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#aspect ratio blues
maxwellatoms · 4 months
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Sorry to bother you again, Max, but have you noticed that [adult swim] has been airing some (though not all) Season 6 episodes in their original widescreen format? Just asking beause you previously noted Underfist as "the only HD thing we did" months before [as] started their Checkered Past block.
None of Billy & Mandy was widescreen. I know that because I was begging for widescreen, as were most of the other creators. Instead, CN decided to crop the top and bottom of the screen so that Boomers wouldn't think the black bars on the sides of the screen meant their TV was broken (I kid you not).
So I'd guess that's the version you're seeing?
It's a weird way to eat cornflakes, man.
That whole debacle landed us with storyboard panels that had two action safe lines, two title safe lines, and a vague shape that encompassed both places the CN "bug" might be. In the end, you were left with this tiny actionable screen space which made it really difficult to stage characters. Especially ones that some fool designed to be one and three-quarters heads tall.
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kirstydreaming · 1 year
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Pink or Blue ?
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mirrorhouse · 1 year
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back in like 2009 i used to think leon kennedy and james sunderland were the same character
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takekawa · 4 months
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elvencantation · 1 year
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I. AM. OBSESSED.
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rogerdeakinsdp · 2 months
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Academy Award Winners for Best Cinematography: 2022 — Greig Fraser, ACS, ASC Dune (2021) Directed by Denis Villeneuve Aspect Ratio: 2.39 : 1
Desert colors dominate throughout the movie, but Fraser, [production designer Patrice] Vermette and costume designer Jacqueline West went to great lengths to imbue that palette with subtle and organic variations of color. “We worked very hard to make sure the world of Dune was not monochromatic,” Fraser says. “For example, Patrice worked veins of reds and blues into the sand walls. He — and Jacqueline, who built these subtle gradations of color into the costumes — both did wonderfully subtle work, and I had to make sure we were capturing those subtleties."
“My approach was to pull as much color as possible out of non-colorful situations,” he continues. “It was all subtle differences, not necessarily bold color contrasts. Achieving bold color in film is super easy. Achieving depth [in the image while creating a natural-light look] when you’re working with a digital sensor and digital lights is harder than it might first appear.” — The American Society of Cinematographers, January 2022
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strawchocoberry · 2 days
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PREFERENCES
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You got a fetish for my love
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──꒰ TITS ꒱
He just loves burying his face in your titties. He’ll massage them and poke them, sometimes make biscuits like a cat. He just cannot get enough of them. To him, they’re stress balls he has free access to. He’ll shamelessly grope your tits when you’re alone, pinching your nipples to elicit your delightful moans. He’ll suck and bite them, despite your protests, decorating them in beautiful hickeys.
blue lock. yukimiya kenyu . noel noa || genshin impact. heizou . baizhu || honkai star rail. boothill . dan heng . gepard . luocha
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──꒰ ARSE ꒱
This man just loves spanking your arse, either as a form of punishment or as a form to relieve his boredom. Sometimes if he’s too bored, he might bite your arse cheek too. He’ll grip your arse tightly, to the point he might leave bruises behind, while having sex. If you’re in his way, he’ll slap your arse and tell you to “fucking move it.” Your little mind would never comprehend the satisfaction he gets when you’re bent over his lap with your arse high for him, all red and sensitive by his spanks.
blue lock. itoshi sae . oliver aiku . shidou ryusei || genshin impact. ayato . wriothesley . diluc . itto . pantalone || honkai star rail. sunday . dr. ratio . gallagher . sampo
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──꒰ THIGHS ꒱
If he could die by asphyxiation from your thighs, he would die the happiest man on earth. His perfect time to pass his evening is by lying his head between your thighs while he plays video games or reads a book or just sleeps. He always leaves hickeys on your inner thighs as a way to mark you. He’s so obsessed with your thighs, he sometimes cums harder by thrusting his cock between your tightly pressed together thighs than inside your pussy.
blue lock. alexis ness . karasu tabito . chris prince || genshin impact. kaeya . zhongli . xiao . cyno || honkai star rail. blade . welt yang . dan heng imbibitor lunae . luka
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──꒰ EVERYTHING ꒱
He cannot decide; he loves everything. He’ll worship and abuse each and every part of you, no exceptions. You’re his and he needs to engrave that to your entire body. He can never — will never — get enough of your whimpers as he’s made your whole body sensitive to his gentlest touch. One moment he’s kissing your tears and the next he’s bringing new ones to your eyes. It’s not his fault you’re so perfect in every single aspect.
blue lock. michael kaiser . barou shoei || genshin impact. tartaglia . alhaitham . neuvillette . thoma . dainsleif || honkai star rail. aventurine . jing yuan . argenti  
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© strawchocoberry — do not copy, repost, translate or reuse my work
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spockandawe · 9 months
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Lord of the rings! Again! I'm fond enough of this story, but what this project definitely taught me in contrast to things like svsss is that I have I have basically no patience for repeating myself unless the thing I'm repeating was a passion project from the start, haha. But after I finished my first take last year as a gift for my cousin's wedding, like a fool, I told my brother he could pick what handmade gift he wanted for his wedding and he said... lord of the rings.
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I wasn't going to give my brother a less extravagant version than I gave my cousin, so I went all in! And I really think i nailed it with the edge art. Watercolors are classic, but I was the type of sketchbook kid who stuck to pencils and pens. It was originally going to have watercolors also, until the lines turned out this detailed and I started worrying about making things muddy. And honestly, doing lines like this where you don't miss the watercolors worked out REALLY well, and I'm going to keep that strategy in mind going forward. I want to get good at watercolors, but I also know it's valuable to play to your own strengths!
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I'm really pleased with how the elements of this came together! The last book was black and blue, so flipping the palette to reds was a lot of fun, and I really enjoy these endpapers. Leather endbands against a leather spine remain one of my fave effects. And as painstaking as drawing the siege of gondor was, and as hard as it was to scrape together references for a spread that 1) showed the cool stuff and 2) had the aspect ratio to cover an 18"x4" surface area, it was really rewarding to see it all come together. I'm really delighted with how this turned out! Two last indulgent pictures to show off the art without those covers getting in the way:
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detailtilted · 3 months
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Comic-Con 2008 - Enhanced Edition of Supernatural Panel
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Direct link. Warning: Some of the special content I added has big spoilers for season 4 beyond the original videos.
This video features Jared, Jensen, Eric Kripke, Sera Gamble, and Ben Edlund. If you've already seen the original videos and you're wondering why you'd want to watch this, see the details about the enhancements below. For other enhanced videos, check my YouTube channel or my Tumblr index post.
Video Improvements - Upscaled, fixed bad aspect ratios, improved colors
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I received a great deal of help from @sensitivehandsomeactionman on the color correcting. They gave me tips on how to achieve better colors and they even took a screen shot from my video and corrected the colors on it with their own software to provide me with an example of what was possible. Having that example to reference was invaluable for me, because I'm not good with colors.
Without that help, Jared and Jensen would have looked like they were in training to become the world's tallest Oompa Loompas. Any remaining color wonkiness (Wonka-iness?) is due to my own failure to apply what I was taught and my failure to see the colors properly. But look at that difference! I was pretty excited about this.
Combined Videos to Cover Entire Event
As with my other enhanced videos, I combined multiple videos to create as seamless a video of the event as possible, from beginning to end. For my earlier videos, that meant combining maybe 5 videos. For this one, I used a total of 19 videos from 3 different sources. A lot of those were used for the talking head bubbles, explained further below.
None of the videos are my own. My video description on YouTube has links to the original videos I used.
Good, Color-Coded Subtitles
As with my other enhanced videos, I attempted to provide accurate and as-complete-as-possible subtitles. They're color-coded to make it easier to tell who's speaking. This is especially helpful when people are speaking at the same time, or when the speaker is off camera.
Since there were so very many people talking in this video, I doubled up on a couple colors if I thought I could do so without it being too confusing. Here's the complete color key:
Red = Jared Blue = Jensen Brown = Eric Kripke Pink = Sera Gamble Purple = Ben Edlund Green = General audience Yellow = The person asking the questions. In the first half this is the moderator, Alynda Wheat. In the second half, this is the fan at the mic. White = Mostly the publicist (Holly Ollis), but a couple times it's used for people off camera who I believe were Comic-Con staff. Two shades of orange = surprise guests
Additional Clarifying Content
As with my other enhanced videos, I've added some images to help add clarity to the references used by the speakers. I added images of characters and scenes referenced from the show, images to explain various pop culture references, as well as some explanatory text to help add details or clarity when I thought it might be useful.
I mostly kept this extra content to the sides so that, if it doesn't interest you, you can hopefully ignore it and focus on the main part of the video. Unlike my previous videos, sometimes this is on the left side and sometimes it's on the right side. The margins shift depending on where the talking head bubbles are.
Talking Head Bubbles - Jared and Jensen front and center, but other speakers visible too
This "enhancement" isn't anywhere close to perfect, but it sure as heck isn't from a lack of effort. This represented at least half if not two-thirds of the time I spent working on this video.
I always find the Comic-Con videos frustrating to watch. When the camera moves to other people who are talking, I want to see Jared and Jensen instead. I like to see their reactions and sometimes they do funny things that get missed. But when the camera is steadfastly focused on Jared and Jensen, I also get frustrated because I can’t see the people who are talking. Nope, you can’t win with me! I want to see everything.
I attempted to mitigate this frustration by adding talking head bubbles. The main source videos I used were the ones with the most constant and stable focus on Jared and Jensen. However, if one of the other source videos had a decent focus on another guest, I inserted a small window into that other video as seen below. Eric shows up on the left, because that's where he was seated relative to Jared. Sera and Ben show up on the right, because they were on the other side of Jensen.
Like I said, it's not anywhere close to perfect. Trying to make the bubbles look stable was an enormous challenge for me. Behind the scenes the person in the bubble was bobbing and weaving all over the original video frame, so I had to constantly adjust the position of the secondary video to keep the subject centered in the bubble. They also aren't always bubbles. The people taking the videos often had the writers on the edge of the frame because they wanted to capture Jared or Jensen too, so the bubbles start to collapse when they get too close to the edge because there isn't enough video surrounding them to form a circle.
I haven't decided if the end result was worth how much effort I put into these darn "bubbles", so I'd welcome any feedback -- good or bad.
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chaos0pikachu · 4 months
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So @doyou000me sent me an ask about the film making of Love for Love's Sake (which I have learned is based on a novel and now I'm very interested in reading it lol) so having watched the currently available episodes the big thing I noticed was the shows use of Aspect Ratio.
"In simple terms, the aspect ratio of a movie is how wide the frame of the movie is versus how tall it is, usually expressed as a ratio. For example, most TVs and computer monitors are 1.77:1 (more often expressed on consumer packaging as 16:9), which means the screen itself is 1.77 times as wide as it is tall. The higher the first number in this ratio is, the wider the screen will be." (source)
I know, nerd math.
Basically you know those black bars you sometimes see on the top and bottom of the screen when watching a film or tv show? That's a director filming in a specific aspect ratio:
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(source)
Film makers use aspect ratios in a ton of ways, there's a lot of examples out there from Hateful Eight (Quentin Tarantino), and Dark Knight (Christopher Nolan) where the former used aspect ratio to invoke the film making style of old westerns, while Nolan used a taller aspect ratio for fight/action scenes to give the scene more physical impact.
A recent example that I've seen that I think applies really well to Love for Love's Sake is Marry My Husband:
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See how the first scene has black bars above and below? The director is using a different aspect ratio than in the second shot (these are both taken from ep01). What does this signify in the story?
Flashbacks. Flashbacks in Marry My Husband are always filmed in a different aspect ratio than scenes in the "present" storyline of the show. Perfect Marriage Revenge also uses aspect ratios this way.
Love for Love's Sake does something similar but instead of flashbacks it uses aspect ratio to denote between "worlds".
The game world is filmed in a longer aspect ratio than the "real" world which is filed in a different ratio (not a standard full screen but it does have a taller ratio than the game world):
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This, so far, has been consistent in the four episodes that are out. We have another return to the "real" world in I believe ep03 and we see this same aspect ratio dynamic.
Another thing I noticed is the "real" world's color saturation is much higher and warmer than the "game" world, but it's also (ironically) much more enclosed - this could honestly be a story choice or a budget issue - and boxed in. Something I don't see discussed a lot in terms of cinematography in BL is the use of Lines and Shapes in film and how they add to the composition of a shot.
I really like this video on the subject though it focuses mostly on animation it's still relevant:
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Now if you look at the "real" world scene in Love for Love's Sake we see that the protagonist, before we even know who he is, or anything about him, is in a highly saturated room, warmly lit, but also boxed in:
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The warmer saturation denotes a sense of intimacy, which makes sense in a bar setting, but the boxed in frame around him gives us a sense of tightness, tension even, maybe a sense that he feels trapped. We later learn through dialogue he's unhappy with his life and unhappy with the way the novel story he read has played out.
Then, when the scene transitions into the "game" world, the protagonist is in a different aspect ratio, the color grading is now more desaturated and has a higher blue hue to it, the character is also in an open space and filmed front forward facing instead of from behind:
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This all works well because the audience knows, even before the character does, they are in another "world" and its very different from their own. It creates to specific aesthetics which help set the worlds apart from one another.
For more on color theory, this is one of my favorite videos on the topic which has more to do with like, hue and saturation rather than "the blue curtains mean xyz" which is a singular and narrative heavy way to focus on color theory instead of how color adds to the tone, emotion, and world building of a piece of media.
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I think the first episode of Love for Love's Sake is the best filmed of the episodes so far, the budget starts to chip away in other episodes but I do want to give them their roses b/c they do work within their budget well. There's a lot of interesting visuals used especially with the game pop ups that I really like, and some nice camera work. The editing is a bit weak at times but there's been some good choices too.
I also really liked the scene with Yeo Woon running and how his feet lit up and how that aligned with his affection points going up. The editing for that was well done.
So yeah, those are my film making thoughts on the show for now lol
Check out other posts in the series:
Film Making? In My BL? - The Sign ep01 Edition | Aspect Ratio in Love for Love's Sake | Cinematography in My BL - Our Skyy2 vs kinnporsche, 2gether vs semantic error, 1000 Stars vs The Sign | How The Sign Uses CGI
[like these posts? drop me a couple pennies on ko-fi]
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kirstydreaming · 1 year
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Natali Andreeva
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Beautiful Non-National Flags, Part 1
So many people see and love the flags of the 193 UN recognized nations, but I want to take a look at a few of my favorite regional/provincial/people group flags around the world.
One of my favorite flags, and I think one of the most beautiful flags, is the banner of East Turkestan
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The Kökbayraq, or sky flag, represents both the geographic region of East Turkestan, and the Uyghur people, a Turkic people group located in what is now Xinjiang Autonomous Region, People's Republic of China (PRC). The flag was flown by the short lived (one year) reign of the Republic of East Turkestan (1933-34), and has been used by the diaspora of the Uyghur people as they flee the authoritarian rule of the PRC. In the modern day, it serves as symbol of protest against the ongoing genocide being conducted by the Chinese Communist Property.
The beautiful simplicity of the flag and its striking blue color make the flag instantly eye-catching. It's similarity to the Turkish flag is no coincidence, it was designed to harken back to the Turkish flag. The beautiful sky blue represents all Turkic people. While the crescent and star can represent Islam, in this flag the crescent represents the idea of being victorious, and the star represents the nation itself.
The flag follows a 2:3 ratio and all of the design aspects follow the same guidelines as the flag of Türkiye. It was formalized and adopted in 1993 and the East Turkestan Government in Exile claims it at the official flag of the Republic of East Turkestan
As this is a flag I personally own, I'm more than happy to fly it when I can and speak about it. This flag is easily in my Top Ten list because of it's beauty, and I've used the the exact shade of blue in a couple of flag designs.
I highly recommend anyone interested research the culture and history of the Uyghur people, and learn about their plight as they're subjugated under the iron fist of the Chinese Communist Party.
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oxygenbefore1775 · 5 months
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ok just one more thing about color analysis
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(here is the my full post about the color analysis on other characters including Hange)
This one is specifically about Erwin. What I like about his "official" color is that it's the same as Hange's - purple, mirroring their similar fate of becoming Scouts leader. But there's difference in hue, Hange's looks balanced due to having equal ratio of red and blue whereas Erwin's is magenta and warm-toned due to addition of red. And this addition of red is where the root lies.
Beyond the shared qualities that Erwin and Hange possess and that the color purple symbolizes, such as knowledge, ingenuity, dreams and energy - the very attributes that propelled both into great commanders - the additional touch of red in Erwin's color introduces another layer of connotation to his personality, complementing the classic purple symbolism.
Red symbolizes many things but ones that are relevant to my rant are as follows:
The first and obvious one is bloodshed (cuz blood is also red believe it or not). This connotation ties in with Erwin's treatment of his soldiers and subordinates. Although he cares about them, he doesn't hesitate to sacrifice them for the sake of the mission's success which would often result in lives being lost and blood being spilt.
Going off the blood association, the color red also invokes danger - the feeling that was very evident in each of Erwin's endeavors as his plans would entail endangering the lives of other soldiers.
On the positive note, one of connotations of this color that also pertains to Erwin is passion and driving force. In Erwin's case it mirrors his dream to see what lies beyond the walls, the thing that dictated Erwin's decision.
Another thing worth mentioning is that red is commonly known as the color of revolution - a pretty low hanging fruit for me to point out, considering that Erwin went and did just that in season 3.
All in all, the added hint of red to Erwin's "official" color only underscores the aspects that distinguish him from Hange's approach to leadership. On one hand it's more bloodier and cruel when it comes to soldiers' lives but on the other hand it is more driven and inspiring (not that Hange's isn't it's just their dream doesn't really require an army of soldiers, their dream is more "scientific")
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decalcominia · 4 months
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I just wanted to talk a bit more about the sea parallel because oh god i love it so so much. I just love all the directorial choices they made that went into these scenes.
so first we have this scene
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and it hurts so much.
in those few minutes we see myungha's actual life, we see why he made this decision but remembering the scene in episode 4 where he talks with yeonwoo about whether they like the mountains or the sea better, and knowing that myungha is a sea person, that he likes the sea more than mountains, it hurts to see this because he chose his last moments to be somewhere he likes. but even then, the last memories he has of a location he likes so much becomes entangled with feelings of loneliness, pain and regret. and I feel like the shot reflects this exact state of mind; blue, alone and surrounded by darkness. considering that even the aspect ratio changes later, I want to say that this scene also visualizes that he is genuinely just stuck, therefore pointing out again the reason for the decision he took.
and then we get this.
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everything is different.
he is no longer alone. there is no more darkness. it's no longer monotone and dull. it's colourful and full of life. the aspect ratio isn't restricted anymore. it feels free and peaceful. the place where he once chose to end his life becomes a source of life or at least proof that he now has a reason to live.
I know this is technically his afterlife but I am glad that at least now he has a life he wants to live and people he loves and who love him and that he is no longer alone.
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dwreader · 9 months
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A Meal to Remember by @iwtvfanevents
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Part 2: I am suddenly Megan Ellison, a wealthy lesbian, my father is a billionaire who has allowed me to start my own production company to make films I want to see. Money is no object. Here are the fics I would adapt and who I would hire (bully into) directing.
1. Reformation by verseau - first of all, I would pay $1 billion to acquire the rights outcompeting Amazon, Netflix and Apple and I would make Betsy adapt the screenplay. I maintain this must be cinematic because Ldpdl’s hole needs to be experienced in 70mm imax AND I would not allow any countries to censor like they did to Florence’s boobs. This would be like an Eternal Sunshine/Blue Valentine/Two for the Road type romantic dramedy that jumps back and forth in time to show the couple’s struggles and progression, and the non-linear storytelling means it automatically becomes an Oscar frontrunner. I would try to hire Barry Jenkins first but he is occupied with The Lion King 2 at Disney so then I would go to Mia Hansen-Love to direct. Beyoncé does the soundtrack. I didn’t even have to ask her she just wanted to.
2. Part of Your World by weathermood - I will imprison Mr. Monsterfucker himself Guillermo Del Toro until he agrees to direct this film like I am Kathy Bates in Misery. He will read it and then be like okay I agree you don’t need to kidnap me I will make this movie. We are going full Avatar 2 level budget to make sure underwater scenes are believable cause I won’t tolerate bad Aquaman CGI. The budget balloons to $400m but that’s okay cause it makes $2.7b worldwide and there’s 2 sequels greenlit immediately cause the world wants to see Louis get pregnant.
3. A Potentiality for Corruption by vampdf - Guillermo is occupied with Part of Your World and its sequels now so I turn to Robert Eggers to help bring to life this gothic horror romance. It’s 3 hours long. Parts of it are in black and white and there’s aspect ratio changes that confuse and unsettle the audience. We debut at Cannes. We get a 47 minute standing ovation but also some walkouts and fainting in the crowd because some vanilla viewers couldn’t handle the ending, which is controversial but has everyone talking.
4. Cord of Communion by themasterletters- this has now become a #1 nyt best selling novel so we have a built in audience and they want it to be a tv show cause of its length and we can’t skip out on any important points. Every streamer wants it but I choose HBO cause of the prestige factor and I’m an Emmy whore. It becomes Sunday night essential viewing replacing Succession it’s like if The Idol was actually good. I hire many talented directors such as Raine Allen Miller (Rye Lane), Francis Lee (God’s Own Country), Gina Prince Bythewood (Beyond the Lights) and I make Rolin Jones be my showrunner. We sweep the Emmys. The episode where Lestat fires Louis becomes the new Red Wedding traumatizing millions.
5. Pieta by baberainbow - When iwtv the amc show ends, I hire Paul Verhoeven to direct a standalone sequel film based on this fic. It’s as insane as you could ever imagine. The Catholic Church is mad at us. It’s condemned by the Vatican and the anti-feminization police. They’re protesting outside our premiere like they did to Benedetta. It doesn’t matter cause it just makes the film an even bigger hit.
6. Hand to God by boltcutters - first I pay Ziska $1 billion to finish writing this. Then I go back in time to 1933 first to make Hollywood not adopt the Hays Code so we can have gay and interracial stuff in movies and then to 1946 so Howard Hawks can direct this Danlou version of The Big Sleep.
PSA: some of my links aren’t working cause I’m on my phone (on vaca) so please forgive me but y’all know where these fics are don’t lie!!!
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atiny-for-life · 11 months
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Ateez's Full Storyline Explained - Part 17
Masterlist
BOUNCY (K-HOT CHILLI PEPPERS) (Z-World)
Throughout the MV, we'll be seeing both Ateez and the Black Pirates and based on the skills we'll be seeing each member display throughout the course of the video, the Z-like symbol we see Mingi paint on the wall in the post-credit scene, and the information we get from the Diary Version of the album, we know the Black Pirates are the Outlaws-
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And Ateez are the ones in white infiltrating Prestige Academy toward the end
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From the Album Trailer, we already know the following:
They've been planning this mission for 6 months ("they" presumably being Ateez, the Black Pirates and Left Eye)
The Black Pirates split up into duos and have been hiding out in different parts of the city to presumably gather intel from all kinds of civilian groups: Wooyoung and San as manager and underground fighter, Yunho and Jongho as mechanics, fake cops and potentially forgers, Hongjoong as the babysitter of a goat with Mingi who's presumably been bar-hopping (I'm kidding - their roles will become clear later), Seonghwa got himself some grillz and biker friends together with Yeosang who's apparently also a food delivery driver on the side
They've now been called into action to kick off the mission with Yeosang being the communication link between all of them
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Side-note: when you watch the trailer, you can see the song titles in the neon signs and the name of the delivery service: "Blue Bird" which is a callback to Halazia where the bluebird was utilized as a symbol of reclaiming your freedom
Another thing of note: To outline the older aesthetic of this MV which takes place in the outskirts of Stirctland, the aspect ratio is kept in 4-by-3 as was the norm here up until the late 2000s
This is in stark contrast to the 16 by 9 widescreen ratio from Guerrilla which was situated in the high tech city center and very much aligned with the futuristic aesthetic by utilizing plenty of polished and sleek CGI effects and backgrounds
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With that in mind, let's get into the MV:
We open on Mingi who's heading into a Cowboy/Western Steampunk-looking bar called Chilli Peppers by himself
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Followed by Seonghwa with his biker-buddies (he seems to have five of them) and Hongjoong in front of his GOAT sign (I can only assume this refers to the sports term Greatest Of All Time and not the animal but I do appreciate the excuse to have an actual goat in the video and promo-material)
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When we see the whole crew together, it seems to be either on the bikes, in front of the Chilli Peppers bar or in front of Jongho and Yunho's garage (aptly named Outlaw Customs) which means we're moving back and forth between seeing their time apart and them post-reunion
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A big part of the MV is spent with Wooyoung and San who seem to have become quite well-known during their time in hideout
San has become a successful underground fighter with his own fanclub and Wooyoung has been hustling up quite the amount of cash as San's manager, presumably from bets made against San
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We can see a bunch of signs in the crowd with some of them reading stuff like "Quitting is not an option" and "The Champ is here"
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Another stick-it-to-the-authorities detail can be seen during this shot of Yunho in the garage: they've managed to acquire a police car and have slapped their own Outlaw sticker on the hood because as Hongjoong said during the showcase: "In an unjust society, doing the right thing can be illegal."
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Additionally, we also get a glimpse of Yunho and Jongho's police IDs which I can only assume have been forged for research or investigative purposes, i.e. to question citizens that otherwise wouldn't be willing to speak to them and answer their questions (after all, they've been trying to get into high security places to free as many civilians as possible)
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Moving on to the most mysterious part of the MV (which I'm sure will make more sense within the context of the Diary entries later on): we see Yeosang and Seonghwa with their biker friends inside a room reminiscent of the museum we saw in Say My Name
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In its center, we see a container on a pedestal hooked up to a bunch of tubes and wires housing a tiny little chilli plant that can seemingly only thrive in a very specific climate, hence the red lighting (temperature regulation) and the tubing (managing moisture and oxygen levels)
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I can currently only speculate what these chillis can do but I'm sure they have some properties the government wants to keep away from civilian hands since they're known to use nutrition to uphold their absolute control over the population
These are also the chillis which were used to deliver messages to the other members (as seen in the trailer) and now Yeosang and Seonghwa have stolen presumably the entire remaining supply
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We can see these peppers also being served in the bar Mingi entered at the beginning of the MV and upon seeing them, the other bar guests approach Mingi with a threatening air about them
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This confrontation quickly escalates to a shootout in which Mingi clearly has the upper hand as he's mowing down everyone but the barkeeper before they can fire as much as a single shot (an exchange which tells me the other bar guests may have been government spies of some kind alerted by the sight of the chillis - maybe they've become a symbol of the revolutionists?)
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Meanwhile, San's having a rough time in the ring (some bruises, blood crusting the corner of his mouth) while Wooyoung's trying to keep him motivated and to his credit, it seems to work
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San gets up, kicks his opponent in the face and knocks him out cold which puts an end to the fight and secures him the win
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Alongside the widespread cheers of the fans in the audience, they celebrate his win by raining down water and money interspliced with choreography clips featuring the full group
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This is also where we get the iconic clip of Mingi doing body-rolls in a cropped vest on the pool table after he shot down everyone but the barkeeper
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With these wins secured, we can now check in on Ateez who have successfully infiltrated Prestige Academy in white uniforms reminiscent of the one the boy at the end of the Guerrilla MV was wearing and most importantly: the windows are all cleared and sunlight is streaming inside - the kids have been woken up.
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We cut back to Hongjoong who snaps one of the chillis in half and finds within a single bullet - as someone who doesn't care for guns in the slightest, I can only say it reminds me of a sniper bullet
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What this means in the grand scheme of things, I'm not sure, but I can speculate:
In a society ruled by an oppressive government, weapons are usually kept far away from civilian hands in order to prevent an uprising, especially one with even the slightest chance of success
Side-note: this cannot be compared to gun control in a democratic society where weapons-access is restricted to prevent civilian-on-civilian violence like mass-shootings
Because of that, I assume the chillis are now being used to smuggle ammunition to the revolutionists so they can build up a civilian army with a fighting chance against the Android Guardians and other government-agencies
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And this bullet in particular? It's not just any bullet. This is some high-tech futuristic shit - clearly an upgrade from whatever they tried to use against the Android Guardians in Fireworks/The Leaders
We get to see Hongjoong load it into his gun before taking aim and setting it on an extremely well calculated path of controlled destruction. The following shots tracking the bullet's trajectory are deeply satisfying so let's break them down:
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First, the bullet pierces right through the climate-controlled container housing the chilli plant and shattering the glass as Yeosang, Seonghwa and crew are stationed there. This has the following implications: the plant can no longer produce chillis for the government and all the remaining chillis in this universe are now in the hands of the revolutionists.
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From there, it moves through Prestige Academy where Ateez are gathered and light floods inside through the open windows: the kids have been freed and there'll be no more future generations of government-controlled workers.
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The projectile keeps going, moving through the darkened inner city and heading straight for the tallest building in the city center - the one we've already seen in the trailer which they were heading towards on their motorcycles.
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It enters through a window, flies down a sterile dimly-lit corridor, pierces through a white closed door and finally finds its mark: the head of an Android Guardian (I hope it was the one who grabbed Yeosang by the neck back in the Fever Part 3 Diary Entries)
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The bullet's impact triggers an explosion, which transitions into the celebratory part of the choreo as sparks fly around the Black Pirates gathered in front of the Chilli Peppers bar.
It all culminates in this shot of the Black Pirates walking away from the government skyscraper as it goes up in smoke and flames. The mission was a success.
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