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inthedayswhenlandswerefew · 7 months

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When The World Is Crashing Down [Chapter 2: Choose Love Or Sympathy]

Series summary: Your family is House Celtigar, one of Rhaenyra's wealthiest allies. In the aftermath of Rook's Rest, Aemond unknowingly conscripts you to save his brother's life. Now you are in the liar of the enemy, but your loyalties are quickly shifting...

Chapter warnings: Language, warfare, extreme babygirl energy, violence, serious injury, Larys Strong, alcoholism/addiction, references to sexual content (18+), Crab Family lore.

Series title is a lyric from: "7 Minutes in Heaven" by Fall Out Boy.

Chapter title is a lyric from: "XO" by Fall Out Boy.

Word count: 5.5k.

Link to chapter list (and all my writing): HERE.

Let me know if you'd like to be tagged! 🥰💜

A moment of clarity, something he’s having more of lately: eyes glassy but open, voice husky, words slow. His vast bedchamber in the Red Keep always smells like honey and rose oil and the brackish golden air that blows in off the ocean. Sounds float weightlessly through the open windows like feathers on waves, music and shouts and creaking wagon wheels, gull cries and sails cracking in the wind. Late-morning daylight is an aisle across the stone floor, a river, a channel. Aegon’s bed has been moved away from the windows; when his wounds are uncovered, direct sunlight can ravage him in minutes, fresh blisters, thickening scars.

Aegon winces as you sit behind him and knead warm rose oil into his back and shoulders. His flesh is a grisly mosaic: pink and crimson and white, knots of burgeoning scar tissue, spots that are still raw and weeping. “It itches like hell, does that mean it’s infected?”

“That means it’s healing. Do you want more?” You mean the goblet of pearlescent milk of the poppy on his bedside table. It’s always there, and refilled frequently.

Aegon shakes his head, groggy, slumped, white-blond hair loose and disheveled. “I should probably be sentient on occasion. You haven’t been helping me piss into chamber pots or anything, have you?”

You smile. “No. You’ve got servants for that.” Although they report their findings to you; Maester Arthur of Claw Isle once taught you that organ failure is a common cause of death for burn victims, even if they survive the risks of shock and festering. All appears well enough on the outside, and then they start pissing blood or their skin goes yellow as their innards lose their secretive divine cadence, that vital rhythm, and then the poor soul is gone within days.

“Thank the gods,” Aegon says. “A speck of dignity remains. It’s tragic enough that I now closely resemble an overcooked meat pie.”

You chuckle as you massage rose oil into his wounds, keeping the scars moist and supple so they do not split open when he moves, so his joints are not locked in place. He will need them when he is out of bed again. He will need them if he truly is the king. “I don’t think you look that bad.”

“Because you’re used to sifting through guts and corpses all day. I’m an improvement. I’m only half dead.” And just weeks ago, he was pleading to be all the way dead. He glances back at you, brow knitted into thoughtful furrows; you can see it between the messy locks of hair that shag over his face. “What made you want to study something like this? It’s gruesome. It’s miserable, thankless work.”

“I was never good at anything,” you tell him. “My sisters were, but I wasn’t. I couldn’t dance, couldn’t sing, couldn’t embroider patterns unless they were humiliatingly simple, and even then I loathed it. My father grew so desperate he encouraged me to try archery with my brothers. I accidentally put an arrow in the foot of a squire and that was the end of my bowwoman career.”

Aegon laughs, then groans at the pain it causes him. He turns around so he can look at you, clumsily repositioning himself on the feather mattress, propping himself up on his palms. He squints down at his left hand where his ring should be: gold wings, jade eyes. You will have to remind Aemond to give it back to him. “I was never good at anything either.”

You can’t imagine that to be true, and yet it’s what you’ve always been told, that he was gifted at drinking and whoring and nothing else. You cannot reconcile those stories with the man in front of you. You keep trying, keep failing. You slather your palms in rose oil again the then begin massaging it into his chest. Aegon watches you with muzzy, drugged interest, eyes like cold ocean currents. “Then, five years ago, my brother…” You hesitate. A real name, an imagined one? You decide there is no harm in this small truth. Aegon will not remember the name of a younger son of a Crownlands house; he barely recalls the men of his own Kingsguard, who now spend their days trotting around the castle after Aemond. “My brother Everett was burned very badly, just like you were, although his wounds were mostly to his legs. And we all thought he would die. People advised us to show mercy by giving him enough milk of the poppy to kill him. They said it would be a sin to let him suffer so terribly. Yet our maester believed he could save him. My father and eldest brother had other responsibilities to attend to, and my mother and sisters could not bear the sight of Everett’s injuries. But I watched the way the maester worked on him, and I just…I thought it was the most captivating, beautiful thing I’d ever seen. The way a body can be taken apart or put back together like stones in a wall. Place one here, remove one there, and then like magic you’ve changed the course of someone’s life. Our maester taught me how to clean burns and change bandages, and when Everett was well again, he taught me about broken bones, fevers, childbirth, wolf bites, dry drowning. I read every book on the subject of healing in my father’s library. He kept having to order me more from the Citadel. I think I would have liked to be a maester myself, but…”

Aegon grins. “You have to go marry your mystery nobleman.”

“And women can’t be maesters.”

“They made me king of the Seven Kingdoms but you can’t be a maester? Fucking ridiculous.” He studies you as your fingers—tenderly, carefully—press rose oil into the red scar that creeps up over his right cheek. “Why won’t you tell me who he is?”

He means your betrothed. Aegon keeps asking about him in his moments of lucidity. You quip: “I don’t want you to have him murdered.”

“That would solve your problem.”

“I preserve life, I don’t take it.”

“I’ve noticed,” Aegon says with a soft, tired smile. Very slowly, he reaches up with one hand to pat at his silvery hair. “Can you give me my braid back? It seems to have been washed out again.”

“Of course.”

“Why did you start doing that?”

What is the truth? Something you can’t tell Aegon. No matter how often I touch him, I want more. “It’s a war braid. You’re a warrior. You’ve earned it.”

“So I am good at something after all,” he murmurs. You rebandage Aegon’s wounds and help him lie back down again. You give him a sip of milk of the poppy, which by now is badly needed; Aegon’s face is sweated and pale and agonized. Then you clean the rose oil from your hands and begin weaving a small braid into his hair. He gazes vacantly towards the open window, bright warm light he cannot walk into. “I assume Aemond is…handling things.”

“Yes, he’s…” How will Aegon take this? Is it a relief, or a slight? There was a great ceremony. You did not attend; you were here tending to the Greens’ broken king. It’s where you spend most of your time. “He’s been made Prince Regent and Protector of the Realm.”

Aegon nods, his expression unreadable. “How’s Sunfyre?”

“Still at Rook’s Rest and gaining strength. He was climbing the cliffs as of a few days ago. But I’ll ask Aemond when I see him today.”

Now Aegon smiles again. “Sunfyre is fierce. He is extraordinary.”

“You both are,” you say as you fashion his silver braid; and Aegon stares as if he couldn’t have heard you correctly.

Her steps are so light that at first you aren’t aware she’s entered the room. You see her out of the corner of your eye and immediately stand, moving away from the bed, from Aegon. You feel strange touching him this way—unnecessarily, self-indulgently, greedily—in her presence. She is his wife, after all.

“Your Grace,” you greet Helaena, bowing. She does not look at you. She looks vaguely in Aegon’s direction instead. She is wearing a turquoise blue dress and her long hair pulled back from her face. The servants have dressed her, or Alicent; she cannot do it herself anymore. In her hands she holds a large glass jar of sticks and leaves.

“Hello, Helaena,” Aegon says, more like a sigh than a welcome.

She scurries towards him and sets the jar down on his bedside table with a clunk, right next to the goblet of milk of the poppy and a number of other drinks, things you ply Aegon with to keep him hydrated. Then Helaena speaks, her eyes on the contents of the jar. There is something else in there, you see now: a fat wriggling green creature, a caterpillar inching along the length of an upright stick. "For you."

“It’s very nice,” Aegon tells her, in a tone like a parent losing patience with their child.

“It takes nourishment and then rests,” Helaena says. “It is wrapped in a cocoon and stays there for a long while. But when it emerges, it is not just well again. It is greater than it was before. And it can fly.”

“Oh, I understand now.” Aegon makes no attempt to touch her—not even her hand, not even for a moment—but his words are kinder. “I am the worm. Thank you, Helaena. This comforts me.”

She is satisfied. She turns to leave.

“Your Grace,” you begin, and hold out your hands to her. She does not take them. She does not meet your eyes; she stares instead into the golden luminescence of the open window behind you. You can hear crashing waves and the screeches of swooping gulls. “I wanted to express…I cannot even begin to tell you…I am so, so sorry for your suffering—”

She spins away from you and sweeps out of the bedchamber. You are left looking at the empty place where she stood, heartsick and sorry. What did I do wrong? What should I have said?

Aegon offers you an apologetic smirk, but his eyes are sad. “It’s not personal. She doesn’t really like touching anybody.” This is an irony, and one that must read on your face. A king and queen—by definition, by necessity—do an inordinate amount of touching. He invades, she endures, they knit heirs together out of threads of blood and sweat. “What we have between us, it’s not…romantic. It never was.”

This is not something he should be telling you. It is not a jest but a spilling of deep, sacred truths. “I didn’t ask.”

“No. But you were wondering.”

You were. You return to the bed and sit down beside Aegon, finishing his braid. You choose your words precisely before you speak. “I don’t believe I have a right to know certain things, but that doesn’t mean I don’t care about what you’re thinking.”

“Then let me unburden myself so there is no confusion,” Aegon insists, drowsy but fighting sleep. “There was no joy in it for me or Helaena. I tried to make it as quick and painless as I could, but still, her disdain for the task was obvious. It happened just often enough to conceive the children. And we haven’t even tried in months, not since…” He doesn’t need to say it. Everyone knows, Greens and Blacks alike. A son for a son. The murder of Jaehaerys, six years old and utterly powerless, in exchange for Aemond slaying Luke.

Do you think such a thing was just? No, of course not, how could anyone? Very few things that happen in this world are just. They come with passionate defenses but no mercy, no vision for a less violent future. The wheel goes around and around, and everyone takes their turn being crushed. “Aegon, I’m so sorry,” you tell him softly.

He shakes his head. He will not discuss it. Aegon’s remaining children, Jaehaera and Maelor, do not ask about him; on the rare occasion that Alicent brings them to his bedchamber, they do not seem to know who he is. In fairness, Aegon does not seem to know them either; he regards them with a dull sort of bewilderment, like one might peer down at a page written in a foreign language. In the hallways of the Red Keep, the children clutch at Alicent and Otto, and sometimes Aemond will take a few minutes to play with them, stacking wooden blocks or arranging cloth dolls in a miniature castle. But if ‘mother’ and ‘father’ are words the children know, you’ve never heard them spoken aloud. “Can I have some wine, please?”

“Did you finish your goat milk?”

“Resentfully.”

“Then yes. I’ll get it for you.” You pour Aegon a cup of red wine and then tilt it against his lips. He slurps the cup dry before his eyes dip closed. You set the empty cup on the bedside table, feel his forehead for fever—longer than you need to—and then rise to leave him. You are almost to the door when you hear him say: “Thank you for changing my mind.”

You turn back to Aegon, puzzled. “About what?”

“About wanting to be dead.” He grins and waves, a weak miniscule motion of his left hand. “Come back soon, angel.”

“I will,” you promise.

And only then does he surrender to blessedly numb unconsciousness, the only place in the world that doesn’t hurt.

~~~~~~~~~~

You find Aemond in his own rooms. He is sitting in front of the large circular mirror on his vanity. His hair is long and straight and painstakingly neat, his tunic made of black leather. He is wearing the crown of Aegon the Conqueror. Rubies fracture the sunlight and scatter it against the walls; Valyrian steel glints.

Aemond marvels, knowing that you’re here: “It looks better on me than it ever did on him.”

“I need more rose oil.”

In the mirror’s reflection, his lone blue eye darts to you. “You always ask so politely.”

“I didn’t want to waste your valuable time. I can be more loquacious, if you prefer.”

“That won’t be necessary.” He stands, taking off the crown and placing it—gingerly, with both hands—on his vanity. “I’ll see that you have everything you require.”

“I am eternally appreciative.”

Then he does something that he thinks is amusing, a little joke you share. He grabs for your arm and you yank it away just before his fingers can close around your wrist. This makes him smile; it’s one of the only things that does. “Now follow me,” he orders, striding past you and through the doorway.

You hurry after Aemond, dashing through corridors and archways. You know where he is going; this has happened before. As you ascend a staircase, Alicent is leading Jaehaera and Maelor down to the gardens. She has one tiny hand gripped in each of hers; the hem of her emerald green dress drags on the stone steps. She keeps losing weight. You stop to scoop Maelor up and hug him—he giggles, squeezing at your cheeks as you smack kisses onto his face—and then turn your attention to Jaehaera. She has just learned the rules of curtsying and loves to practice. You bow to her, and then she does the same to you, and while her head is bent low you ruffle her silvery hair until it is in hopeless disarray and Jaehaera is laughing hysterically. Then you kneel down so she can sabotage your hair however she sees fit. She pulls strands out of your sensible low bun until you give up and shake it all loose. Alicent—large dark eyes, demurely veiled auburn hair, somber and suffering—gives you a grave, grateful smile. Aemond has waited at the apex of the stairs for you. When you rejoin him he continues onward to the council chamber.

Inside men are taking their seats and already beginning to quarrel: Criston Cole, Otto Hightower, Grand Maester Orwyle, Tyland Lannister, Jasper Wylde, Larys Strong, the knights of the Kingsguard. Sir Rickard Thorne pays no attention to you. Aemond once mentioned off-handedly: ‘Sir Rickard, I believe our healer is a distant relation of yours.’ The knight had glanced at you and produced some noncommittal reply, oh, indeed, sure, is that so. You had met before, you realized when you saw his face, years ago, at some event that brought together the houses of the Crownlands, a wedding or a funeral or a feast. He has a hazy recollection of you, but he cannot pin it down; he spent the evening with boisterous young men like your eldest brother Clement, while you had spent it with other noblewomen. Sir Rickard’s mother or sisters could probably identify you as a Celtigar. To Rickard himself, you can masquerade as some unimportant cousin he is ashamed to have forgotten. You assume your usual place in the council chamber: standing in a corner, trying not to be noticed, only there in case specific questions involving Aegon’s medical treatment arise.

“Is he dying?” Otto asks Aemond. “He must be. He has no interest in whores.”

Aemond raises his eyebrow at you. “Actually, I’ve been informed he is improving.”

Maester Orwyle beams at you. Upon your arrival in King’s Landing, he had confirmed to Aemond and Criston what you already knew: that while the Citadel’s guidance several decades ago was indeed pork lard or cow dung to treat burns, now there is a growing consensus that vinegar, honey, and oil for scar tissue are the best available remedies. You nod back. You are natural allies; the Greens’ king is under your joint care. You both have much to lose if he dies.

Now Otto Hightower addresses you. He is a stern, weathered, shrewd man. He reminds you of your father, though far more humorless. “When will he be able to fight again?”

“Fight?” you echo, stunned. “In battle? Months at least, my lord. Perhaps a year.”

“A year!” Otto bellows, then turns his wrath on Criston and Aemond. “I told you, I told you! I urged him to exercise caution, over and over again I warned him of the danger, and while I was penning letters to every possible ally you were pouring poison into his ears, convincing him that I wasn’t doing enough. Now look at him! Look at this goddamn fucking mess!”

“How fares the dragon?” Tyland Lannister says.

“I received a raven from Rook’s Rest today,” Aemond replies. “Sunfyre is eating well and ambulatory.”

“Useless,” Otto hisses. “Can’t fly. Can’t be moved. A waste of the livestock he’s being fed.”

“We may yet find a purpose for him,” Aemond says.

“Two dragons!” Otto explodes. “Can you count them?! We have two dragons capable of combat, and one of them is ridden by a fifteen-year-old. The Blacks still have Syrax, Caraxes, Vermax, Tyraxes, and Moondancer. And gods help us if they find someone to ride any of the other unclaimed beasts on Dragonstone. Seasmoke, Vermithor, Silverwing, Grey Ghost, the Cannibal…”

“I hope they try to tame the Cannibal,” Criston mutters. “If we’re lucky, he’ll eat them all.”

“My lord,” Larys Strong says to Otto, clutching his cane; he has a habit of lacing his fingers overtop the handle and resting his chin on them. Larys is a watchful, quiet man who speaks rarely yet with great consequence. He is the Master of Whisperers, he is the Lord of Harrenhal, and aside from that he is an enigma to you. “I hate to be the bearer of unfortunate tidings, however I must speak plainly. I have just obtained reports that the Blacks are pursuing precisely the course of action that you fear. Jacaerys Velaryon is offering land and knighthood to any man who can mount a dragon and join their cause. The realm is littered with Targaryen bastards, I’m certain it is only a matter of time until they find at least a few candidates suited to the task.”

Otto slams his fist down on the table. You startle at the noise; Aemond glances over at you. “No king. No Sunfyre. Dreamfyre in the Dragonpit, who Helaena cannot fly into battle. A fucking disaster.”

“We have Vhagar,” Aemond says confidently.

“She is worth two full-grown dragons,” Otto pitches back. “Not four or five.”

“Daemon is the real threat. If I can eliminate him, the war is over.”

“Daeron should be prepared for combat,” Jasper Wylde says. “He is travelling with Lord Ormund Hightower’s army in the Reach, but he can easily be called back to King’s Landing. He could assist Prince Aemond in his pursuit of Daemon and Caraxes.”

“I don’t need his help,” Aemond replies darkly.

“Then perhaps he could safeguard the city once you’ve gone.”

“We cannot sacrifice military strategy on the altar of personal vendettas,” Criston says. “Dragons are best used on the battlefield against soldiers and castles, not on meandering quests to find one lone enemy, that’s a needle in a haystack, it’s a misallocation of precious resources.”

Aemond counters: “But if I can kill Daemon, nothing else matters—”

“It does matter, Aemond!” Criston roars. “I matter, the armies matter, winning the confidence of the houses you hope to rule matters!”

“How is Corlys Velaryon handling all of this?” Otto asks Larys. “The defeat at Rook’s Rest, the death of his wife?”

Larys answers: “He blames Rhaenyra for the losses. He has taken it badly. It is my understanding that he intended to withdraw his support from the Blacks, and was brought back only by Jacaerys giving him the title of Hand of the Queen. I am under the impression that Corlys may be willing to reconsider his allegiance if the circumstances were right—”

There is a knock at the council chamber door, not a knock but a pounding, not a pounding but a frantic drumming like the marching of soldiers’ boots. Sir Criston Cole unlocks and opens the door. Alicent stands there with her face flushed and shiny with tears. Instantly, Criston is at her side asking what is wrong, one hand resting protectively her shoulder, the other on the hilt of the sword he wears everywhere he goes.

“Come quickly,” Alicent begs you, only you. “Please. It’s Aegon.”

You race with her to Aegon’s bedchamber, hearing the screams long before you reach him. This doesn’t make sense; he shouldn’t be in pain this severe, not yet, not for hours. You are aware that there are footsteps thundering behind you, Aemond and Criston rushing to see if the king really is dying this time. In his bed, Aegon thrashes and moans. He needs to stop moving so violently; he will split his scar tissue like burst seams. Already you can see blooms of crimson appearing on his bandages where the wounds beneath have reopened: his neck, his waist, his ribcage. He is out of his mind. He is destroying himself.

He is shouting for Sunfyre, for Aemond, for Criston. He is back at Rook’s Rest being roasted alive in his own armor. Not dying, then; just having a nightmare. You kneel at his bedside and smooth his hair back, his braid threading through your fingers, and whisper to him that it’s alright, that he’s safe, that he needs to wake up now. Alicent is weeping, both hands covering her mouth. Aemond and Criston are watching you, mesmerized, transfixed.

Aegon’s oceanic eyes fly open, wide and panicked. “Where am I?”

And you smile down at him, your palm cradling his unburned left cheek. “The end of the world.”

He blinks. He remembers. His lips stretch into a grin. “There you are,” he tells you, voice gravelly and low. “I dreamed everyone was gone and you were too.”

“I’m here.”

“You aren’t in a hurry to abandon me for your burly betrothed?”

Cregan Stark must think I’m dead. “No, Aegon.”

“You can’t leave without telling me.”

Everett, Clement, my father, my mother, Piper, Petra, Penelope, they must all think I was burned to ash on the battlefield or murdered and tossed into the sea. “I know. I won’t.”

“You can’t leave,” he says again, a half-awake whimper as he sinks back into unconsciousness. You give him more milk of the poppy, enough to make his sleep deep and black and dreamless.

You reclean and rebandage Aegon’s wounds. It takes hours. Aemond fetches Maester Orwyle to assist you. Criston comforts Alicent, wanting to do and say far more than he can. When it is done, only Alicent remains in the bedchamber with you. She visits Aegon frequently, but she does not know how to speak to him; she always stands there clasping her own hands together, praying and stalling, desperate to show him love and yet incapable of it.

“Thank you for what you’ve done for him,” Alicent says, tears glistening in her umber eyes. “Not just the hours, not just the medicine. For everything that you’ve done.” And she embraces you, and when she does you hold her like she wishes her own daughter could.

~~~~~~~~~~

In the night you see it repeating like a chorus of a song in the shadows that crawl across the ceiling: one year ago, stray snowflakes in your hair, stars in a black sky and air like metal.

The Celtigar fortune is older than the Targaryens’ conquering of Westeros, older than the Doom of Valyria. Where did the money come from? Friends of the Celtigars would say distinctively cunning maritime trade; their enemies would say piracy. Perhaps the two are not always so different. Is there any mechanism of accumulating great wealth that does not involve stealing in one form or another, of wringing out some other soul like a wet cloth until every drop of them disappears down your throat? Your ancestors did not tame dragons, but they had a different sort of gift: for every coin, they could find a way to make two or six or ten. Repeat that process for centuries and there are vaults filled to the ceiling with gold coins like pieces of the midday sun.

When Daenys the Dreamer had a vision of the Doom over a decade before it left Valyria a smoldering, fragmented wasteland haunted by demons and plague, only three Valyrian houses heeded the warning. Her own family, the Targaryens, relocated to Dragonstone. The Velaryons, having already long occupied Driftmark, resolved to stay there. And the Celtigars—merchants to some, pirates to others—crossed the Narrow Sea to settled on Claw Isle.

Crispian Celtigar served as Master of Coin to Aegon the Conqueror. Alton Celtigar was his Hand of the King. Edwell Celtigar was chosen to be Hand of the King to Maegor I, and later Master of Coin to Jaehaerys I during his minority. The Celtigars have never been far from the Iron Throne…though perhaps none were ever as close as you are now.

One year ago, your father embarked upon a trade mission to White Harbor. Never a man to squander an opportunity for new business, he added stops in Oldcastle, Cerwyn, and Winterfell, and brought along his four maiden daughters to stoke the desires of Northerner lords. Piper fancied a son of Lord Manderly, Petra caught the attention of a Cerwyn boy. But no offer was advantageous enough for Bartimos Celtigar’s liking; no deal could be struck.

In Winterfell, Lord Cregan Stark was already married. His wife, a childhood friend before she was a bedmate, trudged around the castle heavily pregnant and dragging layer upon layer of furs to guard her against the cold, often biting even in summer. Lord Cregan took little notice of your giggling, gossiping sisters, and even less of you…until his sparring partner broke his arm in the castle courtyard. As the other women fled with nauseated faces back to their needlework, you asked Winterfell’s maester if you could watch how he set the fracture and managed the man’s pain. The maester was delighted—Northerners, as a rule, lack intellectual curiosity—and even allowed you to help bandage the wound once the split bone had been popped back into place. And it was only then, as you knelt there with your forehead creased with determination and blood coating your hands to the knuckles, that Lord Cregan Stark began to see you.

You have a fear of marriage, not a general aversion but a specific and powerful dread. When you were fourteen, you asked your mother if she enjoyed lying with her husband, and you had known as soon as she spoke with a careful sort of reticence—‘I enjoy feeling close to him, I suppose’—that the answer was no. When you were sixteen and your cousin Theodora married into House Bar Emmon, you went with the other noblewomen to inspect her bedsheets the next morning, and were horrified by how they chuckled at the large rust-like stain and recalled their own initiations into sex, this unavoidable rite of passage, this ultimate surrender. At breakfast, the men toasted wine and hooted and sang, while Theodora stared down with glazed eyes at her untouched bacon and duck eggs and said when Piper asked how the night went: ‘He wanted me three times. Is there anything I can do to make him stop?’ And you had thought: Aren’t unions like this supposed to be holy? What the hell do the gods have to do with it? Are they in the sweat, in the bleak resignation, in the linen of the sheets? Do they fill the man with blind lust like an animal’s, do they help hold the woman down?

Your eyes close as you lie in bed in the Red Keep, your room adjoining Aegon’s, and suddenly you are back in Winterfell again. You are making notes as the maester shows you the herbs growing in the Glass Gardens when Cregan finds you. He is tall and broad, made more so by the furs that engulf him like mist drapes the stony cliffs of Claw Isle. His voice is booming, thunderous, cataclysmically formidable. He is used to being listened to. He has never been expected to sit quietly as other men charted out his life like the route of a trade ship: here you will go, here you will be emptied of every scrap of value. He says he will give you a tour of the Library Tower. It is not an invitation; an invitation can be declined.

You walk together through the Godswood—dark water, blackberry bushes, crows squawking, gods you do not believe in—and Cregan tells you fond memories of his childhood. He likes hunting and archery. He spars in the courtyard for hours each day. He never stays still, he never goes quiet. He wants to know where you learned to marvel at the ghastly art of piecing broken bodies back together again. He wants to know why you are so different from other women. And he inquires with great fascination about the legendary treasures of your house, not just gold but rubies, jeweled cups, Myrish carpets and Volantene glass, a horn said to summon krakens from the sea, an axe made of Valyrian steel.

Winterfell’s library is sparse and dusty, cobwebs in shadowy alcoves. Cregan Stark thinks you will not notice. As he slips books about anatomy and herbology off the shelves to show you, you cannot help studying his hands, large and calloused and always stained with black patches of ink or soil or soot. They make yours look tiny and defenseless, skin of silk and bones like glass. You picture him claiming you, owning you, climbing into the marital bed knowing that you cannot refuse anything he asks for. You envision him forcing your thighs apart with those huge filthy hands, leaving smudges like ash. You imagine him tearing his way into a part of you that feels so small, so vulnerable; you imagine the suffocating burden of his interminable weight.

A moment of clarity, in the library beathing dust and Cregan’s scent, a woodsmoke musk, a wolflike wildness: I don’t know this man. I don’t trust this man. I’m glad he’s not free to marry me.

This was before the war began, before Cregan’s wife Arra Norrey died birthing their son Rickon, before Jace Velaryon arrived in Winterfell to forge the Pact of Ice and Fire. And when Cregan agreed to support Rhaenyra’s claim to the Iron Throne, and Jace pledged to marry his firstborn daughter to Rickon, the Warden of the North decided there was one last thing he wanted inked into the covenant. He wanted an ally in the South, bottomless wealth, his future children to have Valyrian ancestry. He wanted a woman with vigilant, unflinching eyes and blood on her hands.

He wanted you.

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