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#basically i love this film
the-woman-upstairs · 3 months
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For anyone who likes romance and spies and yearning and a short king being completely head over heels for a woman that can (and does) kick his ass, Argylle is the movie for you. Feel like the marketing team is leaving money on the table by not appealing to the romance crowd that is crying out for more genuine love stories on film and the one in this movie is actually really sweet and features an attractive couple with actual personalities.
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uhhh-ghouls007 · 1 year
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This is how the movie ended. Right?
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weishenkun · 6 months
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poppin' love dance practice : kun
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chirpsythismorning · 6 months
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Ya'll catch the final rose ceremony at the end of s4?!
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deadpoets · 4 months
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DIEGO LUNA + (some of his) FILMOGRAPHY
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laughingwith-bluelips · 9 months
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I finally got why I love so much the "dragons are gone" ending in the books while I hate it in the movies:
The books set the dragons free.
The movies simply sent them away.
That's basically the idea but I had a vision yesterday at 3am so I will be getting into detail below the cut.
The books have a very strong message about slavery. Some would say that it is a concept that is only important within the context of the last five or four books, but the ones that have been paying attention to the saga as a whole knows that there are things happening in the background. You know, stuff like
People eating dragons
People stealing dragons from their families so
The dragons can serve the vikings
And they're expected to obey because
People threaten to turn them into bags.
That's mostly the first book.
Dragons are constantly showed as unsatisfied with the status quo trough out the books, some more annoyed with the vikings than others. We have complete monologues from different dragons before the war is even a possibility. Sincerely, when it happens, it feels natural.
The idea of freeing the dragons is not one that comes up in the last book, not even close. The first time it is considered an option is in book 9 (I think), and, by the time being, we've already stablish lots of concepts as slavery within human beings, the dangers of a war, how this could lead to the end of all and freeing the dragons is the only option.
It is fatalist to say the least, but it's not going out of nowhere. There is a lot of worldbuilding (more on that later), but it is also the right thing to do. By the time Hiccup is presenting the option, Cowell has made us root for the dragons to be free and wild and do whatever they want, even if what they want is to hide under sea for thousands of years. Or if they don't want, or if the want to but just not in that moment, they can do it.
Oh, yes, because they leave GRADUALLY.
It is a sad ending, but still manages to get as satisfactory because, yet again, we know this happens and the books remind us this will happen eventually every time they can. “There were dragons when I was a boy” is literally the first phrase in the saga.
And then we got the movies.
The movies never followed the books. Like, not very much. The writers decided that they wanted to tell a story of a broken relationship between a father and a son while using dragons, the heroic and prophetic aspects of the books were getting on the way of that and they scrapped the idea. So, no, you can't tell me the movies actually follow the books.
However, if you're very technical, you know the Hiccup we see in the movies resembles Hiccup I, the one that stopped the war between vikings and dragons in the books, stablishing an equal relation between the two races. And this idea of the movies being a prequel can work for the second and specially the first movie, disregarding the fact that there are no prophetic or magical elements at all.
But THW exist and... Exist.
Suddenly the writers and producers decide that they want to follow the books and want to get rid of the dragons, something that is completely against the message of the other two movies.
(I am just talking about the movies, the shows-books relationship is very different and I will someday make a post ranting about it)
The movies do NOT talk about the dangers of dragons being with vikings or how the vikings mistreat the dragons or how bad is slavery or anything like that. The second movie does, yes, but the second movie also sends a message about how people benefit of being with dragons. They have their dragons and they're strong because of that friendship. Being at war with one another only brings loss and suffering for both bands while being together promises an actual future. A bright future that no one imagined before the first movie and that now they cling to.
Dragons and vikings are friends and together cand do basically anything.
That's a very strong message, you know?
And you know what? The third movie decided that such a strong and important message about friendship should leave the franchise completely.
“Free the dragons” it's a concept that doesn't fit with the movies. They're not slaved, they're not away from wildness and, most importantly, they CHOOSE to be with the vikings in the first place. They are already equals, they can do what they want and, you know, they are with the vikings because they want to.
But no, let's do a movie about letting friends go as if it could actually fit in the saga.
(I know it could actually fit but the execution was terrible).
As I said before, the movies resembles Hiccup I befriending dragons and we know how it ends. And someone who has never read the books will go and say "well, it was bound to end that way, why are you mad?” I tell you the difference right now: there's 1000 years of difference between the befriending and the parting in the book, 1000 years in wich we witness the deterioration of said friendship (from being friends and equals to being slaves). That's no what happens in the movies. The films give us 6 years and the only deterioration is within Toothless' character and how they made him a horny dog.
The dragons shouldn't have leave. This was a whim from the writers that thought that ending both stories the same way would be cool. It isn't. At all.
Long story short, it doesn't fit thematically. The movies and the books have different themes with different concepts and different characterizations of the dragons. While the books got story building and present the theme's since the beginning, the movies get it out of no where ignoring the themes in previous works.
Anyways, go read the books they're jewels and the ending isn't as shitty as thw make it look
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bumblebeebats · 1 year
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Wow, Guillermo del Toro really said You know what my animated kid's musical needs? Catholicism. War. Death. Alcoholism. Fascism. Frankensteinian undertones. A haunting meditation on mortality and grief. Cate Blanchett making monkey noises. And he was so fucking right
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canisalbus · 9 months
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Hopefully this isn't too weird but I love the way you draw hands, it's like the way you draw them seem just as expressive as the faces on the characters, I just love how they look and I hope I get there someday (if you have any tips please share but if not that's okay!)
I love your art and characters and how you draw their expressions/poses, it's all so nice!
Not weird at all, I'm very flattered! Hands have become extremely important to me, I tend to put a lot of effort in trying to get them look just right. I'm still not where I want to be with them but improving nonetheless. If you ask me, a thoughtfully and intently drawn hand can be almost as expressive as a character's face, just like you said. They're such complex and intricate structures with massive emotive and aesthetic potential, it'd be waste to not make use of them in art.
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braisedhoney · 2 years
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oh, damien.
what has she kept from you?
brushes:
jingsketch sketch round (for everything! i just increased the maximum size for the cloud effects.)
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sneez · 2 months
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some posters for conrad veidt films with my cat mole edited in in mspaint
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oatbugs · 4 months
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Jack Marsh (2005), Friendship Otherwise - Toward a Levinasian Description of Personal Friendship
#saw carnation lily lily rose by john singer seargent irl today. it was basically at my doorstep all along idk why i never went to see it#it was placed at a corner in the gallery. me and my friend sat down and sketched the paintings of beautiful naked people quite badly. paper#provided by tate britain. she told me about how she couldnt look her boyfriend in the face after a harrowing film about war. when i say the#interview was informal i mean the person who was supposed to be my boss told me let me get you a cider and then he said after#50 years of life he knows people are inherently good and it only takes a little bit of kindness to save this world. he said he tricked#his wife into keeping the baby and then he said he quit his job at a US bank to help people find meaning and in it#he would have liked to find meaning. instead he started climbing with his friends. he said he chews his cigarettes because its a habit from#when he had to hide things from people. the entire time i felt uncomfortable and incredibly enlightened. this is my friends mentor. she has#his pattern of pauses and expletive and penchant for ends-justify-means attitude. i do think im not very clever#but maybe one day i will love you enough to make up for it. i wrote code i dont understand staring at the final error i thought about how#we both thought of how when we're too old to remember the voices of our friends we would like to stand in the pathway of the LHC beam pipe#cut it open and eat light in the freezing cold vacuum (kills you long before radiation will) the invisible puncture wound unfolding dna#back to the start larger than you ever were. you go to heaven once youve been to hell. my friend is in my bed#practicing calculations of eigenvectors by hand and she is uninterested in a visual proof you are uninterested in incompetence#we catch a train this is your kind of burden you tragic hero wincing at that word you only do this because you have to. im the only one#who can. i am a coward in this for the fucking poetry. the visual proofs. the pretty numbers. an architect who was horrible at maths wanted#to be a philosopher and accidentally ended up neck in deep in 70th Error On Visual Studio Code i want to kiss your eyes before we say#goodbye we both know there is no love in the way there should be. I still have your dress in my wardrobe. i hope you make art.#you think im alright head-wise i think you fucking hate me i think ill never be so clever you want me to tell you my idea?#if you wanted more of this world i would have liked to kiss you harder. we cant both be like this. im sorry i cant be with you the whole wa#the love is gone if you have to ask it. his breath catches his eyes feel stiff it is -1.9 kelvin he is near the beam pipe i miss holding#his hand i miss her singing voice i miss his hair and i found the antonym of pain thank you for carrying me home.
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the-woman-upstairs · 4 months
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Favorite Horror Novels I Read in 2023:
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forcedhesitation · 7 months
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Man.
there's just something about the love between a woman whose impending death is inevitable and a man who's an immortal undead...
#bg3 spoilers#thoughts about media#starlach is so beautiful but so fucking tragic#apparently you cannot save karlach as astarion unless you've ascended#you cannot join her in avernus as a spawn :(#bro and it kills me karlach has been unwillingly celibate for 10 years#but that doesn't matter. she loves astarion SO MUCH she just wants to be with him. however she can.#AND THE FUCKING KISSES????? dude she is SOOO gentle with him!!!!!!!!#makes me think of this one short french film. which is obv a bit different from karlach and astarion's romance.#but it's still about valuing the love you have while it's there. because it can be lost so so easily.#basically a husband is cheating on his wife but then his wife falls terminally ill. and so he takes care of her.#and while taking care of her he realises just how much he loves her. he stops seeing the other woman. and stays with his wife to the end.#just the devotion he shows her in her remaining time alive and then the final shot where he's alone and just. dumbstruck with grief....#I saw this film years ago and it still sits with me. it was so beautiful and tragic. very french! lmao.#just makes me think of starlach in a way though. like the beauty of that limited time karlach and astarion would have together.#and the fucking tragedy that would be karlach dying and astarion...immortal astarion.... being alone again.#ugh MAAAN!!!! starlach and wyllstarion and wyllach are all SUCH good pairs#they offer a veritable buffet of the most wonderful. tender. and tragic romance tropes T____T#I have to give credit where credit is due. thank you larian for two VERY fucking good m/f pairings.#so easy for writers to come up with piss poor m/f romances that have no chemistry but karlach works SOO well with either astarion or wyll.#i wish the fandom wasn't. well as fandoms normally are. you know. 😒#literally any of these three pairs SHOULD be the most popular imo.#if you disagree- that's your own opinion. I am not here to fight with people.#also one last thing? the youtube poster's icon fucking KILLED me. please look at it.
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mikimeiko · 9 months
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Free Guy (Shawn Levy, 2021)
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beanghostprincess · 5 months
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Favorite Nami outfits?
I love Nami's style and I think that if I started mentioning all the outfits I like, I would never finish this post, so I'll try to make a top 5/10!!
1- Whole Cake Island (1st dress)
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Look at her go!!! This is by far my favorite Nami outfit. Perhaps it's just that WCI is my favorite arc, but I just love her. I love the Hansel and Gretel energy. I love her little hat. I love the ribbon on her back. I love the colors. I love her silly hair. I love her. And she wears it in one of my favorite scenes in the whole show, so of course I love her outfit here.
2- Film Red (1st Outfit)
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Literally the lesbian flag, she couldn't be more obvious. The closet is glass. 100% something I'd wear. I love the summer vibes. I love the glasses. The lil drawings my beloveds. The earrings? The boots? The shirt around her waist? The top? The hair???? I absolutely love this!!
3- Wano-Egghead
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She looks absolutely stunning! Once again, literally something I'd wear. This is probably in my closet. I love the colors! I love the overall! I love her undone hair! I just love her. I'm so sad it's an outfit that doesn't last longer.
4- Whole Cake Island (3rd dress)
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It looks so comfy and soft!! I need this dress. It's just so cute,, And she looks gorgeous with her braids and undone hair and,,, I just love her WCI outfits. They live in my head rent-free. Also, she matches Zeus with this one and I love it.
5- Enies Lobby
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This is probably my favorite outfit pre-timeskip. I love the little dim jacket. The top. The skirt. The sandals. I have this clothes, even. She's gorgeous. She's the it girl. The moment. An icon. I miss her short hair every day.
And now a quick top to show you my top 10!
6- Wano (the pink one)
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7- Skypiea (especially when she wears the glasses)
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8- Thriller Bark
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9- Stampede
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10- Zou
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writer-room · 10 months
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I don’t think I’ve ever seen any type of media so clearly portray how my writing changed before and after I realized I was queer like Nimona. ND Stevenson’s work is just so familiar it pains me in an absolutely incredible way.
Plenty of people point out the differences made between the comic and the movie (and loving both regardless, of course). Most of them mention how the movie has a happier ending, its portrayal of its messages has shifted slightly, and its way more obviously a queer (especially trans) metaphor. I don’t know if any other writers had this happen, but if I had to describe how my writing changed from tiny little twelve-year-old me to the current day, I’d just point in the direction of how Nimona changed from the comics to the movie. It’s alarmingly similar.
Its all just...dripping with coming to terms with ones queerness. Not just from the plot, but from its very existence as a film. Its an evolution of growing up queer. The end goal, the base message, remains the same, even if the methods getting there are different. Because what someone made when they were twelve and had no idea what they were going to turn into and what they made as an adult with so much that changed, and so much left to change, are going to have so many different methods.
How Nimona was born the way she is, how the story changes from a corrupted core with no happy ending to being about ending that corruption and coming out okay, how Ballister’s grudges and issues with Ambrosius changed, all of it is just so indicative of changes made throughout ones life where these tiny little details are tweaked into something new, but still fundamentally the same story at its heart.
Even if this is just a me thing, I didn’t realize how excited I could be at seeing so much familiarity in a film. Good lord, I need to watch this movie again.
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