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eyrieofsynapses · 4 months

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why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

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I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

#aurora comic #aurora webcomic #comicaurora #art analysis #...I hope those are the right tags???#new fandom new tagging practices to learn ig #much thanks for something to read while I try to rest my wrists. carpal tunnel BAD. (ignore that I wrote this I've got braces ok it's fine)#anyway! I HAVE. MANY MORE THOUGHTS. ON THE STORY ITSELF. THIS LOVELY STORY #also a collection of reactions to a chunk of the comic before I hit the point where I was too busy reading to write anything down #idk how to format those tho #...yeet them into one post...???#eh I usually don't go off this much these days but this seems like a smaller tight-knit fandom so... might as well help build it?#and I have a little more time thanks to break so #oh yes also shoutout to my insanely awesome professor for teaching me all the technical stuff from this he is LOVELY #made an incredibly complex program into something comprehensible <3 #synapse talks

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siscon-stsg · 3 days

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could you write a scenario about gojo fucking his sweet little virgin and innocent sister. When he looked so long her cunt, she blushed and said;

Nii-chan, p-please don't look at it

I love your writings <3

(CW: incest, innocent and virgin reader, my bad writing and not beta'd, satoruniichan being manipulative cuz yeah that's him. name-calling. oral (f receiving). corruption. degradation if you squint i guess? finger-sucking. cliff hanger cuz i'm evil)

THANK YOU PRETTY BABY YOU'RE THE BESTTT!!! i'm kissing you on the mouth mmmmmmwah c'mere. i suck at writing full pieces, haven't done it in literal AGES, but i did my best for you!! so sorry if it sucks!! my brain hurts i am not used to thinking for long periods of time. /j

satoru's eyes were impossible to escape from. he'd always make you feel naked under his gaze, like two stars sucking the light out of the night sky.

but now they gazed down at you with such hunger it was almost threatening.

“hmmm,” he hummed with a grin, long fingers tracing aimless patterns all over your wet cunny; “don' close y'r legs, pretty. don' ya wanna make your big bro happy?”

and that only made you whimper more. what was so entertaining about this? you struggled not to close your thighs around his pretty head of white hair. “niichan! don't look!”

your parents could be home any minute! what would they say if they saw you like that? knees to your chest on the living room couch, satoru inspecting you down there like he was eyeing a ring at a jewelry store!

he played with your puffy lips, rubbing them up an down. he pulled down the hood around your clit, he stretched your entrance to the sides with both thumbs; only to laugh at the sticky trails of pussy juice drooling down from it.

“why not?” satoru had to laugh at you. some nerve you had to complain, really, when your little pussy was drenched and pulsing, so far untouched. he spat on you, spreading it around your pink flesh with a thumb, and smirked when it got you all squirmy.

“c'mon, be good 'n stay still”. a firm, steadying hand pressed down on your tummy. “y're more than old 'nough to still be a virgin, y'know? i'd be embarrassed if i were you”.

was that true? was not having sex at your age that bad?

satoruniichan always had so many friends, did so much better in school than you, was always dating one girl or another... he'd know about that sort of thing, right?

after all, you were always picked on for being the prune little sister. your parents never approved of any boy you had a crush on, and being a good daughter you never went against their wishes.

satoru caught on your dilemma quick. he leaned in close, blowing his hot, tickly breath teasingly over your clit. “wan' big bro to change that?”

“change w-what? hm!” you moaned. this time you couldn't stop your thighs from closing when satoru's lips sucked on your clitty, slurping loudly until you cried out.

“pop y'r cherry, dummy,” your big bro chuckled. “that way, y' won' be so pathetic anymore”.

the name stung, “pathetic”. tho you could barely think about that with satoru loudly licking, slurping, kissing, burying his face into your pussy. nose into your clit, and purring. arms hugging your hips so you can't escape his hungry stimulation.

you couldn't even think, only moan and shiver. were big brothers even supposed to do this sort of thing to their little sisters? but then again, it felt so good!

satoru pulled back with your clitty slurped between your lips, giddy for the cute cries you let out. “'nd?” he said, voice much deeper and husky than before.

“c'monnn, say yes!” his cheeks puffed up and satoru pouted, like a spoiled child begging for candy. only that this “child” was rubbing your clit in tight frenzied circles with his thumb, not slowing down even as you trashed and squirmed and whimpered. satoru dove tongue first into your soppy hole, muffling his words in your sloshy muscles: “d'y' wanth t' be p'thethic 'll y'r lwife 'r noth?”

“n-niichan!” is all you could say, or cry. your muscles were stiffing up, specially down your belly. satoru seemed impatient, because his tongue swiftly exchanged placed with two long, too long fingers that crooked inside your virgin pussy. he felt around, until finding your gummy, sensitive little walls.

he thrusted and thrusted from his wrist at a sadistic pace, laughing at you and at your slutty teary face. you were going to be such a whore, he just knew. “wanna cum, huh? my pretty sluts wan's to cum?”

“y-yeees!”

your clit felt on fire under his slimy tongue. your walls were spasming, pussy crying as much as your eyes and it was like your body was made of jelly. you shivered and cried, and when your back arched, hips bucking against his hand, your eyes saw heaven and stars twinkled behind your eyelids and

satoru stopped.

“noooo! no! why'd you sto- mmph!” his slick fingers stopped your whining by thrusting down your throat. you almost gagged, throat and pussy convulsing in synch.

the albino sat back on his heels without pulling back from your mouth; one hand fumbling with his sweatpants until it came out springing. angry red, leaky, pulsing, and he rubbed the tip of his dick a couple times against your slit with a deep grunt.

“didn't give ya permission t' cum, did i? now open up f'my cock, slut”

#tw.incest #tw incest #dd:dne #big bro/little sis #big bro gojo #tw.dark content #dead dove do not eat #satoru gojo smut #satoru gojo x reader #gojo smut #satoru smut #gojo x reader #satoru gojo x you #satoru gojo x y/n #tw dark content #this was one of those stories that literally wrote itself #i just put my pussy on the keyboard and this came out sorry

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ghosttrolls · 3 months

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First passes at comics are always so wonky avsjdkdbbd

#ghostly posts #danny phantom #my art #hmmmmmm I should add... more to that one panel #since I didn't take up the full page maybe I like. make that one taller #wip #-> based on a fic I basically wrote in its entirety last year sometime #I am tweaking it a bit for the format of comic. maybe I post the thing itself too idk #once again jumping into the MIDDLE BTW. I cannot start a comic at the actual start

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mindibindi · 1 year

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#txf #the x files #mulder x scully #fox mulder #dana scully #gillian anderson #david duchovny #textpost #this one wrote itself #msr #otp: you're my one in five billion #also: sullivan biddle was super gay and in love with his sargeant when he died in that field the end #xf textpost meme

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sainamoonshine · 12 days

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My unpopular opinion is that in languages with grammatical gender like french, it does make sense for Murderbot to be referred to by whatever pronoun is usually used for robots or constructs. (In french, therefore, grammatical masculine.) Because there are no traditional « it » pronouns in these languages for objects, and while there are neo-pronouns, they are things one must choose for themselves. Do you honestly think MB actually spent time thinking about its pronouns?! No it didn’t. On forms it picks « non-applicable ». When people ask it what pronouns they should use, its honest opinion is « why do you even need to talk about me. Just don’t fucking do that. Don’t think about me either. Just fucking stop perceiving me altogether! »

Thinking about what pronouns to use probably makes it way more uncomfortable than letting people call it what they’ve already been calling it. Making a conscious choice about its identity? And telling other people about it??? No thanks bye, it’s just gonna walk into the ocean now, see you never.

Lbr it probably thinks the only bots that get fancy pronouns are comfort units, and the pronouns are probably shoved into them by humans same as everything else. MB would meet a bot using a neopronoun and it would wish it could barf. Because in a language like french, he/him and she/her, when applied to objects, ARE fulfilling the function of the english « it ». Nobody is saying the table is a woman or related to feminity in any way outside of stand-up comedy; when it comes to objects grammatical gender really has fuckall to do with human gender even if we use the same words. Even animal species names have grammatical gender and everyone gets that there are male and female turtles even if the word « turtle » is a female word, it’s not that confusing.

(I know this is strange when your language has different pronouns for people and for objects, but understand that english uses the same word to indicate if I’m addressing one or many people, and that is confusing to me.)

TL;DR; stop harassing international fans for not getting the correct MB pronoun in english right off the bat. Yes in english calling it « he » or « her » or « them » is upsetting because it’s projecting an identity unto it. But same goes for trying to get a foreign language translation to use a pronoun intended to express or showcase an identity (or even a lack of one!). Murderbot has not thought about it this hard, refuses to think about it this hard -> and that is its only canon accurate gender identity.

#the murderbot diaries #taking a bat to an hornet’s nest there but I said what I said #I go by she/her because that’s the default people use for me even tho my own gender identity is also #ugh I would sincerely prefer not to have to deal with this think about it or even be perceived #and I would be hella pissed if a book of my life came out and people got into fights about my pronouns #trying to assign me the most politically accurate agender pronoun possible #when my own choice has always been specifically to let people call me the default because idc #and I don’t want to be identified by any identifier that might indicate I do care #and using a different pronoun even if its a gender neutral one is a CHOICE!#it does indicate a preference! and caring about it enough to pick a word and tell people about it!!!#Murderbot didn’t pick IT that is specifically the point!#it was used for it and MB just kept going with that #I mean imagine it if wrote down a different pronoun on its ID form one day and someone actually called it that #it would set itself on fire #its discomfort at having made a personal choice and the personal choice being respected would be off the charts #maybe it a later book after hella character development but I just don’t see it happening tbh #respect the agenders who just don’t want to get involved and use the pronoun equivalent of the default avatar that came with the account #PLEASE #that is all

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smile-files · 10 months

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you hate me for believing/that we are born for living

so you wish i were dead/you wish i weren't happy

i find it truly tragic/that you murdered your magic

when you said it wasn't real/you chose to kill it

#dandy's doodles #inanimate insanity #ii #ii clover #ii nickel #kin #these are lyrics from a song i just wrote cake 'you wish'!#i'd share the song itself but i don't know how to upload song files on mobile :')#anyway. have i ever told you how much i hate nickel :)#he doesn't deserve clover's luck.....!!!!#anyway... it was really fun to do the shading for this one! and the perspective!! and the lettering!!! :D

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definitelynotshouting · 18 days

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“The universe sings,” Grian said.

He sounds vaguely distant- like he’s speaking from hundreds of blocks away rather than right next to Mumbo.

He turns on his bed, slow halting movements, to face him.

“Did you know?”

Mumbo can only stare.

“…Sings?” He asks. He shifts on his chair.

Grian seems to want to nod, but aborts the motion halfway, and hums instead.

“Yeah. The code. It sings, if you listen close enough,” Grian mumbles.

Mumbo opens his mouth, then closes it again.

Grian exhales a long breath, and his eyes drift close.

“Can you hear it?”

Mumbo watches the way Grian’s chest rises and falls, shallowly, slowly.

He closes his eyes, and strains to hear.

He hears- Tango out in another room of the house, pacing circles around the kitchen. Mumbo can tell it’s Tango by the shuffle in his walk.

He can hear birds outside, twittering. Wind rustling through branches. An animal- a pig, maybe, trotting along some grass.

It’s quite calming really- but he doesn’t hear singing. At least, he doesn’t think he does?

When he opens his eyes again, it’s to Grian staring right at him.

Mumbo exhales in one sharp breath- he didn’t realise he’d stopped breathing- and meets Grian’s gaze.

“Did you mean like, actual singing or- or was that metaphorical? Because I can’t hear anything other than trees, mate,” he says, only half-joking.

Grian huffs a small laugh, and shakes his head.

“Nah, it’s not really singing-singing. It’s music, though. You’ve definitely heard some of it- discs. That’s the easiest way to hear it. But that’s- so few of what’s out there. There’s more music, if you know how to listen for it,” he hums. His eyes close again, and he leans more into the mattress.

Mumbo pauses, and thinks on that for a moment. Music discs, huh? He supposes it seems plausible, that there’d be more music out there.

But then why has he never heard it? Mumbo doesn’t ever recall hearing ‘the code sing’. If it’s tied into music discs, then is it naturally generated? Is hearing it a ‘watcher thing’?

Mumbo glances down at his hands, traces lines of dirt under his fingernails.

He nods, though Grian can’t see it anyway. He makes some vague ‘see you later’ comment he can’t bother to think about, and carefully gets to his feet.

At the doorframe, he peers back.

Grian lies there, breathing steadily.

Mumbo turns and leaves, closing the door behind him.

////

headcanon that the minecraft soundtrack can be heard in the code, but only if you're 'in harmony' with it. cue other headcanon of watchers being very aware of the code

HEY ANON. ANON. I ADORE THIS HOLY SHIT I FUCKING LOVE THIS HEADCANON???? The idea that the universe is constantly singing to itself, and you can hear that through the Greater Code if you really carefully listen, is something i lowkey want to canonize SO BADLY holy shit. And this is such a lovely snippet too, im always such a sucker for deeply layered conversations like this.... i adore how youve given so much depth to the sentence "the universe sings" and the implications of how and why Grian is hearing it so much right now. [THROWS UP BLOOD] IM OBSESSED.......

Also this Mumbo dialogue especially is on point youve done such a good job of capturing his little speech patterns :] STUNNING JOB ANON IM SO FLATTERED U WROTE THIS!!!!! I really think i might canonize this concept just for how absolutely amazing it is, im utterly obsessed with it

#shouting speaks #asks #hunger au #art for me #<- litcherally cannot remember if i have a specific fic for me tag or not IG I'LL FIND OUT ONCE I HIT POST...#THE IDEA THAT TJE SOUNDTRACK ARE SONGS THE UNIVERSE SINGS TO ITSELF.... IM GOING BUCKWILD #i mean its already canon the universe SINGS but u KNOW my ass is gonna be listening to the full soundtrack #tears in my eyes as i picture grian listening to it.....#i hope its okay to yoink this anon bc im enamoured with the concept truly #gods and the idea that the music discs are specifically fragments of the universe singing that you can ACTUALLY HEAR....#i like to think that like. making music discs is p much like making custom ones the way theyre doing it #but sometimes. sometimes you find treasure discs #or you fashion it from the remains of a creeper.. and you get a little window into what the Greater Code sounds like #weeping forever and ever that u wrote this for me im saving this in my special little works inspired by hunger au folder rn #❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️#fic recs #long post #txt

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notadecepticon · 24 days

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dmmd as text posts: Toue Inc.

#Tatsuo Toue #virus dmmd #trip dmmd #alpha dmmd #dmmd #dramatical murder #dmmd as text posts #the trip pun wrote itself #“no one can shoot down your ideas if you mind control them first” Toue doing the think about it meme pose #my post

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dootznbootz · 3 months

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Odypen definitely and equivalently adore each other BUT I weirdly can't see them as the type to actually say "I Love you".

They still definitely vocalize their love for each other but it's more so in "My Joy", and "Extraordinary Woman", "Strange Woman/Man", etc. And very cheesy lines (both say some cheesy shit in the Odyssey, and he definitely does in the Iliad as well. "Joy like a drowning sailor seeing land" bit???)

I could see "I adore you" but even then, that's probably during very specific moments but the actual "I love you"??? I just typed it just now for fic shit and... It weirdly just didn't feel right and I don't know why. 😅

Idk maybe it's kind of because I see them as over the top in ways, they love wordplay and riddles and I think they'd almost think "...That's not good enough >:( " about it??? I don't know???😂

#I wrote this last night. I'll do the asks I got later. don't worry! :D #I am the cheese god remember?😅#I think these two would try to “out-cheese” each other and whoever is left speechless first loses #“I would forget my own name before I would ever forget you” bullshit. CHEESY #And yes. “I sleep in our nest with you or outside on the dirt” stupidity >:D #I plan for Odysseus as a beggar to ask why she waits so long. As he's been gone a longer amount of time than the time they had together #(Simply asking as reassurance. He knows his answer. Calypso asked him. but what about Penelope?) but she gets mad at the #“Beggar” and pities him as he must be telling the truth about having a miserable life if he never got the chance to know such devotion #How what they have could never be sullied by #something as trivial as distance and years. How the years with him were the best in her life. Only made better by their son.#'My dear Joy made songs and poems about love a reality as that was simply the life we shared. Even separated our 'song' will always echo #no matter how long it's been. I'LL make sure it always does. And I know he's doing the same... That strange man used to say that #even if he died his corpse would drag itself back to us before he'd ever give up.'#...I'm not one for 'odyssey zombie au' but when I first heard it yeah. :'D Came up with this back then #“His eyes as hard as flint or horn-” Bullshit! The sad lil fuck is hiding sobs with coughs and telling her to keep away for fear of her #catching whatever “illness” he has. The nice thing about being disguised as old means sickly old man works.#...#I'm noticing that Odysseus has a lot of silly oneliners while I write Penelope with a shit ton of set up :'D #They are so silly and I love them so much #...I wrote a lot :'D #Mad rambles #shot by odysseus #my headcanons #odypen #yahoo!!!#sometimes I wonder if I should tag this with more things but I don't want to taint the regular tags with my bullshit :'D I KNOW I'm insane

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heavywoolcoat · 7 months

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#you thought I'd be doing serious art? so did I but there really was only one thing I could do here #the prompt is 'spider'#this wrote itself #drew itself #...?#inktober?#pinktober #art?#art #roger waters #cryptid roger waters #david gilmour #pink floyd #it does probably qualify as a shitpost #(he's mutating)

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u5an5 · 6 months

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Am I the only one that every time I get myself into new fandom I just sigh, knowing fully well that I just got next 20+ x reader, y/n, x Oc!whateverthefuck or just any form of self insert tags to blacklist?

#as aegosexual its specific kind of hell #“i dont have problem with smut (for me other forms of fics too but its just preferences) as long as IM not part of it” is #quite literally a definition. im physically incapable of reading those without having imagining that instead of y/n there #is ANY character that appears in lore its based on and feel the urge to put it into google docs and “correct” it just so im actually able t #enjoy it. not that selfinsert is anything fundamentally bad. i just treat it sort of like kink that i don't understand #i dont want to understand and DEFINITELY don't want to see it #tldr: i need to blacklist way more fnaf movie related tags than i ever wanted to #and finding them all is harder than you think #last time i had to add TEN SEPARATE TAGS #for ONE person #aegosexual #ace struggles #banning y/n from appearing in post itself doesn't work that well cause day/night exists #acespec #I JUST WROTE 'aego'... in tags and got THREE SEPARATE PROPOSITIONS of self insert #WHY

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arggghhhsstuff · 2 months

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pjo fandom i'm back prepare to be sick of me

#i have so many opinions #no one gets them like i do i swear #they're so much more than what rick wrote!! cmon look it's right there #annabeth & luke and thalia. percy's traumas. annabeth's trust issues. clarisse & silena as patrochilles. i could go on #the gods. oh THE GODS.#esp. how the goddesses were treated/written #the fucking hunters of artemis man #goddamn will solace #camp in itself #chiron #I COULD GO ON #pjo #pjo fandom

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invinciblelikeu · 28 days

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i love panic attack sooo so so much like it has a special place in my heart. i remember reacting to him singing it live for the first time and i was SLACK JAWED when he started singing the chorus, and then i read the lyrics and almost cried 😭😭😭 absolutely criminal we don’t have the studio version yet…

#the fact that it’s dream singing it makes it so much better #the song by itself is already insane but i feel like if dream wasn’t the one singing #it wouldn’t have the same emotional effect on me #dream’s voice just fits that song so well and knowing that HE wrote it is such a big bonus

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skitskatdacat63 · 7 months

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Boy King AU | Vettonso + Martian | 1.3k

There's something about putting the future emperor of the Holy Realm on his knees like this. About how easily he goes, how willingly, how obediently. What would his adoring public think if they could see him now. If they saw their beloved king pressed down like this, in the cramped space between Fernando's legs. When they realized their little boy king took it like he was a little concubine instead.

Fernando's bitterness is lifted away in moments like these, like taking off a heavy cloak on a winter's day. It was hard to feel humiliated about his own situation when watching Sebastian debase himself like this.

He always gives himself up so easily. When Fernando threaded his fingers through his thick curls. When he pulled them, and then when he pressed his face down further down into the vee of his legs. Sebastian rubbed his cheek into the coarse fabric of Fernando's breeches and blinked up at him. Fernando had to smother an embarrassing sound; he was just like a little cat!

Sebastian quirked his lips up into an odd little smile and slightly rose up on his knees, "What's funny?" Fernando swallowed lightly and schooled his face back into being impassive, "Nothing. As you were." Sebastian simply smirked at him and let himself be pushed back down by the fist clenched in his hair.

Fernando scoffed internally, there was only so much pleasure in putting the other man in his place when he instead acted like this, this degrading action, was his birthright. He took to ruling and indulging in carnal pleasures as if they were of equal gravity. To be privileged to hold such high station and also let himself be taken apart like this…Fernando felt embarrassed for him.

He is dragged away from his musings when Sebastian moved to settle his hands in Fernando's lap, clutching his hips over the fabric and slightly squeezing; Fernando fought against the urge to shiver. Sebastian pushed up the skirt of Fernando's waistcoat and smoothed his hands over the opening flap of his breeches.

His eyes darted up at Fernando again, a daft smile on his face. Fernando scowled at him, "What?" Seb's grin sharpened, "You could stand to be a little more gracious. This is your future emperor, and future husband might I add, kneeling for you on this dirty, depraved, derelict- ah–" Fernando tugged on his hair again and hissed, "Well then, why don't you show me how eager you are to perform your marital duties?"

Seb licked his lips, completely unconcerned by Fernando's annoyance, and unbuttoned one side of the closure to Fernando's breeches and moved to open the other–

The door to the carriage flew open, arrival announcement dying on a wheezing breath as the servant took in the image the two kings made. One splayed across the seat, exuding power, the other kneeled, debauched, between the former's legs.

One would be hard pressed to determine which was higher on the totem of power and titles.

There was something gratifying about this to Fernando, about being caught. He had been humiliated enough throughout the entire courtship, what was one more thing? And, certainly, what was one more thing if he could drag Sebastian down into the dirt with him.

"Oh Mark, don't act so abashed! It's nothing you haven't seen before, in fact, we have been in this very position not even a fortnight ago!"

Oh. Yes. That.

It was hard to be completely pleased when he remembered how Sebastian had already spent years prior to their engagement sampling the palace's ample selection of fellow high-born men. And how all those men seemed to be completely and utterly wrapped around his little finger.

Fernando released his hand from Sebastian's hair as if it had burned him. He did not understand why he felt ashamed with Mark looking in on them like this. Fernando was the one marrying Sebastian, not Mark; Mark was just a lowly courtier who had the esteemed duty of spending practically every waking hour with the brat…something he himself was decidedly not looking forward to.

Sebastian stayed kneeling, staring impassively up at Mark, still fiddling with the clasp on Fernando's breeches. Fernando gritted his teeth and looked up from where he was watching Sebastian's clever little hands; Mark stared back at him placidly.

Mark's indifference made the entire situation worse. Fernando now felt as if he was not doing anything unique, not doing anything particularly new. How many other men had Mark caught Seb with in this exact position? Fernando felt like he was just another plaything of the boy king, soon to be boy emperor, except his position was forever, permanent. He was the "Kept King", the king who only kept his throne due to the whims of a boy who doesn't even understand what power is.

Mark coughed, "Well," he says, "Your Majesty, I do believe you have a meeting to attend." Seb pouted at him and whined, "We were just getting to the main course," but still braced himself on Fernando's thighs and got up off the carriage floor.

Seb pranced down the steps Mark had placed next to the carriage, miming tripping sown the stairs, snickering when his action made Mark reflexively reach out to grab him, and then playfully skipped off the final step.

Fernando couldn't help but stare as Mark made the weirdest grimace in response, and he inexplicably felt all his mortification seep away from him. Huh. Maybe Mark is-

Seb then turned around and frowned at him, seemingly disappointed, but his eyes are deceivingly sharp, "Fernando, I regret to inform you that I have other duties I must attend to, you will simply have to wait." He then grinned up at Mark next to him and giggled as the other man stiffened when Sebastian looped both of his arms through Mark's.

He leaned all his weight on the other man, Mark not so much as shifting his weight, "Oh Mark, won't you carry me back to the palace? I'm so very tired after all the horse riding," Seb looked up at him imploringly.

Fernando observed as Mark rolled his eyes and shrugged off the man, though notably not pulling his arm from Seb's grasp, and he got the distinct feeling that this exact scene had been played out countless times before.

Fernando clenched his jaw as he watched Seb turn and saunter off, Mark trotting alongside him like a loyal dog. Fernando was supposed to be the unaffected one in this partnership, the unflustered one, the unconcerned one. And yet here he stood, in broad daylight, in a foreign kingdom, on the steps of a carriage with his breeches half unbuttoned and his cravat in disarray.

He heard a cough from beside him, jolted and looked to the side. Sebastian's loyal Horse Master stood there, lounging against the side of the carriage. Fernando had forgotten who had even been driving the carriage in the first place. After Seb has let himself be pushed down, his hair still windswept from their ride together, everything else seemed to fade away. His thoughts were reduced only to how he could mess up the younger man's hair further.

Jenson grinned at him wolfishly, and casually crossed his legs, "First time?" he inquired. Fernando glared at him. The other man laughed openly at him, "What? He's a busy man with big prospects. You're not his majesty's only conquest, you know. Now your throne on the other hand…"

Fernando seethed, it was one thing to be humiliated by the future emperor, but to be patronized by the king's horse boy? No. It would simply not do. He closed his eyes in annoyance, pinched the bridge of his nose, exhaled, and prepared a speech about how he was not about to be talked down to by a man who didn't even have a throne to speak of!

But when he opened his eyes again and opened his mouth to begin his tirade, Jenson was already wandering away to tend to the horses. Dios mío, Fernando was not mentally prepared to spend the rest of his life with all of these impertinent morons.

#i love how i kept saying to people: no no i shant write any fic for this. only art.#me like two weeks later: hey guys :)#this is just: i was sitting in class and had a drawing idea but then im obv not drawing *this* in class so my brain went into narrative mod #not exactly 'baby's first ficlet!!!' but moreso ive not written in a while so i hope its alright???#but aaahhh this was actually pretty fun!! idk i think it was bcs i was also being brainrotted by the image of seb kneeling....#maybe ill draw it. but it felt like something that needed the context of narrative and not just oo here is a drawing!#anyways you can always ask me for a directors cut-(PLEASE PLEAE BEGGING PLEASE)#see this is why im not cut out for writing fic #its not like i dont think it can speak for itself. more that im just an overly reflective person who wants to explain all my thoughts #if i wrote fic itd really be just: chapter 1. chapter 1.5 chapter 2. chapter 2.5 #anyways i think its pretty obvious but this is before their wedding and just like peak bitterness.#well not peak. peak would be the first year- first few months of their marriage #but this is fernando who is only just realizing how naive all his expectations of seb were and getting a glimpse of his future #but mostly: mindgames and power play and: whos actually really winning?#also my god jense is literally the best chara in this au. he is vibing and basically just witnessing ye olde reality tv #mark and fernando are always in a weird powerplay with seb(even if seb isnt even consiously doing so) and jense is just free from it all #hmm now how does one go about tagging fic #vettonso #f1 fanfic #formula 1 fanfic #f1 #formula 1 #martian #sebmark #also idk why im always so concerned abt tagging when im basically just writing this for my little boy king following i have somehow formed #hahaha! it is art to me!:#catie.art.#boy king au

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