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#but neither of them are upset about it in the end
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FLASH AND GLITCH WARNING it’s not bad by mtl standards but it hurt the hell out of my eyes when I was working on it 😭😭
There more explanation under the cut cause there’s some explaining to do.
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So this is set Post AOTD and the only parts of Dick that survived are his brain and heart. His parts are discovered by Charles when he went back to Deus Keeps remains to scavenge amongst the og Army for an intact left hand that he would transplant, as well as searching for survivors in general. ( something to note is he doesn’t find a replacement and he ends up having it replaced with a golden prosthetic )
He secretly brings Dick’s remains back to Mordhaus where he begins a project to slowly regenerate Dick’s body. He doesn’t tell anyone outside of a select few klokateers and the scientists ( Brian and Jimmy ) mostly due to how unstable the execution may be. Kind of like a don’t get the boys excited cause if it doesn’t work it will be just another downer/uncertainty that they don’t need right now.
I don’t know if Charles is employed with Dethklok or if he’s there for the sake of normality. Either way the boys want him there and he wants to be with the boys.
William finds the operation by accident. He kinda went back to how he was pre-mtl albeit a bit more open with his emotions. There are periods where Dick is left alone and Willy finds him during one of those periods. By the time he finds Dick it’s been a few months since Charles has brought him back to Mordhaus, so while his body isn’t ‘online’ yet, his brain heart and eyes are.
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This is kinda how Willy first finds Knubbler. He recognizes the eyes ( which aren’t meant to be yellow like they are in the image above this was made before I had a concrete timeline set up ) so he talks his way into staying as long possible without being caught. They managed to set up a basic communication system with Dick’s eyes ( like yes no maybe but with eye colour ) and that’s how Willy knows he’s not supposed to know about the project. For the first few visits it’s just Willy apologizing to Dick for killing him and just getting out everything he wanted to say and apologize for. Similar to Nate and Rebecca but Dick can yk. Talk back. To an extent.
Cause while physically Dick is in the tube his soul is free to roam around the room. So while Willy’s talking to his eyes Dick’s walking around and just making faces at him and shit.
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( I don’t like the colour I went for the ghost mode for him here but idk how to do ghost so best I got I’m sorry 😭 )
Initially it was just really emotion heavy and Dick wanted to be able to hold a full on conversation with Willy about the events of the Mtl but then Willy started bringing entertainment down to the lab and it spiraled a little.
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Eventually Willy mentioned how upset he was that he didn’t finish planet piss and it turned into a month and a half of planet piss production ( nothing was recorded and sessions usually ended in a Willy typical tantrum and a promise of coming back tomorrow )
Despite how much these sessions pissed off Dick, his recovery ended up speeding up quite a bit, much to the delight of Charles The Scientists and the select Klokateers. Who still don’t know about the daily visits. Whether or not it was motivation to actually talk back to Willy and shut down his more destructive ideas or to be able to help him I don’t know.
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At some point during the PP production Willy starts bringing board games like scrabble and battleship. Shit that made it easy for both of them to cheat. Which they ended up doing. Every. Single. Time. It’s impressive how neither of them caught on to the other cheating. Actually it’s more impressive Dick never caught Willy cheating since Willy was usually in control of Dick’s moves.
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While this is happening Dicks body continues to reconstruct itself and eventually it becomes basically back to normal except in its green gooey goop ness ( the animation is like a sped up version of what happened )
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( Again his eyes are not meant to be yellow I made this before I had the timeline set )
Dick, realizing that his body is basically reconstructed, starts trying to make his physical body move / tries to reconnect his soul ghost to his body. Unknown to him by rushing the process he glitches his eyes out.
So while he thinks he’s moving his Body he’s actually moving the Wires around his tube.
He practices while Willy is gone because he wants to be able to surprise him / scare the shit out of him a little bit, but this ends up being a detriment to him because when he finally does move in front of Willy it is not his body that is moving. Most of the time if he’s practicing he’s working with The Scientists and Charles
This is where that rough animatic at the top comes in so we know that Willy freaks the fuck out, runs away, and Dick is upset. Gonna jump a lil more into that tho.
So some things to explain / note in the animatic that I just didn’t explain well.
To show that Dick was glitching while moving his eyes turn yellow. The Scientists and Charles know about this, but before trying to move for Will, they never caught that what Dick was actually moving was the wires around the tube and not his body.
Willy was not scared that Dick was moving. If it was just dicks body or even just the wires he would have freaked out a little but wouldn’t have run away. He ran away because Dicks eyes were yelllow. Like he was possessed.
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This is basically what was happening
Dick never punched his way out of the tube or talked to Willy.
That being said the flashing alarm was set off by Willy. He knew that the science gang would come if he sounded the alarm. He didn’t get caught by them but he saw that they weren’t panicking like he was.
Dick had no idea why Will ran away that badly until after the science boys came in and his body was unglitched ( which is why his eyes turn green at the end of the animatic ). He thinks Willy ran away because of the wires, not his glitchy eyes.
Also small note the scientists are there when they run in I just didn’t want to draw them because I watched the liquid album episode and they annoyed me a little bit I’m sorry.
Dick’s in the tube for about another month ( where he can control his body ) but Willy doesn’t come back to see him until a week before he is taken out of the tube. They end up having a repeat of the initial cycle ( apologies planet piss and then board games ) but sped up and a little differently. Apologies only last a day, planet piss lasts an hour because Dick is not about to repeat that whole ordeal again without having his equipment around, and the board games last for the rest of the week until Dick is transferred to a private hospital room. Dick ends up actually making sure Will doesn’t cheat and they get really competitive.
Willy doesn’t know where Dicks transferred to and Dick is once again bored out of his fucking mind.
They reunite again eventually but I’m leaving that up to interpretation cause cycles need to break eventually.
I didn’t go into detail about what their talks were day by day because I cannot write dialogue well which means this can be interpreted as Platonic OR Romantic. This au was written with the intention of being romantic ( doomed in original versions ) angst but it’s vague enough where it could be platonic and either way I’m happy.
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billpottsismygf · 2 days
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73 Yards
I have slightly mixed feelings on this one, but what it did well it did brilliantly. The episode was beautifully shot with a fantastically creepy atmosphere throughout. The Welsh landscape, the close shots, the out of focus semper distans, the mystery of what was being said. Millie Gibson's performance throughout was stellar and this is the most invested I've felt in her character so far. I did miss Ncuti's presence somewhat, but it says a lot that she was able to carry the episode on her own and I do love when the format gets shaken up occasionally and we get a Doctor-lite episode.
I loved Kate's brief appearance and the way it sold the fact that this was a very serious situation. You think UNIT might be able to help here, but Ruby is once again left alone. The themes of abandonment in this one were incredibly potent and really tie into the themes of the series. Unsurprisingly, one of the most effective and upsetting parts of the episode was Ruby's mum also being affected by the mysterious woman. Her anguished screams for her mum were really quite harrowing, as was that awful comment about her birth mother not wanting her.
It also got far darker than I would expect in a Doctor Who episode. The far-right politician and the threat of nuclear war was plenty, but what was done to Marti was absolutely chilling, as was Ruby's apology for not doing anything. It gets away with it because it's all through implication, but that almost makes it more hard hitting. You don't always need to see the monster in action to know what it's doing. It also reminds me of my much younger self not picking up on the Master beating Lucy Saxon until I was a teenager.
The way time began to speed along was actually quite shocking to begin with - I actually gasped when we saw the 25th birthday cards - and it kept bringing to mind various other episodes where companions have been abandoned either in the real world or another timeline/reality, especially things like The Girl Who Waited, Turn Left, Forest of the Dead, The Lie of the Land, World Enough and Time etc. That things get undone at the end was again a little reminiscent of a few of them, but this is also where we come to my criticisms of the episode, because - while I loved the experience of watching it - the ending feels tacked on in a way that is very unsatisfying.
There were a number of things that just never get explained. For a minor example, why did the Doctor disappear? Disturbing the fairy circle released Mad Jack (I'll come onto him) and also made the Doctor disappear? And also made the TARDIS lock in a way that couldn't be opened with Ruby's key? I'm not as bothered by this as the below, but it feels messy and like an attempt to do a Turn Left without an actual reason for the Doctor to be gone.
A bigger gripe is Ruby being the following lady. That on its own would have been fine, but that combined with other elements just frustrates me. Mainly, if the following lady was Ruby, what is it she says to get people to run away? I don't mind things being left to the imagination - for instance, I quite like that we don't get an explanation for why she has to be 73 yards away; I can infer that that's got something to do with the fairy circle - but it appears that whatever she says specifically makes people think there's something horrifying about Ruby.
What could Old Ruby possibly say to that end and why would she? And why would the same thing make a Prime Minister resign? If we had never found out who she was, I would have been perfectly happy to infer that she was a force of some kind that drives people mad, but it's Ruby! Knowing who she is but not what she does or how or why she does it is the worst way round. I want to know neither or both, or possibly the latter but not the former, but this way round just frustrates me.
On that note, the friend I was watching with pointed out that, as she was dying, elderly Ruby had very short hair and suddenly has long hair when she becomes the semper distans lady. A small detail, perhaps, but one that further muddles the conclusion. Why did her hair change? Where did the coat come from? It's a different actress as well and, even at that distance, you can kind of tell. Did Old Ruby just end up embodying an existing spirit to do with the fairy circle? If so, I would have liked that to be a lot clearer. If not, why does she look so different?
Okay, so, Mad Jack. Who or what is Mad Jack? Is he a spirit of some kind that possesses Roger ap Gwilliam? Was he always Roger ap Gwilliam? Does Roger ap Gwilliam exist without him? If Roger ap Gwilliam does not exist without Mad Jack, how come the Doctor still mentions him? If Roger ap Gwilliam does exist without Mad Jack, what is changed by the Doctor stepping on the fairy circle?
In the version of the timeline we end up on (where the Doctor doesn't step in the fairy circle but Roger ap Gwilliam is still mentioned by him as a dangerous Prime Minister), here are a few possibilities and why they don't work for me:
Does he still become Prime Minister and get taken down another way? Perhaps, but it's not like Turn Left where we know the problems would have been stopped by the Doctor (who's not here). Without Ruby's infiltration and semper distans lady, what stops him? And why was that not able to stop him in the timeline we witnessed?
Is he less dangerous? The second time around of the opening conversation we don't get the line about the brink of nuclear war, though only because Ruby interrupts him to point out the woman, but maybe we can infer that this time he's a dangerous Prime Minister but not that dangerous? That seems quite weak and unclear, though, and seems to disregard the horror of the Marti stuff.
Does the timeline only change after the Doctor's comments about him being a dangerous Prime Minister? He does say that before stepping (or not stepping) in the fairy circle both times. I might be happy to assume that Roger ap Gwilliam never comes to power after that diverging moment has passed, except that things have already changed before the Doctor mentions him because Ruby says she's been to Wales three times. Maybe they've changed a bit but not enough until the moment she stops him from stepping on it, but that is not at all clear.
If it's any of these (or none of them), that's really confusing! It's just so messy and unclear. It would have been a simple fix, too! Keep everything the same and just add in a line as they're walking away at the end along the lines of "thank goodness he never got into power; people never found him that convincing". That would have clarified a) things have changed since a few seconds ago b) that Mad Jack is what allowed him to get to power and c) in this timeline, that won't happen and Ruby won't need to stop him.
Despite all my complaints, I did really love watching this episode. It's just so carelessly wrapped up, as if they didn't think about the implications of the otherwise very well told story. I'll be interested to rewatch it and see if my complaints bother me more or less on second viewing. I really want to love this episode because there were so many fantastic elements, but it just makes all the inconsistencies and loose threads and muddled logic particularly frustrating because they were only another draft or two away from being solved.
Misc small things
No theme tune! I feel robbed! Maybe it was meant to be part of the vibe that we're not in the usual timeline, but come on. It could easily have been slotted in when she left the TARDIS the first time or before she got to the pub!
Other episodes I thought of: Extremis with warning other versions of yourself; The Hungry Earth/Cold Blood with waving at future versions of yourself that disappear when things change; Journey to the Centre of the TARDIS with weird timelines and future selves and things being undone; Last Christmas with the companion becoming elderly; Turn Left for the vibes of "there's something on your back"; Under the Lake/Before the Flood with a silent message, since it looked like the woman was trying to sign things to Ruby; and The Sound of Drums/Last of the Timelords with the triple whammy of the companion having to 1) set off on their own to 2) take down a prime minister and 3) have time reverse.
It's also got a good old bootsrap paradox in it, which doesn't bother me in the way of the above complaints, but for the sake of completionism: How was Ruby warned about the future when that future hasn't happened? Would have loved Twelve to briefly pop his head in and explain it for us.
It's interesting that the snow stopped throughout this version of her life. It also seemed to snow while she was on her way to the pub.
Kate's comment about how "this timeline might be suspended along your event" was interesting and I wonder if it connects with the snow stopping.
For the first time I actually recognised Susan Twist when she appeared, but I'm not sure I would have done without Ruby realising she recognised her. I liked that! It felt very Boom Town and recognising Bad Wolf coming up again.
There was a little cameo from Mrs Flood.
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cryptidorchid · 17 hours
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I’ve seen a lot of people call out Scott’s lack of care for Jimmy’s life in Third Life. (Usually, this is part of their explanation for why they think flower husbands is toxic) And I think these points are interesting but kind of miss that the lack of care is reciprocated by Jimmy.
In Scott’s case, the moments I see pointed out the most are the two times Scott treated Jimmy dying like it was a spectator sport. Like when Jimmy got attacked by the enderman or Jimmy played the Tango’s lava minigame and Scott was like “I’m just here to see if Jimmy dies” and when he told Grian that “once our husbands die, we can be free.” 
I will play devil’s advocate for a moment here and say that in all of these moments, regardless of what Scott was saying about it, he took action to try to keep Jimmy alive. In the first two instances mentioned, he gave Jimmy advice to help him survive and in the last one with Grian, he suggested Jimmy should stay in the bunker so he could be safer. But I will admit that Scott acts very apathetic about Jimmy dying.
In Jimmy’s case, he’s less verbally apathetic but his actions seem strange for someone who should want Scott to stay alive. Like that time where Grian and Scar let their enderman free to attack Scott and Jimmy scolded Scott for killing the enderman because it upset Grian and Scar. And even when Scott was being attacked, Jimmy’s response was just yelling that he wasn’t the one who looked at the enderman and then watching as Scott gets attacked. And there was that time when they found the enchanting table outside of Renchanting and Jimmy (correctly) guessed that it might be a trap so he told Scott to mine it.  For the second one, Jimmy says it’s because he’s just died so he doesn’t want to die again which would be fair, except neither of them have any motivation to mine the enchanting table in the first place, so the reasonable response would be “it might be a trap so neither of us should mine it”
Which made it really weird when the Dogwarts confrontation happened and suddenly, they’re all protective over each other. Suddenly, they’re like “Jimmy, don’t go near the scary red name!” and “Scott, what if they sacrifice you on their altar?” 
What? Where did this come from? At least in Scott’s case, I can guess it was because Jimmy’s now a red name so if Jimmy dies, it’s permanent. I don’t know what was up with Jimmy in that moment.
And, as far as them continuing to be protective after that? On Scott’s end, he was pretty consistent and explicit about wanting to keep Jimmy safe after that (except for him being weirdly happy about the idea of being a widow, don’t know what was up with that). 
On Jimmy’s end, after this, as far as I can tell, he went back to using Scott’s green life as an excuse to ask Scott to take risks. He finds a cake unexpectedly in his house, thinks it might be a trap, and asks Scott to eat it and tell him if anything bad happens. When they're in a fight with Dogwarts, Jimmy tells Scott that he should "get in there" because he’s a green name. Honestly, I don’t think these are that bad because Jimmy was on red and Scott was on green, but it is a big difference from him burning the Dogwarts banner over just the possibility that they might try to kill Scott (and it implies that Jimmy sees Scott's life as disposable which while pragmatic, is not very kind). Anyway, my main point is that I can’t remember Jimmy ever really being worried about Scott’s life outside of the one moment with Dogwarts.
In conclusion, neither of them seemed to be super concerned about the other one dying (Scott said it. Jimmy acted like it) until Jimmy went to red. Which I think mostly had to do with the fact that they both knew the other had more lives to spare. They really lived their lives like “me and my husband who couldn't care less if I live or die.” My dysfunctional faves.
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i love that simon fairchild and mike crew have the exact same sense of humor, but simon's obviously way further into it than mike. mike will give you some tea and have a civil conversation with you, you really have to push him to get him to toss you into the vast. with simon, your fate is entirely dependant on how much fun he has talking to you. and they both think your fear is hilarious.
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mastersoftheair · 2 months
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Sorry but am I the only one that thought that episode…sucked? Like it was straight up bad. Horrible pacing, no wrap up of all the random characters and plot lines they’ve thrown around all season (the tuskegee airmen, Westgates spying, literally all the guys beside like the main 4). (Seriously it makes me so mad that the three redtails got all of 5 seconds of screen time, almost no lines. Literally what was the point of introducing them other than to pretend the show was iNcLuSiVe) Even at the end of BoB and the Pacific you get a much better idea of what happened to all the remaining guys. In this they’re like what happened to DeMarco or Hambone or Brady or (insert character here) we don’t know! ¯\_(ツ)_/¯ The concentration camp scene felt shoehorned in compared to how it was done in BoB. Unless that actually happened to Rosie (which i haven’t heard anything about) but it was just like.. ok? It all felt so rushed and emotionless to me. Maybe I’ve just fallen out of love with MoTA but it’s been downhill for me since episode 6 or so.
i already made a little (read: long) post-finale write-up here, where i talk about the use of the tuskegee airmen, l'sandra, and overall editing/pacing issues i felt the show had. but i don't agree with the notion that adding the redtails was in any way insincere or trying to halfass being "iNcLuSiVe", i just think they suffer from this show's obvious time constraints. and to summarize what i wrote in my linked post, there's a limit to what white writers/directors/producers can do when creating a story about black people. there are some stories i'd feel uncomfortable with them telling on their own, truth be told. dee rees wasn't the sole nonwhite director, but she Was the only black one. i think she did her job well given the limitations and i appreciate that they let her direct those episodes, rather than leaving it up to a team of white people trying their best to tell a black story.
the worst i can say about the finale is that it didn't feel like That strong of finale, tho i wouldn't go as far to say it "sucked" or call it "straight up bad". i liked it plenty, it's just the weakest of the hbo war finales imo.
as for the concentration camp scene, artistic license was taken with both shows. unlike what's seen in the BoB, easy company wasn't the first to arrive at kaufering, and there's 0 mention of the all-japanese american 552nd who helped them liberate it). similarly, rosie rosenthal did assist in liberating those camps, though it would've been after the events shown this episode. idk if he saw one in that up-close way seen in this episode, but he could've (i should research this when i have time). plus, it would've felt weird Not having him acknowledge them at all. "shoe-horned" is an odd term to use here imo, as both scenes more-or-less center a jewish character (BoB's liebgott and MotA's rosie). the former show has survivors the characters can help, the latter shows no one left to help. the former has all of easy company there, the latter has rosie there all alone. rosie's scene felt deeply personal in that way. at the end of the day, both scenes are communicating different things. that doesn't make one better than the other when they aren't trying to be identical. (disclaimer, i'm not jewish, so i'd be interesting hearing from the perspective of someone who wrt whether or not they felt it was "shoe-horned")
i can understand if you've disliked the show post-episode 6 (and episode 6 was a very strong episode i'm ngl). eps 7 and 8 were weaker in many ways, even to me, so i get it. everyone's entitled to their own opinion (i'd be a hypocrite saying otherwise). just understand that this blog is run by someone who overall enjoys this show despite its flaws! basically, i encourage you to take this energy and make your own posts.
#masters of the air#hbo war#e9#asks#long post#masters of the air spoilers#mota spoilers#all the hbo war finales are different. i don't think MotA's is as strong but like#my fav hbo war show is still BoB and even Then i don't think it has a better finale than TP. and i dislike a lot of TP! like A Lot!#and Even Then we don't get a good idea about what happens to a lot of the minor-er characters in TP once they leave#anyone who isn't sledge or leckie (rip basilone) is hand-waved-'they went home'-away#not every show needs a sandlot ending w/ a voiceover going:#'[NAME] got really into the [INSERT DECADE] and no one ever saw him again' like they did to webster (rip webster)#and again! i'm mixed about the redtails. but i can Very Clearly See this show getting released without including them#which wouldve left many people (justifiably!) upset that they weren't shown when they were Literally there in the same pow camp#i'll give the hbo war team a lot of shit about a lot of things (despite the enduringly positive energy i try to keep up here)#but i Have to give MotA props for Trying. i don't see faux inclusion i just see it as not quite hitting the mark but an attempt was made#and i think that's worth Something given neither BoB or TP bothered trying#(like i think there was a missed opportunity in TP not mentioning what's happening to japanese americans on the home front)#this got away from me (i'm also opinionated) but while i can agree with you about how the show feels rushed#i do take issue with the idea that they were pretending to be inclusive. i'll blame money time and covid19 before i blame bad intention#maybe that's controversial here but it Is my blog. so.
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unlikely-gravestones · 11 months
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so those season 2 pictures huh...
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softshuji · 25 days
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Any men out there wanna pretend to be my bf to get my parents off my case about marriage? I am so so serious right now.
#my mom gave me a really really lonf lecture and upset me because her and my dad want me to start thinking about settling down ans getting#married. again. cos this comes up all the time. ans I reiterated that i do wanna marry and have kids. i know im 26 years old why do they'#think im also not aware of this??? like i suddenly forgot my own age and have my head in the clouds all the time. and i got so heated cos i#said they only believe in that in theory. in reality neither of them have accepted the idea od my leaving home or the idea of mw being with#a man. and they start freaking out if they even find out i talk to them so to say they want me to get married is so fucking naive#ans when i mentioned this and that they're more than ok w mt brothers talking tp women she said that if i wanted to settle down she could#talk to dad and they could “go about finding someone for me” and I've never been so pissed#i got so upset. why does everyone keep saying this to me. as if anyone my dad knows could ever be a half decent man#and the truth is they don't care if im in a happy marriage they've accepted that i won't be they only care that im gone and saving face in#front of family. that's all. it's always reputation it's always “what will people say?”#not once did love come up. not once did shw even imply that i should marryfor love#or that they hope i love someone and marry them. because they're more happy with the idea of me marrying for the sake of it than#they are at the idea of me finding genuine lovw#im not a fucking broodmare im not here to push out babies for the sake od reputation.#and then i said nor being married isn't the end of the world and she said “it's important that you settle down”#and i said im unwavering in my principles. she can call mw high maintenance like she loves doing but I'm not wavering on the#kind of man i want to be with and when i do marry him i want it to bw genuine. because be loves me and vice versa not because im ticking off#somethin from a damn checklist to appease them. and if being unwavering on my principles means staying unmarried then so be it.#my obligations are to god and myself and that's it#and y'know what??? i am in love with a boy already#and yet they don't care that i wanna be in love at all. no im just a puppet to follow a certain narrative in life live according to evergone#else has and that's it.#im done.#and then she tried to apologise by getting me a slice of cake and that somehow made me feel worse.#i dont want an apology. i want to be heard and actually listened to for once. i want someone to ask what i want. to actually give a shit#and love me cos it's me. not cos im some thing to further an agenda. or some toy or puppet that does your bidding.#is it so much??? to just want to be loved in return? to marry and live according to how i want to?? ans not want anyone to make these#decision's for me?#ruined my whole day.
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quietwingsinthesky · 2 months
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can we talk about the meep’s pronouns moment in the star beast again? i want to talk about the way it’s set up. in any other show, this would have been a joke. it would have been, “oh, look at this trans person getting so up in arms about the doctor assuming this alien’s pronouns. isn’t that an insane thing to care about?” and then that would be where it ended, the entire point being that asking for pronouns is ridiculous, that a trans person pointing it out is ridiculous, and we should be laughing at Rose for bringing it up.
but. it’s not. Rose says, “You’re assuming he as a pronoun?” in a tone of voice that, to me, at least, reads as someone who has been in this situation many, many times before and been laughed at for caring. who has been the butt of that joke. who starts this dialogue off from a defensive position because every time before she’s ever asked in earnest, she’s been shut down.
and then the Doctor says, “True. Yes. Sorry. Good point. Are you he or she or they?” The Doctor acknowledges Rose’s point, apologizes for glossing over it, and makes an effort to ask. Hell, the moment is even used to set up the Doctor connecting to the Meep more like he will when the Meep mentions having two hearts; they both share “the” as a pronoun as a pronoun.
(and I’m reading through the transcript right now to check, but as far as I can tell, yeah. The Doctor does then use “The Meep” to refer to the Meep for the rest of the episode, not any other pronoun.)
It’s a very brief moment, but it feels intentionally made to invoke those jokes, to take them and say, ‘no, why would this be a joke, we’ll take it seriously.’ Expectations subverted brilliantly. The Doctor says trans rights.
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natasha-in-space · 4 months
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Why am I suddenly thinking about a butler!SE Saeran/princess Natasha au.......
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izzyspussy · 9 months
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i really hate the plotline where sophie was like i need space so nate gave her space and the narrative was like look at this fucking idiot
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itstimeforstarwars · 6 months
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How about a doodle of Myles and Derry when they were kids?
Here we are!
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Derry had a (first) date, but Throckmorton broke their arm while spaceboarding so now the sibling who was supposed to babysit Myles is taking Throckmorton to the doctor, and Derry has to stay home with Myles.
They'll end up playing Bounty Hunter together and then watching a movie and stealing all the good bangcorn that Throckmorton keeps in their room.
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viir-tanadhal · 1 year
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i was going to post about this but then forgot but anyway i feel like it really is the case that the reason neil and chris have been still going for over 40 years and haven't had a major falling out or break is because of the nature of how much they respect each other both on a personal level and also a working partnership level
#i think the moment it clicked for me as to why theyve been together for so long is how tom watkins tried to tell neil to go solo#because he was convinced chris didnt do or contribute anything because he thought chris was just neil's bf#which is like a Whole other thing#but neil was very firm on not going solo and ditching chris and standing up for him and pointing out all of the major stuff chris does#and that neil is very self-aware that he probably couldnt be successful on his own and that chris is an integral part of the group#that really comes across with how much he will flat out say something was chris' idea even when chris is embarrassed by it#the other thing is neither of them have ever had an ego. the only circumstances is maybe when chris would get upset not being filmed#w/ the tonight show debacle that was v clearly he was in the right to be upset they wouldnt film him as if he wasnt the other member#and then that stuart price quote where he talked about how he's seen them get into arguments and disagreements over stuff#but they work through it in a way that they clearly respect the other's opinion and dont take it personally#not to mention the multiple rough personal events theyve gone through throughout their career#looping back to the ego thing the other thing is they recognize that their knowledge complements the other#like neil having never considered a bassline before meeting chris and realizing how important it was#they both bring something to the table that the other can't or can't do well#ig long story short theyve succeeded in having a long career because of the level of mutual respect in their relationship#and that they know how to communicate and work through conflicts when they happen#and at the end of the day making music together is something they enjoy and get pleasure from whether they release the music or not#they even kind of mention it in the reel stories ep with neil making sure chris speaks his opinion in interviews#i really like that he's mindful of that and is conscious of not dominating the conversation and letting chris speak#its just nice to see idk psb wouldnt fully work if they didnt have such a strong relationship#also last i promise it helps that neither of them have kids or been married so no hiatuses because of family and stuff#i mean theyve both been in relationships and given idk too much detail it seems like they made it work out#i guess i mean with neil and his 90s relationships i should say#yeah ok thats my last point hamsndndns sorry thanks if u made it this far i have a lot of thoughts
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cherry-shipping · 2 years
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HAD A DREAM ABT SANS!!!!!!!! i dreamt that i did something i thoughtd make him happy (i think clean his room?) but he ended up getting really upset with me. then he felt bad about getting mad at me and apologized ^_^
#it was a little sad but it had a nice ending#i think it was that he got mad bc hes very peculiar about his stuff?#and also autism so certain things i found that seemed like trash to me werent to him and so forth#i got sad and apologized and left then i went in my room cause apparently i lived with him and paps here#and unlike him i dont have the ability to just disappear. so i climbed out the window quietly and found some secret empty place to be alone#(bc i do that when im upset)#in the end he felt bad and papyrus was out of the loop since neither of them even knew i left#but when sans came to apologize he noticed i was gone and. since he does the exact same fucking thing he sorta understood#to paps i think he just said id gone out to get something i think#then he was like . actually i think they said they needed my help Um im gonna go find them#and so he walked around until he found my special lonely sad place and apologized to me ^__^#it was sweet in its own way#bf (bone friend)#side note i wanna draw selfship art soooooooo bad but i still hurt like HELL#its not the same as it was yesterday though and after the hospital visit it got way better#but it still hurts. and now ive got menstrual cramps too#SO I CANT DRAW!!!!!!!!!!!!! but i wanted to finish that phone thingy sketch i rbed a little while ago...........#SAD. well whatever#edit 2 weeks later while lookin thru my blog. it wasnt menstrual cramps it was appendicitis lol#2nd edit 8 months later: got appendicitis again lol
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inkskinned · 8 months
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what is with men being mad any time a woman raises her voice where did that even come from. someone posted a video of a small electrical explosion, and the top comment was of course the woman screams. the second comment is women try not to scream challenge, level impossible. i had to go back and watch the video again. there is, somewhat fainty, a little gasp emitted off-camera, more of a yelp than a scream. it is mostly lost in the crack of the explosion. afterwards, you hear her voice, shaken, say, are you okay?
i am helping one of my friends train her voice pitch lower, because she wants to be taken seriously at work. she and i do each other's nails and talk about gender roles; and how - due to our appearance - neither of us have ever been able to be "hysterical" in public. we both appear young and sweet and feminine. she is cisgender, and cannot use her natural voice in her profession because people keep saying she appears to be "vapid". we both try to figure out if our purposeful voice lowering is technically sexist. is it promoting something when you are a victim to it?
a storm almost sends a pole through a car window. in the dashcam, you can hear the woman passenger say her partner's name twice, crying out in alarm. she sounds terrified. in the comments, she is lambasted for her lack of calm. how is that even fucking helping?
in high school, i taught myself to have a lower voice. i had been recorded when i was genuinely (and righteously) upset; and i hated how my voice sounded on the phone speakers when it was played back. i was defending my mom, and my voice cracked with emotion. it meant i was no longer winning the argument: i was just shrieking about it.
girls meet each other after a long summer and let out a little joyful scream. this usually stops around 12-14, because people will not tolerate this display of affection (as it has the effect of being passingly annoying). something about the fact that little girls can't ever even be annoying. we are trained to examine each part of our lives (even joy) for anything that could make us upsetting and disgusting. they act like teenage girls are breaking into houses and shrieking you awake at 3 in the morning. speaking as a public school educator: trust me, it's not that bad, you can just roll your eyes and move on. it does not compare to the ways boys end up being annoying: slurs in graffiti, purposefully mocking your body, following you after you said no. you know, just boy things.
there's another video of a man who is not allowed to yell in the house, so he snaps his fingers when he's excited about soccer. the comments are full of angry men, talking about how their brother is unfairly caged. let him express himself and this is terrible to do to someone. eventually the couple has to address it in a second video: they are married with a newborn baby. he was trying not to wake the infant up. there is no comment on the fact women are not allowed to yell indoors. or the fact that it could have been really alarming or triggering for his wife. sometimes i wonder if straight men even like women, if they even enjoy being in relationships with them.
for the longest time, i hated roller coasters because it always felt inappropriate and uncomfortable for me to scream. one of my friends called me on it, said it was unusual i'm so unwilling. i had to go to my therapist about it. i don't like to scream because i was not raised in a safe situation, and raising my voice would have brought unsafe attention towards me. even when i am supposed to scream, it feels shameful, guilty. i was not treated kindly, so i lack a basic form of self-protection. this is not a natural response. it is not good that in a situation of high adrenaline - i shut up about it.
something very bad is happening, i think. in between all the beauty standards and the stuff i've already discussed - this one feels new and cruel in a way i can't quite express. yes, it's scary and silencing. but there's something about how direct it is - that so many men agree with the sentiment that women should never yell, even in an emergency - it feels different.
is the word shriek gendered automatically? how about shrill or screech? in self defense class, one of the first things they tell you is to yell, as loud and as shrilly as you can. they say it will feel rude. most women will not do this. you need to practice overcoming the social pressure and just scream.
most women do not cry out, even when it's bad. we do not report it. we walk faster. we do not make a scene. what would be the point of doing anything else? no matter what we do, we don't get taken seriously. it is a joke to them. an instagram caption punchline. we have to present ourselves as silent, beautiful, captivating - "valuable."
a woman is outside watching her kids when someone throws a firecracker at them. she screams and runs towards her children. in the comments, grown men flock together in the thousands: god. women are so annoying.
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king-of-havoc · 4 months
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What's the difference between being self aware and completely overthinking everything? Which one am I?
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shotmrmiller · 1 month
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simon telling the guys he's got a girl to go home to post op and johnny's gobsmacked because him??
his simon? with a sweet thing?? that isn't repelled by his very existence??? he's gotta meet you! (he's also mildly upset that the rest of them are single. or is it jealousy that the man he's gotten himself off to is finally taken?)
it takes a little (a lot) of cajoling to at least show johnny a picture and when simon hands him his cracked phone, johnny whistles low and murmurs out a pretty lass.
and you do look pretty. you look pretty from the side as you're washing dishes, even with the gaudy yellow gloves covering up to your elbows. you're so pretty from the back as you're bent over, carefully basting the chicken you're baking. you even look pretty fuzzy, the camera blurring your features while zoomed in.
there's even a video of you but johnny doesn't overstep. he knows better. he waits for simon's go ahead, and once he gives the almost imperceptible nod, johnny quickly presses play.
the room is dim, the television casting a soft glow upon your face. your legs are folded beneath you, your gaze fixed on whatever it is you're watching, your hand reaching for the bowl of popcorn on the nightstand.
"ken wha' she's watchin'?"
"i dunno, but she's been into nature documentaries as of late."
johnny hums softly and the video comes to an end.
"yer a lucky man, LT."
simon doesn't say anything.
(and neither does johnny. not about the grilles of the window in every picture nor the quiet chirping of crickets and even quieter crunching of leaves in the video.)
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