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#and he lived like that!!! for decades!!!
realbeefman · 9 months
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frank reynolds is so silly and goofy he is always smirking even though half the time he straight up doesn't know what is going on. has done every single drug ever. canonical war criminal. has a food fetish. banging one of the hottest women alive (artemis dubois). is completely aware that he’s insane and doesn’t care. he is unmedicated and by god he is free
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catmask · 6 months
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with that said there are characters that a fat maybe not canonically but they are spiritually. to me. they may not be drawn that way but i know whats true. ive seen it like a sort of prophet
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confessedlyfannish · 27 days
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Writing Prompt #12
Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.
Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.
Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.
While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.
These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".
There is a knife to his right, if memory serves (it does). In the next five seconds—
"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.
But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.
He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.
"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.
"What a shame," he says, placing it face side up on the table.
"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.
He doesn't look away from the man.
"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."
"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.
The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.
The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"
Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."
"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."
He offers Bruce the watch. After a moment, Bruce takes it.
"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.
"You can look left, Mr. Wayne."
Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.
"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."
"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.
"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."
"Him."
"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."
"Why me?"
"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."
This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.
"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"
"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."
Bruce bristles. "I bow to no one."
"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."
"A weapon you want me to bring to my city."
"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."
"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."
"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.
"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.
"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."
"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."
"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."
Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.
Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.
"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."
The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.
"We will not meet again for some time, Mr. Wayne."
Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.
"Ask your question, Mr. Wayne."
"I have more than one."
"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."
"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"
There is a pause.
"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."
"Resolve what?"
"It is not his future I mean to protect," the man says. "It is his present."
"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.
"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."
Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."
The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.
"I am not inclined," Clockwork says slowly, "To this future."
"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."
"They will have already muzzled him."
Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.
"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."
"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—
Clack!
"sluuuuurp!"
"Master Timothy, honestly!"
"Sorry Alfred!"
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puppetmaster13u · 3 months
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Prompt 218
“Moom, there’s yellow-eyed creeps fighting ninjas outside the window again!” 
Danny sighed, taking a deep breath- in for ten, out for eight- as he set the pot he was cleaning back in the sink. Dan- currently six- came running in from the living room of the apartment, where he was watching TV. Or he should have been if not for the bullshit outside. 
He sighed again, picking up baby Ellie- currently closer to two- out of her highchair (even if she could just float out) and let his oldest drag him to the window. Sure enough, another fight was happening, with no vigilante in sight stopping it. Look, he knew most people didn’t live here, but it was still rude. 
“Jordan, remember how I told you how violence isn’t always the answer?” Danny asked sweetly, Dan’s expression shifting to a wicked grin as he opened the window. “Feel free to practice tossing some fireballs while I clean up your sister, yeah?” 
Ah, the sweet sound of surprised cursing and startled ecto-signatures. Maybe they’d be polite enough to take their spar elsewhere. 
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poppedbubblgum · 8 months
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The battle nexus is a rather lonely place…
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sexhaver · 1 year
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if i ever become religious again, i will solely be interpreting the nature of God by consulting media produced by terminally online and clearly mentally unwell people. think Gene Ray's Time Cube, Terry Davis's TempleOS, and Bob Hickman's... entire online presence
Bob Hickman in particular is fascinating to me for a lot of reasons. first off, his mantra has wormed its way into my brain and i find myself thinking it at the most random times: "God Entered My Body Like A Body My Same Size" tickles something deep in the reptilian corners of my neocortex. also it helps that he spreads this message by making literally tens of thousands of different accounts across different websites, cold calling random phone numbers, and driving this car around Indianapolis:
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what really gets me about his delivery of the mantra is how rote it seems to him. he rattles it off at the beginning of every single one of his video posts, but it always seems like he's a bit distracted and just getting through it for the ten thousandth time so he can say what he wants to. he says it the same way we said the pledge of allegiance in middle school (USAmerican moment), like someone or something is forcing him to.
what intrigues me most, though, is the way he talks about receiving the Holy Spirit. in sharp contrast to the official party line that God is good and being blessed is a positive thing, Bob seems to treat God entering him as a great burden, like some alien consciousness is forcing itself inside. God Entered My Body Like A Body My Same Size, so now it's twice as cramped. God as a parasite; a freeloader; a body snatcher. this is the kind of heresy and blasphemy i can get behind
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apollo18 · 2 months
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Concept: the justice league finds out that Blaze and Satanus, the rulers of hell, are kids of their ‘even more of a boy scout than Superman’ coworker’s “boss” and think Shazam is the Christian God. They ask Billy really vague questions that lead Billy into confusing them even more and they become convinced that Marvel’s Wizard guy is God with a capital G and Marvel’s either an angel or the second coming of Jesus.
Meanwhile Shazam doesn’t even know what the Bible is and his knowledge about religion is so outdated he still thinks Solomon’s Judaism is new age and not worth his time to research such a ‘fad’ religion, but he knows humans will make a religion out of anything as well as bastardize existing ones and very well could have mixed up actual tales that involve him, his allies, and his children into some sort of melting pot of a religion.
So when someone finally asks Marvel outright if his “boss” is God, Billy goes ‘wait… old guy in white robes and sandals, with long white hair and a beard… lives in space… aka the “heavens”, whose a ghost(Holy Spirit), and knows everything(historama)??? I need to dig deeper into this hold on guys’ and goes off to ask the wizard.
So when Billy asks the Wizard he just tells Billy “well, my boy, if so many things match up, maybe it is so and the tales of myself and my champions grew so estranged from their origins or mixed in with other beliefs that it can explain the things that aren’t true to our reality.”
Then The Canonical Character To The DC Universe, Jesus of Nazareth, shows up.
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blaiddraws · 2 years
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been wildly ping-ponging between projects and not finishing any of them. but finally. finished a worm thing. it doesn’t help that it ended up being so long. ignore any pacing issues (this is an command). you'll wanna click through
honestly it still feels like it’s got problems but i just want to stop thinking about it now
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(this occurs Before it becomes semi-public knowledge that subway boss ingo is. a worm now.)
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portraitofadyke · 1 year
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at least once a week i say to myself babygirl its time to get over stucky its 2022 and you hate mcu but. but. they unintentionally made such enthralling, tragic, beautiful love story that just grips you hard by your heart and never fucking lets go just keeps pulling
they made characters that revolved around each other without being anything but equal, they created this relationship that spawned over decades, from bruised knees and backyard bullies to shared apartments through the trenches to the impossible future.
they wrote a man who was good through and through, who was the most selfless man ever who would (and did) fight the whole world and walk over dead bodies to save that one man who was always there for him, to search every corner of the planet just to find him again and help him, the only selfish thing he allowed himself
they wrote a man who worshipped the ground the little ridiculed man walked on since day one but never made him feel like he was a burden, they put him through hell and erased him and still he managed to come back and find himself just because of an unintentional wedding vow.
they went through parallelling experiences without even knowing it, every part of their journey mirrored in a cruel way, they lived through something nobody else can relate to only to against all odds, find each other seventy years into the future after both of their deaths, after bucky was all but damned but steve was willing to risk everything
they wrote a beautiful love story and then they got too scared of the queerness they accidentaly created since day one these two appeared on screen and threw it all away for a cheapened story arc just to appeal to the masses and every day i think about what could have been if they werent cowards and played into that chemistry
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swan2swan · 8 days
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Barriss: "You understand...Miralans live for centuries. I will look almost exactly the same by the time your body starts to fail. I don't even know if you'll live long enough to witness my Midlife Crisis."
Ahsoka: "No, I can't die."
Barriss: "Ahsoka, someday, everyone has to--"
Ahsoka: "No, I mean I literally Cannot Die. I was given the life force of a divine being from another dimension while in a realm beyond time, and though I grew up to an adult, my montrals and lekku haven't striped a day past thirty since I was, well, thirty. And with all the stuff that's tried to kill me and failed, I don't see any surprises coming along, so, yeah. It looks like I'll be around forever."
Barriss: "....."
Ahsoka: "...it's weird for you to think about this from the other side, isn't it?"
Barriss: "Just a little."
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arsenicflame · 6 months
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absolutely delicious flavour of edizzy is where theyre Actually Married but neither of them know it, while also being acutely aware of everything-
they celebrated 25 years of their matelotage. they are having sex on the regular. both of them think the other thinks their contract is purely for financial reasons and the sex is just fun + convenience.
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raayllum · 27 days
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4x01 / 5x01
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irregularbillcipher · 1 month
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the "paul is richie's uncle" headcanon is really cute but i really love it in tandem with the idea that ted is surprisingly involved in his little brother's life while paul is more just vaguely fond of his nephew, but doesn't really know all that much about his friends or his day-to-day life
like, the idea of ted knowing all his geeky little brother's friends really well, like letting them chill in his apartment every now and then to watch movies or driving them home when they have their stupid library study sessions or whatever is already pretty fun, just the idea that the Local Bastard has accidentally and begrudgingly been saddled with these two loser highschoolers because they're his little brother's dweebus friends that he doesn't want to admit he has a soft spot for, but it's made doubly funny if paul just has no idea that his nephew's best friend is the little brother of the Worst Guy In His Office. ted comes over to paul's desk one day with a stack of dog-eared manga like "pete forgot to take these this morning, so you give 'em back to richie for me, okay? also, ruth's right, stein and spirit are definitely fucking and i want him to stop fighting with her about it when i pick 'em up from the library" and paul is just like. okay. i have several questions about this.
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Thinking about poor, doomed Young Griff and how it’s not even important if he is or isn’t Rhaegar’s real son. Because what makes him a fake goes beyond blood - it’s really down to intent and experience. He’s a poor rich man’s Aegon V, but like without the organic hero’s journey.
He’s a lab experiment pretty much. However well intentioned he is, there isn’t much indication that his journey has been authentic. Varys and Illyrio are trying to recreate Aegon V with a fake...literally down to the “let’s hide his hair” scheme. They even gave the boy Aegon’s freaking name (it’s a king’s name after all so I can’t blame them). But they missed like the biggest, most important lesson of all. Aegon V CHOSE to go out. HE made himself, no one else did. His journey was organic as it was derived out of his own autonomous decisions, not manufactured down to the smallest detail (does YG really know what it means to starve and be homeless and hunted?). And there was no promise of a reward (I.e., kingship). Egg didn’t know that he’d be king and even after his dad rose to the throne, there were a ton of people ahead of him. FFS he’s called Aegon the Unlikely. Bro just woke up one day and was like “ay wouldn’t it be nice to actually experience this realm from the perspective of a disenfranchised person?”
Meanwhile, our poor Young Griff is being made to go through all this with the expectation that it’s all going to pay off when he becomes king. BUT (big but!), who’s to say that he actually gets it? Like does he really get why he needs to see how this horrible feudalistic society preys on the smallfolk and makes corpses out of them? Wait, does he even know or recognize that the system needs changing? Like did Varys and Illyrio just tell him “people poor” and leave it at that? Why are they poor Young Griff? How did they get there?! Do Varys and Illyrio even get it? Do they understand that Aegon V was a radical change maker?
How hollow is it that it’s not Young Griff making the conscious decision to actually try and see how his subjects live. He’s not making the conscious decision to be a change maker, no matter what Varys and Illyrio say. People in this fandom will talk about how Young Griff will be the perfect king but…perfect for whom? In what way? In a series that critiques this entire system, what about YG screams that he’s going to actually tackle some of the systemic issues that need tackling - the systemic issues that Aegon V tried to tackle after organically going through his own journey?
WELLLLL….isn’t it cool that Jon and Dany are the true heirs to Aegon V’s legacy not because of blood, but because they actually get to the heart of Aegon V’s journey? Say what you want about them but they are radical as it gets (Jon at the Wall and Dany all over Slaver’s Bay). No one manufactured them. No one told them they had to care about people. No one told them they had to do this lab experiment to become king/queen. They actually did their own thing, while themselves being disenfranchised (GRRM identifies both as outsiders). And without the expectation of a reward (like Jon is literally told that his entire life will basically amount to nothing).
And it’s even better that they were unlikely. Young Griff is meant to happen - well someone is pulling the strings to make sure he works. He’s taking the role of someone who was always meant to be king - for Rhaegar’s son was meant to be king. But Jon and Dany are actually following the Aegon V blueprint because they weren’t meant to happen. Jon is a second son who is presumably a bastard with a contentious claim, and Dany is a daughter who was never meant to survive being sold off to slavery let alone rise to queenship. Neither one of them was meant to be on the throne. No one told them to do the things they did. No one took them and placed them in the positions they’re in. They rose to the occasion by themselves and made changes by their own volition - just as it was with Aegon V. And what makes it even better is that just as Aegon V was chosen to be king, so were Jon and Dany (Jon was literally elected into office and basically won over the wildlings while Dany was dubbed “mhysa” because of her actions in Slaver’s Bay).
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canisalbus · 10 months
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I noticed you've been making more art of Machete and Vasco after they met again as adults - is this canon? Do they get to rekindle their friendship after all, or is it still brief and bittersweet? (I love your characters and art, btw!)
Thank you! I'm glad you like them!
It's canon, I believe. After their confusing and apprehensive friends-to-lovers involvement ended in their early 20's, their paths end up crossing again unexpectedly in their mid 30's and things gradually grow from there.
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egophiliac · 2 months
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YEA RIDE KAMENS ART IM CRYING.. is there a rider you want to appear in the game? i'm personally praying for kiva 😭
YEAH! :D I'm having a lot of fun anticipating the reveals (and being extremely wrong about most of them) but I am also unironically extremely excited for this game! it is the kind of buckwild adaptation that we both need and deserve (and also I kind of adore all the characters already).
we're never getting a Fourze but. I desperately want a Fourze. 😭 Kiva would also be EXCELLENT, the vampire motif would work SO well with these designs! (not to mention the whole stained-glass theming in general...Kiva had some really beautiful designs going on, just LOOK at Saga --)
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