Being in a relationship with more than one version of the same skeleton should be a bit clashing sometimes. Especially if their personalities go different ways.
Imagine your sleep schedule is a mess and you just go to bed awfully late one night. You know you're bound to wake up past noon the next day, but you're too tired to care. There's nothing important to worry about tomorrow, anyways.
Hopefully, the one that finds you first is someone like Classic Sans, probably sent by Papyrus to pick you up for breakfast since he would be sleeping too if given the opportunity. He would see you there, hiding behind a comfy cocoon of your sheets, and would climb next to you to resume his napping in your company.
You two would happily nap the hours away if it wasn't for your next skeleton to appear.
Someone like Swapfell Sans would burst the door open (careful enough to not be too loud to startle you or to snap it from it's hinges, for that matter), probably thinking you were already awake. It's a surprise he didn't check on you earlier since he's the type of guy to be up and about at the very same hour you went to sleep, but he still didn't wait until noon to give you your 'good morning' kiss before going on his day.
He would wake you right then and there, complaining about how you shouldn't waste a productive day. He actually doesn't care if you use it to be productive or not, that's just his way to help you fix your schedule. And after all this time dating him, you know he means well.
From then on, your tired mind would have two options: leave the bed and fight the grogginess until you're functional again (and wait for him to sleep together at a decent hour) or fall right back into dreamland with the still sleeping skeleton in your arms.
Whatever you choose, if they're not to fight each other, you know someone will try to convince you to change your mind.
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Triage: Initial Thoughts
Hello! Venus back at it again with the 4-5 AM theory time! This time we’re looking at Shidou’s second MV, Triage!
I’m going to be going through my various thoughts on everything as usual, going point by point to analyze each thing. I’ll be referencing Triage, his first MV Throwdown, and the always-fast audio drama translation by @onigiriico!
Alright, let’s do this!
Shidou’s kids died immediately, but his wife had a chance to live.
I’m basically just going to give a quick play by play of what I think happened in the video.
Surprise, Shidou has kids! And a wife, but we figured that already. They’re all very cute and all until they fade out like ghosts pretty early on. Before that happens, though, I think that, chronologically, the opening sequence of Shidou walking with some groceries happens first.
He’s just going about his day, walking around, having a great time. He’s intending to take stuff back to his family and cook dinner or whatever he usually does that we see in the cute scenes.
Then, though, he gets a phone call. He answers it (this is the untranslated “Kirisaki desu” part; please let us know if you find a full translation of what he says on the call there!) and we move on to the next scene. However, later, at 1:57, we hear the line die. I think that this is probably Shidou getting a phone call from the hospital. He sounds casual in his initial response because he probably assumes it’s work related, but once he hears what happened, he drops the line and immediately heads over.
I think Shidou’s kids must have died immediately because of Throwdown. Throwdown has absolutely no references to his kids (though he does mention liking children and stuff like that in his first audio drama, which now kinda stings) and, were he also trying to save them, I’m sure there would’ve been at least some references.
I think it’s far more likely that, whatever happened, both his kids died immediately, but his wife was in a condition where he could still try to save her. That’s when Throwdown occurs. Shidou probably focused intensely on trying to save his wife as a way to cope with the death of his children. Then, after his wife officially died, it really hit him that he had nothing left, and he was forced to process it. That’s when he started feeling all the guilt and wishing for death.
This isn’t really relevant, but my best bet is a car crash. It seems like a likely and viable way that his kids could’ve died instantly while the wife could’ve kept living. As a minor note on that, he’s also walking back with groceries, which could indicate that someone else (the rest of his family) might’ve had a car. I don’t remember if Shidou mentions anything about driving or anything like that at any time, but if I had to call a method of death right now, that’s what I’d go for.
NOTE: I do want to disclaim this by saying it’s also possible that one of his kids was the flower person in Throwdown. He gives a receipt to one of his kids, so that could make some sense. I need to go back and compare the flower person in Throwdown with the people in Shidou’s family now that they have appearances. I also need to reread his first audio drama; he says something about it being fitting that Es is judging him, which could check out if his crime relates to trying to save his kid instead. If I am wrong and it was one of his kids that he was trying to save, then everything about what I’m saying still checks out; just swap everything I say about his wife with one of the kids.
Shidou purposefully showed us the least forgivable parts of his crime in Throwdown.
Looking back on it, Shidou painted himself in an awful light in Throwdown, and I’m sure it was intentional. After all, he was trying to get us to give him a guilty verdict. If you say that a prisoner like Muu might have been altering what part of her story we received in order to get her desired verdict in the first round (innocent), Shidou could absolutely do the same thing with a guilty verdict.
He doesn’t show us any of the context of his loved ones and how much he loved them; that was all stuff we had to read between the lines of. We see him butchering plant after plant only to end in horrific failure without ever seeing him succeed at anything surgical. (He still should’ve hypothetically been saving lives while doing all of this; it’s not like he was ONLY killing people.)
He even shows us the horrified reactions of the loved ones of patients he killed. I can only imagine that he would do that if he was trying to spark a negative reaction in us.
In contrast, this MV is very straightforwardly showing how the day he lost his family went for Shidou and directly examines what verdict Shidou wants (more on this later). I think, therefore, that this is probably a much more honest view of the situation than Throwdown, at least in terms of how Shidou perceives the truth.
Shidou is constantly plagued by the guilt of what happened.
The simplest way to explain this is with this image:
When showing Shidou’s family turning to ghosts, he views the man that he used to be as dying with them. Shidou, as he was, is dead. Still, what happened clearly still impacts him. That’s pretty obvious, but I’m talking down to the details. He mentions kids and liking them in both of his audio dramas. Further, take this lovely image:
Pancakes. Shidou made pancakes for his kids. In BOTH Minigrams 3 (Pancake) and 24 (Pancake: a Second Trial) Shidou is directly shown talking about pancakes and their relation to children. He really wants Amane, the young child, to try some. It seems like he used to make pancakes for his kids before they died. He’s very clearly not recovered in any sense. That’s not surprising, but it’s still something to point out.
Triage takes place almost entirely before and after Throwdown.
That sounds a little confusing, but all I mean is that Throwdown is completely isolated from this MV. Some parts of this MV happen before the events of Throwdown; those are the ones featuring Shidou’s wife and kids, as well as the ones where he simply looks younger. The other parts are clearly looking back at the same time frame, but are from Shidou’s present perspective, here in Milgram. Those are the ones where he reflects on his verdict or directly addresses what verdict he wants.
Most directly, I think the part at 2:14 indicates this. Shidou, looking back on the death he caused (knives in the pomegranates and other food, dead flowers, receipts from the surgeries that we also saw in Throwdown), says “I want to be INNOCENT / I want to live.” That’s him, in the Milgram prison, right now, coming to terms with the fact that he actually, genuinely wants to live right now.
In the audio drama, he’s clearly conflicted. He still says that he wants to die, that he wants to atone for his sins and that dying is the only way he can make it up to the people he killed. He also, though, says that, at least for right now, he wants to live. Futa and especially Mahiru are on death’s door, and there’s no telling what other injury might occur. He believes he’s essential to saving lives within the Milgram prison (and I think he’s 100% right).
He even directly references this in the song lyrics, talking about “extracting the fang.” The fang is clearly Kotoko, given that Milgram has referred to the damage Kotoko does with fang imagery before and given that that’s what he’s currently healing. He has to be the one to save them because he’s the only one who can; as a result, to save lives, he has to care about his life right now. While he’s still unsure of what final verdict he wants, he knows that he needs to stay alive, at least going into trial 3.
VOTE: INNOCENT
Personally, this one’s a no-brainer. Es theorizes in the audio drama that Shidou only harvested organs from braindead patients, and though he never outright confirms it, based on his responses, it seems to me like that’s true. That means his crime isn’t as severe as we initially thought it was.
Additionally, he’s right; he is indispensable to us right now. He outright says in the audio drama that if he stops giving Mahiru care, she’ll die, whether or not anything else happens to her. That basically tells us that voting Shidou guilty means Mahiru dies. That’s not good, and I’d rather avoid prisoner death when we think it’s possible.
I also just don’t think it’s smart to change verdicts on him here. If we decide that, after all is said and done, we can’t forgive Shidou, we should do that with the third verdict. Here, we want to leave both options open. Right now, Shidou is torn between wanting to live and wanting to die. If we switch to guilty, we’ll ruin any chance he has at recovering a will to live and a will to atone through any means other than death. If we want to preserve the option of forgiving him in the end, I think we have to forgive him here. We can debate whether his actions were forgivable or not in the last round.
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How often and how in depth do Lewis and Bono communicate during the race? I've always wondered (especially since Max seems to hate getting talked to lol)
it's a very chill atmosphere? like, it's insane how calm bono is. that's why i love listening to them, most of the time it's so soothing even when the race itself is stressful.
at the mexican gp now they were constantly chatting back and forth during every lap! but i’d say it’s usually very short to the point messages. if it's a quieter race (no chance of podium, no cars close to lewis, no overheating concerns, etc) they don't talk as much.
idk if you wanted this much detail but:
bono constantly gives lewis the time to the car in front and behind him, gives him lap time comparisons of others so that lewis knows what kind of lap time to aim for. this season he often asks bono many times during a race if the tyre and brake temperatures look ok to bono (bc miss w14 struggles with those) and if/when he should lift and coast to cool the car. lewis also always asks bono where he is losing time compared to others and then bono tells him what he can improve in which corner. lewis often will reply with “understood”. if lewis ever doubts strategy or the tyre choice or is frustrated with the car's grip or a safety car, bono gives minimal responses (like "yeah, copy that lewis") or reassures him it'll be fine (like "you're doing a good job managing, keep at this pace, the race will come to us"). the very few times lewis ever tells bono to be quiet is those "famous" moments when he says "leave me to it, bono", for example when he has a couple final laps to catch someone, or needs to essentially do multiple quali laps to make up time. i feel like those really didn't happen this season at all since he's not fighting for a title. bono also rarely asks lewis to make strategy calls. he will sometimes check which tyre lewis would prefer to switch to and ofc how long he thinks he can still go on a tyre. bono always reminds lewis to drink in the more physical races (he'll literally in between just go "and remember to drink" <3) and a typical thing he says when lewis is on the hunt but doubts that he's actually making progress, bono will say "you're the fastest man on track" to remind him he's the king of everyone actually 💅 hehe. in the races i've watched, bono has never once been sarcastic towards lewis or teasing him in anyway or tried to "put him in his place".
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Thinking up ideas for Golden Cheese backstory before the kingdom
I’m thinking she was found in the middle of the desert, and was found then collectively raised by the poor village folk. I feel like she was probably mainly raised by the village head, a kooky old man who i don’t have an idea for a for name yet lol.
adding a little more ideas below the cut
I think i got this idea from @ skybristle (don’t know if they’re ok with a mention lol) but as she grew she probably started stealing things from other villages, or more often, Travellers who found her looking for guidance to the villages that would’ve been found nearer to the main river (and source of water). She’d pickpocket them for money, food, or other goods as “payment” for her help.
She also probably frequently eats bugs, especially beetles that she could find in caves (similar to the cheese birds)— that being said she has probably a higher immunity to bad food and getting sick as compared to the other ancients
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