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#bad day wall
apalapucian · 1 month
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“a fresh slice of a plastic galaxy on the ceiling of her four-poster, the renewed glow a nostalgic reminder of her earlier years in hogwarts. it should be cinnamon apple, not apple cinnamon, she remembers sometimes as well, laughing quietly in the dark, eyes already closed.
(also: because i like you, he said. not like that, he said. i think you're cool, he said.)” — bad day wall (ao3)
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theoldkyokodied · 1 year
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You know which scene I am basing this on. Also (kisses all the fanfic writers on the mouth) thank you for your service
Bonus:
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Edit: DISCLAIMER: Before you decide to watch Re-Animator, make sure to check for content warnings, there is a scene that a lot of people choose to skip!
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marsbotz · 2 years
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maybe its already too late for me
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onirupture · 1 month
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I've been experimenting with a V1 design Ive been brain rotting over that gives V1 a more feral appearance. I don't think I got it quite right yet but Bloodhound V1 for now
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mattodore · 3 months
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you belong to me and i belong to you and so on
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"I'm in your walls"
The Bad Batch s1x01
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The Bad Batch s3x14
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delta-piscium · 1 year
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When Steve and Eddie start dating Wayne pulls Steve aside and is like “I know this sounds odd but you’re gonna have to take him on walks every once in a while.”
And Steve is just like “?? Sir? He is not a dog?”
Wayne gives him a slightly haunted look, muttering “sometimes I wonder,” under his breath before clearing his throat and telling Steve to just trust him on this one. 
Steve thinks this is probably something Wayne had to do when Eddie was a child to get him out of the house but the man is a full-grown adult now, Steve is not gonna walk him.
He kind of forgets about it until one day. Eddie’s been staying at Steve’s for the week and he gets home from work only to find the kitchen absolutely wrecked. He finds Eddie in another room standing in a pile of books. He very slowly approaches him, putting his hands out and making his voice soft and as carefully as he can being like, “Hey, babe, what’s up?”
Eddie whips around, eyes big and wild, rambling almost too fast for Steve to understand. “I needed to make a cake but I didn’t have a recipe so I improvised and that did not work so I went to find a recipe and did you know there are like fifty-year-old medical books here? There are so many descriptions of gross stuff in them.” He waves one of Steve’s granddads old books around and Steve has to lean back to not get smacked by it. 
“Yeah… my granddad was a doctor,” he says all while eyeing him warily. 
His hair is frizzier than usual and he’s about to turn around to grab more books and Steve does not know what this is or what to do? Should he do something? That’s when he remembers what Wayne said about walks and the way he had looked, a bit stressed and disbelieving. It’s about how Steve is feeling right now so he might as well try, right?
So he grabs Eddie, pulling him along towards the door, making up the first excuse he can think of. “Speaking of my granddad, he built a tree-house for me in the woods behind the house, let’s go look.” 
He walks into the woods at the wrong opening, leading them kind of far in before turning around to wander and pretending to look. He finally steers them back to where the tree-house actually is, all in its tiny rotten glory, and right at the edge of the lawn.
“Guess it was closer than I remember,” he says with a shrug as if dragging Eddie around for twenty minutes insisting it was further in is in any way a believable mistake. 
Eddie gives him a look like he’s acting insane, which, okay fair but Eddie did start it. And anyways he looks better now, judgmental as all hell but better.
“Cool,” He eventually says then stomps back inside. 
Eddie spends the rest of the day making fun of Steve for getting lost in the woods where he grew up but he’s not climbing the walls anymore so Steve counts it as a win.
After that he brings Eddie on regular walks, tells him it’s because he doesn’t do sports anymore and needs to move, doesn’t always feel like running and it’s boring going alone. Eddie accepts it easily but also says it’s so weird because Wayne will also drag him along on walks, and, like, what about him attracts these people who need to go on walks all the time and can’t do it alone?
Steve and Wayne have a pact to never tell Eddie, they do not even want to imagine how that would go because Eddie is a drama queen at heart and their system is working (until years later when Steve and Eddie live together hours away and Steve goes on a trip with Robin, he comes back to Eddie on his way to turn their living room into a greenhouse)
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bumblingbabooshka · 7 months
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My name is [BRUTUS] and my name means [HEAVY] so with a [HEAVY] heart I'll guide this dagger Into the heart of my enemy
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Something about having absolutely no choice in who you marry. About being literally forced by the law to spill blood - to accept this stranger as your husband over a man you truly care for or accept the fact that the man you love might die because you put him in danger. Something about risking becoming the wife of a man you've never even seen before a few minutes prior because you know anything would be better than putting your beloved in harm's way. Something about the trust inherent in that decision and in the way she speaks of it after. Truthfully, T'Pring doesn't know the captain and she doesn't know Spock. Either one of them could have taken her as their wife but she does know Stonn. She knows that Stonn will remain by her side no matter what. They made a plan together. They have an agreement which T'Pring believes will be upheld even though the plan changed with the arrival of Kirk. Stonn will always be there, always, and Stonn will be hers. Something about the language used around T'Pring: Ownership, subservience, non-personhood. T'Pring is an object that Spock can win. She cannot reject him, she has no say in the matter other than having Stonn 'claim' her instead. Even when Spock leaves after being very clearly rejected by T'Pring he says "Stonn, she is yours." as if despite her clear rejection he still owns her and is must formally 'give' her to Stonn. But the language T'Pring uses around Stonn is a break from that: "There was Stonn who wanted very much to be my consort, and I wanted him." Stonn who wanted very much to be HER consort and she WANTED him. The language here is very particular - It's not, for example: "Stonn wanted me to be his wife" - he is HERS. And she WANTS him. There's a mutual affection there and a strong trust - a trust which seems to be well founded since Stonn (though silent) stands by her side at the end of the episode. <- That might seem small but if Spock would reject her for 'daring to challenge' (again, the language is not 'because I don't want you' but more of an implied disgust at her having the AUDACITY to reject him) then it's not a stretch to assume that it'd be considered an insult in the TOS Vulcan society to NOT choose Stonn as her champion after a prior agreement. Anyway T'Pring was a woman in an impossible situation within a society which saw her as more of an object than a person and she wanted Stonn and Stonn wanted to be hers and she trusted that he would understand if she had to publicly pick someone else to ensure his life would be spared and he did understand.
#amok time#T'Pring i s....T'Pring she....-puts my head through a wall-#PLEASE read under the cut for my rambling about T'Pring in amok time pleasepleaseplease#tired of 'T'Pring is evil/a bitch' and VERY uninterested in 'T'Pring is a girlboss'#T'Pring is a person in a society which doesn't think she has the right to make her own choices who's in [love] with a man who [loves] her#back in what I'd like to think is implied to be a slightly subversive way in its mutual and fervent nature (whether the writers thought#this was a good or bad thing - who knows. We know better RIGHT??)#and yes I will stylize T'Pring's hair differently every single time I draw it HEHEHE#star trek tos#Spock#T'Pring#also of COURSE something something spock/kirk & stonn/t'pring parallels: To keep your beloved safe you have to force someone else to kill#theirs - not BC you hate him (you don't) but you don't love him either and why does HE get to have you even if you don't want him?? Why doe#he get to 'give' you to the person YOU chose?? It's not a hatred on a person level (which I wanted to portray with the 'brothers') portion#but a sort of societal embodying.#I will think about T'Pring not wanting to be 'the consort of a legend' every damn day !!!#They really could have laid it on thick in making her evil guys...T'Pau even makes a comment about Spock's 'vulcan blood is thin'#but all T'Pring says is that Spock is a legend and she doesn't want that for her life. She wants Stonn.#And you're gonna sit there and you're gonna tell her that she's wrong!??? Spock doesn't even want to be with her!! Why is she so hated!?#CAN WE FREE MY GIRL??? She did all that but it's being read in the worst faith possible!!#comix#bea art tag#star trek art#She literally says the word 'FREE'...she's TRAPPED!!!
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80yearoldmanmoodboard · 7 months
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Some gems from the Autobiography of Special Agent Dale Cooper: my life in tapes
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michaelsfavgirl · 24 days
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apalapucian · 2 months
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on christmas morning, james finds her reading interview with the vampire (mary's present) in the common room, by the fire. they lock eyes before lily can pretend not to have seen him, and he smiles — sheepishly rubbing the skin behind his ear — so she smiles back.
"merry christmas," he says.
"merry christmas," she greets back. "you're up early."
"oh — yeah." he holds up a couple of envelopes. "sending out christmas cards."
"to who?" she asks before she can help herself. all his best friends are in the castle.
"mum, dad, mr. wrenswaith the manor caretaker. moony's mum, wormy's mum... padfoot's mum."
"lots of mums."
he grins. "they love me, what can i say."
"wait — even sirius's mum? really?"
"well, that one's a howler. don't ask what it says."
she exhales a laugh. "i can imagine."
"whatever you're imagining, it's worse. and however bad it is, she deserves it."
"she deserves more," someone adds, coming down from the stairs leading up to the boys' dorms, and sirius appears. "happy christmas, evans."
"hello, merry christmas," returns lily.
zipping his jacket up and fixing his scarf, he asks james, "ready?"
"yeah..."
james pauses before the common room door, looks back. "are you spending the entire day alone?" he asks lily.
"no. i'm spending it with louis de pointe du lac."
james frowns.
lily holds the book up, to explain. but he looks just as unimpressed.
"and that's — okay?" he asks. "you'll be fine?"
she takes a bit to respond, bemused and taken aback by the concern. "yeah...?"
"okay." he seems to want to say more, but hesitates. "uh — "
sirius, noticing, nods at the book. "it's an okay book, that," he says, "at best. so if you get bored, moony and worm will meet us later in hogsmeade after the owlery. you should come."
lily catches james nudge sirius's arm very, very quickly, almost imperceptibly, but it doesn't seem like the what the fuck did you just do sort, at any rate. it seemed more like — an acknowledgment. an agreement? a thank-you? lily asks, "you've read it?"
"we have," says james. "moony, too. last summer."
"we didn't like it," says sirius.
james throws him a look. this one — definitely the what the fuck sort. sirius just shrugs.
lily, amused, says, "okay. thank you. for the invite, and the book review. that's... i'll keep that in mind. thanks."
they nod, grinning, say goodbye again, and james remembers to call out, "three broomsticks!" before disappearing behind the swinging portrait door.
she's distracted the entire morning. has to reread most of the pages. by the time remus and peter come down, she's made up her mind and asks if she can go out with them. they seem to already know — probably through that mirror thing they carry around — and are more than happy to have her tag along.
she thinks it would be awkward — they don't exactly hang out, not without their other housemates — but besides the first few minutes where they do a little pause before the table to figure out seating arrangements, pointing fingers and exchanging glances (she ends up beside james and across from remus and peter, sirius at the head), it's — okay. comfortable. they have butterbeers, and sirius orders steaks as well (not on the menu, but madame rosmerta seems more than happy to indulge him), and the conversations flow easily from schoolwork to gryffindors to professors to christmas presents to how they're all faring in the term so far.
they — the boys — laugh a lot. which isn't news, their collective laughter is gryffindor's familiar backing track (hogwarts's backing track, really, for better or for worse), but she supposes there's a different level of palpability this close, a deeper infectiousness, that she finds herself laughing just as much. they're gracious enough to keep the jokes inclusive, too — remus or james would pause to explain when an inside joke finds its way in the riffraff of discussions — so she never feels left out.
she wonders when this all came to be, when they shifted from insufferable to bearable, and from that, to — well. friends. almost.
on the way back to hogwarts for dinner, james and sirius join a small chorale singing christmas carols on the side of the road — all theatric, hands together on their chests, but they do actually try to sing in tune, peeking at the hymnals for the correct lyrics; peter and remus pretending to be passers-by, clapping and showering them with invisible bills and coins — and lily laughs, fully settling into their company, giddy from the butterbeers and cozy in the light snowfall. wreaths and tinsel on the doors all around them —
her own little picture-book christmas day.
. ݁₊ ⊹ . ݁˖ . ݁
an: this is a snippet of "the bad day wall (and the feelings space)", a fic i'm doing for @constancezin who sent the prompt "prefects' bathroom" (i know this christmas snippet — in march — doesn't seem like it relates at all, but i swear it's going to be the same fic lol). hopefully i finish it in the next week or two! it will be up on ao3 then, but for now, here's the rest of my other jilys if you're so inclined 💜 thank you!
edit: part one is now up :)
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loveofastarvingdog · 3 months
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trying to find the metaphysical vegetable that may bring me less despair
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dudeyuri · 5 months
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i know I’m not alone in this but my favorite thing mhok did this episode, out of all the sweet things he did, was urge day out of his comfort zone to set a plan with august. it spoke volumes about his character and about his relationship with day. it was just such a refreshing turn of events (that led to a cute practice date sequence)
this ep set up mhokday v. augustday in a way I can really only call “juicy” lmao. day makes excuses for and takes on the onus of talking august down from his flighty and flaky tendencies; mhok is day’s anchor, in a myriad of ways, and when he wasn’t there for day during that scene in the markets, it was of course in no way positioned as day’s responsibility. day had to strive to earn august’s acceptance; mhok’s acceptance has been unconditional even if it took some trial and error for him to understand day (I think their relationship is built on a deepening understanding of each other, fostering this two-way acceptance). day and august were assigned to each other; day chose mhok and mhok chose day. august surreptitiously walks away from day’s feelings; mhok shoulders them despite his own.
we’re shown right off the bat in ep5 that august and day’s relationship strikes something like jealousy in mhok. but this is a grown ass man with a caretaking job. even as he blurs the line between caretaker and suitor he remembers his place—his place as day’s friend and phi even more than as his caretaker imo. above all else he wants to help day push past self-isolating tendencies (look at all the friends who love day! he’s not meant to be holed up in his room!)(and I mean, this is personal for him! not just as someone with feelings for day, but as someone who lived through the suicide of his sister and as someone who had been in jail before).
and the way he reacts to day’s confession of feelings for august—we see that day is not the only heartbroken one here, but mhok doesn’t let day in on that. there are more than a few things he doesn’t let day in on, in this scene lol. he didn’t even divulge the full story of rung’s tragedy (just as day only hinted at what happened between him and night). mhok is just fully present for day as day deals with his own heartbreak. whereas in august and day’s relationship as badminton partners, august’s feelings formed the center of their relationship, and he often left day scrambling just to appease him.
there’s probably some comparison to be made between mhok stepping in and setting up dinner plans for august and day, and august insisting that he will never have another badminton partner if it’s not day. it’s like love v. possessiveness. mhok has this maturity that is really compelling, makes sense with his character, and again is just soooo refreshing
mhok has made a few self-deprecating comments about lacking tenderness, a hang-up informed by his past and by his sister’s suicide, but damn if this man isn’t the paragon of devotion idk what he is. and because of all this, because we’re seeing mhok place his feelings second to caring for day, i am of course looking forward to seeing mhok’s feelings prioritized alongside day’s and his insecurities addressed as the series progresses. in conclusion, what a mensch
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disposal-blueeee · 3 months
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stuff i never finished and why
hello and good night . i'm just gonna ramble about stuff so yeah
swings
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oh man i really loved this drawing . but it was a PAIN IN THE ASS .
i had a bunch of problems with this one . i spent an embarrassing amount of time doing the line . then after i started painting it on Ibis paint i realized that i should've done the line with a textured brush .
then the background . i really couldn't make it look nice even if i tried . i spent so long just trying stuff and searching for references but i just couldn't get it right . the colors and the lightning kept looking weird .
and just when it was looking decent , oh no the file is corrupted !!! and if i wanted it back i would have to go through a speedpaint of a drawing that took me 28 hours ( i actually tried it 😭😭 but it was taking so long and after some time the app crashed )
so , i decided to just give up . i was already fed up with it . maybe some day i'll try to redraw it or something
edit : oh wait a second . this drawing makes no sense without the background . edgar looks like that because there's supposed to be a puddle under scriabin's swing and he's trying to get edgar wet with it
otgw x chapter 20 / 21
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i just said i loved the other one but THIS ONE . this one is SO PRETTY and i was so excited to try some new brushes and overall just finish this . excited enough to start painting edgar without even finishing scriabin's line .
i was using a small tablet my friend let me borrow . it was actually so helpful because i could draw on my phone with it !! i used to work on this when i was at school .
then i started having problems with the background . again
then my friend told me that his mom didn't agree with him giving me the tablet and that he should give it to his sister instead so i had to give it back . great . at that point i didn't feel like finishing it so
random reference i found in pinterest
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this is like a month old maybe ???? i just thought " oh this would be such a fire pfp " and after finishing the sketch i was like " alright i'll finish this tomorrow " ( i never finished it )
mostly didn't finish it because i didn't have any idea to make it look lifeless and tragic . oh well . maybe i'll try it someday i still think it's cool
papa's cheeseria
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this one isn't really unfinished . i just wanted to make a doodle sheet but never drew anything else so now he's just there . alone in a blank space . poor guy .
so yeah . everytime i play papa louie's games i always make the workers look like edgar and scriabin . i thought this default outfit looked pretty cool so so i had to draw it
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"'I love you to the core'" RYAN??? RYAN???? I'M UNDER YOUR FUCKING BED RYAN!!!!!!
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pup-pee · 5 months
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another redraw bc,,,,bc :3
(no creativity AAAAAAAAA) I DONT DRAW HIM LITTLE GUY ENOUGH BUT LIKE WHATEVER ILL GET THERE
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this 1 is from august so like uh 3 1/2 months or smth
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LISTEN I THINK I GOT BETTERT IDK
if u cant tell i draw bart in this vry specific pose A LOT 4 some reason also dont ask y i drew his newer suit i just felt like it idkkkkkaaaaa the sketch was his old suit but i dont think i draw him looking 14-15 ish enough so like im just blehhhhhhhhhh belhbelffffff AAAAA
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ah shit bart y do i draw u in this pose sm OH CMONNNN
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