poyt 5 is such a fucking rollercoaster, y’all! like i feel like people may not like it bc it’s so all over the place and it reads more like a book than a chapter 😭😭 in the sense that there isn’t just a beginning - middle - climax - end. It’s more like, a bazillion ups and downs, about three climaxes, three very emotional and poignant scenes (although I guess the main heart-wrenching scene is the big one in the middle, and then there’s a lot of mini heart-wrenches) and then there’s also a bit of comedic stuff which we haven’t seen in the other poyt parts, and some heavy romance stuff and revelation stuff, of course the main biggest climax, and then the ending and then the epilogue…
I guess I’m saying all this bc I feel like people will get bored halfway through bc it’s so super long 😭😭😭😭 I’m so so so anxious about people losing interest bc poyt 5 is very different structure wise 😭😭 I just threw EVERYTHING in without caution and now I’m editing and it’s like… some scenes are way too long but then I don’t want to cut anything, I feel like everything is so important to the story!!! And I keep thinking back to poyt 4 to reassure myself, bc it was 22k words long but I remember some of you saying that it didn’t FEEL like 22k words bc it went by quickly! I JUST HOPE y’all feel the same way about poyt 5😭
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Randomized Robins AU - Ages + Worst Trait Exercise:
Steph (25):
Says her worst trait is her murderous rages (she is exaggerating for dramatic/comedic effect, she’s killed 3 people tops and for very good reason)
Thinks her worst trait is her spitefulness (one of the few traits she definitely got from her father + one that prevents her from fixing her relationships and living her best possible life. She’ll refuse to interact with someone she dearly loves after an argument (happens significantly less after Tim’s death) or will say things she knows are hurtful just for the sake of having the last word. This trait will worsen in some ways as the list of people who have wronged her and those she loves grows, but will also ease up as she matures and realizes the harm it’s doing to her relationships with those she loves most.)
Her worst trait really is her spitefulness
Cass (26)
Says her worst trait is her self-righteousness (she believes that her goals are righteous and, as a result, she is righteous. Cass becomes very defensive whenever someone questions the mission and often does not second-guess herself. This is a trait she only develops later in life as she grows closer to Bruce/learns to understand herself more/starts to love herself more. But she knows she isn’t perfect and when somebody she trusts criticizes something she is doing she is willing to listen. She just usually isn’t the one to START the introspection.)
Thinks her worst trait is her self-righteousness.
Her worst trait actually is her obsessiveness (she gets it from Bruce and, while not as bad as him, she will easily become preoccupied with her night-life and the mission if someone isn’t there to pull her back. She will do this to the point of self-destruction and it hurts her relationships with the people she loves, especially Steph.)
Tim (24)
Says his worst trait is his spitefulness (he actively rejects the idea of mending his relationships with the older members of the family and this causes him to also lack good relationships with the younger ones)
Thinks his worst trait is his obsessiveness (similar to Cass, if he gets fixated on a task or idea he will neglect everything else in his life in order to dedicate more time to it. Unlike Cass, he will almost never be dragged away from it unless Pierrot snatches control of the body and forces them to take care of themself.)
His worst trait actually is how manipulative he is (the KING of guilt-tripping and using people’s emotions against them. He’ll do whatever he needs to do to get what he wants, he’s not above crocodile tears. And he will do it to whoever he needs (or wants) to with little care for how his actions impact others.)
Pierrot (Insists: “Age doesn’t apply to me! And even if it did, I'd probably be the oldest. Or the youngest! I’d never be a middle child, though.” Mental assessments by the Bats have put him around 21, with a margin of error of 3 years. Pierrot has called this “blatant character assassination by my eternal rival!”)
Says his worst trait is that he is an irredeemable psychopath without any regard for the wellbeing of others (this is a lie and everyone who's important to him understands this).
Thinks his worst trait is his parasitic nature (he literally would not exist had Tim not suffered the way he did. Plus he is a living reminder of one of the worst things that happened to many of his loved ones. He is a parasite injected into a functional person's body and contributes to his continued suffering. This is also a largely incorrect judgement of himself, caused by his actual worst trait.)
His worst trait actually is his limited sense of self (he doesn’t really know who he is outside of ‘inheritor to the legacy of the Joker (a man he despises yet also views as a father)’ and ‘chip in Tim’s brain that became sentient’. He slowly develops an identity over the course of his life and relationships with other people, but he lacks the foundations of identity that most people have. Pierrot will often almost become a caricature of himself and what others perceive him to be because it's the only person he knows how to be. This causes wild swings in how he behaves and relates to others, sometimes to the detriment of himself and others.)
Dick (17)
Says his worst trait is his clinginess (he is a very extraverted person who likes to be around others, which mixed with his fear of abandonment after his parents died means that if he goes a few days without seeing/talking to a friend he will get very anxious.)
Thinks his worst trait is his anger issues (he gets ticked off very easily and will explode on people. He’s kind at his core and is usually very nice, but he has a temper that can escalate significantly. Spoiler (and later Twist) help him channel this anger into something positive.)
His worst trait actually is his anger issues.
Barbara (18)
Says her worst trait is her disability (internalized ableism, she thinks of herself as less valuable than the other Bats because she cannot be out there in the capes like they can. She will grow out of this as she matures and as she learns how invaluable her support for the team is.)
Thinks her worst trait is her disability
Her worst trait actually is her overly-independent nature (In an attempt to overcompensate for everything she can no longer do, she has resolved to do literally everything that she possibly can without any help from others. This results in many instances where she either takes on too much and winds up not being able to fully realize any of her tasks or where she makes her life and the lives of others significantly harder by refusing help when offered/not asking for it when she needs it.)
Damian (16)
Says his worst trait is his perfectionism (he is overly critical of both himself and others, taking any flaw or problem and amplifying it to an absurd degree. This is due in part to his life with the LoA (where even a brief misstep could lead to death), in part to how others treated him initially as Spoiler (any flaw was fixated on and used as a reason to either mistrust him or portray him as unworthy of the mantle), and in part due to the fact that he is Bruce’s son (the only person with worse perfectionism problems than Damian). Gradually, Damian has improved in this regard but it’s still a massive barrier to both his own happiness and his relationships with others.)
Thinks his worst trait is his perfectionism
His worst trait actually is his perfectionism
Duke (16)
Says his worst trait is his definitely-real secret evil side (says this as a ‘my dad is a villain so who knows??’ joke)
Thinks his worst trait is his impulsivity in his words (Sometimes he will crack a joke or say a remark without thinking it through, leading to a LOT of hurt feelings and drama. He’ll say something without thinking it through and wind up seeming insensitive. This isn’t done because of malice, rather because Duke is someone who’s quick to act and speak. But while the mantle of Insight and his awakening powers have helped him with his actions, they do not always help with his loose tongue. As such, Duke gains an unfair reputation in the media as an instigator and will accidentally cause family drama through what he says.)
His worst trait actually is his impulsivity in his words
Jason (14)
Says his worst trait is his bad manners (he grew up on the streets and has no idea how rich-people society works, which he’s pretty insecure about considering he’s now the youngest kid of Bruce freaking Wayne).
Thinks his worst trait is his reactiveness (Jason never got the privilege of planning ahead for various events in his life, so he instead needed to rely on being swift and harsh in how he could react to situations. It’s saved his life on multiple occasions and helps significantly in his role as Spoiler, but it can also lead to extreme overreactions (accidentally causing kidnapping scare after Jason ran away following a fight with Dick) and a struggle to plan things out ahead of time. As he grows more secure in his place in the family and in life, this trait will lessen but never fully dissipate.)
His worst trait actually is his reactiveness
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As important as i think it is to understand that not everyone at risk of an unwanted pregnancy is a woman, and use appropriate language to reflect that, i also think it is really critical that we do not let trans-inclusivity stop us from understanding or articulating that overturning roe v. wade is an act that is intended to harm women categorically.
It’s not all-encompassing. obviously there are plenty of women who can’t get pregnant, regardless of assigned sex. obviously some people who get pregnant are not women. But we do need to discuss the fact that it’s legislation designed to harm and control women, because the desire of the christian right always has been and always will be to make women (and by extension, people they view as women) second class citizens.
and if we can’t find a way to recognize and talk about the ways in which women as a social category are still at risk and being specifically targeted then we de facto cede the entire feminist movement to violent transphobes. which i really really do not want. regardless of any personal identity politics and pontificating about what it does or doesn’t mean to be a woman, there is still a cultural concept of who and what women are that we do not have the luxury of fully opting out of even if we’d really like to. we have to be able to simultaneously discuss macro-scale gender politics And individual identity if we want to have a trans-inclusive feminist movement, rather than just a trans inclusive movement Or a feminist movement.
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how and why is there discourse about whether or not certain queer identities exist/if people should be allowed(???) to use them. why is "people know their own identity better than you ever could, and they're the only one who get a say on what they are" such a tough concept to grasp
i think if you find yourself offended by the label someone uses (especially if they're a stranger) or think it invalidates your own, it's a good idea to look inside yourself and question why that may be. more often than not, it's a result of insecurity or uncertainty of your own identity (or many other things, but i won't make a whole list here). whatever reason it is, until you resolve it, you shouldn't take it out on people for having an identity you don't understand
many have said it before but it's worth saying over and over. infighting only helps our oppressors. conservatives don't care if you're a cis gay or a xenogender aegosexual aplatonic lesbian, they hate all of us either way. trying to fit in by going for people who are easier targets for them isn't gonna help you, it'll just alienate you from your own community, and you're never gonna please them. the momentary rush you get from hearing you're not like "one of /those/ gay people" is not worth it and is gonna do more harm in the long run, i assure you
also, it is important to me to say this, but having some less than nice kneejerk reaction caused by confusion about an identity you don't understand doesn't mean you're a bad person or anything. as long as you aren't mean to that person, and you take a second to think smth along the lines of "wait a minute, this isn't any of my business" after having said reaction, you're good 👍 a lot of reflexive reactions we have to things are ingrained into us simply by. well. living in a society 🤡 and you're not terrible for having those thoughts. it's your actions that matter, and your second thought (the "wait, why did i just think that?") is more defining of your actual character and morals than your reflex. i know that having thoughts like this, even tho they're unwanted, can very easily make one spiral, so it's important to me that whoever needs to hear this knows this doesn't make you a bad person 🙏 you're good, keep taking actions to be good, accept other people even if you don't understand them, and you're on the right track :)
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you know, i appreciate the work Susan Sontag has done for people appreciating Camp and stuff but i feel like if you are still using Susan Sontag as the authority on Camp in the year of your lord 2023, using notes that were written in 1964, as if the landscape of art and our relationship to art hasn't fundamentally changed since then,,, it's like, you need to catch up babes, a lot of those points are still really relevant, i'm not saying throw it out, but like update your understandings of Camp beyond that one authoritative text that's at this point almost 60 fucking years old. Susan Sontag is not the fundamental authority on what art today is or would be considered Campy, build off of those basics, please dear gods, evolve your understanding of what Campy art today actually looks like rather than trying to apply a prescriptive label from a text that can kinda boil down to 'Camp is whatever you feel like, and you'll know it when you see it because it won't be like traditional art' because the attempt to define it is so wide, calling every non-traditional piece of art campy is fucking pointless and not how anyone is obviously using the fucking label, people are very deliberately talking about one specific feeling they get from the piece of art, and it's got very little to do with aesthetics, at least as far as TV shows are concerned (movies are a different conversation), and much more about presentation and tone and intended effects and what the whole fucking point of the piece of art actually is, which is a lot more than what is afforded to most things considered Campy, like 90% of the shit people call campy at this point is just called campy and then it's left there, because it's a "oh you can't say anything about it because it's campy" like at this point it almost functions as a conversation ender because anyone you're talking to about any aspect can just go "yeah that's meant to be that way, it's campy" and it's like. okay, where do we go from here? should the piece of art not be analyzed as a work of art? does it not deserve to be evaluated in good faith and treated like any other piece of art? i understand the urge to defend the use of the term, as like "oh we're using it because people are misunderstanding art and what it's trying to be", and as a Riverdale-truther (as in genuinely love it as a piece of art and what it says and does, it's not fucking campy i swear to god, none of you fucking know what pulp art is!), and as a TASM2 truther (best Spidey movie after ITSV, and definitely best general movie after ITSV, and i don't care what your opinion is) i understand the urge to want to defend it as camp, but like, what's the piece of art actually doing and trying to say, what are the deeper layers at play? or are you really just satisfied saying something is Campy and stopping your analysis of the piece of art there? is your soul really okay correcting someone's interpretation of a show and saying it's campy and not doing anything beyond that? what does it being campy actually change? what the fuck does it actually do for the piece of art, if the piece of art is even campy at all?
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