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#austen related
highwaydiamonds · 2 years
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Clearly the Persuasion 2022 producers watched P&P 2005 and decided, "We could make it worse."
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bethanydelleman · 2 months
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I'm really tired of the "woman sad about her arranged marriage" trope, especially if that woman is royalty.
I am sure that many women across time were sad about their arranged marriages, but I'm sure a lot of others were excited, ambivalent, or resigned. Again, especially if you were royalty! I am sure if you were born a princess, you were trained from birth that your whole purpose in life was to marry someone important to solidify the power of the person on the throne. And honestly, it's an important job, if it wasn't, they wouldn't have tried so hard to do it.
That woman isn't just marrying another king or prince, she's going to be an ambassador of her country. She's supposed to be there promoting good relations. She isn't just a woman being sold off, she has a job! Also, if she is marrying the reigning monarch (or the heir), she may well end up running the country if the king is off at war or he dies when the heir is really young. That happened a lot throughout history! (or maybe she marries the third son and helps him find his way to the throne. Good for her)
It just feels like a modern sentiment being projected back. In Romeo and Juliet, when Juliet's mother first brings up marrying her to Paris, Juliet's basically cool with it and says she'll try to like him. She would have known this was going to happen because that is what rich women do, they marry into another family so their two families can be buddies. What else would she even be expecting?
It wouldn't bother me so much except that it's all we see! Give me a story about a woman who is like, "Cool, I shall give it my all!" Or she's like rolling up her sleeves and planning how she's going to get the court on her side and rule France, power behind the throne style (these women are mostly portrayed as villains, but who is to say the king would do a better job?). And also, have a little faith in women's fathers? You think men in the past didn't occasionally consider the happiness of their daughters? Not even a little bit?
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stardusthalos · 1 year
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[eyes] all muses?
[eyes]: not just the colour, but the shape, the length of their eyelashes, whether they’re alert or usually half-closed, large or small, sunken into the face, ringed by bags, etc.
*cracks my knuckles* here we go. I'm just gonna do the main 9! Also here is where I admit that my doing the picrews was to assist in understanding their eyes lmao.
Raziel
Raziel's eyes shift between being: Black Holes and full of stars.. The full of stars are in his human form, and though they appear to be black, when he wears glasses, you can see what appears to be brightly colored, flickering flecks within and occasionally shooting across his irises (he's got no pupils). Those are, for all intents and purposes, stars. Just in there because he contains multitudes. The black holes come about when he's in battle mode, or when he needs to be a little terrifying. You can shine a light on those bad boys and not a single reflection will be there.
In general, his gaze is relaxed, jovial even. And when he's working he's got that kind Librarian air to his looks, and when he looks over his glasses you know you need to shape up!!!
Rhemiel
Rhemiel's eyes are a dark dark brown, almost black. And they look such a lush color in the light. They're slightly deeper set, but no less comforting. The reason for this is because it's very rare that his gaze isn't just calm or soft. Being looked at by him definitely feels like you're the only focus he has...and that applies even more if you're the reason why he's upset or angry. Eyelashes are lovely but not especially long or thick.
Kariel
Her eyes are almond shaped and a beautiful hazel, mostly with green and a ring of amber around the pupil. Whenever she goes out she does do kohl liner and it makes her eyes even more prominent. I would hazard saying that her natural gaze is neutral, but that's mostly because it's just...one step above that in the intensity category. Even though she's shorter than you, the feeling that she's looking down at you is palpable. However, if she loves you, her eyes seem to brighten just seeing you.
Athriel
Athriel is an interesting one. They have sweet, honey colored eyes that always seem to be happy to see you, even if they're meeting for the first time. Because the apples of their cheeks keep their eyes almost eternally half or partially closed in a smile, to see their full, wide eyed stare is more of a rarity than one might realize. They do have long lashes, and they take very good care of themselves.
Maroon
Oof. Maroon is...a lot. They decided to keep their eyes from Home as a reminder of who they were, what they've done, and that's what they hide behind their bangs. A set of four eyes that seem to be glowing, bright gold, yellow and white, swirling and prone to actually getting set aflame whenever they experience intense emotion, but especially intense anger. Most people (note: mortal) who look directly at them cry, or feel overwhelmed.
Uzzeth
Okay this one takes the cake for longest, thickest eyelashes. Uzzeth has eyelashes that are the envy of anyone who sees them. I cannot stress enough how pretty this man's eyes are. They are downturned, a little hooded and have a bit of bag under them, but my god. Fucking stunning. They are a bold, deep emerald green and because of his internal flame there seems to be flecks of iridescent color within them. 90% of the time they seem to be focused nowhere in particular and are almost in a thousand yard stare, but when they focus on someone or something, the intensity can catch you off guard.
Atem
Can we get another oof for this bad boy? Atem used to have stunning golden eyes, but since his fall they appear to be tarnished, faded in color and hazy. There's intense scarring around them as well, thankfully faded some but still nasty looking. Atem is one that has chronic resting bitch face, and so his eyes are almost always giving the vibe of being annoyed. If he cares for you, or about you, his eyes will soften and give way to an extremely expressive side that very few get to see. His eyes are still the windows to his soul, as they were a big part of his job when he was in heaven, and so they remain even now.
Austen
We had to have one heterochromatic nerd and here he is!! His left eye is the Hazel one, and is a good blend of soft, pale green and amber, the right one is a lovely brown. He does have thick lashes, and is prone to fluttering them to get his way when he's definitely done an oopsie. He cannot look at someone in the eye whenever he talks to them, not to be rude but because it makes him uncomfortable, and that is the number one expression that comes through them, nervousness.
Xi
Xi also has dark brown eyes, and they look eternally tired. She's got gucci bags under her eyes and a slight pink tint to them from the amount of time she spends not sleeping, and prominent eyelashes she got from her father's side of the family. They are a little more wide set than others, slightly upturned, and always watching. Even when she is by herself she is scanning whatever space she's in. When she's not making sure there is nothing pressing in her environment, she is lazer focused on her spells and projects to the point where if you disturb her, her next gaze can probably kill at ten paces.
Yarrow
Yarrow has the funky little trait of seasonal eyes! During the spring and summer their eyes are stunning shades of green, in spring the accent color is what appears to be pink, while during summer it's a deep yellow. During fall and winter their eye colors go from amber to black, no accent colors to be had with these. If you've ever wondered how an author can ever overuse 'their eyes narrowed' when writing, this is the character that does it. Yarrow always has an air of studying and incredulity coming from them, and that never really changes. They use glamours to lengthen and thicken their lashes as well as add little decorations and glitter to them, but normally they're pretty average.
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nymphpens · 5 months
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Mr. Darcy
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nelkcats · 1 year
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Voice From Beyond
Danny was bored, really bored inside the Realms, he was supposed to stay there because facing the reality that his "world" was no longer safe, and all his friends were fighting for his safety was too much. But after he got past the paranoia he just couldn't find more things to do to distract himself from the thought.
He had already argued with Skulker, stolen Johnny's motorcycle and even participated in a concert with Ember but nothing improved his spirits. Curiously, it was during a visit to Technus that he found the solution to his problem. It turned out that the radios could broadcast around all the Realms, it was perfect!
The halfa started a radio program. It started out as a curious thing, where he recounted his experiences as a hybrid and the culture of the Realms. In some cases he had special guests to tell of their experiences and what they had done after their death (Jane Austen and Shakespeare looked excited to be able to talk about it!)
And so his program "voice from the afterlife" was born, where he gave various advice to the dead and not so dead; the only thing that Danny didn't notice was that he was not only transmitting in the Realms, but in many universes that picked up his radio signal by a lot of luck. The DC universe got caught up in the mysterious show when it aired. Some said it was impossible, others theorized that it was real, others thought it was just fiction.
But Jason knew it wasn't just fiction, he knew that somehow Danny was real, and had the answers he needed. Jason was determined to prove it, with a little magical help of course.
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bestoftweets · 1 month
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anghraine · 1 year
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This is unnecessarily long, but: I was just thinking about Wickham's predation on fifteen-year-old Georgiana Darcy and then, almost exactly a year later, Wickham's predation on sixteen-year-old Lydia Bennet.
There are obvious parallels between the two incidents. In fact, they're so obvious that I think the incidents are sometimes treated as equivalent, with the consequences only differing by happenstance. I don't think that's true, personally.
There are some mechanistic sort of differences—Wickham put a lot more effort and planning into the Georgiana situation. He wanted to marry her for her money and to make her brother suffer. She had to be isolated from people who would look out for her interests, he had Mrs Younge in place, he had known Georgiana as a child and was able to exploit his own previous kindness to her as her father's godson, etc.
And Georgiana, despite all of this, and despite being swept away by a teenage infatuation with an extremely attractive man, was still uncomfortable with it. She was worried about disappointing a brother who raised her and whom she deeply loves and admires. When her brother actually showed up by surprise, she decided to tell him everything; Darcy takes pains to give her credit for this. Adaptations generally downplay Georgiana's active decision-making here, but the only element of chance is Darcy deciding to go to Ramsgate at all. He insists that he was only able to act because Georgiana chose to tell him what was going on.
This isn't meant to be an indictment of Lydia, though. Does she admire the parents who raised her? No. But why would she? Especially why would she admire a father who treats her mother and sisters and herself with profound contempt and no sense of responsibility? Why would she ever confide in him?
It's not like Lydia doesn't confide in anyone. In fact, she too confides in an older sibling, her sister Kitty. And in one sense, her trust in Kitty is not undeserved. Kitty does keep the secret. Presumably, she does this because, despite her occasional annoyance with Lydia, she is very much under her influence and goes along with whatever Lydia does. Regardless, she is trustworthy in that sense. Moreover, we see at the end of the book that Kitty is easily improved by being placed in better environments and taught how to behave. She just didn't know better.
How was she going to judge Lydia's situation correctly? Who was teaching her to judge anything correctly? Certainly not their parents.
If Mr Bennet had bothered to interest himself in his younger daughters and try and influence them for the better, impressionable Kitty is probably the one who would have benefited the most. The whole Lydia/Wickham thing would have fallen apart before it went anywhere if all the girls had been been properly raised, even if Lydia did exactly the same things.
And Lydia likely wouldn't do the same things if she'd been brought up properly and, you know, treated with a baseline of respect rather than being openly mocked by her father, the person most able to affect her development. Instead, at barely sixteen, she's been continually rejected by her father, over-indulged by her mother, and flattered by adult men (28-y-o Darcy says he and Wickham are nearly the same age). And she still tells someone what's going on, even though she doesn't care about her parents' opinions or the consequences of her actions. And she was under the protection of a colonel and his wife at the time, who also could have told someone or acted, and didn't.
It's not that nobody could have done anything about the Lydia/Wickham situation. It's that nobody did until Darcy found out and tried to extract her. But it was, in one sense, too late. To Lydia, he's just some unfun acquaintance who says boring things like "go home to your family and I'll do what I can to cover for you." That is, he tries to do what he did for Georgiana.
But Lydia is not Georgiana—she did not choose to tell him about any of this. She did not want to be extracted because she didn't know and couldn't be quickly made to understand what marriage to Wickham would mean in the long term. And she didn't care what her family thought because she had no reason to, pragmatically or psychologically.
Georgiana, otoh, did care about her family's welfare and the good opinion and affection of the head of her family. But despite their radical differences in personality, the most fundamental difference between the girls IMO is that Georgiana had every reason to believe that disappointing Darcy and losing his respect would be a change from the norm.
Normally he is affectionate and attentive towards her. They write each other long letters, he defends her to other family members, and praises her frequently. Georgiana, quiet and intimidated though she may be, talks more when he's around. Disappointing him had actual stakes for her.
Put another way, the potential loss of his good opinion mattered to her because he's gone to the trouble of raising her as well as he can and forming a good relationship with her. She chose to tell Darcy the whole thing because he had earned her affection and trust in a way that Mr Bennet has utterly failed to do. Even Darcy happening to visit Georgiana at Ramsgate comes from his affection and attention to Georgiana's welfare, even if he couldn't have known what would follow from checking on his sister at that particular moment.
Chance is always part of life, and it's part of the novel and these situations. But a lot of how these scenarios wound out was not determined by chance but by long-existing patterns in these girls' educations and relationships.
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diana-daphne · 20 days
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Emma try not to be a hater challenge (impossible)
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triflesandparsnips · 4 months
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Accidentally started rereading Northanger Abbey, and was sudden reminded all over again that Jane Austen is, in fact, fucking hilarious.
NA is her parody/satire of Gothic novels at the time, and she starts the book by choosing violence-- she describes the "tragedy" of the main character, Catherine Morland, a girl Determined to be a Heroine even though ALL ODDS are against her: she has a sane father who doesn't lock up his daughters, a healthy mother who didn't die in childbirth, no preternatural talent for music or drawing through which to reveal her Deepest Soul, and-- most shockingly of all-- absolutely zero love interests for whom she can wander the hills mourning their starcrossed fates until she wastes away from the sheer Sentimentality of it all.
But don't worry! She's got this FIGURED OUT. She KNOWS why she has not yet found her TRUE LOVE:
There was not one lord in the neighbourhood; no—not even a baronet. There was not one family among their acquaintance who had reared and supported a boy accidentally found at their door—not one young man whose origin was unknown. Her father had no ward, and the squire of the parish no children.
But when a young lady is to be a heroine, the perverseness of forty surrounding families cannot prevent her. Something must and will happen to throw a hero in her way.
(SPOILER: She is introduced to a mysterious young man who lives in an ABBEY, which everyone knows means he has a DEEPLY MYSTERIOUS SECRET PAST and is maybe a TRAGIC HERO or even a ROMANTIC MONSTER and either way this is IT this is Catherine's TIME TO SHINE she is going to get a good grade in DOOMED LOVE, a thing that is normal to want and--)
(...meanwhile Henry Tilney-- an ordinary guy who never expected "get cast as the Hero in some Grand Gothic Romance" to show up on his bingo card-- starts wondering when exactly he started finding Catherine's attempts to locate bloody daggers in his linen closet charming.)
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chaitalinath · 1 year
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Dear men,
Can we please get it straight that NOTHING, absolutely nothing, looks better than a black kurta on you? And yes, we're carrying dupattas for a reason, drop those smart watches. They're killing romance.
Yours truly,
A bhartiya nari
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highwaydiamonds · 2 years
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Thinking again about the darknesses that lurk underneath the surface of Sense and Sensibility (I have talked before about how Edward despite being the eldest is subjected to what we can argue is emotional and financial abuse by his family for years, and how the Dashwood women are disinherited on a whim of their great uncle), and this time specifically about the Brandons.
We get so little about them, and what we do get about them is all bad:
This lady was one of my nearest relations, an orphan from her infancy, and under the guardianship of my father... At seventeen she was lost to me for ever. She was married—married against her inclination to my brother. Her fortune was large, and our family estate much encumbered. And this, I fear, is all that can be said for the conduct of one, who was at once her uncle and guardian. My brother did not deserve her; he did not even love her... I have never told you how this was brought on. We were within a few hours of eloping together for Scotland. The treachery, or the folly, of my cousin’s maid betrayed us. I was banished to the house of a relation far distant, and she was allowed no liberty, no society, no amusement, till my father’s point was gained... My brother had no regard for her; his pleasures were not what they ought to have been, and from the first he treated her unkindly.
Mr Brandon Sr is shown to us as being a greedy man, a bad administrator of his estate, and a cruel father. His first son seems cut of the same cloth, and his pleasures were not what they ought to have been is one of the most, if not the most sinister line between all the Austen novels. But there's more about him!:
Her legal allowance was not adequate to her fortune, nor sufficient for her comfortable maintenance, and I learnt from my brother that the power of receiving it had been made over some months before to another person. He imagined, and calmly could he imagine it, that her extravagance, and consequent distress, had obliged her to dispose of it for some immediate relief.
The Brandons were married for two years; the colonel returns to England and starts looking for her 3 years later. Young Eliza was then a 3 year old toddler. We are obliquely told that Brandon cut all ties with his brother:
It was a valued, a precious trust to me; and gladly would I have discharged it in the strictest sense, by watching over her education myself, had the nature of our situations allowed it; but I had no family, no home; and my little Eliza was therefore placed at school. I saw her there whenever I could, and after the death of my brother, (which happened about five years ago, and which left to me the possession of the family property,) she visited me at Delaford.
Eliza is now 17, so the eldest brother died when she was 14, which is 16 years after his marriage with the older Eliza. In that period of time, he managed to squander the whole of her fortune, and put the estate in debt again, as we are told earlier on by Mrs Jennings:
Poor man! I am afraid his circumstances may be bad. The estate at Delaford was never reckoned more than two thousand a year, and his brother left everything sadly involved. I do think he must have been sent for about money matters, for what else can it be? I wonder whether it is so. I would give anything to know the truth of it. Perhaps it is about Miss Williams and, by the bye, I dare say it is, because he looked so conscious when I mentioned her. May be she is ill in town; nothing in the world more likely, for I have a notion she is always rather sickly. I would lay any wager it is about Miss Williams. It is not so very likely he should be distressed in his circumstances now, for he is a very prudent man, and to be sure must have cleared the estate by this time. I wonder what it can be! May be his sister is worse at Avignon, and has sent for him over. His setting off in such a hurry seems very like it. Well, I wish him out of all his trouble with all my heart, and a good wife into the bargain.”
We know the Bennets, with five daughters, and without a saving mindset, still manage to live very comfortably with 2000 a year, and if they had had any mind to save money, they could have provided all five of them with decent dowries/money enough to keep them out of poverty when their father died if they were single. It is clearly not that the money isn't enough, or that Delaford is an unproductive estate; in fact, it is described to us as almost paradisiac:
Delaford is a nice place, I can tell you; exactly what I call a nice old fashioned place, full of comforts and conveniences; quite shut in with great garden walls that are covered with the best fruit-trees in the country; and such a mulberry tree in one corner! Lord! how Charlotte and I did stuff the only time we were there! Then, there is a dove-cote, some delightful stew-ponds, and a very pretty canal; and every thing, in short, that one could wish for; and, moreover, it is close to the church, and only a quarter of a mile from the turnpike-road, so ’tis never dull, for if you only go and sit up in an old yew arbour behind the house, you may see all the carriages that pass along. Oh! ’tis a nice place! A butcher hard by in the village, and the parsonage-house within a stone’s throw. To my fancy, a thousand times prettier than Barton Park, where they are forced to send three miles for their meat, and have not a neighbour nearer than your mother.
One interesting character, though forgotten because only mentioned in passing, is the Brandon sister. On one of the quotes above we get that she's in Avignon for her health, and we know her husband is wealthy (and probably abroad with her) because it is his estate that the planned picnic is for:
A party was formed this evening for going on the following day to see a very fine place about twelve miles from Barton, belonging to a brother-in-law of Colonel Brandon, without whose interest it could not be seen, as the proprietor, who was then abroad, had left strict orders on that head. The grounds were declared to be highly beautiful, and Sir John, who was particularly warm in their praise, might be allowed to be a tolerable judge, for he had formed parties to visit them, at least, twice every summer for the last ten years. They contained a noble piece of water; a sail on which was to form a great part of the morning’s amusement; cold provisions were to be taken, open carriages only to be employed, and every thing conducted in the usual style of a complete party of pleasure.
It is implied that Brandon and his BIL are in very good terms (and we know he's not afraid of cutting ties with bad relatives), and one can safely guess that at the very least he cares enough about his wife as to have her travel for her health. Another guess can be made about her getting married about 10 years before the events of the book. Whether she lived at home before that, or was at school or somewhere else, it isn't said.
But this way you can feel there's a parallel in a way, between the Brandons and the Tilneys: a greedy, cruel father, a son that follows on his steps, and a younger brother and sister managing the toxicity as best they can. Talking about this with @bad-at-names-and-faces, she brought up the idea that in that scheme, Cathy would be Eliza (if it wasn't her not being an orphan, or a rich heiress, and how that connects with Austen's line about Cathy not being born to be a heroine at the beginning of Northanger Abbey). Certainly part of it is the romantic gothicness of the Brandon backstory, united with NA's commentary on Gothic tropes, but to me it drove home with even greater force how such a situation would break a man; losing Cathy that way would have definitely broken Tilney, and if we had met him 14 years down the line, would he have appeared to the unacquainted much different than Brandon appeared to the Dashwood sisters?
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Catherine Morland would have absolutely loved Tumblr, liking and reblogging about a million gifsets and metas per day and constantly falling in love with yet another ship and fandom!
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nymphpens · 11 months
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At a social gathering:
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northlight14 · 6 months
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“I certainly have not the talent which some people possess of conversing easily with those I have never seen before. I cannot catch their tone of conversation, or appear interested in their concerns, as I often see done” -Mr Darcy
I’m sorry, there’s no way Darcy isn’t autistic. I already had the headcanon but this just confirms it for me. He literally listed multiple autistic traits in one bit of dialogue!
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aylinaliens · 2 years
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extraordinary attorney woo + jane austen (letterboxd edition)
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