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#but it has problems to focus
shadowtraveled · 1 month
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"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.
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but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)
mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…
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the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.
every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.
first, the snake part of the chimera appears to be modeled after some species of coral snake mimic
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which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.
which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.
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the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.
walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?
well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.
you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?
it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.
when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.
and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.
kui laid it out in three panels better than i could hope to.
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yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.
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redysetdare · 1 month
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All this aroace character shipcourse has proven to me that a majority of people that interact in fandom cannot actually interact with characters and media outside of shipping and genuinely I believe you need to learn how to interact with media outside of shipping.
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sastheforestspirit · 2 years
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Listened a bit podcast about comics (got stressed because it's hard)(it's a lot about self publishing and working with editors and writing scripts stuff like that)
Made bullet points for Unless, parted it into 3 act structure
But withouth the right song that will keep me thinking about them it's hard for me to think about them at work, and I can't find it for this ark
And it's cold and gloomy so I sleep much more and I have less free time to work at those. Shdjejd
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lesbiandatekaname · 10 months
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my only (genuine) complaint about sonic prime is that there is no world where rogue is the focus character. where is rougeworld. i demand rogueworld.
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wiggly-round-worm · 1 year
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I’ll be honest i HATE the way the QSMP fanbase is treating Gegg and Tallulah. Like Gegg literally just appears, bro hasn’t done a single thing and people start talking about how they want him to die 😭 ?? And Tallulah starts feeling insecure trough no fault of Gegg and the Gegg tag just EXPLODES with hate. I’m a big petty baby and i don’t like seeing /neg in the tags bro. It just kinda feels like tallulahs the golden child who can do no wrong and Geggs the scapegoat who’s blamed for everything, and i feel like people are already taking it too far
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pearlcaddy · 1 year
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LOCKWOOD & CO. 1.02
favorite underrated locklyle moment ↪ requested by @tinkchick555
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lightningidle · 1 month
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Fig's line "I don't think I'm an artist, I think I'm just a good friend" has not left my head at all. Just...
You're Fig Faeth and your horns came in over the summer and you pick up the bard class as a form of adolescent rock 'n' roll rebellion, and it works! It's exactly the outlet you need! You give a guy you just met drumsticks and you start a band and it's good enough that within a year and a half you're touring. You are, in every sense, good at being a bard.
And then, finally, your junior year, you start to take it seriously. Your art goes from an outlet and a form of rebellion to a practice. A discipline. (Can rebellion exist within a discipline?) Your classmates know what they want to do with their work. They all have a thesis statement. And yeah, there's cohesion in the music you make, but you've never had to think about why you make it. You've never sat down and dissected what it is about bass that speaks to you. You've never poured over your lyrics to pick at any deeper meaning. Why should you? You don't play music for a grand design, you do it to... huh, why do you do it?
(Your art is the one form of self-expression that feels as safe as Disguise Self does, because even if you're pouring your heart onto the page and then screaming it in front of thousands of people, it's not like you're really making yourself known. You can sing I'm lonely, I'm scared, I'm furious, and your fans will sing it right back, and there will still be the distance between performer and audience to keep your heart safe.)
Now you're being asked to look inward to explain the artistic choices you're making, and you can't help but recoil at that, because you'd rather do anything than look inward. Meanwhile, your classmates have no problem with it, so you start to wonder if you're a real artist at all. Can your art be authentic if it only exists to bolster a thesis statement? Has your art been unauthentic this whole time because you've never really thought about a thesis statement before? Is that what makes it art, and not just the next track on somebody's teen angst playlist?
You can't think about yourself— acknowledging your own existence makes you want to puke. So if your music is an extension of yourself, (and it is, even if it's just because the spotlight reveals only what you want it to,) you can't think about your music. You can't. You have to. Your grade depends on it.
You're Fig Faeth, and you keep multiclassing because you'd rather be a good friend than a great artist. If introspection is what great art demands, then fuck it. You must not be a bard at all.
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winepresswrath · 5 months
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hi! i always love your MDZS/CQL takes; can i ask what are the questions you think CQL is asking, as compared to MDZS?
I haven't actually revisited either canon in ages, which is making me nervous. what questions the novel is interested in can be pretty contentious all on its own! @mikkeneko has an excellent answer in the notes here which I reccomend to everyone. My own thoughts are honestly pretty scattered- I keep on deleting things and going hm, that's not quite right.
So, for the obvious-to-me example, people reasonably zero in on the creation of innocent doctors/radish farmers who Wen Ruohan is holding hostage. In CQL it's easy to infer that Wen Qing and Wen Ning are maybe the only cultivators and almost certainly the only combatants among the Wen remnants, and their status is much more ambiguous in the novel, which I personally think is asking, essentially, "and so what? were they wrong to run, when they had a chance? Do they deserve what Jin Guangshan will do to them if they go back? Aren't they just people, actually?" Whereas the question that CQL is asking is more to the effect of "What does Wen Qing owe these people, when she is their only defence? What is she entitled to do to save them, at other people's expense? If she fucks up that moral calculus, what then? Does it matter if she's personally fond of some of the outsiders who are going to get hurt? If one of them saved her brother? Later, this question will flip to what Wei Wuxian and Jiang Cheng, and the parallel to Jiang Cheng's situation in particular is, I think, genuinely pretty fun. You're giving up the Wen as soldiers who've laid down their arms in exchange for Wen Qing also grappling with leadership and the question of how many horrors she can stand to look the other way on to protect her own people. one reason I keep deleting so much is that a lot cql's changes were motivated at least in part by censorship, which I think we mostly share a general and justified distaste for! but I also think that within the bounds of that censorship the creative team put a lot of work into actually doing something interesting with those changes. Or, for another example- nieyao! There's a much greater emphasis on the nmj-jgy relationship, it's unambiguously very close and they are clearly extremely important to one another, and I think that's because the cql team has a lot to say about love, trust, power, and the ways those things interact, and that reflects back on all of the other relationships in play, including Wangxian. Almost every time, when CQL chooses change a relationship they make the characters in question closer- that's true for Jiang Cheng and Lan Wangji, for Wen Qing and the Yunmeng contingent, for Zixuan and Mianmian, and Huaisang and Meng Yao. It's even true for Lan Wangji and Wei Wuxian, who have a close and trusting relationship in first life! CQL puts a much greater emphasis on "all right, so you care, what next?" How do you choose someone and then choose to be good to them? What if there's a massive power disparity between you? What if you seriously disagree about your priorities and morals? How do you trust someone who's betrayed you? When is it a stupid choice to trust at all? How do you have faith that you know someone well enough for that trust to be meaningful?
for legal reasons i would like to specify that it's not that mdzs isn't interested in these problems. i do remember wangxian's literal trust fall. cql is asking these questions all the time about everyone. also for legal purposes i'm not suggesting that cql lwj and jc love each other. but! they establish a three month wartime partnership looking for wwx and then jc immediately drops him on wwx's say-so despite apparently having a positive enough opinion of him to tell wwx he thinks they should make up twice. lan wangji will later tell wwx he thinks he should loop jc in on the second flautist! these are people trying to navigate some kind of relationship/shared interest/community, as opposed to a hateful void. cql wants to say hey, how do you go about this? while I'm here and rambling cql also puts a lot of emphasis on wwx's connection to yunmeng and changes things up so instead of feeling alienated right before he leaves our last glimpse of him there is happily picking lotuses and playing with a kid! in both stories the narrative is asking who do you protect? who do you leave behind? can you ever get it back? but the angles are very different.
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craycraybluejay · 6 months
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You said in tags once that pedophiles and child predators aren't the same, can you explain why? /GEN
For the same reason that people with any kind of attraction to anyone ever aren't all rapists/don't all pursue romantic/sexual feelings that could or definitely would hurt the other person. Because paraphilias are simply the morally neutral state of experiencing attraction and rape/grooming is Not That. Because people *choose* to hurt others, but not what they feel. Because a good majority of child sexual abusers aren't even pathologically/paraphilically attracted to children, they *just want to hurt them because they can.* Because they're dissatisfied with something in life, or want a punching bag, or want to feel powerful, etc etc.
It's not really different conceptually from physical abuse. Do people do it because they have icky feelings about liking blood or violence? No. They do it to feel powerful. Sexual abuse is not about sex but about power. Hope this answers your question. I've answered it a good million times on this blog but eh I'm in a generous mood.
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day 289
you know that episode of steven universe where ruby and sapphire are fighting because sapphire distances herself emotionally from her immediate surroundings in favor of looking at the big picture and ruby is focused on her emotional reaction to the immediate problems that surround them?
yeah dude
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rizaposting · 3 months
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been thinking a lot about my royai kid ideas lately but i don't think a lot of people will like them because i don't name the kid after maes lol
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cw // possible eyestrain
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Sound Sensitivity
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tgammsideblog · 7 months
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¨Ollie is taking too much screentime away from other characters¨ Ollie, the character in question: (Only has had focus in two segments/episodes from the past 12 segments/episodes with one of them not even having the main focus)
Me:
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nerosdayinanime · 3 months
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su au lets fucking goooooo
edit: TUMBLR ARE YOU FUCKING SERIOUS. WHY THE FUCK DO YOU SCRAMBLE SHIT WHEN I USE A READ MORE YOURE A FUCKING CUNT GOOD LORD
edit2: it added the edit but not the fucking read more. im tired
i had the brush set too small at first & didnt realize until i was already too far along- full body diamond authority is ok w the shaded fit & wings but the headshot is just. eh. kinda dislike it. im fucking obsessed with the other headshot tho
giyuu's a lapis along w tsutako, normal lapis terraforming job but some shit went down, tsutako got shattered, giyuu was left to fend for herself until she ran into a lost kunzite fresh out the ground (she had a slight imperfection, showed up as a spot along her cheek (corner of mouth to center base of ear) that looks like raw kunzite/ yk when a helmet or somethn gets shaved down sliding against a road? that)
they tough it out in the wilds for a while, they got attacked and accidentally fused to defend themselves, kept fusing when they were in trouble after that- yadda yadda meet makomo (also a gem) & sakonji and learn how to be their own person, getting their own names (giyuu got Giyuu, the kunzite got Sabito) and meeting a group of other rogue gems & making human friends
sabito got particularly interested in the concept of human masculinity & highly respected the closest man she knew, sakonji- transed his gender & chose to dedicate himself to protecting those he cares about. giyuu is very close to him and also changed pronouns & vibes bc sabito loved it so much, though he doesnt really care about human perceptions of gender (hes a pretty rock made of light, the fuck does he need a gender for? (sabito doesnt see it that way, he never got indoctrinated/had a formal gem education or whatever, so hes just vibin))
something something giyuu found a way to precisely control water, and what is ice if not Structured Water. sabito never got whatever his job as a kunzite was, but he has a similar ability as Pearl where hes able to summon a blade from his gem (rectangular cut, back of his left hand). when theyre fused they become Hawk's Eye (also know as blue tiger's eye), able to both control water(& subsequently ice) and form blades along his arms and feet; the blades on his feet allow him to ice skate, the blades on his arms are attached at two points on the forearm and is curved over the hand- the blade's allowed to spin around the arm, tip of the blade is at the point of rotation so itll be in the same spot above the hand no matter what side of the arm its on
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lowpolyshadow · 10 months
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just need everyone to know despite my emo posts and wailings and being completely normal over sa2 that i think shadow should be an asshole. just a complete bastard. fuck that guy
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rhysie · 2 months
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a hard pill to swallow ... rhys not telling feyre during her pregnancy is not as ooc as u think it is
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