on his resourcefulness, given how close Groug came to kill him. In spite of being active for 200 years, he’s still defeatable. My friends said he doesn’t show up in the prequel games, which means he was very efficient in not letting witnesses, his attacks could be masked as Ogrest’s calamities, and it seems he avoided large populational centers (if the world’s armies and heroes united against him, I don’t think he’d have a chance); some characters expressed skepticism at his very existence. The fact that he’s defeatable makes the battle much more compelling, because he’s going against something closer to a god. He prevails but not without great cost to him.
But we see brief moments there’s more to him than destruction. He has a strange sense of honor. In the day he harvests the Oak, he appears to Alibert and heals him, curing him from his curse. When Alibert asks why, Nox just replies “I don’t know” and then tells him he’s the only one who can understand why he’s doing that to the world. Given how much he understands how Alibert loves Yugo, it does feel Nox believes if Alibert was in his place, he’d do the same (Alibert’s response would probably be "no, I wouldn’t…right?”). In the battle against Groug, he does tell him that he’s not evil, there’s a sliver of goodness and he urges him to use it to stop, but Nox can’t/won’t.
In the final battle at the Sadida kingdom, he uses everything, his elite puppets, RAZORTIME, his clock mecha, managing to even kill a couple of important characters. The final showdown with Yugo and Adamai was great, because both sides were giving their all. In the end, Nox prevailed again – it did feel like a cop out (until a friend pointed out it was freaking Ogrest), because Yugo got distracted and then Nox killed him so easily, to the point you can even make the point he didn’t kill, only disabled him…but, yeah, he killed him, regretfully. And that meant he won.
Pay attention to his monologue as he activates the eliacube. He genuinely believes that his sins will be forgiven because he’s resetting time to see his family. Success means redemption. And he did it. Groug had told him it’s impossible to go back in time and he did the impossible. Unless the gods did it and didn’t tell anyone, he was the first being to do that. And what did he get?
Miserable twenty minutes.
All the wakfu he gathered for 200 years only last for 20 minutes. Do you have any idea of all the atrocities he committed for 20 minutes? So many life harvested?
The eliacube give him power beyond his comprehension. The amount of wakfu energy to rewind time 200 years would have to be incomprehensibly enormous, maybe all the wakfu in the entire universe. And Nox was just a man, resourceful but defeatable.
All that talk about forgiveness through success, that all his sins would be erased, all that for nothing. He will never see his family again. Then, the weight of his sins crushes him down and all he can spare is a single tear. That was even enough for Yugo, who had lost Percy, to sympathize with him. There’s even a soft 4th wall break, when Nox is looking at everyone surrounding him, it’s as if he looks to the camera, to the audience, and all we can feel in this moment is pity – he really realizes his sins will never be forgiven.
Nox’s tragedy raises the question: what if we had full awareness of our sins? He convinced himself he could, he bargained with himself for 200 years of his righteousness. And reality vibes check him so hard he just leaves. I feel that was the most poetic ending to him, no justice system can ever account for the multitude of his sins.
This makes worse with the OVA detailing his backstory. He was a father, with a beautiful wife and three kids that loved him dearly. He had struggles as a clockmaker, but even them they weren’t that bad. You can tell they were low-middle class or even medium middle-class, he borrowed money out of a healthy ambition – even if his “usurer” – Nox’s words – while playing the role of nagging banker seemed actually reasonable, even apologizing for letting the dog run, which implies that the guy was just a bit unpleasant, but not unreasonable, maybe willing to renegotiate the loans if something bad happened.
Maybe that’s this ambition that attracted the eliacube to Nox. His wife mentioned the bad feeling and it seemed he’d leave it at there. But there was really a mix of “choice” and “destiny”, the cube wanted Nox and Nox wanted the cube. And the cube changes him, gives him intelligence at the cost of everything. He kept building out of necessity and couldn’t see his family leaving him – they loved him until the end, even paying all his debts, but the cube made him forget.
In the final scene, when he finally turns into the Nox we know, he’s an emaciated husk of a man, so different from his healthy introduction. When the banker informs him about the death of his family, he loses it – it was probably the first time he thought of them in months, maybe years, and vowed to rewind time to get back to them. The cube made him a worse version of himself. Rewatching the series or some scene might be an interesting exercise of how much the cube was influencing him – I believe when he cured Alibert, the cube’s influence was somehow low.
Nox will just be remembered as a lonely madman who caused so much strife in the world for reasons that proved to be futile. Only Yugo and Groug will know that there was something more to him, but they will never know what this something was. In the end, he wasn’t a malicious person at heart, but a thoroughly broken man that lost the capacity of distinguishing between good and evil, and to reflect on his own actions, thinking he had already done that and that his success would redeem him.
But that wouldn’t happen.
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shadowthestoryteller · 2 months
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So
That episode, huh?
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malinthebodyguard · 1 month
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Young Royals is anti-monarchist propaganda (always has been) 
I think it’s fair to say that most of the fandom was quite happy with the finale. However, I’ve seen a handful of posts by people who were unhappy, specifically  those who were unhappy with Wille giving up his place in the line of succession. These criticisms range in everything from dismissing Wille’s choice (Wilhelm has made a harsh decision without thinking of the consequences, this won’t actually make the media circus around him go away), to those disappointed in how the monarchy in general was represented (Wille could have modernized the institution, no one in the show attempted to consider how the monarchy could be good, actually). I don’t want to invalidate anyone’s feelings about the finale. If you didn't like it, that’s more than ok and I don’t want to argue with anyone about their taste. 
But when it comes to criticism about Wilhelm giving up the throne,  I do find myself frustrated at what I see as a fundamental misunderstanding of what this show was trying to communicate. Young Royals, plain and simple, is a story that  denounces the incompatibility of antiquated and hierarchical institutions (Hillerska, the monarchy) with equality and justice. 
If you’ve had the displeasure of being my fandom friend you’ll know that I’ve spent the last 3 years yelling about how this show is about abolishing the monarchy. I even wrote a lengthy  fanfic with the sole excuse of having Wilhelm arrive at this conclusion. Still, I knew that whatever statement the show wanted to arrive at, we’d only really be getting to it at the end of the show. 
Seasons one and two were setting up all the characters on the chessboard for the end: Wilhelm is the Crown Prince, although he does not want to be. He and Simon are in love, but Wilhelm’s role drives a wedge between them. Erik’s legacy and August's spot next in line are keeping Wilhelm in his place.
 From episode one, I think the show was telling us about the many things that are wrong with the monarchy, but I don’t think it’s until season three that these discussions become more explicit. Is this why some people were disappointed by the ending? Maybe so. Still, I wanted to look at how season three in particular answers some of the questions or issues  people are bringing up regarding both the monarchy and the Wilhelm’s choice. 
What do you like about the monarchy? 
Season 3 Episode 4 is the first time we hear an explicit discussion about why the monarchy could potentially be a good institution. I’ve seen some people complain that the show didn’t give this idea enough thought. 
I completely disagree with this take: the short conversation Wille and Simon have in this episode  is succinct, but still effective at presenting both arguments in this debate. A  longer and more drawn out conversation would have been a bit unrealistic and probably boring to watch. These are not academics having a debate, but two teenagers who are talking about what for them is emotionally charged.
There’s also no need for a longer, more detailed discussion. Wilhelm does provide a very good answer to the question: The monarchy is there to unite the people. To be a neutral party in situations when the government cannot or will not interfere. 
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A quick civics lesson: In parliamentary democracies, the monarch serves as the Head of State. 
This role is predominantly representative, although in many places the government is formed in the name of the monarch. This could, theoretically, grant them some political power-- since they could technically reject the winning party from forming a government. However, in most parliamentary monarchies, the King or Queen simply has to accept whatever decision is made based on election results.
However, the value of the Head of State is precisely in its apolitical nature. Regardless of who’s in power, the head of state is a neutral ambassador of the nation, both in and outside of their country. Their job is diplomatic and representative, and one that is thoroughly divorced from politics. This is what Wilhelm meant when he said that the monarchy was there to ‘unite the people’. Whenever I’ve spoken to pro-monarchy folks about their beliefs, they cite this as the reason why they like it. 
It’s easy to see why Wilhlem would latch on this as his main argument to defend the institution. I don’t think there is anything inherently bad about having a separate head of state that represents the country. I don’t think the major grip with this issue is the having a head of state, but the fact that the head of state is a hereditary position. Simon says this himself twice in this episode: the issue is not that the head of state exists, but that the head of state is not an elected position. Furthemore, the head of state is a role that is imposed on a person not by their talent as a public speaker or negotiator, but by a simple accident of birth. 
The job’s legitimacy or importance should not be above any individual’s right to autonomy and self-determination. Furthermore, considering that taxpayers are the ones who finance this position, shouldn’t they be able to elect who it is? 
Let’s imagine a scenario where a friend tells you they’ve gone into a career because everyone in their family works in that industry, and they simply had no choice in the matter. It wouldn’t even matter if they were good or bad, they had a job in this career guaranteed from birth. 
 Would you not be concerned that maybe your friend is unhappy for a rather unnecessary reason? Would you not think that perhaps someone who actually wanted the job would be better suited for it? Would you think it right for a company to hire someone simply because of their family history? Would you consider any of this fair? And what is so special about monarchy that makes us have a different answer for it than we would if the question was about law or medicine? 
You’ll always be famous. 
Another common criticism I’ve seen is that Wilhelm will inevitably regret his decision, especially once he realizes that public scrutiny will not be going away. This is true, Wilhelm will likely always  be a figure of public interest. But to me, this has always been a negative consequence of the monarchy, and I have a hard time seeing this is a valid reason why he should stay in it. 
From the second we meet him, we know Wilhelm is uncomfortable with both the public attention and the scrutiny placed on him. However, this goes a bit further than that. I’d argue than more than the  scrutiny itself,  Wilhelm is weighed down by having to keep a public image. Because, remember folks, Wilhelm is not merely an awkward teenage boy with acne and a crush. No, no, Wilhelm is the State. Wilhelm is going to be a publicly-funded representative of the nation . This means, of course, that there’s a narrative, as he mentions himsef, that needs to be put forward. One that’s generic, serious, and unproblematic: 
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From the get go, Wilhelm is uncomfortable with the inauthentic and performative aspect of his role.This is a constant we see with Wilhelm in seasons one and two: every ‘performance’ he has to do fills him with nausea, anxiety, or some sort of discomfort.
In season three, Wilhelm begins acquiescing to this performance. Uncomfortable as he may be, for most of season 3 he’s accepted that this is his role. However, the attention this season shifts from Wilhelm to Simon, who’s now the one facing public scrutiny. The difference is that, unlike Wille, there’s no role for Simon to play. Nothing about who he is or what he believes is compatible with the public image the monarchy is putting forward. The only thing he can do in this situation is disappear, and Wilhelm is tasked with having to ask that of him. 
I know a lot of people were exasperated at Simon’s very bad and clumsy social media presence. I’m not gonna argue that my boy wasn’t being a bit cringey, because he absolutely was. But I think the larger commentary here has more to do with the expectation that these two teenagers have to censor and edit themselves to comply with a particular PR image. 
Ultimately, the criticism that Wilhelm will always be famous leads us straight back to the institution. Why does an underage boy have the same PR expectations as a politician? Why is a teenager dating his classmate + being cringe online justification for doxxing him? Unfortunately, no abdication is really going to undo any of this, and things are certainly going to be crazy once Wilhelm announces he’s stepping down .
However, this time around both he and Simon will at least have the agency to decide what they want to do with their public image, including the decision to disappear from the public completely if that’s what they want.
Queer representation 
This a sentiment that has been in the fandom for some time now. This was the main argument why some people wanted Wille to stay in the monarchy. Sure, the institution has always been about bloodlines and tradition. But wouldn’t it be so nice to have Wilhelm as a symbol for the queer community? I’ve always found this idea a bit shallow. I’m not sure how much of a symbol of a queer and progressive country Wilhelm could be, when the whole idea is predicated on absolutely no one having a choice in the matter. Is it really impressive to accept the queerness of the guy you already had no choice in accepting?  
There’s three scenes in season 3 where the potential Wilhelm -and by extension Simon-  could have for the queer community come up.  Farima brings it up in the first episode, but the framing here is reversed. Wilhelm isn’t serving the LGBTQ community by being a queer Prince, but the monarchy is using Wilhelm (and his queerness) to appear progressive.
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The show, however, does humor this idea with the May 1st photo. We see what Simon and Wilhelm could potentially do for the community by simply existing as who they are: they’re inspirational. It gives Simon, briefly, hope that maybe something good could come out of this. 
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But this moment is quite literally framed by politics. It doesn't matter that Simon is not participating in that manifestation, anything that is slightly connected with politics is a challenge to neutrality of the monarchy. This same idea is stated more explicitly int the next episode, when Wilhelm is reviewing the options for his charity.
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Ultimately, any action significant enough to be truly impactful, would be bordering the limits of what could be considered political. He's got to stick it out with these quite frankly boring and limited themes, all for the sake of staying on the very narrow lane of things that are not political.
The weight of the crown. 
Stories about Kings and Queens usually carry the same fundamental tension of duty vs self. 
In order to rule, our protagonist has to sacrifice themselves, usually for the sake of their country and people. The Crown is an excellent example of this type of story. Sacrifice in that series is framed as something noble and selfless. 
Young Royals started out with this same fundamental tension, but the main difference is that Young Royals has framed this debate as a question: 
Why should Wilhelm give himself up, his happiness, the love of his life, and  his mental well-being? What’s so important and valuable about this institution that requires this sacrifice?
Wilhelm’s journey is about accepting and voicing his answer. He doesn’t want to be Crown Prince, he doesn’t want to be King. 
But by virtue of taking part of this journey with him, we’re able to examine this question from a different perspective: Is this institution valuable enough to justify all of this? I think the show is inviting all of us to evaluate this situation and arrive at the conclusion that it isn’t.
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Even someone like August, who wanted this, is weighed down by the realization of just how much the crown weighs. Of course, a big part of the fandom probably doesn’t live in countries with parliamentary monarchies. Still, considering the worldwide popularity of the British Royals, for example, I still think it’s a worthwhile exercise to question the validity of these institutions. Are they really worth sustaining? And if they’re not, why should we continue to drag them on into the present, citing tradition?
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geekgirles · 2 months
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Yumalia's Reunion
Back on my Yumalia brainrot, I can't get over all the layers and depths of their brief interaction in episode 11.
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The moment Yugo is done defying his mother and forced to watch her leave, for she had long made her choice, Amalia doesn't hesitate to reach out to him and hold his hand, which Yugo immediately squeezes right back. Even with the threat of imminent war for her people's safety, Amalia's first instinct is to go to Yugo and offer whatever comfort she can, and he just lets her because if there's someone who can ground him, it's Amalia.
That's exactly what she did at the end of season 3. Not only did she tell Oropo he would never be Yugo because Yugo would never willingly or knowingly sacrifice anyone for his cause (even during his fight with Ad during the OVAs he always thought his brother would eventually come back), but she unknowingly dissuaded the fears and insecurities that'd been plaguing him throughout the entire season, both regarding his past actions and his own relationship with her. Because even after all they'd been through and his insecurities hurting Amalia deeply, she still chose him, and she still reaffirmed her love for him in such a way it would allow for their interactions in season 4 to be that much more openly affectionate and less restrained.
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But not only that, back then she was also there to ground him when Oropo's passing and his absorbing of the Eliotropes overwhelmed him, helping him see all the good despite what they had lost.
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And she is doing that yet again when they finally reunite.
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But there is so much more going on here. So many emotions running deep between them.
Look at Yugo's expression, that mixture of surprise and awe etched onto his face. I feel like this is the moment where it truly clicks for him just how much he's changed and all the possibilities his new body entails, especially for their relationship. And Amalia is just happy, happy that he is alive and happy that he can finally see and feel like the great king and warrior she always knew was already there.
For the first time since he's met her, Yugo doesn't have to look up to meet his love's eyes, and you can clearly see how the mere thought takes him aback. But I believe there's so much more to it, so many things left unsaid.
He's looking at her like she's finally within reach, and not only because now they're closer in height. Yugo had to spent the last few years of his life watching how the love of his life grew into the most beautiful flower in Sadida's garden, into a queen, while he remained stuck in his child-like body, with only a title for show despite he too being royalty.
It's all in his eyes!
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He isn't just looking at Amalia. He is staring at her like a dying man stares at his salvation, like someone who's been wandering in the dessert for ages looks at an oasis. And it's not just because they might finally have a shot, but because she is there and she is real.
Despite Yugo's unrelenting optimism and will, upon being captured by the Nécromes, a part of him had probably been forced to accept he would never see Amalia again, either because he would remain the last of his days as their prisoner, or because she would too fall soon.
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Given his predicament, thanks to Oropo and Qilby's intervention, Yugo was most likely running on adrenaline when he noticed the portal in the Sadida forest and what it would mean for Amalia. His mind was set on protecting her, not on the fact that they would be reunited after such a horrible ordeal. And I don't think it really sunk in that he would see her again until she touched him, until she literally became tangible and attainable.
But she is real, and she is with him, they are together again. Only this time, they might actually get to be together.
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Look at such level of intimacy! Such tenderness mixed with the underlying unbriddled passion they feel for one another! Yugo might have been shown being okay with revealing his wings to his friends, but he always took the hood off himself; but not with Amalia. With her he trusts her enough to let her do the honours and all he can do is melt under her touch.
Seeing Amalia again after being held prisoner in the Nécroworld and forcibly aged has allowed Yugo to fall in love with her all over again and, more importantly, to finally allow himself to love her with his whole being in return. No more holding back, no more second thoughts, no more take-backs. No more denying themselves what they have been desperately yearning for.
He loves Amalia and she loves him. And he's going to hold onto her for as long as they both live.
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And I am so not normal about them.
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leclerc-s · 2 months
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struggling to survive netflix
series masterlist
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rhys jones word of advice: DO NOT watch season 6 of drive to survive.
max jones-verstappen you watch that crap?
rhys jones i couldn't sleep, it dropped, so i watched it. worst mistake of my life.
rhys jones i can't believe i was at several races and ryan made it onto the show before me.
esteban ocon oh yes, i forgot about that.
isabella perez someone tell charles they made him out to be the villain.
natalia ruiz just like max in season 1.
charles leclerc i did nothing wrong all season but have shitty luck.
dulce perez monza. charles leclerc i may have done one thing wrong.
rhys jones max went from being the formula 1 villain to being comedic relief.
max jones-verstappen i bet there was no mention of my win streak
isabella perez in the last fifteen minutes but only because christian mentioned it.
charles leclerc can i enter my villain era now?
pierre gasly do you even know what that is? charles leclerc je t'emmerde connard
rowan todd WHITE HORSE?? CONEY ISLAND?? WITH MAE?? ARE YOU TWO TRYING TO KILL US??
daphne jones-ricciardo 😁😁 mae jones-verstappen 😁😁
isabella perez CONEY ISLAND?? YOU SANG CONEY ISLAND?
isabella perez THIS IS FUCKING WORSE THAN LOSING MIRRORBALL!!
max jones-verstappen to be fair i lost seven to fucking pittsburg of all places.
rhys jones jokes on you guys, my song still safe.
daphne jones-ricciardo and what song is that rhys?
rhys jones thug song
daphne jones-ricciardo of fucking course it is.
alex albon crossing my fingers for monologue song next!
george russell charles cried when daphne sang this is me trying as a surprise song. i have a picture of it.
bailey winters one could say you "have it printed out" george russell hilarious bailey. bailey winter this is why lewis decided to leave mercedes, because you're dry as fuck george russell TOO SOON BAILEY!! TOO SOON!!
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isabella perez sylvia just got me in trouble. apparently it's not good to speak out against netflix.
dulce perez i think it's more so because you spoke out in favor of a driver from a rival team and not that you spoke put again netflix. natalia ruiz i didn't get in trouble? charles leclerc it was probably the oscar part and not the netflix part isabella perez i got told by fred that it was okay??? just no spilling company secrets.
carlos sainz she probably just doesn't like you.
isabella perez wow.
lando norris to be fair, you are quite annoying. i get it.
dulce perez only i get to call her annoying kermit the frog
lance stroll we should wait until the next season for more drama. that's when it'll be good because of a certain someone breaking f1 twitter.
lewis hamilton talking about me? mick schumacher don't forget the secret contract lengths! esteban ocon and silly season!!
freya vettel i was fully expecting them to make oscar and lando to look like enemies. they've done it before.
isabella perez we should make a drinking game out of dts!! anytime d*nica shows up on screen we take a shot.
zoya torres we'd end up blackout drunk. george russell alternative, take a shot everytime will buxton says something funny. max jones-verstappen or anytime they make teammates who get along look like enemies. mae jones-verstappen you seriously still bitter about the daniel thing? max jones-verstappen YES! WE WERE NEVER ENEMIES!!
esteban ocon netflix doesn't know that friendships and rivalries can exist on the same scale.
rowan todd doesn't help that pierre said, "we'll never be best friends."
rhys jones i'm surprised they haven't brought in the nepotism card yet.
mick schumacher they did.
rhys jones i avoid that episode to not cry and charles' episode in season 1
isabella perez oh, same! we're very emotional people. i also avoid daniel's episode in season 5. and i can't stand otmar.
oscar piastri mood. esteban ocon same. pierre gasly you're lucky you didn't have to work with the guy. lance stroll welcome to the club
sebastian vettel any mention of my bee corner?
isabella perez no, and the people are upset. they wanted more of seb's buzzin' corner
logan sargeant he got the logan treatment, completely forgotten.
oscar piastri that's not funny mate.
alex albon lily and i are working on getting rid of his tendencies to degrade himself.
max jones-verstappen how's that working for you two so far? alex albon not well as you can see
daphne jones-ricciardo we have a new set of grid parents!
daniel jones-ricciardo GO TO SLEEP!
daphne jones-ricciardo shh! i just got to episode 3.
fernando alonso my favorite episode is episode 1.
max jones-verstappen ARE ALL OF YOU WATCHING IT?
lewis hamilton i wanted to see how they foreshadowed my move to ferrari. mae jones-verstappen daphne dragged me into this. daphne jones-ricciardo LIAR! IT WAS YOUR IDEA! george russell i wanted to see how i evolved through the season
max jones-verstappen i guess i should watch it.
daniel jones-ricciardo i promise you won't regret it.
12 hours later
max jones-verstappen you're a fucking liar daniel jones-ricciardo. i regret it so much.
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taglist: @burningcupcakefire @arkhammaid @sunflower-golden-vol6 @applopie @lorarri @mypage-myfandoms @bb-swift @thewannabewriter @you-bleed-just-toknowyouarealive @stopeatread @hobiismyhopeu @lilsiz @alessioayla @niniluvsainz @au-ghosttype @cowboylikemets1989 @justtprachisblog @rmeddar123 @nichmeddar @landonorizzz @unluckyyoshi @Mimolovescookies @brekkers-whore @natcha888 @camdensreg @mycenterfold @dear-fifi @prongsvault @kaa212 @anxxiousaries @julesbabey1 @julesbabey @georgeparisole @Smnthnclj @dan3avocado @melissayalene @nothanqks @nikfigueiredo @bella-1 @namgification @jensonsonlybutton @chezmardybum @d3kstar @weekendlusting@anytimeanywherebitchblog @ragioniera @burberryfilms @trouble-sistar @lesliiieeeee @leclercsluv @33-81
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¡leclerc-s speaks! pushing my disliking for danica and otmar with this one. i still don’t understand why she was in season 6 of dts when she’s never driven an f1 car. i was thinking of doing a written part for the parts i made up but would anyone be interested in that?
¡disclaimer! this is in no way making assumptions about the people involved in this story, this is all fake. it is a fanfiction please don't take any of what is said seriously. this is all for entertainment purposes and as a creative outlet for me. enjoy!
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nipuni · 7 months
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Doctor Who status report: we finished watching S3, the special, and are half way into S4! The last 7 episodes of S3 were incredible and so far S4 is going strong and we are sure it will get even better as we get closer to the end as all previous seasons did, we have been ranking each episode and special since S1 so I'll probably share that eventually too and you can compare and judge 😆
We are getting more and more anxious as we get closer to the end of this season because we don't want to see David Tennant go 😭 We are confident we are going to love all the next doctors too but also going to miss him so much. We already made a list of movies and series he is in so we can watch those once he gets replaced lmao we are both so smitten!!
I can't wait to have some free time to draw about this show!! it's become our favourite thing really fast and is single handedly sustaining me, I'm the busiest and the most stressed I've been since last year and it will only get worse until January but everyday I look forward to watching it and talking about it with Nicolas and it's such a joy 😭
Oh I also wanted to say I'm so sorry for the lack of art lately! I know apologizing for it is weird but bear with me I still feel bad about it 😆 I've been drawing for work a lot so everything I make is under NDA and the rest of my time I'm spending hosting family and friends that are visiting for the holidays until the end of the year so all I have to share are photos 😫 but I'll try to squeeze in some art and get back to it as soon as I can!I hope you are all doing well! ❤️
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verboselocket38 · 8 months
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I need to make something clear or else the fans might attack me and send me threats, I like this show and was kinda scared to post this but I gotta say it........
.......Anyways, Im just rant about some excuses for Helluva Boss that are just not good excuses when fans defend the wrighting.
1. "If you dont like it dont watch it 🙄"
So this excuse I hear a lot when fans are backed into a corner and cant protect the critisisms from the show (Sorry I am tired, so my spelling might not be that good) And even if people deny it they use this excuse anyways without giving a good argument to why whatever critism the show gets is wrong.
Also I told this to someone before, but by the logic of this excuse, that means anyone who watches and said they openly hate a show like Velma or High Gaurdian Spice secretly likes it.
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(I am gonna bring these shows up a lot to use them as examples. Should probably mention now that I dont like either Velma or HGS, but Helluva Boss has SOME THINGS in common, not ALL THINGS, but SOME)
2. "The Series isnt finished, you should wait for it to be done"
Now to an extent this one is ok. Like for example: If Aang from ATLA were going on a journey to learn how to Waterbend, Earthbend, and Firebend to defeat the Firelord, then obviously its gonna take awhile and shouldnt be like "wHy DoEsNt He BeAt HiM NOW!!!". BUT that does not mean you cant critisize the episodes where Aang might get out of character, Katara does something that will leave a bad taste in your mouth, or anything that might not be good writing.
Yes Helluva Boss isnt finished, but thats still a bad excuse for defending the writing. You should still put effort into the writing. Like the fight between Blitzø and Stolas was resolved in A TEXT MESSAGE AND PEOPLE SAY ITS GOOD WRITING. IT ISNT!!! Like if your most emotion point in your show is going to be resolved in something we dont see happen, then there is no growth to the characters. (Saying this is an easter egg is just another excuse for bad writing.) People say that later on it might get resolved and that we should be patient I call bull crap. In S2E2 Stolas and Blitzø are not even akward around eachother, so I highly doubt future episodes will talk about this.
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Also, I just thought, shouldnt shows like Velma also go for its excuse? Like its getting a Season 2, so we shouldnt judge the show until its finished right? I dont wanna hear "Its because Velma ruined Scooby Doo!" Or "Velma is an acception since it can make my eyes role" Nope!!! We gotta wait till Velma is over to fully critisize it.
2.5 "You shouldnt be comparing VELMA to HELLUVA BOSS!!!"
Gonna bring this up since SOMEONE WILL. But I do NOT like Velma, I think its crap. I like Helluva Boss, not a fan of the stans and a lot of things Viv says and does. They can not take Critisism. She says she can but accually doesnt. And I kinda realize that there are some things Velma does that people role their eyes at, but when Helluva Boss does it, they get praised for it. Again, I 👏DO 👏NOT 👏LIKE 👏 VELMA. Im treating it equal to other shows, when Velma does something everyone hates it. When Helluva Boss does it everyone likes it. For example, the Swearing and Sex jokes. When Velma does it, people say that they swear and do sex jokes for no reason and it ruins the mood. But when Helluva Boss does it (Which keep in mind, 90% of the dialoug is sex and swearing.) It gets praised. Just wanted to point it out.
3. "Its Hell, what do you expect? 🤡"
I saved the best for last. Yall probably heard this one before lol. So, Im just gonna say that yes the characters do live in hell and that can lead to their bad behavior and cruel humor. The issue that I have is that will be used to defend bad writing. Yes they live in hell, but that doesnt mean 90% of the dialoug should be sex, swearing, and angst. Yknow the end of Unhappy Campers where Moxxie and Millie dressed as siblings and had sex on stage infront of minors? "But its hell!" Yes, BUT its out of character for Moxxie and Millie. MOXXIE ESPECIALLY!!!! ITS ALSO GROSS LIKE HOW IS THIS FUNNY?????
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There are also double standards. For example when Stella turns out to be a abusive bish, we are made to suppose to hate her. But when Loona was abusive to her adoptive father who took her in and gave her love, we are suppose to laugh??? Also, dont say "But he threatened to replace her!" No, Loona brought it up AFTER she was attacking Blitzø and he roled along with it.
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"But its Hell!!!" my butt. If Stella is abusive to make Stolas look like a justified character and her unlikeable, then why should I like Loona? And no, trauma is not an excuse. She is 22 and she has control of her own self.
And like??? If I were to write a story of some unlikeable guy in New York City who killed people for no reason, should my excuse be "Its society, what do you expect? This is life, get over it."
Conclusion
In conclusion, if you accually want to defend the writing of your horny demon show, then find accual critisms. Again, I👏 Like👏This👏Show. But when Fans and Viv shield any critisms and just see it as blind hate, it makes me upset. Most people who critisize this show like it. The thing is, if we praise or ignore something that needs to be critiqued, then the writing wont get any better. If we critisize it, then there is a chance that Viv will realize she needs to put effort into her wrighting.
I like this show, it inspired me, but Season 2 is such a downgrade from the previous season.
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wolfqueen66793 · 4 months
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‼️Sonic Prime Spoilers‼️
Warning: LONG!
Putting my thoughts together on this new season, overall I found it very enjoyable! Definitely my favorite season.
Loved the Sonadow! Lots of great moments from the two hedgehogs, it’s so very important to me that we got to see a softer more concerned side of Shadow, even if you don’t ship Sonadow you have to admit him not being a asshole was great!
However I do wish we got to see more of him, I’m definitely fine with the amount we got, not only for the season but the show overall! But I hate the trend Sega has made where they put Shadow in a show and he quickly gets put to the side lines.
I think a great thing they could have done with Shadow is when he’s separated from Sonic still have episodes with him! We could have seen him recover from the fall into the ravine and fight his way out as a episode, or it could have been a prisoner situation! (Or both) Nine could have some how contained Shadow after being weakened by the Grim Bots, that would let the writers keep a power house like Shadow out of the fight but not out of the plot. Anytime we cut back to Nine we would also be cutting back to Shadow.
There was also the 3-4 Episode fighting, now honestly I didn’t care but I did notice it. Did the fights get a repetitive? Yeah, It was a lot of repeating the same stuff but I forgive it because during this long fight was all the lovely character interactions and growth, which is what I think we should focus on. Dread choosing his crew over Treasure, The Roses, The great moment between New Yoke Knuckles and Sonic vs Nine (though that probably should have been given to Shadow honestly, he was in the fight but we saw him the least it feels) and I loved the relationship between Mangey and Sails.
But I do have a small problem with how they handled Mangey and Sails in the fight, the writers gave them a “Death” scene. Now that I was really down for, but looking back on it It just makes me think “why?” Now logistically it was probably the writers wanting to take some characters out to write less, which honestly fair enough! They had a lot of characters to juggle.
But I wish there “Death” meant something more than just to get them out of the fight until the end where they come back with the Grim Big Bot, now I’m a BIG sucker for Sonic and Tails moments! And I love everything for them, I love there happy moments and I love there sad moments. Sonic and Tails’s relationship is my absolute favorite thing about the Sonic series! And because of that I wished there “death” was something more important, we got to see Sonic be actually hurt about there deaths and I love that! But I wish it just had a little bit more time, have it be the moment where he really starts to see Nine as someone dangerous, someone who can do some real damage, I know sonic is a guy who believes in second chances, and I’m not at all asking sonic to go into a blind rage and attack Nine, that just wouldn’t make sense. But I’d like a moment where Sonic would just yell up to Nine with anger but also sadness, he just had to watch other variants of his little brother die from another one of his brother, because he was too slow. (Or maybe I’m just a big sucker for angst and just like watching Sonic suffer)
And lastly there is the ending, now honestly all the other things I’ve mentioned before this point are things that I actually don’t mind but I’d probably just change a bit. And this also applies to the ending, just a tad less. I found the ending to be very unsatisfying and confusing, we were told we were supposed to understand why prime was so strange for the Sonic canon but we got 0 answers, and the ending is very open (which is a thing I don’t like for show finales, almost entirely) but, we we’re supposed to get 8eps this season but the season only had 7, that’s what Netflix ordered, so where is the last episode? What I’d like and what seems to be what others would like or at least have speculated is that Sonic Prime will get a extra long episode or Movie later down the line, to properly wrap everything up.
I’d definitely be down for something like that, it reminds me what Rise of the teenage mutant ninja turtles did with their show, after there show was put on a indefinite pause they were given the opportunity to make a Netflix movie to wrap up the story. And it’s one of my all time favorite movies! There is most definitely more that they can do with this show, and I really wish this turns out to be the case, because if this is where Netflix actually leaves the show off it will kinda suck ngl, a bad ending kinda can put a whole show off for me (not that this show will end up like that for me but still) and it would also mean Sega pretty much lied to us about understanding the timeline.
So I hope the strange cliffhanger we got with shadow taking the prism shards, the shatter spaces still being a thing and that random (most likely) prism energy blast with what looked to be a shadow of a large ship (probably the eggmen) appearing in the sky we will get that last episode Netflix ordered as a longer special that will help us understand things and give us a more satisfying ending!
But there we go! My thoughts and critiques on prime season 3. I definitely loved the season and I’ll be thinking about the Sonadow scenes we got pretty much every day just like the metal virus arc!
Here are some Sonadow pics for making it this far!
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mylittleredgirl · 3 months
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For the ship it or not game: Benjamin x Kasidy, please?
(ship asks)
I Ship It
1. What made you ship it?
they literally COULD NOT have written a better love interest for ben sisko, and they put them together so thoughtfully. jake sets them up -- after a build-up where we see jake turning into a young man thinking about his future and really wanting his dad to have someone. i love that she's a freighter captain, a type of person in the ds9 universe who we have never really gotten to know, and essentially a grounding element -- she's a civilian living her own life who is (at first) totally uninvolved in the a-plot. and she knows about baseball!! the sheer joy i felt watching her walk in in her second appearance in "the way of the warrior" and they're already together and falling in love...
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i couldn't find a great two shot of them so look at these caps from the "don't get killed" moment in the way of the warrior........ ROMANCEEEE
2. What are your favorite things about the ship?
it's such a good relationship!!!! they're mature, open, respectful, demonstrative, sexy... every beat is so potent and it expands into episodes she's not even in. i love her, i love her for him, i love him for her, and i LOVE her relationship with jake. their love stories are both heavy and light ("it's a big step") but there's never a flippancy to their relationship ever. and hooooooly shit. for the cause. i remember my dad showing me the last scene of casablanca like "this is the end scene of all time" but have you seen the last scene of for the cause.
genuinely i think this would be THE undisputed together-on-screen-in-canon star trek relationship of all time if it weren't for the fact that kasidy is a guest star and, while she has a rich implied life and does develop and grow, we never get the full main character treatment with her like we do with riker/troi and paul/hugh (and michael/book because book is also a guest star but he's a driving force of the a-plot of a whole season).
3. Is there an unpopular opinion you have on your ship?
i think most people probably agree with me tbh that it's an incredible ship that's electric on-screen and underrepresented in fanworks. i don't know if people agree that the last part of their arc was the weakest part because it was rushed (that engagement scene was so sweet though!! it's your house i want it to be our house!!), and i don't really like unplanned pregnancy as a trope (planned pregnancy? yes please!). like yes, her entire presence in the series has always been to serve his emotional story, but this felt different. until that point, her life between episodes was mostly implied until it intersected with the plot, but it was important to her and believable. in the final chapter it vanished completely, and i can't remember if she ever made that an intentional choice (or, if she did, if that choice was given enough weight).
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moonlessdusk · 4 months
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Hello! I love your mkulia analysis..is!..sises..? Analysees? ..Whats the plural of analysis? Anyways - if you've seen the episode already (and want to of course) could you do an analysis on the ending to episode 9? With the elimination and all that, even if it's something obvious. Anyways, good work! They're always a pleasure to read :)
Aww thank you ❤️ I actually did initially think this was just going to be a surface level read of these two for the episode but I watched it again and I noticed two things at the elimination that I haven’t seen anyone else point out and no joke, one of them might actually have some major implications.
First off, I just want to take note of the beginning of the episode where MK and Julia are about to try and fail to fake sympathy. Because why is Julia holding on to MK’s shoulders while they walk over? Like the hand holding I got because it was a reference to The Shining but this is just unnecessary. So hmm… I guess they’re at a casual touching phase?
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They then have a confessional where they both agree that relationships shouldn’t be put over the competition. I don’t know how intentional this is but friendship is brought up a few times through this episode between this, the scene where Chris remarks that friendship can be a good thing, which is immediately followed by MK showing up, and the direct comparison he makes at the end of the episode. That is to say, MK and Julia were always on the same page and unlike everyone else here, knew the competition would come first, it’s why they’re here.
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Skipping to the end of the challenge, they know the predicament they’re in because everyone else here for some reason votes based on emotions and who isn’t their friend as opposed to who’s realistically a threat to their chances of winning (*cough cough* Priya). MK is certain that Julia will go back on her word to let it play but she doesn’t seem particularly mad? She looks exhilarated at the idea of trying to outdo each other, more than anything.
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On the walk to the ceremony, Julia looks incredibly anxious and MK is glaring almost the entire time. I think Julia knew from the start she’s already betrayed MK, she’s just kinda waiting for the shoe to drop. And when it does, she lets out a sigh but unlike the last time she caused MK’s elimination, she’s not at all happy about it. She’s still hunched over like she’s worried about MK’s reaction.
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She’s smiling when she explains how she did it but the turn of her eyebrows reads as a nervous smile and Julia doesn’t actually relax until MK praises of she outplayed her by working smarter instead of harder.
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Skipping briefly to MK’s exit confessional, it’s worth noting that she said if she did have to play this season again, she wouldn’t change a thing. That to me sounds like she’s saying she wouldn’t change how she’s made an alliance with and trusted Julia. She doesn’t regret the relationship they made while being here.
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Okay now first thing I’ve noticed that I haven’t seen anyone else pick up on is that MK was clearly walking down to the dock unaccompanied by Julia. Also she’s scowling as she does so. Probably at Chris or the general situation, who knows. Julia can still be seen in the background at the bonfire. I don’t think it’s a stretch to assume that maybe she didn’t feel good about how the last thing she said to MK was a gloat about herself. The last time Julia betrayed MK, she avoided her because she was afraid she’d be mad. Maybe MK’s reassurance from that time gave Julia the confidence to take the initiative this time and run down to the dock to be sure if their relationship was still okay.
It’s just sweet that Julia has never cared about what anyone here thought of her before and she explicitly said last season she didn’t want friends but she’s so worried about if her relationship with MK would still be intact.
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MK’s words and opinions do cut deep for Julia, even if she does try to play it off. This is the most timid her body language has been and even if she tries to downplay it, she still recoils when it looks MK is actually mad at her.
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And here is the part where I was saying could have some major implications. Right when MK begins to say she’s not mad at Julia, listen to the leitmotif playing in the background. For people that don’t know, a leitmotif in media is a short, reoccurring piece of music in that’s meant to invoke the idea of a person, thing, memory, event, emotion, etc. For example, with the original run of the show, when something with positive, big, emotional, and usually (but not always) romantic payoff happened, they would play that music that started with the soft piano and strings and build up to the drums and viola. You know the one.
I’m explaining this so you know how significant it is that the leitmotif playing when MK is reassuring Julia almost sounds like it could be the same one as Bowie and Raj’s romantic one from last season. I’m not kidding, it’s sounds like it could just be a toned down and segmented version of it. Go back to season 1 and listen to the background of these two scenes of their relationship starting and solidifying. You can hear it when Bowie starts talking, then briefly again right before Emma starts shouting.
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This isn’t just some generic feel good music they have because the show has a completely different leitmotif for friendship moments. You can hear it when Millie apologizes to Priya in the season 1 finale and you can hear it again at the beginning of Raj’s goodbye in his elimination.
I need someone to check me on this, I don’t know if I’m coping. Leitmotifs don’t necessarily have to be the same key, pace, etc. and total drama frequently segments its music, like the bonfire music is constantly cut down. I’m just not sure if I’m hearing what I want to hear and hoping it indicates this is the serious start of something romantic between them.
ANYWAY, the hug.
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I think it’s cute and pretty big for Julia’s character that she initiates it. She finally let herself be vulnerable and invites someone else’s affection purely for the sake of affection. And MK accepts with no eyebrow raise, remark, or any hint of her usual sarcasm and dry humor. With MK’s elimination, their relationship has become no strings attached and they still value it regardless.
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drunkkenobi · 8 days
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Well. This is the weirdest one of these I’ve ever made.
I’m not going to rehash the wank from the Watcher TV announcement. You all know what happened. I am standing by my assertion that this streaming platform is the only way they’re going to stay afloat because YouTube is just not the place for them or anyone else making videos that aren’t just of one person in their house. (nothing against those folks, it’s just a completely different business model)
Anyway.
First up, here’s how Mystery Files season 2 did. It did well, with each ep hitting a million fairly quickly, but it didn’t do as well as season 1. Not significantly worse, just not as high. (two weeks after season 1 ended, the average per episode was 1.854 and for s2 it’s at 1.194million) Of course, the two weeks since season 2 ended have been fucking insane so it’s impossible to say how much of that is a factor.
I will say that views between last week and this week are down overall, but that’s expected. If someone has paid for the streamer and you want to rewatch Ghost Files or whatever, you’re going to watch it ad-free on the app you pay for and not YouTube for the most part. Also it’s very possible people are just not rewatching stuff right now for their own personal reasons, which is fine. I also just don’t think it’s something to worry about.
For better or worse, the Goodbye YouTube video is the best opening weekend Watcher has ever had (and will have?) on YouTube.
Watcher lost around 100k subscribers over The Announcement but, again, if people are paying them directly now then this is kind of a non-factor. For posterity, they’re at 2.84 million subscribers today.
I’m not sure what else to say this time, tbh! It felt like a good time to make one of these with MF season 2 being over but YouTube viewcounts are just…not going to be important anymore for Watcher so there’s not much to say about them. Finding out that a million views only nets between $10-30k has been very eye-opening to me about how piddly the revenue from YouTube is for a production studio like Watcher. The shows they want to make just cost more than they can make off of there. It’s that simple. No one has to like that fact, but that is the heart of all this.
Also, with all of that being said, I think my time as a spreadsheet gremlin is coming to a close. I’m going to keep up with it for a few more weeks and probably do one last round-up for every single video’s views, but with Watcher moving away from YouTube as a business model, there’s little reason to keep up with these. I’ve been making these updates less this year anyway because of a job change and I was losing my steam for it a bit too, so the timing feels right. Like I said, this won’t be my last viewcount post, but maybe second-to-last? And who knows, maybe I’ll check in when Ghost Files premieres but the counts will mean so much less now that the videos will premiere with a month delay from the streamer. We’ll just have to wait and see how the wind blows on this.
Thank you all, as always, for reading, reblogging, replying, liking these posts. Y’all are the reason I’ve kept up with it for four years (and my own nosiness but having encouragement helps!). And don’t worry, I’m sure I’ll have some other spreadsheets to share in the future of Watcher fandom. (I have…so many) So, until next time, thanks again. ❤️
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unlikelyjapan · 9 months
Text
s2e4 rewatch notes
I'm a bit tired, please forgive the typos:
At the intro, we get a montage of the permits and files and drills, the sense of urgency - the furiousness of the work and notes begging Carmy for something (that was probably already set on his list in the last episode). I guess I stopped paying attention to the timelines - they're now 7 weeks out with no walls and we haven't really gotten into the meat of the series yet - meaning we don't really see Carmy flake the fuck out until 1 month from opening.
Sugar's "don't tell anyone - this is my problem" bit is so sad, watching her castigate herself for bringing another her/carmy/mikey/donna/their dad into the world. I also hate the way such a heavy moment was turned into such a "womp womp - wall fell" moment, as the situation (and Sugar) deserved a lot more gravitas.
But this is a show through the male lens. Richie feels vindicated that he "guessed it". Carmy doesn't know how to show his concern (and to be fair, she'd probably pummel him if he expressed anything in that moment), but the fact that he still lets his sister shoulder so much of the restaurants burdens alone through the rest of the series shows the level he disassociates from his family (even his only caring/loving family member) at every turn.
Marcus is such a good son - I hope in season 3 we get a (posthumous, I presume) look at who his mother was, what shaped his character, how his brother/father play a role (if any) in his current family dynamic etc.
The Chester + Marcus pairing is a magical talisman that protects the show from a deluge of male-on-male emotional evasion, jousting and toxic co-dependency. I don't care that Chester is about as believable as Claire as a character, mainline that shit into my veins.
I love that Carmy ensured that Marcus would have the identical experience he had when he staged in Copenhagen (as described in Fishes to Mikey) - this is in no way coincidental, he would have had to make plenty of arrangements/requests to Marie for things to play out that way. He wanted Marcus to see Copenhagen through the same magical lens he did, knowing Marcus needed the inspiration and a break from his own version of family strife.
The invisible cat (Coco), the looming presence of Marcus' mom on the viewers minds, and the bike scene are three great examples of things that feel foreboding (like the other shoe is going to drop on Marcus) but never actually amount to anything. Whether existential or hopeful, I like it.
"Do you know how to make Shisho Gelee?" - this is such a gentle test to see how insecure Marcus is in this environment. Passing him the recipe as he's googling was an awesome act of amnesty. It immediately brings out Marcus' curiosity in the next scenes - he's asking all the right questions and looks so joyful when Luca gives him concise answers.
The scenes played out to Otis Redding's "I've Been Loving You Too Long", starting with "You're tired - and you want to be free" playing as Marcus walks home. Temporarily free from the impending death of his mother at home after a long illness. Free from the constraints of the (up until now) low-level jobs Marcus' has held down in kitchens with minimal inspiration and nowhere to go. Free from loneliness? The next cut is Sydney interviewing staff, as if on cue.
The quenelle - the heavy-lovin' part of the song as Marcus' is immersed in his work with Luca, falling in love with the ritualization of his craft. Things in Marcus' life haven't exactly been going right, but this is a place of solace. He follows this up by calling his Mom - professing his love for his craft, as well as for her.
Sidebar: The minty snickers bar is almost a sexual release scene during the ballad. I get why so many folks were led down the road to hell that is Marcus x Luca fanfic, as weird as I think that is (no hate! do you!)
The song ends with the pastry dissection on the boat. This man found love/spiritual release in Copenhagen, just like Carmy. "Mission accomplished, I guess."
Fak saying "Dude! We're best friends, we don't tell secrets!" re: the alliance stuff. So....every dude at The Beef/Bear is his best friend, Sugar is Mommy, and Sydney (and Tina, for that matter) are ????
I feel like Fak may be the thing that continues to insulate The Beef/The Bear as a Berzatto clubhouse for wayward boys at this juncture, but I'm originally from Canada (and thus have been force-fed Matty Matheson a.k.a Fak-Light since the mid-aughts) so there's probably some bias creeping in here.
Luca started as a chef 14 years ago. If he entered the profession and competed against Carmy at the same level/experience as a high-school graduate, that makes him and Carmy in the rough age range of 29-32, adjusting for education sans A-levels in the UK. We can put away that screenrant article and die in peace now.
Mikey was "Really tight, but also really out of his fucking mind, and he wanted to open a bakery". Something something Berzatto parallels.
Luca says "I've got a younger sister, somewhere, yeah" after asking about Marcus' family. Luca's got a case of the family damage, the trouble in school, a past-tense case of the ferocious mopes - all the same watermarks as Carmy. Meanwhile, Marcus was just sharing his mothers prognosis, and speaks of his brother with no ill will (even though he doesn't appear to be in the caretaking position with his mom) - are they foreshadowing that Marcus' doesn't have the damage that makes a truly great/ritualized/masochistic chef in the long run?
Luca's may have learned more lessons in life than Carmy has (in part by being thwarted by Carmy) but the habits borne out of family evasion/searching for something else are so engrained with that backstory. Or maybe Marcus' represents the happier/new way of doing things, breaking the toxic cycle (more thoughts on this down the line).
Luca worked to keep up with Carmy after he came to a place of acceptance that he'd never be the best, and that ended up being enough for him. Maybe a blessing is that Marcus' gets to sidestep the whole toxic cycle and just absorb knowledge (from Luca, from Carmy, from Syd) - he's not in a running position, just like Tina.
But of course, we never worry about Tina - she's too self-possessed. Marcus is emotional and easily influenced, so I have a feeling his narrative could turn on a dime.
Luca says "At a certain stage, it becomes less about skill and more about being open....." In summary:
Marcus - Open, but I fear could easily become closed in the wrong environment/trauma.
Carmy - Closed, doesn't really understand how to open when not hiding behind the guise of the restaurant/Syd/emotional fabrications
Sydney - Wants open, but always closes instinctively for self-protection.
Natalie - Open, with the limited emotional tools she has at her disposal.
Richie - *learning* to open, but that's a long fucking road.
Tina - Open
"It helps to have good people around you, too" - see above. The Bear represents the inherent goodness of people, with familial history run roughshod over it.
Marcus asking "Was It worth it? The time you put in" quickly followed by Luca saying "I dunno....ask me tomorrow"
Isn't this the feeling of fecklessness that almost everyone has with their creative craft being converted to labor? There's been a lot of theories floating around that Carmy doesn't like cooking anymore/never liked cooking - could it just be the long-standing feeling of irrelevance when you've taken a deep-dive into your craft for so long that you can't see the forest (inspiration, caring for people) through the trees (red tape, skill level, trauma etc.)?
The man on the bike could also represent saving someone the way that Marcus can't save his mom - it alleviates some of the feelings of powerlessness, and the exchange of comfort in the hug a reciprocity he can no longer experience with her.
"Are you sure you want to get back on the bike?"
A bad thing happened, but the man feels compelled to keep moving - as Marcus said to Syd in S1 "just keep moving" - there are a bunch of metaphors for just proceeding with the restaurant here.
Syd is literally just being goofy and talking to Marcus like a friend when he first calls - I guess I imagined there being a little more heat/aloofness there on her behalf, but it's giving friend-zone. She wouldn't act so familiar if there was a crush, I don't feel its in her DNA....
Marcus sharing the nightmare about his mom's impending death with Sydney is huge (again, the other shoe dropping) - Sydney tries to give an empathetic response (she's not great at anything with a whiff of mortality to it, but she approaches the topic with optimism) and caps it off with a "ugghh - I miss you man" as a reassuring gesture - he's her friend and a great source of comfort.
He nods quietly, waits a beat, and says "I miss you too" - and you can tell the pregnant pause has let Syd know that there's gravity/consequences to her words. She diffuses with the freeze humor because what the hell else are you going to do once a guy tells you about his dying mom nightmare, you spurt out a casual "I miss you bro" and he responds back tenderly that he misses you too. Unenviable.
"Okay, goodnight dude" - Syd hangs up immediately. Oof. Everyone talks about Syd getting a love interest in season 3 to level the stakes with Carmy, but I want Marcus' to bag a hot expediter or something just so there's a bit of joy in his life without a crazy dramatic subplot ensuing.
The mild smile on Marcus' face is so peaceful when he masters the dessert. It's such a quiet satisfaction you can only get when you create things. What a nice way to end the episode.
Holy crap, this was far too long. If you stuck it out, thank you!
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seeminglyranch87 · 1 month
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Taylor & Travis Timeline
April 2024 - Part 1
April 1 - iHeart Radio Music Awards (x)
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Taylor won the following iHeart Awards for 2024
Artist of the Year
Pop Artist of the Year
Tour of the Year
Best Lyrics - Is It Over Now
TikTok Bop of the Year - Cruel Summer
Favorite Tour Style
Taylor accepted these awards remotely
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April 2 - Travis speaks to People promoting Kelce Jam music festival (x)
Kelce, 34, tells PEOPLE, "I'm the happiest I've ever been. I'm a guy that some people say is glass half full, half empty, and my glass is all the way full. It's all the way full." "I'm oozing life right now,"
"It's just so much fun getting into when you win the Super Bowl, all these doors open, and so I've just been going through all these open doors, experiencing life and just appreciating the people that have got me here and also staying high and meeting new faces."
"It doesn't feel like there's much chill in my life. Everything seems to be full throttle and just moving at the speed of light, and that's how I kind of like it. I like it to be up pace. I like to have just exciting things going on. And sure enough, I'm out here in the entertainment world trying to dabble into that before I get back locked in on football and knowing that that's going to be my focus until I'm done playing."
"But to dabble around in the entertainment space is something that I'm really interested in, it's just going to be an amazing opportunity to get out in front of Kansas City and just celebrate the Super Bowl win one more time." Travis says referring to Kelce Jam.
ETonline release 8 minute interview with Travis (x)
youtube
Speaking of his trip to the Bahamas with Taylor Travis says "t's just a lovely place down there isn't it you can get it all down there, all the love in the world 
"you make it all work is it just you prioritize what's important yeah I mean I think we're both very career driven, I think we both love what we do and you know any chance that I can you know show my support to her and knowing that she's shown me all the support in the world throughout the season it's just been an amazing experience you know getting to know Tay"
Travis spoke to Associated Press (x)
"The only thing I can learn from [Taylor] that translates into how I can perform is just how relatable she is on stage. She’s very comfortable. She brings everybody into the room with her. She makes it an intimate setting even though there’s 70,000 people at every show. It’s pretty impressive.”
Travis speaks with The Hollywood Reporter (x)
You’re producing your second festival and taking part in the live music space, while Taylor Swift put on one of the biggest live music events of all time last year with her Eras Tour. Did you learn anything from watching her do that? (Laughs.) I did: Don’t try and be Taylor, that’s what I learned. Yeah, she’s on a whole other stratosphere. She’s the best at what she does for a reason. It’s because she’s so articulate and just very dialed into every single thing that she does. And that’s the beauty of it. I’d be silly if I ever tried to take anything from what she does, other than just enjoy the people that show up. I think that’s one thing I could probably take away: She really relates to the people she’s performing in front of, and so I’ll take that. Her four-hour concert is not easy to do … It’s impressive.
April 3 - New Heights Ep. 84 airs with special guest Arnold Schwarzenegger. Jason & Travis Kelce film episode in LA after flying in from Philadelphia together with Taylor.
April 4 - Are You Smarter Than A Celebrity filmed in LA - Travis confirmed to host
TikTok - waitress who served Travis over the weekend in Ohio shares that Travis knows all 300 Taylor Swift songs in sweet interaction (x)
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April 5 - Are You Smarter Than A Celebrity day 2 filming in LA - Travis to host.
Taylor promotes her up coming album The Tortured Poets Department according to Billboard (x)
The two week countdown to 'The Tortured Poets Department' is on — and to celebrate, Taylor Swift unveiled five new playlists featuring songs from her first 10 albums representing a distinct phase of heartbreak. ⁠ ⁠ Four of the playlists are named after the taglines of previously announced deluxe editions: “I Love You, It’s Ruining My Life," “You Don’t Get to Tell Me About Sad,” “Am I Allowed to Cry?” and “Old Habits Die Screaming." The fifth one is dubbed “I Can Do It With a Broken Heart” after one of the song titles on 'Tortured Poets.' ⁠ ⁠ Each playlist also features a voice note in which Swift speaks about her personal experiences with each phase, inspired by the stages of grief: denial, anger, bargaining, depression, and acceptance.⁠
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Just checking in, how is everyone?
Are You Smarter Than A Celebrity filmed in LA - Travis is host
April 8 - Taylor reveals lyrics to TTPD (x)
Perfectly timed with the solar eclipse - personal photo taken on iPhone today - USA
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Are You Smarter Than A Celebrity filmed in LA - Travis is hosting
April 9 - Are You Smarter Than A Celebrity filmed in LA - Travis is host
Travis & Taylor papped driving in LA (x)
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April 10 - New Heights Ep. 85 airs with guest Dave "Lil Dicky" talking about Travis dating Taylor (x)
1:16:50 (x)
LD: how you guys doing with all this? Travis beams; "I'm having a blast in life baby, just flying high, enjoying it all!" Lil Dicky says "your most popular Popstar and beloved musician somehow met your most popular beloved athlete and they actually fell in love..." Travis replies "I don't know how I did it because she does not, she wasn't into sports so I don't know how the f**k I did it? Lil Dicky responds "well you did it because you said you called her out on..." Travis answers "I know exactly how I did it!"
Are You Smarter Than A Celebrity filmed in LA - Travis is host.
April 11 - New Heights podcast recorded live with Jason & Travis Kelce at Nippert Stadium, Cincinnati, Ohio
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Travis dances to Shake It Off and tells the audience this is one of his favourite songs, Jason says it's Wyatt's favourite too (x)
April 12 - Are You Smarter Than A Celebrity filmed in LA - Travis confirmed to host
Taylor & Travis seen leaving Sushi Park restaurant - LA
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April 13 - Taylor posts (x) with lyrics “I wish I could un-recall how we almost had it all.”
The photo reveals that Aaron Dessner is a collaborator.
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Travis & Taylor attend Day 2 of Coachella. They are first seen side stage for Bleachers with Jack Antonoff then escorted to the pit for Ice Spice and others through out the night. (x x x x x) Taylor is wearing a New Heights cap
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April 14 - Taylor releases another clue in the lyrics of Peace - CONDUCT on Apple Music.
April 17 - New Heights Ep. 86 airs. Jason & Travis Kelce talk about experiencing Coachella (01:07:50) (x)
Jason "we know who you went with, we saw the pictures. All right we know who you went with"
Travis "She's [Taylor] supporting the New Heights"
Jason "Big New Heights supporter - yeah sold out of the green hat real quick"
Travis "It's a good color green"
Jason "How was Coachella different? I expected you guys to be backstage like mostly with the musicians right but it seemed like you guys are in the crowd?"
Travis "I'd like to see it front from the fans perspective like the people that actually cuz I am a fan of music I'm a fan of live shows. I want to see it from the front of the stage. We probably could have finessed it that way but I think it's just that much more of an experience if you're in the uh if you're in the pit man if you're in the the madness with all the uh all the fans. It was awesome though."
Go to previous update -> March 2024 part 3
Go to next update -> April 2024 part 2
Return to the timeline
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done-dm · 3 months
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I really hope we get to see DX-TR again before the season ends because the bits and pieces we know about him are fascinating.
Like, he gets brought onto this elite group of mechanites for a very particular skillset. As K-LB so eloquently puts it at the end of season three, "The thing about DX-TR... MR-SN's superpower was making you believe in his dreams. DX-TR's superpower was making you believe his lies."
He's an invaluable member of the team and then betrays his party to the githyanki only to work on the exact same thing they were working on before: traveling beyond the planescape. We see in VR-LA's vision via MR-SN that DX-TR specifically wanted the whole crew to be captured, but don't really get an explanation beyond DX-TR saying to Endellion "We need them! All of them, alive! Especially him. This wasn't the deal!"
And it doesn't seem like he gets much from the githyanki aside from resources. Again, drawing from what K-LB has said...
"In some ways, DX-TR seemed as much of a prisoner as us. Like, he could go and come back, but mostly he was summoned [...] He was stuck in that same room with us, a little more space to walk around..."
And he keeps working on the project. For three years he keeps his old friends in a cell, watches as AS-TR deteriorates to the point of not speaking at all, and keeps at it.
Until he doesn't. According to K-LB, there was a certain point when he "stopped working so hard" and goes on to say "I just feel like it wasn't because he hit a dead end. It was because he didn't need to be working hard on it anymore. He was just biding his time."
But why bide his time? Kyana points out during the conversation with K-LB and the others that DX-TR probably used their attack as a distraction to escape, that he could have taken more hits at them and chose to run instead, but there might be another reason.
When VR-LA asks K-LB if they succeeded in their work under the githyanki, K-LB responds "We're still here, ain't we?" VR-LA quickly figures out this meant that the githyanki would have killed the old Per Aspera crew when they finished, which likely includes DX-TR. So he fled to save his own skin but also (either purposefully or inadvertently) saved his old crew by stalling with the githyanki.
Instead of playing on this angle with the crew during the rescue attempt, he comes across as a cut and dry villain the first time we meet him. He kills Dani while she's unconscious and no threat just to send a message to VR-LA not to come after him.
And then, once he's free and has the most valuable information in the planescape, he goes to work for the mindflayers??? Why? Why would he choose to go work for one of the most universally hated and dangerous species that exists? What's stopping them from eating his brain and using his knowledge without that pesky individuality getting in the way?
For whatever reason, he gets to remain himself and is set to eliminate other threats to the mindflayers' plan. He kills Casimir, but not C-RA or K-LB. Which, as K-LB tells VR-LA outright, he easily could have done so since he caught everyone off guard. Instead, he lets C-RA take his arm (which, granted, probably isn't as big of a deal for a mechanite and can probably be repared, but if I were in a situation as dangerous as working with mindflayers on a daily basis I would want to be in tip top shape at all times in case one of them gets hungry) and runs again.
K-LB and E-DN have explicitly stated that they want him dead despite knowing he spared K-LB and C-RA's lives. VR-LA's on the fence about it, but–even if he did fully commit to killing DX-TR–his devil deal is still up in the air and there's a very real possibility that VR-LA can't kill him. Whether someone else on the crew can do so on his behalf remains to be seen, but since he technically only gave the order to kill the mindflayer in the last episode with Kyana and Vhas doing the dirty work and Austin still almost used the deal to stop him, I think that might not be a loophole he can take advantage of.
Which means by the end of this campaign there's a fair chance that DX-TR is just going to be out there in the planescape doing who knows what. We don't know what his motivations are beyond finishing the project, what don't know how much his old crew still means to him (enough to lose an arm but not enough to keep them imprisoned for three years?), and we don't know what he plans to do after this.
Rambling aside, I want to put him under a microscope to study.
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stinalotte · 10 months
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Season 5, Episode 6: The Shrine
I said I had to gather my thoughts before I would be able to write something coherent. I still don't know if I can do it justice. It's weird, but I hesitate to call The Shrine my favorite episode because it's so devastating. It's very shippy, it has phenomenal acting from everyone, the story is heartbreaking, it should be perfect - but it just hurts so much. If this is my favorite episode, what kind of masochist am I? (Don't answer that, that was rethorical.)
I'm placing this under a cut because this is gonna be long.
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The cold open on this one is just brutal. Rodney is already pretty far gone, and he calls himself "Mr Rodney McKay" instead of Dr, because "doctors are smart, and he's not smart anymore". To know what's happening to you, to slowly lose your mental capabilities and to be able to still process what's happening, that's cruel. And then he's calling for John, and that's when I had to pause the video for the first time because the tears were already coming. The title sequence hadn't even started.
Fuck.
I lost my grandmother to Alzheimer's a couple years ago. She had a slow and steady decline and thankfully, it was one of those cases where she just forgot more and more, but without the mental anguish. She wasn't panicking, or aggressive, or even agitated. Just a smiling, sweet old lady, who in the end didn't remember how to sit or eat or breathe. When she died, I couldn't cry. I was too busy consoling my mother and aunt at the funeral. The first time I cried was when I rewatched The Shrine, years later. It just shook something loose in me. It's also the point where I decided that if I ever got diagnosed, and was still in a state to do something about it, I would end my life on my terms. I'm not putting anyone through that.
I remember Kate Hewlett saying in an interview that a lot of people on set where crying during those scenes because they had family members with dementia, and that she had to leave the room at one point because it hit close to home for her too.
At first I thought it was mean that everyone was like, "Yeah I realized something was wrong when Rodney was being nice to everyone", but then I thought, no, that's actually a good point. Because his friends were uncomfortable with alternate universe Rod (who was too suave and cool) and they're uncomfortable with a Rodney who is uncharacteristically nice. They love him as he is, not a polished version.
I know everyone is giving Dr Keller shit for not wanting to try the Shrine, but I really think it's because she's a doctor. I work with doctors, and almost weekly I have discussions about respecting a patient's advanced directive. I've had a doctor wanting to install a gastric tube in a patient who was at the end of their life. We had the advanced directive that CLEARLY stated they didn't want that. When I confronted the doctor, she was almost angry. "But they will starve! I can't let them starve!" Yes, you can, and you will, and you have to. The hardest thing for a medical doctor is to have to sit back and not be allowed to do something that might help the patient. I think that where she's coming from. There are treatments to be tried, and if Rodney is taken to the Shrine, all those other options stop. I still think she was wrong and I don't like her approach, but I think it's an explanation why she was acting the way she was.
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And then we have Rodney running to John's room in the middle of the night because of course that is the first and only place he'd go. It hurt to watch him be so frantic and desperate. And John is right there for him, grounding him, telling him, I'm not going anywhere.
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Beer On The Pier. Yes, you have to write it like that because this scene is a fixed point in time and a goddamn cornerstone of this ship.
Rodney, knowing this is probably the last night he'll be this lucid, wants to say goodbye. And John doesn't let him. Because Rodney's stuck with him until the end. He's not going to turn away, no matter how ugly it's going to get. The very thought of saying goodbye is so foreign to John that he doesn't even want to discuss it. "That's final."
(Also, just for aesthetics alone, the night shots of the city are beautiful.)
I'm trying to be a bit less rambly, but what can you do when you have this masterpiece of an episode?
In the cave, when Rodney is intense pain, John has his arm around him the whole time and doesn't let go until he is himself again.
I love how everyone is so caring and surrounds him with love.
And ugh, the surgery - with fucking power tools. Barbaric. But necessary. But man, to hold your friend's head in your hands, holding him still, while a literal drill is going into his skull? I'd have passed out.
The only tiny little thing that was a bit jarring was Rodney's confession to Jennifer at the end, and just because for me, it came a bit out of left field. But I am nothing if not good at ignoring things that I don't like, so I'll just refer to fanfics that fix this. No harm done.
And finally.
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David Ian Hewlett.
Holy fuck, dude.
HOW are you not buried under a shitload of Emmys? How is there not a whole wing of your house dedicated to housing the tons of awards you should have gotten for this? (I know he did get quite a few, but I'm talking custom built shelves in at least four rooms. Minimum.)
Everyone brought their A game acting wise, but this guy knocked it out of the park. It was heartbreaking, moving, extremely believable, and just jaw-dropping. David is, in my opinion, one of the best, if not the best actor of the franchise, and I don't say that lightly. I have a massive crush on Joe Flanigan and he's great, same with Amanda Tapping, but David is just fantastic.
So yeah. There you have it. My very concise, totally normal opinion of this episode. I doubt anyone reads all of this, but hey, this is my tumblr and I do what I want.
If you did indeed sit through all of this, I'd love to hear your thoughts. Feel free to tag or reply or add stuff.
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hermit-searching · 2 months
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TMNTposting Raphael edition (Part 2):
Part one can be found here. I really wanted to talk about my favourite little guy but I didn't feel like I had enough space to get all my thoughts down in the last post. So technically the entirety of part 2 is dedicated to 87 Raphael.
When asked who my favourite version of Raphael is, my answer is always a tie between 03 and 87 Raphael. I'm probably biased because they're the versions of Raph I grew up with, well 90s movies Raph is also in there but I really don't remember enough about the movies besides the Ninja Rap scene and I haven't rewatched it yet. The point being, 03 Raph tickles that itch for "more traditional Raphael" while 87 Raphael...I kinda just vibe with the little guy.
At face value he seems about as much of a traditional 'hot head' Raphael as Rise. Neither of them really fit into the "explosive temper" territory as 03, 12, 07 or the original Mirage comic Raph. He's a silly little dude. He likes playing dress-up, stand up comedy, and acting. Of all the versions of Raphael, he's definitely the most 'kid-like'. He's childish, he'll heckle his buddies for laughs, he even tells Shredder to go suck a lemon in the first episode. He's hilarious! But that type of comedy usually ends up getting him, and the other 87 turtles lets be real, into crossovers that horribly mischaracterize the poor kid.
As much as I loved TMNT 03, Turtles Forever is such a disservice to what TMNT 87 was, and who the 87 turtles are. 2012's second crossover with 87 also follows the TMNT 87 hate train, and it's so frustrating as a fan of most TMNT media. I get that the OG cartoon was super silly and tame compared to the others at face value, but every time someone says this I need to remind them it's 1) a cartoon from the 80s, and 2) lowkey really dark the more you think about it.
Such as:
-every time slavery is brought up and a plot for some other planet
-the entirety of the Red Sky seasons
-the humans of TMNT 87 always threatening to eat and or shoot the turtles because they're mutants
-the whole mutant hate sentiment being an allegory for the civil rights movement
But this is a post about Raphael. He's definitely still a funny little dude. But a lot of his humor stems from sarcasm and his cynicism towards the world. Raphael, is well aware humans are not fans of him or his compadres, and often sides with Donatello whenever he and Leonardo get into arguments about helping the humans. Their human friendship circle pretty much just ends with April and that's a dubious friendship at best since they're more or less a bridge towards her next scoop. None of them are really fans of Irma, Casey rarely appears, and the other human characters in the show are usually trying to turn them into kebabs until Dirk Savage the Mutant Hunter which already kind of says enough for itself.
This poor kid is honestly the bravest little dude. More often than not he'd rather run from a fight, or push Michelangelo into one for him. He's scared a lot, really giving off those youngest sibling vibes that are rare for Raphael. He's such a little scaredy cat that he his voice will sometimes sound like a squeaky toy. If Turtles Forever was correct about anything, it would be that Raphael would absolutely burst into tears meeting his Mirage counterpart.
But despite this all, Raphael is still probably the bravest version of Raphael they've ever created. Even though he'd rather scram, and read comics or watch TV. Despite knowing humans have it out for him, and will never accept him into their society. Even though he knows every time he saves them it will be a thankless job, Raphael will fight until his last breath. Like every other Raphael, he will protect the people and city he loves because that's who he is!
One of my favourite episodes in TMNT history has to be Raphael vs the Volcano because it really shows who 87 Raphael is as a person. There have already been a few posts about it recently who have all been far more coherant than I ever will be but let's do it anyways.
Raphael vs the Volcano:
-Donatello's latest invention, a health machine, malfunctions leading Raphael to believe he's unhealthy
-after panicking in the sewers a little bit, he goes back to the lair, only to overhear Michelangelo and Donatello lamenting over the loss of their dear friend.
-assuming they're talking about him, and that he only has a day to live, Raphael runs off, deciding that despite the fact the world sucks he's going to use his last day to make the world a better place
-he does a bunch of good deeds, increasing in danger, wearing a musketeer costume while the other turtles and April try to catch him
-some botanist is mad that a rich lady is taking credit for his discovery so he decides to eliminate all organic life on earth...not really important for Raphael's character except the fact he catches wind of this and takes this as his last deed before croaking.
-Raphael literally jumps into a live volcano to get the canister of anti-life juice, only escaping seconds before it erupts because the turtles arrive in time.
-the lesson of the day? don't jump into live volcanoes.
There's so much to unpack about this episode, but it'd mostly be reiterating the same things I said earlier about him. With a time limit on his life Raphael, despite the way he's been treated by the world will let go of his cynicism and crankiness to help people if it benefits everyone else. The kid shakes the moment he realizes it's been a huge misunderstanding and he's perfectly fine. Throughout the episode he's even saying things like "yeah too bad this is gonna be my last day". Like...he is CONVINCED he isn't making it to adulthood. If you think about it, it's basically what the other Raphs are as well, without the super explosive tempers. They're all just good-natured kids who have circumstances weighted against them, but they'll do whatever they can for the safety of their friends and family.
Please PLEASE give the 87 TMNT cartoon a chance if you've never seen it before. I promise it's actually good, and it has some extremely funny episodes.
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