#but they're not finding Him in a way that shows love. they're being shown it in a cold uncaring impersonal way

[eczpcz]

Hey Easy could you do just all the mercs (or just who you would like to pick) with a reader that is almost always happy and go lucky showing actual sadness for once of course if you don’t want to that’s fine

Thanks for reading this even if not :)!

Offense and Defense x Cheerful Reader Showing Sadness

Now I'm not sure if you meant it as "they've been hiding it" or "they just got a little sad", but I'm going with the second one! Also, thanks for being my first ask! Sorry it took so long, Cali is super hot rn!!!!!

CW: None I don't think.

Scout

You and him probably go together like peanut butter and grape jelly. You always have something to say, or you always laugh at his remarks. At the very least, you always give him a smile.

He busts your chops!! Which is, unfortunately, how he finds out you are upset.

"WOW, that match sucked. You gotta stop suckin' out there so much. Practically bringin' down the score by, like, a gazillion points." He chuckles, turns to you, and sees the absolute destroyed expression on your face.

Aweeoohhhh shit.

"Hey man, I didn't mean that. Don't make that face at me! Look, uh, what's wrong? Why're you all down an' crap??" NGL he's not very good at this.

If you decide to tell him what ails you, he immediately starts trying to hype you up.

"Psh, naw. No way. Somebody like you? Gettin' upset over somethin' small like that? Not a chance. You're freakin' awesome. How's somethin' stupid like that got you worked up? Naaahh."

While he might suck at comfort, he is your hype king!!

If you decide to not tell him, he just sighs and slings an arm around your shoulder.

"Ah, well, whateva it was, it's probably stupid anyways. Let's go get a burger or somethin'."

To be honest, He's always gonna end up taking you for food.

Soldier

As much as it doesn't look like it, Soldier loves and needs routine. And while the mercs are chaotic, they're an organized chaos. Somewhat. And that applies to you as well. You're smiley nature is one of the solid vertebrae that makes up the backbone of Soldier's usual day. So when you're NOT that, well...

He gets a little antsy. And by little, I mean majorly. And by ansty, I mean freaked.

He's on like donkey kong! He spares no time trying to figure out why you aren't you! Are you a spy? A commie sent to infiltrate their base that looks just like you?

Of course, his first suspicion was that it was due to the absolute STATE of America.

With a hand on your shoulder, he shakes you, nodding in solidarity.

"I get it, private. I, too, am brought down by the thought of our great nation SUFFERING like this... BUT WE WILL SAVE HER!!! WE WILL TEAR THOSE NON-RED BLOODED NON-AMERICANS A-"

At this point I would assume you get him to stop, or cover his mouth at the very least.

You either explain to him what's wrong, or just tell him that it is DEFINITELY not America related. (although, maybe it is? Who knows.)

It's a coin toss on whether he understands or not. Actually rephrase that. It's a coin toss on whether or not he's in the right mindset to listen, then it's ANOTHER coin toss if he'll understand.

Whatever the case is, he'll still be at least a little sympathetic.

Whether it be bone-crushing hugs, or grabbing you by the hand and rocket-jumping to lift your spirits (ah, ah, ah?)

Pyro

SO. I got stumped on this one ahaaaaa. I had time to think about it though.

I think Pyro doesn't really see in Pyrovision, as shown in the comics. It's just, you know. A way of getting through the day. It probably took him time to figure what to disguise as what. What I mean is, it took work to convince his mind to lie to him. Except for fire. Fire is just pretty to him like that.

So you being a generally already happy person saved him that work! Because of that, there is probably no Pyrovision you.

And when he sees you down in the dumps, BOY does that throw him off. He goes through 20 different emotions in 2 seconds!

Finally, he approaches you after dinner, grabbing at your arm and hands, shaking them. He mumbles at you, which you.. can't understand.

You get what he's trying to say though, and whether you tell him or not, it makes no difference.

He's gonna drag you everywhere! He wants to fix your problem, and he's gonna do it anyway he can. Just be patient though, because his way may include fire, fire, and more fire.

Engineer

Man oh man does he love how you brighten up a room!

You just being around gives him motivation to keep on keeping!

Also you inflate his ego by 100000x

With that being said I don't think he would be surprised if he found you upset at some point.

You are a human, and at some point, you'll get sad!

Doesn't mean he tries any less harder to make you smile again.

He's very subtle with it. Almost annoyingly. Maybe a bit patronizing too.

Although he'll just impatient eventually and out-right ask you what's wrong.

"Now listen here, y'gotta stop all this wallowing! What's got you all bunched like that?"

If you tell him, he'll wrap an arm around your shoulder, and lay on some ol' southern wisdom, before dragging you off to wack somethings with a wrench.

If you don't, he'll try to give you space, but just know he'll study you like a creature.

"Are y'sure yer fine?" "Engineer." "I'm just askin', I'm just askin'!"

Demoman

A shining star in his alcoholic bends, barely lucid days, and murky depressed nights.

You are always there to guide him through dark times with a beaming smile and a shoulder to lean on.

He also finds himself losing words when talking about chemistry, just because you have that soft little smile on your face.

Just like Engineer, he's not surprised when you walk around the place like someone kicked your puppy.

He's not a fool.

With a gentle hand on yours, he'll furrow his brows and ask you if you're alright.

"Ye ken, a'm 'ere tae listen if yer feelin' lik' talking."

He'll offer advice and lots of comfort if you need it.

If you'd rather keep it to yourself, that's fine as well.

He'll still sit by you, keeping you company.

Whether it be a big problem or small, he knows about unhealthy coping mechanisms, and would rather be by your side then leave you to your thoughts.

Heavy

Thinking about your positivity on the battlefield gives him strength and hope. So while he doesn't show it as much, he loves how enthusiastic you can be.

That being said, if you're sad, he's even sadder. Not a lot of people get how emotional this man is.

His first thought is that you might be disappointed by something, so he does what he can to figure it out.

If its not that, then he basically pokes and prods until he finally gets to the point where he thinks it's socially acceptable to ask.

"Vhat ees wrong? you walk aroahnd, all sad. Talk to me."

He will sit down and listen if you decide to tell him, before taking your hand as lightly as possible and telling you it will all be okay.

He mmmmmight argue with you for a bit if you don't want to tell him, but he'll get the message at some point.

He offers to show you something instead, to take your mind off of it.

He'll take you to the rusty tin roof of the base, pointing at the dark sky.

You two will exchange stories about the stars for the rest of the night.

#tf2 #team fortress 2 #tf2 x reader #team fortress 2 x reader #scout x reader #soldier x reader #pyro x reader #engineer x reader #demoman x reader #heavy x reader

[befuddledcinnamonroll]

Oh these two idiots are both so gone.

Ooh, "creating art is about exploring what you like" is a nice line. So often we put too much into feeling like creativity has to end up with a good product, and less about what it can teach us about ourselves.

I like how this show talks about art. And New is making it so clear here that he does put a part of himself in all of his shows, whatever people might think. Respect.

And we're normalizing taking breaks and that you can't be productive and creative all the time! Fabulous.

We love a queen who makes the most of her background time.

I mean, valid question Peem, but also - pot, kettle, etc, etc.

Oh god, their actual boyfriend era is going to end me.

You know what I really love about this Phum/Peem scene? They're making it clear that mutual attraction is just one piece of the relationship puzzle. But the friendship still needs to be there, the caring when someone is having a bad day, and being there to pick them up. So many BLs gloss over the mutual support part of romantic relationships in favor of the swoony bits, but this is the kind of thing that makes a couple seem likely to actually last.

Also what does it say about BLs that I was so relieved they actually rolled up their pant legs at the pool? (Of course they still end up wet in the end, but it's the principle of the thing!)

Phum is just 100% always thirsty for Peem and I respect it.

Haha, love Q being all "hands off my baby, stat".

And they're communicating so openly! My sweeties.

Omg, omg, Fang trying to teach himself to express tenderness to Tan, I cannot.

Just go slow Fang, or you may kill this man with happiness!

Aaaaaah, not Pun finding a little bird and wanting to help it, going to Chain (of course), AND naming it Penguin.

I am already at lethal levels of cuteness overload, and we haven't even gotten to the FangTan scene yet.

Staawwwp.

Lolol, of course he got sick, he got wet for 30 seconds. But again we get the subversion, we're paying tribute to the sick trope, but not fully engaging! Heh, this show is so fun.

Has anyone else noticed the slight tone shift for Phum when he's talking to Peem? There's a new softness to it and it's adorable.

Toey, no, no crying wolf to your boyfriend!

But the pencil case thing is adorable.

I think the Peem and Q friendship chemistry might be my favorite in the whole show.

Lol, not Peem letting slip he slept with Phum last night!

Beer, you are such a champion. Good wingmanning, while also not excusing Phum's bad behaviors.

Oh, baby Phum being sent away, that's heart-breaking. No wonder he has walls like that.

I am loving these reveals with Fang. He's such an internal character, so we are unpeeling the layers slowly. But seeing how annoyed he is to not be able to reach Tan, and how fast Tan is able to make him smile again, makes it so clear how much he really needs him.

And the way he smiles so big when he thinks no one can see, but goes right back to pouty face with Tan because it gets him the attention he craves...

Whoever dressed Q for this series, I love you.

Phum going from self-doubt to full steam ahead the moment he gets reassurance his feelings are returned is delightful to see.

Omg, domestic Fang and Tan. But also Fang, you can learn to cook other things, y'know?

Lolol, Fang absolutely loves Tan's antics, it's so freaking adorable.

Aou and Boom always frickin bring it, we thank you for your service boys.

Also more trope play! Tan holding Fang down in the cliche way, but Fang still showing agency and not playing the blushing maiden. Perfect.

Ok, I liked the Kluen scene. He's being shown as a real person with a life of his own, he's not just the "rival". And Peem is being more straightforward with him.

Hahaha, Chain short-circuiting more and more as Pun gets closer.

MATT, WHAT THE HELL?! You do not interfere with my crumbs, dammit!!

Omg, not Chain just blurting out that he likes being shipped with Pun.

I love that everyone is shocked by Phum except for Beer, who is just like "yup".

I do typically hate public declarations, but I will let it go here, because the friend group is the key to the whole series.

Also, Pun is drunk again, so Chain better be ready for some biting! Chomp, chomp.

#we are #we are the series

[swinging-stars-from-satellites]

XO is actually a fascinating song from a Christian perspective but idk if I can figure out how to put it into words

#it's saying what good has one and done read the Bible save your soul television preaching hotel room Bible ever done for me #it's saying I need more. it's saying I need substance I need the humanity I need the LOVE #but just handing me a Bible and saying then there you go isn't enough #it's saying this lifestyle isn't sustainable but neither is the weak thin Sunday-Christian faith people try to say will save me #so there's my conscience. just as useless as the Bible in the drawer because where's the love? #you gotta open it up to get to the Love though #like it's a song that very much shows like... the cliche proverbial ''hole'' in a person that longs for God #but they're not finding Him in a way that shows love. they're being shown it in a cold uncaring impersonal way #when really it should be and IS in Truth the MOST personal thing #it's very bitter toward God but I think it's very much a thought a lot of people have. what has God ever done for me anyway? #idk. just trying to not knee-jerk argue with the songs I disagree with and instead analyze them I guess #Lu rambles #music #fob

[tojirights]

I absolutely love your Alastor smut! Is there anyway you can make one where your Vox’s ex and Alastor decided to somehow show off to Vox how much reader loves his c*ck more?? A special broadcast maybe?? Please keep up the great work!

a/n: i love vox but if there's one thing i love more, its making him feel inferior to alastor 😍 this is soo good. REQUESTS OPEN! 🩷

tags: 18+ smut nsfw!

vox thought alastor couldn't get any worse, there was nothing that shit-for-brains demon could do to enrage him more. that was until valentino told him that alastor had a new pretty little thing hanging on his arm. "he WHAT?!" vox's voice cracks from the sheer force he puts behind those words. valentino snickers, watching vox run to his security room.

and there you were, locked arms with that fucking deer demon, walking down the street. you looked absolutely enthralled with that fucker! "you've gotta be fucking kidding me..." he growls, static filling his vision. as if alastor can sense that they're being watched, he winks at the camera and pulls you down a more secluded path. vox puts his fist straight through the screen before pacing around the room. it couldn't have been more than a few minutes before his ears pick up that voice, that shitty radio voice.

"good evening viewers!" alastor begins, making vox's head spin around. the tvs were blank, just audio playing through them. he's about to smash the rest of them when something catches his attention. he swears he hears a familiar noise, your noises specifically. then he hears you panting, and blood rushes to his groin first and then his face. "thank you for tuning into a very special late night broadcast." alastor's voice sounds... breathier.

"what the fuck is-" vox mutters to himself before his eyes go wide. "o-oh god." you moan, sounding far too sexy. and enjoying yourself far too much. "yes alastor, fuck. that's so good." your whines play out, filling the room and vox is just about to lose it. "is alastor fucking your ex?" valentino leans against the doorframe, a smug look on his face. "you’re so tight, my dear. your cunt was made for my cock just as i was made for radio." he laughs to himself, his hands finding your hips as he fucks you over his desk.

this little plan of his was working just as intended. he asked, of course, if you'd be interested in ruffling your exes feathers a little bit and you agreed. this special broadcast was only being shown directly to vox through his security. not a single other soul would be able to hear you but vox. it sent a certain chill up your spine, knowing that he was definitely listening. every thrust of alastor's cock presses you harder into the desk, bruises sure to form later in the evening.

"that's kinda hot, yknow-" "SHUT UP VAL." vox feels as though he's about to implode, anger coursing through him in a way he's sure he's never felt. "i am going to finish him. both of them. they won't live this down."

valentino covers his mouth to stop from laughing. "it sounds like they're about to finish each other." and he was right. your breathy little moans are a dead giveaway. "please, please your cock feels so good. g-gonna cum." vox paces the room, plotting your downfall but his cock is hard as a fucking rock in his pants.

"such a good girl, you are. you sing so pretty my dear." alastor grunts, pressing the head of his cock up against your cervix before he feels you clamp down around him. with every pulse of youe orgasm, alastor follows. "cum alastor, p-please fill my pussy." you gasp, riding out wave after wave of deep pleasure. vox should turn this off, he should walk away but he can't make his feet move.

and after alastor finishes deep inside of you, filling you to the point of it leaking down his cock, he lets out an almost sinister chuckle. "thank you my loyal viewers for tuning in for this one of a kind show! we hope you thoroughly enjoyed."

the room is silent after the broadcast ends. that is, until velvette clears her throat. "was that alastor fucking your bitch?" she raises a brow, a slow smirk spreading over her lips when she sees vox's face.

"no one talk to me. i have business to attend to." and with that, vox disappears, leaving valentino and velvette to themselves.

"bold move, i gotta hand it to him."

#hazbin hotel smut #alastor x reader #alastor x reader smut #alastor x you #hazbin hotel #hazbin hotel x reader #alastor smut #hazbin hotel alastor #alastor hazbin hotel #hazbin alastor #hazbin alastor smut #alastor #hazbin alastor x reader #hazbin hotel imagines #hazbin hotel vox #vox hazbin hotel #hazbin vox

[i-like-media]

I was wondering when they were going to play with the fact the Doctor is black now. 13 being faced with how people think of women was one of my favourite things in her era, so I was curious how they were going to treat his skin colour this season, if at all.

And honestly, Dot And Bubble exceeded all my expectations on the matter!

What a lot of episodes about racism and bigotry do is coddle the viewer. They make clear early on "this is an episode about RACISM and why it's WRONG!" As if you've never heard of the concept before and don't know it's bad. The episode will often portray racism in an extreme sense and show the viewer the main characters are above that.

What Dot And Bubble did, for the entire episode, was letting the viewer figure it out on their own. There was no coddling, only racism as it silently existed. A perfectly pastel and white community with not a single person of colour and the only visible outlier being a goth white kid. And in this world, the first thing the character we follow did, was to block a black guy with a face of disgust.

The title screen rolls and you're left to rationalise it. Surely it was because he was not in her contact list/saying all kinds of mind blowing stuff... Right? Except when Ruby enters her feed and talks about it, she actually replies back... With an eye roll, but she replies... and keeps talking... and listening.

The episode continues, still not a single POC besides the Doctor. They reveal this is an exclusive place for rich people, and eventually the character in question even admits she thought the Doctor was a different person because "I thought you looked the same".

What this episode also does well, is portraying a character we wish to see change and find a better life behind that change. We see Lindy struggle to navigate the world without her bubble, calling herself stupid, and we genuinely hope she DOES learn to be better, even as you slowly pick up on what's been going on sofar. You are left to hope she'll thank him and realise the error of her ways, and maybe find a new drive to think for herself.

And then she doesn't.

She stays in her bubble, doubling down on how she feels about the Doctor, how they're excited to be like their settler ancestors, and finally CLEARLY revealing to the viewers what's been off this whole time... and the scene asks: did YOU notice the signs? Did you see what went wrong along the way, or did you only notice just now when it's explicitly shown to you? And why do you think that is?

It challenges the perspective of the viewer and tells you to reflect on why you didn't see it coming, and that is so so powerful.

The Doctor's reaction to this scene..... 👌👌👌👌

His mouth is ajar, stunned beyond belief that after all he's done and all he can offer, the offer to literally save their lives, he is reduced to someone who's nothing more than the hue of his skin. He yells at them, telling them he doesn't care what they think of him because he's still the same doctor he's always been, and to still get rejected with a dirty look... Which hits extra hard when you remember how much the Doctor loves being himself. He LOVES being the Doctor again! And he walks with such a pep in his step, celebrating his existence and sharing it with all he meets... and then he tries to save some rich white kids from certain death.

His performance in that moment was literally phenomenal. It's a narrative that's so powerful and so creative in its execution, my jaw was still on the floor throughout the credits.

This episode is definitely up there as one of my favourites sofar

#doctor who #nuwho #new who #new new who #dw spoilers #doctor who spoilers #15th doctor #the fifteenth doctor #fifteenth doctor #ruby sunday #millie gibson #ncuti gatwa #episode analysis #analysis #dot and bubble #dot and bubble spoilers #the doctor #character analysis #story analysis #talkies

[joyful-soul-collector]

I've seen a lot of people talking about how Barbie talks about how the patriarchy affects women and how well it does that, so I wanna talk about how Barbie talks about how the patriarchy affects men and how well it does that. Because it does that really well tbh.

At the beginning of the movie, it's made very clear that the Kens are constantly competing with each other, and trying to prove their worth, their Ken-ness, to both the Barbies, and more importantly, to the other Kens. In fact, multiple times through the movie it's shown that Ken seems to find the opinions of other Kens as a motivator for him to do things. He tries to show off to Barbie only after he sees the other Kens saying hi to her. He only starts dancing with Barbie when he sees the other Kens dancing with her. He only goes with her to the Real World after another Ken accuses him of cowardice and he decides to prove him wrong. Barbie says "Ken's not cool!" and Ken responds "He is to me."

This shows so damn well what the patriarchy is like for men. Because for the Kens it's not necessarily about Barbie, it's about what other Kens think of you. Being a man you are constantly, incessantly trying so damn hard to prove to the other men around you that you are a man, the manliest man to ever man, the best Ken to ever Ken. Literally doing backflips trying to prove yourself. And this is before patriarchy is even officially introduced to the story, there's no undertone of power yet, this is just what it's like to be a man around other men. It's toxic masculinity.

And when the patriarchy is introduced, that's increased tenfold. At first it looks like they've banded together to take power, but really they're still competing with each other, they're just doing it differently. Rather than competing to see who can get Barbie to fall in love with them, they're competing to see who can be the manliest, have the manliest stuff, wear the manliest clothes, have the manliest house and decorations.

And then they literally go to war. War is considered one of the few places where it's socially accepted for men to be more emotional, form deep and personal bonds with other men, and that's exactly what happens in the movie. They go to war, and there's an entire song where they bond and learn not to fight with each other anymore.

And that I think is the message from the Kens. For men, the way the patriarchy affects them is it forces constant competition and animosity, even around people that are supposed to be your friends. It makes it impossible to express your feelings unless they're with a romantic partner, and all of this turns you into a pent up ball of emotions with nowhere to go.

Which means that the message is: In order to fix the way the patriarchy oppresses men, men need to learn how to form close bonds with people, especially other men. Because like Barbie said to Ken, he needs to discover who he is without her. Men have learned to lean on women as a crutch, using them to figure out how to Be A Person and express emotions in a healthy way, but this can very quickly turn into a woman feeling like she needs too be his mother and teach him how to do these things. And Ken was 100% doing this, or at least he was trying to throughout the movie. Ken was so desperate for Barbie to be in love with him, not necessarily because he loved her, but because he needed a person he could just exist as himself around. Because he couldn't do that with the other Kens, the only person he could be himself around was Barbie.

And what's so great about the end of the movie is that the Kens did eventually figure out how to form close bonds with each other! They went to war, argued and fought, but by the end of the song they were holding hands, kissing each other on the cheek, telling each other they were enough. Even when Ken is up in the dreamhouse, crying and saying that he looks stupid, all the other Kens start shouting back up to him, saying that he looks cool. And Ken responds by giving one of his new friends his coat, which was clearly very important to him.

What the Kens did, that's what men in the real world need to do. They need to form close bonds with other men and stop competing with each other. Hopefully not by going to war the way the Kens did, Barbie isn't a blueprint for solving the patriarchy lol.

I'd be happy to do it through a song though.

#barbie #barbie 2023 #the barbie movie #ken barbie #barbie movie #greta gerwig #ken #barbie ken #meta #barbie meta #barbie movie spoilers

[cobragardens]

Notes on the Scene in Job's Basement

Crowley is not tempting Aziraphale here. He's experimenting on him.

Getting Aziraphale to sin, or even getting him drunk, is not Crowley's intent in this scene. Eating food, taking pleasure in food, drinking alcohol, and even being drunk are not sins in most of Judaism or Christianity (and they're certainly not sins in British Christianity, regardless of any church's doctrine). When Aziraphale turns down alcohol, Crowley just suggests he try food instead; so it's not important to Crowley what Aziraphale tries, but it is important to him that he try something.

This scene is also the first time (chronologically) we see that Crowley likes to drink and likes to be drunk.

We know from

and from

as well as from Book Omens and Word of God that angels have no instinct beyond curiosity pulling them toward eating or toward gender. From this we can reasonably presume they have no instinct toward Beverages either.

That means that in this moment--

--Crowley is very likely the only metaphysical entity he knows on either side of the divide, or even knows of, who has ever experienced a physical pleasure.

And he probably has some Lingering Questions about it, like we all did the first time a physical pleasure blew our minds. Like,

Is it this strong for everyone?

Is there something wrong with me?

Am I going to hurt myself if I do this, like, a lot?

And it's not like the poor creature can ask anyone, because the answers for humans aren't necessarily going to apply to him.

So when he sees an opportunity, Crowley gets that one angel he knows who'll talk to him to try a human thing, and then he watches to see if physical pleasure hits the angel as hard as it hit him.

And that's why he looks so creepily pleased when it does.

Apparently it is this strong for everyone and there isn't anything wrong with him. Now he can relax and get sloshed without worrying, and he even has someone to talk to about how rad human stuff is.

A Dip Into Speculation

We know because we're shown this isn't the first time Crowley has gotten drunk that, watching Aziraphale, Crowley understands what he's seeing. I think it's really interesting that Crowley doesn't laugh at Aziraphale at any point during this scene, and he doesn't correct the way he's eating, either.

Maybe it's because this is what it was like for Crowley the first time. Maybe he got so drunk he passed out and woke up in a puddle of his own sick. Maybe he got so drunk he passed out and didn't wake up at all, and there was Paperwork and he had to get used to a whole new corporation just when he'd got the hang of having legs in the old one. Maybe somebody had to show him how to use a fork or whatever they had going on for eating utensils in Ancient Mesopotamia. I distinctly remember having to learn as a small child to chew with my mouth closed. There is every possibility Crowley doesn't consider the way Aziraphale is eating to be worthy of ridicule because whatever Crowley did the first time was worse.

Maybe he wants to leave Aziraphale set up for later embarrassment over his table manners. Aziraphale was a judgy bitch about the wine.

Or maybe it's something like Let him have this one. There can be rules to it later; let him just enjoy it, once, like a little kid with both fists in their birthday cake.

Maybe it's desire. There is some textual evidence for this. Once Aziraphale learns to eat properly, the way he does it is very attractive, and we know Crowley loves watching him do it.

I don't think it's overreaching even to interpret David Tennant's physical performance of Crowley watching Aziraphale eat as one of sensual or erotic pleasure. I mean--

I'm not saying it absolutely has to be erotic, but it's not a reach, or even a full extension of the elbow, to read it that way.

There's another meta somewhere [I'll link it when I find it again; if you know this meta, please drop it in comments!] that discusses how this exchange in Job's basement is filmed like an erotic scene.

Like Crowley, we all want to kiss this face.

Aziraphale isn't eating prettily, but he's eating lewdly, ravenously, desirously, and it's lit like romantic sex, not like gluttony. Whether that's funny or poignant or hot may depend on the viewer. Here's how Crowley's handling it:

Srs tho, any frame of this scene could have been painted by Artemisia Gentileschi.

Or maybe--and this is my favorite of the available interpretations--maybe this is what it was like for Crowley the first time and he doesn't interfere because he wants Aziraphale to come out of this as someone who's had the same experience Crowley's had so Crowley won't be so totally alone in having had it.

#good omens #good omens s2 #companion to owls #good omens 2 #good omens job's basement

[poppy-metal]

dilf-next-door! art has me 😩 i just feel like he doesn't understand how good he looks. he knows that his body is bad. i mean he's an athlete after all. he's trained for years with the best personal trainers, had the best diet, still works himself to the bone, but he just doesn't see himself as super hot dilf. after years of his body just being a machine for tennis and all the choices for it being made by others, it doesn't feel like his body. it's just a vehicle to get things done. thinking about how infuriating and baffling it would be to hear him talk about himself like that. so you'd have to show him how wrong he was. you have him lay back on the bed and sit in between his legs. trace your fingers all over his arms and chest down to his stomach. rub his abs while you coo at him. he'd stare at you in awe because it all feels unique. being complimented so much and his position, it'd look submissive to an outside eye but everything you do is for him to recieve.

"most handsome man i've ever seen, art. so strong and fit. love it when you wrap your arms around me. make me feel so close to you and safe. and your legs, they're so strong too. feel hard under me. most guys my age don't even take care of themselves like you do. but all you do is work... and i think you deserve a reward."

just worship his body for the night. lick from his abs up to his chest and then kiss his neck. rub yourself on his thigh and tell him how good it feels. don't let him do any of the work aside from being able to feel you up however he wants. take his hands into yours when he grabs at your tits or hip, tell him how thick his fingers are and how good they feel when they're inside you. make it slow and thorough before you move on to the very hard thing in his boxers. 

-☕

cock worship with art..... head fuzzy..... he's so used to giving, and he prefers it that way - you can tell he's not used to it. his body is tense and nearly buzzing with the urge to sit up, to put his hands on you, but you'd looked up at him with your big doting eyes and pleaded with him, genuinely pleaded - like it was something you wanted (it was), to take care of him, to please him - and that doesn't really compute to him - cant work his brain around it - but he can't deny you anything, is the thing. telling you no is worse than getting a blowjob, he's not so deep in his issues with self worth that he'd make a big fuss about you putting your mouth on his body. its the staying still that he has trouble with.

you can tell with every twitch and jump of his muscles as you skim your mouth down his toned body. he hisses and jolts when you lick around the hard peaks of his nipples. "sorry," you giggle, moving down to his stomach. his hard stomach - god - "they looked cold. wanted to warm them up."

"jesus." you peer up at him to see his gaze is cast to the ceiling, like he cant look at you. it makes you smile, you know he doesn't get it but you're having the time of your life here. his perfectly toned, tight, rigid body. warm and solid under you, you cant help rubbing your cheek against his hip, nuzzling into the toned muscle of his thigh. he's so beautiful. theres so much power here - locked tight under skin and bones and muscle mass - all perfectly crafted, because even still he cares about his body, cares to keep it fit. and you'd love him no matter what he looked like, soft and round, short and stout, but just as he is - an athletes body, hes a marvel.

so much care and time spent into looking this way, and he expexts you not to appreciate it? not to drool over him? insanity.

"you're so strong," you coo at him. rub you hands up his twitching thighs. he doesn't have alot of hair - but he has some fuzz. your fingers find the band of his boxers, his hips lift the slightest bit with an inhale and you smile again - knowing that he loves this, needs this even if he wont admit it - he loves this - he wants this so bad - to be selfish. to be worshipped and shown love. to be desired and hungered for. and you're so hungry. "i think about you all the time, you know. your body - your cock -" your voice sounds like you're waxing poetry, your nose nudging up the cotton of his boxers, "i think about it all the time. drives me crazy. you drive me so fucking crazy."

"baby," he sounds pained. you see his hands twitch on the sheets, curl into fists, the effort not to touch you has to be driving me just as insane. "fuck, you dont - y-you dont have to say - "

"im not just saying it." you interrupt. "i mean it. i love -" the heat of his cock radiates from the thin cotton - you press your face against him through it. feel the hard organ jump under your lips. "-your big fat cock." your cunt is throbbing. you don't tug his boxers down yet, mouthing at him, your lips find the tip of him through the fabric and you pull it into your mouth, dampening the cotton - tasting the salt even now. moaning around it.

"oh god," he's trembling. he loses the battle and you feel his hands touch you, you don't ask him to keep still anymore, because you know hes not fighting this anymore, fighting you. one of his hands card through your hair, big palm cradling the back of your head. the other coming up to tug at his boxers. "please - "

you lift your chin, help him in shoving his boxers down - until they're resting under his balls, you take a moment to admire them - fat and plump and pink - try not to drool at the way his hard cock bounces free and rests against his hard stomach. a bead of pre already pearling out from his slit, leaking.

you fail on the not drooling. your mouth filling with spit. "please, what. what do you want me to do art?"

because he'll feel so free once he says it. admits it. gives in.

he meets your eyes and you try not to be turned on by the desperate almost panicked look in his gaze, like the enormity of his own desire scares him. his lips are puffy and bitten red and he naws and naws on them, before he lifts his hand, fingers feathering over your cheek. reverent. you watch his adams apple bob as he swallows.

and then art donaldson demands something from you for the first time. the hand cupping the back of your neck, urging you forward, towards his hard aching cock thats been neglected for far too long.

"make me cum."

#ask #WEEEWOOOOWEEEEWOOOOWEEEEEWOOOOOO #gotta train art to be more selfish #☕️ anon #HEHEHEHE #art donaldson smut #art donaldson x reader

[voidpumpkin]

A definite theme of dungeon meshi is that of selfishness and selflessness with pretty much every character defined by these two things in some way

most obviously there's the winged lion who's entire existence is defined by selfishness, he just consumes, consumes and consumes, ruining everybody, with labyrinth he is bound to and he himself encouraging and shaping the selfish and selfless desires of others. His greatest desire, to consume everybody is the ultimate act of selfishness in the series yet he frames it as and pretty genuinely views it as an act of great selflessness, which is part of another theme in the show of people imposing their selfless desires on to other people.

As can be seen with Marcille, from the beginning she is shown as the most outwardly selfless, she's the one always wanting to help other adventurers, aside from Laios the loudest advocate for rescuing Falin, resents Namari for abandoning Falin and is shocked to find out Chilchuck is doing this because he is being paid. She's the one who crosses all moral and ethical barriers to save Falin, to defeat the dungeon rabbits. And then we see how she has the greatest most all encompassing desire of them all, to equal everyone's lifespan to one thousand with a selfless motive behind it, that it will erase bigotry between races. The selflessness of it is something she is almost proud, she's insulted and very insistent that she doesn't want more selfish desire like having a child or becoming a full blooded elf. Yet this selfless desire comes from a selfish place of never wanting to experience loss and is a desire (with the winged lions help) becomes one she seeks to impose on others

Similarly to Thistle who is THE example of how selfless desires become twisted and selfish by the dungeon as he original wanted to protect the kingdom and makes sure they live forever, though even then this was a selfish desire imposed upon him by Delgal. Now after a thousand years of running the dungeon he is all selfishness that he views as selflessness.

Then there is the other notable former dungeon master, Mithrun. Once viewed as a pure and selfless man by those around him he harboured countless selfish desires that the demon exploited and consumed, leaving him with what he and others thought was just the desire for revenge. A selfish desire that manifested in a selfless form as he puts his life on the line to rid the world from demons. It's through this we see one of his most interesting traits, his sincere desire to reach out and help other dungeon masters, compared to all other interactions he is never this gentle or talkative with them, the other canaries quite clearly just want to kill them, but Mithrun, one of the very few people who can understand what they're going through talks to them. By the end of the series we also come to know that his selfish desire for revenge was in fact an entirely different selfish desire, to be consumed.

Not on to Izutsumi, she's a character defined by her selfishness, as a result of her upbringing she has to rely on and care for only herself but then she becomes a part of the touden party and is put in a caring environment for the first time, and in response grows to genuinely care for them as well, risking her life in ways she wouldn't have done before. Izutsumi acts as a pretty potent example of the crews selflessness with all of them (except Laios, who they defend her from his monster fixation) acting as parents to her. Marcille gives her the love and affection, both emotional and physical that she'd never received up until that point, and didn't even know she needed. Chilchuckvis the only one with actual experience as a parents and only parental figure who has treated Izutsumi well, he pretty quickly realises she is acting like a teenage girl and quickly adjusts to treating and caring for her as such. Sensei, who is pretty much all paternal instincts cares for her the only way he knows how and is the first person to adjust meals to her needs and desires. Izutsumi can be seen as a demonstration of environments shaping a person, her formative years being treated terribly made her selfish whilst this new caring environment allowed her to become selfless for the first time.

Building off the paternal instincts comment from earlier, that one of the two things that define senshi's selflessness. Sensei is both a deeply mature and deeply selfless character, as a result his selflessness comes in more casual and more adult forms. In respecting the autonomy of others and providing them with food. With these drawing from the two things mentioned earlier, his paternal instincts but also his experiences with starvation. His paternal instincts are best shown in the chapter after Falin is taken as we see inside his head, seeing he views Chilchuck and Marcille as very young and that it is his responsibility to feed them, and considered it a failing on his part if he doesn't. This paternal instinct also is what leads him to secretly resent Laios and Marcille as he believes Chilchuck to be a child and views them as exploiting him and putting him in harms way. His focus on feeding others is of course a result of his experience with starvation, he NEVER wants anyone to go through what he went through and is THE way we see him caring for people outside of the Touden party

Next up Chilchuck, a character who at first seems to be a deeply selfish ones, as he journeys with the group because he is paid to, not because he wants to. But then we do come to respect this, as dungeoneering is a job, a very dangerous one that, and like all jobs it deserves proper compnesation. Which is something he actively tries to facilitate in one of his greatest acts of selflessness, where after having experienced the selfishness of other races and their willingness to use half-foots as bait, he starts a union to ensure proper pay and workers rights for half-foots. Though rather interestingly our first exposure to it is through the deeply selfish Mikbell, who frames what Chilchuck is doing as an act of selfishness. We also soon understand that he deeply cares about his friends, more than even he wants to as he continues to travel with them even when the job is technically done. This does result in a moment of selfless/selfish desire as he seeks to trick the group into leaving falin behind because he genuinely cares about then, he thinks they're in over their head and wants to protect them, again selfless desire that is selfish, though he does come to respect their wishes.

Speaking of Falin. cause of her minimal time to be a character we're left what screen time she gets and that's a character defined by her selflessness, from her communication with ghosts, being framed as a mothrrly figure to Thistle and the acted that began the series, sacrificing her life to save the crew, and would define how they act going forward.

For Namari it caused her to leave and take up the better offers she'd received. A selfish act that Marcille in particular resents her for but is explained by both her backstory, she is trying to buy back the honour her father stole, which would hopefully repair the relationship between the Lord of the island and dwarves, a selfless act, and the establishment of dungeoneering as a dangerous job that deserves compensation, which is why Laios and Chilchuck who do view it as a job don't resent her while Marcille who doesn't view it as a job (a. she's very open about not viewing dungeoneering as a career b. ancient magic research is her goal, thus the particularities of dungeoneering never mattered to her) does resent her. We do see other moments of selflessness from wanting to know Kiki and Kaka's age so she can identify them if they need resurrecting and standing up for Laios. Namari's character is one meant to show selfishness, especially when your life is one the line, is not inherently immoral.

The other crew member who left as a result of Falin's death is Toshiro (Shuro), who immediately goes off to find a strong crew he is hopeful can make it through the dungeon as fast a possible to rescue Falin. In opposition to Namari he is someone who chooses selflessness over this own life, running himself ragged to save her, but it is this focus on her other his needs that causes him to fail, running yourself ragged will leave you unable to succeed, as demonstrated to him by Laios. Laios is a man he resents for various reasons but one of them being that he doesn't see Laios as sincere in his care, that he doesn't express his selflessness in a 'proper' way. That his happy go lucky attitude and focus on keeping himself health are proof that he doesn't care, when in actuality a) that's just who laios is b) Laios looking after himself is a form of selflessness because how can one help others if they can't even stand.

Laios sits in the middle of selfishness and selflessness, defined in equal parts by them. He is completely sincere and dedicated to his selflessness, willing to risk his life and go it alone to save Falin, he seeks non-violent solutions to deal with his human enemies, wanting to talk to Thistle and get him to respect the citizens of the golden kingdom's wishes and doing the same with Marcille alongside working to defeat the winged lion and putting himself on the line to do so, as well as becoming the king of the golden kingdom, which he clearly doesn't want. yet he also has a lot of selfish desires because of this and being an extremely autistic dude with basically no social skills he's viewed as worse than he is, both on his and other's fault. He loves monsters and his entire life is defined by his obsession with them, this obsession spawned from a resentment of humans how they treated his sister (he got over it, he was a teen). He seeks to examine Izutsumi, and while he means no disrespect or anything gross by it, she is a teenager and has some pretty serious trauma surrounding being treated as a circus animal. He disrespects Lycion's treatment to his suicidal body dysmorphia because it's a 'skin deep' appreciation of monsters. He views saving Falin as an opportunity to finally consume monsters, his selfish desires and his willingness to express then when it really isn't an oppurtune time to do so (dude, your sister's life is on the line) mean he is taken at his worst, viewed as literally villain by Kabru and the canaries. Laios as the protagonist of story with pretty clear themes of selflessness and selfishness shows one who is outwardly a very selfish person yet the moment you stop to look is a deeply deeply selfless person, even if he is bad communicating.

This brings us to his foil Kabru. Kabru pretty clearly defines himself by his selflessness, viewing himself as superior for it, believing he should be the one to conquer the dungeon and that Laios is unworthy based on his shallow understanding of him. This selflessness is further deconstructed as something very bad for him as similarly to Toshiro is clearly doesn't value himself like he should, not allowing himself to have selfish desires, with it being pretty clear this worldview is shaped by his childhood trauma, of seeing what the dungeon can do, his survivors guilt and believing he has a duty to prevent it. This brings him into interesting conflict with Mithrun and Laios. The former is someone is a person who literally cannot care for himself and must rely on others to do that for him. His lack of care for himself, unawareness of his own needs astounds Kabru, rather ironically considering Kabru's lack of focus on his own and his focus on Mithrun, who is noted to be looking better than usual thanks to Kabru's treatment by Lycion, indeed his focus on analysing and understanding other people in general can be seen as a form of his selflessness/care for others at his expense. The latter is a person who confounds Kabru, Laios is the first person who Kabru cannot understand, the first person he can't just casually befriend one so utterly antithetical to his own interests as Laios is fixated and loves the very thing Kabru is horrified by, monsters. This also shows arguably the biggest example of Kabru valuing others, his selflessness at his own expense when eats the monster food Laios offered him, looking like he might die as he does so. This horror and confusion causes him become fixated on Laios, he is a puzzle Kabru must solve, but also because of Kabru's views on monsters, selfishness and selflessness he views Laios as an active and terrifying threat that must be stopped. But underlying this is what Kabru refuses to acknowledge until he confronts Laios next time they meet, he wants to befriend Laios, something that horroifies himself, both cause this is Laios, but this is a selfish desire. Admitting to Laios is an admission to himself that he has a selfish desire and that maybe just maybe that isn't so bad and that doesn't make him a lesser person. This acknowledgment that desires are part of who you are is what allows him to reach Mithrun, Kabru developed a new desire, to befriend Laios and thus Mithrun can too. Kabru is very potent foil to Laios, a character defined by selfish desires and seen as dangerous because of them when in fact he is deeply deeply selfless, as he is character who looks down on selfish desire and values selflessness to his own expense, only to learn through Laios that selfish desires are not inherently bad, thus allowing Kabru to help others even more.

And last but not least is elves as a whole and in particular the canaries. Elves are this selflessness and selfishness theme on a societal scale as their racial paternalism means they view it is their duty to look after races whilst also not respecting them or their autonomy and this causing great harm, with the canaries and Milsiril being microcosims of this. The canaries are a force tasked with stopping dungeons a selfless act, though motives selfish as while some clearly do it to save lives, it's established that one of the reasons they do so is to get their hands on the ancient magic inside and their racial paternalism means they don't trust other races to know the secret of dungeons, which almost dooms everybody. We also see how many of the members of it are criminals, who quite frankly are selfish cunts, really racist to non elves and are more than willing to put shorter lived races in harms way to get what they want. Milsiril is this racial paternalism embodied, as she's dedicated her life to looking after children of other races, a selfless desire, but she clearly doesn't see them quite as equals with there also being the implication that this is the result of a selfish desire to deal with her own loneliness.

Desire is a key theme in dungeon meshi with selflessness and selfish being the accompaniment to it that really makes so much it so potent.

#dungeon meshi #delicious in dungeon #laios touden #chilchuk tims #kabru #mithrun #the canaries #marcille donato #izutsumi #toshiro nakamoto #shuro dungeon meshi #namari #kaka #kiki #kiki floke #dunmeshi #media analysis #winged lion #falin touden #lycion #senshi #milsiril #thistle dungeon meshi #mikbell tomas #delgal

[queenofapeacefuldawn]

SxF Crack Theory: The Identity Of [REDACTED]'s Father

Hear me out here.... but, maybe, Twilight's father could be Yuri's boss, aka, the SSS Lieutenant.

Now, this might be a crack/joke theory, but here is the evidence I have to back up my claim (yes, I'm presenting it because I'm just Like That):

(Warning: Manga spoilers ahead)

Exhibit A: Physical Characteristics

Here is a picture of Agent Twilight:

Here is a picture of Yuri's boss (who, from now in, will be referred to as YB, for my own convenience):

We can see that Twilight and YB have very similar facial characteristics: bluish-grey eyes, blond hair, and a similar face shape (nose, jaw).

We never see Twilight's father's full face: only the lower half, because he has presumably forgotten his face, along with his mother's (King of Emotional Repression™️), but we can see that his jawline and shape of his mouth are very similar to Adult Twilight.

Oh, and look at that- rather pronounced cheekbones, if I do say so myself. Where else did I see those? Hmmm

Exhibit B: Ambiguous Fate

During the War Arc, we're never told about [REDACTED]'s father's fate. We just know he never returns to his family: and the reason why he left for the very last time, was that, "Things have been heating up at the border. I need to take a little business trip." The fact that his, a (presumably) rather important man's, body was never recovered: nor were [REDACTED] or his mother informed of his death. Of course, his body could have been lost in the bombings, or the part of [REDACTED] finding out about his father's dead could have been omitted, but for most of the part, we're left to assume about his father's dead. And... this sounds familiar to another instance...

Like the instance of [REDACTED]'s friends. He (and we) assumed they'd died in the warehouse as children, but later we see that they're alive and in the army (only to die a second time, RIP), but this time, for their deaths to be confirmed: for [REDACTED] to only receive their dog tags after the failed campaign.

This may have been a setup: for Endo to reintroduce [REDACTED]'s father, later in the story, as YB.

Anyway, one thing I've learned after reading and watching so many books, comics, and TV shows: never assume a person's dead, not unless their body/proof of their death has been explicitly shown. This belief was only reinforced after [REDACTED]'s friends.

And, [REDACTED]'s father's last known place was around the Westalian-Ostanian border. He could have escaped in the crossfire, theoretically...

Exhibit C: Fatherly Nature (?)

We all love a good found-family dynamic in the workplace. It's there with WISE, it's there with Garden, and it's kinda there with the SSS.

My main argument about this stems from the chapter which focuses on Yuri's work.

We see YB continuously worry about Yuri's physical health, in panels like:

Obviously, this doesn't happen only in this chapter. Whenever Yuri's there, YB is also there, yelling at him to a) go to sleep, or b) STOP GETTING HIT BY BUSSES OH MY FUCKING GOD IT CAN'T HAPPEN SO MANY TIMES TO ONE PERSON-

And, of course, there's the Yuri Sick Fic chapter:

Not gonna lie, this point is extremely weak, if I brought this up in court I'd be laughed out of there-

Anyway, I just wanted to put this in.

If it does turn out that YB is [REDACTED]'s father then. Bestie. Buddy. How are you managing to be a better father-figure to some insolent kid who gets hit by busses than you were to your actual son, like 20 years ago. Maybe he learned along the way.

Exhibit D: Symbolism (???)

Oh, look, another point I'm pulling out of my ass! But whatever, you're reading it <3

During the War Arc, we see Twilight sustain two major injuries:

One, as a child, when his home is bombed:

And two, as an adult, in the army:

and these injuries are both to his left eye.

Of course, this has given rise to theories of him not being able to see his left eye, it being his blind spot, and Yor guarding his blind spot on missions, etc., etc., which I love bc ✨Twiyor✨

Getting back on point, if we look at YB, we see that he has injuries too... or rather, remnants of them, what with the scars he has...

which, are also on his left eye. Huh! Interesting... this might just be me, but could this be parallels to how similar he and his father were? Are? His father also wanted peace between Ostania and Westalis: but he taught his child that in a very harsh manner (by slapping him), but Twilight wants to teach Anya that in a kind manner. Whenever we see him teaching her, he never loses his cool with her (of course, he loses a lot of hope, but this man's a pessimist, what can we do).

Also shows how much kinder Twilight is, compared to his father.

---

Of course, these points are very weak, and it might just be that Endo reused some character designs for efficiency, but let me be, ok!! This is a crack theory!!! Let me be a clown!!!! AKDFJSJF

If I'm being honest, this post was inspired by a convo I'd had with my friend, around the time Chapter 86 was released. She was theorizing that [REDACTED]'s dad is the Shopkeeper, and I was theorizing it was this dude. Of course, our theorizing was sidetracked by Chapter 86, and a certain panel within it, but... WHATEVER.

So, what are your thoughts? Obviously, my own theory is very weak (for example, why would the SSS accept a Westalian citizen into their ranks? Why would he even join the SSS? Could he have defected? Abandoned his wife and kid?), but this was fun to think about, lol. What are your theories? I think the Shopkeeper-is-the-dad theory and the YB-is-his-dad theory are both cool, so, what do you think?

(Also, yeah, I know, his dad could very well be dead. I just refuse to believe it, bc I'm just Like That <3)

#spy x family #sxf #spy x family manga #spy x family headcanon #spy x family theory #spy x family manga spoilers #spy x family anime #agent twilight #loid forger #yuri briar #sss lieutenant

[piratecaptainscaptainpirates]

I think it's super important to call out racist tropes in fanon, but I also think it's important to help provide a bit of education so other creators know how to avoid these tropes and what to do instead.

With that in mind, one of the most common things that us fans of color have been pointing out in the OFMD fandom is racist depiction of Ed's hair, so here's an intro to avoiding some of these harmful tropes and what you can do instead.

Why does Ed's hair matter so much?

For people of color like Ed, our hair isn't just hair. Our hair is also about our culture and self-expression, and taking care of our hair is a skill distinct from caring for White hair. Our hair is an expression of personal and communal identity.

Controlling and stigmatizing hairstyles is an important way that people of color have been and continue to be oppressed. Across the history of European colonization, you'll find countless stories of cruelties such as forced haircuts, and this legacy lives on today when kids of color are told they have to change their natural and cultural hairstyles to meet school dress codes. Depiction of hair matters so much because of this history.

What are some things to avoid?

Common racist depictions of Ed's hair that you will want to avoid include:

Depicting Ed's hair as dirty and unclean when he's always shown to have very neat, well-taken-care-of hair in the show

Implying that he does not know how to care for his hair

Implying that he needs a White man to help him take care of his hair (White guys are not going to know how to care for Ed's hair texture!)

Depicting him using items that aren't meant for haircare on his hair (like forks, broken tools, etc.). Ed surely knows what a hairbrush is and how to use one.

Implying that Ed does not have a hair care routine or care much about his personal hygeine. You do not get to have that much beautiful, well-groomed hair without caring about maintaining it.

Implications that Ed is unusually rough/thoughtless about his hair, such as cutting off tangled sections or leaving knots to get worse

Avoid language that implies Ed's hair is unusually unruly and unkempt, such as describing it as "matted." Personally, I even bristle hearing it described as a "mane" or "wild" because it's always very neatly-groomed.

What are some ways to talk about Ed's hair that are okay?

I recommend writers and artists considering a project involving Ed's hair do some research on their own - browsing natural hair care subreddits is a pretty easy way to learn quickly what goes into caring for our hair and some of the common everyday struggles we might have.

You don't need to depict Ed's hair as perfect all the time! On lazy days where he doesn't style his hair, he might have frizz going on, and he might be frustrated by the effort and time it takes to maintain his hair while they're on the ocean and the salt air is constantly wreaking havoc.

It's also okay to write about Stede helping Ed with his hair. Stede will need to learn how to work with Ed's hair, but there's nothing wrong with scenes where Stede helps Ed with putting his hair up into a fancy style or washes it for him just because they both want to spend time together. The issue arises when you have implications that Ed needs that help and isn't capable of caring for his hair on his own.

What are some ideas for scenes involving Ed's hair care and routines?

There are so many wonderful scenes you can write about Ed's hair care routines! They can add dimension to domestic moments and make Ed's life feel more real. Here are some ideas I love.

Stede being excited to find new hair products at the market he knows Ed will love

The men of color on the Revenge having self-care nights to help each other care for their hair and skin

Ed patiently teaching Stede about how to care for his hair and trusting him to help him wash it

Ed having fun after settling down at their inn with experimenting with fun floral scents in his hair products

Ed teaching Stede how to put his hair in an elaborate, fancy style passed down from his mother

Stede carefully writing down Ed's hair care routine, from how he likes to rinse his hair with cool freshwater after a swim in the ocean to how he uses coconut oil to minimize frizz, and Ed being touched by his obvious care

In the show, Ed's hair looks amazing even at his lowest moments, so you could make art of him finding comfort in his hair even in the darkest times

There's so much you can do! I'd love seeing the balance of fics about Ed's hair shift towards mostly loving, thoughtful, non-racist depictions, so let's make that happen!

#ofmd #our flag means death

[mottlemoth]

Re: "But don't you find it beautiful and meaningful that Izzy got to experience happiness before he died? He ended his life surrounded by love and that was great for him."

You folks are sailing right past our one main issue here. Namely, why did he have to die at all?

It's a comedy show - a comedy show where not-really-deaths outnumber actual deaths by ten to one - why did Izzy have to die? Some of you are talking as if he died the way that people in real life die, like it's one of those things you just can't change. But this wasn't like that. This was a constructed narrative where a decision was made that not only should he be dead at the end of the series, but that it should be confirmed beyond all doubt with OFMD's only grave. Even the Badmintons weren't shown in their graves.

So why did Izzy have to die?

And why do so many of you find it fitting and appropriate that he died? This is a good opportunity to sit down with yourself and maybe examine your own thoughts around ageing and disability. Con O'Neill is in his 50s, not his 90s, and a missing limb is not some kind of down payment on death. The show even went out of its way to fit him with a new leg, breathe new life into him. So "he had to die because he was basically halfway out of the door" is rooted in some nasty ideas about ageing and disability, ideas which you should not allow to fester in yourself. Dig those out. If you're healthy and young, this might seem like a very remote issue to you. It won't always be.

David Jenkins has indicated in interviews that Izzy had to die because (1) he was Ed's 'mentor', a frankly baffling assertion which is contrary to nearly everything established about Ed and Izzy's relationship in the show, and (2) "it's a pirate show."

Okay! It's a pirate show. Seems fair at first.

Until you remember it's also a comedy show where guys turn into birds and people routinely survive explosions and gun shots and being stabbed through the liver on a regular basis. Throughout the narrative, OFMD has established and confirmed over and over and over again that it upholds the comedic law that death is never really death. You can relax seeing Roach fall from the rigging because it's a comedy show - they're not going to do that to you.

But then they did.

They reversed that fundamental law within the world just so that Izzy could die - and so that Izzy could just die. Nothing came of his death. It didn't open up a new section of plotline or change anything. The show could have ended with Izzy off on adventures with the crew he'd grown to love.

Instead he just died. And we're struggling to understand why.

Telling us that he got to be happy before he died doesn't make any sense. If it was all so beautiful and meaningful to see him experience temporary happiness, wouldn't it have been nice to see him happy ever after?

So why did the writers give him death instead?

We're scared that it's 2023 and some folks still think it's just fitting for visibly queer characters to be tantalised with happiness then struck down. We're scared that at the bottom of this, it makes sense to you that Izzy died because you think he was old and broken and no use to anyone now. We're scared to have discovered that even the show which said kindness, kindness, kindness right from the start had none for this character we loved, and we're scared that you find it so beautiful.

#izzy hands #ofmd season 2 spoilers #ofmd s2 spoilers #ofmd #our flag means death #ofmd spoilers

[blusocket]

I've seen some people express some confusion about what Fortnight is about, why it opens the album, what's happening in the video, etc, so here's my attempt at an analysis. For the most part I'll be referring to the characters in the video with the names of the people playing them (Taylor and Post) but at times I'm going to be making direct reference to the events of Taylor's personal life and referring to the muses by their names (Joe and Matty) for the sake of clarity and simplicity.

The song itself uses the suburbia conceit as an extended metaphor for the beginning of her relationship with Matty (he's the neighbor she runs away to Florida with, Joe is the cheating husband.) For more eloquent and detailed thoughts on the narrative of the song you can check out Jaime @cages-boxes-hunters-foxes's post here.

The video is really dense, and I'm not 100% confident in every aspect of my interpretation, but I feel pretty sure that it's making extensive use of visual metaphor in order to tell roughly the same story as the song, just in a different setting. To start, Taylor wakes up chained to a bed in a white dress.

To me this suggests that she's been driven mad by being left at the altar, and is now trapped, surveilled and controlled, in a type of asylum. This represents the end of her relationship with Joe--waiting for a marriage that never came, feeling trapped, mentally unwell etc.

She then takes 'forget him' pills which reveal Post's tattoos on her face when she looks in the mirror.

This represents Matty (the "miracle move-on drug") and shows that he made a mark on her while she was still in the asylum--that is, still in her relationship with Joe. Additionally, in the wide shot where we see the mirror, its size and shape are very reminiscent of a one-way mirror, often seen in interrogation rooms and psychological experiments, further reinforcing the idea that Taylor is imprisoned here.

She then is able to go to the typewriter room and do her work, creating art about how she's feeling, shown by her repeatedly typing "I love you, it's ruining my life" on the typewriter. She's still in pain and feeling trapped. While there, she encounters Post and they create art together, which creates beauty and color in her life. The blue and gold obviously reference her writing about Joe, but the fact that her work is gold and Post's is blue may be a deliberate choice to draw parallels between Matty and Joe, as she does on numerous songs throughout TTPD.

The next scene, where Taylor's hair is down and she and Post are wearing the same black coat and pants, takes place inside her head (symbolized by the shape of the papers they're laying on.) She is dreaming about them being free and creating art together, represented by the papers surrounding them and book she's holding, which has the word "us" written on the cover. She's writing their story before it's begun.

She then reaches for his hand in her fantasy, accepting and asking for this relationship

Then we see that she's being studied and experimented on--the results of the lie detector test read "I love you, it's ruining my life." Her pain is an object of fascination.

Interestingly, Post is part of the group experimenting on her, but when the experiments begin to cause her pain, he liberates her.

This inspires Taylor to destroy the place where she's been trapped, which we see through her opening the filing cabinets that cover the walls and destroying the mirror. I also find the shot of her standing still while papers burn around her interesting and significant; I interpret this as Taylor destroying her own work about Joe. By choosing to leave, she is metaphorically burning--rejecting--the story she wrote about them.

Finally, Taylor and Post enter the dangerous outside world together; the rain echoes the lyric "I chose this cyclone with you" on the album's title track. While I do feel the meaning of Post being in the phone booth is somewhat ambiguous, the framing and the accompanying lyric--"I've been calling ya but you won't pick up" suggest that he's attempting to communicate with her but can't reach her. They are free of her prison, but still separated.

Then, he hangs up the phone and reaches for her hand, and she takes it. The final shot of the video is a close up on their linked hands, presenting us with a cautiously optimistic ending--they are lost and vulnerable in the middle of a storm, but they have each other.

I feel this is a somewhat less sinister, for lack of a better word, portrayal of the start of Matty and Taylor's relationship than is suggested elsewhere on the record, though I believe Post's character being part of the group experimenting on her is significant and the editing creates some ambiguity about exactly when and why she decides to break free. But I hope this clarifies how the video sets up the beginning of this story, the fallout of which is then chronicled over the course of the rest of TTPD.

#taylor swift #the tortured poets department #ttpd #fortnight

[mothellie]

I think the Duffer Brothers' history with racism in their show goes a lot deeper than a lot of people realize.

Lucas as a character has three distinct B plot stories that get assigned to him: being a minor antagonist to Eleven in season one, being a good friend to the rest of the Party, and being in love with his girlfriend. While Mike's plot is directly centered around two of the most pivotal characters of the show, Dustin is given two different role model characters that shape his arc and is overall the genius that helps the rest of the cast get out of several difficult situations, Will still being connected to the Upside Down after his disappearance in 1983 and that playing into several major plots, Max having a multitude of centric storylines especially in season four and Eleven literally being THE main character- Lucas is only ever given plots that help serve and uplift the other (white) characters. Unless you count him... playing basketball and being friends with Jason. I guess?

Erica is similar to Lucas, but to a much larger degree. I'd like you reading this to think of any single Erica standalone plot in the show that has nothing to do with/does not predominantly or solely benefit the white characters around her. I'll wait.

The Sinclair parents are only touched on in brief sections for the sake of filling the episodes, only ever playing a more major role in Season Four. If you could call it that. I'm sure most of you couldn't even tell me their names off of the top of your heads. (It's Charles and Sue, by the way.)

Argyle was the first somewhat major character of color to be introduced to the show after Erica played her part in season three. I could say similar things about his role in the season overall that I can about Lucas and Erica. Except they set him up to play a bigger role in the next season at the end of season four, going as far as to show him in Hawkins and have Jancy verbally allude to him sticking around, only for the show heads to ghost Eduardo Franco and let him find out he wasn't being brought back through an official social media cast photo.

Kali was a former subject from the same lab El came from, having escaped and subsequently began to lead a vigilante life of enacting revenge on those who played a hand in her suffering. She was the first subject El ever met after leaving the lab, shown to be incredibly powerful and strong-willed. Her and El had an immediate connection, calling themselves sisters right after meeting. But after El was finished with her self-discovery period on the S.S. Kali Gang for one (1) often-forgotten and poorly-written episode, Kali was quite literally abandoned both in spirit and on screen, never to be seen or even mentioned again.

All other characters of color are either killed violently (Patrick), have like ten minutes of screentime total (Jeff and Calvin Powell), or are just straight up background only and may not even have names.

They can dedicate an entire section of season four's plot to Suzie's family, but not to genuine character development for Erica or for Kali to return. They can make room for a whole pointless predatory plot between Billy and Karen, but not to give a more important role to the Sinclair parents. They have room to include a whole plot about El getting bullied in school, but not for Lucas to have a more meaningful story outside of his white friends and girlfriend. They can platform three known white zionists while Palestine currently undergoes a gruesome genocide even as I type this, but they don't have room for Argyle in season five (or even the decency to give Eduardo a fucking phone call).

Not only do the Duffers constantly write themselves into holes because they keep adding unnecessary fodder to the plot, and refuse to kill ANY of their main characters in favor of just creating new characters for the sake of killing them off in mediocre ways despite the fact that they're trying to fit 20+ B plots into 8-9 40-50 minute episodes per season and wondering why half their show doesn't make sense- The time they DO dedicate to character-specific B plots and character arc progression visibly favor the white characters.

If I watch S5, and that's a huge if, I will be sailing the high seas. Between all of this, the fact that they filmed part of season four in an old Nazi prison and tried to turn it into a fucking AirBNB, and the fact that at least four people who play major roles in the show actively support the current genocide of Palestine- I won't be giving them (or Netflix for that matter) another cent of my money.

While you're here, please do your completely free daily click to send aid to Palestine, and here's a list of other resources for how to help more directly.

#♡ · 𝘀𝗵𝘂𝘁 𝘂𝗽 𝗿𝗶𝘃𝗲𝗿 #stranger things #free palestine #lucas sinclair #erica sinclair #charles sinclair #sue sinclair #argyle stranger things #kali prasad #patrick mckinney #jeff stranger things #calvin powell #anyway excuse me im gonna go put these characters in an ungodly amount of fics #it's what they deserve

[amaranthineghost]

| UNDER THE MISTLETOE ( logan sargeant. ) |

ꕥ pairing: logan sargeant x reader

ꕥ summary: life-long friends who always swore they'd never have feelings find themselves under a mistletoe.

ꕥ authors note: contemplated making this a lando imagine but it's so logan coded and there needs to be more imagines for logan cus he's so <3 (not proofread)

will be making a christmas imagine for lando and maybe another driver, not sure which one yet. also thinking of a mini series for 400 followers (tysm!) so if you have any ideas or requests, let me know <3

SNOW FLUTTERED AGAINST THE WIND. she'd tugged his arm, pulling him along the frost-covered wonderland. her arm outstretched to point out the dazzling christmas lights strung along the concrete path.

he watched her with admiration, he wouldn't notice he was, neither would she. but the other drivers sure did, their girlfriends too. the number of times they'd nudge each other with their elbows to point out the childhood friends, who stood too close to be considered just that.

they always denied it, pushing the idea of being anything more than what they were far away from their minds because they simply didn't want to admit it. not to each other anyways.

but they saw how he looked at her, like she was brighter than all the lights that shined around him, prettier than all the ornaments hung on various evergreens with snow dusting the branches, sparkling more than the snow when the light hit it just perfectly.

they saw how closely he stood to her, eventually lacing his hand with hers, laughing at how cold her hands were in contrast to the warmth of his. he'd slip his interlaced hand with hers into his puffer jacket pocket, noticing her relieving sigh at the warmth, the corner of his mouth twitching into a smile.

the way his eyes flickered over her figure. the contrast of snow flecked through her dark hair, the lights reflection off her iris as her pupils dilated while watching the display in awe. the way she wore his williams racing jacket, though now christmas themed.

he hadn't realized how much time he'd spent just staring at her. he'd memorized every freckle of her face, the way her mouth creased and eyes crinkled when she smiled, the way her hair fell.

countless pictures had been shown to him of the pair, asking him 'if you're not in love, then explain this.' he couldn't, shaking his head with a nervous chuckle and the heat rushing to his face. maybe he was in love with her, he knew he should admit, but couldn't bring himself in worry that it'd force all the years of their friendship down the drain.

but it didn't stop him from hiding his smile every time he'd get a comment on social media about how cute the couple were, even when they weren't together. his cheeks would hurt from how much he scrolled through the comments, nervously biting his nails as he scanned the words from fans. new fans would mistake them as being together and he didn't mind, he actually felt his heart skip a beat every time he read something like it.

he'd scoff playfully at the comments for him to make a move already, but he was comfortable. watching christmas light shows with his girl—just his friend. but he'd secretly hope for more.

"they're so clueless," alex commented to his friend beside him, earning an elbow to the gut from his beloved girlfriend, lily. he winced, mouthing an 'ow' as she glared up at him. she thought it was sweet how obliviously in love the two were because they were in their own world, she wanted to protect that peace.

"how long do you think it'll take them to finally realize?" george commented, eyeing the couple beside him while his arm was around carmen.

"honestly, never." he shrugged, his answer was honest because he didn't think they'd have it in them to ruin the sanctity of their friendship for something more, even though they desired it.

"honestly," george had started by mocking alex, but had nothing to follow, "yeah." he'd exhale deeply, his hands moving to the warmth of his pockets.

they'd continue to walk behind the couple—who weren't a couple, but so obviously needed to be. they'd notice what the two were walking into before them.

but he'd be lost in his thoughts, contently staring at the girl's face lit up with the light that shined off christmas lights—and of course, excitement.

he hadn't noticed her slowed pace, her neck craned upwards, her muffled voice as if water separated them.

his name repeated from her lips, "logan." she simply said when his hearing focused back on her, his eyes unmoving on her face, "look."

he watched her lips part with a smile, not understanding her point of stopping in the middle of the pathway till he too looked where her eyes had.

tied neatly with red ribbon and decorated sparsely with berries of a matching color was the green of mistletoe. his heart skipped a beat and they'd stay staring up at it in a comfortable silence and realization.

he gulped softly, he felt the pounding in his chest as he turned to look back at her, finding her already staring with big eyes and parted lips, he'd realize now the sparkly gloss.

"well?" she'd question, and she'd watch his face closely, how his mouth would open, but nothing but utter gibberish spilled from his lips.

he nervously looked back and forth between her and the decoration before she'd realize his uselessness in such a situation. she'd rolled her eyes, pulling him in by the collar of his puffer coat till his lips met hers.

his eyes slowly closed as he registered what was happening. his hand pressured the back of her head, grasping strands of her hair between his fingers, and she squealed against his lips. hers were cold, tasting of mint and he felt the freezing gloss tingling against his.

he felt her hands along the sides of his head, their noses pressing together and the push and pull of their lips that moved in sync. his body became pressed on hers and it was like they were the only people in the world. they might've well have been.

and when they'd reluctantly part, clouds of their warm breath met in the middle as she stared up at him expectantly. he'd gulp again, a stuttering mess.

"fuck—be my girlfriend?" he'd manage out, maybe not exactly how he pictured because he'd imagine this scenario hundreds of times, but none like this.

she'd laugh at his nervousness, her arms wrapping around his neck as she'd exclaimed him, "yes."

his arms enclosed around her, his chin on her shoulder and he let out a massive sigh of relief as he saw the others cheering in the back.

"finally!" alex would call out with his hands curved around his mouth.

"told you so."

"whatever, take the damn money."

#formula 1 #formula 1 drivers #formula one #f1 fanfic #f1 fic #f1 imagine #f1 x reader #formula 1 imagine #logan sargeant #logan sargeant fluff #ls2 #formula 1 2023 #f1 #williams racing #logan sargeant imagine #logan sargeant fanfiction #logan Sargeant fic #logan fluff #formula #formula 1 x reader #for x reader #williams formula 1

[crustyfloor]

Link to the translated Q&A Vivinos and Qmeng had recently.

....Guess that means it'll be very long (hopefully) and very good? honestly just scared for what round 7 will bring, it's probably gonna be the last round in the series, and with all the tension buildup this'll be stressful i assume

Yeah, Luka was set to be a popular figure from the jump, there was no way his trick with the Sua imitation was more than just a power trip (Or just a genuine mental break on Mizi's part). because either way with the way Mizi was holding herself up during round 5, she stood 0 chance against him.

Luka, just like the others doesn't actually have real control over his position in Alien stage. So in order to set that boundary for himself and others he uses his presence and the stage because, in any other context, he is simply just a tool and a frail (old) man. (And he has in-universe stans how beautiful)

More Luka lore please vivinos....

Kinda glad this got changed, because imagine this cute guy gradually turning into the Ivan we know now and then doing the shit he did in round 6? then doing the dream face reveal showing that he never truly changed, he just had a mask on. that shit would be 10x more devastating (even though the way it is now is just as devastating) Ivan and Luka twins (scary stuff but quite intriguing, even now they're still quite similar in some ways)

And Sua has been queen since birth love her. she keeps winning.

Augh...it is true though. Aliens and humans are just far to vast in traits to relate to each other on such a level, this reminds me of Mizi and Guardian Shine. Guardian Shine might've been the only guardian shown in the alien stage cast to actually be kind. She even seemed to be crying when she had to send Mizi away to go to Anakt(?). I find it kinda sweet though, that the ones who do actually care really show it and try even if they can't understand their pets that well.

But I also like the more grim side to it, because when you don't understand something specifically another being in this case you're less likely to have sympathy for it. Humans and Aliens don't have any relatable traits so whatever these aliens do to the humans whether for self-pleasure or such. And lab-mice? that confirms lab-rat theory. Alien stage crew were all just succesful experiments and the bad batch are kept behind for further testing i theorize. but its still pretty vague so we'll see. hopefully things get more grim ((

......What are you hiding Vivinos. (she rlly said do your homework....okay mum...i will catch you...)

A story about the death of close loved ones and how that can affect characters who are alive in the long run. im gonna throw up.

(NOT AGAIN WITH THE DEAD WIFE PARALLEL MIZI IS NOT HIS WIFE-)

"Ivan is the perfect man" 😭 I love the details of round 6 clothing so much, even I got that superior or dominating aura from Ivan when I first saw him in round 6 (💀) there wasn't really much to his outfit but the way he carried himself in it kinda just gave off that idea that he's the one in control here. but gradually, we can see that facade fade as he got more into his feelings the more he sang and sunk down to a level where he was most natural. eugh.....

#alien stage #alnst #qmeng #vivinos #alnst round 6 #alien stage ivan #alien stage till #alien stage sua #alien stage mizi #alien stage luka #kinda sad....no hyuna info...i wanted to hear about here ;<; #ivan i miss u come back home #till i miss u come back home the kids miss you too please #no questions to be seen about the april 5th kiss scene or till's feelings on ivan i wonder why