JATP Season 2 Wishlist
that i wrote in my notes app back in:
and realized i never posted it here? tbf i'm rarely on tumblr. but because i really miss them rn i want to share my ✨ brainrot ✨ that i had back when i thought they were getting a renewal.
Carrie Wilson
she was my biggest flaw in Season 1. I wish her "redemption arc" is fleshed out more in Season 2; give her either more context & backstory to validate her reason for unnecessarily antagonizing Julie, or screentime to properly address how she's just projecting an emotion completely different into bitterness and anger into Julie's recovery
show particularly her earlier dynamic w/ Flynn and Julie? Maybe as Flynn calls her out, we'd get flashback glimpses prior to Rose's death (maybe even Double Trouble temporarily being Triple Threat 👉🏽👈🏽)
for some reason i'm picturing a scene where she's in her dance studio (she has one in their mansion, of course) practicing some of her Dirty Candy routine when she keeps messing up and not in the right mindset to keep dancing. i feel like the best (maybe easiest but whatever) way to guide the audience into her artist mind is to make her be a perfectionist. in frustration, she blows up for a minute before slumping onto the ground and reminisces her fun times with Julie & Flynn
also when you have her develop, please don't make her lose her femininity and the bubblegum pop music, it's great
Old Songs Resurfacing
it'll prove how detailed & thorough you are as a screenwriter if you pay off the songs mentioned in Season 1 in passing to be actual songs in Season 2
Unreleased: Get Lost, Long Weekend, Crooked Teeth, My Name is Luke, and if that riff from the scene in EP. 5 that spurred on the Bobby reveal isn't from one of these songs, add that too
Demo Album: Late Last Night, Lakeside Reflection, In Your Starlight
Willex
imagine your queer couple gets to have their first kiss first than your het main couple, not only will that settle Madi & Charlie's statements about being uncomfortable in doing a kissing scene and maintaining the priority of Juke's emotional over physical relationship, it would also make an powerful statement
Reggie's Character Arc
i know that he initially had an arc that involved a romance with Flynn but because of the ages of who they casted, they scrapped it and didn't have time to rewrite the scripts for him as filming neared, so they have time to adapt to how jeremy portrayed him for season 2: a lovable dork who craves familial love
since there's a possibility that lifers can now see the boys, maybe some found family trope for Reggie and Ray Molina?
he has pretty much formed a parasocial relationship with him at this point
so why not instead of a love interest, Reggie can have his character arc develop & we see his family before thru flashbacks and paralleling those in the current times because he sees Ray as a father figure
picture this: it's raining, Bobby opens the garage door to the sound of knocking, the boys find Reggie soaking wet and out of breath when he tries to say he doesn't know where else to go then the boys immediately figure out another fight in the Peters household happened. Reggie tries to talk again when Alex (because even though they're the airhead-sarcastic duo, they know they love each other) runs up to hug him and tells the other he doesn't have to say anything
cut to a freshly showered Reggie, quietly watching tv with Bobby, Luke, and Alex in the garage, eating whatever
also a solo acoustic country song, pls. just to make him happy
The Aftermath of the Deaths
for both the boys and Rose
we get parallels about how Bobby dealt with trauma and grief to Julie
like, the reason why the clothes are still in there (are to have costume changes for the boys) is because Bobby immediately moved out of the house (therefore also the garage) and left the clothes there because he couldn't bear to burn it, or visit the boys' houses to break the news to their families and return the clothes, or donate it somewhere so he just...left it. it would make for a more solid reason (for costume changes) and an emotional context as to how Bobby really tried to forget them because it was "easier."
it would also make sense why Carrie and Julie ended up friends. Rose probably was there for Bobby when they discovered what happened at the alleyway, so they stayed friends over the years and had their respective families but still kept in touch, (bonus points if absolutely nothing romantic happened between them! yay to normalizing platonic male-female relationships) and why Rose would immediately think of Bobby's three late bandmates to send for Julie when she was on her deathbed
Bobby never really "moved on" (because grief is a really complex thing). it's showed that he has a therapist and everything, and this could definitely have some aftereffects on his daughter. Carrie growing up seeing her father be this amazing rockstar but a negligent father and only showing love in ways she doesn't need (like riches and fame and connections to the music industry) because he's actually a really lonely man on the inside and no one can see that except for Bobby's spouse and Carrie. it'd explain why Carrie is spoiled, and other negative character traits that Carrie has on the surface
it's even why Bobby changed his name to Trevor: 1) Bobby is so closely associated to Sunset Curve and it's an absolute pain to be reminded of that every day, 2) it's a stage name and artists really do get that
More Worldbuilding
they already had some pretty creative concepts/ideas in the first season, so why not expand/expound on them a bit more
the instruments are attached to their souls that's why the boys at first can only touch them, like how Willie's skateboard and helmet are attached to him
which is why when they attach themselves to the world of the present, they gather up energy and focus on touching tangible things like the picture frame
this may follow the logic toward the end where they are finally able to touch Julie because she has become attached to their souls. emotionally.
More Creative Collaboration
i believe in the principle that when a story is finally released/published/told to the world, the world shares it. this is also visible in film/tv where when the scripts are finished and actors receive them, the story becomes part of theirs to work on. which means that they have some sort of autonomy over their characters' motivations, a chance to be heard of their ideas and pitches, and why some certain scenes wouldn't work, etc etc. it doesn't just become the director's story nor the screenwriters'.
the actors' ideas such as Perfect Harmony and their solos from Nothing to Lose are great because they let them in. they took risks, and it paid off incredibly well. more of that please. have them be a part of the writing process, (also the story), but never forget what made the music production great in the first place. be coherent and don't be like others that let too many hands work on one piece—it will lose its sound, its identity.
Julie Knowing
that Nick is possessed by Caleb. ohmygOD. hear me out.
the same S1 ending will play somewhere in 2x01, but it will be revealed that Julie was watching through the window the entire time and when she opens the door to receive the flowers, that last look she gives him is actually her scheming.
determined to get Nick back, imagine The Promised Neverland's level of mindgames Julie could play with Caleb because we already know our girl's smart
Free Willie Willie's Freedom
since the boys feel indebted to Willie's help, they insist on helping him too with getting rid of Caleb's stamp
maybe through his connection with Alex? or maybe Willie's family or friends who are still lifers (which is unlikely but either way). he needs to be saved !!
Song Sequences Ideas
juke counter melody duet like Rini's "Even When/The Best Part," Shane & Mitchie's "Wouldn't Change a Thing," or dodie & Jon Cozart's "a love song/a non love song"
emotional carrie ballad paired with lyrical hiphop choreo
willex song - i absolutely have no idea where this could go directionally but maybe alex on an acoustic guitar with a really soft sweet tune
reprises of S1 songs but in the complete opposite of their original style (the fandom's lonelier All Eyes on Me version, i see u)
nick guitar solo - just because Sacha actually plays, idk how it'd fit in to the plot yet but hey
Nothing to Lose (Reprise) - back in the '90s, a producer manipulates Bobby to sign a record deal to become a star but on one condition: disassociate himself with Sunset Curve, to which he first declines until he slowly gets persuaded. (sort of like Todrick Hall's So Lucky to Be You meets Lyn Lapid's Producer Man)
"So how about it, Bobby Shaw? Do we have a deal?"
"Trevor."
"I'm sorry?"
"Call me Trevor Wilson."
i'm pretty sure someone made an animatic with this idea too but i cannot for the life of me find it !!
7. Season 2 starts the same way as Season 1 does before the opening song plays
Black screen that reads a text "Hollywood 1995"
a pan down to the Orpheum's overhead sign that reads "SUNSET CURVE SOLD OUT"
cut to the interior with Rose finishing up her cleaning when a stage manager calls out: "Sunset Curve!" to which Bobby abruptly stops his pacing back and forth to look up. he and Rose look at each other. music swells until...
cut to him running onto the alleyway, "are they still not finished eating? those gluttons are dead to me i swear—" he cuts off his own words when he sees the boys getting dragged onto stretchers. but we, the audience, don't see it. just a close up of bobby as the ambulance lights reflects his face. rose comes up behind him, still clutching their t-shirt.
[i honestly have no idea if Bobby should get on stage because it just proves Luke's theory of The Orpheum's opening bands eventually becoming big & successful so it'll explain the Trevor Wilson fame even though at first he only did it for the boys, or if he shouldn't because according to the article Julie googled he ran away immediately after they were pronounced in the scene] but either way, this is how the opening starts.
then it progresses to Rose and Bobby respectively having children so they could parallel each other blah blah
8. Julie plays a simple song on the piano while the guys watch her in awe
Storytelling through Props
let's dive deep into Rose's luggage/suitcase and use the props to head for Julie's emotional attachment with them
they already did it with the wardrobe: Rose wears the black leather vest in the pilot while Julie wears the same thing in EP 6
add depth to the characters' relationships like us finding out Julie's multilayered necklace is actually a gift from Carrie or something
SOYON ANN YOU'RE A GIFT FROM GOD. Bobby's necklace is present in both young and old!him
**Rose in flashback scenes should be wearing clothes we've already seen Julie in Season 1 just for greater effect.
The Bobby Conflict
definitely needs to be brought up again by Season 2; they only discarded somewhere in the middle because more pressing matters like the boys' existence blipping away was pushed to the forefront of the story
however, The Bobby Conflict changes. it'll be cleared up that he was offered a record deal as a solo artist by a manipulative producer. and given that the poor boy is only 17 (too, maybe), he agrees. what he doesn't know is the contract's fine print: giving up Sunset Curve's royalties
that information clears it up to the audience and the band, so the conflict becomes this: Bobby's Survivor's Guilt. god wouldn't that be so good tackling that in a kids'/family show.
27 notes
·
View notes
the misadventures of peony
aka the fic that shouldn't exist (tm)
it's done! this cracky "little" "should have been hammered out in one night" fic is done! thank you to @narcissusbrokenmirror for the idea and granting me coparenting rights. i hope I did peony right by you!
tagging @legolasghosty @innytoes and @jmrothwell with NO pressure whatsoever to read! Y'all were my ask box cheerleaders (thank you) so if you were waiting to see this, here ya go!
on ao3 (2584 words), Rated G. CW for pet snakes and all that entails!
“No, you guys. We don’t have enough room. We don’t have enough time. We can’t get a dog!” Luke looks between all four of his friends and roommates, each sporting their best puppy dog faces, and he sighs before waving them off and turning away, “And put those away. It’s not fair.”
“But Luke! We’ll take care of it! We promise!” Reggie pleads, clasping his hands in front of him to really sell his point.
“Dude, you forget that I TRIED THAT! For years. And literally never once actually followed through on it. We aren’t home enough.”
Alex decides it’s his turn to try, “But you were a kid! We’re all adults!”
He’s met with a chorus of “yeah”s from the group and Luke rolls his eyes.
“No.”
Everyone huffs in frustration as they resign themselves to his veto vote. They’d agreed that decisions like this needed to be unanimous but they don’t have to be happy about the results.
“But what if... what if it wasn't a dog?” Willie asked.
“What do you mean?”
"What about... a bunny?"
Luke rolls his eyes, "You know just because it lives in a cage doesn't mean it's less work than a dog, right? No.”
"So that's a no on a hamster too?" Reggie chimes in
“Yes Reg, that's a no on the hamster too.”
“Damn.”
“What about... a bird? They’re chill,” Willie tries again.
“We're not getting a fucking bird, Willie.”
“A lizard? Oh! One of those bearded dragons! Those are cool.”
Luke glares at them, “No dragons.”
Willie's face falls into a mock pout. "It doesn't even breathe fire!" they exclaim pitifully.
This time, Alex joins Luke in glaring at Willie. “Really?” he chastises them.
Willie offers an unabashed shrug in response.
"What's the lowest maintenance pet we can think of?" Reggie asks in an exaggerated whisper.
Julie huffs, "A goldfish."
“No water!” Luke cries.
“Why not?” Julie counters harshly, hands on her hips. They’re all a little bit frustrated with how stubborn Luke is being and it’s unfortunately starting to break through.
“We have way too many electronics for water to be a good idea. We do NOT need another Reggie fixing his amp in the rain situation.”
“Dude, it's contained in a TANK,” Willie explains.
“You are seriously no fun,” Reggie quips as he fiddles with his sleeves.
Willie's eyes widen as he comes up with a new idea.
Luke sighs before Willie even opens his mouth. "No."
WIllie's face falls into another pout. "You don't even know what I was going to say!"
“I don't need to. No.”
“You only need to feed snakes like once a week. And there's no water,” he pauses to consider his words before continuing. “Well, almost no water. And they're PRETTY!”
Luke’s face pinches in confusion, "What?!"
"A ssssssnake. We should get a snake."
"A snake? Seriously?"
"Yeah, people have them as pets all the time. And they're super chill and low maintenance. Look!" Willie pulls out their phone and starts typing. He stops and turns his phone around for Luke. “See?”
Julie crowds in behind Luke and coos over the picture on the top of the screen.
After giving Luke a moment to read, she plucks Willie's phone out of his hand. Julie walks around to Alex and Reggie showing it to them.
Reggie's jaw drops and a contemplative look crosses Alex's face.
"Willie has a point, you know," Alex says after a moment.
"How do you mean?"
"We could have a super cool, super fun pet. It's low maintenance enough that we could ask Carlos to feed it like once a week when we're away. We don't need to take it out for walks. Just... clean the tank every once in a while."
Luke groans, "Are you serious? Can we at least sleep on the idea of it before we start talking about it?"
Reggie grins, "So you're saying we can talk about it?"
Luke offers a resigned sigh, “Tomorrow.”
That earns Luke whooping cheers from everyone else. He can't help the small quirk of his lips at their excitement but quickly returns his face to its solemn expression before they can notice.
“Can we get back to rehearsal now?” he asks once the others have started to calm down.
“Sir! Yes, sir!” Reggie salutes. He’s met with an eye roll from Luke and laughter from the others but they quickly find their positions, picking back up where they’d left off before being derailed by the pet talk.
—
They’d agreed, some with more resistance than others, that this was for the best. Reggie and Julie didn’t need to know EVERYTHING and it was fine.
Except that when Willie got home with that week’s meal for Peony, he was surprised to find both Reggie and Julie hanging out with her.
Reggie notices Willie’s entrance and lights up. He eyes the package in Willie’s hands and nudges Julie. She turns and directs a smile Willie’s way.
“Whatchu got there?” she asks, pointing at the box.
“Uh, nothing?” They reply awkwardly as he tries to shield it from them.
“Uh huh, convincing,” Reggie says with a grin. He takes a few steps toward Willie, who moves backwards each time Reggie gets closer.
Julie looks between the guys and lets a mischievous grin take over her own face. “Is it something we can’t see?” she asks carefully.
“No?” Willie answers, cursing himself for apparently completely losing the ability to lie at some point in the last five minutes. He puts the box behind his back for good measure.
Julie joins Reggie’s mission to solve the mystery of the box. She swoops behind Willie to grab it from their hands.
Willie sighs in resignation as he watches her peel back the lid.
Julie squeals in excitement as she holds the box out to Reggie. “Look at it! It’s so cuuuute!”
Reggie joins her and lets out a squeal of his own.
They fawn over the mouse for a moment before turning to look up at Willie.
“How’d you convince Luke?” Julie asks.
“Uhhhhh, I didn’t?” he tries and Julie narrows her eyes at him but otherwise accepts their answer. Apparently she has better things to do than interrogate them. She returns her attention to the mouse.
Willie runs a hand down his face as he muffles a sigh. They know this is going to end poorly. He lets Reggie and Julie take their time cooing over the small animal while he tries to figure out how to get them back out of the house so he can feed Peony.
They send a quick text off to Alex and Luke who promptly respond with a plan. A few moments later, Reggie’s phone rings and he’s ushering Julie out of the house on whatever errand Luke had sent them on.
—
They somehow manage to make it a few more weeks without any questions from Reggie and Julie. The half-lie that Luke didn’t let the mice stay seemed to do most of the heavy lifting for them and casual deflection worked for the rest. Until it didn’t.
—
Julie and Reggie burst through the door with a very resistant Carlos in tow.
“I told you I don’t want to!” he exclaims as he struggles against them.
“Just come meet her!” Julie insists as she gives another tug of his wrist.
“She’s a sweetheart,” Reggie adds, “you’ll love her.”
“Just give her a chance!” Julie pleads. She turns her most powerful puppy dog eyes on Carlos. He rolls his eyes back at her. She sighs. Right, sibling immunity. She nudges Reggie who immediately takes the hint.
He widens his eyes with his most pathetic expression and it’s Carlos’ turn to sigh, “You can show her to me. But I’m staying back here.”
“Yes!” Julie cheers. She turns toward the room, confused by the sight she’s met with. “What’s going on?”
“Nothing,” Willie says from their position in front of Peony’s enclosure. They’re flanked on either side by Alex and Luke, blocking the others from being able to see their pet snake.
Reggie gasps as panic overtakes him, “Is she… Is she okay?!”
“She’s fine,” Alex sighs.
“You weren’t supposed to be home yet,” Luke adds, directing a quick look over his shoulder.
“What’s… why are you blocking her?” Reggie asks. He walks toward them and the trio tighten up their formation.
Julie makes her way around Reggie and stands in front of the others. “Move, please,” she says, less of a question than it probably could be.
“No, I don’t think I will,” Alex replies casually, crossing his arms over his chest for good measure.
“I assure you, you do not want to see what’s behind us,” Willie adds, silently pleading with his eyes for her to drop it.
Luke directs his own puppy dog look her way and she rolls her eyes. “That doesn’t work on me, remember?”
Julie’s about to just push through them when Carlos speaks up from his spot by the door, “They don’t know how you feed it yet, do they?”
Everyone’s eyes widen at once and Carlos would laugh at the sight if he wasn’t halfway terrified. Julie and Reggie both round on him. Then look back at the guys. And then back at Carlos.
“Show me,” Julie insists, pushing between Luke and Willie. Her hand immediately covers her mouth in horror. Reggie’s at her side in an instant and his own jaw drops.
“You… I…” Reggie stammers. His eyes turn glassy.
Reggie turns to Julie and the tears in his eyes seemingly grant hers permission to fall.
“Oh, that poor little guy,” she cries feebly.
Alex, Luke, and Willie exchange concerned looks. Alex wraps Julie up into his arms while Luke does the same for Reggie. They hold the pair as they let out their cries of distress.
“I told you this would happen,” Willie huffs at them, though any annoyance in their voice is belied by the fond look on their face. They can’t really fault Alex and Luke for wanting to delay this moment for as long as possible.
Carlos coughs out a bitter laugh, “Why do you think I didn’t want to do this?”
Julie’s lip wobbles as she turns to him. She doesn’t leave Alex’s arms but he loosens them slightly so that she can move. “I… I just thought maybe you were just weirded out by snakes.”
Carlos rolls his eyes. “I told you I was never coming here again after you got it-”
“Her!” Reggie corrects forcefully through his own residual tears. He pushes himself away from Luke, wiping at his face.
Julie offers him her hand and he grabs it immediately.
Carlos corrects himself with another eyeroll, “Her. You thought I’d refuse to be here if I was just ‘weirded out’ by snakes?” Carlos accentuates the words with finger quotes.
“She’s harmless!” Julie cries.
“Well, mostly,” Reggie murmurs woefully. “If you’re not small and adorable.”
“I’m small and adorable!” Julie pouts.
Reggie squeezes her hand in silent comfort. “And squeaky,” he adds. “You’re not squeaky.”
Julie grins at that. “Not most of the time, anyway.”
“Anyway,” Carlos interjects from his position by the door. “I came, I saw, I’m leaving. You can find someone else to help with your weird pet. It won’t be me.”
The five of them watch him leave in stunned silence before Willie realizes that he’d probably not driven himself there. They run after him, stopping to grab the keys and slip on their shoes on the way.
Willie just manages to get his second shoe on when Carlos pops his head back in the door.
“Yes, I’ll drive you home,” Willie tells him preemptively.
“Thanks.” Carlos waves back at the others, “Bye! Good luck with…” he gestures toward Julie and Reggie, “that.”
He disappears out the door again and Willie follows him. “Try not to inflict any more trauma on them!” they call out as they shut the door.
“Is it… is she… done?” Julie asks with a small voice.
Luke hazards a look into Peony’s enclosure. “Well, as done as she can be for now,” he tells her.
“Do they have to be,” Reggie shudders and Luke wraps an arm around his shoulders, “alive?”
“We tried,” Alex explains slowly, “but unfortunately she’s a bit picky. We didn’t want you to have to see it.”
“So when Willie had that…” Julie trails off.
Luke turns to her with a sad look in his eyes, “Yeah, Peony snack.”
Julie takes a deep breath and leans her head back, holding back a fresh set of tears. She crawls into Alex’s sweater as best she can. He groans but doesn’t otherwise fight her. He even tries to give her some extra space. It’s an emergency situation and if anyone’s going to be granted the right to stretch it out, it’s Julie. He almost goes as far as offering to take it off for her but stops when she glares at him.
After another deep breath, Julie speaks up again, “Okay, Peony snack. I guess now we know.”
“And you can tell us when it’s time to feed her and we’ll just make sure we’re somewhere else,” Reggie adds. He shudders, “Anywhere else.”
“But now we have to figure out what to do if we can’t rely on Carlos,” Luke says. “She won’t last our full tour without food.”
“I’m sure there’s somebody who can help. And if not, I guess we’ll just have to hire someone,” Alex responds with a sigh. They don’t yet make enough money to spend on too much frivolity and none of them will be very excited to lose what little they do have to a pet sitter. Even if it’s only once a week.
“We have time,” Julie assures them. They still have a few months until their next tour kicks off.
“Guess Luke had a point,” Reggie pouts. He quickly raises a finger and sticks it in Luke’s face. “Not a word!”
Luke mimes zipping his mouth closed but can’t mask the beaming look on his face. It intensifies with Julie’s giggle.
“Who knew Carlos was scared of snakes?” she wonders aloud. Julie grins as she shakes her head in amusement, “You think you know a person.”
—
Luke sighs as he takes in their wall of tanks and enclosures, each housing a different pet that he’d somehow been talked into. “You say no to one dog,” he mutters under his breath. “How did this even happen?” he wonders aloud, slightly louder than before and Julie manages to hear him and laughs as she walks over to stand beside him.
“Peony loves her friends. And now she’s not lonely when we’re gone,” she tells him with a grin.
“She’s a freaking snake,” Luke mumbles. “How lonely can she get?”
Julie chuckles and pats him on the shoulder before handing him his guitar, “Well, think of it this way: now you have a built-in audience for rehearsals.”
Luke groans as he slips the guitar strap over his head, “Fine.”
“Could have just said yes to the dog!” Alex chimes in from his spot behind his drumkit and Luke glares at him. “But I do love Crush and Squirt, so thanks for that,” he grins at Luke and is met with another harsh glare.
“No more!” Luke insists as he settles in behind his microphone and nods his head toward Julie and Reggie to get themselves situated which they quickly do.
“Yes, Dad!” Reggie giggles as he nods toward Alex who counts them in.
18 notes
·
View notes