#but i think most people have the values they claim to have

[comradekatara]

sokka, katara, and the paradox of “the gifted child”

something i’ve noticed is a tendency to (mis)characterize sokka as someone who is dismissed due to being a nonbender, when that’s only partially true. sokka is certainly dismissed by some for not being a bender (namely, by benders), but i think there’s a key difference between being dismissed and not being valued in one specific way. katara was valued by her tribe for being a waterbender for the very crucial reason that she was the last one left. had she been a dime a dozen in her tribe, which would have been the case were it not for the systemic extermination of her people, she would not be valued as highly for possessing this skill. that said, while sokka clearly does hold some resentment over his lack of bending ability, calling himself “the guy in the group who’s regular,” i think it’s folly to assume that this means that sokka was dismissed and discarded as “average” while katara was put on a pedestal for being special. because while katara obviously was considered special, sokka is also clearly considered special by his family, merely in different ways. and if anything, sokka embodies the archetypal struggle of the so-called "gifted child” far more than katara does.

while sokka clearly believes himself to be disposable and intrinsically worthless, i don’t think that he was actively neglected by his family. even if katara was clearly marked by her bending as embodying the last hope of their tribe, that doesn’t mean that she was seen as more gifted than he was or was designated as her family’s obvious favorite. for example, the way hakoda talks about sokka (saying he trusted him with leading and protecting the tribe when he was thirteen, calling him a genius, and other such insanely high praises to heap on a child) shows that he clearly views his son as particularly exceptional and has never been shy about showing that. sokka is distinctly insecure around his father for assumptions he makes regarding hakoda's faith in his abilities and his insecurities when it comes to his perceived failure in not measuring up as a man, but from the second we meet hakoda, it's evident that these insecurities are entirely internal and completely unfounded, at least in terms of his father's perception of him. hakoda is nothing but incredibly proud of sokka, constantly emphasizing just how capable and brilliant he believes him to be. whether or not sokka is capable of internalizing it is another story, but it's clear that hakoda is not stingy in his praise and affection, not even a little bit.

moreover, while katara is clearly kanna’s favorite on an emotional level, she nonetheless affords sokka far more respect. she admonishes katara and tells her to do her chores, and notably, she also impresses the importance of “listening to her brother,” and backs up sokka’s decision to banish aang from the village. you can claim that sexism plays a factor in how sokka views his own supposed position of authority, but kanna is a woman who traveled the entire globe as a teenager because she wanted to escape patriarchal impositions dictating her life. she’s simply far too smart to treat sokka as any sort of authority within their village if she did not fully entrust him with that responsibility. she treats sokka almost like a peer, as if she is legitimately co-running the village with a fifteen year old boy.

katara is only a couple years younger than sokka at most, but her dynamic with kanna is very different. on one hand, kanna clearly sees more of herself in katara, can identify with her sense of adventure and rebellious spirit, but on the other hand, it means that she views katara as a child to be taken care of, who needs to be reminded to do her chores and bailed out when she gets herself into trouble. sokka doesn't want to be viewed as a child, and so he does everything in his power to position himself as kanna's equal rather than her grandson. he takes his duties and responsibilities very seriously, and is obedient to a fault whenever he is submitting to any authority he actually respects, especially his father and grandmother. to be honest, a lot of what katara considers coddling is probably just sokka never being bossed around by their grandmother because she never actually has to tell him to do his chores. because despite katara's claim that he simply faffs about "playing soldier," sokka's problem is actually that he takes himself too seriously for her liking. and with the exception of kanna saying "be nice to your sister," which is the kind of teasing a parent says to their child, she clearly respects sokka's position in the village. when katara tries to run away with aang, kanna takes sokka's side and forbids her from acting impulsively, but when sokka is the one who packs supplies and plans to save aang, kanna gives them both her blessing.

katara is the only person who takes umbrage with the notion of sokka running the village and telling her what to do all day. and those frustrations have likely accumulated up from a lifetime of being told to “do as her brother says” and “why can’t she be smarter and more responsible and levelheaded blah blah blah.” she clearly thinks that she’s punching up when she yells at or mocks him, which may seem crazy to anyone who understands that sokka’s entire identity and existence revolves around being katara’s protector, but katara doesn’t actually know this. in her mind sokka is merely the perfect child who has always represented this impossible standard of “genius.” and what's more, he's absolutely insufferable about it.

and to be clear, this isn’t to say that katara herself isn’t highly intelligent, capable, competent, and skilled. she’s not only an incredibly talented waterbender, but also clever, quick, witty, creative, resourceful, practical, mature, and thoughtful in other ways. at one point, toph calls her a genius (“a stinky, sweaty genius”). and she is, indeed, an extremely powerful and innovative waterbender, both due to her hard work, but also because she is genuinely brilliant. that said, she’s smart in the realistic way that a kid is smart; she works hard to be good at what she cares about (and she has an existentially devastating reason to care about being a good waterbender, mind you), and she’s also good at thinking on the fly when she needs to. however, unlike sokka, or even toph, her intellect may be impressive, but it isn’t astonishing. sokka’s mind functions completely anomalously. i wouldn't say he's unrealistically intelligent, because i do know some people in real life who are similarly adept at processing all kinds of different information with the ability to deftly apply it near-immediately, but it is certainly abnormal, both for real world standards and within his universe.

i normally bristle at this term and its applications (for multiple reasons), but since it is explicitly stated multiple times across the show, it is important to acknowledge that sokka is referred to as a genius multiple times, including by his father. katara is referred to as being a genius by toph for using her own sweat to waterbend (which, as hama points out an episode later, isn't even that clever because you can literally bend water from the air around you); conversely, sokka is referred to as a genius for helping to invent hot air balloons and for figuring out multiple escape routes from the world's most secure prison in less than a day. we don't know the exact timeframe under which katara trained with pakku and earned the title of master, but she clearly worked incredibly hard to earn that title, not only as a master, but as the greatest waterbender in the entire world. i assume it was any time between a few weeks and a little over a month in which zhao would organize a fleet to arrive at the north pole, which is, of course, extremely impressive in itself and a testament to her passion and determination. however, on the other hand, piandao claims that sokka has basically mastered the sword and is ready to make his own within less than a day. it's important to remember that katara is also brilliant in her own way, and possesses great skills that sokka lacks: not only bending, but also midwifery, and an ability to locate her own emotions and allow herself to be vulnerable with others, two skills which should never be looked down upon for their association with womanhood and femininity, and are also particularly impressive considering just how young katara is. she is brilliant in her own right, and in any other family, katara would easily have been "the smart one." and yet, sokka is simply in a league of his own.

so, yeah, he can stand to get thrown around and yelled at; everyone her entire childhood just kept on impressing how special and perfect and brilliant he is, he can handle it. she has no idea that he is depressed, depersonalizes, loathes himself, and thinks he’ll never be good enough, because he never actually communicates any of that to her. the closest he ever comes is admitting that he’s jealous due to not having bending abilities, and even that shocks katara, even though it’s such a small and obvious admission in the scheme of things. she has no idea what’s going on with him psychologically, how he views himself in relation to others, and specifically in relation to her, so she kind of just assumes he’s entitled because surely he must know how special he is and thus feels owed accolades by the world at every turn. he deserves to be humbled, and she is in fact righteous for humbling him.

when she makes fun of him for being stupid or miserable or paranoid or cynical, she thinks she’s owning him the way a righteous underdog fights against an oppressor. it's similar to how zuko wants to "put azula in her place." in katara and zuko's minds, they are both the valiant underdog siblings who had to fight and struggle against the siblings for whom everything came so easily. and in katara’s mind especially, she is always punching up, and she always has a moral justification in lashing out at anyone she pleases. so she couldn’t fathom that the reason sokka puts up with her antagonism without complaint isn’t because he’s so above her that he can simply ignore her taunts and gibes without a care (if that were the case, he wouldn't bother to taunt and gibe in return), but rather that he feels so detached from his own personhood that he would never think to actually explain his feelings to the person whom he has defined himself through since childhood. and if he did ever, somehow, communicate that to her, she’d have to reevaluate their whole entire lives and dynamic. but he never will communicate that to her, so she’ll never actually have to do that.

moreover, even though katara often does tease sokka and cast doubt upon his competence and abilities in low-stakes situations constantly, whenever they are actually facing a real problem that requires an immediate solution, katara seems to forget that sokka is supposedly an unhelpful, lazy, immature idiot because she immediately turns to him to fix all their issues. and then once that issue is resolved, katara goes back to finding his existence bothersome. sokka, on the other hand, falls into this role of problem solver instinctually, with the one exception that when they actually name him as the idea guy, he jokingly complains that it’s a lot of pressure to be one who is always expected to come up with solutions. and while he is joking during that conversation in “the drill,” he’s being honest to an extent, because his perfectionism and fear of failure is truly dire.

when katara is faced with failure, whether as the consequences for her own actions or otherwise, she simply gets back up and tries again. she can’t be knocked down, she can’t be deterred from achieving her goals. she has a very healthy approach to making mistakes, and while she doesn’t always learn from them in the longterm, she does always try her best to fix them and amend the situation as immediately as possible. katara is someone who is incredibly resilient and is constantly demonstrating the sheer magnitude of her inner strength, especially in particularly difficult moments. she has the ability to fail as many times as it takes without letting that failure affect her own self-esteem or desire to keep striving for what she believes in.

sokka, on the other hand, is very physically resilient (he gets beat up a lot), but his emotional resilience is actually quite pathetic. he has no tools for coping with failure. from even the slightest mistake, like not actually being able to open the doors at the fire temple with his makeshift explosives, to a catastrophic one, like his failed invasion, sokka immediately retreats inward. in “the boiling rock,” sokka demonstrates how his first ever real failure that rests squarely on his own shoulders is so devastating to him that he becomes totally irrational and suicidal in an attempt to “rectify” the situation. he does not know how to cope with failure, because he expects himself to be perfect at all times. and it’s not because sokka is overly proud, but rather that his guilt complex is so profound that he blames himself for every single thing that goes awry at all times, even when it isn’t actually his fault whatsoever. so that guilt and shame is magnified a thousand fold when sokka is actually culpable for those losses.

one of many ways in which it is evident that sokka is the older sibling is that he clearly lives with the mentality that if katara messes up or gets herself in danger due to her own impulsive inclinations, it’s always actually sokka’s fault for not being a better, more attentive brother. when she sets off the booby trap in the banned ship, sokka banishes aang from the village so as to protect katara from herself. when katara experiences the consequences of heedlessly blowing up a factory, sokka gets mad at her for her recklessness, but also immediately finds a way to help her fix this situation, because that’s his job, and in fact, his primary purpose on this earth. this is a dynamic sokka has probably internalized even before he was assigned the role of her sworn protector, because that’s just how being the eldest is.

sokka’s tendency to take responsibility for everyone else’s mistakes and his desire to shoulder everyone else’s pain at all times, coupled with his implicit belief that he, uniquely, cannot afford to mess up ever (if other people make mistakes it’s fine and he can help them fix it, but if he makes mistakes he no longer has a purpose on this planet, goodbye cruel world), definitely indicates that he was held to an incredibly high standard all his life. he expects himself to be able to handle a lot of responsibility with perfect ease because he always has. he isn’t used to making mistakes of any kind. if he puts his mind into learning a new skill, he always masters it within a couple of days, whatever that skill happens to be. unlike katara, sokka is used to things coming easily to him, and what he isn’t used to is failure.

katara and sokka are both exceptional, of course, but in very different ways, and for very different reasons. katara grew up with a lot of external pressure to excel as a waterbender, because she needs to embody her cultural legacy and prove that her mother’s sacrifice was not in vain. it’s an unfathomable burden to place on a child, and the rate at which she improves her waterbending once she is actually given the resources to hone her skills is a testament to her perseverance and untiring dedication. katara becomes the greatest waterbender in the world not because she is a natural prodigy (which is something she bristles at when aang does display prodigious skill), but because she is incredibly determined and no one can outmatch the strength of her heart and unshakable commitment when she is pursuing a goal. as pakku even says, raw talent isn’t everything, and katara’s abilities prove that despite not being “naturally gifted,” hard work and determination is far more important when it comes to excelling in any given domain.

however, if katara’s motivation to be excellent is externally imposed by the tragic circumstances of her life, sokka’s motivations are, at the very least, internally maintained. as aforementioned, i have no doubt that he received a lot of external validation and praise from the adults in his life as a child with a dazzling, brilliant mind. as has been established, sokka is constantly displaying an ability to synthesize new information at a staggering rate, which likely means that before katara had even discovered her ability to waterbend, sokka was probably being fawned over for the impressive rate at which he was picking up new skills as a baby. since pretty much everything (cerebral, at least) comes easily to sokka, i can only imagine that hakoda, who never hesitates to express to his children how proud he is of them, would constantly affirm sokka’s intellect. and by boasting that sokka takes after himself (hakoda also refers to himself as a genius, completely sincerely), he unwittingly plants the first seeds in fostering sokka’s belief that he must be exactly like his father in every way, and that any deviation from hakoda’s image would prove him unworthy. but he will never be the spitting image of hakoda the way that katara is "the spitting image of kanna" because sokka is already the spitting image of kya, if not – perish the thought – his own person entirely.

unlike katara, who spent her whole childhood trying to waterbend by herself with little success (beyond, of course, isolated instances demonstrating her sheer raw power when her bending was being influenced by her incredibly strong and passionate emotions), sokka always felt like he could handle the amount of responsibility he was given, because everything came easily to him. until the day that his life changed forever, and suddenly the stakes were no longer abstract, but tangible and personally devastating. sokka had never learned that it was okay to fail as a child because he never had a reason to, and then suddenly, he could not afford to fail under any circumstances. failure of any kind went from being a (purely hypothetical) blow to the ego, to being something that could directly endanger the lives of his loved ones. and so sokka decides that the only way to not be culpable for his potential failures is to be a martyr.

of course, there are instances in which sokka is proven to be inept, such as on kyoshi island or with piandao, wherein his humility and open-mindedness are put on display and sokka puts aside his own standards of perfection to learn from a master, but i don't think these instances qualify as failures. for one thing, sokka happens to master the forms he is being taught in less than a day, at an unprecedented rate, and thus these initially humiliating blindspots in his knowledge become victories as sokka absorbs new knowledge. sokka is always eager to learn, and willing to acknowledge his lack of expertise in area, humbling himself to learn from others any chance he gets. no, what i mean by "failure" as it relates to sokka's self-perception and ego is not a lack of knowledge, but an inability to protect another. to sokka, his existence is defined by his ability to provide and protect, and thus, a failure is, specifically, when someone gets hurt under his watch. that is what it means to not be able to afford to fail. he is not overly proud (if anything he is overly insecure), but he also understands that the stakes of failure – real failure – are tangible.

so when it comes to failure that carries grave consequences, he would rather be dead than fallible (or, responsible for not adequately protecting his loved ones), one million times over. and so every time someone makes a sacrifice for him, he feels as if he has failed on a fundamental level, because simply being exceptional is not enough, he must also bear the entire world’s suffering alone – as (in his mind) hakoda instructed him to when he left him behind to protect and provide for the village. otherwise he has failed in his promise to be needed, which is his raison d’être. sokka’s complex is very obviously not informed solely by his upbringing as a “gifted kid,” and in fact largely informed by the dehumanizing logic of war as it necessitates sacrifice, but his inability to accept his own fallibility as a product of his self-dehumanization is, at the very least, compounded by his debilitating perfectionism.

thus, katara and sokka's dynamic within their family isn’t “gifted kid and neglected kid,” but rather “two gifted kids who are gifted in different ways, one of those ways being valued more on a cultural level due to its scarcity as a byproduct of genocide.” while katara was put on a pedestal her entire life due to her ability to waterbend, it doesn’t mean that sokka wasn’t put on a pedestal in other ways. if anything, the reason hakoda entrusted a child with the burdens he did was specifically because he put his son on a pedestal. sokka assumes that hakoda didn't think he was capable enough to join his army, but that couldn't be further from the truth. hakoda trusted his thirteen year old son so much that he genuinely thought it best to leave him alone with this duty to defend his village and protect katara at all costs. he didn't leave a single man behind, not even the other teenage boys, because that's how much faith he had in a child to take his responsibilities seriously and perform them competently. and if that decision gave sokka one million different complexes and fucked him up for life, it wasn’t because he wasn’t valued for his abilities, it’s because he was overvalued and given too much responsibility at too young an age.

both he and katara struggled to live up to the expectations placed on them, forced to fulfill the roles of their parents instead of being allowed to exist as children. but crucially, katara sees the injustice in that, and clings to her childhood even as she strives for greatness, and sokka simply doesn't. he's long accepted that injustice, and in fact feels guilty that he cannot better live up to the impossible portrait of an idolized father, an idealized masculinity, an illusory model of the infallible, unshakeable warrior. despite all his achievements and natural giftedness, he nonetheless feels totally inadequate, deeply flawed, and ontologically worthless. perhaps, in a world beyond the pressures of war and its dehumanizing logic, sokka would have internalized the praise he was constantly receiving his whole life for his gifts. but since he was only ever a prodigy in ways that didn’t matter (within that colonized paradigm), he doesn’t actually care about how clever and brilliant and creative and talented and unique and special he is, because that would first require him to see himself as fully human, and he can’t even do that.

#analysis #sokka #katara #katara&sokka #hakoda #kanna #kya #hakoda&sokka #kanna&sokka #kya&sokka #kanna&katara #whew...! 20+ paragraphs about sokka and katara’s childhood. it’s more likely than u think (highly likely at all times) #see but this is why sokka is so clearly a mirror to azula to me #like not just in terms of crippling perfectionism and devastating fear of failure and being a child prodigy who is put on a pedestal #but simultaneously dehumanized etc etc #but also the fact that like. zuko treats her the same way katara treats sokka #he clearly thinks his immediate hostility and aggression towards her is like. him nobly fighting the battle against his tormentor #when that is literally his little sister and she is struggling so much and desperate for support from LITERALLY ANYONE #katara and zuko are like ‘let’s put azula in her place’ and high five #and that’s just so fucking apt because they truly do believe that it’s their duty to put their perfect prodigy siblings ‘in their place’ #but those are truly two of the most miserable people on the planet #so to any outside observers it’s just like………. why are you being mean to them they’re literally suicidal and shaking like a leaf #but also everyone already knows that azula is the prodigious gifted sibling bc zuko says it like one million times #so there’s rly no need to argue that #whereas katara loves calling sokka an idiot so i do believe that some clarification is in order #but like. yeah there’s no way sokka was dismissed or neglected as a child #he’s dismissed and neglected by the world at large #but within his tribe he’s like a mini celebrity . he’s their young sheldon (sorry) #anyway im running out of room to write tags but um. perfectionism is a disease get well soon xoxo bye

[tanadrin]

OK, so this post is going to probably look like I’m critcizing @jadagul quite directly, and I am, but only because he is a proximate example of something I find worth commenting on generally. This does not change the fact that I generally like and respect him, and find him pleasant to interact with.

There is a style of political thinking which seems to have an intuition that the law should work like mathematical formalism or computer programming, with a very close and literal relationship between any act of government (an executive action or an act of a legislature) and the constitutional or statutory text which enables that action. That even if the law is a messy and organic human institution, it shouldn’t be, and in ideal circumstances the whole system would be fairly mechanistic, with little room for human discretion. This line of thinking seems to work itself out in ideas like, “OK, discrimination is bad; but so is the government interfering in private actions; so anti-discrimination legislation is bad, too, in a different way.” Or “democracy is important, but part of democracy is free expression; and how you spend your money is a kind of expression, so limits on how you spend your money when it comes to politics is antithetical to democracy.” Or, in the anarcho-capitalist form I most strongly associate this line of thinking with, “OK, people seem to want a lot of freedom, low taxes, and the government not to tell them what to do; so we can (and should) construct a society where the government does very little--ideally nothing at all--and everything that can be is transferred to the private sphere, to be a matter of contract law and civil litigation. Since government power is very little or nonexistent, and all oppression comes from the government, everyone will be very free.”

This isn’t just wrong in the sense that the law is actually an irretrievably messy and organic institution because all human institutions are irretrievably messy and organic and we’re stuck with them; this is wrong because it is good that human institutions are messy and organic, and it would be bad if they were all purely mechanistic. I know this probably seems like a self-evidently silly thing to say if your intuition is toward the mechanistic and formalistic (and believe me, I share that aesthetic preference a lot of the time!) but it really is true. It is simply not possible for a legal system to reduce all potential coordination problems, political disputes, and breaches of social order to a set of general principles, and trying to would result in either monstrously cruel outcomes, like the ancient law codes that just killed everybody who broke them, or total structural collapse, like that town that got taken over by libertarians and then bears (because the libertarians didn’t understand the specific governance needs of the town, like how regular trash collection kept the bears away).

In particular, trying for this kind of metaphysical purity in your legal system often seems to cause people’s aesthetic preferences to short-circuit their moral ones; and because no legal system actually is metaphysically pure in this way, ultimately neither is satisfied. The thinking seems to go, we want a free and equal society without oppression; but government action is frequently oppressive, especially when it interferes with private business, so we don’t want to have anti-discrimination legislation. So what they get is a society without anti-discrimination legislation, that is also markedly unequal, because it turns out that bigotry just doesn’t go away by people saying “bigotry is bad, people shouldn’t do that.” Or, people want democracy; but they also want people to be able to spend their money how they want (that’s key to the liberal part of liberal democracy), so they don’t want to impose limits on spending around political campaigns. As a consequence, wealth inequalities distort politics by making the only viable candidates the ones who appeal to wealthy donors, putting a whole class of policies that poll really well outside the political pale--i.e., a profoundly undemocratic system where very popular legislation stands no chance of getting passed. Or, people want property rights and healthy markets; commensurate with that, they resist any effort to impose limits on those property rights or redistribute wealth. They get, as a result (and often hand-in-hand with the distortions of democracy that stem from the previous example), a system with a lot of rent-seeking and corruption where fair competition is almost impossible and there are a lot of monopolies that are bad for both businesses and consumers, far from the libertarian utopia of their laissez-faire dreams.

This isn’t meant to be a Chestertonian set of counterintuitive gotchas, where I try to argue that the real democracy was monarchy all along or something, just an observation that you have to look at, and argue from, actual outcomes, and not just what is conceptually appealing, even if you want to further quite lofty and abstract political ideals. Much the same way that abolishing your military does not keep you out of conflicts, if it results in you suddenly getting invaded by your neighbor, or abolishing anti-discrimination law would not result in a freer society, if you have a bunch of racists itching to discriminate against the minorities they don’t like.

I remember a post of Scott Alexander’s once expressing confusion at the idea banks would just decide not lend to black people in the midcentury US, because surely they would stand to make more money if they had more customers, and if they had more customers the banks run by non-racists would outcompete the banks run by racists, and I remember thinking, like, come on dude. There is a whole complex social ecology surrounding race and racial discrimination, which is going to drown out any possible weak effect that you are pointing to here. And he simply could not see it because it was not part of the world he knew, and he lacked the imagination to understand it.

Everything the law touches is like this. Law is not actually, nor can it be, a separate domain from politics, or economics, or private business, or religion, or any other aspect of human life. It is a loose category of thing we have drawn a fuzzy border around, like so much else. And because of the complexity inherent in the problems it presents, trying to decide which policies are best without reference to actual outcomes at best makes you prone to a kind of head-in-the-clouds idealism. But much more often, I think it means people support things actually corrosive to the principles they claim to espouse.

#of course some people are hypocrites or engaged in deeply motivated reasoning #so that's not actually a problem #but i think most people have the values they claim to have #and sure #determining actual policy outcomes can be tricky #empiricism can be difficult! #especially in domains where controlled experiments are impossible #but at least be thinking about them

[sysig]

What your fave says about you: Sona/Undertale edition (Patreon)

#Doodles #UT #So many sonas and characters lol #Ended up filling the other side of the zine with something self-indulgent :) #Actually came from the same kernal as a digital-specific idea but these are what I've ended up with in the moment! #Zine doodles end up...silly lol #I draw with pen logic! And mm... I won't say I'm Displeased with them but there are things I'd change for sure #Overall the vibe is there just not completely the execution lol #I'll get it better when I do the digital version >:3c It'll be like how I see it in my head and then I'll have both! Nice #For the moment tho doing an eight-highlight reel of the who's who was fun :) #Obviously starting with myself and my fave <3 This terrible little flower whom I love with my whole heart #I really do love him - I'd go and rewatch my fave scenes with him but the in-built guilt haha #The next was easy! My fave sona gets my second fave character! Papyrus only loses to Flowey by a hair's breadth anyway lol #Anyone in the thread remember that time I compared Charm to Papyrus lol #They both want people to like them so badly! They go about it very differently tho lol #Papyrus would be a good influence on her :) Just be nice to people! Ironically she'd probably agree more with Sans lol #Speaking of! Eli would be the type of person who goes digging around in the backend and Totally claims to like Gaster the most #Y'know because secret values and stuff! Super sneaky like! But actually their fave is Snas lol #You are Basic Eli just accept this lol #Ficus was an easy pick for Napstablook - they would absolutely lay on the floor and think about being garbage with them #That deadened gaze lol #Ulex looks so uninterested in Alphys lol they're just bad at talking - dissimilar from Alphys in that they've got the stoic thing going on #They're not awkward just not good at making friends lol #Hall of Mirrors would absolutely love Undyne lol - being friends with her and cooking together would make HoM So Happy haha #Another obvious one - Othersona already comes with spider imagery! Muffet was the clear choice haha #They are having a cup of spiders and they are enjoying it :/ Lol #And finally Holosona and original calculator-body Mettaton haha - she prefers this version over EX and NEO #She'd probably like NEO - she absolutely plays the Genocide run on purpose - except for how OHKO he is lol #A different sona likes NEO tho... #Anyhow ♪ Might talk more about their different play styles in the digital version :D When I get there anyway lol

[kareenvorbarra]

it's been so long since i've seen a silmarillion post that filled me with genuine stomach-churning rage that i kind of thought i was above such things now, but i just saw another one, so apparently not!!!!!

people really are out here trotting out the same old "these characters were justified in sacking towns and murdering civilians and setting fire to refugee camps and destroying the greatest works of entire cultures because someone stole their personal treasure" arguments and dressing them up in social justice rhetoric because they want to feel morally superior about their favorite characters even when those characters are instigating and carrying out mass-murders

at a certain point it's like. is it just poor reading comprehension? is it an unwillingness to admit that you like characters who do Bad Things? maybe it's both, i don't know

#fandom musings #'actually the sindar are worse than the noldor!' *meryl streep voice* groundbreaking #i do not like thingol very much but people love to paint him as PURE EVIL and it's maddening!!!! #he's just a dude! he's kind of an asshole but his flaws are very mild compared to (for example) feanor's! #it's a lot of stale tired bullshit but the new spin this post added was #'the theft of the silmarils is theft/appropriation of noldorin culture' #which is one of the most laughably disingenuous reads i have ever seen #as if the NOLDOR as a group care about who has the silmarils! #as if they think of the silmarils as a cultural treasure the way the teleri think of the swan-ships! #(discussion of the swan-ships was conspicuously absent from the post ofc) #you think turgon gives a shit about the silmarils??? #or any of finarfin's children? #finrod values his promise to a dead mortal more than he respects his cousins' claim to the silmarils #the noldor are not a fucking cultural monolith and many of them HATE the sons of feanor!

[aeide-thea]

the eternal, often-unsuccessful struggle to separate 'hm i personally am not enjoying Thing because it smacks of Unpleasantness to me' from 'i actually dislike Thing because it's Inherently Problematic, amazing how my personal taste is an unfailing radar that way' 😔

#like i can't tell you how often i've seen people on this website go 'minimalism is elitist!!' #and i'm like 'you could just as easily call maximalism elitist tho‚ have you ever checked out a little thing called uh. roman catholicism' #when really the reality is—both aesthetics are possible to link to Problematic Ideologies. #both aesthetics come in expensive and inexpensive versions. #ultimately taste *can* be about elitism‚ as most things can‚ but the relationship between the two isn't a hard-and-fast rule. #i personally do appreciate a certain degree of minimalism‚ and i could tell you it's bc my mother was a hoarder and bc i have adhd #so less-busy spaces make me feel more like i can think and like i have some control over my own space— #and all of that would be true! but also: my personal preference for a certain degree of minimalism is value-neutral. #i don't need to offer up excuses for it‚ as long as i'm not a dick to other people about it. #i don't judge people who have different preferences #but if you keep your space beyond a certain level of (what i experience as) clutter i will probably not want to spend a lot of time in it. #(VERY much @-ing myself here also‚ lol. time 2 clean my room.) #anyway these tags have gotten off-track but i just am like. really thinking a lot lately about 'i' statements #both wrt my own blogging and wrt things other people do/say that rub me the wrong way a little‚ lol #and i just think like. it's very easy to make sweeping claims and i'm not remotely immune to the allure of that! #it feels clever and analytical and like you've Taken a Strong Stance! #but increasingly i think—socmed culture has taught a lot of us to make claims about insidious‚ sometimes invisible harm #and i think we'd do better‚ or anyway i would‚ to instead make more claims about how things feel *to me* #harm is often imaginary tbh whereas 'you guys can do what you want but thing X makes me personally feel Y' is indisputable #not to mention easier to garner sympathy for! #(i mean in theory. i definitely have gotten some eyerolls/subtweets etc #but i THINK that's largely bc i still haven't gotten the 'i' statement thing down well enough. v much a work in progress there.) #(though tbh there IS a thing where even ppl who've been told *they* were oversensitive will turn around and do it to you) #(bc we're all steeped in this culture that's like. is yr discomfort/unhappiness etc Objectively Reasonable) #(or are you just a humorless pussy who oughta suck it up) #anyway idk. it's all about balance really. which is hard when everything's dizzyingly rough! #just some sunday nite thots. #sorry to be so long-winded in tags but like. at least those are by default collapsed unless YOU opted to expand them lol #opt-in verbosity!

[calamitys-child]

Listening to a podcast discussing conspiracy theories and deconstructing the ideas behind them and it's reminded me of the coolest practical lessons in critical thinking I ever got, both in high school, both from the same teacher. One was a month long project on who killed jfk in which we could basically present any theory as long as we cited all our reasons and it got us really excited about research and interpretation, but it was the follow up that I liked best.

Our next project she brought us into class and showed us a documentary claiming the moon landing was faked. Gave us worksheets to do that sided with that stance. And at the end of class a bunch of us were like miss wait this doesn't seem right?? and she said okay, we'll discuss that next week. The next lesson, she showed us a mythbusters episode countering all the claims of the original documentary and gave us worksheets for that, and another bunch of people went wait miss you can't teach us two opposing things, which one is right? What do we put on the exam??

So she split the class in two and told us each to present a case based on each side, and to explain why our source was or wasn't the more reliable of the two. Got us to debate each other directly and use additional sources to back us up and explain why those sources were reliable and should be believed. And because they were randomly assigned there was no guarantee you'd agree with the stance you were presenting, but you had to present it like you did. At the end of the project she asked us all which stance we found more convincing and why, and the majority of us basically said "we think that the moon landing is real because most of the arguments against it seem like someone reacted to a confusing thing without testing it, but when you test it and ask the person running the test to explain the science it makes sense once you have more information. Also, one documentary was made with the help of scientists with qualifications and experience and the other was made by people who don't have that but like to write mystery books, which looks like a less reliable way to get an answer. But we still dont understand why you showed us both if one is wrong."

And she was like excellent. You've done exactly what you should do. At high school level, we as teachers are expected to filter for the reliable sources for you, so you know to repeat that to pass an exam, but if you want to be historians on your own, I won't be your teacher any more once you graduate. Lots of people have opinions and theories and research about times in history, and it's your job to learn how to look at them and decide who you want to trust. This won't be on the exam, but I need you all to know it. You all did a great job following the school's instructions to repeat information you were given, but for some of you, that information wasn't on a reliable foundation. I know you all know how to pass an exam. You're smart and you've been trained to follow these instructions. What you deserve to be taught is how to use all this once you don't have to do exams any more.

And then as a reward for us doing a good job at figuring out the value of checking your sources' sources she let us watch Bush get hit in the face with a shoe before we had to go to maths. Shoutout to you Ms Hannah you were a good'un I hope you're doing well ten years on from that class

[blackpearlblast]

[ID: drawings of a golem animated by a palestinian flag painted on its forehead. it is seen: holding out its arms protectively in front of a crowd of children, the children also hold each other supportively; catching an air strike missile from the air and throwing it away or crushing it in its fist; turning its back so that a child can warm her hands by the earth oven built into its back, food in a pot is cooking on the fire and a boy holds a cup of steaming tea to his face and enjoys the aroma; clearing away rubble so a man can help up his wife who was buried underneath, she is clutching a baby to her chest; stooping down to look at a kitten a young boy is holding up to show it; and dissolving small flakes of clay from its finger into a glass of water, purifying it. end ID]

@fairuzfan asked people to create and share art for the strike. i wrote an artist statement and then set about trying to draw what i envisioned. artist statement below.

This golem is a protector that I wish I could gift to the children and adults in Gaza. The flag on its forehead is to show that love for the Palestinian people is an animating force for people fighting for a free Palestine all over the world, especially for those in Palestine who are trying to free themselves and their people. Love is the motivation for the call for a free Palestine, not hatred like people try to claim. It is very strong and fast and can catch air strikes out of midair and crush them to dust or throw them back in the direction they came from. It can lift all the rubble of a collapsed building very quickly so nobody can get trapped underneath. It has an earth oven in its back with an ever-burning flame that people can use to warm themselves and cook food and heat water to use to bathe themselves or make tea. Pieces of its clay can be crumbled up and mixed into water to make even the most brackish and unclean water pure and safe to drink.

The golem is always a bit of a tragic figure so I don't imagine it staying around forever once Palestine is free and it is no longer needed. I think it would use its great strength to help rebuild the destroyed houses, churches, schools, universities, hospitals, and mosques and then dive into the Jordan river and dissolve. It would clean the river of all pollution and make the water splash up over all the newly replanted fruit trees, causing them to grow big and strong. Its love for Palestine and its people can be tasted in the fruit they grow for generations.

I choose a specifically Jewish icon of protection because of how it feels to witness such horrors done in the supposed name of Judaism and the Jewish people. For many anti-zionist Jews, we feel like we are acting directly within the teachings of our stories and communities by opposing this genocide. It is difficult to understand how the very people and institutions who taught us these values now fight against them so fiercely. While obviously I would still oppose Israel were I not Jewish, the way I oppose Israel is directly informed by my Jewishness. I hope that someday, somehow, Judaism can bring as much joy and support to the Palestinian people as it has brought grief and destruction. That Jewish symbols used in the name of love and justice will bear more significance than the ones used in shows of hatred. Knowing the depth of the harm caused, I do not know if this is possible. But this artwork and everything I have dedicated myself to these past few months and continue to dedicate myself to in the future is born from this hope. I love you. Thank you for being on this planet with me. From the river to the sea, Palestine will be free! And it will be beautiful.

#cosmo art #palestine strike art

[determinate-negation]

what are your thoughts about hamas / or do you have marxist oriented or just good not western media biased resources for understanding them?

theyre an islamist anti colonial organization, theyre also a political party with a military wing (al qassam brigades) which is what people usually are referring to when they talk about ~hamas~. they won in elections and have a degree of popular support and, because they are the ruling political party, theyre in charge of civil institutions in gaza, like schools and hospitals etc. when reporters describe things like the gaza health ministry as “hamas run” when they would never say this about another political party, they are purposefully trying to delegitimize it and obscuring the fact that they are the government that won in elections, not a rogue terrorist cell. al qassam brigades was not the only part of the resistance that took part in the attack on october 7, there are a bunch of other factions like the islamist PIJ, marxist PFLP and DFLP, and some others. im not the most knowledgable on like politics within gaza and exactly how people feel about hamas but theyre absolutely not a terrorist group, i think theyre much closer to other anti colonial militant organizations like the viet cong and algerian national liberation front. theyre also fighting an asymmetrical war using guerrilla strategies like the viet cong and nlf, and western media misrepresents this with all the shit about “hiding weapons by civilians” or whatever. i would recommend looking into the history of guerilla warfare and anti colonial struggle to understand why im criticizing media representations of it. they also make a lot of their rockets from scraps of israeli bombs! i think people should make a better distinction that hamas is a political party with a military wing (al qassam brigades) because then its more obvious that bombing civilian infrastructure thats allegedly “hamas run” is a war crime. also i heard in their statements that most of their militants are orphans whos parents were killed by israel and i think that should be noted. i think its also incorrect to say they have an issue with jews in general and are rabidly antisemitic as if their main aim is to kill jews, the way most media portrays them. they very specifically exist because of the continued occupation of palestine and without that i do not think they would give a shit about jews. they attack settler because theyre settlers, not because theyre jews. idk this article was pretty good and has a link to their 2017 charter where they specifically say their struggle is against zionism not jews

heres their charter thats linked in the article but ngl i just recommend reading their statements and material in general. not saying take every single thing at face value but theyre a political party with issues like any other, not evil sadistic terrorists. and why let mainstream media set the terms of your understanding of them

#palestine #mine #hamas

[inkskinned]

nobody ever gets the mugshot of gluttony right. these days you think it has nothing to do with bodyweight. what a good trick: that gluttony could take a shape. no, there was never any fault in finishing a meal or in taking second helpings. it was always in taking from others that there was an issue - the oil baron's fingers steepled over dead bodies and stolen lands. gluttony - twin of greed, although most think greed and envy are the siblings - gluttony is pleased with the experience of gaining, is thrilled just-by-having. greed is the one that stays hungry, that has to move forever like a shark. gluttony likes it - "a glutton for punishment" is one who is seeking the harm, who loves the rush.

gluttony is a mother using her daughter's body for a diet testing ground, sharpening the bone angles. gluttony is saying why, well not! to the seventh and eighth mansion or yacht. it is not just wanting the six white horses, it is making sure that the horses came from your stables. it is not just bathing in milk - it is bathing in milk while others are starving.

oh, it's true that some sins still blaze in their bright floral prints. wrath in a white woman yelling at a person of color for even daring to be in her neighborhood. the red, incipient rage of a neck tightened at even the thought we would take the guns away. wrath has laurels, and she is good at her job, and works hard.

but sloth wasn't ever the sleepy morning of depression, the hours spent begging a clouded body to please move goddamn it; the protestant work ethic claiming even rest is somehow demonic. it was never chronic fatigue. sloth was subtle, a grey mist. she is watching you get bullied and she is deciding it is none of her business. she crosses the picket line because - what! it's just chicken, isn't it? she is closing her eyes and turning her head when the next anti-gay legislation passes. someone else will handle it. not the tense freeze of anxiety or a lack of preparation - she knows you're hurting and would rather you stay quiet about it. she tells other people i just don't see what the big deal is.

sloth is a father that doesn't do the dishes. sloth is your boyfriend's innocent shrug you're just better at household shit. sloth isn't the missed opportunity - it is the purposeful desire to just get-someone-else-to-do-it.

greed and envy are doing body shots in the back of a private jet. they are the way they always have been, but are lovers in the age of the internet. greed just finished union busting, is rolling a bitcoin over his knuckles, is about to start another MLM. envy is in a broadbrimmed hat, showing off her instagram life, grinning about how if you want it, work for it.

okay, it's true. you have a soft spot for lust, gathering dust in a corner. so tame in comparison to the others. but how funny lust is always painted as being a woman in tight clothes. you've met actually lustful women - the ones that purposefully climb into your partner's lap, the ones that say lesbians are gross but ask bisexual women into bed with their husbands. a lustful woman is not donned in lace and garters and red: that's how men think lust looks, painting their own sins into frame. this way, the sin displaces as fog and hovers above her: a woman in a dress is lust; what the man experiences is just the natural consequence.

here is the thing: lust is doing just fine, save your pity. lust is running more circles than any of them. lust is shutting down safe sexwork sites while also making teenagers in knee-high socks sex sensations. lust is CEO of an advertising network where women never pass 25 years old. all the bras lust makes are pretty to look at but, when worn, legitimately hurt. lust has a podcast, his fur coat looped around his shoulders, sells the idea that only certain people have value, that sex raises some and destroys others. lust is tilting his head and asking what did you expect when you dress like that? lust shuns you, sneers that everything you want is disgusting and taboo - right until he can figure out how to capitalize off of it. lust has the midas ability: everything he touches becomes an object.

people usually say wrath is the scary one. you agree with FMA here, though: the real dangerous one is pride, and the shit-eating grin. the white cloaks and the nationalism and the inability to apologize. it is every partner who threw a book at your head because you don't respect him. it is every mother who said my son doesn't deserve to have his life ruined over allegations. it is the teacher that fails you because you talked back.

you worry you have this one. you feel guilty when you need help but don't ask for it. prideful. ashamed when you complete something and feel good about it. too proud for your own good. but pride is not the reward of hard work or accomplishment: pride is a twitter feed. it is the thing that has to mask i didn't do anything with look at me.

pride is your father's raised hand, his raised voice. how he was never there when you needed him, but he is still "head of house." he ruins dinner and blames it on you: you're an embarrassment to this family. this is the glass you walk around, the cuts in your feet. how he says this isn't how i raised you and you have to bite back the retort: that's because you didn't actually fucking raise me.

#i personally think having any of these desires is totally fine. it's when u use them to hurt others #it's why having ambitions =/= greed: as long as ur ambition isn't ''i hope i can take someone elses good things'' #writeblr #warm up #seven deadly sins

[jewish-sideblog]

When I was getting my education I had to go through a ton of news bias and media literacy trainings. Like constantly. All throughout high school and college. Every single time I thought to myself, hey, this is fucking stupid. Obviously an unsourced tweet from a shady account isn’t a good news source. Obviously I shouldn’t take what a company or organization says about themselves at face value. I thought that was genuinely common sense that everybody on the internet shared.

Whoops! I was wrong about that one. People are really getting their news about the TikTok “ban” from creators on TikTok. Do people think that TikTok creators are informed and unbiased sources? Most of them are 20-somethings who don’t have day jobs because they make short form ragebait for a living. On the very same app that’s stirring controversy! Not a good source!

People are getting their news about international politics from screenshots of unsourced tweets posted by shady accounts. Most of the time you can dig for a second and find a national news source refuting the tweet. And if you check out the shady account they’ll be trying to sell you Russian bitcoin because they think the moon is going to explode soon. Yet the screenshot of their claims about international conflicts get hundreds of thousands of likes.

What the fuck are we doing here, guys? I knew social media literacy was a problem but I didn’t know it was a global fucking disaster

[felassan]

Source: posted to Twitter just now by Jon Renish [link]

Transcript:

"Terminated BioWare Employees Sue for Better Severance On August 23 of this year, Edmonton video game studio BioWare ULC terminated 50 employees without cause. In most recent court cases of termination without cause, Alberta Courts have awarded at least one month of severance pay per year of service, with the full value of all benefits included; the severance that BioWare offered to these employees was significantly less than this amount. Several of those ex-employees attempted to negotiate with BioWare for adequate severance, but BioWare refused to increase its severance amounts. Seven employees, with an average of 14 years at BioWare, have refused to accept BioWare's low offers, and have filed a Statement of Claim with Alberta's Court of King's Bench, requesting fair severance pay and including a request for punitive damages for what they say is unreasonably poor treatment by BioWare. "In light of the numerous recent industry layoffs and the fact that BioWare's NDAs prevent us from showing any of our recent work on Dragon Age: Dreadwolf in our portfolios, we are very concerned about the difficulty many of us will have finding work as the holiday season approaches," said one of the terminated employees, "While we remain supportive of the game we worked so hard on, and of our colleagues continuing that work, we are struggling to understand why BioWare is shortchanging us in this challenging time." R. Alex Kennedy, counsel for the seven employees, says that even in cases where BioWare has contracts that discuss termination, BioWare may have included illegal provisions: "There are many situations where employers include termination provisions that are not enforced by the Courts," he said, "and I think we see that in this case too. BioWare attempted to reduce its obligation to these employees well below what the courts typically award, including by eliminating benefits from its termination pay - that appears to be contrary to the Employment Standards Code." In Kennedy's opinion, these employees deserve generous severance pay: "These people are artists and creators who have worked very hard and for a very long time in a difficult industry, producing big profits for their employer. Their termination without cause en masse like this calls for a response. Employers here can terminate anyone at any time without cause, but with that right comes a responsibility to the people they put in that situation.""

#bioware #dragon age: dreadwolf #dragon age 4 #the dread wolf rises #da4 #dragon age #mass effect #next mass effect #long post #longpost #mj best of

[busket]

I understand personal preference and that some people just don't like ships with men, and that's ok! but I'm annoyed at the implication from some fans that labru has less depth as a relationship than farcille or any other wlw ship in dungeon meshi, and the idea that people are only shipping it as a joke, or because they're horny, or because they're misogynistic and don't want to look at female characters, etc etc. I've seen people call it like, "bloodlust obsession that turns to horniness" and it made me realize that the people who don't ship labru don't understand their dynamic at all. labru shippers didn't just pull this out of our asses lol

a lot of the story around kabru involves how he and laios are perfect opposites of eachother. NARRATIVE FOILS, if you will. everywhere kabru thrives (social interaction, charisma, the surface) laios completely fails. and everywhere that laios is most successful (in the dungeon against monsters) kabru keeps getting killed. not only that but their desires are mirrors of each other too: laios grew up bullied by humans and wanted to become a monster, kabru grew up dehumanized by his villagers and then the elves, so he wants to affirm his identity as a human being.

despite how kabru should be repulsed by laios due to his hatred of monsters, he's drawn to him instead. kabru spends the entire story trying to get to laios to talk to him and to get to know him. firstly he knows laios is closest to defeating the dungeon lord and needs to sus out if he's a good person, but he admits that he really wants to be friends with laios too, not just to determine his virtue but to see what value laios sees in monsters. he wants laios to share his interest in people, he wants laios to be interested in him back. kabru never had any true bloodlust or desire to kill laios, he was prepared to go that far if laios wasn't a good person, but once finding out that he has good intentions kabru spends all his energy trying to help laios instead. and when you consider that kabru spent his childhood believing he was half monster because of how he was ostracized in utaya, his curiosity about how laios could possibly love monsters feels so much more personal.

and for laios, he's not used to anyone taking an interest in him. people are constantly telling him he's weird, and the person he believed to be his best friend told him he couldn't stand him. he misses falin so dearly because she thinks he's the coolest man on earth, so meeting someone and being told "I hate monsters but I still want to know YOU" would have an impact on him, I think. in postcanon they become good friends, kabru becomes laios' right hand man to help him with more of the dicey social aspects of being a leader. laios asks him to stay by his side and help him, and kabru says "yeah, that's what I've been doing this whole time"

I wouldn't claim that a romantic relationship between them is CANON, but I wouldn't even say that about farcille either tbh (and I love farcille just as much so don't come for me lol) this isn't a comedy crackship that yaoi fans just made up. laios and kabru are really multi dimensional characters and they're made to reflect eachother in every way, even down to their physical design. so it's not out of nowhere that people ship them

#dungeon meshi #labru #MY INSANE YAOI RAMBLINGS

[gucciwins]

Y/N just wants Harry to like her.

Word count: 5964

A/N: Friends!!!!! I am sorry to have disappeared but I am back. Yes, I am aware this is a Halloween/October story but you're getting it now mid November (that has been going by fast). I won't work on any holiday stories because I have no idea what to write. So if you have an idea and want me to write it feel free to shoot me an ask.

Now happy reading! I love you

+

Many people go to work ready to return home, but not Y/N. No, she walks in every day with a smile and a pep in her step. She greets her coworkers by name and occasionally brings baked goods she knows everyone will enjoy. Y/N loves her job, and she’s happy to go every day.

Y/N went from working in a job she hated because it was filled with men constantly belittling her and gaslighting her that she was doing her job wrong when she was actually excelling. It all got to be too much, and Y/N decided to quit. Thank goodness she did because soon into her job search, she received an email from Carla Crain asking her if she’d be interested in joining her company. Y/N went to the interview, and after basically being pitched her dream job, she accepted and entered as head engineer. 

She’d be lying if she wasn’t nervous starting, but the people Carla had hired all shared the same values on work and life. Y/N knew she’d be in safe hands. The company is small but slowly growing. It allows for every employee to get to know each other and everyone to remember that together, they can be successful. Y/N had been at the job for two years and, with time, brought new coworkers. 

There is Estrella, who loves to talk to you about astrology, ironically enough. She states that the invisible string theory is real and that if everyone tracked it, they would notice just how small the world is. 

Carmy has a tough exterior, but once anyone gets him talking, he never stops. He loves chatting about his family and his pet Pitbull named Daisy. 

Maeve is petite, and every other month comes in with a new color in their hair. Y/N enjoys it when everyone in the office places bets on what it will be. 

Tatum is from Scotland and loves to remind everyone when they all go out for drinks on the weekend. 

Chessy is the only one who works remotely, but when she comes in, she is always laughing in the office. They also all get a basket of fresh fruit and vegetables from her garden. 

Overall, Y/N knows she had the best coworkers and wouldn’t change her job for the world, but as their company grows, so does the need in their team. The newest hire is Harry Styles, who has come in as a computer technician to help develop their website and also help with any internal security. Honestly, all she knew was that it was a complex job. 

Harry was on the quiet side. She tried to start conversations with him, but he always seemed to brush her off. At first, Y/N wondered if she should take it personally but soon learned he did that to everyone. Even though he didn’t open up to them, they still invited Harry to join them. 

The thing was, he rejected all their dinners. Y/N loved going to a Korean BBQ Maeve introduced them to, and Harry claimed not to eat meat (not that she didn’t think it wasn’t true. Chessy was vegetarian, after all.) They would go to a bar and share a few drinks when they knew they would all be having a long weekend off. Harry always claimed he had an early morning. It didn't matter if they offered to meet earlier. Y/N’s favorite nights were trivia nights that happened at a local brewery. Y/N was a beat, especially in history. Harry declined, and this one hurt her the most.

 Everyone would ask Harry to join. 

Karaoke. Can’t hold a tune.

Bowling. Too loud. 

It seems there was an excuse for everything.

Everyone began to stop inviting him out, and while Y/N didn’t enjoy being told no, she would send notes to the office with the time and place of what they would be doing. She’d always keep an eye on the door, but Y/N went home disappointed each time.

The thing was, Y/N was determined to make a friend out of Harry. She soon learned large public settings must be overwhelming for him and decided to find a new way to approach him. Everyone took lunch at the same time in the office except for Harry. Sometimes, they all ate at the sub shop across the street. Most times, Y/N brought food from home, and she cooked. While she liked eating out, Y/N preferred a home-cooked meal. She caught Harry taking his lunch half an hour later than her and used that to her advantage. 

They had a conference that always remained empty as everyone preferred the main lounge. Harry went in there every day for his lunch hour. One day, Y/N walks in, smiles at him, and sits as far away as she can. She made sure to only be there for ten minutes. The next day, she stayed for twenty and wished him a nice lunch when she left.  

Slowly, Harry begins to spare her glances, but Y/N keeps to herself until the day she sits across from him. 

“Hi, Harry. Is it okay for me to sit here?” 

No answer. 

“I’m going to take that as a yes.” 

He fidgets with his fork. 

“I saw a lime bike out front. Did you ride that today?” 

Harry looks at her briefly before staring back at his plate. 

“I’ve always wanted to try one, but I’m honestly scared of being hit by a car. Chessy lets me ride hers when I go down to visit her. She’s got beautiful trails. You’d probably enjoy it.” 

Y/N thinks that’s enough for today and excuses herself. She doesn’t realize Harry noticed she didn’t take a bite of her lunch. When she goes back to her desk after using the restroom, she finds three chocolate chip cookies sitting on her desk. Y/N rushes to try one, doesn’t even think of who delivered them or that a green-eyed man was standing right outside waiting to hear her reaction. 

With time, it seems Harry is coming to appreciate Y/N’s presence. He has never expressed it, but she knows because he nods when he agrees to something she says or tightens the hold on his fork when Y/N shares something upsetting. Y/N had not gotten more than two words out of him. At this point, Y/N felt like Harry knew everything about her; all she knew was that he had the most beautiful eyes, and his hair always looked soft. 

One day, after many lunches together, she finds Harry reading a book. Y/N knows he might want quiet, but her curiosity gets the best of her. 

“Any good?”

Harry looks up and grimaces. “Think it’s really boring.” 

Y/N laughs because she wasn’t expecting that response. “Then put it down.” 

He shakes his head. “Don’t like not knowing the ending.”

Y/N shrugs, “if you don’t like a book, I wouldn’t put myself through the torture of it all. Skip to the end if you're curious.” She understands she spoke too much and excuses herself. 

The next day, Harry is sitting in his usual spot, but this time, a new book is in his hand. Y/N bites back a smile. 

“What’s this one about?”

“My sister recommended it,” he defends. 

Y/N isn’t halted by his harsh tone. “What’s it about?” 

“Well, it’s Pride and Prejudice.” He shows her the book cover. 

“Like the movie?” Y/N asks.

Harry laughs, and Y/N feels successful. His laughter rings in her ears. It’s a lovely sound, and she wishes to hear it more. “Yeah…I like the movie.” 

“Me too,” she gushes. “Do you think I’d like the book?”

He frowns, “if you like Jane Austen.” 

“Might have to pick it up next time I’m in the shops.”

+

Their interactions are solely during their lunches but sometimes spills out during work. Y/N seemed to have an issue with her computer and radioed IT. She needed to submit her document, but her desktop appeared to freeze whenever she opened a new file. Harry knocked on her door, and she welcomed him in. Y/N explained the issue, and Harry was quick to get to work. It was only a few minutes when she noticed that her document was open and her computer wasn’t having a meltdown.

“Thank you so much, Harry!” Y/N cheers, knowing he saved her. 

Harry shrugs because it’s his job. “You have a nice photo.” He’s pointing to her picture frame on her desk. It’s a picture of her and a dog in Iceland at the end of her hike. It was taken back when she was nineteen years old. 

“Thank you. I took that on my first solo trip.” She bites her lip, hoping Harry takes the bait. 

“Where to?” He asks curiously. 

She silently cheers, “Iceland.”

“Is that your dog?” 

“I actually found him mid-hike and took him back with me. I hoped to see his owner on the trail, but there was no luck. He didn’t even seem worried. Once I returned to the car park, his owner was there. After that hike, I decided I liked the company of a dog and returned home to adopt Tutter, a Jack Russel Terrier who loves to play fetch.”

“Why isn’t Tutter on your desk?” 

Y/N feels her face flush, “now, don’t be mean. I love my son, but that trip taught me I can do anything I set my mind to, whether alone or with company.”

Harry gives her the slightest smile. “I-I learned Italian because I always dreamed of having an Italian home.”

Y/N’s eyes brighten. Harry is opening up to her, and instead of pushing, she offers more of herself. “I’ve dreamed of visiting. The Amalfi coast is my dream to swim in. Silly, I know,” she brushes off, trying to downplay her excitement. 

Harry doesn’t let her. “You’ll make it.”

He finally excuses himself. Y/N is happy for the rest of the day because she realizes Harry is allowing her in.

+

September means the preparations for Halloween have begun. It starts with little things, from coasters and mugs to the occasional treat. One day, a tiny spider sits on his desk for a second. Harry believed it was real until it began to glow purple. Harry kept it on his desk next to his sticky notes. He doesn't do anything about it; there’s no need. By the second week, the office is entirely decorated. Harry admits a few decorations have scared him, especially the skeleton in the corner of the restroom.

It’s a quiet day when he’s walking by the break room on his way to the secluded office to have lunch when he hears people talking. Harry pauses because he hears Y/N’s voice mixed in with everyone else. 

“But it seems like he doesn’t like us,” Harry hears quietly. 

“It’s hard,” Y/N defends. “You’re all extroverts. It can be overwhelming.” 

Harry knows she’s trying for them to understand.

“But Carla is all about unity in the office. This is a concern.”

“It’s not, Carmy.” Y/N shuts him down, clearly upset she had to defend him.

Harry decides he’s heard enough and decides to eat lunch alone in his car. He’s thankful it was a sandwich and nothing he had to heat up. For the entire lunch and the rest of the day, all he thinks about are the words of his coworkers. 

Y/N looked for Harry, excited to talk about a book she started, but Harry was nowhere to be found. She wouldn’t have been concerned, but it’s clear no one saw him since before lunch. She wishes Harry could confide in her even if a fraction of what she shares with him/ 

The next day, everyone walks into the office at their usual time, everyone making their rounds together to the break room to prepare their coffees and store their lunch in the fridge. When Y/N walks in, she sees her coworkers huddled around the table and peeks around them to see what has captured their attention. There on the table is a box of Halloween cookies from a bakery uptown with a note attached. 

Enjoy - HS

Y/N lets a smile take over her face. She knew Harry cared about them but understood why he finally did something. She tells her coworkers they owe him an apology, and they all agree. Y/N makes sure to head to Harry’s office and thank him for the cookies. Harry tells her it’s nothing. She bounces away to her office, where Estrella, Carmy, Maeve, and Tatum are standing outside her door. 

“Can you come with us? Feel like he likes you.” Tatum tells her. 

Y/N sighs and tells them to follow her. Once again, she knocks on his door, and they all file in when he welcomes her in. Harry looks at them confused. 

“Uh, is there an issue?” Harry asks, concerned. 

Carmy starts, “we want to apologize if you overheard us yesterday.” 

“Right,” Harry sighs, knowing it might be a good time to share with them. If he trusted Y/N and she trusted them, he knew he could also start to. 

“It was wrong of us,” Maeve continues. “Y/N raves about how smart and nice you are, but we don’t get to see that. We’re sorry.” 

Everyone else repeats the sentiment while Harry looks at Y/N, who offers him an encouraging smile. She must know his anxiety is through the roof. 

Harry takes a deep breath, “right, uh.” He looks down at his shoes, untied lace on his black Adidas. “I struggle with social anxiety and new environments. It’s better than when I was a kid, but it’s easy to get overwhelmed even more when being the new guy.” 

“No worries. We get that,” Tatum expresses. “Estrella gets bad migraines.” 

“Don’t air other people’s personal stuff,” Y/N reminds them. 

“We’re sorry,” they offered one last time. “Thanks for the cookies.” 

After that, they hurried out while Y/N stayed behind. 

“I wanted to apologize,” he begins.

“You don’t–” Harry cuts her off. “You’ve made me feel comfortable.”

Y/N sighs, letting her shoulders drop. “Not enough, it seems.” 

“It can just be too much sometimes.”

“I-I get panic attacks.” Y/N shares, surprising herself. “When I overwhelm myself, it can happen. It’s uncommon and has not happened at work, but I understand.” 

“Thank you for sharing,” Harry tells her honestly. “Lunch?” 

“See you in a bit then.”

+

Through September, Y/N and Harry have lunch together every day. They read together, Harry more into classic literature, and Y/N loving to devour a juicy romance that has her pausing every few minutes, trying her best not to scream because the love interest brushed hands. Some days, Y/N will do a sudoku game while Harry does the daily crossword. Y/N likes to solve the Wordle of the day and most times asks Harry for help if she fears she might not get it. Some days, Y/N brings in her laptop during lunch because she is behind and needs to catch up. Harry reminds her to relax. He knows it’s easier said than done, so he tells her about the book he’s reading or asks about her dog and the snacks he eats. 

Before she knows if they’ve made it to October. One of the best months of the year. Y/N loves planning events, and this is one she wishes Harry would say yes to. She knocks on his office door, and Harry freezes, staring at his computer screen. He glances at the calendar; it's the first Monday of the month, and Harry knows they’ve planned a fun event. 

Harry is practicing his excuse when Y/N walks in with a bright smile, wearing a “Great Pumpkin” shirt with Snoopy and Charlie Brown. She has told him it’s her favorite movie to watch during the month and “The Conjuring” Harry wasn’t sure how the sweetest girl he knew could handle a horror film like that. He had told her she was fearless.

“Hi, Y/N, pretty shirt.” 

Y/N looks down at it as if she had forgotten what she was wearing. She beams at his compliment. “Thank you, Harry!” 

Harry asks how her day is going and shares how there was traffic on the way down and how she didn’t have time to stop by her favorite coffee shop because there was a line out the door. “Pumpkin spice isn’t even that good, H. I mean, it’s okay, but I wanted my coffee.”

He laughs at her pouting and promises to make her one during lunch. She perks up at his mention of their shared time together. 

“Speaking of our time together. We plan to go to a haunted pumpkin patch in the next town over if you want to join us. It’s two weeks from now, so it's the 21st.” Harry could hear the excitement in her voice and didn’t think he could say no to her.

“Everyone is going?”

“We invited everyone, but only Carmy, Estella, Maeve, Tatum, and myself are going. Carla was not for it. Dan is warming up to us but still says no. Though he did agree for trivia next week.”

Before he can stop himself, he says, “yes.”

“You will?” Y/N answers surprised. 

“Mhm…uh, it sounds like fun,” he says unconvincingly.

Y/N’s smile brightens, “I’m not hung on haunts, but they’ve got amazing apple cider you’ve got to try with me.” 

“Happy to join,” he tells her honestly. “Let me know the ticket cost or if we need to purchase our own.”

She nods eagerly. It’s clear Harry has just made her day. 

+

The day comes faster than he’s ready, and while a part of him is excited, Harry feels his nerves will get the best of him. Y/N had told them no one was dressing up in costume and even went as far as to send him a photo of her outfit to assure him she wasn’t playing a joke with him. She was wearing bell bottoms with a Mickey Mouse in a pumpkin shirt. She told him it was his favorite to wear each year. 

Harry knew it would be cold, so he wore a simple Halloween shirt in his closet and loose-fitting jeans. His jacket in his car he knew would keep him warm throughout the night. He wasn’t trying to impress anyone (only Y/N) but also wanted to look nice outside of the office for once. When Harry parked, Y/N told him she’d wait by the entrance for him, and he couldn’t miss her as she had a cute pumpkin headband on.

It seemed Y/N spotted him, too, because she rushed towards him. “Hi, Harry,” she greeted with a cheery smile.

“Hi, you look lovely,” he offered her a small compliment that made his hands sweat.

“You’re too sweet. Come on, we were waiting on you.” She grabs his hand and pulls him along to where everyone else is. 

Everyone offers their greeting, and he receives a few compliments on his tame outfit. It’s an old Halloween shirt he got at a vintage shop in New Orleans five years ago. His sister went on a trip and asked him to join. Harry could never say no to her. 

Harry notices everyone begins to drift off into conversations, but Y/N stays by his side. He takes the time to admire her as she looks around at all the decorations. There are a lot of people, but it seems they are heading to the pumpkin patch. There are stalls selling sweet treats, and he keeps in mind to buy Y/N a cider, remembering she mentioned loving it. Harry has always thought being in a relationship to be intimidating. He loves love but struggles to put himself out there, to allow someone else to get to know him, but here is Y/N, who managed to worm her way into his life, knocking down all of his walls. 

Harry likes Y/N.

It’s something he took a long time to figure out, but when he realized the excitement of seeing her each morning, he looked forward to it. He let it consume him, but he had no idea if she could feel the same way. 

“Did you drive here, Harry?” Y/N asks, breaking their silence. 

“I did,” he answers. 

“Do you think you could maybe take me home?” She brushes her hair out of her face. “I came with Tatum, but she’s been wanting to take the time to connect with Estella, if you know what I mean,” Y/N gestures to them kissing on hay bales. 

Harry had no idea that there were feelings between them. “I can do that, Y/N.” 

“Great!” She cheers gratefully. “I owe you an apple cider, then.” 

Y/N eagerly walks them to the stand, and before she can pay for both, Harry slips the kind older lady a twenty walking away with their drinks. Y/N stays behind, shocked, but quickly catches up, pouting at Harry. “Harry, I was going to pay.”

He shook his head, “my mum would have my head if I let you pay.”

Y/N bends her head, careful to take a sip of the warm drink. “Well, thank you.”

Maeve bounces over to them. “Hi beauties, we’re ready to start if you all are.” 

Harry eyes Y/N, waiting to see her response. Y/N offers her friend a large grin, and Harry agrees he’s ready. He throws away their ups, and once he finds Y/N with the group, he slithers to stand behind her. Y/N offers him a tense smile as the group tries to decide who will lead. 

“I can go in front,” Harry offers, sensing no one wanting to make the first move. Everyone thanks him and heads to the first maze. Y/N informs him it’s once based on the catacombs in France. 

“There’s a movie based on the catacombs,” Y/N shares as they walk together.

“As Above So Below,” Harry says. “It spooked me.” 

“You’ve seen it,” she laughs, holding onto his arm for a second, unable to contain her excitement. “It’s one of my favorites.”

“It’s a good one,” he agrees. 

They fall into silence as the chatter of their coworker fills the air. Harry sees Y/N get fidgety, but she’s smiling as she leads the way to the short line. “I’m actually really nervous,” she tells Harry. 

“We’ll be fine. I got you,” he assures Y/N.

Harry extends his hand, and she accepts it. He intertwines their fingers and pulls her along as the line moves slowly. Y/N does her best not to think about the feeling of his hand, but it fits perfectly between hers. She feels her hand begin to sweat and wants to pull it away, but Harry has a firm grip on her. 

“Is it okay?” Harry nods, gesturing to their hands. 

“Safe, uh, I feel safe.”

The worker asks how many, and Y/N peeks behind Harry to tell her six. Harry is grateful Y/N knows when to take charge because while he can lead a scary maze and knows everyone is dressed in costumes, he still feels nervous speaking to strangers. Harry squeezes her hand once in thanks. She gives him two quick squeezes in return.

Harry guides them in. Y/N lets go of his hand to hide behind Harry, her hands on his shoulder as she peeks behind him. There is a group ahead where she can hear the people in front screaming, which allows her to prepare for the scare, if that is even possible. 

Her eyes widen in amazement as she takes in the darkness of the building. Everything is covered in black cloth. She can see the spots where actors will jump out. Y/N mumbles an apology to Harry for holding on to him tight. Estella is behind her, screaming at everything that moves. Harry steps through the curtain, and she feels her hold on him loosen. As she is stepping closer to reach him, a man screams in her face, making her rush forward and propel Harry into a wall. 

“I’m sorry. I’m so so sorry.” Y/N apologized repeatedly as Harry rushed them to finish the maze. She felt her heartbeat in her throat and knew she needed to calm down. One look at Harry, and he rushed her to a dark corner, not concerned about their friends. 

“Y/N? I’m okay. You’re okay.” Harry tried assuring her.

She repeated it in her head. They were okay. They got out of the dumb maze, and Harry wasn’t hurt. It took her a few minutes to realize she had a panic attack. Y/N had not even felt it coming and didn’t think a haunted house would trip her into one, but with all the overthinking she had been doing, it made sense it led to this.

“I’m sorry, Harry.” Y/N bashfully looks away from him. She can’t believe she embarrassed herself in front of him like this. 

“No apologies,” he brushes her off and doesn’t ask her any questions, only to ensure she is okay. 

They rejoin the group after ten minutes by the looks of everyone's sympathetic smiles. She knows they saw her freak out, but they’re her friends. She knows she’s in safe hands with everyone, especially Harry.

“What’s the next maze?” Y/N asks cheerfully. 

And so they continue on. 

The next maze is much smoother than the first. Carmy leads, tucking Harry and Y/N in the middle with Tatum and Estella in the back. That order seems to comfort Y/N for the next few mazes. Each worker makes her scream but then falls into giggles when Harry traces comforting shapes on her hand. It takes her mind off these scarers trying to get her to scream and instead focus on the gentle touches of her crush. 

While doing the mazes is fun, Y/N is soaking up talking to Harry in line. They’re in a new environment where they do not need to discuss work. She feels free to ask him anything, but sometimes she is unsure where to start. Y/N doesn’t know if she wants to hear about his weekend plans or ask him about his favorite movie or who his favorite Muppet character is? 

Talking to Maeve and everyone else is easy because she’s gone out with them. She knows them personally, but with Harry, he always kept that guard up, and now she’s unsure what to do if he decides to keep it up. 

To her surprise, Harry always starts the conversation with her. Harry shares about a new show he started watching and how it makes him anxious for the main character when they do something out of character. When he asks Y/N if there is a show she recommends, her mind goes blank, and the first thing that comes to mind is “Fleabag.” 

“It’s the saddest but most comforting show I have ever seen,” Y/N gushes. 

“With Phoebe Waller-Bridge?” 

“Mhmm…the second season has Andrew Scott. Irish treasure.” 

“Paul Mescal,” he adds. 

“Hozier.” 

“Saoirse Ronan,” they say in unison before falling into fits of giggles. 

“You’ve got taste, Styles.” 

“As do you.” 

The line moves, and they change conversations to talk about the best musicals they’ve seen. Y/N swears “Waitress” is the best thing created, but Harry tells her “Moulin Rouge” is his favorite. Y/N loves how easily the conversation with Harry seems to flow. He feels like a long-lost friend. Someone who once was in her life has now found his way back to her. 

Not only is he getting along with her, but everyone is getting to see the Harry she had come to know. The one who makes cheesy jokes and loves to hear every detail of the story being told. It turns out he and Maeve frequent the same record store. There’s a Stevie Nicks vinyl Harry is on the hunt for, and Maeve promised to keep an eye out for him. Tatum learns Harry can play guitar and asks him to show them sometime. Something he agreed to with pink cheeks. Y/N knew tonight was a big step for Harry, and she was glad everyone made him feel comfortable.

As the night was coming to an end, the maze lines got shorter, and the more Y/N screamed. It made her laugh right after, but still not her favorite part of the night. Before the cold can settle in, they all call it a midnight night. Tatum and Estella head out hand in hand. Y/N can’t wait for the details of that on Monday. Carmy is telling Harry a story, so Maeve uses the opportunity to remind Y/N to make a move.

“It’s now or never, girlfriend.” 

Y/N rolls her eyes, “please don’t pressure me on this.” 

“Y/N that man is, head over heels for you. If I was antisocial this is not an event I would ever do. Unless someone I fancied asked.” 

Y/N toes her food in the sand and, in a low voice, asks, “do you really think he likes me?” 

Maeve smiles, brushing Y/N’s hair out of her eyes. “That man lit up every time your eyes were on him. I don’t know Harry as well as you do, but I can notice a guy with a crush from miles away. Trust me on this.” 

Y/N backs down, relaxing, “okay.” 

“Good. Now text me when you get home. Carmy’s got me.” Maeve gives her a tight hug and then pulls Carmy away from Harry. 

He walks over to her with a shy smile on his face. “Have a good time?” 

“The best,” she tells him. “Though I might need another apple cider. Think my heart needs it.”

“By all means, lead the way.” 

After getting one last warm apple cider, they reach Harry’s car. It’s an electric car because he’s conscious of his environmental impact and knows one person can go a long way into the future. Harry opens Y/N’s car door and waits until he sees her seated and buckled to close her door. As he gets ready to drive off, he turns on the heater, knowing if he’s cold, Y/N must be too. 

The car ride starts off quietly, Y/N guiding him every so often when to make a turn. Y/N sees her favorite coffee shop and knows she is almost home. “That was fun,” Harry starts. “I’m happy I went.” 

“Mhmm…it was a good time. Glad you joined us,” she tells him honestly. 

Harry notices at a red light that she’s fidgeting with her hands and thinks he might still be cold. “Do you need me to turn up the heater?” 

Y/N shakes her head, “no, sorry, I’m fine.” 

Harry drives down a few more streets when Y/N tells him to turn left. “It’s the third one on the right.” 

He parks right outside her driveway. From here, he can see her decorations hung up. It’s decorated charmingly. It’s clear no scaring would happen here. She’s got two pumpkins outside her door. One has stars carved all around; the other is a cat on a witch’s broom. Bat lights are hanging up the railing of the steps. She even has a few inflatables. His favorite has to be the one of Mickey Mouse as a vampire.

“Thank you for driving me home. I appreciated it.” She smiles at him, and he returns it. Harry gets out of the car and opens her door. 

“Let me walk you up.” 

Y/N feels her cheeks burn and leads the way. 

“We’re planning trivia soon,” Y/N says, testing the waters. 

“Hmm…only if you’re on my team.” 

“We would all be on the same team,” his flirting going over her head.

Harry’s face turns pink, “uh, right.” 

She laughs, placing her hand on his bicep. “Only joking.”

Y/N pulls him in, whispering good night, except when she pulls away, she locks eyes with his emerald eyes, and it’s like she’s in a trance. She feels herself leaning in closer, and before she knows it, Y/N presses her lips to Harry in an airy kiss.

She pulls back, shocked. “Sorry,” she breathed out. “I-I should have asked.” 

“Ask me,” he pleads. 

“What?” Y/N isn’t sure if she heard him correctly. 

Harry doesn’t care anymore. He raises his hand to rest on her cheeks. “Can I kiss you, Y/N?” 

She feels how close he is. She can feel his breath mixing with hers. “Yes.” 

When their lips meet, Y/N swears she feels time stop. Harry is starting slow as he begins to learn what she likes.  Y/N places a hand on his chest, needing to have a secure hold as she feels him take her breath away. Her emotions are all over the place. His lips are smooth as they move against hers in a dance that feels like they’ve done a hundred times before. Harry deepens the kiss, pushing her up against the door, making Y/N grab a fistful of his shirt, not wanting him to pull away. Y/N lets herself get wrapped up in all her feelings because she knows that a kiss this special means it won’t be her only one, and she finally allows all her feelings to pour into the kiss. 

Y/N isn’t sure how long they spent kissing outside her door. It seems she’s lost track of time since she got a taste of Harry. “I don’t want you to go,” she mutters against his lips when she feels him begin to pull away.

“I’ll see you Monday,” he promises. 

“Too far.

Harry laughs, “you can call me tomorrow when you wake up.” Knowing she likes to sleep in, he would rather not wake her up. 

“Okay,” she whispers in defeat. 

“Good night,” Harry takes a step back. 

Y/N bites her lip and gives him a wave. “Do you want a kiss goodbye?” 

Harry can’t say no.

+

Monday morning, Y/N walks in with a large smile. It makes everyone stop and stare. She makes her rounds, wishing everyone a good morning, and saves Harry for last. 

“Hi, Harry.” She chirps. 

“Morning,” he answers timidly. 

Y/N pouts because he didn’t even look at her. She wanted to see his beautiful eyes. “So I was thinking…” she trails off. 

Harry turns, giving her his undivided attention, and Y/N’s smile widens. “How does a date sound to you?”

“A date?” He echoes. 

“With me,” she giggles.

“Best thing I've heard all day.”

Y/N claps her hands together, “wonderful.” 

“How does this weekend sound?” 

“Too far,” she teases. “Saturday?” 

“I’ll pick you up,” he promises. 

“Good. Good.” Y/N lingers by his door. 

“Yes, love?” 

Y/N feels her cheeks heat up but doesn’t look away from him. “Are we still on for lunch?” 

Harry gives her a dimpled grin, “I’ve got a new book for us to discuss.” 

Y/N tells him she can’t wait and walks away. Harry watches her go, and as if she can feel his stare on her, she turns around and gives him a wink. Harry knows he’s way in over his head with someone as amazing as Y/N, but he can’t wait to prove each day to her how much he deserves to be with her.

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[coucouatoi]

don't want to be alone | h.s.

Pairings: Harry Styles x Reader

Summary: Divorcing the biggest superstar on the planet is the hardest thing you've ever done. Almost as hard as marrying him was.

Warnings: Angst, couples therapy, a little bit of fluff, hopeful ending

A/N: I don't know why I'm feeling so full of angst... but, please enjoy!

Flashback are in italic and present day is normal text

Boxes are littered around the house. Some full and taped shut others still being stuffed with your items. It's a slow and torturous process, having to choose what to take, what to throw out and what things are a conversation waiting to happen "That's a wedding gift from my aunt" or "When have you ever used that?" or even better "I know it was a gift, but I paid for it so i'll keep it". It's like he knows exactly which buttons to press to get the fights started. Granted you might be doing the same thing... But it doesn't make him entitled to all the belongings you've ever shared.

You've managed to find all the picture albums, the ones you decided to make for sentimental value. The ones you gifted him in tender moments. The ones filled with so much love, so much hope and promises for a future together. The ones you're now highly considering throwing into a paper shredder and tossing into the nearest incinerator. The ones you won't be able to get rid of. The anniversary album you gave him on your one year, the wedding album, the honeymoon album, the many travel albums and, of course, your daughter's first album.

Little Anya, barely 9 months old just starting to babble her first words. Chubby legs working so hard to keep her standing and exploring. She can barely take 3 steps one after the other but she's a fighter. Your little girl that is now a cause for argument, no, fights. Custody battles. The true war between yourself and your husband, Harry Styles. Neither of you want to lose or call for a tie, it's not how either of you operate in conflict. That, most likely, is the reason for the downfall of your relationship.

Frustrated you put the albums back where you found them and you head to the kitchen.

Most kitchen items have been packed up, Harry had never really invested in worthwhile cutlery or electronics of any sort. You take some orange juice from the fridge and pour a glass for yourself. The fridge itself is barren, with only the essentials left... neither of you has gone to the groceries in weeks. Today is not going to be a good day.

From the rediscovery of your love-filled albums to the boxes you've spent most of the day doing, you still have one horrible thing to do.

Couples therapy, your first-ever session. You thought, well still think, that this is too far gone to save in therapy. There won't be anything new shared that you haven't already screamed in each other's faces and self-help talks aren't exactly going to do the trick. Anne, Harry's mother, insisted that your marriage doesn't only include two people anymore. Anya makes it worth trying, she is worthy of a stable home as she grows up. No matter how unstable having a superstar parent may be, divorced parents might just add to that an unruly amount. So, you've both agreed to try. Try your very best to reassemble your love no matter how shattered it has become. Love. Love hasn't manifested itself once since about your seventh month of pregnancy. Love has vanished from your husband's once warm and inviting eyes, it no longer lingers on his fingertips and doesn't even creep into the more tender moments you must share with your baby. Love feels like a complete joke to you now.

-

The waiting room is empty of other clients which is a blessing in disguise. This is the absolute last place you'd want to run into Harries. Even if the media has already been dragging you in the mud for "breaking their dear superstar's heart" and has been making all sorts of claims about you and your marriage. In the very beginning, Harry had spoken up about these articles and had gotten his team to shut some people up but he's been losing care for... well, you.

"Harry and Y/N?" you look up meeting the eyes of who you can only assume is your therapist. Without sparring your husband a glance you get up and follow her into her office. It's cosy and smells like vanilla. There's a yellow glow to the room, it bounces off her multiple frames and decorations. Very nonthreatening, immediately putting you a little more at ease. She gestures for you to take a seat on her velvet green couch and you sit down squeezing yourself onto the left armrest. Harry does the same to the right.

"Good afternoon to you both, I am Trinity Finch. Can I get either of you something to drink before I sit down?" She smiles politely as her eyes shift between both of you. You only shake your head as an answer not trusting your stomach at the moment.

"Water if it's not too much trouble, please" Harry's voice is strained, he had been at the studio all morning probably preparing a new album you aren't aware of.

Trinity nods and quickly grabs a water bottle from a small fridge she's got right behind her desk. Harry mumbles a thank you as she hands it to him. You don't realise that his hands are shaking as you're back to looking around the room. He takes a few big gulps before your therapist gets to sit in her chair.

"Today I would just like to start with a history lesson on your relationship. How it started, all important moments, how parenthood has changed your shared life and just how you two are as a couple" She starts getting things ready around her, notebook, pens, highlighters, some sticky notes and you swear that you spotted some bright childish stickers. Her long manicured nails tap against the glass of her desk a few times as the silence stretches. Neither of you taking the first step in this session. When she looks up again she doesn't look annoyed or surprised by the lack of an answer.

"Harry, how did you meet your wife?" Trinity asks him gently.

Harry seems caught by surprise to have been asked a question directly. He looks at you briefly before turning his eyes back to her.

"Um, we meet on the plane. For some reason, my private plane for that day was not available and they booked me on a regular flight. Premium ended up being full and I got an economy seat. I had the aisle and she had the middle we ended up bonding over our shared movie choice. Then I asked her out and um here we are?" He ends with a question. As if unsure if "here" is a good thing, it's definitely not but meeting has, unfortunately, brought you both here.

"And when was this?" she asks.

"April 2018" he answers quickly. She nods presumably writing it down.

"How was your relationship before marriage Y/N?" she looks at you now with kind eyes. They are big and dark. Staring right into your soul. It makes you slightly uncomfortable but at the same time you don't want her to look away she's your lifeline right now.

"It was very easy. I work remotely as a translator and an editor, so I've always been able to tag along on his travels and tours. He, um, he always insisted that he rather have me with him even if we couldn't see each other every single day. Just knowing I was near helped him..." you sigh. You don't want to shed tears this early into your session. You don't want Harry to see you cry any more than he already has over your lost relationship.

"I really loved following him around the globe" you add, looking down at your lap willing your wet eyes to dry.

"Any fighting? How did you deal with that?" Trinity is still talking to you maybe even sensing that you're about to cry. Is that what she wants from this?

"Well, yeah. I mean all couples fight, right? We fought over the same things all the time really. I wanted more affection I guess pressuring him to take some time away from the spotlight or he wanted me all to himself whenever it worked with him without thinking of my work. Our jobs were the main reason for fighting between us" Besides you, Harry scoffs before taking another sip of water. Your head turns to him

so quickly that a sharp pain forms in the back of your neck. Your posture immediately tightens, muscles locking and your breath gets heavier.

"What? You don't agree?" you question him in a much harsher tone than you were previously using. He meets your gaze and shrugs.

"I do but that's not all we fought over" he shrugs again not looking away. Is he trying to pick a fight right now? Here of all places?

"Then what? What am I missing?" you prepare yourself for the worst. Ready to feel like absolute shit at anything he might say.

"Your constant jealousy was a contender for the most appearances in our fights" his entire expression is accusatory but he does this thing with his posture. Gets all soft and somewhat blazé making you feel inferior and so incredibly small.

You want to storm out. Call Anne to apologise that it couldn't work out and immediately sign the divorce papers that are permanently placed right on your dining table.

Not wanting to fuel this energy taking over him right now you shrug as well before facing Trinity again. She's watching both of you like a hawk, processing the way you react to conflict with each other. Making mental notes as well as some physical ones all while hostility happens between her clients.

"We'll move on from this for now. Harry, how was the wedding? How did married life change your bond?" this seemingly calms his overgrown ego. His face is neutral again but there's a softness to it now, recalling the happy days.

"We had an Italy wedding. We, I love Italy. I flew everyone out, our families and friends, and then we stayed there for a month more for our honeymoon. The wedding itself was... amazing. We kept it small. Intimate. With my life it's always been hard to have that so, it was important to us" he sounds blissful towards the last part. Probably back there now in his mind. Ah, the good old days as they say.

"I don't think married life changed us much. We were living together before that and we'd been planning it since we got together practically" he stops talking again to take another sip of water. You look at the lady in front of you again and as she begins to open her mouth to probably question him more Harry starts talking again.

"I guess tension started about a year in. The media wasn't kind to her. They made up cheating rumours on both sides and manipulated things to make them seem like something else. Someone even showed up at our old house while I was out" he took a deep breath, cracking some of his knuckles at the same time, "We were always on edge around each other. Throwing these rumours at one another just to I don't know, get a reaction? Plus, we were stuck at home because of Covid and my tour was postponed. It was a real shit show" he laughs bitterly and you nod along to what he was saying. That was just a terrible time. For everyone.

"Then I got to go on tour, Y/N didn't follow along for all of it but she was there most of the beginning. It wasn't the same as before. There was this distance that just never got better. And then she got pregnant" he almost sounds exhausted. Maybe he is, you're not sure how much he's slept lately.

-

Shit. Fuck. This can't be happening now. Shit! The word "Pregnant" seems to be mocking you as you look down at it. Mocking the fact that you and Harry have not seriously spoken in two days and that you're flying back home tomorrow. Mockingly reminding you that this can only make things worse right now.

"Y/N, come on the car is waiting downstairs" your husband's voice is weak through the thick hotel bathroom door. He's performing in Toronto tonight. The second day, the last day before he flies to New York and you go back to London.

You walk out of the bathroom, straight past Harry, not wanting him to read your face and figure out that something is terribly wrong. You slip into your shoes for the night and take a deep breath, no scratch that, a huge breath. Willing your facial expression to cooperate before you turn to him and smile.

"Let's go superstar!" he smiles back and walks over to you. Grabbing your hand and bringing it up to his mouth so he can plant a kiss on the back of it.

"We just might have to cancel tonight if you look this good" his free hand wraps around you tightly glueing you to his body. You know he doesn't mean it but you pretend to consider it nonetheless.

"Mh what about all your adoring fans? Won't they be so utterly crushed?" you tease against his lips. He smiles wickedly before slowly nodding.

"I do have quite the engagement this evening... how about I make it up to you after?" he presses soft kisses to the sides of your face. Framing it.

"That's a pretty good offer, I just might have to tak-"

"HARRY STYLES GET YOUR ASS OUT OF YOUR HOTEL ROOM!!" Jeff's voice is full of annoyance as it cuts you off. Rude.

You laugh before getting pulled out of the room by your husband. The small plastic stick forgotten on the washroom counter for now.

You get a harsh reminder tho when you're back at the hotel after yet another amazing concert. You're laying on the bed completely stretched out and now only dressed in your underwear. Harry's currently using the washroom to try and get some of the remaining glitter off his face when he finds the secret you've kept all evening.

"Y/N, what's this?" his voice is so shaky that you barely even understood what he asked you. However, when you look up your brain catches up. He's in his boxers, left hand in his hair and right hand holding the test like it's made of glass as he looks at it as if it's going to explode. Fuck.

"No chance that you suddenly lost the ability to read?" you try and lighten the suddenly very heavy mood in the room. It fails.

"You're pregnant. How, I mean no I know how. Fuck, you're pregnant" he looks up at you panicked.

"We don't have to keep it" is the first thing out of your mouth. Probably as a panic response to his reaction. Not wanting this to turn into another fight.

"What?! Why wouldn't we, you don't want, I um" he takes a second. He's just breathing heavily while looking at you desperately. "You don't want to keep it?" he breathes out.

"You do?" is all you answer. You stand slowly, finding the clothes you just took off to put them back on. Whatever mood you were in is gone you're now filled with anxiety and a deep fear.

"You leave tomorrow... We won't see each other for what 3 months? In Mexico?" he hasn't moved an inch. Feet seemingly glued to the floor and limbs were frozen.

-

Pregnancy. One of the worst and best times of your life. Your gorgeous baby girl came out of all the pain you suffered. She gave a new meaning to the way you live, made you forget about all the physical pain you endured and...

"Why do you say it in that way? Like you still dread what the pregnancy brought" Trinity's voice almost startles you. You'd been so lost in your thoughts that you'd almost forgotten where you were.

"I don't! I love Anya" his voice is stern.

"What about your wife? What happened during the pregnancy?" she's digging. Wants to find the right buttons to push.

Harry stammers, but no answer seems to satisfy him. His hands are squeezed under his things, his right leg bouncing and his eyes avoiding either of you.

"We didn't plan her, I was right in the middle of my tour. We, um, we weren't doing very good and she was about to go home" he looks at you suddenly surprising you when he meets your eyes. You can't read him, can't understand what he's feeling. You haven't been able to read him in months.

"She- You, Y/N, she got really sick in February the seven-month mark. I was in Australia and I couldn't be there. It really strained us, we fought all the time over the phone and in person. I guess that's really when we went downhill" his jaw tenses when he looks away from you. Looks like he's not happy to have to have shared this with the room.

"Okay, thank you, Harry. I think now's a great time to take a breather. I'll meet both of you individually when we come back. So, see you both here in 20 minutes?" Trinity smiles at both of you and keeps smiling until you both walk out.

-

Harry doesn't come back. You wait 45 minutes in Trinity's office looking like an idiot. She dismisses you with a look of pity on her face before scheduling another appointment 5 days later, lots of work to do you assume. You rush out of the building humiliation creeping into every inch of your body. How could he do this on the first day? It was going fairly well, well you think so anyway... did he give up on your relationship right then and there?

As you make your way to your car you see him. Harry is pacing back and forth in front of his car as he seemingly argues on the phone. His free hand waves erratically in front of him, gesturing like mad for someone who can't even see him. So this is what he's been doing? Arguing over the phone while you sat in a therapist's office waiting to try and work on your ever-crumbling marriage. You scoff before turning away from him and to your car. But nothing seems to be on your side today as your husband hears you and immediately calls out to you.

"Y/N! Why are you leaving?" you hear him walk towards you, the clacking of his shoes getting closer to you but you ignore him and walk away faster.

You're completely focused on your black Subaru, the "You're so Golden" sticker catching your eye and making you more pissed off. Something that was put there because you loved the song, because of how beautiful your husband's voice is in the song but now all you want to do is rip it right off. So, that's what you do.

Your nails claw at the edges of it desperately. You don't want any reminders of Harry on your car, you don't want to think of him while putting the groceries away, while walking around the car after putting Anya in her car seat and you don't want to see it in your rearview mirror anymore. The top corner lifts as you're pulling at it giving you the perfect leverage to rip it right off. You throw it to the ground right before turning around to stare daggers into Harry's eyes.

"45 minutes, Harry. I sat there 45 minutes with our therapist looking at me like a beaten dog!" you hiss at him. He is now only about 2 or 3 feet away from you. His eyes are wide, in shock you guess, as he looks at the sticker. "What could you have possibly been doing for more than an hour that made you forget what we were here for?" you're sure you sound desperate right now. Your head is all over the place and your heart feels like it might explode out of your chest.

"An hour? I, no, that couldn't have been more than-"

"You can go back up and ask her if you want because I really really don't want to be around you right now" and now you're crying. Fuck. Why are you crying now? You need to leave.

While rummaging in your bag for your keys Harry grabs your arm. Well maybe not grabs, he just places his hand on you, resting it there delicately. If you weren't so aware of every single inch of your body right now you wouldn't have noticed. No matter how delicate the touch is supposed to be you flinch out of it aggressively.

"I'm, I'm so sorry Y/N. That was my mother, she, fuck" he sighs and runs a hand in his hair gripping it tightly. "She wants us to go up... she's rented a lake house or something I guess" his voice is so soft, shy even.

"Us? You mean you and Anya?" god you hope so.

"I'm so sorry" is all he answers.

-

Anne Twist is a very difficult woman to say no to. Actually, it's impossible to say no to her. In the many years you've known her, she's always been able to find a way to make you say yes. Always in a good way. She loves you, she has told you that countless times, and you love her but now that you're... the way you are with her son you don't know where you stand. Yet, she has still found a way to get you to agree to something you would have much rather not have gone to. You're in a small townhouse almost 4 hours away from your home in London with your mother-in-law, your daughter and your soon-to-be ex-husband. What has your life come to?

Anya is sitting in her high chair passionately eating banana slices as you watch her. She's already gobbled up the strawberries and pita bread slices she also had for her snack. She's such a good eater always so ready to try new things and taste whatever the adults around her eat. Especially the sweet treats her dad sneaks her.

"Do you want to go take a dip after huh? We should enjoy the water my love" you coo at her as she takes her final bite of food. She smiles at you like she understood what you asked and you chuckle wiping her chubby cheeks and hands. She'll be able to float around in the water for a little bit with you before you put her down for a nap. The steps of your morning are perfectly planned so that you can have your solo Zoom session with Trinity.

There is a small river behind the house you're staying in. The water goes up to just above your breast and it's the perfect warmth at this time of day. You've made your way down to it and are now setting up Anya's towel for when she'll be too tired to entertain you and ready for her mid-day snooze. She's currently lying right by you looking up at the sky with such curiosity, probably trying to figure out what the hell clouds are.

"You're so curious my love!" you shake her gently as you smile widely. "What do you see up there?" as you look up to join her sky-gazing you spot Harry making his way to the river as well. He's only got very short grey swimming trunks on meaning his entire chest, thighs, calves, and arms are out for the whole world to see. Maybe that's an exaggerated statement as you're the only one looking right now. You want to scold yourself for staring, you really really do but he's just so... so captivating and very enjoyable to look at no matter how much you resent him at the moment.

"Mind if I join you ladies?" his voice is more cheerful than when you heard it last. Must be because he's actually speaking to and looking at Anya.

However, when you don't answer his question he looks up at you. Expression now closed off again, how it's always been for the past few months. You smile politely and nod before turning your back to both of them so you can take your robe off. Your swimsuit isn't anything special; simple black one-piece that's high on the hips and low on your back. You think it looks pretty good on you but now you feel very aware of the amount of skin you're showing. You decide to just get in the water hoping its dark colour hides you. Hides away the skin your husband might be looking at.

"Looks like mummy is in a hurry, we should join her. What do you think sweetheart?" Harry picks your baby up and makes his way into the water. He holds her tightly to his chest as he climbs in, just in case he slips on the stones he uses as stairs. Once your daughter's chubby limbs meet the water her mouth forms into an adorable "O" shape. It's the second time Anya's been in the water now so she must still be unsure about this feeling. Harry turns her so that her front faces you and her back is against him. She smiles when she spots you reaching her arms out quickly which splashes some water around. She looks at you with a shocked expression and does it again with a giggle now.

"You little troublemaker! Trying to splash me!" you tease her sending some water her way. She answers with a sweet giggle and shakes her arms around as fast as she possibly can.

"Mh, my jokester gene is strong in her" Harry's voice is laced with pride. You playfully roll your eyes at him and hum affirmatively.

"And her love for singing too" you add remembering so many moments where she hums to any song playing. Her favourite thing to do is to harmonise with her father. His deep voice always gets her attention, always gets her to mumble and hum along with her own lyrics.

"Oh yes, she's the next big thing this one" he affirms kissing the top of her small head affectionately.

It's in moments like these that you tend to forget how bad it is between you. How many horrible things you've shouted at each other not caring how deep your words could cut. The accusations, the insults, the taunts and even the lies still weigh heavy on both of you. You like these softer moments, where you're reminded of how much love you both had for each other. Have? Had? You don't know anything about your feelings anymore, they are much too complicated to understand...

All three of you stay in the river for about an hour more before Anya starts yawning and fussing. When you exit the water you're quick to slip your robe back on still overly aware. Harry wraps the fluffy towel you had gotten ready around your baby. Her head rests in the crook of his neck, her eyelids already heavy as she blinks slowly. You all walk back to the house together silently. Might it be to keep the sleepy baby calm or to keep the peaceful aura around you and your husband, you don't know.

Harry insists that he will put the sleepy girl to bed and that you should take a shower first. After all, you have the first private sessions with your therapist. The mention of her does make the air in the townhouse tense again but Anne appears immediately to kiss Anya before she naps. You use that moment to sneak into your shared room with Harry. Luckily, it has two single beds so you don't have to share with him.

Signing deeply you rid yourself of the now damp robe you had on. Another blessing in disguise, this room has an en suite bathroom so you'll be able to jump right into the shower. Before that you do want to set up your laptop for the video call, you want to be as ready as you possibly can be. You grab your device from your backpack and make your way to the small desk in the corner of the room. There's a bunch of papers scattered around it, one glance at them and you immediately know what they are.

Lyrics. Drafts of songs and melodies written by your rockstar husband. You don't mean to read any of the words you really don't but as soon as you spot your name at the top of one of the pages you're doomed. You put your laptop down on Harry's bed which is right next to the desk and reach for that exact paper.

The words you read are full of longing, pain, sadness and fear. They mourn love, they are mourning your love. You pick up another sheet of paper, this one has no title but there are so many lines written. This one is reeks of self-hatred, of shame and guilt... it shakes the weak barriers you've built around your heart. All of the lyrics you read on different papers revolve around the same emotions. These are all about your relationship. About the death of it. About his desire to turn around. You don't realise you're crying until a tear falls onto the paper you hold. The ink bleeds into itself where it's been wet blurring the words slightly. You quickly wipe your face and put the papers down. You shouldn't be looking at these, you're invading his privacy.

"Thought you were showering" Harry's voice startles you out of the chair. You meet the floor with a loud thud. Your tear-filled eyes meet his sharp ones. Scrambling up to your feet you grab your laptop ready to explain, ready to apologise over and over again.

"At least tell me what you think" he sighs walking into the bedroom and shutting the door behind himself. This shocks you. What does he mean? He, he's not mad? Isn't disappointed that you invaded his creative space? Your mouth opens and closes a few times unsure what you should answer.

"I'm sorry" is all you're able to get out. Your brain is blank in absolute fear but tears keep falling from your eyes.

"I should be apologising... you, you weren't supposed to see those" he walks in your direction slowly, testing the waters of how close you'll let him get. He's closer than arm's reach when you flinch backwards slightly and he stops immediately.

"I was going to ask you for your permission before making any of those full songs but you know music is how I cope" he whispers now that he's so close to you. Silence takes over the room again, stretching out for too long. Your eyes somehow keep producing tears as you try and speak. Hopelessly searching for words to say.

"Do you really miss us? You miss me?" is what you come up with, your voice is so shaky that you're on the verge of sobbing uncontrollably.

This shocks Harry in place, seemingly not prepared for that kind of questioning from you. His mouth gapes and his eyes grow wide. This time you do see his hands start shaking. You're not entirely sure what this emotion is.

"Of course I do. Did you not think so?" while still whispering he reaches out to hold you but stops himself hands falling at his sides.

"Yo- Harry, you asked for the divorce. How was I supposed to know you miss me?" your voice breaks. You don't understand, why is this happening now, why is he saying these things?

-

"We should just get a divorce" Harry snaps at you as he fights back tears. Your expression immediately closes up, your body reacting before your thoughts and words do. Protecting you from what he just said, building walls around you and your heart as quickly as possible.

"Fine" you spit out as you turn away from him and walk straight out of your bedroom. If that's what he wants then so be it. You won't beg for anything now that he's made his decision.

-

"I know, okay? I know that I asked for it and that it's the reason why you don't talk to me anymore. Well, you do but not really" he sighs and sits down on his bed, damn swim trunks wetting the bed "We talk about Anya and when we're not we are yelling at each other... so when was I supposed to tell you that I missed you? That I regretted asking for the divorce..." he looks at you with a guilty expression, all his emotions are coming up at once.

"Why did you ask for it?" you ask him sitting back on the desk chair with your laptop still in your hands.

"I got in my head. You were saying we should take some time for ourselves maybe live apart... with everything that kept being said about us, I got so scared" he takes your laptop out of your grip and puts it down next to him.

"I thought you were going to fight me on it..." he adds as he grabs your hands tenderly. Like he's afraid you'll break.

You shake your head in disbelief not sure what to say. Your thoughts are all over the place, what should you make of this?

"It broke my heart" When did his face get so close to yours? You should really move away. You can't fall back into him, you can't let yourself do that. So you pull away from him roughly, your hands tugging out of his hold, face moving to the side, a sob making its way out of you as your back meets the chair-back.

When you meet Harry's eyes you can see the pain, the hurt, in them. They are brimming with tears that are so close to spilling out.

"Are we... are we too broken?" his voice has dropped to a whisper. He sounds so sad and scared.

"I'm worried" You take in a few breaths before you speak again, "What if we just end up hurting each other again? What if we can't go back?" you choke out the last few words. Tears spill endlessly out of your eyes and sobs rack your entire body.

It feels like you're running out of air and the little bits you get in are painful. Your eyes burn as you cry and your hands are shaking like crazy.

Harry might be answering or trying to communicate but nothing is making its way past your meltdown. What does make it through is the feeling of his arms around you. Him pulling you against his chest tightly, immediately rubbing your back as soothingly as he can. Your hands are grabbing his still bare skin desperately, wanting to anchor yourself in any way you can. Your face rests on his peck, right above his heart, the frantic beating bouncing around your head.

"Breathe, you have to breathe love" he speaks delicately in your ear, breaking through the barrier your body has put up.

"I'm- I'm, I can't... Harry I can't" your clawing at him almost trying to get under his skin, someplace you might be able to understand everything that's going through his mind.

He wiggles around a little before laying you both down as he keeps reassuring and encouraging you. He drags you on top of him your face now pressed up against the juncture of his neck. Your left-hand makes its way into his hair, pulling at it as softly as you can manage. Harry's hands run up and down your back, your arms, and your neck and he even pets your hair delicately. He's always known how to best calm you down... how to bring you back down to earth and out of the panic attacks you sometimes get when you're overwhelmed.

"I'm sorry. I'm so so sorry" he repeats that over and over with a pained desperation. Harry's scared shitless too. He doesn't know how things will go with your relationship. He can't guarantee that you won't end up actually wanting a divorce one day... But he can love you. He has and will keep loving you. He hopes it'll be enough to save your marriage. He'll work incredibly hard every single day to prove his love for you... if you let him back in he won't ever let you go. He'll leave it all up to you. Your little family is all he needs, he'll spend the rest of his life proving that to you if that's what it takes.

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