#charles stross

[stainlesssteellocust]

My modding efforts in Dwarf Fortress always take a weird turn.

A while back I decided to create a Medusa, and mused for some time on how to create the turn-to-stone effect, which wasn't in the game. And in the end I found a clever (read: insane) workaround.

I couldn't get the medusa to turn people into statues, but I could make a custom effect that let it transform people into different animals. And some creatures leave stuff behind on death - bronze colossi leave statues behind, for example...

So I created a placeholder creature called 'petrification victim' which was utterly biologically nonviable and would die the second it came into existence, like the bug which let historical figures survive decapitation in worldgen only to die the second they appeared on your map. And I gave it the tag that would turn its corpse into a stone statue upon death. Voila! Turn-to-stone effect. You transform, you die, you become a statue, you show up in Legends mode and carvings as a "petrification victim". Sounds perfect, right?

It was not perfect.

The issues were as follows.

One, while you can set a creature to become a statue after death, and even define the material, you can't decide what the statue is. Therefore my medusa would petrify an elf and instead of a stone elf statue, you'd get a stone statue of a dog. Or mackerel. Or a spade.

Two, my initial method of instakilling the petrification victims was by giving them an unlivable body temperature. Unfortunately I...misjudged the intensity. As a result, early basilisk effects did not transform the victims into statues.

It transformed them into explosions, into chunks of molten granite and literally evaporated rock which spread fiery devastation across the landscape and left nought but superheated rubble in their wake. This often killed the medusa itself, which even when fireproofed would like, choke or suffocate or something. I never quite figured the CoD out.

In a fitting literary homage I referred to this effect as "Doing the Laundry"

#dwarf fortress #adventures in modding #the laundry files #I somehow made a non-destructive basilisk effect in the end but I don't recall how #charles stross

[simon-roy]

The idea of logging on a colonized alien planet brings my mind back to the planet Lalonde from Peter F. Hamilton's Night's Dawn books - a world that had very hard wood as its only meaningful export, and was also stuck developing its economy from agriculturalism (due to investment shortages, though).

All this is to say - Hey! What are some foundational inspirations for your sci fi verse? You gotta have some like recommendations of classic or older sci-fi for us, right? What are some of your suggestions of books and authors to read?

OK SO - My sci-fi tastes have sort of ended up in some very specific niches. Growing up, I was a Larry Niven +Jerry Pournelle man, in part because my dad amassed a huge collection of their books - then gave 90% of them away before i was old enough to read them. So one of my teenage missions was rebuilding that library, trash and all!

Stuff like Footfall, Ringworld, Gil "The Arm" Hamilton, Protector (yes i attempted to name a comic series similarly, and paid for it) "The Mote in God's Eye"... you name it, I read fuckloads of these books. And while they tend to land on a sort of human chauvinist "mankind will win based on his inherent adaptive human-ness, and the aliens will fail because of their rigid alien-ness", this shit was very foundational to me.

Their more collaborative series, The Man-Kzin Wars and War World, also loom large in my teenage mind. The Man-Kzin wars are super fun - humans meet a race of tiger-men, and go from being NWO peaceniks to roughneck cat-skinners in a generation! PEACE AND LOVE WONT DEFEAT TIGER MEN!

Similarly, war world (like lots of that 70s/80s military sci fi) was a sort of catch-all for western military nerds to play with their favorite factions - it was a planet where all the un-ruleable ethnic groups and nationalities had been deported by the authoritarian earth government, and left to rot... until a race of genetically engineered fascist super men land on the world, and start trying to rule the place. Pretty fun shit.

As I got older, I turned hard into William Gibson, and read the absolute shit out of both the Neuromancer trilogy and the Bridge trilogy, as well as his short stories. Bruce Sterling was part of that wave for me, too, and I religiously sought his old paperbacks out too. In terms of novels, "Distraction" is my favorite coherent Sterling Novel - though the short stories in the "Schismatrix" novel/collection of his remain my absolute favorite space opera pieces.

At this age, too, I found my top-top fave Sterling Stories - "Taklaman" and "Bicycle Repairman", both gritty pseudo-cyberpunk stories of the highest degree, in this collection:

This thousand-plus page collection of short stories and novellas was basically my bible for a few years - i put sticky notes on each story i loved and meant to return to, until the book was so festooned with sticky note bookmarks i abandoned the practice altogether. If you have the chance, just buy this book and chew on it for a few years.

As i got into my 20s, Charles Stross became my lode star - his books like Accelerando and Glasshouse were total game changers for me. They come with their own peculiarities, but I loved his transhuman/posthuman musings (or at least i was obsessed with his stuff for a good few years - the venn diagram of his obvious interests and my own overlapped enough that his books were great fodder for a growing sci-fi loving brain).

But since then, my main literary squeeze has been the great man, JACK VANCE. Working on Prophet, my friend @cmkosemen made a remark about how much the early issues of the series reminded him of a book series called "Planet of Adventure" or "the Tschai Cycle", by Jack Vance. The book has a beautifully simple setup - a man from an entirely undescribed spacefaring human civilization crash-lands onto a weird planet. But on that planet, he finds four separate civilizations, each who possess a population of enslaved humans, culturally and physically molded to the needs of their masters. And each book of this series covers our generic hero's interactions with each bizarre expoitative culture. I was extremely intrigued.

Soon thereafter, I found my current absolute favorite book - "THE DRAGON MASTERS". A book about an isolated medieval world... which gets visited, once every few generations, by a black pyramid starship, flown by a reptilian race known as the Greph. The greph capture humans to (surprise surprise) breed them into hyper specific slaves... who in turn become Greph-like in their thinking and demeanours. But the last time the BLACK PYRAMID landed, a bunch of angry medieval dudes stormed the thing, blew it up, and captured a bunch of greph... who became the breeding stock for a whole new human world of slave labour. By the time we meet this planet, the two rival lords of the human-populated regions have been breeding greph slave warriors, or "dragons", for generations, for combat against one another. But soon, the black pyramid will return...

I love this book I even spent a good few months during covid talking with the Vance Estate and several publishers about developing it into a graphic novel, but nobody could quite agree on how it could get made with old Simon getting a paycheque... so sadly it fell apart. There are concept drawings floating around my patreon and other corners of the internet. But one day I'll use 'em...

My other favorite books of his, to name a couple of the MANY books of his I love:

THE BLUE WORLD: A caste system of humans, descended from a crashed prison ship, live on floating settlements on an ocean planet, paying protection to a giant long-lived intelligent crustacean. But one man is tired of giving up all his crops to this tyrannical megafauna...

THE MIRACLE WORKERS: Rival lords on a planet descended to medieval tech (surprise surprise) fight using armies... and rival SORCERORS who employ the powers of suggestion to voodoo each others' warriors... but when facing non-human intelligences, these sorceror's skills fall short.

But there are heaps more, and I love most (thought not all) of the ones i've read. They're generally short, concise, and full of all sorts of bizarre bullshit.

THere are more books i've read and enjoyed in my life, of course, but these are the core ones that I think of when I think of my career as a sci-fi reader... let me know what your top recs are!

#sciencefiction #science fiction #book recommendations #jack vance #larry niven #jerry pournelle #simon roy #griz grobus #charles stross #dragon masters #william gibson #bruce sterling

[rpgsandbox]

The Laundry Roleplaying Game

The award-winning RPG of cosmic horror, tech-driven magic, and occult spycraft returns! Based on ‘The Laundry Files’ by Charles Stross.

Welcome to the Laundry! You’re one of the unlucky few standing between humanity and unspeakable - often unpronounceable - supernatural, alien, and interdimensional threats.

You’re a spy. Well, you are now, at least. Previously, you were someone who learned things humanity was not meant to know. Namely, that magic is real, it exists in the higher realms of mathematics, and it has some really messed up devotees. And if you know that much, then you’re not left with much of a choice — you work for the Laundry now. 

If you’re familiar with Charles Stross’ award-winning The Laundry Files series or the first edition of the award-winning Laundry RPG, you know all this already and can skip to looking at the books, the new award-winning game system, or just go ahead and pick a pledge level already. Just remember that everything here has won awards, ok? Lots of them.

If you are new to the Laundry, you are in for a treat – read on for the primer. You should also bear in mind the awards thing.

There are things out there, in the weirder reaches of space-time, where reality is an optional extra. Horrible things, sometimes with actual tentacles. Al-Hazred glimpsed them, John Dee summoned them, HP Lovecraft wrote about them, and Alan Turing mapped the paths from our universe to theirs. It turns out that mathematics really is magic, or at least that aspects of it describe, enable and power magic. And computing power supercharges it.

The right calculation can call up entities from other, older universes, or invoke their powers. Invisibility? Easy! Binding lesser demons to your will? Trivial! Opening up the way for the Great Old Ones to come through and eat our brains? Unfortunately, much too easy.

That’s where the Laundry comes in. It’s a branch of the British secret service tasked with preventing alien gods from wiping out all life on Earth, with a policy focus on the United Kingdom. You work for the Laundry. The hours are long, the pay is bad, and the bureaucracy is stifling, but unfortunately, you know too much to really have a choice in the matter.

There are some upsides – you get to play with all sorts of magically enhanced tech, from necronom-iPhones loaded with cutting-edge occult apps to basilisk guns that [REDACTED]. Plus, you’ve got a job for life, and possibly beyond (talk to Residual Human Resources to find out more).

You may even get to save the world. Just make sure you get a receipt.

Introducing the second edition of The Laundry Roleplaying Game — an exhilarating blend of covert action, investigation, and dark cosmic horror that thrusts you into the chaotic world of underfunded government employees battling to save the world from unspeakable threats.

Your daily grind includes myriad perilous tasks, from exorcising co-workers gone awry to thwarting ambitious computer students from triggering reality-bending catastrophes. Sneak into supercomputer servers, join SAS troops on dimension-hopping missions, halt outbreaks of blood-draining brain parasites, and prepare for the inevitable apocalypse of CASE NIGHTMARE GREEN.

The C7d6 System

This second edition of The Laundry Roleplaying Game employs the acclaimed C7d6 system, renowned for its versatility, speed, and flexibility.

To perform an action, roll a number of six-sided dice equal to your Attribute score plus any Training you have in the relevant field. So if you have Mind 3 and two levels of Training in the Occult Skill, you have a dice pool of 5d6. Roll the dice, and if any of them exceed the difficulty of the Task, congratulations — you’ve succeeded!

The difficulty may vary, but fear not! You have a plethora of Talents at your disposal, each designed to bolster your chances of success and turn the tides in your favour.

Small Scale to World Devouring

The game system is fast and accessible and ideal for when things get messy, the banishment rounds are flying, and creatures from another realm threaten to devour your office. The same rules apply whether you’re hacking into a computer, sneaking into an office block, or storming a building with a bunch of grizzled SAS troops.

Those rules work just as well when faced with mind-shattering horror and for higher-powered adventures when things start to get really strange in The Annihilation Score and beyond.

Who Do You Play?

Within the Laundry, there are countless departments filled with hundreds of overworked and underpaid employees — and you’re one of them. You might be an accountant, IT support, a driver, or something weirder, like a counterpossession exorcist, a computational demonologist, or one of the really odd people who dedicate their life to research and development. 

However, that’s just your day job. As part of your Active Duty, you’ll join other operatives and head out on a wide array of exciting (and deadly) missions.

What Do You Do?

There is no ‘typical’ when it comes to Laundry missions. You could be sent to the heart of London, Wolverhampton, or Milton Keynes. You may even be sent overseas, but you’ll have to be careful not to ruffle any feathers — the Black Chamber and the Thirteenth Directorate are quick to halt clandestine Laundry operations. While they might have the same job as you, they handle things very differently, and some refuse to believe that the Cold War is over. 

The world of the Laundry is under threat of incomprehensible cosmic horrors, and it’s up to you to save it.

Kickstarter campaign ends: Wed, May 1 2024 3:00 PM BST

Website: [Cubicle 7] [facebook] [twitter] [instagram]

#RPG #kickstarter #The Laundry Files #Cubicle 7 #Charles Stross #cthulhu mythos

[fhtagn-and-tentacles]

BLUE HADES RESEARCH LAB 

by Brian Chan

#tentacles #fhtagn #brian chan #the jennifer morgue #charles stross #concept art #environmental #lab #alien #science #creature #monster #horror #sci fi #fhtagnnn

[haveyoureadthisscifibook]

vote yes if you have finished the entire book.

vote no if you have not finished the entire book.

(faq · submit a book)

#scifi #books #The Atrocity Archives #Charles Stross #poll #result: no #l: English

[margysmusings]

“Some people you just do not want to leave outside the tent pissing in, and in my early twenties, self-confident and naïve, I was about as safe to leave lying around unsupervised as half a ton of sweating gelignite.” ― Charles Stross, The Jennifer Morgue

#quote #book quote #charles stross #the jennifer morgue

[fishstickmonkey]

Hi. I'm Charlie Stross, and I tell lies for money. That is, I'm a science fiction writer.....

And rather than giving the usual cheerleader talk making predictions about technology and society, I'd like to explain why I—and other SF authors—are terrible guides to the future. Which wouldn't matter, except a whole bunch of billionaires are in the headlines right now because they pay too much attention to people like me. Because we invented the Torment Nexus as a cautionary tale and they took it at face value and decided to implement it for real.

#Charles Stross #Science Fiction #Tech

[lilithsaintcrow]

“These men collectively have more than half a trillion dollars to spend on their quest to realize inventions culled from the science fiction and fantasy stories that they read in their teens. But this is tremendously bad news because the past century’s science fiction and fantasy works widely come loaded with dangerous assumptions."

#charles stross #tech billionaires

[fzzr]

What Is It About Dinner Parties?

Spoilers for:

Rocky Horror Picture Show

Shrek 2

A Civil Campaign (Vorkosigan Saga book 13)

The Nightmare Stacks (Laundry Files book 7)

I recommend every one of these works, with the caveat that you should really get into their respective series where applicable for the best results. Spoilers will not completely ruin the experience, but if you have the patience and opportunity to watch three movies and read several thousand pages, go do that first. (After is acceptable if you prefer.) When obtaining books remember to first check at a library or local bookstore. Do not buy from Amazon if you can avoid it. Audible is Amazon.

Content advisories: Works discussed here include depictions of sexual assault, murder, cannibalism, adultery, and various anti-LGBTQ+ phobias. (Rocky Horror is the main offender but some of the others contribute.) Additionally this explores awkward social situations in great detail, so you may want to skip if that sort of thing lives in your head.

I have noticed that fictional works often use scenes at dinner parties as key turning points in their stories. This is achieved through a combination of rising tension, humor, and tying together many plot threads at once. It's possible to do something similar without the humor (eg. the Hitchcockian suspense of a bomb under the table) but that's not what I'm looking at today.

A note on definition: when I say “dinner party” here, I mean a social event in which a group of people who do not share a household meet for the main purpose of sharing a meal. This is different from a regular party, gala, ball etc. where activities other than the meal are the focus.

In my observation, the anatomy of a dinner party is as follows:

Stage Zero: Setup

A key element will be the interactions between characters who would prefer not to deal with each other. There are a few ways to build the guest list to achieve this. You can have the simple case of someone bringing a plus one without warning in advance who (or what kind of person) they would be. It's also possible that invitations were sent before a conflict came up, or the host may be unaware of the issue. There may also be a broader social obligation on attendees, such as a holiday. Wholly uninvited guests usually don't happen in this sort of scene (those are more characteristic of less intimate social events, like a charity ball turned hostage situation).

Rocky Horror's dinner party takes place right after several less than fully consensual sexual encounters and a very bloody murder, with the characters being assembled through social force and implied threat of violence. Shrek 2 has it as the first sustained interaction between the title character and his royal in-laws after his elopement with Princess Fiona. A Civil Campaign spends about half the book just building up to this event, with protagonist Miles so focused on making it a success for his main goal that he loses control of the guest list, the menu, and even the staff. In The Nightmare Stacks, it's a family meal introducing two prospective (and unconventional) significant others to the parents at the same time.

Stage One: Civility

The scene begins with all parties acting superficially civilly. The threads of the narrative and the stressor are both on the back burner as action begins. There will be hints of the conflicts to come, especially as the principal characters become aware of the full guest list and its implications. This phase may be very brief, or even skipped if the story uses immediately previous scenes to establish sufficient tension.

The Rocky Horror party's first minute strains the definition of "civility", with awkward silence accompanying deliberately sloppy table service. Shrek 2 likewise uses silence to delay interaction as long as possible. A Civil Campaign has a very large cast to introduce, but the atmosphere is casual with just a hint of stress as Miles does his best to manage the bloated guest list. The Nightmare Stacks barely gets everyone in the door before the incompatibility of hosts and guests becomes apparent.

Stage Two: Interaction

This generally starts with the appearance of food and of necessity seating of guests. This is the point where the characters in conflict are first forced to interact rather than passively stay away from each other. It's possible for this stage to still be indirect, but proximity means that there's no way to sustain the illusion of civility.

In Rocky Horror they can't even finish singing "Happy Birthday" before things start to escalate. Shrek 2's initial interactions are wordless, using the series' signature facial expressions to show to what degree everyone is already hostile or unaware. A Civil Campaign has Miles realize his carefully arranged seating positions have been disturbed by someone with different priorities, but most of the social tension is surprise rather than hostility. The Nightmare Stacks stumbles past this step right into the next when it turns out the guests have mutually exclusive dietary preferences.

Stage Three: Conflict

Next, some minor issue arises, like one character breaking a social convention. There is almost universally some issue with the food itself as well. Depending on the number of characters and plot of the story, this can go on for some time. This is often where most of the comedy of the scene comes in. Events may become more and more absurd, allowing things to escalate without over-burdening the reader with stress. Often the issue isn't even directly related to the core conflict of the story, or starts with a lower-stakes side plot. In doing so, it can weave such plots into the main one.

Rocky Horror is already under so much stress that it takes just the smallest spark to get things burning. Shrek 2 likewise gets here quick, as Shrek's cluelessness with regard to etiquette kicks off an escalating series of indirect and then direct criticisms. In A Civil Campaign the awkward seating arrangement makes social interaction difficult, and Miles realizes that the menu has been undermined in a way that could cause an uproar and deeply offend some very senior guests. The Nightmare Stacks lays on the dramatic irony, where a conservative father is too busy learning about gender nonconformity to worry whether his son is actually dating an Unseelie Fae princess (the answer is "unclear", but only about the "dating" part).

Stage Four: Eruption

The issue that led to the tension established before the scene is exposed to all present. More often than not this is caused by something in the comedic action accidentally exposing concealed information or causing a stressful event to be discussed or even repeated. Sometimes the comedy itself is the issue, with the disruption alone being enough to expose the issue eg. if it’s due to contrasting social norms. Regardless, this is the climax of the scene where everything comes to a head at once.

Shrek 2 kicks into high gear, with characters becoming so incoherent they can only scream out each other's names. Rocky Horror and A Civil Campaign reveal the truth about the meal they've been eating. The lack of coordination in A Civil Campaign causes Miles to move forward his social plans to disastrous effect. The Nightmare Stacks has the meal collapse into such disarray that the protagonists are able to escape unscathed.

Stage Five: Tone Shift

The comedy is (usually) suspended and drama kicks in. This is often also a turning point in the larger story. It may mark an act transition (typically second to third) or just a change in the intensity of the conflict. In a romantic comedy, this is a prime opportunity to get into the things-just-got-serious phase where the core relationship is under threat.

Rocky Horror's dinner party serves to launch the climax by getting everyone in place for the final showdown. In Shrek 2, where it's the act two kickoff, it establishes the stakes that Shrek can't simply slide into place as a socially acceptable fiancé for Fiona. In both A Civil Campaign and The Nightmare Stacks, the result of the dinner party is the revelation of the true intentions of a main character, respectively openly courting another (it's complicated) and tricking her counterpart into meeting her parents (it's complicated). They both leave the protagonists with few paths open to them and even fewer good ones.

Why do they work like this?

I think the main thing that makes the dinner party so effective at progressing a story in both plot and tone is the contrast between natural and unnatural human interaction. Sharing food is one of the most basic interpersonal activities, with archeological evidence going back further than anatomically modern humans. This is in tension with the artificiality of the actual situation, where precise details of food presentation, respect for social norms, and personal behavior are under scrutiny from individuals you may not fully trust. Food in general also has a visceral impact on everyone. No one is sophisticated enough to willingly eat all of "Meatloaf", escargot, "bug butter", and vegan "pizza", so you as the consumer of the work are forced into empathy with the characters.

Given a scene where everyone is under stress by default, you add on the wider context of the story. Any plot where progress is blocked by "well what if everyone who isn't getting along just avoids each other" is immediately reinvigorated. It's often the case that not everyone is aware of other moving parts, so things can move forward by broadening the impact of ongoing issues to the rest of the cast. If it's too early in the story for things to really blow up, the dinner party can still raise the stakes or expose fault lines that were previously unseen.

If you accept either of the theories that humor is built on tension and unexpected relief or on juxtapositions between the familiar and the incongruous, the natural/artificial split in the dinner party setup also provides these. Everyone on both sides of the fourth wall expects a certain degree of decorum, but it soon goes out the window and leaves you and the characters equally off balance. Likewise, the sharing of food presupposes that everyone can actually partake in the food presented, and undercutting that is a further violation of the common vision of what a dinner party should be. The way characters react to that challenge is another easy hook for comedy.

Conclusion

Putting it all together, dinner parties really do it all. Tension and release, humor and drama, heightening and resolution - the dinner party has the tools you need. Next time you read or watch a dinner party scene, think about the role it plays in the story and the way it's constructed to fulfill it. They're some of my favorite scenes, and I bet they could be some of yours too.

Detailed Examples

Originally I planned to give each spoiler-warned work a stage-by-stage breakdown, but they needed so much context that tumblr's editor broke. Instead I will give them dedicated posts and update this one as I go.

#tropes #shrek #shrek 2 #rocky horror picture show #the laundry files #the nightmare stacks #charles stross #vorkosigan saga #a civil campaign #lois mcmaster bujold #writing #dinner party #long post #literature #original post

[nickjb]

"It'd be amusing if these guys didn't have a combined net worth somewhere in the region of half a trillion euros and the desire to change the human universe, along with a load of unexamined prejudices and a bunch of half-baked politics they absorbed from the predominantly American SF stories they read in their teens."

#charles stross #TESCREAL #save the world eat a billionaire

[unaccountedformass]

oh jeez. The Stross effect strikes again.

(TLDR: he's had running issues with trying to write believable yet fictional material for his books, and then the world goes more bonkers on him. Al Qaeda, Brexit, general UK government stuff, it's a knack.)

#charles stross #case nightmare green #atrocity archives #thelaundryfiles

[stainlesssteellocust]

The Entities from Worm would fit neatly into the Laundry Files cosmology and are also far more detailed and bizarre than the ‘superheroes’ that showed up in Annihilation Score, that would be neat

Also I’m pretty sure Jack Slash’s sabotage power would work on vampires

hell it might work on everyone

#the laundry files #charles stross #parahumans #wildbow #you’d have to do a bit of tweaking #obviously the entities are from a limited subsection of the multiverse where ‘magic’ doesn’t work #but you can easily do that with how the LF setting has alt-worlds where physics don’t support life etc #honestly TAS was well written but it’s genre-parody elements felt weak compared to the others #I felt like Charlie didn’t really like the superhero genre all that much lol #but to get details I’d have to wade through Annihilation Score Discourse and uh #no thanks

[alfvaen]

Novel Score

It's sometime around the beginning of a month, which apparently means these days that it's time for me to do a roundup post of the books I read in the preceding month--in this case, January 2024. Once again have been keeping on top of it during the month which helps me actually produce it in a timely manner. Because I started this back in November/December, doing monthly book posts isn't a New Year's resolution, unless the resolution was just "keep doing it". I'm keeping doing it.

Book list under the cut, book-related ramblings may include spoilers for Lois McMaster Bujold's Vorkosigan series, Martha Wells's Murderbot series, Kelly Meding's Dreg City series, and maybe others. You have been warned.

Ashok Banker: Siege of Mithila, completed January 6

As mentioned previously, I am rapidly running out of books by male "diversity" slot authors in my collection. I read the first Ashok Banker book, Prince of Ayodhya, a few years earlier, and was kind of meh on it, so I wasn't sure if I would continue. But I did pick up the other one as a library discard (ah, the days when I got books and CDs as library discards…back when they used to have a sale rack in the local branch all the time, instead of saving them up for periodic bulk sales…) so I hadn't entirely given up on it. So, in not quite desperation, I turned to Siege of Mithila as my next diversity read.

The series is apparently a retelling of the Ramayana, which is some kind of important epic in India, though I can't judge if it's like "the Bible" or "King Arthur" or "The Iliad" or what, but I assume it's somewhere on that level, at least among certain cultures. My brief skimming of the Wikipedia article on the Ramayana implies that Banker is following the story pretty closely, which means that sometimes it gets a little weird plotwise, but is perhaps more revealing culturally or something. And sometimes it's a wee bit problematic…like the way that the main adversary for the first two books is Ravana, lord of the Asuras (basically demons), who rules over the southern island kingdom of Lanka (like…"Sri Lanka"?), which is populated entirely by Asuras. Which is about like if there was a fantasy series set in England where they had to fight evil demons from the western island kingdom of Eire or something. (Wait…do they have those?) One wonders if this series (or the original Ramayana) are quite as popular in Sri Lanka, then…

Anyway, we mostly follow Rama, the titular Prince of Ayodhya from the first book, and his half-brother Lakshman, but a lot of this book is also set back in the palace in Ayodhya following Rama's father the Maharaja, his three wives, and the evil (and hunchbacked--oh look, it's equating deformity with wickedness, that's awesome) witch Manthara as she and Ravana try to sabotage the kingdom from within. Rama and Lakshman end up going to Mithila instead of back to Ayodhya, and foiling a big Asura attack on the city, which comes unbelievably close to the end of the book and is not quite solved by deus ex machina, but doesn't feel particularly satisfying.

One element of the series is that some of the characters are just like ridiculously powerful sages who were like "I've been meditating for 5000 years so I'm really wise and can do anything, though I guess I should let Rama solve a few things on his own to gain some of his own wisdom". Not that this is all that different from, say, Gandalf or Merlin, of course... There are also some odd storytelling choices, like switching to a different set of characters just at a dramatic point in a different storyline, or, in one major side-quest, just skipping the ending of it and coming back to it a couple of chapters later in flashbacks. Also, one character is given important advice by a ghost which he then completely ignores (luckily other people overrule him, but it bugged me).

The book kind of feels like the second book of a trilogy, but not quite, which makes sense because apparently there are eight other books in the series, so it's not just about fighting Ravana and the Asuras. I'm on the bubble about the series, as you may have gathered, so I don't know offhand if I'll be going on.

T. Kingfisher: Clockwork Boys, completed January 9

I paced myself going through Siege of Mithila, taking seven days for it (I started on December 31st to get a little head start), so it put me a bit behind on my Goodreads challenge (100 books for the year, again). This means, time to read some shorter things! I haven't read any T. Kingfisher yet (though I have read, like, the webcomic "Digger" under her real name, Ursula Vernon, if nothing else), so I let my wife, who has read a lot of them, suggest which one I should start with, and this was the one she chose (at the time; it may have been a couple of years ago). We have it as an ebook from Kobo, which sometimes makes it a little hard to tell how long the book actually is in pages, but Goodreads claimed it was under 300 pages, so it seemed a possible three-day read.

I was, I guess, vaguely expecting a steampunk story involving two boys who were made of clockwork or something, but apparently it's more straight fantasy (not too similar to the Ramayana was far as I can tell, though, which is good because I like consecutive reads to vary in genre if at all possible) where the Clockwork Boys are the bad guys. Also, apparently this is the first of a duology, a "long book split in two" duology as opposed to "book and a sequel featuring the same characters" duology.

The characters seem somewhat interesting, though I'm not sure I'm 100% won over. Sir Caliban for some reason reminds me of both Sanderson's Kaladin and Bujold's Cazaril, but maybe it's just the similarity of names enhancing certain similarities of character. And the demons also made me think of Bujold's Penric books. Maybe the tone is a little light for me on this one. We've got the second one as an ebook too, so I'll finish it off at some point and then maybe take a look at Nettle & Bone or something.

Kelly Meding: The Night Before Dead, completed January 12

As I may have also mentioned previously, I've tried a whole lot of urban fantasy series. Many of them, my wife has enjoyed more than I have, and is all caught up on them, but most of those I'm only a few books in. (I've given up on relatively few--Jennifer Estep and Jess Haines, among others.) For whatever reason, my wife didn't like the first book in Kelly Meding's "Dreg City" series, Three Days To Dead, and this time, to be actually clever about it, I decided to read the book myself and decide if I wanted to continue on in the series before it went out of print. As it turned out, I did like the first book, and I kept reading it on my own. When the series got dropped by the publisher after four books, I even went and bought the last two books (self-published, probably print on demand) to finish the series.

So this is the last one, which is supposed to wrap up the main conflict. Our main character, Evy Stone, started out the series waking up after death in a newly-vacated body; she was part of a group that worked to deal with paranormal threats. This world has beast-form shapeshifters named "Theria", vampires, and lots of types of fey--mostly pretty usual when it comes to urban fantasy--and their existence is unknown to world at large, etc.

Thie book does seem to wrap things up well enough, at least for the main characters, though it's hard to say if all the resolutions are satisfying. Still, it was enjoyable enough. She does have a couple of other, shorter series which I can try next, since we do actually own them. (And maybe some stuff under a different name?)

Lois McMaster Bujold: Brothers In Arms, completed January 15

Next (chronologically) in the reread order, this is the one where Miles goes to Earth and discovers the existence of his clone-brother Mark (spoilers). It starts up with a level of frustration--why does Miles have to stay at the embassy, and why aren't his mercenaries getting paid?--but things mostly work out in the end. Ivan shows up again (by authorial fiat--it's a bit too much of a coincidence, really), we meet recurring character Duv Galeni, and of course Mark, as mentioned already. It's not a particular favourite, but it's pretty good. And without it, how would we get Mirror Dance, and thus Memory?

I feel like I should be able to say more about it, but I've already talked about the Vorkosigan series a lot in previous posts, and, like I said, it's not a particular favourite. I guess I could mention how the first time through the series I read them in publication order, and so this was before The Vor Game and Cetaganda… Also, although we don't see much of Earth outside of London, we do get a good look at the gigantic dikes being used to hold back the ocean, because in the intervening mumble-mumble centuries the sea levels have risen. So presumably the icecaps have melted or something, though it doesn't seem like the Gulf Stream has shut down or anything, so maybe they have managed to mitigate things somewhat. An interesting view of future Earth, anyway, without going too overboard on covering the vast majority of the planet not relevant to our immediate plot.

Seth Dickinson: The Traitor Baru Cormorant, completed January 20

Taking another book from my list of authors to try (currently stored on my pool table); I picked this one because apparently the author has a new book coming out, and I do see people talking about the character from time to time, so clearly this is a book/series that has had some staying power and cultural impact, as opposed to something obscure that apparently sank without a trace. But this is a book that my wife tried, and either didn't finish or didn't want to continue the series.

And, having finished it, I can see why. I wouldn't say that it's a bad book…but I didn't, in the end, like it. I read it all the way to the end, and I've decided I'll leave it there and not try to continue the series. And probably I won't look for other books by Dickinson either. Like Ian McDonald's Desolation Road, which I read last year, I felt, as I was reading it, that this was a book I would have liked a lot better when I was younger, but these days it just doesn't do it for me.

It has the feeling of fantasy, in that it's set in a different world from our own, and there is none of the futuristic technology that would explain this as being a colony world…but there is also little or nothing in the way of magic. A little alchemy, maybe, but I don't know that it's out of line with what you could achieve with actual drugs. No wizards, and I don't think there were supernatural creatures either. But it's fantasy-coded, and maybe there's some minor thing I'm forgetting. It's not about magic, though. It's really about colonialism, and what happens when you're sucked into the colonizer's system so far that you think that the only way to help your people is by going along with that system. And Baru Cormorant is somewhat autistic-coded, perhaps--not only is she a savant, but she seems to have trouble figuring out the motives and feelings of others. Puts too much confidence in the ability to explain everything using economics (the character and possibly also the author, quite frankly), in a way which reminds me mostly of Dave Sim's deconstruction of faith and fantasy in Cerebus: Church And State. Not sure if it counts as grimdark, but it feels like the honorable are punished for their naivety like in "A Song of Ice And Fire". I lost sympathy for the main character partway through, and never got much for anyone else either. One character I liked and hoped to see more of was (gratuitously?) killed in the middle of the book. I was forewarned of the existence of a plot twist at the end of the book, and when it came, although I wasn't completely surprised, I was disappointed, and I didn't feel that it worked.

So, yeah. Your mileage may vary, but this book did not win me over.

Charles Stross: The Annihilation Score, completed January 25

I wanted something a bit more light-hearted after the previous book, but not, apparently, too much so. Charles Stross's "Laundry Files" series is set against a backdrop of cosmic horror and the looming end of the world, but also of British governmental bureaucracy, out of which he can usually pull of a fair amount of humour, as well as humanity. The main protagonist of the series is Bob Howard (named in honour of Robert E. Howard, inventor of Conan and friend of Lovecraft), computational demonologist, and the books in turn have paid tribute to a lot of different sources--James Bond, vampires, American evangelical megachurches, and--in this book--superheroes. But also, in this book, Bob is not our narrator; instead, we get his wife, Mo, in the fallout of a scene in the previous book (which we get from her POV here) with dire implications for their relationship…which has always been kind of a three-way between Bob, Mo, and Mo's soul-eating sentient violin, and this triangle has now come to a crisis. Plus there's superheroes.

Stross notes in the introduction that he never really read American superhero comics, so he had to pick a few brains about them, but the book really isn't about American superheroes either; he references the British superhero anthology series "Temps" (which I never did manage to read, since I only managed to find the second book, but now I feel like I should check out) as contrasted with the "Wild Cards" series.

All in all it's pretty decent, with lots of witty read-aloud bits, but the pacing is odd; there's a lot of plotlines, and some of them don't seem to progress for a long time. Some of them turn out to be red herrings, I guess, but overall it doesn't gel as well as it could. We don't see much of Bob (which makes sense since this isn't his book), though Mo is a perfectly fine protagonist. I'll be fine going back to Bob for the next book. If I can ever find it.

See, apparently this is the last book in the series I own right now, and probably the next one, The Nightmare Stacks, came and went while I was behind on reading it, and now it's out of print (and possibly never had a mass-market release at all, which is still my preferred format) and seems like it'll be hard to find in any physical format. I mean, I went on a site which allows you to search indie and second-hand bookstores, and the title didn't even come up on search. I have long been resisting switching wholeheartedly over to ebooks (a transition my wife has already made), but I can see that at some point I may have to get used to the fact that ebooks are just replacing mass-market paperbacks for the cheap release format. (I still can't manage to bring myself to spend as much as $8, let alone $12 or more, for an ebook, though. Like…what am I paying for? The publishing costs are minuscule compared to physical copies, and I expect that saving to be passed on to me. I guess I don't know if the extra is being passed on to the author in a non-self-published situation, but given our current corporate hellscape I'm gonna say probably not. Note: if you think this makes me a horrible person who hates writers to make money, please remember that I am married to a writer who I would love to make enough money that I don't have to work, but the publishing industry is horrible and they're the ones that actually have the capability to allow writers to make enough money to make a living, and they're not doing it, so I don't know what to tell you. I've bought thousands of books in my life, even if I don't go out of my way to buy the most expensive ones, because that's a good way to go broke. Get off my back, person I made up for this parenthetical aside.)

Martha Wells: System Collapse, completed January 28

I may be the last person in my house to have read Murderbot. My wife had already read some of Martha Wells earlier books (Raksura series, I want to say) before she read the Murderbot novells, and she loved them and read them to/got our kids to read them too. I eventually scheduled one in (novellas are good when I'm behind on my Goodreads challenge) and…it was okay, I guess? And I kept reading them because, well, more novellas. Last year I read the first novel-length story, Network Effect, and I liked it somewhat better than the novellas, for whatever reason.

I had been putting off the latest one for a little while, though, partly because of my Vorkosigan reread--I generally don't like books that are too close in genre too close together, and they're both kinda space opera-ish, though quite different kinds (Murderbot's future is more corporate-dominated), but next up I'm taking a break for a Dick Francis reread, so I thought I might as well put it in now. Though I've got to say that, since we have it as a physical hardcover as opposed to the digital novella ebooks, I'm really not a big fan of the texture of the dust jacket. Like, it is physically unpleasant to touch, being just a little bit rough. But not as bad as some I'd run across in the past few years, so I don't have to, like, take off the dust jacket to read it.

In the end I didn't like it as well as Network Effect, though I did like the middle bit where Murderbot becomes a Youtube influencer. The early part of the book, Murderbot is in a bit of a depressive state and not fun to read, like the first part of "Order of The Phoenix" or something. I guess if a character is too hypercompetent then nothing challenges them, but I wasn't a big fan of the emotional arc.

Dick Francis: Forfeit, completed January 31

I remember precisely where I was when I first heard of Dick Francis. See, I went to this convention in Edmonton in the summer of 1989, "ConText '89". It was an important convention--a reader-oriented rather than media-dominated SF/Fantasy convention, for one thing, and also it resulted in the formation of the first SF/Fantasy writer's organization in Canada, currently named SF Canada. Oh, and also, I met a cute girl there (Nicole, a YA author guest from northern Alberta), started dating, fell in love, got married, had three kids, and we're still married today.

I also saw this posting for a writing course out at a place called the Black Cat Guest Ranch, in the Rockies near Hinton, and decided to go. There I met Candas Jane Dorsey (who was the instructor for the course) and several other writers, and we later formed a writers' group called The Cult of Pain which is still going to this day. Anyway, I went out for a second course there, with Nicole coming along this time (though we may not have technically been dating and didn't share a room)--I think it was in mid-February sometime--and one evening we were all hanging out in the outdoor hot tub, watching snowflakes melt over our heads, and talking about books. And Candas and Nicole started rhapsodizing about this guy named Dick Francis. I said, "Who?" And they both told me I had to go read him, like, right away.

Dick Francis, apparently, was a former steeplechase jockey turned mystery/thriller writer. Now, mysteries and thrillers were not really my thing--I was into the SF & fantasy--but I supposed I was willing to try it. I was in university and trying to read other stuff outside my comfort zone, like Thomas Hardy and The Brothers Karamazov and William S. Burroughs, so why not. Plus, I wanted my girlfriend to like me. And the first one I picked up was one that one of my roommates had lying around, called Forfeit. It was pretty decent, and I went on to others--Nicole had a copy of Nerve, and I soon started to pick up more--and eventually read almost all of them (a few proved elusive, but I tracked down a copy of Smokescreen not long ago…).

Every book was concerned in some way with horse racing, but there was a wide variety--sometimes the main character was a jockey, but sometimes that was just their side hustle, and they had another profession, or sometimes they did something else like train horses or transport horses, or paint pictures of horses, or they didn't do anything about horses but the romantic interest did… He covered a lot of different professions over his books, they were usually quite interesting, and his characters were always very well-drawn. After his wife Mary (apparently an uncredited frequent collaborator and researcher) died, there was a gap of a few years before he started writing them with his son Felix. I think I read all of those ones, but after he died and Felix started writing solo novels, I haven't really kept up on those ones.

Instead, a few years ago I decided I was going to reread all the books, in publication order, interspersed with my series rereads as I was already doing with Discworld and Star Trek books. Forfeit is his seventh published book…and when I went to look for it on my shelf, I discovered that I actually didn't own a copy, and probably never had. I had just borrowed it from my roommate, and then given it back (a rookie mistake). Was it in print? Of course not, don't be silly. I had managed to find a used copy of Smokescreen online, as I mentioned, but for Forfeit there was only more expensive trade paperbacks, or $8 ebooks. They didn't even have it at the library! Except, well, they did…but I'd have to interlibrary loan it. I went back on forth on which to try to do, and eventually went ILL, and it came in for me at the library on the 20th. So there, overpriced ebooks. (And person I made up for the earlier parenthetical aside.)

Dick Francis novels have turned to be pretty rereadable, because they're not primarily mysteries of the sort where you don't remember which of the suspects is guilty; they're mysteries where the main character has to figure out who's behind the crimes and then avoid getting killed by them. Some of it is competency porn as they use their special skills to solve problems. And some of it just because of the engaging characters, which are maybe not quite all the way there in the earlier books (the ones I've reread so far are still books from the 60s, so the female characters could be more nuanced). In Forfeit what I recalled from that first read (some 34 years ago) was that the main character was a sportswriter, it started with one of his colleagues killing himself, and his wife was disabled and bedridden. (And one exciting scene in the middle of the book in which spoilers.) Though it turned out I was conflating two suicide openings (Nerve also starts with one, a gunshot suicide on the first page, whereas Forfeit's is more falling out of a window), and the exciting scene is missing an element I was sure was there.

So that's eight books in one month, which is basically enough to keep up on my Goodreads challenge, but I also managed to squeeze in a couple more on the side track. First of all, there was my brother's book, Paths of Pollen, which came out last year; my mom went to the book launch in Toronto and brought back a signed copy for me. As one might expect, it talks about honeybees (and the time he was working on our stepfather's apiary), but covers a lot of pollen details I didn't know, about all the other bees, beetles, butterflies, insects, and other animals that also do pollination. It's a sobering look at how plants reproduce and how we're screwing it up in a lot of cases. (I hadn't realized before how much insects use pollen as food…somehow I thought they were nectar-eaters and they just picked up pollen because the plants forced them too, but I guess it makes sense that they also eat it.)

Then there was another one of the Love & Rockets ebook bundle that I've been going through. This volume, Esperanza, is around the latest stuff I read in the Love & Rockets Vol. 2 comics (which I have only read once or twice), so it's fairly unfamiliar to me. Despite it being named after Esperanza "Hopey" Glass, most of the book seems to revolve around Vivian, a.k.a. Frogmouth, a hot, buxom woman with an unfortunate voice, who both Maggie and Ray are lusting after, despite her problematic relationships with some violent criminals. Ray and Maggie do meet up again briefly; Maggie's working as an apartment superintendent, Hopey's working in a bar but trying to get into a teaching assistant job, surreal things happen with Izzy, Doyle's around as well, and we see brief glimpses of Maggie's sister Esther. It was interesting but I didn't find it altogether compelling.

With ten books for January, that means I'm really read up to 36.5 days into the year, or February 5th, so I'm a little bit ahead. I'll be taking advantage of this to start off February with a longer book, for my female diversity slot--Fonda Lee's Jade Legacy, to wrap up that series. More about that next month, of course…

#books #Ashok Banker #Martha Wells #T. Kingfisher #Kelly Meding #Lois McMaster Bujold #Seth Dickinson #Charles Stross #Dick Francis #Vorkosigan #Murderbot

[themirrorofink]

"No financial institution can say “We offer differential service levels to our community based on their education level, perceived social class, and perceived capability to bring power to bear on their behalf.” Every financial institution factually does that." -Patrick McKenzie (patio11)

"The only relevant artistic talent is the ability to deal with frustration." -Christoph Niemann

"It'd be amusing if these guys didn't have a combined net worth somewhere in the region of half a trillion euros and the desire to change the human universe, along with a load of unexamined prejudices and a bunch of half-baked politics they absorbed from the predominantly American SF stories they read in their teens. I grew up reading the same stuff but as I also write the modern version of the same stuff for a living I've spent a lot of time lifting up the rocks in the garden of SF to look at what's squirming underneath." -Charles Stross

#saturday reads #an odd grab bag collection this week #Patrick McKenzie (patio11) #Christoph Niemann #Charles Stross

[mitchipedia]

Charlie Stross: "I can't see any good reason to let any individual claim ownership over more than a billion dollars of assets—even $100M is pushing it. Can you?" The impotence of the long-distance trillionaire.

#trillionaires #billionaires #oligarchs #oligarchy #Charlie Stross #Charles Stross #politics

[spacecowboywhit]

Deeply-Scary-Sorcerer's Song

[Sung by DSS James "TEAPOT" Angleton from The Laundry Files by Charles Stross, to the tune of "Major-General's Song" by Gilbert and Sullivan]

I am the very model of a Deeply Scary Sorcerer

I've information mystical, secret, and full of horror-or,

I know the Plateau of Leng, and I quote the texts historical:

From Necronomicon to Schiller's Bible, in order categorical;

I'm extremely well acquainted, too, with matters mathematical,

I understand equations, both the Dho Na and pentacle,

About Turing's Theorem I'm teeming with a lot o' news, (bothered for a rhyme)

With many cheerful facts about those cults and dreams of Cthul-hu's.

I'm very good at banishing and multidimensional calculus;

I know the scientific names of beings rugose and squamulous:

In short, in matters magical, political, or covert operator-or,

I am the very model of a Deeply Scary Sorcerer.

I know our mythic history, from Benthic pledge to Archive of Atrocity;

I answer many a hard audit query, I've learned a pretty taste for deniability,

I quote in elegiacs all the times of strife and fuss,

In conics, I can scrawl wards parabolous;

I can tell undoubted unicorns from deep ones and beings like a phallus,

I know the croaking chorus from that violin of malice!

Then I can hum a fugue of which I've heard the music's din afore, (bothered for a rhyme)

And whistle all the bars from that instrument of terror-or.

Then I can write a simple spell in Babylonic cuneiform,

And tell you ev'ry detail of the King in Yellow's truer form:

In short, in matters magical, political, or covert operator-or,

I am the very model of a Deeply Scary Sorcerer.

In fact, when I know what is meant by "eldritch" and "cyclopean",

When I can tell at sight a human Hand of Glory from one of pigeon,

When such affairs as summonings and surprises I'm more wary at,

And when I know precisely what is meant by "calculations multivariate",

When I have learnt what progress has been made in modern sorcery,

When I know more of tactics than a novice in arcanery –

In short, when I've a smattering of interdimensional strategy – (bothered for a rhyme)

You'll say a better dark and evil being has never been set a-free!

For my metaphysical knowledge, though I'm an ancient entity,

Has only been brought down to the beginning of the century;

But still, in matters magical, political, or covert operator-or,

I remain the very model of a Deeply Scary Sorcerer!

------------

Inspired by @stainlesssteellocust 's idea of a Laundry Files musical curse story. I didn't spend long and am not music-inclined, but had to.

#laundry files #charles stross