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#but the game itself
vellichorom · 4 months
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now, people are free to think whatever they like, i won't tell them that they're wrong, but i'm not sure i entirely agree with the idea that 432 is responsible for the skip button ending happening the way that it did,
rather... i think, quite literally, that they had no hand in it.
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densitywell · 7 months
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spent like an hour trying to find a post abt the disparity of origin companion's content in bg3 and couldn't so, hey, this fucking sucks
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eastgaysian · 2 months
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the specific frustration with dungeon meshi is that there's been a very distinct shift in fan content and a very clear reason for it. it was one of the rare cases of a decently popular work where the vast majority of fan content you saw was gen or f/f; m/m ships existed but they were not anywhere near as overwhelming as in other fan spaces, and people who heard about dunmeshi by word of mouth often came in knowing about farcille. the anime started airing after the manga was completed and is a pretty faithful adaptation, it's not as if it added any more fanservice/sexualization/shipping fodder. the only difference is that it made dunmeshi more mainstream/popular, and that's when the focus started shifting towards m/m ships and away from gen and f/f. for the people who enjoyed being in a fan space that unlike 99% of fandoms wasn't m/m focused, that fucking sucks, and there's nothing you can do about it because you are always flat out outnumbered
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verflares · 2 months
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say, what do you think ever happened to that boy from the forest? you think he ever found what he was looking for?
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fleshmaid · 3 months
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Blood Baptism.
Image ref below.
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galedekarios · 7 months
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the audio to the bugged / cut conversation about gale's mother morena dekarios:
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[source]
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frobby · 6 months
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rhythm gamers will be like "u gotta play this song it's so fun" and the song in question gives u carpal tunnel syndrome
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tamamita · 9 months
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why is black and white praised a lot?
For a pokemon game, it was unique for having an elaborate story; it took the narrative seriously, challenged various ethical questions and introduced a handful of memorable and well-written characters, such as N. The game challenged the player's opinions on the ethics of pokemon and always hammered on the ideas of parallalism; black and white, future and past, people and pokémon, truth and ideals and etc. The games were so good, they received their own follow-up sequels in the form of BW2, which took the story to another level. Generations later, we haven't seen a pokemon game that took its narrative that seriously.
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ssstrawberryflowers · 1 month
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wow vittu and kitr meow meow
testing out some more lineart based stuff, alternative colors under the cut
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tokay-blog · 2 months
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Gone to bookmark for zine, the drawings for which can finally be shown after a year x)
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nothatsmi · 8 months
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"You don't smoke." "I don't."
Haha
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I am halfway through the third book, which means Andreil is becoming real and. erm- explicit, let's say.
Haha I'm going insane!!
I haven't been that obsessed with a media since The Raven Cycle (from which I still haven't recovered to be completely honest), and I'm sooo eager to draw more of the foxes!!
I probably won't have that much time since I'm coming back to school tomorrow for my last year till graduation (It's already such a rush, I predict short nights incoming)… But I'll manage to find time to draw them anyway.
I actually plan on doing an aftg series of illustrations like this one using the same format and color palette so, expect more! (if I'm not drown in work that is to say)
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very-tired-child · 2 months
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checkmate.
based on ch 5 of Primum non Nocere by @aughtpunk!!
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emry-stars-art · 7 months
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Jellyfish, specifically JellyNeil has no concept of gender nor does it remotely care about its gender until a very specific series of events
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Find the mer au masterpost here 💕
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littledashdraws · 8 months
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custom classes for flora! sorcerer, dark knight, troubadour
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ineed-to-sleep · 26 days
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Grabbed a couple templates and drew my touchstarved mc again heehee
Relationship chart template that I used is here <3
Intro and flower templates are from the official rss site
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revvethasmythh · 9 months
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Reminded again, as I periodically am, that there's a fair number of people in the fandom that think of Nott the Brave and Veth Brenatto as two different characters, and not fundamentally the same woman. In the absolute literal sense, this is false: Nott the Brave, returned to the body of her choice and using her real name once again, is absolutely precisely the same person she was before Caleb cast Transmogrification on her. This is, incidentally, one of her main sources of angst towards the end of the campaign! A part of Nott must have both feared (and, in some ways, hoped) that when she was changed back into a halfling, she would also be a different person. That the person she became traveling with the Nein would be an easy identity to shed, which she may have hoped for because it would be easier to fit herself back into her home life with Yeza and Luc--and because it would be easier to say goodbye to the Nein if that were the case. And she feared it because she liked this person she became, no matter how transgressive society would label her for it. And she loved the Nein and didn't want those feelings to be altered.
But she didn't change. Veth Brenatto is Nott the Brave and Nott the Brave is Veth Brenatto. This was always the point. That's why it's an anagram. It's just that when she's Veth Brenatto again, she is much more focused on the why of what she's doing. Why am I still with the Nein? Why am I still adventuring? Why do I have this reticence to return home to my family? Why don't I long for that quiet, domestic life the way I once did? Her emotional journey becomes intensely personal, sometimes subtly/quietly told, and wholly about what kind of future she wants for herself and how her choice could affect those around her. Her two families become anchor points pulling her in different directions and she has to deal with that. Which is a different story than what she was telling when she was still Nott the Brave. Nott's story was much simpler--I am a goblin and I hate it and I would like to be a halfling again. I would like to be able to be with my family again. It's straightforward and it's achieved! But that's not where it ends, because she still needs to figure out a real, functional future for herself once her goal has been achieved.
All this to say, I think when people say they prefer Nott over Veth, it's important to remember that you are reacting to a certain story arc for the character, not an entirely different character. It may also pay to ask yourselves why you think they're so different. Was "Nott" funnier than "Veth" to you? Does her ability to serve as comic relief fundamentally change whether you like her or not? Did you appreciate "Nott's" themes more than "Veth's"? Or did you even notice the themes being explored in Veth's later game at all?
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