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#an ordinary man
deadpresidents · 14 hours
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Awash in conflicting reports from unstable battlefronts, [President Gerald] Ford wanted a firsthand appraisal [on the situation in Vietnam] from someone he could trust. General [Frederick] Weyand was his chosen emissary. "You are not going over to lose," he instructed Weyand, "but to be tough and see what we can do." Ford conceded that any military options were severely limited. "I regret I don't have the authority to do some of the things President Nixon could do," he remarked wistfully. As the Oval Office emptied, photographer David Kennerly stayed behind. "You know, I would really like to go with the General," he said. Ford needed no persuading. As a journalist, and a friend, with extensive knowledge of the region from his two-year stint as a combat photographer for UPI, Life and Time, Kennerly could be counted on for an honest assessment of events -- more honest, perhaps, than that of diplomats and military men -- and with it, the pictures to back him up. Kennerly returned to his first-floor office with a sign dangling from his neck. GONE TO VIETNAM. BACK IN TWO WEEKS.
That evening the irreverent photo hound dubbed Hot Shot by the Secret Service appeared in the upstairs family quarters to say goodbye. Ford threw a protective arm around the young man's shoulders.
"You be careful. You have everything you need?"
As a matter of fact, Kennerly's pockets were empty. Local banks were closed and he could use some cash. Ford opened his wallet and handed over its contents, $47, as Betty Ford gave Kennerly a hug. He was striding toward the door when the President called out his name. "Here," said Ford, tossing Kennerly a quarter. "You might as well clean me out."
-- Richard Norton Smith, on White House photographer David Hume Kennerly's interactions with President Gerald Ford after Kennerly asked to accompany a General on a fact-finding mission to Vietnam in March 1975, shortly before the Fall of Saigon, An Ordinary Man: The Surprising Life and Historic Presidency of Gerald R. Ford (BOOK | KINDLE | AUDIO)
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staledirt87 · 1 year
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Aramis throws his gun at someone. Bro what
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eastgaysian · 8 months
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cinemaquiles · 2 years
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CINCO FILMES COMPLETOS POUCO LEMBRADOS DE ATORES CONHECIDOS DISPONÍVEIS DE GRAÇA NO YOUTUBE
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carpe-mamilia · 6 months
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Ghosts’ Larry Rickard Explains Why They Chose the Captain’s First Name
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Photo: Monumental,Guido Mandozzi
It couldn’t be a joke. That was one rule laid down by the Ghosts creators when it came to choosing a first name for Willbond’s character. Until series five, the WWII ghost had been known only as The Captain – a mystery seized upon by fans of the show.
“It was the question we got asked more than anything. His name,” actor and writer Larry Rickard tells Den of Geek. “Once we got to series three, you could see that we were deliberately cutting away and deliberately avoiding it. We were fuelling the fire because we knew at some point we’d tell them.”
In “Carpe Diem”, the episode written by Rickard and Ben Willbond that finally reveals The Captain’s death story, they did tell us. After years of guessing, clue-spotting and debate, Ghosts revealed that The Captain’s first name is James. At the same time, we also learned that James’ colleague Lieutenant Havers’ first name was Anthony.
The ordinariness of those two names, says Rickard, is the point.
“The only thing we were really clear about is that we didn’t want one of those names that only exists in tellyland. It shouldn’t be ‘Cormoran’ or ‘Endeavour’. They should just be some men’s names and they’re important to them. The point was that they were everyday.”
Choosing first names for The Captain and Havers was a long process not unlike naming a baby, Rickard agrees. “It almost comes down to looking at the faces of the characters and saying, what’s right?”
“We talked for ages. For a long time I kept thinking ‘Duncan and James’, and then I was like ah no! That would have turned it into a gag and been awful!” Inescapably in the minds of a certain generation, Duncan James is a member of noughties boyband Blue. “Maybe with Anthony I was thinking of Anthony Costa!” Rickard says in mock horror, referencing another member of the band.
Lieutenant Havers wasn’t just The Captain’s second in command while stationed at Button House; he was also the man James loved. Because homosexuality was criminalised in England during James’ lifetime, he was forced to hide his feelings for Anthony from society, and to some extent even from himself.
In “Carpe Diem”, the ghosts (mistakenly) prepare for the last day of their afterlives, prompting The Captain to finally tell his story. Though not explicit about his sexual identity, the others understand and accept what he tells them – and led by Lady Button, all agree that he’s a brave man.
Getting the balance right of what The Captain does and doesn’t say was key to the episode. “It wasn’t just a personal choice of his to go ‘I’m going to remain in the closet’,” explains Rickard. “There wasn’t an option there to explore the things that either of them felt. That couldn’t be done back then – there are so many stories which have come out since the War about the dangers of doing that.
“We wanted to tell his personal story but also try to ensure that there was a level at which you understood why they couldn’t be open, that even in this moment where he’s finally telling the other ghosts his story, he never comes out and says it overtly because that would be too much for him as a character from that time.
“He says enough for them to know, and enough for him to feel unburdened but it’s in the fact that they’re using their first names which militarily they would never have done, and in the literal passing of the baton”.
The baton is a bonus reveal when fans learned that The Captain’s military stick wasn’t a memento of his career, but of Havers. As James suffers a fatal heart attack during a VE day celebration at Button House, Anthony rushes to his side and the stick passes from one to the other as they share a moment of tragic understanding.
“From really early on, we had the idea that anything you’re holding [when you die] stays with you. So it wasn’t just your clothes you were wearing, we had the stuff with Thomas’ letter reappearing in his pocket and so on. And the assumption being that it was something The Captain couldn’t put down, it felt so nice to be able to say it was something he didn’t want to put down.”
Rickard lists “Carpe Diem”, co-written with Ben Willbond, among his series five highlights. He’s pleased with the end result, praises Willbond’s performance, and loved being on set to see Button House dressed for the 1940s. He’s particularly pleased that a checklist of moments they wanted to land with the audience all managed to be included. “Normally something’s fallen by the wayside just because of the way TV’s made, it’s always imperfect or it’s slightly rushed, but it feels like it’s all there.”
Rickard and Willbond also knew by this point in the show’s lifetime, that they could trust Ghosts fans to pick up on small details. “Nothing is missed,” he says. “Early on, you’re always thinking, is that going to get across? But once we got to series five, there are little tiny things within corners of shots and you know that’s going to be spotted. Particularly in that very short exchange between Havers and the Captain. We worried less about the minutiae of it because you go, that’s going to be rewound and rewatched, nothing will be missed.”
The team were also grateful they’d resisted the temptation to tell The Captain’s story sooner. “We’d talked about it every series since series two, whether or not now was the time, but because he’s such a hard and starchy character in a lot of ways you needed the time to understand his softer side I think before you had that final honest beat from him.”
“What a ridiculously normal name to have so much weight put on it for five years,” laughs Rickard fondly. “Good old James.”
From Den of Geek
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Deeply concerned by the number of people (especially women) who genuinely believe that women and men have the same capacity for physical strength
and who think you’re being sexist if you point out that they don’t
ma’am the only one equating physical strength with innate value here is you
it’s concerning that you think strength has anything to do with value
and if the men in your life ever stop being decent you are setting yourself up to be in so much more danger
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cjjferk · 2 months
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c-is-for-circinate · 9 months
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Someday I'm going to figure out how to properly shriek about Mike Wheeler growing into precisely the same kind of toxic masculinity Steve is stumblingly growing out of.
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jubileepizza · 1 month
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Truthfully I don’t think ianto jones even had a thing for suits, at least not initially. In his attempts at seducing his way into a job he tested a variety of clothing and it was the suit which finally got results. Jack had a thing for (ianto in) suits.
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aroacesigma · 6 months
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love how transgender bsd characters are despite not being about that At All
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cubitodragon-moved · 6 months
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I really appreciate the fact Fit read the dossier the Resistance had on Baghera, made a face at the line about them wanting to ask her about “the human-duck thing”, then put the book away and told his Huevitos, “she told us about that in confidence.”
Man loves his fofoca but when he gives his word about secrets, he keeps it.
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llumetesdellums · 2 years
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A yes, Mei’s best (ordinary guy) friend.
I’m 70% sure that in Mei’s chat Mk being the Monkie Kid it’s an inside joke. 
They see him as a such normal and ordinary guy, just “Mei’s best friend”, that nobody even question it. 
Every once a while someone new goes “that’s the monkie kid?” and the whole chat laughs at them while Mk carries around the Monkey King staff around and Mei plays around the monkie kid mecha.
They believe the whole “heaven episode” was an escape room. And the whole “samadhi fire” was Mei’s taking a break of streaming. 
Mei would be in her samadhi fire form and they wouldn’t bat an eye. 
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And I think that’s hilarious. 
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appsa · 2 years
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Gideon not holding a grudge against harrow in the first book hits so much harder when u remember that johns defining feature is how vindictive he is to people he thinks has (justifiably in a lot of cases) wronged him tbh. Something fundamentally different about father and daughter
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casualavocados · 5 months
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this is such a solid show so far, i dont even know what to say. episodes feel long, but they're not boring. they're lingering, they last. it takes everyday emotions and everyday experiences and lets them play out; it confers importance to the small things. the story and overall plot-per-ep is simple yet genuine, and everything and every character feels so lived-in. i like the mix of fun and serious, i like the steady growth and trust between mork and day and the little buds of tension starting to bloom. i love the way the camera brings things to the forefront of the viewer's attention, the way expressions are shot and how long those shots are allowed to last on screen...you really feel the emotion coming through, and it really impresses me from both an acting and directing standpoint.....im just rambling but the jist of it is that i'm really enjoying this
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coldbrewnette · 5 months
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I think marrying a quiet, kind, gentle, sweet, handsome farmer who would do anything to make me happy would fix me
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ink-the-artist · 1 year
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some clone high ocs bc I am cringe but I am free. and bc im excited for the upcoming reboot :)
just the line art:
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