Tumgik
#comes a bright day
tuppencetrinkets · 1 month
Text
Tumblr media Tumblr media Tumblr media Tumblr media
~#75,000 icons of Imogen Poots, 200x100, slightly sharpened from: 28 Weeks Later, A Late Quartet, Black Christmas, Castle in the Ground, Centurion, Chatroom, Christopher and His Kind, Comes a Bright Day, Cracks, Filth, Frank and Lola, French Exit, Fright Night, Green Room, Greetings from Tim Buckley, I Know This Much is True, Jane Eyre, Jimi All is by my Side, Knight of Cups, Me and Orson Welles, Miss Austen Regrets, Need for Speed, Outer Range, Popstar Never Stop Never Stopping, Roadies, Rule Number Three, Solitary Man, Sweet Virginia, That Awkward Moment, The Art of Self Defense, The Father, The Look of Love, V for Vendetta, Vivarium, Waking Madison and Wish.
This content is free for anyone to use or edit however you like; if you care to throw a dollar or two my way for time, effort, storage fees etc you are more than welcome to do so via my PAYPAL.  Please like or reblog this post if you have found it useful or are downloading the content within.  If you have any questions or you have any problems with the links or find any inconsistencies in the content, etc. please feel free to drop me a politely worded message via my ASKBOX (second icon from the top on my theme!)
6 notes · View notes
crownedstoat · 2 years
Text
Tumblr media
Comes a Bright Day
0 notes
novelconcepts · 11 months
Text
There’s a line from American Gods I keep coming back to in relation to Yellowjackets, an observation made early on by Shadow in prison: “The kind of behavior that works in a specialized environment, such as prison, can fail to work and in fact become harmful when used outside such an environment.” I keep rotating it in my head in thinking about the six survivors, the roles they occupy in the wilderness, and the way the show depicts them as adults in society.
Because in the wilderness, as in prison, they’re trapped—they’re suffering, they’re traumatized, they’re terrified—but they’re also able to construct very specific boxes to live in. And, in a way, that might make it easier. Cut away the fat, narrow the story down to its base arc. You are no longer the complex young woman who weighs a moral compass before acting. You no longer have the luxury of asking questions. You are a survivor. You have only to get to the next day.
Shauna: the scribe. Lottie: the prophet. Van: the acolyte. Taissa: the skeptic. Misty: the knight. Natalie: the queen. Neat, orderly, the bricks of a new kind of society. And it works in the woods; we know this because these six survive. (Add Travis: the hunter, while you’re at it, because he does make it to adulthood).
But then they’re rescued. And it’s not just lost purpose and PTSD they’re dealing with now, but a loss of that intrinsic identity each built in the woods. How do you go home again? How do you rejoin a so-called civilized world, where all the violence is restricted to a soccer field, to an argument, to your own nightmares?
How does the scribe, the one who wrote it all out in black and white to make sense of the horrors, cope with a world that would actively reject her story? She locks that story away. But she can’t stop turning it over in her head. She can’t forget the details. They’re waiting around every corner. In the husband beside her in bed. In the child she can’t connect with across the table. In the best friend whose parents draw her in, make her the object of their grief, the friend who lives on in every corner of their hometown. She can’t forget, so she tries so hard to write a different kind of story instead, to fool everyone into seeing the soft maternal mask and not the butcher beneath, and she winds up with blood on her hands just the same.
How does the prophet come back from the religion a desperate group made of her, a group that took her tortured visions, her slipping mental health, and built a hungry need around the very things whittling her down? She builds over the bones. She creates a place out of all that well-intended damage, and she tells herself she’s helping, she’s saving them, she has to save them, because the world is greedy and needs a leader, needs a martyr, needs someone to stand up tall and reassure everyone at the end of the day that they know what’s best. The world, any world, needs someone who will take those blows so the innocent don’t have to. She’s haunted by everyone she didn’t save, by the godhood assigned to her out of misplaced damage, and when the darkness comes knocking again, there is nothing else to do but repeat old rhymes until there is blood on her hands just the same.
How does the acolyte return to a world that cares nothing for the faith of the desperate, the faith that did nothing to save most of her friends, that indeed pushed her to destroy? She runs from it. She dives into things that are safe to believe in, things that rescue lonely girls from rough home lives, things that show a young queer kid there’s still sunshine out there somewhere. She delves into fiction, makes a home inside old stories to which she already knows the endings, coaxes herself away from the belief that damned her and into a cinemascope safety net where the real stuff never has to get in. She teaches herself surface-level interests, she avoids anything she might believe in too deeply, and still she’s dragged back to the place where blood winds up on her hands just the same.
How does the skeptic make peace with the things she knows happened, the things that she did even without meaning to, without realizing? She buries them. She leans hard into a refusal to believe those skeletons could ever crawl back out of the graves she stuffed them into, because belief is in some ways the opposite of control. She doesn’t talk to her wife. She doesn’t talk to anyone. It’s not about what’s underneath the surface, because that’s just a mess, so instead she actively discounts the girl she became in the woods. She makes something new, something rational and orderly, someone who can’t fail. She polishes the picture to a shine, and she stands up straight, the model achievement. She goes about her original plan like it was always going to be that way, and she winds up with blood on her hands just the same.
How does the knight exist in a world with no one to serve, no one to protect, no reason propelling the devastating choices she had grown comfortable making? She rechannels it. She convinces herself she’s the smartest person in the room, the most capable, the most observant. She convinces herself other people’s mysteries are hers to solve, that she is helping in every single action she takes. She makes a career out of assisting the most fragile, the most helpless souls she can find, and she makes a hobby out of patrolling for crimes to solve, and when a chance comes to strap her armor back on and ride into battle, she rejoices in the return to normalcy. She craves that station as someone needed, someone to rely upon in the darkest of hours, and she winds up with blood on her hands because, in a way, she never left the wilderness at all.
How does the queen keep going without a queendom, without a pack, without people to lead past the horrors of tomorrow? She doesn’t. She simply does not know how. She scrounges for something, anything, that will make her feel connected to the world the way that team did. She moves in and out of a world that rejects trauma, punishes the traumatized, heckles the grieving as a spectacle. She finds comfort in the cohesive ritual of rehabilitation, this place where she gets so close to finding herself again, only to stumble when she opens her eyes and sees she’s alone. All those months feeding and guiding and gripping fast to the fight of making it to another day, and she no longer knows how to rest. How to let go without falling. She no longer wears a crown, and she never wanted it in the first place, so how on earth does she survive a world that doesn’t understand the guilt and shame of being made the centerpiece of a specialized environment you can never explain to anyone else? How, how, how do you survive without winding up with blood on your hands just the same?
All six of these girls found, for better or worse, a place in the woods. All six of them found, for better or worse, a reason to get up the next day. For each other. And then they go home, and even if they all stayed close, stayed friends, it’d still be like stepping out of chains for the first time in years. Where do you go? How do you make small choices when every decision for months was life or death? How do you keep the part of yourself stitched so innately into your survival in a world that would scream to see it? How do you do away with the survivor and still keep going?
They brought it back with them. Of course they did. It was the only way.
1K notes · View notes
paintpanic · 6 months
Text
Tumblr media
Kirbtober Day 24: AU
[In which Panic posts art for her AU which she's never explained before.]
226 notes · View notes
skinnypaleangryperson · 2 months
Text
Bojack Horseman is the last piece of media that I would have expected to have a consistently enduring fandom. It's pretty much non-existent on an average day on Tumblr, but it's obnoxiously popular on other forms of media daily, and it kind of feels like tumblr is dying out in most content anyway, and even on here there's still a decent amount of content that's posted daily that is decent enough for a piece of media that was canceled years ago and wasn't super popular or mainstream even when I was out. It impresses me daily, it's a good thing, since BoJack is the love of my life anyway and is boring as it is, really all that I need for the rest of my sad, lonely, pathetic life.
43 notes · View notes
roszabell · 1 year
Text
Tumblr media
i’m really feeling the sticky-note & highlighters palette vibe recently
225 notes · View notes
strawhatboy · 1 year
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
you were an unexpected surprise, the defining moment. the collision of stars that slammed into us hard and sent our neat little world plummeting into the ocean. we never expected it to be you, you know? but it is you. It's all you. and now there's no looking back.
happy birthday captain! monkey d. luffy 05.05 🩷
241 notes · View notes
Text
            Stalks lean towards the sunset, their yellow cups reaching to catch the last of the light.
Tumblr media
23 notes · View notes
justladders · 1 year
Text
Tumblr media
I was messing around with suggestive-ish poses the other day and wanted to do some weird colors with one of them
343 notes · View notes
voltfruits · 1 year
Text
hmm. thinking about how when the party goes into Aubrey's bedroom on One Day Left and she finally apologizes, Kel's immediate reaction is to apologize to her in return. and also thinking about how Aubrey always targets Kel in physical combat but also in her verbal accusations (Aubrey's dialogue upon winning in the church fight is "serves you right, Kel" and she doesn't seem nearly as mad at Sunny despite him actually slashing her with a knife). i know the common fandom perception is that Kel and Aubrey simply drifted apart after Mari died, but... i think it's very likely that something actively bad happened between them, but neither one of them wants to bring it up again. and i definitely feel like Kel secretly blamed himself for Aubrey's downward spiral.
294 notes · View notes
spockvarietyhour · 1 year
Text
Tumblr media Tumblr media
Season 5 was the best
193 notes · View notes
suworkbook · 1 year
Photo
Tumblr media
It’s taken me four months to correct the timestamps on this janky pirated srt, but finally we can all continue our bid to set the world record for longest ever time taken to watch a nine minute cartoon.
256 notes · View notes
pink-flame · 1 year
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
quote
164 notes · View notes
Text
so, uh. the warm and bright day has come huh.
40 notes · View notes
Text
Tumblr media
Okay, my brain wouldn't let me sleep until I did a mock up sketch of a Victorian AU of Prodigal Son lol
Did I use a Murdoch Mysteries poster as a reference of sorts? ...Perhaps but you can't deny it looks cool 😁
Please note that this is a VERY rough sketch so if anyone looks a little off, I am aware 😆
P.S. has anyone else noticed that Malcolm’s eyebrows are thicker at the end instead of thinning out? Just me? Okay 🙃
18 notes · View notes
Text
Tumblr media
Posting one Murder Drones meme a day until Episode 5 drops, Day Eight.
113 notes · View notes