L'APPEL DU VIDE
okay so. jack! jack. what a collection of guys. the overlap between jack and the beanstalk and jack the giant killer, though. that sure is something! sometimes king arthur is there, which always takes me by surprise.
this. specifically. is an idea I've been kicking around. jack and the beanstalk is not a story I've ever enjoyed, as a kid it was probably my least favorite to read. as an adult, I was INTENSELY fascinated by reading j.g. ballard's the drowned giant. I think about it frequently, and somewhere during a re read of it, I ended up revisiting jack.
combining different versions of jack into one character is not a new concept, but it IS a fun one! the version I've been assembling together plays less with the fun elements of a jack story (and adjacent folklore stories), and focuses more on the potential for tragic elements with the addition of the usual grim and jagged narrative edges that I personally enjoy.
jack with the backstory of the devil and the three golden hairs, only jack doesn't find love, he's TIRED, all he wants to do is go home, but there isn't a home to go back to. what is the point of being born lucky if this is what it gets you? jack the giant killer, only he doesn't want to kill giants, jack who saw a body of a giant when he was a small child and cannot bring himself to do as a king commands. jack, who climbs up the beanstalk and stops halfway to look down. etc.
to go back to the drowned giant real quick, both to set the tone about jack seeing the body of a giant as a youth, and also because I've been haunted and obsessed with this excerpt of it ever since I read it:
J. G. Ballard, The Drowned Giant
anyway! this was originally like, a two illustration concept to get out of my system. however. I'm halfway through outlining a narrative. so. maybe it will also be several illustrations and also comic.
bsky ⭐ pixiv ⭐ pillowfort ⭐ cohost
256 notes
·
View notes
Guys imagine, Roach died, before the creation of 141, but Soap is able to see his ghost. He was originally following Ghost around, really annoyed that he was using his death as an excuse to not get close to anyone, but when he found out Soap could see him and talk to him he started following him around instead.
And they get really close, like two peas in a pod, except they have to be discreet about it because no one else can see or hear Roach, and they'd think Soap was crazy if they saw him talking to no one.
They use that for shenanigans too: Roach will go follow someone else and report back to Soap, Gaz is genuinely starting to believe Soap has superpowers or something. It's really useful on missions as well, and Soap managed to successfully rescue team members thanks to Roach being able to move through walls and everything.
(Roach is not the only ghost Soap is able to see btw, just the only one he's talking to.)
And then Roach is witnessing his past lover trying really hard to not fall in love with Soap, and Soap trying really hard to not do anything about the love he already feels, and he has to try and convince Soap that he is dead. During that conversation he finds out that something else that keeps Soap from doing something is that he feels very confused about everything because he also has feeling for Roach.
So now Roach has to try and convince him that even if he was still alive he wouldn't have a problem with that. He's known for a while that he was polyamorous, but he hadn't really dared talking to Ghost about that because he thinks he's jealous and possessive.
And Soap is like "oh yeah, you want me to go say to Ghost 'don't worry about your dead lover that I'm not supposed to know, he's actually polyamorous and also in love with me, I know because his ghost told me!' ??? I'm sure he's gonna take that well!"
But Roach is nothing if not resourceful and he manages to put Soap in situations where he's forced to interact with Ghost, and eventually they kiss and their relationship is beginning to be something. They're not really sure what.
And Roach is sad, because he has to watch the two men he loves being in love without him, yes, but at least they're both happy, and it makes him feel a bit better. And then during a mission Ghost almost dies.
Because he was alone and Soap and Gaz were together, Roach was following Ghost this time, ready to fly to Soap in an instant if there was any problems. But there was and he didn't have time, so he instinctively grabbed the gun being pointed towards Ghost's head and moved it as the person was shooting, saving Ghost's life, giving him enough time to shoot the enemy himself.
But even as the threat is eliminated, Ghost is still looking up from where he's on the ground, staring right through him, looking shocked. No, not right through him, he realises when he moves to the side and Ghost's eyes follow him. He also realises that he grabbed the gun. He's never grabbed anything before, in all his years of being a ghost.
Then suddenly Ghost's eyes move wildly around, and he figures he disappeared from his view. He can still go through the walls, but he's kept the ability to grab stuff when he wants. It gives him a ton of new possibilities, to fuck with people and, of course, to touch Soap.
"I wish you were actually alive," Soap whispers to him, holding his hands against his face as he's falling asleep.
"What the fuck," comes Ghost's voice the next morning, waking both of them up - wait, since when could Roach sleep?
Soap doesn't understand immediately, because he's always been able to see Roach. But Ghost is standing in the door, looking straight at dead past lover.
Turns out Soap is a necromancer and he had no idea, though the whole 'I can see dead people' should probably have told him sooner that he wasn't normal... The more he wishes Roach is alive, the more he actually is. And they all end up happy and together. And Gaz is very happy to have won the bet that Soap indeed has superpowers.
The day Roach says, in a wondering voice, "I... I think I'm hungry" is the day they understand that something is really happening and he's actually coming back to life.
(Also, Soap has no control at all on his abilities, he has no idea what does what and why, he knows nothing. No one knows.)
517 notes
·
View notes
Idk if this is a hot take but why is it always “Kai slaved away and worked his ass off to raise his sister” and never the other way round or them working hard together?
Like, I know he’s older but in the show, does he really… act older? Like if you think about Kai and Nya’s dynamic yknow? Because from my understanding:
When Kai and Nya are introduced we see Kai fail at making a sword and Nya being the one to chide him for it. Kai makes an overconfident statement about wanting to be a better blacksmith than his father. This suggests that one, Kai is rather rash as well as inexperienced (something that lines up with the rest of his character arc in the pots and also generally), with Nya being the more mature figure in contrast
Also just a note but in the shorts: “I can handle it!” “No you can’t, stupid”
Kai frequently being very good at neglecting people or things: leaving Lloyd at an arcade whilst being focused on finding samurai x, not even knowing samurai x was Nya or that she only did it because she felt left out by him, completely abandoning both Nya and Lloyd in s3 (and Ik he was going through it at the time, but in line with the fandom’s characterisation of him)
Kai in season 5: “After I lost my dad, I lost my way. But I was lucky to have my sister watch over me”
Generally, their dynamic isn’t one where Kai really provides for Nya at all. In fact, judging by the fact that Nya can make entire mechs and Kai struggled to make a sword, Nya was probably busting her ass to provide for Kai. And judging by the s5 quote, that’s probably true. I’m not saying Nya raised Kai, it just rubs me the wrong way when she’s treated like a decorative flourish to a narrative that paints Kai as a burnt out child who was forced to grow up too soon especially since that is such a mischaracterisation of him in the first place.
175 notes
·
View notes
Dick with a habit of going to a new therapist under a persona, talking to them vaguely about a trauma, whatever he needs to get out at the moment, and then dumping them as soon as they tell him what he wants to hear
“You seem to be very well adjusted.”
“It’s understandable for you to respond that way given an impossible situation.”
“You are remarkably self aware.”
“I feel like you need to ask yourself how much more you are willing to sacrifice for him.”
52 notes
·
View notes