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#has nothing to do with the work itself the characters and their relationships the themes etc
droughtofapathy · 1 day
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"Welcome to the Theatre": Diary of a Broadway Baby
The Great Gatsby
April 27, 2024 | Broadway | Broadway Theatre | Evening | Musical | Original | 2H 30M
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All the sparkly costumes and grandiose set pieces can't disguise this show's intellectually and musically filthy core. With a creative team that seems to have missed the entire point of Fitzgerald's book, Bad Gatsby is a Vegas spectacle best suited to theme parks and audiences bereft of critical thought. I have no loyalty to the source material. As a lesbian, I didn't much care for the book and its protagonist who seems disinterested in women, and spent pages waxing poetry about the male physique. But even I know it's a classic brimming with intellectual nuance, while this production is anything but. The relationship between Gatsby and Nick is now only ever a passing acquaintance, rather than the very foundation. The show's aggressive heterosexuality sees Nick and Jordan (a forcibly-feminized, pick-me girlboss type) romping about as Gatsby and Daisy, somehow even duller than the book (and how was that ever possible?) sing power ballads at and about each other that say nothing, and move the plot even less.
This adaptation of the beloved classic novel gleefully excises any and all purpose. Nick's idolization and homoerotic love for Gatsby drives the book's narrative. Here, he's doing basically nothing. My kingdom for a dramaturg who seems to actually like and understand the book, rather than someone who just wants to capitalize on it being newly public-domain. Why, oh why, do people keep adapting classics they clearly do not like? I don't like Gatsby, so I'd never bother to write a musical adaptation of it.
And speaking of music, it's ill-suited to both the period and the story. Everything is all contemporary pop ballad, and as someone who doesn't care about or know much of Jeremy Jordan, it's not working. Perhaps it's my blatant lesbianism and pretentious disregard for the allure of youth, but he's never seemed overly remarkable. He's a white male tenor. There are fifteen-thousand who look and sound just like him. But from the constant shrieking up in the mezzanine, you'd have thought the Beatles had come back for a one-night-only reunion. Thankfully, in my front side-orchestra section, I was surrounded by older patrons who politely clapped and refrained from any such screaming. Also, Jeremy Jordan's accent is all over the place, and I can't imagine why.
The shallow production that sits in the (possibly cursed, at this point) Broadway Theatre, has been robbed of its social commentary, its purpose, its depth. The characters are caricatures, the subtext is spelled out on a chalkboard (A song entitled "The Green Light"???) and is in some fascinating way, a meta commentary in and of itself. A massive budget allows for not one, but two working cars to drive around on stage. The glitz and glam blinded the creatives to anything...creative.
And don't even get me started on the baffling decision to cast a Mexican-Asian woman as Daisy, the quintessential image of white privilege. What are we saying by having Eva Noblezada in that role? It's such a thankless role that it's not like her talents are being utilized. And her character is so weak and dull, even more so than the book itself. And she's out here doing a hit-and-run, and yet we're just gonna...gloss right over that, I guess? And Nick's disgusted by Jordan saying they shouldn't tell the police what they know, but then immediately goes to plead with Gatsby to get out of town? Having done no work in the show to justify this loyalty, it's just inconsistency.
Also, and now I'm just jumping around to things I didn't like, the scene where Gatsby gets shot is staged so that Wilson is pointing and shooting that gun right at the front right orchestra section. And staring down the barrel of a gun is not what I want to be doing on a Saturday evening at 10:30 p.m. He shoots that thing twice while pointed at the audience, and no thanks.
Anyway, the Florence Welch Gatsby is at the ART now, so let's hope that one actually understands the damn book.
Verdict: Someone Put This Dumpster Fire Out
A Note on Ratings
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eastgaysian · 2 months
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the specific frustration with dungeon meshi is that there's been a very distinct shift in fan content and a very clear reason for it. it was one of the rare cases of a decently popular work where the vast majority of fan content you saw was gen or f/f; m/m ships existed but they were not anywhere near as overwhelming as in other fan spaces, and people who heard about dunmeshi by word of mouth often came in knowing about farcille. the anime started airing after the manga was completed and is a pretty faithful adaptation, it's not as if it added any more fanservice/sexualization/shipping fodder. the only difference is that it made dunmeshi more mainstream/popular, and that's when the focus started shifting towards m/m ships and away from gen and f/f. for the people who enjoyed being in a fan space that unlike 99% of fandoms wasn't m/m focused, that fucking sucks, and there's nothing you can do about it because you are always flat out outnumbered
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bonny-kookoo · 8 months
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Yoonkook x Reader
Touch-Starved [Main Story]
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Yoongi has a crush on you, but is convinced you're not interested in him. You have a crush on Yoongi, but are sure that he'd never like you if he knew your secret. Jungkook has a crush on you but won't admit it to anyone, and you have a crush on Jungkook, but you think you know that he'd never see you as a possible partner, because he knows your secret. It's all just such a mess. How could you ever sort this out?
Tags/Warnings: Wolf!Bangtan, Wolf!Jungkook, Wolf!Yoongi, Dog!Reader, Puppy!Reader, DDLG aspects and themes, no judgement allowed here, non-sexual regression!!!, none of those themes are sexualized in this work, hurt and comfort, major fluff but also lots of angst and insecurity, friends to lovers
Length: idk long didn't count
-> Masterlist
There is no taglist for this fic.
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Yoongi is not good at things like affection, or relationships at that.
He easily turns red as bright as a spanked ass whenever he has to try and compliment someone he's even just remotely romantically interested in, or he will otherwise simply not find the courage to do it at all. Backhanded compliments are a regular thing with him, his character not allowing him to show someone he cares without implying that he doesn't- a trait that he hates about himself.
He'd learned it from his father, making him even more upset since he never really got along well with that man in the first place. Yet the more he thinks about it, the more it seems like his family history will just repeat itself, and he will find himself in a marriage simply created because of convenience, not love.
He cringes at that, throwing the rest of his sandwich away. His appetite has been long gone anyways.
The reason of his foul mood is in the dorm currently, sitting comfortably on the couch playfully wrestling with Jungkook over a pack of chips he can't identify from his spot.
He hates Jungkook sometimes.
He's always pictured as a shy boy, yet he's actually the exact opposite - easily likable, charming, and most of all- he's your age. The maknae and you are merely half a year apart in age, and he can see why you get along with him. He is a nice person, with his bright smile and large eyes, talented, strong, and likes video games as much as you do.
Yoongi himself does play some games to a small extend, however, he rather buries himself in his work, losing sense of time whenever music is involved.
Overly confident is not how he would describe you- you are simply uncaring of trends of the masses. You don't crave to stand out like Taehyung does, you rather enjoy simply living for yourself and what makes you happy no matter what people would think of your 'goals'. You love stuffed animals and soft colorful things no matter how childish it might make you look. You rarely take selfies of yourself, and never really pose much in images- you just smile, simple as that.
God that smile. If there is an emotion for hate and love at the same time, he is constantly feeling it when it comes to you.
Yoongi wants to be close to you as well, maybe even the closest if he is honest, yet he doesn't know how the hell he is supposed to do that. You both rarely text- he is too unsure if he can, since he is only in a groupchat with you, and only got your ID from Hoseok, who gave it to him in case Yoongi needs to text you something important. You rarely visit him in his studio, but then again, he never told you you'd be welcome anytime. Every small thing he does for you he either brushes it off as nothing speci¹al, or sometimes even tells you that he didn't do it, but one of his members, claiming that he has no Idea what you are talking about. You also show absolutely no interest in him whatsoever.
Which makes his embarrassing crush on you all the more awkward.
He's Min Yoongi for god's sake! He could have anyone if he really tried, if just for his fame and wealth and status as a full blooded Wolf-Hybrid coming from a 'clean' bloodline- yet he is stuck with you, the tiny dog hybrid who sees him as a friend only- if even that at all.
"Yoongi! Finally leaving your wife in there to join us in being social for once?" Seokjin remarks with his signature laugh following, making you chuckle as well.
"Don't be mean Jin." You softly scold the oldest. "Yoongs works hard in there." You look over your shoulder, one of your floppy ears unfolding while you smile that goddamn smile at him- not huge, not a smirk, simply a nice friendly gesture towards him, curled tail wagging a little.
The nickname doesn't make it better.
He hates nicknames, however, he could definitely keep living with your cute versions of his first name any day of the week. He wants to answer you, give you a verbal response, yet all he can bring himself to do is a shrug of his shoulders.
What the fuck.
But you only playfully hold your heart, falling into Jungkooks lap with a dramatic sigh. "Ah, always so cold-!" Which makes the guys laugh, and himself involuntarily smile to himself. He sits down, managing to actually place his ass next to you on the couch without instantly retreating for once. You bravely put your legs over his lap, and his mind is beginning to form the same amount of error messages like his PC system the last time he spilled his iced americano over his MIDI-board.
Yet he only grunts on the outside, and takes his phone out to search for something.
You chuckle, mumbling a sorry under your breath and move to slide your legs off of him again, but his unused hand stops them, shifting them back. His fingers are touching the small patch of bare skin on your calf between your leggings and fluffy sock that had slid down a little- and he has to use all of his self-control not to burst into flames.
He's never really had any very close contact with you, and always imagined what your skin may feel like- as creepy as that sounds. The smile he can see you forming from the side of his view makes him relax, as well- the first sign spotted that he might have some sort of effect on you. Taehyung makes a noise, but is silenced by namjoon who pulls him into a conversation to avoid embarrassing the producer, well aware of his own personal dilemma with you. He is the only one who really knows of his feelings towards you- having told yoongi that you actually feel the same way, yet a bit different. You are, according to namjoon, scared to overstep boundaries with Yoongi, worried that he may snap at you like he did a few months back.
There's that certain feeling whenever you do something stupid and then want to apologize, but you miss the chance and now weeks after it's just awkward, so you don't mention it, while also having to deal with the consequences daily.
Yeah. He still thinks of that moment he'd yelled at you sometimes at the most random of times, cringing internally at it. He'd been stressed with the new Album he wanted to put out, having been stuck on one song, and you had just turned up at the wrong time. You didn't cry or anything like that, you simply apologized for opening his studio without knocking, and left with your tail tucked between your legs. Since then however you'd become a bit more distant with him, more careful, and less touchy than you were with the rest of the pack.
He knows you're a sucker for skinship and cuddling, especially as a dog hybrid who's grown up in a carecenter between many other hybrids, yet you also respect if someone wants space. He loves how much attention you pay to your surroundings, eyes always wide open- you remember things for a long time, and you are able to keep track of so many things at once- yet he's also seen your apartment, a glimpse of your more raw personal side that you tend to keep close to yourself. You're a chaotic person, and he doesn't know how you find anything on that desk of yours.
You struggle to keep track of chores and your own health sometimes, yet you try hard, he knows that. And that makes him feel such an extreme need to make sure you're always happy and taken care of, that he's the one to take care of you.
"Oh, YOONGI!" You suddenly gasp at him, and he raises his eyebrows, looking at you as you move around a bit, your hands searching in your sweater pocket for something. "I actually cleaned up my apartment yesterday, and I found this. I think I borrowed it sometime ago, but lost it- sorry for that again by the way, won't happen again I promise!" You say, showing him a black and silver USB stick, your curly tail wagging in excitement.
You're right, that is his. He actually had forgotten about it.
"Took you long enough." He simply says and takes it from you to put it in his own pocket, seconds later cringing at his sentence. He could've definitely phrased that better, or maybe even simply thank you for giving it back even after all this time. Yet the timeframe of saying thank you without making it seem weird or out of place is already overstepped now, so he has to suffer.
Jungkook chimes in instead.
"I helped her get some order back into that place. Poor puppy had been so stressed with work that she couldnt keep up anymore." He says, laughing along with you, and Yoongi lets a chuckle of his own slip. But instead of telling you what a good job you did, or any praise he really wants to tell you, he only pats your leg gently two times, running his thumb over your calf for a second, internally imprinting into his mind how soft your skin is.
You however beam at this, visibly feeding off of his small gesture like a touch starved pet- and he can't help but find it cute.
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A knock on his door makes him look at it, giving a verbal response in a low "Hm?", as he hears your voice from behind it.
You're not really saying anything, just a sound of confusion and discomfort escaping you from behind the door, and he can slowly hear your slippers softly moving away, when he gets up from his chair to open his door to see you stop to look at him. You're standing in front of him with wide eyes and lowered ears, one of them being pulled on by your hand as he can hear the rest of the pack laughing in the main living room of the dorm. He chuckles at that, waving you into his studio, making him and yourself smile. You thank him somewhat quietly, and go to sit down on his small couch he has inside his studio, laying down so your feet still touched the ground as to not overstep any unspoken rules he might have.
Yoongi however walks up to you, and puts your feet up for you, grabbing a spare blanket from besides the couch, something he always kept here since he sleeps in his studio quite often. You thank him quietly for that, the soft buzzing of his studio PC and the nice air conditioning already helping your fuzzy head a lot.
Jumping over your shadow and coming here was a good idea after all, it seems like.
Yoongi sympathizes with you when it comes to headaches- and it's clear from your behavior that you probably have one, which could also explain why you don't really talk, since it probably hurts. Due to the fact that he seems to solely survive off of caffeine and a cup of instant ramen smashed in between his busy schedule, he gets them more often than he would like to admit. Yet he also remembers how you'd told him once how easily your headaches evolved into migraines if you weren't careful, so he is mindful to help you in avoiding that this time. He digs around in his mind for any small excuse to talk to you, yet ultimately decides against it, thinking it would probably be better for you to have as much silence as possible.
He wonders what your secret is.
Namjoon had mentioned something you kept secret 'for a reason', but he wouldn't tell the producer what it could be, not even a hint. You hopefully know that nothing could ever really make Yoongi see you any different than he does right now.
Except maybe murder- but he doubts that that's what you're hiding.
He also knows that Jungkook is aware of it too. Maybe you both are a couple? He does sleep over sometimes after all, seems to be awfully good with calming you down whenever you're anxious or panicking. It's like the young wolf is aware or something Yoongi isn't, able to manage you when you're becoming restless about things.
Another knock is heard. Yoongi attempts to call out- but gets up to walk to the door instead so he won't shout and worsen your headache. It's Jungkook- because of course it is.
"Hey- is- oh, there she is. I was wondering where she went " jungkook says, entering after the rapper walks aside, silently giving him permission to come in. "Hey- everything okay?" Jungkook wonders softly to you, and you quietly shake your head, whining slightly to yourself before you pull down your ears once more over your eyes, clearly signaling your headache to him as well. "I told you to drink more, puppy. Come on, let's get you home." He gently says, helping you sit up.
"She can just nap here, I don't mind." Yoongi offers- but there's something in Jungkook's eyes that seems oddly suspicious as he looks for an answer inside his head it seems like.
"Ah, I'll rather take her home, but thanks hyung." He tells him, averting his gaze as he instead occupies himself with you who's silently reaching out for him, clinging onto him as he picks you up, showing clearly how used to it both of you are. Jungkook holds you almost effortlessly, while you're instinctively laying your head on his shoulder, arms around his neck.
Yeah, you're probably a couple, and you just don't want to say it out loud.
"You know, you could just tell everyone." Yoongi grumbles more or less as he opens the door for the two of you, Jungkooks wide eyes looking at him. "No one's gonna get mad or something if you told them." He shrugs, and Jungkook looks around for a second, on edge. "You're together, right?" He asks, and Jungkook shakes his head- though with a hint of shyness in his face.
"Ah no- hyung.." He sighs. "I'll- she'll explain when she's ready okay?" He says, as you whine into his neck. "I have to bring her home now- thanks for looking after her!" He says already walking away-
leaving Yoongi confused.
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Jungkook honestly wishes you and him were a couple.
But life doesn't work like this, and sadly, you're not into him like that. You see him as a comfort person, a packmate and a friend- but nothing more than that. He remembers when he first 'caught' you in the midst of regressing in your home-
the whole apartment a mess, cluttered and absolutely disorganized.
You're one of only three percent of dog hybrids that fall into a different headspace when stressed or overwhelmed. It's not something you can control, and neither is it a trauma response- it's just nature playing a cruel joke on you, making your mind shut down to a certain degree to protect you. It's like your brain is overprotective- trying to shield you from all potential mental harm.
But all of that comes with a lot of issues and troubles, such as difficulty holding a job, or simple things such as keeping your apartment clean.
Jungkook remembers how terrified you were of him finding you in your messy apartment- having had to calm you down for a good hour or so before he could even attempt at helping you clean up and take care of your needs. He's not sure why you're so adamant on hiding it from the rest of the pack- but he's got an idea.
Dog hybrids with your condition are alienated, isolated, judged terribly. And you're probably terrified of being cast out of the pack for it, leaving you alone and without anybody.
Your personal nightmare.
So he just instead has decided to take care of you, and wait until you feel ready to tell someone else. You deserve happiness and the feeling of safety and comfort, but he can also understand that you're worried of how it'll be taken by the rest of the guys.
And yeah, he also gets to be a little selfish himself when he's got time with you like this. He gets to live out a little dream here and there, where you're actually his to love. Because he does love you, to the moon and back- and he knows his heart will surely break a little one day when you find someone to give your own heart to, instead of him.
So he takes these moments for himself, and enjoys those daydreams for now, until he has to wake up.
"There we go, that's already better isn't it?" Jungkook hums after he'd taken out your hairtie, fingers massaging the spot where it had been pressing against your scalp for the past few hours. You hum in agreement, nodding against his shoulder while you move a bit to get comfortable on his thighs.
You don't even know that you almost exposed your secret to Yoongi of all people- the one wolf of the pack you've got a crush on.
Everyone kind of knows it, everyone also knows about his crush on you as well- though you seem rather talented in finding excuse after excuse as to why that can't be true. Jungkook knows your main fear is what you're right now- and that Yoongi could find you appalling, or childish, or anything else negative that could come to your mind.
And Jungkook can't say he doesn't understand your fear- because he does.
"You're gonna get all stiff if you nap like that." Jungkook chuckles, patting your back a little, making your curled tail wag happily. "Don't be a brat now. Come on, we'll take a nap on the couch, yeah?" He hums. You whine. "No? Not a nap?" He wonders, but you nod now. "Okay, yes to a nap, no to the couch?" He navigates, laughing when you nod now, tail wagging. "Puppy if we nap in bed you'll sleep for hours though." He sighs.
But you simply wiggle out of his lap, before you run to the bedroom-
The wolf hot on your heels, when your doorbell rings.
When Jungkook opens the door, it's Yoongi- the producer holding up a jacket. "She left it at the dorm." He informs Jungkook, who reaches out to take it- though Yoongi holds it back. "I'd like to give it to her myself-"
"You can't." The younger wolf denies, panicking a little when he hears something jingle, and feels the toy hit his back softly, fabric ball tumbling to the ground, bell inside the cotton filling the cause of the noise. Jungkook closes the door a bit more now to keep you out of sight. "Just- uh, she'll grab it tomorrow-"
"Her phone and purse are in the pockets." Yoongi says. "I'm sure she'd like it back right now." He challenges, and Jungkook can feel himself squirm uncomfortably under the strong gaze of his packmate, having to avert his gaze. "What's really going on?" Yoongi asks, as the toy hits Jungkook's back again.
"Look, this is really bad timing right now-" Jungkook whines as he kicks the toy back with his food go occupy you at least for just a second to give himself more time to think of an excuse. "-She's.. not feeling well right now." He tries to justify.
"Jungkook you're not being very convincing right now." Yoongi sighs. "What the fuck is going on? Does she hate me?"
"NO!" Jungkook barks, before he pinches the bridge of his nose. "Ah.. God, fuck, alright." He sighs, defeated, letting the door slowly open more, while he turns around to throw the soft fabric ball towards where you sit on the floor, toy flying over your head, making you flop onto your back as you try to catch it.
You don't even realize it's Yoongi who's now in the doorway whole Jungkook sits in front of you to start a game of tug-of-war with the soft llushy toy with you, successfully pulling your attention away from the producer who just silently enters the apartment, and closes the door behind him before he hangs up your coat.
It takes him one good look to realize what's going on.
The hazy look in your eyes. The way you don't even greet him, rather occupied with the game Jungkook plays with you. Your almost clumsy way of movement.
"So that's the secret?" Yoongi hums as he sits down near his packmate, watching you with an unreadable expression.
Jungkook nods. "She's scared of anyone finding out." He reveals, while he watches you now nibbling on his finger instead of the toy, before you yawn.
"Why?" Yoongi wonders. "It's not like it's her fault or choice." He mumbles.
"Yeah, I know." Jungkook shrugs. "But I get it, you know? You hear horror stories about it all the time. Friends and family being weirded out and stuff." He explains, and Yoongi grows quiet.
It really is understandable.
"So that's why you sleep over so much?" He asks, and the younger wolf nods.
"She used to be triggered easily since she didn't have a person to rely on." He explains. "But when I took on that.. role, I guess, she became more stable. It doesn't happen so randomly anymore, she's got more control over it. Today was just a bad day I guess." He shrugs.
"She must be tough to handle." Yoongi mumbles.
"Not really." Jungkook denies. "She's very sweet. The beginning was hard, yeah, but mostly because I didn't know what to do. These days it's become easier." He nods to himself, though Yoongi doesn't miss the look on his friend's face.
"You love her." He states.
And Jungkook only nods.
"I do." He agrees. "It's hard not to."
Yoongi hums in agreement, and Jungkook wants to be swallowed by the ground. Now that the producer knows, he'll take over the care of you- you'll grow closer, emotionally and physically, and you'll no longer need Jungkook to care for you.
His dream is ending, and he hates it.
"She loves you too." Yoongi offers. Jungkook laughs a little.
"Situationally, yeah." He nods.
"No, in general." Yoongi argues, but he can't seem to push through the thoughts of Jungkooks mind, the wolf having already decided his stance on things. "Jungkook.."
"You'll take good care of her, right?" He asks, looking at his packmate with round eyes that try hard not to let any tears fall. "You'll make sure she doesn't have to.. feel ashamed, or bad, right?"
"I'm not taking her away from you." Yoongi shakes his head, and Jungkook nods.
"I know you're not." He says, trying hard to keep it together even as you crawl into his lap to comfort him, sensing his distress.
"She was never mine to begin with."
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You're absolutely mortified when you're informed of what happened- or rather when you connected the dots yourself, after waking from your nap with both wolves next to you in bed.
One look exchanged with Jungkook signals to him that you've pulled yourself out of your headspace- body shaking now with the overwhelming sense of shame you're feeling as Yoongi sits up now as well to look at you with a sense of worry.
"Hey, it's fine." Jungkook reassures easily. "He doesn't hate you or anything, he's cool with it."
"Oh god this is so weird.." you hide your face in your hands, embarrassed by the events unfolding like this.
"Its not. It makes sense, really." Yoongi shrugs. "So this is why you don't want to move into the pack dorm with us?" He wonders, and you nod.
"Its weird. You can say that, I know myself that it is." You sigh.
"You're not weird." Jungkook shakes his head, taking your hand to reassure you. "Promise."
"I agree. This isn't weird, it's something that happens to some." He shrugs. "I still like you." He says without thinking, as you slowly look at him.
"You.. do?" You wonder, and he nods.
"Very much." He smiles a bit awkwardly, when Jungkook let's go of your hand, clearing his throat.
"I'll.. I'll see myself out then." He mumbles, and at that your head snaps towards him.
No- he can't leave like that. Yoongi might've..somewhat confessed, but you still need him. You still want him here.
Wait.
If Yoongi likes you, and toy like him back, and that leads to you Noth becoming partners, that's great. But if that means you can't have Jungkook, you don't want it. You need jungkook.
You love jungkook, too.
"Hey, Yoongi will stay with you, you're not alone anymore-" He tries to settle your clearly bubbling panic, but its to no avail. Your head is filled with the fact that Jungkook wants to leave, and you don't want that.
You want both. Why can't they both stay?
Your cheeks are wet with tears as your puppy-mind refuses to accept the situation. You've slipped right back again, as you make jungkook hold yoongis hand, before you yourself hold onto them, stubbornly holding onto their connected hands, before you lay down on them, eyes closed and ears pinned back.
"I uh.." Jungkook stampers a big awkwardly, attempt at pulling his hand away responded to with a low growl from you, eyes glaring.
"Seems like we'll have to share." Yoongi teases surprisingly, catching the younger wolf off guard as hemeeys the older one's gaze.
"I mean- uh-" he stammers, unsure. "Is that.. will that even work out?" He worries, while you happily fall asleep hiding both their hands.
"Guess we'll have to find out." Yoongi shrugs, laying down again next to you, Jungkook slowly doing the same a few seconds later.
Looks like his dream didn't end after all-
Maybe it just begun.
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creepzkilla · 11 months
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Jahaiahaiahajajs I'm so glad your back!!!
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I have an idea for you >:)=
Can I request some of your darkest headcannons for the Proxies? Like what are their toxic traits, it can sfw or nsfw or anything but the request is basically how dark and evil can they be?
I hope this makes sense and you don't have to do it, it's only of you're comfortable!
↳˳⸙;; ❝ HOW DARK ARE THE PROXIES? HC'S! ᵕ̈ ೫˚∗:
★Tumblr relies on reposting, please repost my work.★
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tw. warning— mentions of self harm, mentions of aggressive actions, mentions of verbal abuse, mentions of physical abuse, mentions of sexual ordeals
[A/N]— theme change?!??? pls let me know if u guys wanna be tagged in the next post! also i wanted to do the pastas as realistic as possible… should i make a post on how the proxies + others met their lover😴 or just my general hc’s?
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THE QUESTION ITSELF IS FUNNY—
the proxies are slashers— murderers. psychopathic, deranged men that are hardly short of completely and utterly insane. their sanity-if they have any- is practically none besides possibly a sliver of humanity. if anything, they aren’t even men— they were resurrected from the pits of hell itself and placed on this god forban world. the atrocities that these men have commited rightly earns them the title of not men— but demons. their sinful actions could never be erased, not even if they bathed in the waters of Babylon. the screams, cries, the sobs of their victims as they carry out their orders doing god knows what to them, will forever be ingraved into their very being. not even god can save them from their damnation— if anything god is laughing.
SANITY IS NOT SOMETHING OF LUXURY FOR THE PROXIES—
it’s something that fought for. everyday, it’s a constant battle for control—the continuous thirst to satisfy the need to kill. not to mention the the operators hold on their minds, making them carry out heinous missions consisting of nothing but death and blood. their minds are plagued with nightmares of what they have done, on repeat like a broken record, replying over and over. yet, behind the insanity, the malice, the control over their minds, they have regained just a sliver of sanity. it’s not like they want to kill—but they have to. for the operator… for this urge. little by little, they begin to feel like an actual human being. but it’s not like you know anything.
TOBY ERIN ROGERS—
is the most far gone. since the operator took over his mind at such a young age without much resistance , he has the pleasure of sculpting toby’s mind into the perfect cast. despite the most—insane, he’s the one that hangs onto his sanity the strongest. almost like he’s able to flip it on and off like a switch. yet, the line between sanity and insanity draws very thin, so he can’t help it when… it slips sometimes.
Self-Destructive Tendencies: Toby's self-destructive tendencies, which are often associated with his character, could negatively impact the relationship. This is either emotional or physically. He may engage in self-harm or reckless behaviors, disregarding the well-being of you and causing them emotional distress and constant worry.
Emotional Instability: Toby's own emotional instability could create an unpredictable and volatile environment within the relationship. His mood swings, anger outbursts, and tendency to lash out verbally or physically could cause you to constantly walk on eggshells.
Explosive Anger: Toby may have anger management issues that result in explosive outbursts. He might have difficulty controlling his temper, leading to verbal or even physical aggression toward his partner. This behavior creates an environment of fear and intimidation.
Jealousy and Insecurity: Toby might struggle with feelings of jealousy and insecurity, leading him to exhibit possessive behavior. This could manifest in him constantly questioning your actions or relationships with others, even if there is no real cause for concern.
Over-Dependency: Toby may have a tendency to become overly dependent on you, relying on you for emotional stability and validation. This can lead to an unhealthy dynamic where he becomes possessive or overly clingy, causing his partner to feel suffocated or trapped.
HOW FAR WOULD TOBY GO—
well, he certainly wouldn’t go far enough to hurt you, no, never. he is specifically always careful not to harm you, especially during sex. but that wouldn’t mean that he would hurt you emotionally or mentally. his favorite punishment is ignoring you. he’d shun you for days on end in your shared apartment, just to teach you a lesson which is very rare. physically, he treats you like a delicate glass doll that could break at any moment. during sex, it’s almost like he’s afraid to touch you. he doesn’t want to corrupt you like the way he is… he wants to preserve your innocence, and your being, and because of that, he would do anything to protect you. anyone who would ever do you wrong would soon come under his hatchet in the most painful way imaginable.
Dark and Evil level: 6/10, Moderate, just "protective"
TIMOTHY WRIGHT(MASKY)—
is in a constant fight for control, more so than the other proxies. In Marble Hornets, it is referenced that he may have Dissociative Identity Disorder (DID). because of this, he comes into the separate entity known as Masky during blackouts. the operator has stalked timothy ever since he was a child and anyone else he came in contact with. the operator is setting his sights on timothy so young he can influence him just enough to do his bidding. of course, timothy hates the operator and works against him, but after so long, after all the pain and blood, he’s just too tired to fight back anymore. Masky, hates this. he hates that timothy gives up too quickly. during missions, a blackout is typically triggered, giving Masky complete control. and so soon enough Masky became tired as well. and then killing became second nature.
Controlling Behavior: Tim, overwhelmed by his own insecurities and paranoia, becomes possessive and controlling in his relationship. He constantly questions and monitors your actions, isolates them from friends and family, and exhibits manipulative behavior to maintain control.
Emotional Withdrawal: Tim, due to his secretive and guarded nature, may struggle with opening up emotionally to his significant other, that being you. He might withdraw from sharing his thoughts and feelings, leaving you feeling neglected or shut out.
Jealousy and Possessiveness: Tim's loyalty and protectiveness towards his friends, particularly towards Jay, might manifest as excessive jealousy and possessiveness in a romantic relationship. He may feel threatened by your interactions with others and attempt to control or isolate you.
Neglecting Emotional Support: Tim's own emotional struggles consume him, leaving little room for providing adequate emotional support to his partner, you. He may dismiss your concerns, minimize your feelings, or fail to offer the empathy and understanding you need, leaving you feeling unheard and invalidated.
Anger Issues: Tim/Masky occasionally displays violent and unpredictable behavior, driven by his internal struggles and external pressures. In a relationship, this volatility could lead to outbursts of anger, creating an unstable and potentially harmful environment for you
TIMOTHY AND MASKY WOULD NEVER HURT YOU—
not without reason. mentally or emotionally, timothy understands human emotions, despite not having any himself. yet, when he’s around you, everything changes. suddenly, he can feel again, suddenly, he has the strength to fight back. you are everything to him. the only good in this hell-bent world. he needs you, and he can’t let you leave him. so you can’t blame him when he starts chewing nicotine gum, “claiming to quit cigs.” you can’t blame him when he stops taking his gum out when he kisses you, “he forgets to.” you can’t blame him when suddenly all you want to do is kiss him. but it's not enough, no, no, no. he needs to make sure that your, 're addicted to him, completely and utterly infatuated with him. so, you can't blame him when he starts wearing nicotine patches, "the gum just wasn't working." you can't blame him when he starts placing the patches on you when you're sleeping next to him. you cant blame him when you practically breakdown when he leaves you, only for a few hours. you cant blame him when you feel a pinch on you arm during sex, when he stuck the nicotine patch into your arm without you seeing, saying that "oh darling its nothing." you can't blame him when you've become addicted to his presence and cock. no you don't understand, you really just can't blame him, he wants to keep you safe, really, he promises.
Dark and Evil level: 8.5/10, Very high, obsessive and insane.
BRIAN THOMAS (HOODY)—
has the most grip on reality. like tim, he has blackouts to which he comes into the separate being known as “Hoody”. also like Tim, he hates the operator. at first, he resisted, refusing to carry out those abominations; its heinous fantasies of mass destruction. except he was more willing than his counterpart, timothy. brian is calculating, he's a smart guy, he understood what would happen to him if he disobeyed the operator. the most excruciating torture that anyone has ever gone through. proxy brainwashing is no joke. he's not stupid, so that's why he's played the long game. do the operator's bidding until he's able to conjure a plan, it'll only be for a few, just until he can figure out how to get out of this hell space. soon "a few" turned into months. soon "months" turned into years. then suddenly he stopped keeping track. and then, he started to enjoy it.
Isolation and Control: Brian might isolate you from your friends and family, attempting to control who you interact with and where you go. By limiting your support networks, Brian exerts more control over their life, making it challenging for you to maintain independence and make your own decisions.
Difficulty Opening Up: Brian/Hoody's burden of guilt and emotional turmoil might make it challenging for him to open up and share his vulnerabilities. This could create a one-sided dynamic in the relationship, with you having to provide emotional support without receiving reciprocation, potentially leading to resentment and emotional imbalance.
Manipulative: brian plays on the emotions and insecurities of those around him, manipulating their feelings to further his own agenda. he understands their weaknesses and uses psychological tactics to subtly influence their actions, pushing them towards his desired outcomes.
Apathetic: Brian's apathy also masks underlying insecurities and vulnerabilities. By presenting himself as emotionally detached, he avoids exposing his true feelings and weaknesses to others. .
Emotional Unavailability: Brian/Hoody's reserved and stoic nature could make it difficult for him to express his emotions or be emotionally available in a relationship. He might struggle to communicate his feelings or provide the necessary emotional support to you, leading to a sense of distance and detachment.
BRIAN AND HOODIE ARE NEVER GONNA LET YOU GO--
you are the one thing that is keeping him sane. so don't even think about leaving him. you wouldn't get the chance anyways. your everything that he's ever wanted, there is not a chance in hell that he's gonna have you slip through his fingers. he can be mean sometimes, but he doesn't mean it, it just slips out! typically when he gets back from "work", he's aggravated, its like he's a different person. he's cold, calculating, a robot practically; so you cant blame him when he needs something to release his sexual frustration. he just loves pleasing himself inside of you, he loves the way your body reacts to his corruption. now since your body is "bound" to him, he still needs to take extra precautions to keep you from leaving... specifically, brian will pit you aganist your friends and anyone close. pointing out how your friend's remark was passive-aggressive, pointing out details on how your friends "don't care about you, how they will never care about you, how he is the only person that will ever truly care about you. of course, he leaves you at least one friend, maybe two if he's feeling generous, he doesn't want you to go insane after all.
Dark and Evil level: 7/10, Getting up there, crazy ex bf vibes
Toxic traits that all proxies/creepypasta have in my opinion:
Stalking
Manipulative
Gaslighting
Apathetic
Mean :(
Sexually all pastas have a corruption kink-- some more than others
DEEP DOWN THE PROXIES ARE STILL HUMAN--
after everything they've been through, after everything they have seen, they're just scared kids. their lives were stripped away from them at such a young age, their lives were just beginning--now its like they don't even live at all. they never wanted to do this, they never wanted to kill, they never wanted to serve an eldritch demon of mass power, they just wanted to grow up. be a kid, go to college, and have a life. maybe in a different universe, a different timeline, maybe just maybe, everything is the way it should be. maybe they arent as fucked up as they should be.
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🏷️— @spookyravioli
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airplanned · 11 months
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By popular demand:
Don't get me wrong, I'm really enjoying Tears of the Kingdom.  Parts of it are fun in ways that I never felt during Breath of the Wild.  And I really like the story itself, just not the execution of that story.  And actually the storytelling is fine, but Breath of the Wild did some narrative things that I have been praising for years, so to have less than stellar storytelling in the sequel feels jarring.
I have three points.
Point 1: Amnesia and the Time Skip
In Breath of the Wild, Link begins the game with amnesia.  Therefore, even though this is the country that Link grew up in and has explored, it's still understandable that he has no idea what kind of environment is going to be around the corner.  You the player are able to discover the world along with Link. 
Meanwhile there is also a 100 year time skip, which means most of the characters you meet have never met you before.  (The characters you did meet in the past completely understand that you've been gone a while and have amnesia.) You start knowing no one and are able to build relationships from the beginning.
Tears of the Kingdom has something like a five to six year time skip.  But instead of being in a comma during that time, Link was apparently up and about, helping to rebuild Hyrule.  Link ought to know significant portions of what's going on, but the player does not.  So we have our first disconnect between game play and story.  It's hard to tell what's a new development since the upheaval and what has been an ongoing process that Link ought to know about.
This is muddled even further because Nintendo wants the game to be accessible to people who haven't played Breath of the Wild.  They made the decision that instead of having all the NPCs greet you like an old friend (which all of the Zora do, so this is a thing that is possible), most NPCs will greet you as if you've never met before.  So what am I the player supposed to know?  What is Link supposed to know?  It's unclear.
And as funny as it is to think that Link is like Tony Hawk and no one recognizes the Hero, or that Zelda drew so much attention that no one noticed Link standing behind her, it's strange to me because Link made friends with these people not as the Hero, but on a personal level.  Link introduced couples.  Link attended a wedding.  Link helped a guy move out of his mom's house and start his own business.  Link helped couples in rough times.  These people should greet you with a, "Hey, Link!" even if they don't know that you're over a hundred years old and defeated the Calamity.
The theme of botw was isolation, so it made sense that Link started the game alone.  The theme of Tears of the Kingdom is working together.  So there's a disconnect, because instead of starting the game with a boatload of allies, Link begins the game having apparently lost a lot of the friends he made in the first game.  Once again, he's isolated, which is not what the game play and the co-op fighting is implying.
Point 2: The Stated Objective
The story in botw was straight forward.  At the very beginning of the game, Rhoam’s ghost tells you how that story ends: Zelda is using her powers to hold back the Calamity.  Rhoam also gives you the game's objective: Defeat the Calamity.  The memories that you collect fill in the story of Zelda’s struggles to activate her powers and her changing, growing relationship with Link.  They deepen your understanding of where Link come from and what happened, but none of it is plot essential and none of it affects your objective.  There’s no shocking twist.  There’s nothing that would change the way you play the game (other than maybe not picking the silent princesses).
TotK on the other hand at the very beginning presents you with the objective: Find Zelda and solve the mystery of what happened to her.  Learning what happened is not presented as some deepening of understanding, but as the point of the game.  You don’t get the objective to defeat Ganondorf until much later on.
There are several story threads working at the same time, all of which lead you to where Zelda is. The hyroglyphs tell you what happened and where she is.  One of the sage quests tells you what happened and strongly hints where she is.  The Deku Tree strongly suggests what happened and where she is.  You know where she is.  You know what happened. 
And you cannot tell any of your allies.
There are other characters who are “helping” to solve this mystery.  With the theme of working with other people, it would make sense that I would share my breakthrough findings with them and we would work together towards the next step.  I’m thinking specifically if Purah (who explicitly tells you to search for Zelda by doing X even after you know where she is and that that while it would be nice to get another sage, it won’t solve the "find Zelda" problem) and Paya (who won’t let me into the floating ring even though she’s clearly working with bad information), and to a lesser extent the sages (Looking pointedly at Yunobo, who has apparently usurped my himbo throne???). 
Even if you've done all three of these quests, the game play treats you as if you don’t have this information.  It’s frustrating in a game that advertises itself as open play where you can do anything in any order.  It’s another disconnect when achieving what is expressly stated as the goal of the game is not acknowledged within the game.
Part 3: Lack of if-else statements
Honestly, this is the thing that pushed me over the edge into writing this. 
I went and helped the monster squad with a mission.  We killed some monsters.  It was a great time.  Side adventure achieved!
At the end, the team leader pulled me aside and said that he noticed that I didn't have my legendary sword.  In fact, my equipment looked less than legendary.  Har har.
...My good sir, not only do I have the Master Sword, but I am holding it in my hand, and I used it to defeat the monsters we just fought.  Maybe you don’t recognize it because I have fused a dragon part to it.
Why is there no if-else statement coded into this event to prevent this from happening?  There were if-else statements in the dialogue in botw when people talked about the sword.  They responded differently if I had it. Elsewhere in totk, there are elaborate conditionals about the weather.  Having the Master Sword is kind of a major plot point.  But the game is uninterested in if I have done the plot, even while directly addressing that plot point.
Again, it's fine.  Just disappointing after botw worked so well.
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jokeroutsubs · 4 months
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[ENG translation] Joker Out singer opens up about kissing on set and other details of the new film
Interview with Bojan Cvjetićanin and Katja Predan. Original article was written by Sonja Javornik for Novice Svet24, published on 6.1.2024. English translation by @varianestoroff, proof read by TWT klámstrákur.
The new Slovenian film 'Kaj pa Ester?' is targeted primarily at teenage audiences, but Tosja Flaker Bercet's fun, relaxed film will also appeal to older audiences. And it looks like the film will be a hit not only in Slovenia, but also abroad, as fans of Joker Out from all over Europe are waiting for the film to come to their cinemas - the male protagonist is played by the much-loved Bojan Cvjetićanin.
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Bojan Cvjetićanin and Katja Predan are the leading actors of the new teen movie 'Kaj pa Ester?' (Photo by Šimen Zupančič)
In 2021, after a long search for the main character, the director invited Bojan Cvjetićanin, the lead singer of a band that was on the verge of success at the time, to audition. Today, Bojan would not have had time to record due to concerts in Europe and other projects (their new album and concert film 'Live From Arena Stožice' is available on www.jokeroutband.com), but back then, it was not a problem for him, so we can admire him in the film alongside the excellent Katja Predan and other young co-stars.
The film is about Ester, who is not pleased when she discovers that her ex-boyfriend, who wants to rebuild their romance, has enrolled at the same high school. Kaj (played by Bojan) tries to show his love for her with romantic gestures, but his moves impress his classmates more than Ester. Ester finds herself in a difficult situation, as her classmates are mean to her because they think she should give Kaj a second chance, but instead she agrees with a friend to act like a lesbian couple... The Ljubljana premiere of the film took place at Cinemaplexx and the whole crew came to see it. Before that, we had the exclusive opportunity to talk to the two main actors. Bojan was five minutes late, but given his frenetic schedule and mild cold, we didn't blame him. Over tea, he and Katja were happy to look back on the filming and joked around, jumping into each other and generally getting on well.
Katja, you are 24 years old and finishing your third year of film directing studies at AGRFT¹.
I'm still one exam away...
So you prefer to be behind the camera than in front of it?
Actually, it was good in front of the camera too. (smiles)
How did you get this role?
That's a good story! I was waiting for a friend who was half an hour late for a drink. But I was sitting at another table, with a friend from high school, when Tosja joined us. He introduced himself, and I told him I knew him. He told me they needed another actress because they were filming something and offered me to come and try it out. I wasn't interested at first, but then I thought that it must be a short film and it wasn't that big of a commitment. When I arrived, I found out that I was auditioning for the main role!
Do you have previous acting experience?
I was in a theatre group, I acted in a play, and then I started directing. That was in the first year of high school. In college I acted in our rehearsals when we were filming, but now I hope to get another chance.
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In the interview, Bojan and Katja also revealed - he had his first crush in kindergarten, she had her first boyfriend in high school. (Photo by Šimen Zupančič)
What kind of projects do you want to do as a director?
The ones where people talk a lot (laughs). I'm interested in love themes and situations where nothing special happens and the relationship gets boring.
What was it like working with Bojan?
We've worked together very little because we split up in the film, so we're not a couple anymore. We had two rehearsals together and they were very nice. But we did hang out a little bit.
Can we even project ourselves into the film? The plot itself is absurd, because you want to break up with Bojan - the Bojan who is currently the idol of young girls in this country and in Europe!
Tosja, please write what happened before that! (laughs) Surely Ester had a good reason to leave him.
Have you been dumped by a girlfriend in real life?
Bojan: Absolutely! I wouldn't say I was dumped because I didn't have many girlfriends. But I have been rejected...
So could this happen to you?
Yes, especially when I was as old as Kaj.
How did you land in the film as an actor?
I've always been interested in playing, but due to time constraints, I can't commit to it much, even if I wanted to. When I was invited to audition, I had a free summer. I'm a fan of the series 'V dvoje', one of the writers of is our director Tosja, and the creator was Luka Marčetič, who then also worked on the film, and there are a few other crew members as well. It was an honour to be able to work with them because they created my favourite series.
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They don't hide that it was a lot of fun on the set: "We had as much fun as we could. It was relaxing." Photo by Šimon Zupančič
In the film, you are exactly as you were in real life - they haven't even changed your hairstyle. How so?
I have a lot of contracts that say I can't change it. (laughs) No, it's a joke! Tosja was pleased with my appearance. The film is interesting because the 15-year-olds are played by 20-year-olds and older.
How much time do you have now that you are a European music star?
To be honest, very little. Three days ago I returned from the last tour of the year. I have a cold, of course, so it would be very convenient if I had a couple of days to lie down, but I have the whole premiere day today and tomorrow, a concert on Saturday, and on Sunday we go back to the studio for a week. Then we've got a few more gigs, then we're moving to London for two months, and then we've got a one-month tour. Then we'll probably go to Germany for a month to record the album, and then we'll have another tour soon...
We won't see you much.
Exactly, because there's too much of me everywhere now. (smiles)
How was it on set?
Bojan: It was great for me because I knew the whole team from before.
How did you and Ester* meet? (*T/N: They probably meant Katja)
Bojan: Through mutual friends, maybe even through Mila...
Katja: Haven't we known each other since primary school? Or from the audition for Vičstock?
Bojan: Yes, indeed! Katja was one of the organisers of Vičstock at Vič high school, and I was in one of the bands that wanted to play at the festival. And we did play at Vičstock. We actually know each other from ninth grade - like our characters in the film.
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The stars of the new Slovenian teen movie shared with us some interesting facts from the filming of it. (Photo by Šimen Zupančič)
What are you willing to do for love, Bojan? Because your character is very committed in the film to get Ester back.
I have a little wish to find love again, for which I would be willing to do such a big thing. It seems to me that I have not felt that since primary school or the beginning of high school.
Was your first love fatal? Like Kaj's?
Katja: Yes!
Bojan: In my opinion, yes.
And how did your first love end?
Bojan: Ask me if I have a girlfriend.
Do you have one?
Bojan: No. (laughs) I told you that I have been rejected in the past. But I had my first love in kindergarten.
Katja: I remember my first boyfriend from high school. We, of course, had to hide our relationship from everyone, in case we broke up afterwards and embarrassed ourselves. That way nobody knew we were in love and nobody asked anything when it was over.
Have you ever hidden your love?
Bojan: No, I'm like an open book.
Did you have fun during the filming or were you focused the whole time?
Bojan: We had as much fun as we could. It was relaxing.
Katja: I just remember that Diana and I used to rehearse scenes and kiss all the time, thinking that that would keep us in the role...
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Film director Tosja Flaker Berce with the cast of 'Kaj pa Ester?': Katja Predan, Bojan Cvjetićanin, Mila Peršin, Suzana Krevh, Veronika Železnik, and Diana Kolenc. (Photo by Mediaspeed)
Have you also been kissing a lot?
Bojan: All the time, but only when the camera was on (laughs).
What did you think of the script?
Katja: For me, the biggest question was why they went their separate ways in the first place, but looking back, I understand Ester more and more.
Bojan: (playing offended) What are you trying to say?
Katja: (laughs) Yeah, he was probably too fixated on her.
What are the differences between you and your characters?
Bojan: The biggest difference is that as a young boy, I was not a loner like Kaj over the years. Kaj wanted to spend time with Ester more than anything, and I see the key problem with their relationship as the fact that it started to suffocate Ester. Ester, in my opinion, wanted to get away from this one-to-one, one-person, all-day contact. Of course, we're young in the film and you have doubts about your first real romantic relationship, but it started to suffocate Ester...
Katja: ...that there is nothing else.
Bojan: Anyway - Ester is not cool, neither is Kaj. She sits at home and plays 'Krofki'² ('Doughnuts').
What do you do in your free time now?
Katja: I like to read and I'm quite similar to Ester in terms of my nerdiness.
Bojan: I like reading too. If I have time during the day to do something, I like to relax as actively as possible, ride a horse or go-kart, fish... In short, something to get the energy out of me. I'm not good at fishing at all, but it calms me down a lot.
Do you like being so busy, travelling so much?
I wouldn't say I have a big problem with the workload. But it is very tiring to travel a lot. Some of the tours have been designed so that we travel by tour bus, which means that I can sleep in a bed in the bus all night between locations and at least be rested the next day.
But is it good quality sleep?
For me, it is the best in the world and I am thinking about how to recreate this rocking coffin at home. Very small and tight, but the best. But if the connections on the tour are by plane, like we had now, for example, when we flew ten times in seven days, it means you only get about four hours sleep a day. And that exhausts you.
What about packing each time?
I've already got it all worked out! Now I don't even take things out of suitcases, I take the shirt from the top and put the dirty things in a bag somewhere at the bottom. I have two big suitcases at home to change.
¹The Academy of Theatre, Radio, Film and Television (Akademija za Gledališče, Radio, Film in Televizijo) is the only higher education institution in Slovenia that trains at university level for professions in theatre, film, radio and television.
²The game 'Krofki' is a made up videogame, played by characters in the movie.
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extasiswings · 1 year
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I said this to others already, but to me this finale had a lot of 4x14 vibes tbh. Season 4 was severely hindered in it’s production due to COVID and i am, to this day, convinced that that’s also what made them tie it up with such a neat little bow before (at least in Bucktaylors case) undoing a lot of it immediately as season 5 rolled around. Essentially giving everyone the happiest ending they feasibly could.
And there’s something to be said about how mainstream tv seems to think that “happy ending” always equals “in a romantic relationship” whether or not the relationship itself is developed or healthy at all, but for two characters with character arcs so intertwined with their love life, it does make sense.
The thing is, to me this makes sense. Am I thrilled? No. But I’m excited to see what they do because I understand how this fits with the rest of the season and I’m not worried about it.
There were three big themes circling around Buck and Eddie all season. 1) missing the things that are right in front of you; 2) fantasy vs reality; and 3) Fear holding you back/preventing you from living your life. All three of these themes are tied together and need to be worked through to get to a place of Buddie canon and Buck’s “I’m already Christopher’s father” realization. But the last one is arguably the most important in order to get to the heart of the others and that’s where I feel like Marisol and Natalia come in.
Buck and Eddie both started the season single. But not because they necessarily wanted to be, because they were afraid not to be. Afraid to put themselves out there, afraid of being rejected, afraid of making mistakes. But being single out of fear is not the same thing as wanting to be alone or being comfortable with your life as it is, it’s just letting fear control your life. So the way I see it, if they had ended the season still single, that would have changed nothing from where they started.
For Eddie especially, this is a baby step but a necessary one. Whatever happens with Marisol, Eddie’s going to wind up on the other side with some confidence in himself and his ability to be a romantic partner and that’s what he needs to ultimately be secure enough to put himself on the line and really be honest with Buck. It’s low-stakes, it’s fluff, but I think it’s good for him.
For Buck, I disagree with the idea that he is inherently repeating the same mistakes. Yes, it’s not an auspicious start, but we as the audience see things that Buck doesn’t, and also there are some pretty key differences between Natalia and Taylor. With Taylor, they had a preexisting relationship. Buck knew going in all of the things about her that were dealbreakers for him, and instead of being true to himself, he told himself that he could “learn to live with it” and stayed with her for a year. With Taylor, he knew she was fundamentally a person whose values conflicted with his going all the way back to Dosed. He never should have dated her to begin with.
By contrast, he’s been on exactly three dates with Natalia. He barely knows her, and by all accounts she seems like a perfectly nice person even if someone who isn’t ultimately going to work for him (which is something that has been projected to the audience, but not for Buck). She hasn’t done anything wrong (it was pretty reasonable for her to feel overwhelmed and leave when Kameron crashed their date) and there’s nothing about her so far (in her personality or otherwise) that shows Buck is compromising himself and settling. Right now he’s clinging to a woman he wanted to date and get to know better anyway because she wants to be with him too and he’s feeling vulnerable—okay? He wanted to be with her though, I didn’t get the impression this was just about him being afraid to be alone (the way I felt about BT all through S4-S5). If they’re still together after the hiatus when they’ve known each other for more than five minutes and been on more than three dates, and we have actual evidence of him compromising himself where he shouldn’t? Then I’ll be agree that he’s repeating the same mistakes. But if anything right now I’m assuming this is his chance to prove his growth when he is ultimately put in a position to do better—that when something significant comes up he will be comfortable enough with himself to break things off instead of settling for what he doesn’t want. In the meantime, idk about y’all, but it takes me more than three dates to figure out if someone I’m interested in is going to be a good fit for me in the long run. And in a similar vein to Eddie needing to gain some confidence in his ability to be a romantic partner, I think Buck needs to be able to prove to himself that if he’s put in a situation where he’s settling, he’s capable of walking away. And for both of them I think those are important steps for them to take before they’re ready to be together.
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flamebringer0 · 7 months
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About the Ending of Darkness of Dragons
Everyone has a take about this, right? Well, here's mine. I'm kind of late to the party since I was forcibly inducted into the Wings of Fire fandom just last Thursday, but that's fine. This will probably be kind of long and rambling and maybe not even that interesting to anyone but me. Sorry about that, but I'm really writing it more to work through my thoughts than anything else.
I find Darkstalker to be a very compelling character. I'm not going to bother trying to explain why I find him interesting, because it's irrelevant and would also be longer than this entire post. I feel like I have to clarify, though, that it's not because I think he's a good guy. He's obviously a pretty awful guy. I mean, I thought it was obvious, but I guess there's actually a significant contingent of people who say Darkstalker did nothing wrong. Apparently many people see him as some kind of misunderstood heroic figure, or at least a morally gray one. I find that to be a fully silly and indefensible position. You can talk all day about how abusive Arctic was, but you can't pile a tower of mitigating circumstances high enough to explain away genocide.
Anyway, he's my favorite character in Wings of Fire. He's one of my favorite characters period. And I really would have liked it if my favorite character had had a satisfying narrative arc, with a climax that appropriately, uh... that is to say, a climax that was appropriate in any way. For example, it would have been pretty good if Kinkajou had killed him.
But in fact she did not kill him; she forcibly polymorphed him into a baby. As noted by everyone who has ever read the books, this is a stunningly odd thing to have your hero do at the end of a quintet of novels whose most consistent theme is that it's wrong to force someone to be something they aren't. I'm sure this is well-trodden ground at this point, but I just-- I can't figure it out. The narrative is very clear up until this point that this is a very bad thing to do. In fact, I think mind controlling someone is all-but-explicitly presented by the books as a worse thing to do than killing them. That's probably a questionable position in and of itself, but I swear it is the position taken by the text.
In Moon Rising, Moonwatcher finds out that Darkstalker killed Arctic, and she's still willing to hear him out about how that might have been justified and maybe it would be fine to let him out of the ground. But in Escaping Peril she finds out he also mind controlled Arctic, and her reaction is much more severe. She's in tears, she declares it "the cruelest thing I’ve ever read", and she decides she can never let him out. Nothing else has changed about Moon's knowledge of Darkstalker and Arctic's relationship; the only new information she has is that Darkstalker used mind control. The narrative never seems to treat this like a contradiction or a weird quirk of Moon's personality, so I think it's a belief the author also holds coming through in her writing. Mind control is worse than killing. And then suddenly it isn't, and erasing Darkstalker's mind and turning him into an entirely different dragon is presented as a happy ending for everyone, including Darkstalker.
The only explanation I can come up with for this is that she wrote herself into a corner by making her villain omnipotent and invincible, and therefore impossible to stop without comprehensively incapacitating him. I surmise that the only way she could come up with to do that was to turn him into someone else, and so that's what she had to have happen, even though it clashed violently with the theme. But I have a better idea: just kill him. He's terrible! He deserves it!! It would have been satisfying to see him die after everything he did, and it wouldn't have dropped this bizarre dissonant note at the end of five books of consistent messaging.
It turns out the difficult part there is actually the "he deserves it" bit. Because, astonishingly, it seems the author of Wings of Fire is also in the category of people who think Darkstalker wasn't so bad after all. Apparently, Tui T Sutherland said at a release event for The Lost Continent, "I didn’t want to kill Darkstalker, because he didn’t deserve it [...]". This is a very interesting way to put it. She didn't say that nobody deserves to be killed. Apparently there's some bar he could have cleared to deserve death, and he didn't. But what can one actually do to merit death if genocide isn't enough? Well... I just don't know. I wasn't hatched in the light of a full moon, so I can't read her mind and tell you the answer. I'm just going to have to move on. Here's the full quote I excerpted above, along with the question that prompted it:
There is a theme across Arc 2 of Wings of Fire that seems to suggest forcing dragons to become something else via magic is wrong (Peril, Hailstorm/Pyrite, Anemone forcing Kinkajou to love Turtle, etc). However, the second arc ended with Kinkajou forcing Darkstalker to become Peacemaker against his will. How did you feel about writing that, since it seems to clash with your theme? I didn’t want to kill Darkstalker, because he didn’t deserve it and that felt like a cop out (plus, it was supposed to be impossible). I wanted a surprising and authentic end for these characters. One of the main themes I wanted to emphasize was that most dragons, like Peril, deserve a second chance at becoming a better dragon. Darkstalker needed to have everything erased in order to get that second chance. I did think a lot about how the theme was subverted by this ending though, and it’s very valid to be concerned about that. But, there was no other way to ‘save’ him.
(source)
There's something else that's weird to me about this quote, which is... do we really think that what happened to Darkstalker was not death? His mind was completely and permanently wiped by magic. He had "everything erased", word of god. Peacemaker apparently doesn't share any of Darkstalker's memories, personality, feelings or opinions. In what sense is Darkstalker not dead, then? Is it his soul? Whenever the word soul comes up in Wings of Fire it seems to be metaphorical. It's not clear that Darkstalker had a soul in a literal sense, let alone that Kinkajou didn't erase that too. Animus magic is apparently of infinite power, there's no reason to think it can't rewrite someone's soul. I guess his body still exists, sort of, but if that's enough to say that Darkstalker is still around, I think you could make a pretty strong argument that anyone who has ever eaten a steak is in fact a cow.
I think this gets at the heart of what bothers me so much about the ending. Darkstalker... actually did die, just like I wanted him to. Which is fine, actually. Contrary to what the author thinks, he completely deserved it. But what makes it ridiculous and unsatisfying is that it happens via this weird magical get out of jail free card where they kill him without "killing" him. Aren't there moral complexities to killing someone, no matter how much they deserve it or how much better it makes everything? Shouldn't we... talk about that? Well, apparently we don't need to talk about it, or think about it. We can just use magic to change the name of what we're doing away from "killing", without substantially changing its nature.
And it drives me even crazier that the more I think about it, even this nonsensical juke of an ending feels so ripe with interesting questions of its own, which are just glossed over. Isn't it interesting that Moon killed her first friend, that Hope killed her own son, and that neither of them ever have to face the fact that that's what they did? Do they even know? Do they suspect it? Isn't it interesting that Peacemaker came into the world as some kind of magical quasi-dragon whose only reason to exist is to make sure someone else can't? Did anyone stop to think what it would be like for him to grow up like that? How will he deal with the fact that he's surrounded by dragons who half think that one day he might pull off his face and let Darkstalker out again? Does Darkstalker still have loyalists who want that to happen? Wouldn't it be interesting to hear Hailstorm's thoughts on this? What about Ruby's? Fierceteeth's? Isn't it interesting that Darkstalker sat under the mountain trying to convince Qibli that it was better to use magic to change a dragon against their will than to kill them, and Qibli said "no, no, no" and then turned around and did just that? How would Winter feel about the fact that after he bared his heart to Qibli and Moon about how awful it was to ever do something like that, they did it without a second thought? How can they call themselves Winter's friends while they're keeping something like that from him??
Maybe I'm the only one who thinks those are interesting questions. Tui T Sutherland certainly doesn't seem to. It would seem that she wants us to believe that Darkstalker is now going to have a wonderful life in the rainforest as Peacemaker, magically shorn of everything that makes him himself. And that's good, because Darkstalker can be forgiven for committing genocide, and so he didn't actually deserve to die. He just deserved to have his entire self obliterated by infinite magic, which is different from dying. Different in a way that was all-but-explicitly stated to be worse, until it was better. And this will never cause any problems for anyone.
I don't know what else to say. It almost makes me dizzy to think about it. I wish I knew how to write this story.
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pamgkrthwrites · 1 year
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Hi, me again….. May I please request betrothed Nezha x Daki reader hcs? Arranged marriage to each other.
Like Daki as in demon slayer. Thought of it one day and now I couldn’t stop thinking about it if they were a couple
If u don’t watch demon slayer, Daki is a demon that basically has the same personality as Nezha but more intense, temperamental, and way more bratty.
*War flashbacks to people on anime tiktok talked about her* Yeah, I know who she is.
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Warning, the following content has disturbing themes such as; Arrange Marriage, and others. I do not support or encourage these themes or actions, they are merely written fictional events for entertainment. The character(s) depicted within this post are over the age of 20.
I think to get to this point, you would've had to be an immortal being. You wouldn't have to be a deity, a demon would also work.
I think the marriage would also have to happen early on in Nezha's second life. Their family forced them to marry you before they are 25 sort of deal.
I think at the wedding itself, Nezha is emotionally cold towards you. They don't like you or the situation they are in.
Though you two live in their Lotus palace, you two barely spend time together at the beginging of the marriage. At most you two would have dinner together and go to events together.
At the start, it's a loveless marriage.
The more you two have to spend your time together though, the more it turns into a friendship.
Love only start blooming when someone frames you for something.
This someone uses your brat like behavour agnist you. Which of course upset and angers you.
You and everyone else believes Nezha isn't going to side with you, considering they didn't want this marriage.
Instead, Nezha stands by you and yells at the person for dear lying about their partner. They will demand evidence, and when none can be provided, tell the person they are extremely lucky Jade Emperor isn't here or he'd have requested for this person's head.
Nezha walks you back to their palace, acting as if nothing has happened.
I think Nezha would've formed feelings for you by this point, but didn't want to overstep or make you feel comfortable.
So you will have to be the one to make it known you want the relationship to become romantic.
It starts with you two moving into the same bedroom together and going on dates.
What would end up being the actions that cemented you two being a romantic couple would be you two training/fighting together.
Once you two are romanticlly together, everyone does see a shift.
Nezha very much allowed you to be a brat, even encourgages it, defends it, and even mirrors it.
If you say someone along the lines of "These followers are barely up to standard", Nezha would pick up the vase and tip it upside down.
Aka, your bratiness rubs off on Nezha.
Expect gifts, a lot of them.
Though Nezha isn't the type to do PDA, when they do kiss you it has a lot of meaning and passion behind it.
Likes having matching outfits.
I honestly don't belive Nezha would be expecting kids, but kids are produced during the marriage, Nezha will be more of the sort of parent that has high expections for the children. Will help those children to that point, but still has high expections.
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galaxygolfergirl · 6 months
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I'm kind of worried about you guys
Recently I've been revisiting the Frozen franchise after taking somewhat of a sabbatical from it for the longest time, rewatching the movies and shorts, and I am currently going through the Frozen 2 documentary. This was mainly for nostalgia, but I wanted to try and understand the franchise from a more critical, technical perspective, and I've come to some insights that I think are worth sharing.
I already voiced my opinions on the frozen fandom in another post, especially in regards to helsa, but since I've been revisiting the old stomping grounds and reading recent posts, it's been concerning to me the level of emotional distress people were having over the treatment of Hans's character.
Now, from what I've gathered from the "text" itself (the movies and shorts, and the frozen heart novel), and from the documentary, I don't really get the sense that the writers and producers at Walt Disney animation have this vendetta against a single character. I don't think it's that deep. Despite the fact that our corner of the fandom believes that the character of Hans has potential, I can assume that the creative team doesn't really consider him to be anything more than a typical Disney villain.
Now I can't really say anything about the potential "hints" at his future redemption or a possible relationship with Elsa, but from what I understand what goes into the creative process during production, I don't think there is a guiding decree that declares that all Disney merchandising material have these hints. Most likely it is an accumulation of random chance and personal decisions down the production pipeline that have nothing to do with orders from the chain of command.
As much as it was exciting to me to read into stuff like this when I was younger, like the Hans and Elsa dolls getting paired together, for example, I think the logic still stands that currently his character is meant to be perceived negatively. And I don't think that's meant as a personal slight against our side of the fandom, that's just what the text says and what the general audience currently accepts.
I don't know if the creative team or Jennifer Lee has seen all of our posts or discussions, I don't know how they personally feel, but as a writer and an artist I feel that the vocal angry callout posts, fandom infighting, and actual petitions to get people fired over how a story should be written, ones that they might have seen, are especially harmful to the creative process. It's not up to fans how a story should be written, and as much as fans may not agree with certain creative decisions, it is ultimately up to the creators themselves whether they take that input or not.
Like I've said, PLEASE DON'T TAKE THIS STUFF SO SERIOUSLY! It's two PG animated musicals that are marketed to little girls! There's a frozen-themed waffle maker! Canon doesn't mean shit! You can play with these ideas and adapt them through other means! Just because it doesn't have the Disney logo slapped on it or has professional CGI animation doesn't mean that your fan fiction or fan art is any less valid or cheapened. And listen, I understand having these feelings; I was disappointed when Hans wasn't in Frozen 2, I was disappointed about how the movie ended, or that Helsa probably wasn't going to become a thing, but eventually I grew to understand that that wasn't up to me. We are not entitled to make the creators do what we want.
We have to have a sense of emotional maturity and media literacy here, not just for this little microcosm of fandom, but for investing in all media in general. There is so much more that goes into the creative production pipeline. It takes a team full of people, hundreds, thousands, that make stories like this work. Scouring the internet for story crumbs and hints and theories is only going to frustrate you more and taking that frustration out on the creative team online isn't going to make your case or help anything. If anything, you're only coming across as kind of intimidating and aggressive, and creators don't really react well to that.
Now listen: I am not trying to police how anyone reacts to a piece of media, I'm not trying to come across as somebody on any sort of moral high ground. I only encourage those who have been disappointed and frustrated to put things into a larger perspective. This is a Disney animated film series marketed at little girls. If they want to bring his character back, that would be great! If they don't, who needs 'em? Please just enjoy what you are able to do with these characters and this story. You certainly don't need validation from the house of mouse.
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ngl the biggest piece of bylers doubt i have is the length of s5 itself — the season is only 8 episodes long.
they have to resolve so many plotlines and give every character their arc conclusion. how are they gonna have enough time to implement and write byler properly?
i'm confident about byler in pretty much all other aspects, but TIME is the one thing that makes me doubt myself in terms of belief in byler endgame.
I understand that fear, but I’m not worried about that for three reasons. One, when you look at other ships in the show (Jancy, Lumax, Duzie, even Milkvan), that’s actually the amount of time they’ve had to execute these ships, all while dealing with other plotlines and characters. Jancy and Lumax were built up over the course of S2, and the initial connection between Mike and El was set up in S1 (even if they didn’t start dating until later). With Duzie, we learned that Dustin had a girlfriend in S3, and it was fully believable by the end, even without her being in-person once. ST is a show that leans into interpersonal relationships alongside the supernatural worldbuilding stuff. Eight episodes is actually more than enough time to execute Byler. I mean, two hour movies execute believable romances alongside other storylines from scratch, so why wouldn’t the writers be able to do so here?
Two, all the building blocks are here. The entire history of Mike and Will’s friendship, the painting miscommunication/lie, Mike’s monologue to El, the messy state of Milkvan, being back in Hawkins during the Satanic Panic, Mike promising to be by Will’s side in the apocalypse, and more. They aren’t implementing Byler from scratch, unlike Lumax in S2, even if it seems that way to those who don’t know it’s coming. There’s a lot of raw material to work with. It’s a lot closer to Jopper’s development in S4, which was built on the shoulders of their complicated romantic history. Byler is already in the show. It just hasn’t been consummated yet.
Three, and this is most important, the Duffers have made clear that S5 is Will’s coming-of-age story. The whole show is, really. Of course Stranger Things is an ensemble show. Of course characters like El are still gonna get a lot of screen time in the battle against Vecna (she isn’t beating main character allegations anytime soon, I’m afraid). Of course every character’s story needs to be resolved, and new romances like Rovickie need to be executed as well.
But Will is undeniably gonna be the focus. And if Will is the focus, along with his sexuality, there’s no way Byler won’t be. Byler is not a side story. It’s intertwined with the main themes of the show and with Will’s arc. And we also know that Mike is the heart, and there’s a lot of foreshadowing there. Mike is important in both Will and El’s stories, so this chaotic love triangle WILL be present and central. Even diehard Milkvans have to acknowledge that things simply aren’t resolved. Will hasn’t transparently told Mike how he feels yet. Mike and El still haven’t addressed the monologue. The painting lie has not been addressed. These things are not part of our imagination. They are real, and with Will taking center stage, there’s nothing to fear time-wise.
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beautifulbows924 · 10 months
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This may simply be me being absolutely unhinged, but stick with me for a moment.
…Okay, so we have Heaven’s Missing Poster for Gabriel [See Image Below].
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…Many have already discovered that the number at the bottom actually works, but I was curious (and feral enough), to research and breakdown all of the numbered sets into their corresponding angel number meanings.
I think that these sets will each point to an overarching theme within this season’s plot.
1 - 838 - 222 - 2770
In their respective order, each set’s meanings are as follows (with commentary).
1 - New Beginnings. The number 1 typically signals a significant change in one’s life. Anything from embarking upon a new romantic relationship—to moving house, or changing professions.
We know (from the trailer/promo) that Crowley is living in his car (since his flat came with the job), so that means—both moving house & changing professions, have already been at least partially checked off the list.
838 - A period of deep inner transformation. The Number 838 encourages an increase in self-confidence, and reminds us that our desires, thoughts, actions, and inactions have an inevitable result. “Naysayers are voices of deceit & falsehood, hell bent on destroying your destiny.”
This one mostly speaks for itself, but the fact it’s a palindrome (meaning it reads as the same sequence of numbers backwards & forwards), makes me think that Mx. “What’s the point of it all?” Crowley, won’t be the only character undergoing an existential crisis this season.
222 - Action. Partnerships. Holding a note of fun & playfulness, the number 2 is a positive sign, especially in romantic endeavors.
The research I did for this set had me screaming into my pillow, so for simplicity sake I’ll just quote this. “Keep your eyes open, and your heart pure and clear and ready to receive love, as it is surely coming. Also, do not close yourself off to those who are already in your life—sometimes the perfect partner could be waiting right underneath our nose without us even realizing it.”
2770 - The number 2770, encourages us to reciprocate the love we receive from others. “Avoid things that could cause the people that love you to feel like you are pushing them away from your life. These people will likely need your help in one way or another, and it’s important to never say you are too busy for them.”
Not to quote Crowley, again. But—“You WHAT?” Neil, please tell me this has nothing to do with episode 3. I AM FRAGILE.
I could be completely off the mark here, but speculation is fun, and I HAVE to know if anyone else is looking into this.
Additional speculation, reblogged: Here.
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symphonyofsilence · 11 months
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It never ceases to baffle me how the fandom can use a certain logic to achieve one desired conclusion (see: MXTX wouldn't make an openly gay character in a homophobic world a harasser, so MXY hasn't actually harassed JGY) even if it goes against the text itself (MXY admitting in his diaries that he has harassed fellow Jin disciples) while the same logic doesn't work for them the other way around in the favor of the character they don't like (while MXTX would not do the aforementioned case, she would, however, make the character that is the son of a sex worker, and continuously discriminated against, considered dirty, belittled and ridiculed for it throughout the story a groomer who led a teenager MXY on so he could later accuse him of harassment) while this too, goes against the text (again, MXY admitting he has harassed someone in his diaries (he might have very well mentioned Jiggy in his diaries but not as Jin Guangyao, or Lianfang-Zun, Sect leader, or Xiandu or anything that WWX would know. but with the name MXY would call his older brother. maybe "ge" or something. then, if he had mentioned him in an inappropriate way, WWX wouldn't have made the connection that MXY was talking about his real brother), the text offering nothing to prove the contrary, JGY most likely wanting to avoid any rumors that would relate him to incest, the text going out of its way to give us info about JGY's nonexistent sex life in 3 different occasions, even though we had no business knowing about it, the first mention being literally in his introduction, when it's said that he's known for being extremely loyal to his wife, unlike other men in his position (showing us that he's traumatized by his father's behavior and would never repeat it), then at the Guanyin temple when he says that he's never touched QS after finding out the truth (if he's loyal to Qin Su, and hasn't touched QS for more than a decade, then by now he's essentially reset to factory settings and is a virgin again), then when his mother is offended again and Xue Yang offers that he should fuck the offenders' moms and JGY says that he's not in such habits and Xue Yang confirms that yes, that's not JGY's ways. Even when they're being openly villainous and have nothing to hide from each other. and I don't think it would be too much of a reach to think that a teenager in a brothel who looks notably like his mom and would be considered a "pretty boy" in ancient times with no child services would not be a stranger to nasty looks from grown men and thus would have trauma related to grooming.)
of course, the logic is flawed in general. Because MXY has allegedly committed harassment in one form or another and JGY did force a group of sex workers to rape his father to death, and then to continue even after his death, and then killed them all. Because the cycle of violence is one of the recurring themes in the book. And is broken by only a handful of characters, and even then in some of their cases not in all aspects.
And I won't even open the can of worms that is the Yunmeng Shuangjie. (because apparently, JC is toxic and bad for WWX even pre-time-skip because...he jokes around with his brother?...but WWX is not toxic and bad for JC when he jokes around with his brother? (this has a simple reason, and that is that nobody is toxic and bad for someone else due to joking around in a harmless way, especially among siblings.) And JC and WWX have a toxic relationship and can only break up because JC just keeps nagging WWX, while WWX causing trouble for JC & their sect every second of the day because he does whatever he wants and says whatever he wants in front of whoever he wants is not stressful for JC. (again, The Yunmeng bros themselves enjoy this dynamic. Or at least think the other parts of their relationship is worth putting up with these annoyances. WWX annoys JC every chance he gets and actively kickstarts JC's naggings. JC's life is dull and dark and boring without WWX's shenanigans and the dramas he causes. He himself thinks that having WWX in his life is worth the trouble. JC makes WWX more responsible, while WWX makes JC more carefree. they're good for each other.)
So as we saw, usually, when a certain logic doesn't work both ways it's because it's flawed. make sure to not use a certain logic in your determination to defend a character that should technically work for the character you hate, too.
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itsmaferart · 5 months
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Hey Itsmaferart! I got a sensitive question for you: Do you think nowadays, Loid’s more known for Yor and his relationship with her than him as an actual character? It could be me but I noticed a large proportion of posts with him is basically either how smitten he was with her or how he should just kiss her. Plus, I can’t shake this feeling that some people only like him for the Twiyor ship instead of his multilayered character as people don’t discuss his other relationships or character that often.
I’m not oblivious to the fact Anya and Yor are far more popular and loved, as well as, the fact their are some character interactions that we are most invested than others but it’s abit of a personal thing pet peeve of mine when people only value or like a character for a ship when said character has far more complexities and relationships beyond than that. Nothing against the ship itself btw. I like Twiyor too but it feels like a disservice imo, especially since it’s not a romantic animanga.
Hello Thank you very much for your question!!!
Well, I must say that.... yes, and it is quite normal!
I have always believed that physically Twilight has a rather conventional physique but he manages to have enough charisma to attract the reader. As Endo himself says, he has the "just a guy" effect. But you manage to connect with his motivations and actions. Twilight puts his own well-being above the mission many times. He is a man pursuing a noble purpose.
However, I think it is a theme that has developed because of the latest controversy among the fandom and not because it is something that actually happens in the story. I really understand that much of the discontent has been generated because the pace of the episodes has felt slower, Endo's constant pauses due to his possible exhaustion from work, added to the fact that there have been episodic and quiet episodes that may or may not have repercussions in the plot has made much of the fandom question the pace of the series and when it has progressed.
And this was directed at the shipp, specifically with Twiyor. Sparking a dispute that has divided whether or not Yor and Loid have really moved on, or if Twilight has a better relationship with Nightfall….. Valid arguments and some debatable ones.
In fact, we know that it is very common for fandom to focus excessively on aspects of the plot such as shipp or action plots. But as I say, it's more of a dilemma that tends to happen in fandom until eventually it's overcome and the plot continues. I don't really feel it's an issue of Endo forgetting Twilight as a character, but it's clearly necessary to see an evolution. And it's clear that her relationship with Anya and Yor are necessary to see the change between them, and the attachment it has generated.
But I do think that sometimes fandom disputes make people only see Loid as a character destined for a relationship with Yor and forget about all the other aspects. I think they should not be considered as something relevant, and not divide us for unnecessary things.
Evntually, the story itself will take its course with the characters!!! thank you for your question.
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mindlessrelieve · 7 months
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I've been reading people's thoughts on the latest chapter of Jujutsu Kaisen and I'm legit surprised at the amount of people who think Gojo adopted Megumi and raised him as his son, and not only that but write out entire paragraphs and analysis based on this. Not to be that person, but maybe your problem is not the writing itself but the fact that some people look more into the headcannons that the actual manga.
Gojo did not adopt Megumi, in reality the fact that he abided for him to receive financial aid in return of being a sorcerer is actually the most important part of their relationship, not some emotional attachment.
Maybe some of the issues people have with their characters steam from the fact the some believe that Gojo raised Megumi, so for Megumi, if he was raised by the strongest sorcerer why hasn't he been able to fulfil his potential? And for Gojo, why didn't this altruistic teacher and single father dedicated more time to thinking about his adopted son at the moment of his demise?
Gojo didn't approach Megumi because he wanted to be a teen father, he didn't even approach him because he felt bad he was now an orphan thanks to him, he approached him because he wanted strong allies (same with Yuji and Yuta) and what better way to accomplish this than to nurture them himself at a time where they desparately need help.
Megumi, on the other hand didn't gain a family member, he acquired a life debt, he is a sorcerer solely to pay off Gojo and the Jujutsu society simply because he valued his sister's happiness above his own and understood that the Zenin clan was going to be a terrible place for her.
Of course they value each other, Gojo wants Megumi to grow beyond his mental walls and Megumi is capable of accepting he owes Gojo his life. They go way back and have come to really know one another. But they are not family, and thinking they are may lead you stray in terms of some aspects of their characterization, like the fact that Megumi pretty much resents everything Jujutsu related because of the transactional nature of this deal.
Their characters also share some themes as they were both born with inmense talent, so much that honed to perfection it can only rival one another. But being this blessed within this universe is nothing but a curse, as you are granted only the option of refining your talents up to perfection in order to be considered valuable, it's the crushing weight they have to live and die under.
This is something that they both struggle with in different ways, as reflected in their domains. Gojo becomes an 'entity' who has achieved detachment from humanity "given everything, but unable to do anything", while Megumi can't see himself becoming stronger than the man he owes his life to, so he sinks into the darkness "you have to take on the weight of what you've stored in your shadows".
I would have also wanted to see Gege explore this a little more, mostly out of curiosity since I think it's interesting, and it would also be really good for Megumi's character, but as I said before, his pacing sometimes works against him.
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loumands · 1 year
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After the finale i’ve seen a lot of posts both here and on twitter and reddit suggesting that we can’t trust anything we saw actually happened, and/or Armand brainwashed Louis and implanted and removed memories, and that Lestat was nothing like he was shown and nothing in this season was real. I really don’t think that’s what’s happening and how we’re meant to interpret the show for various reasons:
1) It would be bad writing. Like it would be textbook bad writing. ‘She woke up and it was all just a dream’ is often mocked and used as an example of what you should never do for a reason. Pulling the rug and saying what you earlier wrote never happened almost never works. It takes away your audience’s emotional investment, removes good scenes, creates incoherence and aimlessness in your narrative and basically renders your story meaningless. With Louis we know he’s an unreliable narrator and we’ve seen how that manifests: he emphasizes things that support the narrative he wants to convey and omits things that challenge that narrative, he wants to protect Claudia and himself, he’s uncomfortable talking about his love for Lestat, he’s a master of hypocrisy and self-deception, and trauma and the passage of time have influenced his memories. But i don’t really get an impression that he’s untrustworthy in that sense that he literally actively lies or his memories are literally false. Lestat’s version of the events will probably be rather different but that doesn’t mean neither of them is ‘wrong’. I believe that most of the events in this season need to be true so that emotional and narrative integrity is maintained. I think this show’s writers are too good to erase their own story for a twist.
2) I know that some fans dislike the decision to make Lestat more blatantly abusive and are hoping that Louis or Armand is trying make him seem worse than he was, but that doesn’t make sense to me when you consider how the abuse is portrayed in the show. You can disagree with Lestat’s characterization but the way domestic abuse itself is depicted is very careful, consistent, accurate and realistic. Lestat’s abusiveness is not some extraneous detail you can remove by cutting a couple of scenes; it’s an inherent part of his character and the whole story from the beginning. I would go as far as saying abuse if one of the most important parts of this story. If you somehow take it out it becomes a completely different relationship and different show. Again we come back to the point where it would mean undermining the whole narrative. I also think that since the writers have been portraying this subject so well they know better than to insinuate that abuse victims are lying or imagining things. The DV scene in 1.05 has been endlessly analyzed and i do think we’re going to revisit it later from a different POV because it’s edited in the way that implies that there’s more to it. But i really don’t think they’re going to pull ‘none of this ever happened!’ twist with that or any other scene depicting abuse. That would be just cheap and offensive. I think we will in later season see things from Lestat’s perspective that make him more sympathetic (for example revelation that he really loved Claudia like in the books is something i’m almost certain we’ll see) but i don’t see them erasing something that has been so central for Lestat’s characterization.
3) Portraying Louis as some kidnapped brainwashed slave for Armand is at odds with his character and the themes of the show and would also, again, be bad writing because passive characters with no agency are boring, and relationships based on pure mind control are boring as well. Louis at times comes across passive because of his depression and exhaustion caused by trauma and abuse but he’s never been without agency. One of the most compelling and realistic parts of the show’s depiction of abuse is that Louis, like many victims, seeks and stays in toxic situations and relationships by his own volition and ends up repeating the same patterns. Lestat doesn’t coerce him into anything in the literal sense. Louis chooses to get together with him, to stay with him year after year even though they’re unhappy, and to take him back after his assault. Louis is always the one literally and metaphorically locking them in his coffin. I think whatever Louis and Armand’s relationship is like it’s in some ways similar to his relationship with Lestat. I think if Armand is using his powers on Louis it’s relatively minor rather than total brainwashing and quite possibly he’s even doing it by Louis’ own request. I feel that Louis could leave that Dubai coffin house whenever he wanted and Armand or no one else would physically prevent him. But because of how his own mind works he chooses not to. He and Armand are each other’s prisoners in some way and i think that’s much more interesting than Armand just keeping him under psychic mind control.
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