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#and a few other brands
dicing20 · 7 months
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Weathers finally getting cooler so time to break out the Halloween dice 🎃
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girlwiththegreenhat · 3 months
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oh my god they added a stanley cup to neopets
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saltpepperbeard · 7 months
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Hello, lovies. PSA, it is so, so easy to properly credit us gifmakers. It is so so easy. IF you feel inclined to make a separate post where you're commenting on a particular moment, tumblr's "find a gif" option is marvelous! It allows you to add something, all the while linking back to and crediting the gif maker! And as an added bonus, we're alerted when our gif is used in that manner, and can subsequently come over to scream and delight with you!
OR, if for whatever reason you can't find a particular gif with that option, it is also very easy to add a (gif by @ so-and-so) beneath whatever gif you use. Again, proper credit to the artist, and gives us that little alert too!
If you CAN'T find the gif with tumblr's feature, or you CAN'T find the op for whatever reason, then your best bet is to simply...not repost.
I know the internet has sort of facilitated the quick sharing/reposting of images. People get excited about something, and want to quickly show it to others to share in that same excitement. Totally understand!
BUT, you wouldn't do the same with a video edit, would you? You wouldn't do the same with a piece of fanfiction. You wouldn't do the same with a piece of physical art. So please, PLEASE don't do that with digital art--gifs included.
Because yes, gifs are art. They take time, and effort, and skill to get all beautified up. They help share beloved series around, and help shed light on lovely moments! And just like other mediums, many of us are doing this just because we're passionate, just for FUN.
So it hurts to see that passion miscredited, or outright stolen. It hurts to see a stolen piece getting excitement, when we wanted to organically share that with others ourselves.
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caleblandrybones · 10 months
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yes joan is awful and loch henry were good. overall I really enjoyed this season. but in my opinion netflix absolutely takes the piss whenever it acts all "uwu we're self aware look how creepy hegemonic, data hoarding streaming platforms and their overbearing tailored content are!! follow us on twitter for more quirky meta social commentary!!"
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Genuinely, I need a full account of Fontina's coup. I need to know exactly who Fontina was (a coat of arms and a child being secret suggest an aristocrat, which would be very Marquis de Lafayette, but it's unclear what he was exactly), the precipitating event, his precise goals (the throne? a new system of government?), how long the coup lasted, what exactly "then everyone turned on him" means. How was he captured? Did he have final words? Was he not allowed any because he was too symbolically powerful and dangerous to allow to speak, even in abandonment and defeat?
Did this coup reach beyond Lacramor? From where did Fontina lead this rebellion? What manner of strategy did they employ? What exactly was the makeup of his support?
He was tortured and executed in a manner meant to communicate a point and make an example of him, and he was so threatening that his son was murdered the same manner decades later. Are there people who remember him and feel righteous fury? Is he seen as a reckless man who brought the boot down tighter? Is his name whispered as a curse, a warning, a reminder, an ambition? Are there sympathizers remaining among the commonfolk or even nobles—is that why the throne so fears his children?
Did he have other relatives? What happened to them? Were they also hunted down? What was his home like? If he was nobility, did he have holdings, a title? Was his title dissolved and his holding destroyed? What happened to his significant supporters? Who was the mother of his child? Was he in love, or was it a passing dalliance? Who were the people around him and in his life?
He seems a man of incredibly magnetic and stirring charisma. For a moment in history, he inspired a people and terrified tyrants. Was he a man of big presence? Was he as soft-spoken as his grandson but could imbue it with weight?
He haunts Lacramor still decades later, and his shadow is dark over the islands. By the time of the Ravening War, he is more of an idea than a person. What he like? What happened exactly? What is his legacy precisely?
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ohdorothea · 4 days
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inspired by many mutuals I wanted to make my own version of the best of TTPD playlists and then I decided to make my own alternate album titles/covers because I’m a big nerd so…
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first up is album one the albatross
tracklist:
1. Fortnight (feat. Post Malone)
2. Florida!!! (feat. Florence + the Machine
3. Guilty As Sin?
4. But Daddy I Love Him
5. The Bolter
6. I Can Do It With A Broken Heart
7. Who’s Afraid of Little Old Me?
8. The Albatross
9. thanK you aIMee
10. Cassandra
11. The Manuscript
12. Clara Bow
available as a playlist on Apple Music and Spotify
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then the second album is called how did it end?
tracklist:
1. The Prophecy
2. My Boy Only Breaks His Favourite Toys
3. I Can Fix Him (No Really I Can)
4. The Black Dog
5. loml
6. Down Bad
7. I Look In People’s Windows
8. Peter
9. So Long, London
10. Chloe or Sam or Sophia or Marcus
11. So High School
12. The Smallest Man Who Ever Lived
13. How Did It End?
available as a playlist on Apple Music and Spotify
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rahabs · 4 months
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The Tudors ran so Wulf Hall could shuffle awkwardly around reiterating the same tired old Tudor stereotypes while claiming to be something new.
#It's so funny but as a historian I will genuinely defend 'The Tudors' to the death even with all its problems#Because it did was so few other Tudor shows/movies/media have ever done#And that is: it focused on things BEYOND just Henry and his wives.#Yes Henry was the focal point which makes SENSE but that's just it:#HENRY was the focal point. Most other Tudor media pieces have one of the wives (usually Catherine/Anne) as the focus and doesn't delve muc#Into the history or what was happening in England beyond the King's Great Matter.#The Tudors went ALL out. Yes they didn't get everything right but the fact that they tried and spotlighted so many other#Historical characters and events? The Pilgrimage of Grace? Actually LOOKING at the religious issues even if they weren't always accurate?#(Like with Aske for example. BUT AT LEAST THEY INCLUDED ROBERT ASKE like good lord it's like other Tudor media forgets everything else)#Focusing on Cromwell but also the Seymour brothers? The politics behind Henry? Even Brandon as annoying as his storylines could get.#Even smaller characters like Tallis and Gardiner and other Reformation and Counter-Reformation figures.#The fact that they featured the Reformation and Counter-Reformation AT ALL let alone tried to dive into the complexities of England's#religious crises. The burning of Anne Askew even? People having to navigate England's increasingly unstable religious situations?#The series hit its peak after the CoA/Anne stuff was over imho. Yes Cranmer and Norfolk annoyingly vanished despite being major figures in#the R/CR and they combined Mary and Margaret but god the Tudors did SO MUCH that NO OTHER PIECE OF TUDORS MEDIA has EVER DONE.#It looked BEYOND Henry BEYOND his wives and tried to paint a comprehensive pictur of a deeply troubling and divisive time in English histor#And it did so without demonising one side and it was just so good for so many reasons that I forgive its errors because damn did they TRY.#Tried in a way no one else ever has (no Wulf Hall did not I'm sorry)#(Wulf Hall was just the same old stereotypes rehashed and branded as something 'original' because it was from Cromwell's POV but again.#Same old stereotypes. Nothing actually original about anything else.)#The Tudors is so underrated for what it tried to do and what it achieved and I am reaching the tag limit but UGH god. Amazing.#Not even getting into how wonderful they were with Mary Tudor/Mary I herself and showing figures around her#Because that would be another tag essay considering the subject of my thesis.#Flawed but wonderful.#text#chey.txt
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Dude
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I'm gonna lose it
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gxtzeizm · 7 months
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my mind rn:
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Thanks to this post on Reddit, I realized when one (1) unreliable narrator Jason Peter Todd was born. Is it any surprise that it was when he died :)))))))))
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Your whole life??? I can count on one hand the number of times you got angry. Right now you’re hoping Sheila will make it to Heaven after she got you killed,
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And you still consider her your mom. You lived and died an angel.
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You had no clue what was going to happen. You were a child who never should have been left alone by his parent.
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You and me both, Boston.
Deadman: Dead Again issue #2
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writeouswriter · 2 years
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Hmm brain just conjured up another fictional little guy; at this rate, I am eventually going to run out of room to accommodate all of these fictional little guys, they will have to find a motel or something
#writing#writeblr#writer things#his name is tommy because that is the first name that came to my head#dark curly hair tanned skin hooked nose and dimples and dark eyes#an easygoingness and just genuine passion about him that's contagious#he may be a mechanic and wears loose oversize clothing a too long red button up with the sleeves rolled up#he smokes more out of habit and boredom than wanting to do it he hates it#he's got that classic awkward nerdy but strangely appealing best friend in a movie or show kind of vibe to him#except instead of being in that standard best friend role he is currently trying to usurp the role of love interest in my mind in the vague#new wip i had been thinking about making#though maybe i should make a new wip as this other wip is already new and has different vibes but...#i have made three new wips in the span of the last few days i am not making another i am not i am not#shoe meet horn#he's also mentally ill and the narrative is going to be f*cking normal about it#alright maybe i'll make a new wip#god am i going to make a new wip#my other brand new characters staring at me as i barely even got them off the ground yet like really come on dude#but don't worry oh god I remembered a 4th wip from the past two weeks don't worry bennett i haven't forgotten you#and the several hundred others up there#hmmm thinking about tossing him into a scifi#yes he looks suspiciously similar to some of my other ocs but different maybe i'm pulling a t*m b*rton#and hiring the same actor for all my movies
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ehlnofay · 6 months
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There is a pie on the table.
Not part of one – a whole pie, its crust flaky and steaming, one of its sides beginning to split, leaking its innards onto the serving plate. A whole pie. On a table set for eight. And Torr doesn’t think that Babette even eats.
A whole pie. And sliced turnips, baked with melted cheese, also hot enough to steam; a dish of them. Torr briefly considers stealing it – stupid idea, where would he even take it? What would he do with it? It would be difficult to explain later. Right now his main goal is to not do anything difficult, at least until he’s got more of a sense of the place, of its boundaries. What’s expected. What to expect.
And they’re immediately cocking up that goal, because when invited to a friendly welcome lunch they stopped dead in the middle of the floor to stare wide-eyed at the table.
Veezara, standing behind them, raps politely on their arm with his knuckles. “Do you want to sit?” he asks; Torr has no bloody clue what they want right now – shovel turnips into their face, face stuck into the dish like a pig eating from a trough, maybe, or alternatively to steal the pie and hide it somewhere it will be safe to come back to on a rainy day – but people are sitting (that is generally what is done at lunch tables) so Torr casts a quick glance over the lot of them and sits too.
(He doesn't want to make them wait.)
His chair is one of the ones closest to the doors. It’s quite far down the table from Astrid, who is smiling encouragingly; but Veezara sits next to him seemingly without a thought and sitting directly opposite him is Babette, and Torr's spoken a little to them both. He can't make any claim as to knowing either of them well, but Veezara seems even-keeled and open enough as to be a little reassuring, and Babette, at least has made him laugh.
Next to Babette is Gabriella, her dark hood pulled low over her forehead. She has a perpetually secretive look about her face – one brow slightly raised, lips slightly curled – as if she knows something no-one else does, and the way she looks at Torr makes him think of the way people look at bugs. Not in a bad way – she looks at him in the way people fascinated by bugs look at bugs – but still, he’d rather not be a bug. She catches their eye, half-smiles. “You brought your bag to the table,” she observes.
Torr glances at the floor, where his pack spills out from under his seat where he’s stowed it. Shit. They probably should have left it on the bed Veezara said was theirs, but they honestly didn’t think to; they don’t really want to leave it behind, besides.
“Yeah,” he replies, and nudges it further under his chair with his foot. He feels painfully and awkwardly observed.
(They're all watching; Torr's been here for less than a day, and he's trying to get a sense of the place, and until he understands how it works he needs to keep his head down.)
A tall man wrapped in red readies a gleam-edged knife over the pie platter. At the other end of the table, Astrid smiles. It’s a scimitar of a thing. “You’ve all met our newest Sibling, then?” she asks, in her molasses-rich voice, and the knife sinks into the flesh of the pie in a way that makes Torr want to wince. His stomach feels shaky.
There are various noises of assent from around the table. Torr’s met most everyone by now, all but the white-blonde man sitting silent and displeased by the head of the table, though he hasn’t spoken with most of them for more than a few minutes. Gabriella reaches across the table and levers a slice of pie onto her plate with the carving knife, already sticky with the juices leeched from the meat, torn-up flakes of pastry clinging to the side of the blade. It smells nice.
(It is, Torr tells themself, a normal-sized slice of pie. The same kind of portion sizing they’ve always seen in taverns busy enough not to kick them out. And realistically – based on the numbers Astrid showed them earlier – there’s plenty of room in the Brotherhood’s budget, for, what even are the ingredients of that, flour and meat? Water? It can stretch to cover the turnips no problem.)
“We’ve spoken,” says the man from the kitchen – Nazir, that was it. The tall one, with the gold in his beard. He sounds unimpressed. He does not seem like someone who is often impressed. Gabriella passes on the knife; Torr's eyes track its movement. It's an unconscious effort, but they're stuck – in this moment, breaking bread with a close-knit household of people whose only commonality is a predilection for violence, they cannot stop paying attention.
“Lovely,” Astrid says. Her eyes flash in the torchlight as she turns to face Torr. “Torr, do you feel like you’re getting to know everyone? Settling in?”
Torr manages a quick glance around the table, the room as a whole. They’ve learned most everyone’s names and feel reasonably confident nobody’s going to start screaming at them or start doing blood rituals or something; nobody's going to do anything unprovoked, which is enough of a comfort. They’ve mostly learned the layout of the Sanctuary, too – this bit of the cave opens into the dormitory sort of space just up above, and the big room a bit to the left, the kitchen tucked away in the corner. As cave rooms go, the dining space is quite nice; warm light, lots of room, a relatively even floor. It’s not damp in here like it is in the big room with the little pond. It’s nice and dry. Torr could probably do without a bed – they could kip under the dining table and be fine. (They’ll still take the bed if it’s offered, though.)
“Mostly, yeah.” Torr watches the sticky-dark knife getting passed around the table, the beautiful enormous pie disappearing at a rate that isn’t alarming and is in fact a normal speed for things to be eaten. His throat is dry. “Uh, Veezara showed me the beds and everything. It’s a nice place.”
The old man sitting up the other end of the table pauses, his fork stuck into a slice of turnip. “I hope you don’t think you’re being smart, boy.”
Like Torr’s fool enough to try to be snarky about this. Like they'd try to act smart now, of all times, when he's still feeling out the limits.
“Nah,” he says, tapping narrow fingers against the edge of the table. The ends of them are flushed red; scars from old chilblains, an irritated colour that never goes away. He is breathing evenly; a scraping breath in, one, two, three, a steady breath out. Cave or not – “It’s got a roof, hasn’t it?”
It’s warm – almost stiflingly so – and dry in parts. The rain and snow and wind can’t get in. There’s a whole pie served at the lunch table. Hundreds in gold if he does his job right. What the hell is he going to complain about?
There’s a nudge against his shoulder that is too surprising to make him flinch; when he looks, Veezara is holding out the knife, handle-first. “Oh,” he says; he takes it, because what else is he going to do?
There’s one slice left on the platter, rich and dripping, and plenty of the turnip dish. Torr’s stomach is folding in on itself. They ask Babette, “Are you going to have any?”
“Oh,” she says, “goodness, no,” and she smiles wide, vicious teeth pressing into her lower lip. “No offense to Nazir’s cooking, of course. But my appetites are a tad more discerning.”
Torr replies, “Well, that’s disturbing,” and Babette laughs, and Torr is left gripping the knife hard enough to turn red-flushed knuckles white and staring at the food on the plate. Clumsily sliced pastry, the meat and juices spilling out, running down the sides. Still steaming, just a little. There’s no one else to eat it – most everyone else already served and waiting for them. There’s no-one near who needs it more. But Torr doesn’t quite need it, do they? Not yet. But everyone’s waiting. And good first impressions and all that. And Torr really wants some pie – they just also want to shove it all away, or lock it in a box to save for later.
“Are you not hungry?” Nazir asks, something not unlike challenge in his voice, and Torr is supposed to be keeping his head down. He can't be pushing it already.
It takes Torr a few seconds to even realise that they were spoken to at all. They’re very busy staring at the platter, knife dripping onto their knuckles.
“No,” he says, “I am,” and then Veezara’s cold-scaled fingers are on his hand and he’s taking the carving knife from him, and Torr's shoulders lock in place, breath catching in the base of his lungs – he dithered too long and now they're taking it away – but Veezara lifts the last of the pie on the flat of the blade and drops it, rather squishily and without ceremony, onto Torr’s plate.
Staring at it, Torr says, “Thanks.”
Veezara shrugs and takes up his fork.
The pie is nice, though it takes Torr several seconds to work up to having a bite. He doesn’t know much about cooking, so he can’t pick out each individual taste – but the meat might be veal, or at least pretty similar to how he assumes veal tastes, and it’s good. It sticks in his throat when he swallows. He can hear all the clinking of cutlery around him, twitching at every sound.
Babette, the only one without a plate, leans eagerly over the table, fine dark hair puddling on the wood below her chin. “Astrid told us she pulled the old choose a victim gambit with you,” she says. “I love that one.”
Torr presses their lips together, digs their fork into the misshapen lid of their pastry. “The three innocents in the shack? I didn’t.”
“Innocents?” Gabriella echoes, tilting her head. Her hood slides back from her brow just enough that Torr can see the light playing off the ridge of her forehead; she takes a neat bite and adds, “Wasn’t part of that game that they weren’t?”
Nasty game. An unnecessary piece of showmanship. Torr doesn’t say so, of course. “I think the game was that it didn’t matter,” he says instead, and shrugs, fingers playing at the fork stuck in the pastry lid. His pie slice is warping, spilling its insides over the pottery of his plate. The conversation twists his stomach into knots. “It probably doesn’t matter much now. They’re dead, right?”
He’d specifically suggested that Astrid let the ones left alive stay that way, but she hadn’t seemed all too amenable to it. And from a practical perspective – well, letting them go would just be a liability.
Up the other end of the table, Astrid nods once, vague amusement pulling at the corner of her mouth. Torr feels, strongly, that he has made some very bad life decisions.
(But they’re very bad life decisions that have led to ledgers that record payouts of over a thousand septims and a whole pie at the lunch table. He’ll live.)
Torr looks back at their plate. “It was supposed to be about readiness to follow orders more than about who was and wasn’t meant to die. I think. But all it really proved was the lengths I’d go to to get out of a locked room.” The tines of their fork scrape against a chunk of meat. “And, really, that’s not surprising. I’ve probably done worse for less.”
They immediately regret saying it. Babette’s eyes light up, and they know they’ve opened up an uncomfortable topic. “Have you?” she asks brightly, and sits up straight, shaking out her hair. “For what?"
It’s not an easy line of questioning from anyone, but it’s particularly uncomfortable asked by a girl in a grass-stained kirtle, sitting in a chair too high for her feet to touch the ground. Torr sticks his tongue into his cheek, asks, “Is this dinner-table talk?”
“It’s shop talk,” Gabriella replies.
Babette smiles with all her teeth.
Torr doesn't want to talk about this. Torr's not a snivelling child, or some moralising grundy who assumes that they're in danger of being gutted like the game for the pie at a moment's notice – the worst anyone has been so far is taciturn, it would be absurd to extrapolate so hugely – but it would be equally absurd not to be wary, and Torr is well used to keeping a watch when an unfamiliar situation could begin to turn sour. They want to keep to safer topics, easier things to talk about; they also don't want to say no.
“It’s not exciting,” he hedges, twisting his fork between his fingers; Babette stares until he continues. “Guards, more often than anything else, when I got arrested or – or other people did. People who would've hurt us, or we just needed out of the way." It's as close to a non-answer as he can give while still complying, staring into the smooth filling of the pie.
“How pragmatic,” Veezara says, focused steadily on his meal.
“Well, yeah. I wouldn’t have done it if I didn’t need to.” The pastry lid of Torr’s pie slice is slowly shredding into little pieces scattered around their plate.
Babette tuts. "I suppose I can understand that," she says, fingers pressing into the table; the rest of them watch with unsettling attention. "I wonder – you're young. You must have started about when I did."
Torr shrugs, noncommital; makes a pitiful attempt at changing the subject. “This pie is really good – Nazir, right?”
Nazir does not blink. “That compliment would carry more weight if you’d actually eaten any.”
Torr presses his lips together; manages to scoop some filling onto his fork and spend several seconds chewing. Babette keeps staring at him, unblinking; when he swallows, he says, "Ten years old with a beard knife," because he doesn't want to say no directly and he hopes there won't be any follow-up questions.
Babette’s face lights up. “Oh, really? I was almost ten years old with teeth.” The torchlight is flashing off the points of her fangs. “What a delightful coincidence.”
Torr shrugs and turns his attention back to his plate.
“If we’re talking business,” Astrid says silkily, a much smoother subject change than Torr’s earlier half-hearted attempt, “then I should ask – Nazir, do we have any smaller contracts open that might suit our dear new Sibling?”
The torchlight flashes off the gold in Nazir’s beard as he tips his head, considering. “I’m sure we do,” he says, “though I’d have to check our records. There are a few that I don’t think anyone requested I assign them lingering.”
Babette knocks her foot into Torr’s shin under the table (with considerable effort; she has to slide down so far in her chair to reach them that they can’t see her chin.) “You’re getting the dregs,” she says sympathetically. Her gleaming eyes don’t look particularly pitying.
Nazir tuts at her, slicing off a bite of his pie. “It’s only fair. He’ll have to be here longer than half a morning if he wants the glamorous jobs.”
“I’m fine without the glamour.” They’re not particularly confident in their ability to kill with the stereotypical panache that may be expected with whatever jobs qualify as glamorous. They’ll take the simple work.
“Good,” Astrid says definitively. “You’d be surprised at how much of our work is correspondence. Cutting deals. You know, the boring parts. Not that you’d be assigned to do any of that just yet.” Her head snaps up, blonde hair rippling over her shoulder. “Oh, that reminds me – I got word from our contact in the Three Coins. New intel, hopefully. Any takers?”
Torr, who barely knows what she’s talking about, stays silent, pushing his fork around his plate and gathering a third bite of almost all pastry. It’s the white-blonde man in the seat next to Astrid who speaks up (bit of a surprise, that – Torr doesn’t think he’s even heard him talk yet), saying gruffly, “I’ll go. It’s been a long time since I’ve seen Nottov.”
Babette grins, fingers pressing against the table. “How sweet. Reconnecting with your little friend.”
The man bristles; Astrid, smiling, says, “Don’t be mean, Babette.”
“Me?” Torr’s only known her for an hour and change but even so they’re already beginning to tell when she’s playing it up – leaning into the rounded, girlish bubble of her voice, opening her eyes as wide and childlike as they’ll go. “I would never!”
“She would never, Astrid,” Gabriella agrees solemnly.
The old man almost audibly rolls his eyes. The white-blonde one is glaring so hard he seems to be trying to set fire to the table with the sheer power of his unrestrained rage. Torr takes a fourth bite to stifle a laugh.
Then, as they all keep chattering, shifting from shop talk to inside jokes and strange banter, Torr released slowly from the vice of their attention, they take a fifth, sixth, seventh, eighth. At the tenth, they stop counting.
It’s not neat. Their slice of pie was a bit lopsided to begin with, and it’s spent a while cooling on their plate, slowly spilling its innards out onto the ceramic. They managed to shred most of the pastry lid with the tines of their fork. And it isn’t that Torr doesn’t know how to eat with utensils – it’s just that they’re a tad out of practice, let’s say. Even in the short time they spent living in Aventus’ house they never brought themself to eating off a plate. It felt too easy.
Torr’s a bit out of practice, and he rips the pie apart as he eats it, crumbs and sauce strewn over the plate and a little over the table space between the dish and the edge where he sits. A little over his lap. He eats it bite after bite after bite after bite, each one begun before he’s even fully swallowed the last, and when he’s done he runs a sticky finger around edge of the plate, collecting the scraps, licking them off. His throat aches. Veezara, who is at the time in the middle of the sentence, reaches out for the platter of sliced turnip without breaking the thread of his conversation and slides it all onto Torr’s now empty plate. Their teeth are stained with gravy; there's a lump growing abruptly in their throat. They dig in to that, too. They wouldn't want to be rude.
It's so warm down here, the fires in the braziers ever-flickering, the food fresh-cooked. Torr is left in surplus and in silence to watch the rest of them chatter and laugh. It's nothing like a house in frozen Windhelm, clutter-full of waifs and strays; but Torr's stomach isn't so tight, his lungs relaxing enough to take in a full breath. He could be in any bunkhouse, dining with any unfamiliar clan. His throat aches. He could be okay.
(An hour and a half later, Gabriella finds him throwing up into the dank, mossy corner of a dark hallway.
“Oh,” she says, her voice shaded with distaste. “Okay.”
Torr wants to reply – to beg some sort of pardon, keep his head down, soothe the anxiety twisting in the hollow of his chest – but he’s a bit preoccupied by retching up his entire intestines into the dirt. His vomit tastes of rancid veal. It’s not nice; he’d forgotten how gross this was. The last few times he was sick like this he hadn’t eaten enough for it to taste of much of anything.
He hopes this doesn’t put him off the pie. It was really good.
He catches his breath – yuck – wipes his mouth with the back of his hand, gasps out, “Sorry.”
“You’re fine,” Gabriella says, satin-smooth.
It’s not fine, though; this is a shit first impression. Or second, third. Whatever. “Sorry,” Torr repeats. They twist their head to try to take a breath that doesn’t smell of half-digested meat. “Didn’t mean to make a mess. Just – ate too much.” They haven’t gorged themself like that since – who even knows, actually? It was more at once than they’d normally have in a day. Even when they had that much food – well, there was always someone who needed it more, wasn’t there?
They’re about to apologise again, but their stomach spasms and they lean over their nasty little puddle again, gagging.
“Okay,” Gabriella says. She has a soothing voice. Her hand, placed calmly on the ridge of Torr’s back, is cool to the touch. “Maybe you should slow down at dinnertime, then?”
She says it like it’s an inside joke, but it grabs Torr by the throat. More food. More food again, today; more food any time they want it. It’s a concept understood only in the abstract. “Dinnertime,” he repeats distantly, half wonderstruck; and then he’s sick again.)
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bayheart · 1 year
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may be too late for valentine’s but it’s still february so idc <3 KITTIES IN LUV!!
there’s very few wc ships that actively live in my brain BUT i wanted to draw kitties......... so have my one actively thought about wc ship and jaywillow which consumed my every waking thought when i was younger :]
(reused the designs and the background from my montero drawing for hawkash LMAO)
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endusviolence · 6 months
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Always good to drop links for boycott lists for situations like what's happening is Gaza. BDS is generally really handy in these cases. For those who aren't familiar, the BDS (or Boycott, Divestment and Sanctions group) is a Palestinian-led movement for tracking those three forms of monetary protests against Israel which has been operating since the early 00s, using the same methods that anti-apartheid groups has success with in Africa during the 90s. Their website has shorter lists of companies and products to boycott at this time, as well as links to other movements to provide pressure to companies and groups to stop working with Israel.
From the River to the Sea, Palestine will be free
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wayfinderships · 2 months
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The F.ire E.mblem Tellius games need to stop having so many pretty men-agjsbfkd My heart can't handle it!
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YOOOO your art is so good dude!!! Love love love seeing biblically accurate Sun and Moon 🥹
YAAAY THANK YOU!! i love love loveee drawing them so im glad ppl are enjoying it!! :3
its not the dca but here's a doodle for youuu
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