Tumgik
#william gibson
irvingcoded · 2 days
Text
Tumblr media
sketch comm for @caleblandrybones!! some tenderness in these trying times 💖
157 notes · View notes
simon-roy · 2 days
Note
The idea of logging on a colonized alien planet brings my mind back to the planet Lalonde from Peter F. Hamilton's Night's Dawn books - a world that had very hard wood as its only meaningful export, and was also stuck developing its economy from agriculturalism (due to investment shortages, though).
All this is to say - Hey! What are some foundational inspirations for your sci fi verse? You gotta have some like recommendations of classic or older sci-fi for us, right? What are some of your suggestions of books and authors to read?
OK SO - My sci-fi tastes have sort of ended up in some very specific niches. Growing up, I was a Larry Niven +Jerry Pournelle man, in part because my dad amassed a huge collection of their books - then gave 90% of them away before i was old enough to read them. So one of my teenage missions was rebuilding that library, trash and all!
Tumblr media
Stuff like Footfall, Ringworld, Gil "The Arm" Hamilton, Protector (yes i attempted to name a comic series similarly, and paid for it) "The Mote in God's Eye"... you name it, I read fuckloads of these books. And while they tend to land on a sort of human chauvinist "mankind will win based on his inherent adaptive human-ness, and the aliens will fail because of their rigid alien-ness", this shit was very foundational to me.
Their more collaborative series, The Man-Kzin Wars and War World, also loom large in my teenage mind. The Man-Kzin wars are super fun - humans meet a race of tiger-men, and go from being NWO peaceniks to roughneck cat-skinners in a generation! PEACE AND LOVE WONT DEFEAT TIGER MEN!
Similarly, war world (like lots of that 70s/80s military sci fi) was a sort of catch-all for western military nerds to play with their favorite factions - it was a planet where all the un-ruleable ethnic groups and nationalities had been deported by the authoritarian earth government, and left to rot... until a race of genetically engineered fascist super men land on the world, and start trying to rule the place. Pretty fun shit.
As I got older, I turned hard into William Gibson, and read the absolute shit out of both the Neuromancer trilogy and the Bridge trilogy, as well as his short stories. Bruce Sterling was part of that wave for me, too, and I religiously sought his old paperbacks out too. In terms of novels, "Distraction" is my favorite coherent Sterling Novel - though the short stories in the "Schismatrix" novel/collection of his remain my absolute favorite space opera pieces.
At this age, too, I found my top-top fave Sterling Stories - "Taklaman" and "Bicycle Repairman", both gritty pseudo-cyberpunk stories of the highest degree, in this collection:
Tumblr media
This thousand-plus page collection of short stories and novellas was basically my bible for a few years - i put sticky notes on each story i loved and meant to return to, until the book was so festooned with sticky note bookmarks i abandoned the practice altogether. If you have the chance, just buy this book and chew on it for a few years.
As i got into my 20s, Charles Stross became my lode star - his books like Accelerando and Glasshouse were total game changers for me. They come with their own peculiarities, but I loved his transhuman/posthuman musings (or at least i was obsessed with his stuff for a good few years - the venn diagram of his obvious interests and my own overlapped enough that his books were great fodder for a growing sci-fi loving brain).
But since then, my main literary squeeze has been the great man, JACK VANCE. Working on Prophet, my friend @cmkosemen made a remark about how much the early issues of the series reminded him of a book series called "Planet of Adventure" or "the Tschai Cycle", by Jack Vance. The book has a beautifully simple setup - a man from an entirely undescribed spacefaring human civilization crash-lands onto a weird planet. But on that planet, he finds four separate civilizations, each who possess a population of enslaved humans, culturally and physically molded to the needs of their masters. And each book of this series covers our generic hero's interactions with each bizarre expoitative culture. I was extremely intrigued.
Tumblr media
Soon thereafter, I found my current absolute favorite book - "THE DRAGON MASTERS". A book about an isolated medieval world... which gets visited, once every few generations, by a black pyramid starship, flown by a reptilian race known as the Greph. The greph capture humans to (surprise surprise) breed them into hyper specific slaves... who in turn become Greph-like in their thinking and demeanours. But the last time the BLACK PYRAMID landed, a bunch of angry medieval dudes stormed the thing, blew it up, and captured a bunch of greph... who became the breeding stock for a whole new human world of slave labour. By the time we meet this planet, the two rival lords of the human-populated regions have been breeding greph slave warriors, or "dragons", for generations, for combat against one another. But soon, the black pyramid will return...
Tumblr media
I love this book I even spent a good few months during covid talking with the Vance Estate and several publishers about developing it into a graphic novel, but nobody could quite agree on how it could get made with old Simon getting a paycheque... so sadly it fell apart. There are concept drawings floating around my patreon and other corners of the internet. But one day I'll use 'em...
My other favorite books of his, to name a couple of the MANY books of his I love:
THE BLUE WORLD: A caste system of humans, descended from a crashed prison ship, live on floating settlements on an ocean planet, paying protection to a giant long-lived intelligent crustacean. But one man is tired of giving up all his crops to this tyrannical megafauna...
THE MIRACLE WORKERS: Rival lords on a planet descended to medieval tech (surprise surprise) fight using armies... and rival SORCERORS who employ the powers of suggestion to voodoo each others' warriors... but when facing non-human intelligences, these sorceror's skills fall short.
But there are heaps more, and I love most (thought not all) of the ones i've read. They're generally short, concise, and full of all sorts of bizarre bullshit.
THere are more books i've read and enjoyed in my life, of course, but these are the core ones that I think of when I think of my career as a sci-fi reader... let me know what your top recs are!
39 notes · View notes
jirving · 4 months
Text
Tumblr media
Widower
1K notes · View notes
drowsykappa · 11 months
Text
Tumblr media Tumblr media Tumblr media
4K notes · View notes
staud · 2 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media
Mirror reflections in THE TERROR (2018)
988 notes · View notes
bitterkarella · 2 months
Text
Midnight Pals: Hackin'
King: i can't believe elon's grok is pretending i'm friends with him King: i need to stop that AI before everyone believes it! King: i've got to hire a hacker King: franz, you've got to help me Franz Kafka: what? me? Barker: steve, no
Kafka: i'm not a hacker King: oh i thought franz was a hacker Barker: what gave you THAT impression? King: you know, with the cat ear headphones and the striped thigh socks Barker: no steve that's something ENTIRELY different Kafka: n-no it isn't, on second thought yes I'm totally a hacker
Kafka: it means i'm a hacker, nothing else Barker: sure franz Kafka: it does! it totally means i'm a hacker! Barker: franz, go play with your blahaj plush, the adults are talking here
Barker: you know who you need? you need william gibson Barker: the best hacker money can buy King: william gibson? how do i contact him? Barker: you don't Barker: he'll contact you
King: can you really hack grok, william? William Gibson: [wearing black duster and fingerless black gloves] my hacker name is shadow gigabyte King: oh sorry Gibson: can i hack grok? listen kid i was cyberbyting the megabyte mainframe when you were just rebooting your motherboard mouse data bandwidth modem email King: wow!
Gibson: my CPU is a neural net processer, a learning computer King: wow he really sounds like he knows what he's talking about! King: that definitely sounds like hacker talk to me Gibson: CD Rom Gibson: internet Joe Hill: dad can i talk to you for a second King: not now joe daddy's hiring a hacker
Gibson: [wildly slapping keyboard] i'll re-index the mega bit blaster cyber codex Gibson: [wildly slapping keyboard] now we'll cybersecurity the lock box data center King: hey what happens if you push that button? Gibson: what the-- no!! [klaxons sound] King: what's that mean? Gibson: shit Gibson: we've got company
Gibson: sentient cyber virus electronic guard cyberbots Gibson: real high tech Gibson: state of the art in bio-tech wetware neural-data scrapers Gibson: [putting on sunglasses with red laser scope] and they ain't friendly
King: what are we going to do?! Gibson: kid, you keep your hands to yourself unless you wanna become roadkill on the information super highway!!! Gibson: hold on to your CPU (central processing unit)!!!
Gibson: [wildly slapping keyboard] gotta reconfigure the darkweb logistics for ethernet wavetech Gibson: [wildly slapping keyboard] upload the memory downloader for dumpware backup Gibson: [wildly slapping keyboard] uncodify the cyberpatch modifer aaaaand Gibson: i'm in
King: wow, you hacked twitter?? how did you do it? Gibson: the greatest hackers never reveal their secrets [earlier] Gibson: [wearing fake mustache] hey elon its me catturd Gibson: could you give me your password? Elon Musk: sure it's "picklerick420"!
528 notes · View notes
caleblandrybones · 5 months
Text
Tumblr media
Steady, Mr. Gibson.
a delightful commission by @littledozerdraws
1K notes · View notes
Text
The Worst of All Possible Worlds #110: William Gibson's Neuromancer
Hacktivist/irl tiny kitten maia arson crimew (maia.crimew.gay / @nyancrimew) returns to discuss Neuromancer, the 1984 sci-fi novel that coined the term “cyberspace” and inspired a generation of hackers. Topics include breasting boobily up and down stairs, the parallels with 1995's Hackers, and how impressively William Gibson manages to capture the feeling of being perpetually on the run.
855 notes · View notes
the-golden-vanity · 6 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media
The Terror, s1e9; "The C, The C, The Open C" José de Ribera; The Head of Saint John the Baptist Guido Reni; Ecce Homo The Terror, s1e4; "Punished, As A Boy"
759 notes · View notes
theactioneer · 19 days
Text
Tumblr media
Henry Rollins & Dina Meyer, Johnny Mnemonic (1995)
374 notes · View notes
prokopetz · 1 year
Text
Honestly, the thing about the stolen RAM chips might be one of my favourite little details in Neuromancer, because it's both the most obviously ridiculous detail to modern audiences, and practically the only thing about computers the text actually gets right. Prior to the price crash of 1996, RAM genuinely was the most expensive component of a desktop computer – like, by an order of magnitude. There really was a thriving black market in stolen RAM chips. This was literally the one thing William Gibson actually knew about computers, and now it's one of the silliest lines in the whole book.
2K notes · View notes
neondreams2145 · 3 months
Text
Tumblr media
293 notes · View notes
glorfindelssword · 5 days
Text
Tumblr media Tumblr media
152 notes · View notes
kurjakani · 3 months
Text
Tumblr media
toxic yuri for the lovely @caleblandrybones >:3c I have discovered i rly like drawing hickey... unfortunately........
218 notes · View notes
multiocular-mushroom · 6 months
Text
Tumblr media
your weapons are empty phrases
you'd never start a fight
322 notes · View notes
alpaca-clouds · 9 months
Text
The History of Cyberpunk
Or why every other SciFi Genre is called [something]punk
Tumblr media
You know what? Let's do this. Because I have seen the discussion on whether or not Solarpunk is "punk" over the last few days and... people really gotta learn their history.
The first time a genre took the "punk" name was Cyberpunk. And for context we gotta talk a bit about the history of the Cyberpunk genre.
While some books that we in hindsight call "Cyberpunk" were released as early as the 1960s, the start of Cyberpunk as a genre got its start in the late 70s and early 80s.
The term was invented by Bruce Bethke, who published a short story in 1983 with the name "Cyberpunk". His idea was to juxtapose the term "punk" for both the mentality and the punk protagonists in his short story with the term cyber, short for the cybernetics they were wearing. And while the cybernetics have become a main stay in the genre, the punk attitudes are not always carried through...
Well, the title Bethke invented stuck, though. When 1984 Neuromancer was published, one of the most influencial works in the early days of the genre, he called it "a Cyberpunk novel" in the marketing. And from there... Well, the genre was suddenly named like that.
The 80s were definitely the decade that had the most influence on the genre, given that a lot of the big novels and graphic novels of the genre were released here.
A big influence was, no doubt, that 1982 the Blade Runner movie had released and had inspired quite a few writers and artists. (And yes, this makes Blade Runner a movie that released not only before the term Cyberpunk was coined, but also before the genre had a chance to define itself.)
Given that the genre was defined in the 80s, there are a lot of 80s anxiety kept within it about the rise of the Japanese economy, that are these days rarely questioned within the western Cyberpunk movement.
When the genre was coined and developed, Japan was the fastest growing economy in the world, being so influencial that they got to buy out several things in America. Something that kinda jerked white people in the US a lot. This is, why Cyberpunk originally depicted not only a capitalist hellscape - but specifically a capitalist hellscape were everything was bought out by Japanese companies, with many of those early antagonists being Japanese companies. And yeah... there was a lot of both anti-japanese racism, but also cultural appropriation of Japanese things in early Cyberpunk, at time surviving to this day. (But that is a story for another day.)
The general sense that Western Cyberpunk had, was always the idea of: We have a capitalist hellscape where the world is slowly dying and people are exploited with no end, while we have those kinda punky protagonists, who stand outside of the society and try to work against it. This being where the punk comes from.
Now, I could talk for length about how a lot of that punky attitude has been lost in more modern Cyberpunk media, but that, too, is a story for another day.
So, let me just talk about what happened then.
The term Cyberpunk really is darn catchy, right? So just when that name took hold, writer K.W. Jeter retroactively called his 1979 novel Morlock Night "steampunk". And guess what: This stuck, too. Though while the 80s Cyberpunk still stuck to the punk attitude, a lot of Steampunk did not. While for certain there is quite a bit of Steampunk that has kinda punky characters go against the quasi Victorian society of steampunk books (something most common in the air pirate novels I have read), a lot of other stories are more focused on a general sense of adventure.
But never the less... The genre names stuck and gave a nice baseline for naming other genre. We got Dieselpunk, Atompunk, Nanopunk, Arcanepunk, Dustpunk, Silkpunk and of course also Solarpunk and Lunarpunk.
And for the most part... The "punk" names mostly communicate: "It is SciFi with this kinda aesthetic/twist going on". Which is just how it turned out.
Funnily enough Solarpunk is for once a genre that brings back the punk, as it tends to include a lot of the ideals aspired to by the Punk counter culture of the 1970s: Anarchism, anti-capitalism, anti-consumerism, anti-classism, anti-racism, anti-colonialism and so on. Though other than with Cyberpunk and the real world punk movement, Solarpunk for the most part imagines a place, where those things are culture instead of counter culture.
I personally find it kinda sad, how for the most part Cyberpunk kinda lost a lot of the counter-cultural, revolutionary mindset. And how fucking defeatist the genre often is.
But again, it is a story for another day. Just as the story of Japanese Cyberpunk is.
Tumblr media
427 notes · View notes