Jacks Bathroom
As one of our sims' most frequently used areas, the bathroom should feel inviting, comforting, and stress-free. Achieve a peaceful aesthetic with a bathtub that looks as good as it feels, a sleek shower, a modern toilet, an elegant sink, and complementary bathroom decor to bring the whole look together.
Moments of marble instill luxurious patterns and depth, counteracted by the natural beauty of the floating wood vanity. Add a hint of drama with pendant lights for maximum style impact and the perfect light to relax to.
Game-ready low poly, optimized for low-end computers. Base game compatible.
Download: NynaeveDesign.com
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Happy Valentine's Day! 💗 Well, it's a day late, but Happy Valentine's Day lol. This year my dad got me a box of chocolates, 2 kinds of sweettarts candies, and a puppy stuffed animal. And one of my best friends gave me a bag of Bath and Body Works goodies. And I made some Taylor Swift valentines, and a Taeyeon one as per my usual Valentine's Day tradition. But I didn't watch The Devil Wears Prada lol Anyway I hope you had a great Valentine's Day! #valentinesday #valentine #valentinesdaygifts #chocolate #candy #russelstovers #sweettarts #sweetarts #sweetartsminichews #taylorswift #taeyeon #snsd #girlsgeneration #gg4eva #bathandbodyworks #handsanitizer #handcream #bodyspray #bodywash #stuffedanimal https://www.instagram.com/p/CoteqgYsla4/?igshid=NGJjMDIxMWI=
Bodywash — I Held the Shape While I Could (Light Organ)
Photo by Kristina Pederson
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Montreal based musicians Chris Steward and Rosie Long Decter create densely textured dream pop on their aptly named sophomore album I Held the Shape While I Could. The duo, who share writing, vocal and production duties, layer veils of synth and guitar over ethereal vocals and dynamic rhythms that split the difference between Ride and The Cocteau Twins. Exploring cultural, geographical and personal dislocation, their songs evoke the drift and drive that comes from being caught between uncertainty and stability. Rather than distortion and feedback, Bodywash emphasize immersive atmospherics and shifting perspectives to conjure a sense of disorientation in their music and lyrics.
Bodywash are good at diaphanous beauty. The opening track “In So Far” floats light as air, Decter’s layered vocals aloft on a zephyr of keyboards before drummer Ryan White swoops in as if to catch her fall. The instrumental “Bas Relief” features a simple piano motif atop swells of synth and muted guitar squirls, an abstract interlude of grief. When they pick up the pace and volume on “Massif Central”, “Perfect Blue” and “Sterilizer” Steward’s guitars alternate between crystal clear runs and an overdriven fuzz of chords that build tension through restraint. There is a steely resilience at the core but an awareness that self-protection can only take you so far. During “One Day Clear” Decter speaks about the way back - “One of these days, you get to go again, tie your hair in knots again, place your fingers on the rail, try not to lose the steps and smile if you see someone on the way down”. Her words and delivery provide an emotional center to the album and a contrast to the centrifugal construction of the rest of the songs which even when they are relatively straightforward seem to be on the verge of spinning off orbit.
Dream pop often devolves into overelaborate filigrees tracing ever narrowing circles. On I Held the Shape While I Could Bodywash avoid this trap with a keen sense of dynamics and a directness that grounds their best songs, imbuing them with the gravity required to keep them connected to the earth whilst they soar above it.
La tercera recopilación de novedades del año también viene bastante cargadita. Aunque, eso sí, un poco menos que las dos primeras. Y es que, seguimos en una vorágine de singles y adelantos de discos bastante inusual. O quizá, es que estamos teniendo un buen año. El caso es que me he vuelto a juntar con 60 canciones en las que hay un poco de todo.
Tenemos grandes nombres, como los de Depeche…
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