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#closed thread: margot
atvrvxia · 11 months
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"I THINK you're mistaken. i'm not the person you're looking for." / @racylove
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fullintenticns · 2 months
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Small starter for @killjoysanonymous
Margot x Jaime
Jaime sat at the table amongst the people he worked for. They had invited him as a thank you for saving the husbands life and of course, Jaime agreed to join as courtesy, not that he cared for fancy food or the rich. Even though he did work for them, he knew just how selfish they could be. He breathed out deeply, the man glancing forwards Margot who didn’t look like she belonged here either. This meal was supposed to be a thank you meal yet now it would be his last one. Jaime stayed calm amongst all the threats and panic in the room, though his heart was racing. His eyes fell back onto Margot before gulping and turning to look at the chef.
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ptergwen · 2 years
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looking respectfully
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w/c: 1,155
warnings: swearing, peter being a bi disaster, and a lil bit of angst
summary: peter questions his sexuality and what it means for your relationship, debating whether or not he should come out to you
a/n: you know what time it is! happy pride my loves :) i wasn’t planning on writing anything for pride this year cause i’ve been busy with can’t get close but i ended up having some time and i wanted to do a little something for y’all! so it’s a bit rushed but forgive me <3 anyways i’m so extremely proud of you all and i love you to pieces, pls enjoy
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that stupid movie.
you’re making peter watch that stupid movie again, the one where he literally drools whenever heath ledger comes onscreen. and joseph gordon-levitt. and… the list goes on.
it was your turn to pick for movie night, and you chose 10 things i hate about you. it’s one of your go-to’s. who doesn’t love a good old enemies to lovers rom com? peter clearly enjoys it too because he foams at the mouth every time you watch it. you think it’s because of julia stiles, and it is, but it’s also because of heath ledger and joseph gordon-levitt.
he could call it his bisexual awakening. only, you don’t know that yet.
“hey, pete? mj just texted. she’s inviting us to pride.”
you peer up at your boyfriend from your phone with a smile. peter takes his eyes off the tv momentarily to glance over at you. he draws you in closer with the arm he has around you, a small smile stretching across his lips.
“tell her we’ll be there. can’t break tradition.”
you peck peter’s shoulder and text your friend back on behalf of both of you.
mj has been out as a lesbian since high school, and you’re now well into college. your friend group goes with her to the city’s pride parade every year in honor of pride month. peter always feels welcome at pride. he feels at home, even. you’re there as allies, to support mj and the community. you’ve all been accepting of her from the very second she came out to you, embracing her with open arms.
the more pride parades peter attends, the more he finds his heart skipping a beat when he locks eyes with a cute guy or makes small talk, the more he watches that damn movie, the more he finds himself questioning his sexuality.
“damn, julia stiles has got you all hot and bothered,” you tease. “i don’t think you’ve blinked once during this whole movie.”
peter zoned out in the midst of his sexuality crisis, and he happened to be looking at the tv.
“reminds me of the time we watched the wolf of wall street and you kept staring at margot robbie’s-“
“c’mon, i was not. i was looking respectfully.”
“i’m not judging. there’s a reason men worship that movie, y’know.”
“babe, be serious.”
“i am being serious. shit, i was looking, too.”
peter buries his face in the side of your neck and groans.
should he break it to you that he was really staring at leonardo dicaprio? okay, and margot robbie. but, still.
“it’s okay to admit you have a crush, pete. i won’t take it personally,” you thread your fingers through his curls. “we’ve been together a long time now, yeah? i’m secure in us.”
you toy with peter’s hair. your free arm wraps around him. peter hugs your middle, his nose rubbing against the skin of your neck as he shakes his head.
“i talk about how much i love timothée chalamet all the time. you don’t mind.”
“everyone loves him. besides, it’s… it’s not that.”
“then what is it?”
you push peter back gently by his shoulder so he comes out of his hiding place in your neck. he holds you tighter. his lips form a line, brows knitting together.
this is about more than just some silly crush.
you pause the movie.
“i know that face, peter. what’s bothering you?”
he lets go of you, head hanging.
peter wants to tell you, he really does, but he’s scared. he’s scared and confused. he’s not sure what his attraction to guys means for him, or for either of you. how could you understand when he doesn’t understand himself?
the one thing peter is certain about is that he loves you. nothing could change that. you two are attached at the hip, you fucking live together. you’re his girlfriend, and his best friend.
but, what if he really is bisexual? how would you take it?
“i was looking at leonardo dicaprio, too”
you don’t quite hear peter because he mumbles.
“huh?”
“when we watched the wolf of wall street. i was looking at leonardo dicaprio, too.”
this time you hear him. you just don’t understand.
“i’m not sure what you mean, baby.”
you shift to face peter, scooting towards him on the couch. your eyes flick between his.
this is it. this is peter’s chance to say it, but he can’t get the words out. he doesn’t have them.
it’s not a matter of if you’ll accept him; he knows you will. he has no worries about that. you’re completely accepting of mj and the entire lgbtq+ community, so why would it be any different with your own boyfriend? what peter worries about is what’s going to happen to the two of you. you might not love him anymore. you might want to break up.
he’ll never know if he doesn’t try you, though.
“i was looking at margot robbie and leonardo dicaprio. do you get what i’m trying to say?”
he meets your eyes.
“kind of. could you say more?”
you grab ahold of his biceps, thumbs caressing his arms.
“i, uh, well… i’ve been thinking about it a lot. like, for a really long time. i’m not sure yet, still questioning and all, but i think i’m…”
he inhales a sharp breath.
“i’m bisexual.”
your features hold shock as you process this information. peter automatically assumes the worst and panics, going off on one of his nervous tangents.
“but this doesn’t change us at all. i still love you, y/n. i’m so, so in love with you. i just like guys, too. guys and girls. or… men and women, i should say,” he rambles. “definitely you, though. always you.”
he cringes at himself.
“do you still love me?”
your hands move up to his cheeks, squishing them from how passionately you cup them.
“of course i do.”
peter nods repeatedly, willing himself to take that in. you grin.
“that’s what bisexuality is, liking more than one gender. that includes the opposite,” you reassure. “i’ll always love you, peter benjamin parker, and you’re right. you being bisexual doesn’t change us one bit.”
you kiss peter’s forehead, letting your lips linger there.
“it doesn’t change you, either.”
peter captures your lips with his. you smile into the kiss, lips slotting softly with peter’s. he has a smile that mirrors yours when you both pull back.
that couldn’t have gone any better. he’s so happy he decided to come out to you, and you’re just as glad he felt that he could.
“does this mean i can finally talk about how hot heath ledger is when we watch this movie?”
“absolutely. be loud and proud.”
peter chuckles and pecks your lips. you play the movie, looping your arms around his neck.
“speaking of pride, looks like we’ll be celebrating you at the pride parade this year, too.”
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dat2ndaccount97 · 10 months
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Some Barbie Movie Doll Updates:
For Starters, she's on eBay already, going for about $72 including Shipping,
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So we have a good look at her packaging, with the Back of The box having the Photo released last summer of Margot Robbie's Barbie. The Screening looks a little ehh on this particular doll but I chalk that up to Mattel's World Famous Quality Control ™
In addition to that someone on twitter has her with a thread of some close up photos and details on her (with this doll having a much better screening that looks a lot like Margot imo) The Biggest surprise for me is that she has Real Underwear. It's 2023 and Mattel is putting real cloth goods underwear on what's more or less a Playline Fashion doll (and she still has the molded on underwear underneath).
I've also been seeing some other photos of her floating around so it seems many people are getting a hold of her now.
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absentia-if · 2 years
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How would the ROs (and L too, please, even though the context would be a bit different) react to an MC who liked to rest their head against the RO's chest and listen to their heartbeat? Like, MC finds the sound calming and it proves that they are both alive and together, and also proves MC is no longer trapped and is actually here with the RO.
Kade/Kara: Would thread their fingers through the strands of your hair, massaging your scalp every so often, as they press a light kiss to your temple. As long as you were happy they’d stay there for as long as they were able to do so. Only wanting you to feel safe within their arms.
Michael/Margot: Would wrap their arms around you and pull you closer. Placing the lightest of kisses to the top of your head as they hum a gentle tune that always soothed them when they were younger. (May even sing ‘When You Wish Upon a Star’ if you wanted them too.) Don’t expect to get up anytime soon because they want you just as close.
Blaine/Blaire: Is usually a big ball of energy but they’re well aware how important this act is for you. Meaning that they’d try their best not to shift too much because they want you to be as comfortable as you possibly can. Would wrap an arm loosely around you and play I Spy with themselves so they don’t disturb you.
Wren/Wynn: Understands the need to do such an action— they did it with Scott after they lost Heather— and wouldn’t think twice about making sure that the MC was as comfortable as they could be when doing said act. Trying to make their breaths as even as they could so their heart wasn’t hammering against their chest.
Nicholas/Natalie: Wouldn’t do anything about it. Simply smile shyly down at you, press a light kiss to the tip of your nose, and would tug you closer against their body. Wants you to be as protected as you need to be and they’re happy they make you feel safe.
Leon/Leia: Would be surprised the first time you did it but would soon find it heartwarming. May tease you about it at first, in a gentle way, but soon they’d grow petulant if you didn’t put your head on their chest like you were supposed to. As it may be a time for you to relax, to feel connected with them, but they feel the exact same way as well.
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persephonyed · 14 days
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oooookay, because i have been away for so long, i'm dropping a handful of threads that i just don't have any more muse for rn / are close to ending and we can just finish the plot in dms / etc. i'm super down to continue all pairings with new threads! i just have to be realistic with what i think i'm going to be actually motivated to write rn and hope that's okay with all of u. &lt;3
i'm gonna put my current drafts / the things i will be replying to under the cut. if you don't see your thread there, feel free to reach out so we can continue the pairing on a new thread. ( i also may have not seen a notif for something since i have been away. )
daisy + heath — @stcrskims jude + annie — @muchallure margot + newt — @muchallure daphne + peter — @muchallure jill + dovid — @someotherdog indie + eoin — @someotherdog romy + brendan — @lcvewaslcst malia + jeb — @springbreezc sawyer + gaten — @atrickrtreat conrad + bentley — @mccntower nat + cecily — @lvciddreamt flora + simone — @wutheringdevotion indie + oliver — @blcssom
& for @cauldronsborn
brienne + airlie — @calanmais
jackie + kyle — @twistxdtales
nissa + alaric — @prythiaens
rhiannon + rune — @prythiaens
just so u all know that replies to all of these threads are definitely coming!!
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trinitynox · 7 months
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Trin Reviews: Barbie
Short answer is, I liked this movie. Long answer, it's a bit more complicated than just it's good or it's bad. There are different interpretations to this movie, critical response has been overwhelmingly positive but there are also some negatives, and no, I'm not talking about Ben Shapiro or people who got their fragile egos hurt by this movie.
For some, this openness to interpretation is what makes it a good story. And that is fair, as a piece of art. But I reckon that the openness detracts a bit from its identity as social commentary.
I think Barbie is not as truly impactful as it could have been or as the marketing surrounding this movie would suggest. It is not generation defining but it is close. A couple revisions to fix those flaws might have helped it achieve that status. Provided that is what the makers of Barbie wanted. A few plot threads got mixed together and I didn't really get the point they were trying to make with it but maybe I will as I write this review.
If you found it more impactful that I did, that's fantastic! Don't let my opinion take that away from you.
Social commentary aside, the movie was quite fun. I loved the random inclusion of high profile actors and actresses as Barbies and Kens. The dance number with Ryan Gosling and Simu Liu's faction of Kens was a great moment of I don't know what's going on but I love it.
From here on, it's going to be spoilers.
*****SPOILERS*****
I don't really know how to start the spoiler review section so I guess I'll just go with whatever thoughts come to mind as I write.
One scene that stuck out for me was when Barbie was having a breakdown and said something along the lines of how she doesn't feel attractive/pretty anymore. It is then lampshaded by the narrator who says that Margot Robbie is the wrong actress to cast to drive that point across. In the moment, I laughed and agreed with that 4th wall break. However, upon reflection, the joke kind of fell flat for me.
Much has been said about how mental health and insecurities can and will affect everyone. And that even physically attractive people have the right to feel ugly. Highlighting Margot Robbie's looks and saying that she's the wrong actress to cast to drive across the point that even Barbie can feel ugly feels...reductive.
The scene was Barbie at her lowest, when her worldview was shattered and she felt like she had lost everything that made her who she was. That joke implies to me that Barbie is just her looks and not anything else, and that her struggles aren't real or her identity crisis isn't significant. Maybe the point was that her looks are too distracting? I don't know.
I watched it with my SO and her thoughts on the movie surprised me a little. She disliked the movie and gave it a 1/10.
When I tried to probe a little to find out why, I found that the message just didn't resonate with her. In fact, she didn't really get the point of the movie. The plot was too confusing, the character actions made no sense to her, there was too much going on, etc etc.
She couldn't pin point why exactly, but she felt that the movie had the opposite effect for her, where she felt less empowered.
I think the reason is this movie is meant to be a satire. It's supposed to take things to the absurd extreme. And the thing about satire is that not everyone gets it. Some might take it too seriously or on face value. Sometimes its message gets lost amidst the absurdity.
There was a pretty great speech in the movie about how difficult society's expectations of women have been so unfair and continues to place undue pressure on women that men don't normally face. I think that speech was the main thesis of the movie, but it was lost in the satirical take on gender norms/roles throughout the movie for some.
Then there was Ken's subplot. This one bothered me a lot, mostly because I absolutely hate everything his subplot is on the surface. Toxic Masculinity. So I guess that's a point to the creative team cuz it probably brought out the emotional reaction they wanted.
But it's also mixed in with Ken's own identity crisis. He doesn't know who he is without Barbie because it's always Barbie and Ken, never just Ken. I'm not sure what to think of this subplot?
Based on the resolution, I think the message is that men shouldn't form their entire lives around finding a partner, and they aren't any less for not having one. A good message to try to steer some away from becoming the internet's stereotypical incel, I suppose. Did it succeed? I don't know.
There's a whole thread about how Margot Robbie's Barbie starts thinking about death even though they can't die in Barbie land. It's a little funny that she starts as Stereotypical Barbie and ends with Death Seeking Barbie (I know, I know...it's not so much she's seeking death but more experiencing what being human has to offer, which includes death. It's a joke.)
Overall, while it was an entertaining movie, I think it failed to be as impactful as it could have due to it being a satire.
6/10
P.S. My favourite joke that I laughed out loud but no one else in the theatre did was: Random Executive: gives a suggestion Will Ferrell: Great idea, executive no. 2!
I died a bit inside when no one else laughed...
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lesserjoke · 8 months
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Movie #5 of 2023:
Barbie (2023)
Heartfelt, hilarious, and swathed in a vivid color palette — this movie about the titular doll isn’t really meant for the kids young enough to play with her, but it is very much a feel-good female empowerment hit for the rest of us. In this story all the Barbies live in a placid plastic wonderland, but when one of them starts having thoughts about death and similar existential crises, she must travel to the real world to find the person inadvertently sending those feelings her way. The result is a fun fish-out-of-water adventure — my mind kept comparing it to Elf, perhaps due to the presence of Will Ferrell — followed by a surprising ‘Scouring of the Shire’ pivot when the protagonist returns to discover how Barbieland has changed in her absence.
There’s also some frank discussions of how hard it is to navigate society’s conflicting patriarchal expectations of women, a touching mother-daughter relationship, a scathingly funny takedown of bro culture and its touchstones, and a great message about finding your own path rather than settling for someone else’s idea of your happily-ever-after. The film threads a careful needle between celebrating Mattel (who of course co-produced it) and calling out the company for the ways in which their products haven’t necessarily always helped the feminist movement. The nostalgia factor is important too, with genuine discontinued models and accessories like Earring Magic Ken adding nice specificity to the humor of the piece.
The production could probably stand to be tightened up or revised in a few places. I think the biggest misstep is the treatment of Mattel’s corporate headquarters and employees, which are rendered in a comedically heightened style that doesn’t fit with the rest of the “real world” and weakens the implicit clash between Barbie’s reality and ours. The script also sometimes loses track of this element, checking in on the bumbling CEO and his underlings after far too long has passed with no indication of what they’ve been doing in the meantime. Meanwhile, Ryan Gosling’s Ken is also a bit ill-defined — I like his arc and where it eventually leads, but it’s odd to me that he’s already so uneasy at the start, before the inciting incident that sets Margot Robbie’s Barbie in motion. Barbieland is initially presented as perfectly static and pleasant, and while I appreciate how the ending winds up returning and critiquing that, I’m not sure it’s thematically coherent to have one of the Kens there in a quiet crisis even before the main Barbie.
All that having been said, I had a good time with this one, despite presumably not being quite in the target audience (or caring about the memes linking it with Oppenheimer, the Christopher Nolan biopic that happened to hit theaters around the same time). And although I roll my eyes at complaints that stories like this are too woke or man-hating or whatever, I do wish it could have veered a bit more away from the gender essentialism, wherein all the Barbies and Kens fit squarely in those separate tribes without much in common across them and the heroine’s big closing moment of self-actualization is — spoiler alert — related to her reproductive anatomy. Still, perhaps the flaws are only fitting for a movie whose ultimate moral is that it’s okay to be a little imperfect among life’s messes.
★★★★☆
Like this review? –Throw me a quick one-time donation here! https://ko-fi.com/lesserjoke –Subscribe here to support my writing and weigh in on what I read next! https://patreon.com/lesserjoke –Follow along on Goodreads here! https://www.goodreads.com/user/show/6288479-joe-kessler –Or click here to browse through all my previous reviews! https://lesserjoke.home.blog
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mylifeincinema · 1 year
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My Week(s) in Reviews: January 1, 2023
First and foremost... Happy New Year!!
Okay... now let’s get into it. I’m keeping these short because I have little to say about them or they’re going to be featured in My Best of 2022 shortly, anyway, so let’s just go with the old three things format for most of these, yeah? Good.
The Fabelmans (Steven Spielberg, 2022)
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1. Wholly feels like the film Spielberg’s been working toward.
2. That final shot is the reason (as if I needed another one) why Spielberg is my favorite director.
3. I’m going to be genuinely shocked if this lands anywhere other than on top of my top films of 2022. - 10/10
Glass Onion: A Knives Out Mystery (Rian Johnson, 2022)
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1. What a cast!!
2. A ton of fun, and it chooses an approach and sticks with it. If you’re underwhelmed with the ‘twists’, that’s kinda the point.
3. Seriously, though... what a cast!! - 8.5/10
Babylon (Damien Chazelle, 2022)
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What a clusterf*ck…
It’s very clear Chazelle lost the thread about 40% in. Cutting that whole Tobey storyline would help. Also cut the opening scene, just start on the party. Tighten up Margot’s arc, we didn’t need that snake shit. Cut Jovan’s arc complete, there’s enough there thematically for a separate film. Give that to someone who can tell it in a way that’ll actually resonate. Leave everything with Brad Pitt alone. He was fantastic and his arc is the only one that felt like it progressed and ended naturally. Beautiful, tragic, interesting shit, right there. Actually loved the ending, but a bunch of other late moments for Diego felt sloppy/rushed. The phenomenal editing helps some of the more upsetting issues throughout, but can’t save the film from the total loss of cohesion in the those final acts. Despite all its many flaws, though, I still pretty close to loved about 65% of this film. - 6/10
Avatar: The Way of Water (James Cameron, 2022)
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1. Visually stunning. Probably the easiest VFX win since the last, right?
2. Someone should give Fincher the money for his 20,000 Leagues Under the Sea... if this film is anything, it’s proof the tech has reached the point where Fincher’s vision is not only possible, but feasible.
3. Has James Cameron actually ever heard two people talking to each other? My God, that dialogue is atrocious. (The screenplay all-around, really.) Yikes. - 6.5/10
Weird: The Al Yankovic Story (Eric Appel, 2022)
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1. This is not only the perfect approach to a Weird Al biopic, I’m pretty sure it’s the only approach to a Weird Al biopic.
2. Very funny if you’re familiar with Yankovic as a person, downright hilarious if you go in only knowing his music.
3. Evan Rachel Wood as Madonna... I repeat, Evan Rachel Wood as Madonna. My God! - 7.5/10
Emily the Criminal (John Patton Ford, 2022)
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1. Aubrey Plaza is really damn good.
2. So is just how terribly things go in that third act.
3. The rest... not so much. I really don’t get all the hype. - 5/10
Black Adam (Jaume Collet-Serra, 2022)
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1. This is a very bad movie. Very easily one of the worst of the year.
2. Any promise Dwayne Johnson had every shown has been tossed in the garbage for terrible line delivery and tough-guy stares.
3. Pierce Brosnan deserved better than this. An interesting character and perfect casting completely wasted in favor of whatever this shit was supposed to be. - 2/10
The People We Hate at the Wedding (Claire Scanlon, 2022)
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1. Not a good movie by any stretch.
2. But Kristen Bell.
3. And Allison Janney. - 5.5/10
A Christmas Story Christmas (Clay Kaytis, 2022)
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1. Corny as f*ck.
2. But the type of corny I can get behind.
3. And that Christmas morning was the obvious tear-jerker material I’m a sucker for. - 6/10
The Shop Around the Corner (Ernst Lubitsch, 1940)
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1. James Stewart really is one of my all-time favorite actors. Just always so damn good.
2. Love me some Lubitsch, yet for some reason I have so many blind spots with him.
3. I know we live in completely different times, but even looking through the scope of the time, that ending seemed a bit forced. Still a delightful film overall, but she must’ve been really desperate to let the shit he pulled go. - 7/10
Elvis (Baz Luhrmann, 2022)
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1. Significantly better than I expected. But painfully overlong.
2. Austin Butler is fantastic. Tom Hanks is (somehow) borderline awful.
3. Baz Luhrmann’s direction is god-awful. But there’s a shit-ton of it, so I guess the Golden Globes look at Directing like the Academy does editing, now. - 5.5/10 (Almost all of those 5.5 are for Butler and the early performance sequences only.)
Enjoy!
-Timothy Patrick Boyer.
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chromosome23hq · 2 years
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LETS HAVE AN OMEGA FESTIVAL!
HAPPY ONE YEAR TO OUR OMEGAS AND WELCOME OUR NEW HERO, IRA!
New York City is the city that never sleeps and that never dies, no matter what you throw its way. After what happened in June, the energy was low the first two weeks. The citizens needed time to grieve and heal-- and of course, wait for parts of the city to be fixed. It's a slow and necessary process. There at their sides are the Omegas, the city's heroes help with clean up, fixing buildings, getting cats out of trees, making sure everyone is fine: they're doing their jobs but also just being decent human beings. It warms the hearts of the citizens, all grateful for their team of heroes who have done nothing but protect all of them.
The city's mayor doesn't care much for the Omegas but he does care about making his citizens happy. And what would make them happy? A celebration for their favorite group of heroes of course! It's an Omega Festival held in Central Park, the festival is to celebrate the one year anniversary of the Omegas being formed and to welcome a new member of the team, an individual personally recommended to him by his new acquaintance Linda McCall. There's drinks from local bars, food stands of some fan favorite restaurants, gaming booths such as basketball, darts, duck shoot, and even musical performances from local musicians. It's a day of fun for everyone, so come and enjoy yourself!
OOC INFORMATION! 
And this is the start of our first event of Arc Two! Go ahead and start posting any closed and open starters that you have. If you are posting an open starter, please tag it with c23event. 
IC the festival happens on Friday, July 31st, 1998 @ 6 PM EST and ends at 10 PM. 
OOC, the event starts now ( duh ) and ends on Sunday, July 31st @ 11:59 PM PHT. 
The admins will post another plot drop at the end of the event. 
During the event, Yaren will be announced as an Omega! While it won’t be stated by the mayor or other Omegas, she’s Theodora’s replacement. 
You don’t have to end your current threads nor do you have to put them on hold ( unless you want to ). 
Muses that are attending the event: Milo and Santi ( Alex ), August and Mori ( Cola ), Tiff and Yaren ( Maddie ), Hale and Narcissa ( Marcy ), Roxi, Daichi, and Anamika ( Kashia ), Emilio, River, and Margot ( Tin ), Will, Victor, and Jackie ( Kael ), Zia and Leon ( Casey ), Riley ( Mady ), Jaewon ( Syno ), Atticus ( Anya ), Laurel and Cyra ( Bry ), Chris ( Eddie ), Louis and Lai ( May ), and Sora, Joey, and Ezra ( Gray ). If you haven’t done so yet, please put in the #muse-updates channel in the server which one of your muses will be attending the event. 
Have fun and make sure to stream Cheers by Seventeen <3
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manianity · 2 years
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character trivia game.
rules: describe 10 random headcanons about your muse of choice that will rarely ever have the chance to naturally come up in threads. go wild, go random, go meta!
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1. when elodie reached camp, she looked simply AWFUL: sickly pale, marked eyebags and, over all, she was much physically weaker compared to her peers. that’s because, unaware of her abilities, madness affected her well-being, too, during her late childhood. it took her almost two weeks of recovery and isolation to be able to walk around without being accidentally harmful to fellow campers.
2. pancakes are her favorite food and her mom taught her how to bake/cook them before they couldn’t live together anymore. she often prepares them for breakfast for her dad, too, as he is *canonically* a pancakes enjoyer.
3. elodie has a very pleasant singing voice and learnt how to play the acoustic guitar all by herself, which is why when she discovered ap0llo’s kids are naturally talented musicians she started some sort of very one-sided rivalry with cabin 7 just to show she’s better than them even though ap0llo isn’t her dad. the absolutely clownassery, i know.
4. music and acting are very dear to her because elodie dreams of becoming a broadway actress! she LOVES musicals and knows most disney songs by heart. she hasn’t seen a broadway show live yet, but it’s definitely on her to-do list. 
5. it’s very hard to understand when elodie’s lying. 9 times out 10 she will be able to fool most people she talks to (thanks, acting powers!) unless you know her very well or are the literal god of theater. 
6. elodie has a french-canadian/quebecois accent when she talks in english. something that sounds like  THIS  but not as exaggerated, of course.
7. this little lady is unable to stay alone for too long. she hates loneliness and the absence of people around her – because of that, it’s not uncommon seeing her koala-clinging to her dad, siblings or her friends every once in a while. she tends to get a little jealous when her sibs/pals hang out with other people, too, because she’s afraid they’re gonna forget about her 😔
8. elodie loves nicknames and nicknaming people who are close to her. whether they are a friend or foe, it doesn’t matter: they all WILL get a nickname. giving this kid a nickname back is one of the best ways to flatter her.
9. her style drastically changes through the one year she spends at camp. the only reasons she wore a punk-ish outfit was to look tough and please the kids she used to hang out with at school. when she finally finds camp h4lfblood, a place in which she feels like she belongs, elodie is able to show her true colors and that is mostly reflected in her attires and hairstyles.
10. her mother will eventually get better! with her help, too. they are going to settle in margot’s old apartment as she’ll manage to find a job at her old workplace. since both her parents don’t want elodie to grow up without one of them in her life, they agree upon letting their child stay with her mom during the week days and relax with her dad at camp during the weekends till she’s old enough for college/moving out.
TAGGED BY: @essentiamortis​ ( thank uuu <3 ) TAGGING: i think all my mutuals have already been tagged 😭 feel free to snatch it again if you wish, though!
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ofviolentdeathmuses · 1 month
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name: Colette Daniels
what: Witch
age: Appears mid 20’s
birthday: July 17
occupation: Bar tender currently
location: Currently Ruby Hill, Nevada
faceclaim: Natalie Hall
status: Single Verse
relationship: Complicated
parents: Orpheus Daniels and Margot Sky
siblings: Zia, Kymber, Brendon, and Wylie
kids: None
Some days, Colette wishses she wasn’t a witch. Her life would be so much easier if she were just normal. Of course, she doesn’t have a say in this. She’s not the best at making friends, preferring to keep people at arms length.
Despite all of that, her life was pretty much mundane until she met Wilder. What had started as one night stand had, somehow and against better judgement, shifted to something closer to friends with benefits. Of course, things fell to complete shit when he realized he was a witch and she learned that he was a weapons dealer for hunters. That should have been the end of it, but Colette had never been great with boundaries and a leftover spell, a sigil placed on him, had her rushing to help him after he had been hurt badly and left for dead. The amount of magic it took to save him and come close to killing her, but she hadn’t regretted it. Her grandmother got involved at that point, made the two of them forget each other. But some people are meant to know one another, for better or worse. That just so happened to be the case with the two of them. They met all over again and fell back into old patterns easily, but there was a nagging, uncomfortable sense of familiarity and when dug at, the spell came undone. Memory spells are not always foolproof after all. That had been the end, or so Colette had thought. She had packed up and left, not wanting her grandmother to find out either one of them knew.
She took off with her half-brother and his boyfriend, putting Wilder out of her mind as much as she could manage. Until he showed up on her doorstep asking for her help. She should have told him no, but Colette had promised him before that she would help him if he would “just fucking let her” and she wasn’t one to go back on her word. However, he hadn’t expected her to punch his ex, a high-ranking and awful demon, in the face. With no other options left, they ended up at Cord’s bar on a tip from the extended family of her cousin’s husband.
Given everything that has gone down, Colette cannot safely leave Cord’s bar. Even if she gave Wilder up, she managed to piss Azazel off all on her own and she's too stubborn to back down.
Other Info Threads Face Drabble
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selfmadesaviour · 1 year
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quotes that broke me:
accepting / not accepting @immxvable as will graham said "this whole time, i've blamed myself for that decision."
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her movement halts. every thread of muscle in her body goes taut like a bowstring, and for a moment she only stares at him. then her fingers flex, curling into fists and then spreading wide again. she takes a few steps toward him, closes the distance between them just a little.
they are standing on soft, green grass beneath a widely reaching, ancient oak. the afternoon sun is low on the sky, but the air is still warm with the late summer heat.
but margot is freezing. every ounce of blood in her veins have turned to ice, angry crystals that cut through her with the same excruciating pain as the ache of every breath she forces down exhausted lungs.
she stares at him incredulously for a long moment, disbelief and anger mingling in her gaze while she tries to find the words to explain the emotions that mingle in her chest as his statement truly sink into her consciousness.
this whole time, i have blamed myself for that decision.
is it meant to reassure, comfort? is he seeking understanding or forgiveness, looking for a way to mend something they didn't need to build in the first place? does he want her to pity him?
which decision is he referring to?
she decides to start there, and her gaze drifts toward the smooth stone in the ground before them, and then she forces it back up to will's face. her expression is set in the same ice that runs through her own heart, eyes fiery with anger and lips drawn in a scowl. "which one? not feeling guilty that doctor lecter told mason about the pregnancy, being more concerned with your ego being bruised? sticking with him despite everything he did? leaving my wife bleeding and broken on the pavement?"
the words spill out of her before she can think to stop them. alana wasn't hers when she was pushed out a window and left to die, and will's relationship to hannibal is more complicated than she gives him credit for. and, to be fair, tricking will to impregnate her wasn't exactly fair play or done out of the kindness of her heart.
but her brother was a devil, and will must have known. must have known what would happen when hannibal told mason about her situation, must have known the extent of pain she was put through as a result. he must have known what would happen.
or so she tells herself, because she needs a scapegoat. and standing here, listening to will talk about her loss like it was his to grieve, like the boy buried in the warm earth beneath her feet was something he was ever supposed to as much as suspect existed -- she can't do it. the pain and the frustration mingle in her body until she is burning hot with rage and despair.
mason is gone. he did not get a long, outdrawn torture or slow, suffering end. he died too quick, too easy, and there is no outlet for the betrayal and grief that margot simply does not know how to get rid of. but there's will. and he's standing there, feeling sorry for himself, and it is simply too much.
"you were never supposed to know. i was not going to demand child support or keep in touch with you, send an eighteen year old to your door and break your life apart when you least expect it. you needed a distraction, i needed a man to help me out. you played a role in william's suffering and death, and i hope you never sleep again."
perhaps she is being unfair. perhaps will was simply a pawn, perhaps he deserved to know his child. and in a way it is clear she doesn't actually despise the man standing beside her on the grass, as the sun sets over smooth stone engraved with a father's first name and a mother's last. she named the boy after will, gave the both of them that little gesture as she held the breathless infant in her arms.
every time she closes her eyes, she sees that. her baby, lips tinted aegean and smooth skin shades of ivory, chest still and voice silent because his heart no longer beat. fully grown, when alana cut him out and pulled him into margot's arms. ten fingers, ten toes. dark lashes and the sweetest ears margot had ever seen. will's nose, and lips. lips that were parted as if her son had been trying to take a breath.
every time she tries to sleep, she sees her lifeless son and remembers that she played an equal role. she was too late. too caught up in her loss to realise what mason had done, too busy being hurt and angry to search and save the baby. she was too late, and didn't do enough.
so she sends every breath of anger in hateful arrows aimed at will's heart. mason is gone, hannibal is locked away, and she can not allow her guilt and anger to truly turn inward; not when alana needs her to be all right. their baby, the pregnancy she is terrified to hope for, needs her to stay alive.
she throws the anger toward the man beside her, and then her knees give in and she drops into a slouched heap by the stone, running fingertips across the grooves that form william verger above a heart. her own heart is broken despite the pounding it does against her ribs, and there is no undoing it. no bringing him back.
eyes close in an attempt to force the tears back, and a familiar image travels across her inner eyelids. pale skin, a chest that doesn't heave with breaths, eyes that will never open.
she has no idea how to move past this.
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theobliviates · 2 years
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under the cut you will find an updated muse list, short bios and links
trigger warnings: domestic violence, addiction, sex work, emotional abuse, death, mentions of police officers 
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addison anderson | margot robbie fc | 28-38 years old | heteroflexible 
addison grew up as an only child to a single mother. she never knew her father, having him dismiss himself from her life when her mother revealed she was pregnant. depending on the verse, addison is an executive assistant (personal assistant), studying business or a p*rn star. 
+ bubbly, open-minded, organised
- fussy, short-tempered, self-indulgent 
 pics + things | wants (incl. wanted fcs) | wanted plot | starters 
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kyle harrison | elizabeth olsen fc | 29-39 years old | heteroflexible 
kyle’s father was a police officer who was shot and killed in the line of duty just before her 18th birthday. up until then, the two of them travelled a lot and kyle felt like she had to raise herself with her father working long hours in the police service. depending on the verse, kyle is a kindergarten teacher or bartending as she studies to become a teacher 
+ independent, easy-going, relaxed
- lonely, depressed, closed-off
pics + things | wants (incl. wanted fcs) | wanted plot | starters
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arya madden | phoebe tonkin fc | 29-39 years old | non-defined (hetero-leaning) 
arya is the older of the madden twins, and the stronger of the two twins. she was the protector of her sister when the two were emotionally abused by their alcoholic father. their mother was an addict and paid no attention to the way their father treated them and as such, arya left home as soon as she could, making sure harriet came with her. she supported her sister by getting a job as a topless bartender and stripper before moving to escorting when she was older and needed more money. 
+ strong, driven, independent  
- hot-headed, easily-frustrated, sarcastic 
pics + things | wanted (incl. wanted fcs) | wanted plot | starters 
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harriet madden | phoebe tonkin fc | 29-39 years old | heterosexual, borderline demisexual 
exactly like her sister, grew up in an abusive househole to an addict mother and drunk father. arya was always there to look out for her, make sure she had lunch made for school that day and shelter her from any physical abuse from her father. the nightmare home situation caused harriet to retreat and become quiet and closed off. determined to be better than her parents, harriet became a nurse and works in a hospital (mostly the er) 
+ intelligent, kind, motherly
- closed-off, shy, loner 
pics + things | wanted (incl. wanted fcs) | wanted plot | starters
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evangeline ‘evan’ winston | florence pugh fc | 24-29 years old | heteroflexible
evan never really grew up in a safe space. her father was a prominent member in a motorcycle gang and her older brother followed in his footsteps. her mother abandoned her and left her with the club to be raised and evan grew to learn about how the business worked and how to be a functioning unofficial member of the club. au verse: evan’s father and brother are mechanics and she grew up learning to fix cars and motorcycles. she now works in the office of the shop and makes sure the bills are paid on time. 
+ bright, easy-going, playful
- guarded, unapologetic, easily-frustrated 
pics + things | wanted (incl. wanted fcs) | wanted plot | starters
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c l o s e d m u s e 
jana álvarez | ana de armas fc | 29-39 years old | heterosexual 
jana will be open for plotting and new threads when i have built up her bio and muse a bit more.
+ bright, bubbly, loving 
- naïve, unambitious, doubting 
pics + things | wanted (incl. wanted fcs) | wanted plot | starters
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poppy stillwater | dakota johnson fc | 29-39 years old | heterosexual  
poppy was born into the stillwater dynasty, her great-grandfather being silas stillwater - a realestate mogul from turn of the century new york. she was given every opportunity in life, going to private schools, travelling the world and having a free-ride through college. all of that came crashing down the day her brother came out to the family and was immediately disinherited by their grandfather. in protest and in solidarity with her brother, poppy stood up to the old man and was disinhereted as well. this leaves the stillwater family without an heir to continue on their run of new york realestate, so poppy’s mother is trying her best to repair the relationship before grandad dies. poppy is a barista to pay her rent. 
+ smart, educated, worldly 
- entitled, sheltered, snobby
pics + things | wanted (incl. wanted fcs) | wanted plot | starters
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sloan gilbert | jessica chastain fc | 39-49 years old | heteroflexible 
sloan leant at a young age that life is not fair. all she had ever wanted to do was become a mother and raise a family. after a medical episode and massive infection, she was forced to have a hysterectomy at age 20 and was told she would never be able to have her own children. this has caused massive strain on most of her serious relationships as it’s not something she is comfortable talking about openly. she is a lawyer or paralegal depending on the verse.
+ intelligent, bright, understanding
- closed-off, secretive, traumatised
  pics + things | wanted (incl. wanted fcs) | wanted plot | starters
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robbie delaney  | richard madden fc | 30-40 years old | pansexual, preference for men
bio coming
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bielbraganca · 3 years
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special delivery ; @margotstuart​
the portuguese prince spent most of the ceremony and first half of the reception just following protocol, talking to whoever he needed to and smiling at one or two people before he had enough. this time, not even the alcohol was able to give him a numb from the outside world when he decided to keep it to just a glass or two. it was when finally, his eyes fell upon his company again that he crossed the ball and taps on her shoulder from behind, gabriel gives her waist a gent squish as he leans in just a bit to whisper closer to her ear not want to intrude in conversation, but unable to hold himself back. "excuse me, your royal highness, but may i have this dance before is time for us to leave?”
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godblooded · 4 years
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@rejectory has requested the fucked up journalist. 
your own house growing up (it wasn’t ever a home, was it? people had to make it feel that way) wasn’t even as big as this. but the vergers are old meat and so are you, after all, or so was the crellin family (sometimes, even for how your heart aches whenever you look at amma, you’re glad you’re a preaker, even though that’s not much different). you might’ve been raised that way, but you’re certain you don’t have anything left of that you. might’ve existed for a brief second, maybe in the days of cheer, but it never stuck with you long.
(you don’t think parts of adora you hate her you hate her, mama are too clear in you, but damned if you’re not fuckin’ terrified of them. sometimes your hands are soft and you remember tucking amma in and then you remember your skin singing like it used to, the way you hadn’t wanted it to anymore, the way you thought you’d gotten rid of. the word blood throbs just once somewhere on your chest.)
it smells like lilacs here, and that’s not surprising to you. you grew up around stockyards, and while you figure it might always smell like death, it doesn’t. goes to show, sometimes, there are good things even amidst the trash.
the great part about big places like this is i’m sorry, i got lost is your back-pocket excuse. the smell of horses, however? that’s inescapable. the stable’s the ornate kind of thing you think adora would swoon over and then remark backhandedly about over mimosas unreasonably early in the morning. 
you are looking for margot verger-- or her brother mason, but you’re really less curious about him. you needed a big assignment, and this is enough of one. it took you hours to convince curry into it.
you’re not really sure where the front door is, but you are sure it’s somewhere, so what does a little looking around hurt?
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