It may be absolutely unfaithfull to the true characterization, but I love Troy version of Agamemnon. As a villian he is fucking hilarious, just check on this:
The inside of the throne room of his palace in Mycenae
and now look at the inside of his tent in the greek camp
It looks literally the same, he made it be copied in every detail ... Even the fucking throne.
His throne is right there, i can't get over that. It is unclear if the motherfucker has a replica or may have ordered the original be carried away to Troy with him
Donald Sutherland on Snow's relationship with Katniss (audio on obvs)
Donald Sutherland discusses Snow's relationship with Katniss extensively in interviews but these aren't very well known, so I ripped the relevant audio and set it to clips from the films, as well as using some pieces from the DVD extras. I cleaned up the audio the best I could but these are from a diverse range of sources so forgive the unevenness.
I didn't intend this to come out so... erotic(???) but Sutherland just talks Like That
okayokayokay ill shut up after this but before i go just look at him putting his arms & red patches up over his head to look more Big and Scary like.. . . yeah yeah buddy we get it u r venomous and Birds oughta Think TWICE Before They Mess With You and also this is DEFINITELY not going 2 come back to haunt Anyone at Any Point EVER
Salò thoughts ten days after watching it because I’ve finally processed it.
the four fascists calling themselves ‘the true anarachists’, nominally advocating for social freedom, praising ‘sodomy’ for its subversive nature and ability to collapse social and moral boundaries, art and aestheticism to facilitate their activities — all of it building up to posit that all acts are morally neutral in and of themselves & that their morality is dependent on who propagates them, in what context, and to what effects. brilliant and devastating. very in line with the bibliography at the beginning of the film.
‘they don’t realise that the bourgeoisie has never hesitated to kill its children’ rawest line in film probably
the musician(?) was my favourite character for her role in the story: choosing hollow humour to drown out her brief moment of outspoken horror during the wedding + her ‘suddenly’ realising the gravity of the situation and ending her life were a good representation of apathy that does not exempt one from complicity.
the closing scene and the dream of Marguerite outside of all this horror but still connected to it. I want to kms
rules: write up a blurb or make a visual collage of the people or characters (from books, TV shows, movies, etc.) that inspired your story and/or OC, either visually, personality wise, or just a general vibe
ok so apparently i can just never articulate my Deep Thoughts on purpose and can only do it by accident whilst rambling in the notes of a bookmark where the veneer of anonymity feels like a false-protective coat to hide behind, or somesuch-something like that. idk. anyways. anyways. i don't like how fucking mean-spirited across the spider-verse as a film seemingly is for literally no reason at all other than just bcuz it Could Be. y/k.
Calling any cg animated film with a stylised 2D inspired aesthetic “like Spiderverse” or Spiderverse-esque” is starting to become the animation equivalent of describing any experimental movie with a disturbing, uncanny or surreal tone “Lynchian”.